#also “i wanted to do it because i've never done [a movie where the whole script is improvised] before”

[aq2003]

absolutely crying at these serious film critics talking abt nativity 2

[ashtheketchum]

NSFW alphabet Patrick Hockstetter

A/N: I've done this alphabet with a few other characters before, but I've never published anything. Then why don't you start with the biggest psycho? XD

Warning: NSFW content, female Reader, book and movie Patrick in one, mention of killing animals

_____________________________

A(ftercare = What is he like after sex?)

Patrick isn't actually that interested in you after sex. Maybe he asks briefly if you're still okay and then he doesn't care about you anymore. Sometimes he is so nice and carries you to the bathroom, but you have to wash yourself. Deep down, Patrick would like to help you, but the risk of getting a boner again is too high.

B(ody = his favorite body part)

Patrick loves your ass. He can't resist massaging it, pinching it or hitting it. All he has to do is stare at your ass and he'll get a boner and have to stop himself from fucking you to the wall.

C(um = Where does he cum?)

Patrick doesn't care where he cums. Whether in you, on your stomach, on your face, on your back, he doesn't care, you should just tell him. He's not into condoms at all, so unfortunately you have to be prepared to buy the pill. Otherwise, Patrick will never cum inside you (except in your mouth-) because he doesn't want you to get pregnant.

D(irty secret = One thing he does that you don't know about)

In class he sometimes jerks off on you. Especially in the summer when you're wearing short clothes, he can't keep himself together. In fact, no one has noticed it yet and it should stay that way. Since you sit in front of him and always help the teachers, he also has a complete field of vision of your body.

E(xperience = How much does he know about sex?)

Let's put it this way… you're not his first. Maybe the first one he treats a little gently, but when it comes to sex you are (with luck), the third one he's had. He had raped many women back then and therefore has a lot of experience about how he should and shouldn't move best. Sometimes he had to hold himself together not to destroy you completely, but he kept himself well within his limits.

F(av. position = What position does he like to fuck you in?)

Patrick goes through all the positions with you. Missionary, doggy style, riding and more. But most of the time he prefers the missionary position. This way he can see your whole body and do whatever he wants with it. Of course he prefers it if you ride him, but he prefers it if he takes the lead. But he likes to try things out, so be creative.

G(oofy = Does he have a sense of humor during sex?)

This point is critical. It depends on his mood, when he is in a good mood he sometimes teases you. "My little slut… takes my cock so well…" he says, for example. But when he's in a bad mood, he usually never says anything. He sometimes growls, growls or whines, but nothing more.

H(ickeys? = How does he feel about hickeys?)

No. Patrick likes to give you some, but he doesn't want any himself. The world should know who you belong to and not the other way around. Because you belong to him, not he to you. So you have to live with the fact that you sometimes walk around with a bruised neck.

I(ntimacy = Is he romantic?)

HAHAHA no.

J(erk off = Does he masturbate often?)

Ohhh yes. He masturbates very, very often, precisely because he can't touch you all the time. He masturbates at school, he masturbates at home. The only time he doesn't masturbate is when he's sleeping or fucking you. But otherwise he always masturbates when he can or wants to.

K(ink = What turns him on?)

Basically everything you do. Do you bend down to pick something up? He sees your ass and gets hard. You stub your toe and moan in pain? He loves suffering and becomes hard. Are you talking about your day? He wants to use your mouth for something else and gets hard.

L(ocation = Where do you like to do it most?)

If it were up to him, you would fuck everywhere. At school, in town, behind a church and more. But it's too uncomfortable for you, so you only do it in private places. Once you did it in the school toilets because Patrick got a hard on that no one could miss.

M(otivation = What really gets him in the mood?)

Fire and knife games. He loves to hurt you, even if it's just a minor injury. Your loud whimpers turn him on, making him want more and more. Most often he cuts your collarbone, your hip or between your breasts. But he never cuts so deeply that it cannot heal. But sometimes a scar remains.

N(o = What would he never do?)

Start a real relationship with you. He only sees you as a sex toy and sometimes treats you sweetly so that you stay with him longer. Don't expect to be able to change him.

O(ral = Is he a giver or a taker?)

He prefers to receive. The feeling of your lips around his shaft drives him even crazier than he actually is. And your looks, he could never get enough. Especially your strangled moans as he fucks your throat. It's never the other way around, in fact Patrick had never even thought about licking or fingering you in any way.

P(eace = Is he slow or fast?)

Hard and fast. But the closer you get to your orgasm, the more he slows down to tease you. Most of the time he tortures himself, but seeing you suffer is worth the cost to him. As he gets angrier, he gets tougher, but then his knife and fire games hurt more.

Q(uickie = Does he like quickies? Something done or had quickly)

He was never a fan of it. It feels wrong for him to just fuck you quickly and then act like nothing happened. Especially because it takes several rounds.

R(isk = Would he do it in places where he would easily be caught?)

Yes. Patrick doesn't even see fucking you in public as a risk, he sees it as a given. If it gets too much for you, he usually ignores it. But since you mostly only do it in the forest or at home, it suits him.

S(tamina = How many rounds can he last?)

If he's in a good mood, three rounds are easily possible. Maybe more. However, when he's angry, all he really wants to do is hurt you and sometimes you don't even get to your first orgasm. But he does :'D

T(oys = Does he use toys on you?)

The only toys he uses are his lighter and a small knife. He doesn't want anything more, he doesn't need anything more. You never find toys that interesting, and neither of you want to buy them and hide them.

U(nfair = Does he sometimes tease you?)

Not sure if you could call that teasing. But, as mentioned before, it becomes slower and gentler as you get closer to your orgasm. But when you beg and whimper sweetly, he speeds up again and gives you your well-deserved orgasm. But only sometimes.

V(olume = Is he loud or quiet?)

Most of the time he just growls quietly in your ear. He wants to keep his voice quiet and deep so that he can hear you better. But when he cums, he lets out a small whimper, then he just breathes loudly and quickly. He is also quiet when talking dirty.

W(ich position = Top or Bottom?)

Patrick is definitely a top. He wouldn't even think about giving you dominance, even if you give him a blowjob or ride him. He always has control over you.

X(-x rey = How is his cock?)

Patrick is a little longer than average, but he is a little thicker at the base. Slight veins can be seen under his tip and he has a pink tip.

Y(earning = How high is his sex drive?)

Very Very Very Very Very Very Very Very high.

Z(zzz = Does he sleep after sex?)

Patrick never falls asleep after you have sex. Most of the time he watches you sleep or he goes to kill some animal. When he really needs to sleep, he sleeps very lightly.

[yamujiburo]

Do you think you could info dump all that you know about Madame Boss and Mayomoto with drawings? I would love to know more about their dynamic and about young Giovanni with baby Jessie. Maybe Delia could ask Jessie about it in a comic? Would it be sad or nostalgic? Maybe both? Like a flashback or something would be cool! Anyway, love your art and everything that you do!! ❤️

I'm not sure I can get it out in just drawings (just because it's a lot) but I have quite a few I've already done if you wanna look through my tags~ I'll also explain a bit here with some of my old comics. Long post under the cut~

Canonically, Madame Boss is the founder of Team Rocket and Giovnanni's mother. Miyamoto was one of her elite agents and Jessie's mother. They're REALLY close as evidenced by how they talk to one another (ex. Madame Boss calling Miyamoto "Miyamoto chan", Miyamoto's informal way of speaking to Madame Boss despite her being her superior, their friendly banter, etc.). Madame Boss sends Miyamoto and two other Team Rocket members on a mission to find Mew, but she and the other members never return. Miyamoto's implied to still be alive, endlessly chasing Mew with Jessie as her north star and reason to keep going. Madame Boss passes away sometime between the radio drama and before the events of the first Pokémon Movie. You can listen to the whole drama here! Madame Boss and Miyamoto are primarily in the first part, but Miyamoto pops up at the end of each of the other parts at different periods of time.

This is more where my headcanons begin! Miyamoto, whose dub name I hc being (Calamity) Jane, joined Team Rocket mostly because of her not great circumstances. She works her way up the ladder quickly and impresses Madame Boss. They become close but at the time, Miyamoto was dating a charismatic performer/con man that MB, not so subtly, doesn't approve of. She was right to not approve as this man got Miyamoto pregnant but left her before he'd known.

Madame Boss, despite her penny pinching behavior (Team Rocket wasn't that big yet), does what she can to help out Miyamoto. They had to tread carefully though, they didn't want anyone thinking there was any sort of favoritism happening.

Jessie is born, and for a little while Miyamoto keeps her and raises her the best she can. On more short term missions she'd leave her with Madame Boss, who's not super fond of children, and would have her own son Giovanni watch her (or have another grunt in Team Rocket watch her). This wasn't sustainable, so Miyamoto quickly puts Jessie in foster care (the foster care part is canon). Miyamoto would still visit her daughter whenever she could.

