#all very meta

[crusheswhimsandfancies]

“You fucking patronising mollusc!”

[spn2006]

the fact that eric kripke isn't even christian really adds something to the way christianity is depicted on supernatural. because its really not about being christian at all, but about living in america, a country dominated by christianity, and having to decide for yourself how to handle that. faith is huge in supernatural, and the mythology of the show is very bible-centric, but notably, christ is never there. even sam, who starts out revering the angels, who once said he prays every night, doesn't actually call himself a christian or imply that he believes in jesus--the show is steeped in christianity and biblical lore and yet neither sam nor dean are christians. in fact, over and over again the church itself is depicted as a haunted house that sam and dean will only ever enter as strangers, as outsiders. priests, preachers, faith healers, chapels, crypts, etc. are all just iconography that create an intense sense of unease that sam and dean respond to instantly. as a jew, its very relatable. an essential part of living in america when you're not christian is that exact sense of unease, of knowing that the culture of your country has ensured that you'll get knocked over by christianity no matter where you go, that you'll see hundreds of people truly believing they're good people while doing awful things in the name of their god, and you have no choice but to confront that. kripke gets it

[s0fter-sin]

thinking about the way ghost doesn't hesitate to start killing shadows when graves betrays them but soap only takes one hostage

you can almost hear the voice in his head telling him it doesn't have to be this way; they can still talk it out

"i'm calling shepherd"

his first instinct when confronted with betrayal is to play it by the books: to go up the chain. that goes against everything we've seen him do. he bucks authority at every chance except for the one time he's confronted with the barrels of his allies' guns

he wants a peaceful resolution; for the first time we've ever seen, he doesn't want violence to be the answer. there has to be another fix, a solution that doesn't end with him killing the same men he's been working with; his friends

nothing's happened yet

it doesn't have to go this way

but ghost has been betrayed before. he knows the way this ends; either with him six feet under or his enemy

he doesn't hesitate

it's only when they knock alejandro out that soap shoots; when they spill the first blood and cross a line they can never come back from

only when ghost orders him to run and he has to cover his retreat

and somewhere along the line, between civilians’ screams and taunting voices, between his shaking breath and ghost steady in his ear, that naivety is stripped away; his trust turned to teeth that he uses to sink into throats of men he'd have given his life for

"be careful who you trust, sergeant; people you know can hurt you the most"

he's learned the price of trust

just like ghost did

but unlike ghost, he has someone to guide him through the aftermath

"good advice, It"

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[possamble]

Hold on

Was she

Hiding behind a portrait of her mother????? I know I joked about her emulating her mother to put off an air of a competent woman and mage but??? Did Ryoko Kui just straight up make the most straightforward visual metaphor of her feeling like a child behind the demeanor that she directly modelled off her mother??

[sky-scribbles]

Hey do you guys remember how long it took for Essek to show his natural awkwardness around the Nein? Do you remember how they were friends with him for three months before he even tried making jokes around them? Do you remember the long slow process of him letting down the Shadowhand mask and openly showing how much he enjoyed their antics?

Did you see Essek just being himself around Bell's Hells, this bunch of weirdos he'd never met, even as he pretended to be someone else? Did you see him cracking that dumb joke about his pretend mother being able to stop time with enough ale, and laughing with them? Did you see him watching them for all of five minutes and going, 'This has been a very interesting first impression. I'm excited to see how strange this gets!'

Do you realise how much easier and freer with people he is now? How despite dropping the Shadowhand sleekness and showing his awkward side, he somehow seems more confident? Do you realise that despite the situation right now, Essek seems happy?

[nagitosstolenhand]

i don't like the growing opinion that people are being 'too hard' on deku for his failing to save shigaraki.

i've seen quite a few people complaining that a lot of the bnha-critical crowd are being too mean to deku for getting tomura killed, arguing that it isn't really his fault, and that hes a 16 year old child soldier who's been failed by almost every adult in his life, why should we be putting all of this on his shoulders? hes just a kid after all?

and the truth is, they're right. deku IS a 16 year old boy whos had the fate of the world thrust on his shoulders. but the story itself just plainly refuses to acknowledge this.

the narrative doesn't acknowledge how fucked up having a school that trains literal children how to be combo cop-celebrities is. it only tentatively acknowledges the fact that a universe having combo cop-celebrities is fucked up, and even then the only people who ever point this out are antagonists, who are portrayed and treated in-universe as untrustworthy. the narrative doesn't care how fucked up dekus circumstances are. the narrative treats deku like hes a fucking messiah here to touch the hearts of the evil depressed villains with his magical empathetic heart of gold before they get blown up or just sent to fucking superhell for daring to challenge the status quote.

deku isn't a person. he's barely even a fucking character at this point. he's a plot device, and a mouth piece for the objectively shitty themes bnha is trying to spout. the themes that tell you that if you're mistreated by society and want to do something about it, you're a villain. that disrupting the status quote and refusing to repent to some random teenage boy spouting empty platitudes at you means you deserve to get sent to fucking superhell. the themes that portray people fighting for civil change as mass murdering supervillains. the themes that look the audience dead in the eye and can call deku the greatest hero to ever live.

deku, who barely spared a second thought to lady nagant telling him the truth about the hero commission. who spouts meaningless platitudes about heroism and morality at nagant, and aoyama, and toga and shigaraki, when even the thought that he should question the world around him comes up. who's constantly talked about as this truly kind, empathetic person, but hasn't spared an empathetic thought to literally anyone who is classified as a villain. who listened to every authority figure around him except the ones who asked him to question his worldview. who saw la bravas tears, shigarakis various breakdowns, himikos plead for understanding, chisakis catatonic state, lady nagants truth, and barley batted a fucking eye. deku, who killed tomura shigaraki.

people don't criticize deku for failing shigaraki because they just hate deku. people criticize deku because of what he represents. because hes a mouthpiece for the atrocious morals and themes of this ideologically rotten manga. because any character he had was chopped up to bits in favor of the incomplete husk we have now. people criticize deku because hes the main character of my hero academia. theres nothing more damning then that.

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

[First] Prev <–-> Next

[athenas-only-daughter]

The thing about the prologue to Downfall is that it also makes The Divergence a tragedy (or underscores the tragedy of it, depending on your view)

These beings came to the universe with Exandria broken, lost, and scared. They lost their home, they lost some of their family, and were somewhere totally alien to them, in bodies that were alien, too. Clinging to their siblings that survived.

And then, millennia later, they will seal themselves away from it, and largely away from each other, too, because they were fighting too much for this new place, this new home, to survive. They were going to end up destroying it.

If you think about it, much of the history of Exandria (its theological one, anyway, which is tied up with most of its history in general) is the story of a family dissolving, growing estranged and breaking apart. It's just that the family is