Ultimately, Miyamoto was a very driven, one track minded woman. She would constantly go on missions and after discovering Mew, became obsessed. It was around this time Madame Boss was starting to catch feelings for Miyamoto. Miyamoto would play along but was not nearly as invested in their relationship is Madame Boss was. Not in a malicious or leading on sort of way, she just had a job she wanted to get done

When it was time for Miyamoto to go on the mission to actually find Mew, Madame Boss, while excited at the prospect of getting her hands on a legendary Pokémon and the money that came with that, began to worry in the days leading up to the mission and tried to get Miyamoto to stay. She offered to send a different team out. To her they were disposable, but Miyamoto wasn't. Miyamoto didn't take the offer, wanting the glory and money of finding Mew for herself (but also had a daughter she wanted to get back to and be able to provide for). She leaves and goes MIA

Madame Boss is brokenhearted and after several years of Miyamoto going missing, is not able to run Team Rocket, troubled by the immense amount of guilt and heartache, and Giovanni takes over. She remains in the organization, more so operating in the background. It was rare for agents to see her out and about. But years later she sees Jessie's joined Team Rocket as a trainee. She requests Viper and Giovanni keep an eye out for her. Viper doesn't know why but does as he's told. Giovanni understands, remembering Jessie as the little toddler he'd have to take care of many years ago as well as her mother Miyamoto, who he knew was very close to his mother.

Not too long after, Madame Boss passes away but Giovanni keeps his promise and continues to keep Jessie employed.

I don't think Jessie remembers much of her mom or anything from around this time. I don't think she even remembers her mom being in Team Rocket or Giovanni babysitting her. She just remembers her mother leaving and never coming back and holds some resentment, not knowing the context of why Miyamoto disappeared.

I've thought about doing a story where Miyamoto returns in my hanamusa au but I still gotta think it out more. It starts with Miyamoto stopping by Delia's restaurant and she and Delia talk, not knowing the little connection they have via Jessie.

[clairegregoryau]

Through the Looking Glass

From fairytale in Season 1 to stark reality in Season 2 of Our Flag Means Death- meta ported across from this Twitter thread by popular demand!

This thread contains spoilers for the entirety of OFMD Season 2

First OFMD S1 rewatch since S2, and holy shit, if you haven't done that yet... do that. A thing that it made instantly clear: they told us *all along* where this was going, but there was a reason we didn't see it. Because we were living in Stede's world then. Now it's Ed's.

I know that a lot of us have felt that the tone shift at the end of S2 was... jarring, compared to what's come before. This felt like a show that wouldn't go there. One where being run through was a temporary hiccup. We've travelled all the way from this to this.

But we haven't jumped there without a journey in between. And from the minute we started hearing about Blackbeard, the show never tried to hide what Ed's world and his specific life was like. Not once. In fact they told us over and over and over.

But Season 1 told us a lot of those things through song and story and fuckery. It blended reality with fiction.

Stede met the Blackbeard he knew through books and tall tales, and the real man was even more wonderful than he'd imagined.

We, along with Stede, were comfortable thinking that all those other tales were exaggerations and misrepresentations, and a lot of them very likely were.

The Ed Stede got to know was a person who was capable of whimsy and silliness and loved soft things and doing something weird. Yep, he was also capable of violence and rage, but when he was with Stede, he didn't feel it so much.

This was a vacation from that life.

To Stede he was absolutely lovely... oh, and also a bloodthirsty killer. And Stede loved (and loves) everything about him, and both of those things can be true. This is a perfect example of a spot where (in watching Season 1 without the benefit of hindsight) I assumed that everyone else in that pub was wrong, and Stede was simply trying to protect Ed's fearsome reputation by agreeing on the bloodthirsty bits. And I think from Stede's perspective that was largely true. I think that's how they wanted us to see Ed, through his eyes. Now, after watching both seasons, I think it wasn't the whole picture.

They told us, we heard it, we saw glimpses of it. But we (and Ed) were in Stede's run-away-to-sea fairytale the whole time. It wasn't until Stede left that we saw the reality- the Ed we knew had been, to a degree, a fictional character all along. I always saw this scene as Ed putting a bit of distance between himself and reality; it always felt like the Blackbeard of Stede's storybooks was the fictional one. But now it feels like the softer Ed that Stede knew was much the same- neither of them the whole story of who Ed was and is.

The one person who refused to live in Stede's fairytale was Izzy. I've seen people say it before, but he always gave off that vibe of the only human in the Muppets movie, or the guy who was in Black Sails while everyone else was in Pirates of the Caribbean. He saw the real risks clearly.

And in that light, the end of S1 has shifted an inch to the left for me, and I'm seeing it at a slightly different angle.

Izzy ripped away the healing Ed was doing, but in some respects he did it by tearing away the fairytale we'd all been living in, shoving Ed back into the Blackbeard story.

And that's where we pick up again in Season 2.

The fairytale reference came back in S2 in two notable places, those being Jim carrying that legacy forward in the darkest times, and in Izzy invoking the wooden boy against Ricky's efforts. Stede's made himself into a real boy. Ricky, nope.

Now that I've watched both seasons together, the tone shift doesn't feel so jarring at all, actually.

It feels like sliding through the looking glass, out of Stede's world, and into Ed's- a world that existed all along; we were just seeing it, la vie en rose, through Stede's eyes.

At the beginning of S2, Stede's gone, and we're seeing it unfiltered through Ed's reality.

But Stede wasn't lying when he said he loved everything about Ed. He made a promise to come back and find him- he went down into Ed's darkest place and reminded him that no matter how bad things got, there WAS someone waiting for him, ready to love him.

The contrast between S1's fantasy and S2's reality (excluding mermaids and actual bird guys and cursed coats) is stark, but it really is that.

We have the same settings, the same people, and very different ideas and outcomes at different times.

But it was always there.

Things do come back to a state of (precarious) balance once they're all together. Apologies are made, whether they're spoken out loud or through actions. Things go right, things go wrong. Healing happens. Izzy continues to have the steadiest, most real through-line in the story as he tracks toward redemption, finds acceptance, and to an extent finds himself.

Once again, I hate that they went here with the ending and I wish they hadn't. But it got a fraction easier for me looking at it not as a continuation of Stede's fairytale, but of the grounded-in-pirate-reality arc Izzy was always on, even while we lived in Stede's world.

Where does that leave us? We're not going back to the fairytale, but we're not going to be living in Black Sails for S3, either. We've hit a fusion point where S1 ended with each of them going to separate, miserable homes, but S2 ended with them in the same place, ready and willing to make a go of it.

Season 3 is going to give us their world, together.

I LOVED the moments in this season where the deep emotions were in balance with the silliness I've always adored about this show. Eps4-6 were wonderful like that. Clearly we're not done with drama, either, but like Ed and Stede, I think we'll find a middle ground.

Anyway in conclusion, a rewatch of S1 after S2 somehow made me love the first season even more, which felt impossible? It's now gained /even more/ layers of depth than it had before. No matter how you feel about S2 I think it's worth that rewatch.

Adding one more bit of clarity for myself: I think we got a bit (intentionally) seduced in S1 by the idea that the Ed of the storybooks, the Vampire Viking Clown with the nine guns, was a version of him that others saw, when Stede saw the REAL person who 'worked' for Blackbeard.

In hindsight I think it's clear the Ed Stede go to know was also not the complete version of himself- the reality is, there's a whole spectrum between the two, and they've landed in the middle of it now. Ed intentionally leaned into the unlovable Kraken image to protect himself.

It very much didn't work, just like being just... Edward hadn't worked to protect himself, either. This season has been very much about pulling those two extremes together and finding all the parts that make up Ed overall (another thread on that here on Twitter, which I'll also shift across to Tumblr soon!)

And I think one of my favourite things in S2 has been seeing the way Stede SEES that- he knows what Ed's done, everyone's told him, but he still loves Ed. sees his trauma and how it affects him, and believes he's a good man regardless. He IS lovable; he's not forever broken.

And together, they can heal.

[luceafarul-de-dimineata]

Do you have any headcannons for the paradise lost gang? I'm dying for more of my healers.

Paradise Lost is my favorite set of character, of course I have hcs about them. My beloved disfunctional sitcom family that's somehow a hospital <3

Paradise Lost hcs

Everyone in Paradise Lost is on something. There's no way Morax can be so chill without some weed in his system

The only Paradise Lost citizen that graduated high-school was Bathin and he left

Lucifer was born in his 30s, he was born with a doctorate in every major

Becoming a citizen in Paradise Lost is almost impossible. Both Lucifer and Gamigin need to give you a vibe check and you have to learn healing magic.

Since Paradise Lost was founded after Lilith's disapearance, there are no native Paradise Lost citizens, the closest being Gamigin and Jjok

During Sundays where nobody in Paradise Lost works, each of the nobles has to come up with a fun family activity.

Be it board-games, movie marathons, walks through the forest, anything, they have to all do it together during Sunday

Lucifer has a picture of God or Jesus in every room of his castle because he is a true Orthodox Christian

Even though Lucifer has his own room in his own castle, he preferes sleeping in Gamigin's bed with him. He likes cuddling with the young dragon

Marbas is allowed untied whenever he's not dealing with patients, but he sometimes keeps the restraints on even when he's off duty

Lucifer sees everyone else as being beneath him, but he cares for them like they were children or pets

Lucifer never goes to meetings with the other kings because he doesn't like how often they happen and how little is actually done with them.

Morax has a facebook account where he posts low quality edits of him and the other people in Paradise Lost. They always get one like and it's from Lucifer.

Marbas has a brick phone because it's the only one he can't break with his bare hands. He sometimes calls his 'friends' from other regions with it, but he has no phone attiquit. He would call someone and just ask them for stuff with no hello, no small talk, no nothing

Buer is the best with phones in the whole country. He also didn't pass 5th grade tech lessons about how to make a folder on Windows. He has what used to be the latest phone model when he left Tartaros, but he only uses it to call patients.

Gamigin doesn't have a phone and Lucifer prohibited him from touching the internet. But Lucifer does give Gamigin his phone to play on during breaks or stuff

Lucifer has a fancy phone that he only uses to like Morax's posts on facebook and ignore the mail the kings give him

Depending on the type of meeting and the availability of his staff he will either take Gamigin or Morax with him during diplomatic travels.

He takes Gamigin most of the time, but if the subject is mainly about the atrocities of war he brings Morax. Morax is an airhead with no self preservation, he's used to seing people dying left and right in gruesome manners, but Lucifer would prefere to protect Gamigin from the sort of trauma

Everyone in Paradise Lost is devoted to Lucifer, but Gamigin fluctuates between "wow, he's so cool, I need to impress him" and "my king can beat your king in a fist fight"

Gamigin's also the noble that Lucifer spoils the most. He lets Gamigin do basicly what he wants around the country and he even lets him touch his angelic body.

Whenever there's a long ride from Paradise Lost to a different country, Lucifer sits Gamigin on his lap and let's him sleep there. If anyone speaks louder than a whisper, Lucifer will glare them down.

Gamigin is the favorite kid and by a lot

It's bordering on platonic yandere, but we'll keep it light for this post (unless you want some darker stuff, feel free to ask 👀)

I've said this before and I'll say it again: there is no official uniform in Paradise Lost, Marbas just hates Buer in particular (and he wants to rip the clothes off him)

Lucifer has a photo album of all the memories he had with his brothers. There are some photos with Gabriel, Michael and Raphael in there as well

[corkinavoid]

Hogwarts??? So you hate trans people then, if your supporting jk

First of all, it's 'you're', not 'your'. If you want to accuse someone of something, then at least do it in a grammatically correct way.

Second, that's a lot of conclusions for no apparent reason.

Third, don't like - don't look, the 'block' button exists for a reason, and I'm not here to provide a comfortable experience for you. You're the one responsible for that part.

With that out of the way, let me rant about how much I fucking despise J.K. Rowling.

Let me get this straight, though, her stance on trans rights is not the first or the main reason for my dislike. In all honesty, I don't have enough care in myself to touch internet drama with a ten foot pole, so all I know about it is that apparently Rowling hates trans people, which, yeah, fuck her.

By the way, what do you even consider 'supporting an author'? Buying their books or merch? Liking their Twitter posts? Defending them on social media? Because I've done literally none of that. I haven't even watched the movies, and I've never read the last book, because at the time it wasn't published (or written yet), and by the time it was, I was already into Eragon series and didn't care about Harry Potter.

Now, to the important part.

I fucking hate J.K. Rowling because of her absolute lack of comprehensive worldbuilding. She sucks at creating a logical system of magic, at her own world's history, economics, and politics. Nothing in her books makes sense.

Why do the wizards need wands? Why do they write with quills on parchment when there's paper and notebooks and goddamn ink pens and color pencils? Why don't they teach math in Hogwarts? Why don't the teachers have, like, some introductory lessons or at least books for muggleborn or muggle-raised students? What the fuck was that 'power of mother's love' bullshit? Where did that story about Peverell Brothers and Death come from, and why didn't anyone think to mention it when Harry first got the Invisibility Cloak? Why in the world is the entrance to the Chamber of Secrets in the girl's bathrooms of all places? Why is there a subject for Ancient Runes but no one fucking uses runes? Why didn't Harry sign up for Muggle Studies, it would have been an easy grade? Why was Hermione the only one to have a time-turner in the whole school, she was fucking thirteen, what was McGonagall thinking? Where are any kind of PE lessons? Why the everloving fuck was Triwizard Tournament held at a school, with teenagers participating? What's more, why couldn't they choose the champions beforehand so the visiting schools didn't have to transport their whole student bodies over for a year? Why were they fighting dragons when it's common knowledge that no sane adult person would dare to do that alone by themselves? What was that arch in the Ministry where Sirius died? What the fuck was even going on for the most part of the series?

None of it makes an ounce of sense. Every fucking event in the books is a product of poor imagination and lack of logic. Rowling is fucking dumb as a brick. I've heard five-year-olds come up with stories that had more reason than the whole Harry Potter series.

Have you seen the 'map of wizarding schools' she came up with? That thing makes me feel the rage of a thousand men. One single school for the whole damn Africa? Bitch, there are over fifty countries there, each with their own language, how do you expect them to communicate? Not to mention India and China having one school for both of them, do you have any idea of the population of both of those countries? That school must be, like, a size of a city, not to mention culture differences and language barriers again.

Also, what was that fucking thing about kids flying on whole ass trees instead of brooms in Koldovstvorets, that one offends me personally. Not to mention the actual name of that school, because it translates to 'magic palace', are you kidding me?

I can keep ranting about this for hours, and never run out, but this is getting rather long, so I'm going to wrap this part up. Just know that the whole of Rowling's worldbuilding is a ton of bullshit that has no right to be as popular as it got.

Yet, I do like the general idea that she had. The magic world that is hidden inside the real one, the whole charms and spells aesthetic, a castle full of secret passages, and all that old classic English vibe to it. It could have been good. It could have been marvelous, if Rowling had, like, a few more braincells. Alas, she didn't, and here we are.

A few years ago, I've found a fic on ao3, 'survival is a talent' by ShanaStoryteller. It's a Series Retold, and it's incomplete. If you haven't read it, I really advise you to, it's perfect in a way the original will never be. Ever since I've read it, I decided that that fic is my canon version of Harry Potter.

On a different note, I think that at this point, HP fandom and J.K. Rowling exist in two different dimensions. That woman had created a world, yes, but it doesn't belong to her anymore, it belongs to everyone who enjoys it. She clearly doesn't, she only enjoys the profit she is making from it.

If you've made it this far through my Harry Potter related rant, thank you, and have a beautiful day <3

[hotvintagepoll]

Propaganda

Lauren Bacall (To Have and Have Not, The Big Sleep, Key Largo)—"Just put your lips together...and blow" excuse me ma'am i'm briefly going to turn into a kettle. She's the quintessential Femme Fatale who may betray me in the end but I'd let her it'd be worth it

Pearl Bailey (Carmen Jones, St. Louis Blues, Porgy and Bess)—vintage crush of all time, the most beautiful woman I've ever seen, and my GOD the PIPES! She wasn't in nearly enough movies, but every time I see her I'm aghast all over with what a gorgeous woman she was. Vote Pearl for diva glamor like no one else! (also....she was on the Muppet Show!)

This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Lauren Bacall:

"She is soooo neat. And hot. And everything. That one scene in To Have and Have Not where she says "you know how to whistle don't you? You just put your lips together and blow" altered my brain chemistry during media archaeology class and here we are."

"The VOICE, the SLINK, the EYES. Woof."

"Lauren Bacall was a major lesbian awakening for me. Every picture of her makes it look like she’s about to destroy you physically and emotionally (why is that so hot, I may need help). She had incredible long running chemistry with her husband, Humphrey Bogart, but was an absolute star in her own right. I’ll never be over my crush on her."

"She's got that confident, no-nonsense air about her. She's a boss babe who knows what she wants and gets it DONE. Staunch liberal Democrat her whole life. Campaigned for RFK. From Wikipedia: "In a 2005 interview with Larry King, Bacall described herself as "anti-Republican... A liberal. The L-word". She added that "being a liberal is the best thing on Earth you can be. You are welcoming to everyone when you're a liberal. You do not have a small mind."" Beautiful hair. Beautiful eyes. Beautiful lips. She's just beauty. LISTEN TO HER VOICE. TELL ME THAT'S NOT THE STUFF THAT DREAMS ARE MADE OF."

"HER VOICE. Like yeah, she was absolutely stunning but oh my god, I'm obsessed with her voice"

"A gorgeous lady inside and out. One half of an absolute power couple with Humphrey Bogart, tended to him and other actors suffering from malaria whilst filming the African Queen, generally radiated grace and poise throughout her life. Also her last role was in Family Guy so she needs justice for that"

"She was stunning. Tall and beautiful with a distinctive voice and able to carry her own in a male dominated field. She won the heart of millions, including one of Hollywood's most iconic leading men, Humphrey Bogart. Their story was the stuff of legends, and the chemistry between them was apparent in the multiple films they started in together. She personified the film noir dame and yet she also adapted as Hollywood changed. Her career spanned decades, and she was honored multiple times."

Pearl Bailey propaganda:

"Pearl Bailey was an absolute POWERHOUSE! She's best known for her career in music and theater (she's a DIVINE singer, and very funny). But she also did several feature films, including a controversial adaptation of Porgy and Bess (controversial because of the story; the actors were pretty much coerced into it). She's got a style all her own, you can recognize it from a mile away. She's got you chuckling and crying from one phrase to the next. I love her <3"

"Cheekbones to die for"

[elvisqueso]

"Our warriors fought with courage, but none as bravely as Kocoum."

Pocahontas (1995)

long, rambling meta under the cut:

you know i've taken some light dips into the tags looking for content on kocoum and i never see anyone going into depth about him as a character. sure you see the posts that are all "omg he was so hot pocahontas should have picked him instead :p" but that has little to do with his character or his place in the narrative or anything. in fact, it's a further objectification of a guy who is already dehumanized in-narrative, which is so very sad to me. kocoum is a lot more than his looks, which is why they're the first thing about him you're meant to notice. he's handsome, and he doesn't smile. he's a warrior and a stoic kinda guy. but that's all surface-level stuff. he's a very complex person with an intense internal turmoil that circumstances aren't allowing him to deal with properly.

like, you really can't come to an understanding about his character and go on to say "and he should have been with pocahontas" bc the fundamental aspect of their relationship as characters is that they would have been terrible for each other. you could feasibly make an argument that, on some level, kocoum would have been good for pocahontas (the "handsome, sturdy husband" who could ground her), but there is no way in any universe that pocahontas would have been good for him, bc the one who actually needed and wanted a steady, reliable partner is kocoum and pocahontas is the opposite of that (which is one of the reasons she and john smith kind of deserved each other but that's a whole other post).

see, kocoum is like a hemingway protagonist. remember, at the start of the movie, everyone is returning from war; it's important to note how much emphasis the movie places on family as a representation of "the ordinary world." the same is done with the virginia company members at the top of the film. there, they say goodbye to their normal lives and start an adventure. here, the powhatan warriors are returning to theirs. but who does kocoum, the celebrated warrior, have to return to?

kocoum doesn't have a normal life yet. he still belongs to the battle. there's a lot to be said about PTSD as a character motif in this film: it affects a lot of the major characters in different ways. for kocoum, it means he's not allowed to depart from his wartime mindset until and unless he can start a family of his own, and for that he pins his hopes on pocahontas. why exactly he likes her goes unsaid; it's implied they aren't particularly close, but may be familiar with each other. pocahontas being the chief's daughter may be an element, but it may also be that he's harbored an admiration for her from afar for some time. whatever the reason, kocoum has a misplaced idea that being with pocahontas will bring him peace. like a hemingway protagonist, he's taken up with the notion that being with a woman, an angel, will fix him; but the woman he wants is neither interested in doing so nor able to do so, whether or not she cares for him.

and this is why his outburst of emotion when he finds pocahontas and john in the glade is so understandable. he's watching his hopes for the future being ripped apart before his eyes. he'll never get peace, and that breaks him and then kills him.

and when i say he's dehumanized, i'm talking about the way characters talk about him and then how he dies. he's fierce, like a bear. he's handsome, but doesn't smile. he's a tool, an obstacle, and ultimately fodder for both pocahontas's and thomas's character development (mostly thomas's). there's something to be said about how both kocoum and his foil john smith are objectified so differently. where john is the subject of pocahontas's female gaze, kocoum is also objectified through a masculine one (the tension-filled lens that marries fear and admiration for athletic, warrior men and rivals). and then, again, he gets 'fridged for plot reasons because he's also the paris to pocahontas's juliet.

basically what i'm saying is kocoum really needed someone to take care of him, and no one did nor could. and that's why he's so tragic and tbh deserves better treatment by the fans, too.

[hellspawnmotel]

well you guys really called my bluff on this one, haha. I have a lot to say on the topic so this will probably turn into a long post but the answer really depends on this: what interests you about astro boy, pluto, and the franchise/tezuka's body of work as a whole? what do you want out of this experience?

if you're just looking for places to read/watch these things and that's it, I'll put some links here at the top so you don't have to dig through this whole mess.

you can read astro boy (original manga) here (there are occasionally missing pages on this website, if/when you run into those you can switch to this one which is harder to navigate but complete)

you can watch/download the 2003 anime (english sub) here

you can read naoki urasawa's pluto here

so you're interested in astro boy but aren't sure where to start: my opinion as someone whose point of view you respect for some reason

it didn't occur to me until recently that for a lot of people who follow me, your cultural touchstone for the concept of astro boy is most likely to be the 2009 american movie. I didn't watch that as a kid, I was 14 when it came out and fully into my "anime is superior to western animation" phase, but I've watched it now and well.... if you like it that's great! I did not. I'm not going to dwell on that, but I think it's worth noting that whatever your opinion on it as a movie is I don't really think it's a good representation of astro boy and its themes. moving on.

the manga

if you want the pure, unfiltered astro boy experience, this is as close as you're gonna get. it's gonna be a little haphazard though because the dark horse publication, which is probably the only way you're gonna find to read it in english, does not order the stories chronologically. I don't think that really matters because there's not a lot of continuity so as long as you understand the basic premise you can read in whatever order you want, and this puts a lot of really good stories first anyway so it's nice too. personally as far as all versions of astro boy proper go, the manga is my favorite. it's not always an easy read, for reasons I'll get into in a moment, and it's not always good either. some stories are phenomenal, some are just plain silly, and some are downright terrible. but given how long it ran for and how consistently and without breaks tezuka worked on not just it but all his other manga too I think that's too be expected. but even the bad ones I think are worth a look! this is the history of manga as a medium right here! and I love the manga, it's fun, funny, wonderfully drawn, compelling, shockingly dark at times, and just a fascinating read for those with an interest in classic comics.

all that said, I think it would be irresponsible of me to recommend it without also including a big fat disclaimer, which dark horse was kind enough to put at the front of the book.

if you have an interest or familiarity with classic/vintage manga, anime, comics, and cartoons, you probably saw this coming, but some of this shit gets REAL racist, most often in terms of how people are drawn. some of tezuka's biggest inspirations were the rubberhose american cartoons of the 20s and 30s, and all that implies. for whatever the opinion of a white american is worth, based on his writing I really do believe he had good intentions- he consistently speaks out against racism and bigotry in general, in astro boy especially. you can tell he was very passionate about it. but I'm not gonna defend the guy either, you can't be drawing people like that, even if it was the 40s-80s. a lot of the experience of getting into tezuka is reading a story where the moral is "racism is evil! end discrimination!" accompanied by straight up racial caricatures in the art. it's baffling and infuriating. if I could I would travel back in time and hire the man a sensitivity reader, but I can't, and he's been dead for 35 years so we'll never know what he would've done about it today. all we can do is take it as an opportunity to learn and do better. but, if all that puts you off getting into the manga or the series at large, I don't blame you!

with that out of the way, the size of the manga might intimidate you. there's a lot of it. lucky for you you don't have to read all of it if you don't want to! I've read the entire thing because I'm a completionist at heart, but I've had several friends come to me for a smaller and more manageable reading list, which is as follows:

(stars for my personal favorites, grimaces for "I did enjoy this one and I think it's worth reading but I don't feel good about recommending it". I also think "the artificial sun" and "atlas" are important reads if you're interested in the history of the franchise because they get referenced a lot, but they are VERY racist and I don't think theyre good enough overall to make them worth putting on the list despite that.)

that was long. next up:

the 2003 anime

I am not quite done watching this one but I'm pretty close so I feel confident in saying: on the whole, it's great! it looks absolutely fantastic for a tv anime from that era, the character and world design is top-notch, and overall it does a really good job adapting the best and most important parts of the manga into a continuous story, although it softens the blow of the darker moments quite a bit (which might be a good thing for you, depending on your tastes). it's pretty beloved by western fans, and for good reason.

I do have my issues with it, for one this might not be a popular opinion but I think they majorly screwed up on adapting the "greatest robot on earth" arc (my favorite arc btw, yes I might be salty), for another they really sand the edges off of uran's character compared to the manga and make her a lot more meek and girly. but that's just my opinion and if this show is the only one you've watched you wouldnt know that anyway. so don't let that deter you if you're interested, you'll be missing out on a pretty fantastic kids show.

so, if you're looking to really dive chest-first into astro boy as a franchise and understand all there is to know: maybe don't start with this one. it changes a lot from the source material and kind of does its own thing. but if you're just looking for a good story thats fun to watch and total eye candy, go nuts!

pluto

pluto by naoki urasawa is an adaptation/reimagining of astro boy's most famous and beloved arc, "the greatest robot on earth". it's also what got me into the franchise and one of my favorite manga ever! pluto reinvents the story as a detective thriller set in the aftermath of what is effectively, and obviously, the iraq war. it's brutal and harrowing, and beautiful and cathartic and hopeful. to me it is the gold standard for "dark and gritty reboot of a children's story" because urasawa adores tezuka and respects the original version, which was always a dark tragedy anyway, just presented differently. you might have seen pluto got an anime adaptation last year as well. I've watched it, it's pretty good! it doesn't change all that much (I don't like the few things they DID change but whatever) but I just think urasawa's artwork, paneling, and pacing are completely unmatched so I'd recommend the manga first. I'm not gonna be that asshole who insists you gotta read the manga over the anime though, if anime is easier for you you're better off having experienced pluto that way than not at all.

(if you ARE interested in both astro boy and pluto and are considering which to get into first, it's important to know that reading the arc pluto is based on will spoil a loooooot of things about the story. so weigh the pros and cons of that before making a decision!)

so, that's basically what I have to say. I haven't watched the 60s or 80s anime adaptations so I can't give insight on those, and I'm by no means an expert on any of this. I only started reading the original manga like three months ago and before that my memories of the other stuff was pretty faded, before I revisited it. if you're interested though I hope this helps, and I hope you enjoy yourself if you decide to take the leap! it's kind of a rabbit hole. I did not know what I was getting into when I decided to reread pluto, but I'm sure glad I did.

if you have any other questions about my personal opinions, feel free to shoot me an ask as well!

[steddieas-shegoes]

Request: Steve being a hidden nerd in certain ways (ei: sports, camping, outdoor stuff like camping & vegetation/botony, bugs, animals & shit) the kids losing their collective mind as Steve tells them about it. Maybe on a camping trip or something???? I especially want Hop to be impressed.

This is maybe my first request that didn't have some kind of romantic relationship Steddie. They do have a little flirty moment, but beyond that, I liked the idea of just everyone loving Steve and being so intrigued by his knowledge of all of this random nature stuff. Also, no research was done here. Like, zero. I don't know what is true and what isn't so assume none of it is. This is fiction based on fiction and we're here for a good time. I've never been to Yosemite, but it is on the list for me and Liam to go! - Mickala ❤️

----------------------------------------------------

No one expected Steve to actually want to go camping. Sure, he wanted an RV, wanted to go to National Parks and see mountains and lakes and rivers, but they assumed he’d just want to stay in the RV.

They hadn’t expected him to bring tents.

They hadn’t expected him to suggest sleeping in the tents.

“But…we have an RV,” Mike said, suddenly no longer interested in their trip to Yosemite.

“To travel in. But we won’t all comfortably sleep in it. It’s made for five people at most.”

And that was that. The only people sleeping in the RV were Hopper and Joyce and Max and El, and everyone else was sleeping in tents.

The entire drive there was filled with arguments over music, arguing over who got to sit where, and Steve’s “fun facts” about the land they would be staying on.

He had apparently done quite a bit of research, or he had been hiding a whole wealth of knowledge from everyone.

His fun facts were actually interesting, and everyone quickly tuned in when he started telling them about how the mountains could be dated because of the type and color of the rocks, and how much of the sequoias had been destroyed over the last couple of decades and what they were doing to preserve what was left.

When they arrived, everyone stared in wonder at the meadow in front of them, the mountains as the backdrop to a beautiful sunset.

It would still be light for close to two hours, so they didn’t rush to set up the tents. They went on a short walk along the road they took to the campsite, Steve pointing out different types of plants and birds as they went.

Everyone was in awe of his information, but no one was as surprised as Hopper.

“Where did you learn all this?” he asked on the way back to the campsite as the kids raced each other ahead.

“I went to camp once when I was seven and then I was obsessed with nature. My parents wouldn’t let me go back to camp, but they let me get books and movies about plants and animals. In high school, I took geology and almost had a perfect grade. I just like this stuff,” Steve shrugged.

“So you only went to camp once? Is this your way of going to camp?” Hopper asked casually.

He didn’t usually ask questions that didn’t tell him something he absolutely needed to know.

“I guess. And to spend time with everyone. I like when we can all be together without hell surrounding us, ya know?” Steve admitted.

Hopper’s hand rested on his shoulder and squeezed in silent agreement.

Putting the tents up had been relatively easy, especially when Steve managed to show them a trick he taught himself when he was young and wanted to set up a tent in his backyard but never had anyone there to help him.

No one commented on how sad it was, but Steve realized it after he said it.

As everyone got their sleeping bags and lamps set up in their tents, Steve found a large rock along the edge of the creek in the meadow and sat on it, watching as the sun finally sank behind the mountains.

“Hey,” a voice startled Steve.

He relaxed when he turned to see that it was Eddie.

“Hey.”

“Mind if I sit with you for a minute? Kids are being a bit too much right now.”

“Go ahead,” Steve gestured to the spot next to him. “Not exactly a comfy seat, but the view can’t be beat.”

“Oh, so you’re rhyming now?” Eddie teased as he nudged Steve’s shoulder.

“Not on purpose,” Steve laughed. “It’s pretty great out here, though.”

“Yeah it is. You did good, Stevie.”

Steve looked over to see Eddie already smiling fondly at him.

“Yeah?”

“Yeah. And, for what it’s worth, I think it’s pretty fucking cool that you love nature so much. Nature isn’t really a good friend of mine, but it’s pretty nice to hear about it from you.”

“I’ll make an explorer out of you yet, Eds.”

Eddie looked at him with a look he hadn’t seen on anyone before, at least not towards him.

“Maybe you will, Stevie.”

Eddie only sat there for another minute before excusing himself to check that none of the kids touched his brand new acoustic guitar.

Steve sat there until it was completely dark around him, watching the land in front of him shift ever so slightly as the breeze picked up and the cicadas started their nightly song.

Robin sat down next to him, rested her head against his shoulder and sat with him in silence for a few minutes.

“It’s good to be out here. I don’t think Max ever expected to see mountains like this. She keeps asking when she can climb them,” Robin whispered.

“She does remember her legs aren’t at 100% yet still, right?” Steve asked.

“I think she’s willing to give it a go anyway. What’s the point of being here and surviving everything if you can’t even try?”

Steve nodded.

“Wanna come tell us more about the trail we’re taking tomorrow?”

“You guys wanna hear about it now?”

“Yeah. We like that you’re passionate about it.”

Steve felt his cheeks heat up at the words.

“Okay then. If you guys don’t mind. There’s supposed to be a specific type of rabbit who burrows along this specific trail during the summer and they can grow to be nearly two feet long.”

“That sounds terrifying. Come tell everyone about it,” Robin said as she got up and offered him a hand.

He took it and made his way back to the group.

Everyone listened to him talk about their plan for tomorrow, not interrupting when he got sidetracking talking about the type of trees they would see and what kind of flowers tended to bloom during this particular time of year.

When Steve and Eddie slipped into their tent an hour or so later, they could have stayed in their respective sleeping bags.

But Steve was still too eager to talk about things, so Eddie sidled up next to him in his sleeping bag and held his hand while he talked for another hour about the waterfall they’d be seeing and the type of fish that would most likely be in the river.

[artist-issues]

What are your hopes and fears for Moana 2?

Here's the thing

I mostly don't have any serious expectations or serious fears, because I can't be bothered to care that much, ever since Wish and Mark Henn's retirement. Not to put it dramatically, but Disney sort of died as I listened to the Bancroft Brothers' interview with Mark Henn. I have a baby nephew born around the same time a few months ago, and I listened to that guy talk about how the work stopped being meaningful and how he cried as soon as he got home from his going-away party at the studio, and something in my brain, unprompted, went, "my nephew isn't going to get the same Disney that I got or even my parents got, because it went out the door with Mark Henn."

Anyway.

But if you want my thoughts: the first movie was about how it's good to do new things when you're secure in who you are, and you find out who you are by remembering where you've been & what you've done. I could say it more succinctly but I don't feel like it.

So a sequel would make the most sense if it was about something calling into question who Moana thought she was—like maybe she's adopted or her ancestors waged war on another tribe and were actually conquerors, not just explorers, something unfortunate like that—and then she has to try and right the wrong or find out who her real parents are, something that corrects that fracture in her identity (kind of a Frozen 2 thing)—OR the other route they could go is less Moana-herself-focused and more "worldbuildy," and they could do that while staying "on theme" by having a new mystery about "who her people are" come up—because who her "people" are is a big part of her identity, and the current Western culture is all about finding identity in your "people," so they'll eat it up.

Aaandd the latter seems to be exactly what they're doing, from the trailers I've seen.

My biggest fears are that it's not going to look as good, and it's not going to sound as good, and it's not going to be paced as well, as the first movie. Already there's something off about the character designs in the trailers. And everybody's excited about this new villainess. They're like "yay, a villainess who is a villain!"

But ok guys 1) just because there is a villain in a movie doesn't mean it'll be a good movie, or a good villain. It just means, until proven otherwise, they're ticking off the fan-request boxes they've seen listed on the internet. And I don't find that to be a good sign. In the first movie they have a series of "real villains," even if they're not the driving force behind the main conflict. It's not a good story just because of the villain. The villain has to serve the story in a way that's specific to the main theme for it to be good.

Tamatoa was a good villain because he made his identity all about his outward appearance, as a foil for Maui. Maui was a good villain (such as he was) because he was willing to make his insecurities the rest of the world's problem—which could've been a temptation for Moana to do, too, because her whole village expected something of her, yadda yadda. Tefiti was a good villain because she illustrated the destructiveness of forgetting who you are. Even the dad is a good "antagonist," not straight up villain, because he's also forgotten who he is—the chief of traditional wayfinders—and it makes him self-protective instead of remembering who he is and taking direction for the future from that.

Anyway.

In this movie, if the main point is something like "We'll never be Who We Truly Are if we disconnect from parts of ourselves" (which is what I predict it'll be) then the villainess should be someone who's compartmentalizing parts of herself. While she gets in Moana's way. Maybe she can think she's doing the right thing but actually she's compensating for some major hurt from her past. Maybe she's doing all her evil deeds to cover up a weak spot or bury it. Maybe she lost something and doesn't want to deal with the grief.

That might make her too "sympathetic" for y'all's "give us a real villain" tastes, but if it serves the story it'll be good. There are ways to make her a "despicably evil, no good villain," and still stay on theme, though. If the main idea is "We'll never be Who We Truly Are if we disconnect from parts of ourselves," she could be a goddess who gave up mortality in a Faustian deal; sold her regular life and her family or something to be ultra-powerful and immortal, because she's afraid of her weakness. Or she can't stand the thought of being viewed as "normal," she wants to be "special," so she makes all the drama and evil plots as a sadistic bid for attention—like who Maui was in the first movie, but more unhinged. After all, Jafar is a power-hungry liar because Aladdin has a tendency to lie and thinks power will solve his problems. Ursula's motivation is petty vengeance because Ariel's is love that understands. You just need a villain who does the opposite of, or shines a back-light on, the Main Idea.

But I don't think they'll do that.

I think they've forgotten what it means to make a good story and they just go for dress-up box-checking now. Thats all Wish was, and who's in their story room to help them?

I also think it's too vague and too broad a thing to have it be about "reconnecting the islands." What magical Twister do they have to play with their plot elements to explain how one island makes or breaks the unity of all islands? Or are they going to do a bait and switch—they think that setting foot on one island will solve their problems, but actually, no, they just have to do the hard work to make community happen?

I'm mostly afraid they're going to make the movie all about how you have to Be Yourself, and you can't be afraid of what others think—"just Be Yourself and find the people who like you for who you are, and don't ask you to change, and those are Your People. Thats unity!" Ick.

Or they'll go the generic, "come together and embrace what we have in common, no prejudice!" thing that like, Amphibia does, or The Land Before Time limps around.

And there'll be a bisexual, gay, or transgender allegory, if not character, in that mix. And the crew Moana has will be a mini-object-lesson in unity: Old Guy has to value Young Fresh Ideas, Ditzy Boy has to find Confidence in himself instead of hero-worshipping the Princess, like Ken from Barbie, even though the girls will do all the heavy adventuring, etc. There'll probably be a bookwormish girl character, or Moana's little sister, who will need to learn to Embrace Their Power as a Woman and throw spears and punch things and let their hair down or whatever. Those are my fears.

Sorry to be a downer. Maybe it'll be good. I will not go into the theater expecting those things; I will go in open to what the movie is trying to say. But if you ask me to guess what it might say from the trailers beforehand, those are my takes.

[anxresi]

They're absolutely right...

...It's the writers that deserve the lion's share of the backlash, for poor, innocent, boring-as-hell Zoe is merely a tool of the oppressor, aka Mr Astruc. What's being oppressed, you may well ask? Well, interesting storylines, proper continuity, two-dimensional personalities... I could go on. Everything that makes a show compulsive and rewarding viewing that Miraculous Ladybug conspicuously and utterly lacks in every department due to his increasingly destructive machinations, basically.

This pink-streaked plot device masquerading as a serious character can (along with another equally pointless individual called 'Soquerline' who was so unmemorable I almost forgot she was ever a thing) exists for one reason and one reason only: to diminish Chloe's relevance and role in the show to the sum of precisely nothing. Well after S5, job done I guess guys. Well done. Well done indeed. (Although apparently not... they're bringing Miss Bourgeois back for more torture in the London 'special'. Guess Tommy Boy just can't keep away from his favorite punching bag, can he?)

The irony is though, having such a super-sweet but dull-as-ditchwater Mary Sue to replace a well-established and multi-layered person such as Chloe actually sends out a seriously awful message. Why? Because if I was a bad kid and saw S1-3 Chloe, I'd think 'what a fascinating redemption arc, I can inspired by that and do better.' But after seeing S4-5 Chloe and what an arguable downgrade as a replacement the incredibly tedious Zoe is, I'd be more like 'well, obviously there's no point in trying to be good, because you'll probably turn into a psychopath overnight with no explanation in the middle of your genuine efforts to improve. And if what the show is presenting to me as the ideal for a teenage girl to be is the waste-of-blank-space that Zoe clearly is... then a life of deliquency sounds more tempting with every passing minute! Now, where did I put my spray can?'

The most shameless aspect to this whole argument though, is by those trying to paint the hapless Zoe as some kind of lesbian icon. Pardon? She got a plot-mandated crush on Marinette in one episode and somehow that makes her insipid and needless presence an asset for the gay community? Somehow a few people have got it into their heads if you 'dare' to make someone non-straight in cartoons these days you deserve a big pat on the back for that 'risk' alone. WRONG. They should also be fleshed-out, complex, necessary characters whose sexuality isn't just define them or deflect from deserved criticism as to what the hell they are doing there if they turn up in the middle of proceedings with no prior explanation. See: The Owl House for how it's done.

And that's all Zoe being gay is... an irrelevant trait Mr Astruc can point to cynically and say ' you're a bigot for disliking her whatever your reasons are, so I'm not listening to you' instead of engaging with the actual argument which is SHE IS NOT AND WAS NEVER NEEDED IN THE SHOW. Everything you required to make Chloe the brilliant character she could've been was RIGHT THERE in the script but you CHOSE to rub it all out and scrawl some hastily scribbled doodle with no personality other than being 'very nice' in her place. A tragedy. The worst case of self-vandalism I've ever seen. No wonder Jeremy Zag wants to start from scratch with his rebooted movies. More power to him, IMHO.

Needless to say, nearly all the above in the quoted post about her father loving her (we haven't met him yet, it's DEFINITELY not Andre Bourgeois, his name ends in 'Lee' for a start) her supposed growth (the only 'growth' she's had is when she turned into that giant golden Chloe after being akumatized) her alleged pansexuality (all in the desperate mind of the OP) her 'abusive' family (I think you'll find Chloe had it FAR WORSE over the course of the show in that regard, so why not idolise her?) is complete bunkum. and to be frank I couldn't compose a much delusional post if I tried. Sometimes I wonder: what planet are some people on to reach such implausible conclusions? I don't understand it, I'll never understand it and quite frankly I feel quite sorry for the arbiters of such risibly deluded takes.

Last but not least though, we have...

Now this I ALSO agree with 1000%. And I know just the place to 'flush' her... ;)

[toomanythoughts2]

I've been thinking a lot more of Post-Klok Pre-Series Toki and I keep coming up with so many missing scenes on his development.

I've been really thinking on how Toki's role in the band, a lot of times, is the "younger brother" arche type, which is obvious, but there's also a lot of snippits in the show that really highlight just how ingrained it is in their mind that Toki was once a child or very young when he joined. In "Dethclown", Nathan yells at Toki to not run because it's wet (near the hot tub) when Toki goes to get the door for Rockso (also the whole, "I thought we agreed--no clowns?"/"No, we didn't agreededs on nothings. We all just yelled and then he was beaten. That was our conclusions." - Very older brother/younger brother argument) (Also, Skwisgaar telling Toki he doesnt have to overcompensate, that they'll all pay more attentions to him -- very older brother energy). In "Dethecution", Nathan tells Toki, "Toki you may clear the table when you feel it is time." How many times do you think Toki cleared the table as a kid when he was living in the apartment or wherever they stayed before Mordhaus was complete? Toki can barely cook (granted, he made chicken tenders in "Diversityklok" but this like a decade after the time we're talking about, so that doesn't count.) but the others do have a few skills. It was probably a chore of his while living with the band. In "Dethcamp", (which is arguably the most family dynamic-esque episode in the entire show) Nathan is seen picking up Toki's clothes, helping him pack for camp, gifting him something he knows Toki would like, and defending him from bullies. He also called Toki, "Little guy" when he said how much he misses him. Pickles is seen defending Toki from Skwisgaar and Murderface's bad talking, while Murderface and Skwisgaar rag on Toki because deserts always have to be made sugar free and they can't watch scary movies with him around. In the episodes where Toki gets wrapped up in Murderface's schemes, a lot of the hatred or aggravation from the other three, never seems to be on Toki, but more so Murderface. Like how parents get mad at older siblings for getting their younger siblings into stuff because they don't believe that the younger siblings would have done it by themselves. Like in "Dethsiduals", it's very clear that Toki is just along for the ride, even going against some of the things Murderface says while in court. All of this just screams that Toki is, unfortunately, still seen as this younger "child" because that's how the band first met him and treated him. Now on to the fun part!

I don't think that the band was overly parenting, they're still rockstars, they're still assholes. But this is a level of care and structure in the band that definitely shows that they did something to help Toki. Or things they they choose not to do if Toki was a minor when he joined.

For one, I've been really loving the idea that Skwisgaar had a very strict "No sex in the house if Toki is there" due to his own personal traumas with his mother. Toki did a lot of 7/11 runs with other band members or by himself if Skwisgaar brought someone home. Like, he would see Toki and a part of him yearned to be protect in the way he wishes he was protected. So, he did not have sex when Toki was at the house. Now, once he's 18, that goes out the window but Toki is now a legal adult and needs to deal with it.

I also like the idea that Toki did not understand a shower set up and was taking baths from the sink. Like, he would look at the shower knob and immediately freak out. He just wouldn't understand it. So, Pickles ends up teaching him the basics and Toki is so enthralled by it, he strips down immediately and gets in with Pickles still right there. (I see Toki as being very unashamed of nakedness) Pickles also helped him understand shampoo, conditioner, and basic hygiene using modern "gadgets" (deodorant in a stick or toothpaste from a plastic tube.) Pickles just didn't want another Murderface. 1 Murderface stank was enough for all of them.

Another idea that I'm honestly thinking about writing is Charles taking Toki to the mall to spend his first paycheck and going straight for the toys only to get overstimulated and freak out. Charles has to take Toki back to the car to calm down. When everyone comes back with their purchases, Toki is embarrassed that he didn't buy anything. On the way home, they pop a tire while getting gas, and the guys have to change it. Toki doesn't help (he has no idea) but he spots a store across the street from them and decides to go in without telling anyone. It ends up being a hobby store and a cashier spots him staring at the model plane, and starts explaining them to him. Toki has no clue what is being told to him, but likes the attitude of the man, so he buys one, plus some paints and brushes and other gear to go along with it. Charles rushes in after the purchases, slightly alarmed because Toki just disappeared. But Toki doesn't notice and is ready to go back to the car to show off his purchases. (Charles ABSOLEUTLY makes him hold his hand across the street and tells him to look both ways.)

I've also been thinking about what did Toki and Murderface's first scheme look like? Was it something really simple like Murderface using Toki to ask one of the guys if they could have Mexican instead of Chinese food tonight? Or was it something sneakier, like using Toki as a distraction to steal booze? Did Murderface teach him bad words with wrong meanings, and tell him to say them in front of the others? Did Murderface also get some hero worship from a very young Toki because he too played a guitar-like instrument? Murderface was probably a bad influence on Toki (they all were but...) with how to act in public, his view points on women and children, how to talk, how to have his form of "confidence".

Toki was probably never allowed to partake in interviews without Skwisgaar, Nathan, and Charles present. Skwisgaar to translate to Toki and Charles to make sure the questions were "within legal right to ask a minor". Nathan was there to make sure that their image was upheld and to intimidate the interviews from asking anything non-metal. But a lot of old footage of these interviews actually show Nathan doubling as a bodyguard around Toki from interviewers on his back and show him gently guiding him through crowds and away from people who keep asking odd things or just generally gave him an uncomfortable vibe. Nathan definitely has some kind of guidance/caregiving vibes when it comes to Toki. He does not do it to any other bandmember, just him.

Anyway, the band looks at Toki and they probably still see this version of Toki:

Ok, that's all :)

[marsbutterfly]

The Boy Who Cried Your Name

a/n: HI!!!! I'M BACK AFTER SUCH A LONG HIATUS!!!! I MISSED YOU GUYS! This story was based on this postI hope you all enjoy!

ᴡᴀʀɴɪɴɢs: none, just fluff <3

2:07am > manjiro: ok this movie genuinely seems really stupid 2:08am > manjiro: i think i'll watch it and tell you all about it during our date tomorrow. 2:11am > manjiro: oh shit, i've seen this actor somewhere 2:13am > manjiro: i know you're asleep but like 2:13am > manjiro: when you wake up can you help me find out this dude's name? 2:13am > manjiro: *image*

It's a Tuesday night, or at least it was when you first went to sleep. The nonstop vibration of your phone combined with the light that comes from it is enough to disturb your deep slumber.

You grunt, eyes squinting as you try to adjust to the brightness. Your warm hand comes out from its place underneath your pillow, only to be received by a rush of cold air that comes from the AC. Your fingers tremble gently while trying your best to type in your passcode, though your brain isn't fully awake.

Ultimately you decide to simply shine the phone on your face in the hopes that it will recognize your features even in the dark of your room.

Before it can even unlock, another notification.

2:16am > manjiro: i am learning so much from this movie already 2:17am > manjiro: did you fucking know that you can make your own butter if you shake milk for long enough?

You can't help but giggle at the sight, 17+ messages from Mikey. Before the two of you became a real couple, he would hardly ever text first, maybe because he could never remember where he put his phone in the first place or maybe it was because he was actually afraid of getting his feelings hurt, after all, a girl like you was hard to come by.

When the two of you decided to become official, his texts became more and more frequent. Most nights, you were forced to put your phone on Do Not Disturb because you desperately needed a good night's rest and lord knows you wouldn't be able to achieve that goal as long as Mikey was awake.

Your thumbs aren't moving at the speed you would like them to, your vision is still partially blurry and your throat is so dry that it feels like you are swallowing nails. Nevertheless, you open the messages to encounter a great variety of content.

Tired eyes skim through the various paragraphs, some quite lengthy as he declares his endless love for you and everything you have done / do for him on a daily basis, describing how you are the most beautiful person you have ever met and how the light that radiates from you reminds him of a sunset lit inside of your chest. How the color of your hair is his favorite because, whenever he sees it anywhere else, he feels like the universe is sending him a small reminder of how lucky he is. You smile at the sight of his gentle words.

However, you can no longer ignore the rain of incoming texts now that he has noticed the "seen at 2:14am" at the bottom of the page. He feels awful for waking you up but he cannot help himself. Every new thing he learns, every new detail of the movie he thinks you will enjoy knowing, he must share with you.

2:15am > manjiro: THIS DUDE JUST ATE HIS MOTHER-IN-LAW WHOLE? 2:16am > manjiro: IS THAT A FUCKING THING THAT SNAKES DO? EAT PEOPLE WHOLE? 2:16am > manjiro: I HAVE TO GOOGLE THIS HOLD ON 2:17am > manjiro: I have learned that, in fact, they can. I'm actually going to jump, I cannot do this 2:18am > manjiro: oh shit, i didn't mean to wake you up, but now that you are here! 2:19am > manjiro: did you know that drinking too much water can kill you? I read it somewhere, let me find the link. 2:19am > manjiro: Oh and also that when the dinosaurs walked the Earth, days were 23 hours long instead of 24?

You take a deep breath, knowing that he is coming from a place of love and care but you can't help but be a bit annoyed. Not wanting to snap at him, you use your full mental capacity at the moment to type a response to one of his many, many texts.

2:19am > manjiro: typing... 2:19am > you: Mikey, I love you, so so much and I wish for nothing more than for you to be here cuddling with me, than to feel the warmth of your body against mine, but you know I have an exam early in the morning. 2:20am > you: but baby, I am begging you, STOP THIS MADNESS.

His texting ceases and it feels like an eternity, certainly long enough for you to regret the way you spoke to him, even if it wasn't malicious or even purposefully mean. You understand that, other than Draken, Mikey doesn't usually confide in anyone else, especially not in a way that makes him seem weak or "stupid."

A sigh escapes your lips and you blink intensely for a few seconds in the hopes of stopping your eyeballs from burning. Time seems to slip by you and the next time your eyes open, twenty minutes have passed.

You bolt awake for a few seconds, heart beating faster than a race car, an irrational fear that you might have missed a message from him taking over you so the natural course of action is to check your texts. It would be a lie to say you weren't a little disappointed that there were no new messages from Mikey in that short period of time and your heart sinks just slightly.

2:41am > you: Mikey, I'm sorry, I didn't mean to upset you, I'm just nervous about my exam and super tired. I shouldn't have taken it out on you. I hope you can forgive me.

Not even thirty seconds go by before the three dots inside of the blue bubble appear at the edge of the page. The full sensation of relief doesn't wash over you until you hear back from him, a simple message, spelled completely wrong because you knew he was keeping an eye out on whatever he was watching on the television.

2:42am > mikey: all gpod bsby, u luv u. (all good baby, i love you)

With a smile on your face, you finally allow yourself to relax and place the phone down underneath your pillow, giving Mikey time for himself as he enjoys his tv time. Now, you are finally going to be able to have a good night's rest before your big exam tomorrow. Eyelids become heavy and your breathing finds its own perfect pattern, your pillow is cold and underneath your covers is warm, everything is simply falling into place.

When you are within seconds of falling asleep, your phone buzzes from beneath your head. You refuse to open your eyes and simply roll over, pushing your body away from the device.

Some time passes and you find yourself in the same peaceful vibe as before, a gentle smile on your face as you fully allow yourself to be submerged in the cold feeling of the ac against your face while the rest of your body is nicely tucked away. The feeling doesn't last long for Mikey, once again, decides to start texting you every few minutes, if not seconds.

You grunt loudly, reaching for the edge of your pillow to pull it over your ear. In moments like these, you truly had to remind yourself of how much you loved him and why because he does, in fact, test what little sanity you have left in you. But you didn't know that all he was doing in that moment was being his usual self: the guy who is deeply and madly in love with you.

3:14am > manjiro: oh yeah 3:14am > manjiro: i forgot to tell you 3:15am > manjiro: good luck on your exam tomorrow, you got this! 3:15am > manjiro: i love you so much <3 3:15am > manjiro: have a great night <3

[catboygirljoker]

[video transcript: a scene from the 358/2 Days movie. Roxas: Hey, what happens when Heartless are destroyed? Xigbar: The hearts remain. And then those hearts gather together to form the great Kingdom Hearts. Roxas: Then, can you tell me what remains if a Nobody is destroyed? Xigbar: What's there to leave behind? We're not even supposed to "be" in the first place. Roxas: And the members at Castle Oblivion, where'd they go? Xigbar: Nothing's left of them. Roxas: In which case, I'll never see them again? Xigbar: That's right. You coming? Roxas: Huh? Oh, yeah. end transcript.]

this scene is so funny to me because if you watch it by itself you assume xigbar is being a total asshole for no reason. just random unmotivated callousness and cruelty. but the DS version of this scene comes at the end of a whole mission, and with that context, you can see that xigbar actually has a reason for...being an asshole.

(transcripts below are fetched from this text of ancient times, a GameFAQ so old that it mistakenly describes xigbar as seeing roxas when he sees xion with ventus's face.)

Xigbar: What's wrong? Dazzled by the new scenery? Roxas: Do you think it's true—about the members stationed at Castle Oblivion? Xigbar: Ha ha, is that seriously what's eating you? Roxas: We might have lost a comrade. Maybe multiple comrades. That doesn't bother you at all? Xigbar: As if. Look, the faster we get this mission done, the sooner you can RTC and get your answers.

Xigbar: Still with me there? I've seen you spaced out before, but this is ridiculous. Roxas: What? I'm fine. I'm fine... Xigbar: Let me guess. Castle Oblivion? Like I said: the longer we take here, the longer you're gonna have to stay in the dark.

Roxas: Good, then we can go home? Xigbar: Why, Roxas? Did you leave the toaster plugged in? Roxas: You know why. Xigbar: Heh heh. C'mon, let's RTC.

then the scene from the above clip plays. like, xigbar is absolutely being a jerk, privately making fun of roxas for thinking his best friend is dead (when it seems pretty clear to me from the above transcripts that xigbar at the very least knows axel is fine, and i think probably knows that a nobody getting defeated just turns them back into a human).

but he tries, repeatedly! to get roxas to not jump to conclusions. this is an issue he tries to help him out with on another occasion as well, in a later mission in halloweentown, and takes a similar "tough love" kind of approach where he doesn't correct roxas (though worth mentioning that he also goes out of his way to save roxas's hide in that situation).

in the end he tells roxas that axel's totally dead, gone forever, nothing left. still pretty callous and mean. but with the context of the mission, it's less "xigbar can obviously tell roxas is upset and doesnt give a shit" and more "xigbar has put up with roxas's moping for this whole mission and TRIED to hint that maybe he's jumping the gun, but at this point the kid can think whatever he wants, no skin off xigbar's back"

Bonus Xigbar Fact: tte hanashi spotted! if you watch xigbar's mouth at the end of the line "And then those hearts gather together to form the great Kingdom Hearts," you may be able to see him saying the phrase "tte hanashi"!

[firemenenthusiast]

okay so uh hiii, first off I just wanna say you're writing is top tier, I consider you one of the best writers for Archie's characters, keep up the good work 🩷 ! second off all, the jann fic where he calls the reader mama has plagued my mind for DAYS, like literal brain rot I swear (in a good way tho lol). like I even went on character.ai and got him to call me mama on there like I'm truly down atrocious for subby jann because of you, you must've unlocked something in my brain or something 😭😭.

i don't know exactly if I'm doing this right so if I'm not just let me know and ill try to redo it but i was wondering I could make a request for you to write a few drabbles (if that's the right term, probably not) about casual dominance with subby jann please 👉🏾👈🏾, like not all of them have to be sexual, but best believe I'll have no issue with that lmao. again, I've never done this before so if it's like shitty, all over the place, and makes no sense I apologize 😭. I know you have a couple fics and stuff queued up and other things keeping you busy so no rush or anything.

domestic sub!jann

he’s a subby man, even casually. here’s some domestic headcannons of my little whiskers meow meow jann mardenborough (gt movie)

a/n: thank you anon for your kind words and request ! SORRY FOR TAKING SO LONG 😭🙏🏻 i hope this is what you imagined when writing the ask :] also jann calling reader mama was stuck in my head until i actually wrote it. and i WILL do it again

- let’s start off by agreeing on the fact that jann is the clingy one in your relationship

- he’s a busy man, especially at the height of his career so whenever he’s home, he just wants to rest his head on your lap in front of the tv

- he NEEDS you to run your fingers through his hair, or gently caressing the back of his head or he’ll take matters into his own hands

- and by that i mean he will grab your hand and place them in his hair himself, but sometimes you just want to tease him. you would constantly pull your hand away each time he’d grab it and he would whine until you give up

- jann’s a snuggler cuddler. he would snuggle himself in your chest whenever you guys cuddle eventho he’s so much bigger than you. he doesn’t care, he just needs to be wrapped snuggly by your arms in your embrace

- jann does silly things at home with you, including opening his mouth at you whenever you eat together, asking you to feed him. then when you actually do he’ll chew his food with a smile that squints his eyes

- other silly things he does is INSISTING on brushing your teeth together after waking up. you’d be getting out of the bed when he’s still chilling around and he would SCRAMBLE out of the duvets to follow your back, like a puppy

- while on the topic, he really acts closely to a puppy around you

- you getting up to go get something from the fridge ? he’ll go: “where are you going ?”

- you pulling his head off your lap to go to the toilet for a moment ? he’ll go: “where are you going ?”

- if you’re slipping on your coat with the trash in your hand at the door ? he’ll go: “im coming with you”

- he knows that you’ll just make him go himself if he offers to carry it so he wouldn’t take the trash off your hand until AFTER you’ve reached the end of the hallway, before the elevator. just so he could go on that little walk with you

- you’ve never felt annoyed or irritated with him, you’ve grown accustomed to his clinginess. if anything you’re happy that he is the way he is cuz it’s not often that he’s home because his busy schedule

- he SO would beg you to play GT with him. he even bought you your own racing wheel and display, and built your whole set up in your favourite colour just so you could play with him

- you guys have your own racing room just sophisticatedly equipped with both of your set ups, a frickin fridge and a crazy sound system.

- he actually uses the sim a lot to practise, and would follow you around the house, watching you do stuffs that you told him you’re going to be busy for that you wont be able to race with him, until you’re done. THEN only he would be willing to practise happily

- if he’s feeling extra clingy ? he’d ask you to sit on his lap, facing him, just clinging onto him like a koala bear while he races

- you’re his first ever serious girlfriend, so he really cherishes you every second he could. scenario of you breaking up with him flashes before his eyes whenever you’re upset

- ego ? dont know her. he’s willing to kneel and kiss at your knees, begging for forgiveness while you sit on the couch, clearly upset with something he’d done

- most of the time it’s just you being jealous of him entertaining his fangirls, him taking selfies with them, sometimes they’re pressed up too close to him

- you love that he’s nice to them, and that he’s loved by many, but you couldn’t help but feeling jealous

- he knows you’d be, so right after the crowd dissipates he’s quick to go to you, pulling at your folded arms.

- “are you mad at me ?” “no”

- then he would rest his head at the crook of your shoulder until you give in

- jann’s also really sulky. he doesn’t really show it, but you’ll know. he’s not the type of person to be giving you the silent treatment when he’s sulking but you’ll notice he’s distracted. he would still do things with you or for you, just quietly

- sulking jann would include avoiding eye contact. jann is generally quite shy with other people, but with you he’ll make eye contact all the time. he would smile and just look into your eyes until you blush, then he’d chuckle. so when he’s struggling to maintain eye contact with you, you know something’s upsetting him

- you know how i mentioned he follows you everywhere ? so that also applies to when you go shopping for clothes. he’s your personal hype-men, a functional one at that too

- he’s not that type of boyfriend that just waits outside the store, just waiting for you to be done. if anything he’s more excited to walk into your favourite stores than you 😭 cuz he knows there’d be new clothing line that you’d want to try on

- he gives legit opinions too, he knows what type of clothes you like, the materials, the cuttings, you would be hearing him say things like: “that looks pretty but are you comfortable?” cuz he notices it’s made with material that you don’t like

- when it’s his turn to buy clothes he lives for your eyes, and your eyes only. you have a vision in mind for the clothes or outfits that you think would make him look cute, so you’d assemble an outfit at the store for him to try on. he’s not picky, he’ll get anything that you say makes him look handsome.

- guys im genuinely tweaking i need him to be my boyfriend

- both of you have your own careers so sometimes his racing schedule clashes with your work, but it doesn’t happen often

- when you actually have a very important thing to attend for your work, and he has a race on the same day, he’ll get really sad that you’re not gonna be cheering him on, or that you’re not gonna be there when he’s done

- you try to finish your work as soon as possible when he has a race, to come to his racing venue. you mostly work remotely, so you’d just finish your work in the hotel room before going to see him. you’re his emotional support, and he’d be really happy if you get to watch him on the track.

- one time he’d been informed that you wouldn’t be there because of work, and he was really sad, pouting his lips, shoulders dropped and all (he’s dramatic like that) but he’s understanding of your work, so he went and raced the best he could so he would get to tell you all about it after you got home

- unbeknownst of him, you finished early that day and were able to catch him on the track. when he got out of the car he noticed your face on the track displays, watching him from the vip viewing area, cheering him on.

- he was quick to take out all his comms wires to go see you, meeting you halfways as you were also running to go see him

- he’s a whole golden retriever puppy boyfriend, who becomes really subby in bed, whining and whimpering underneath you <3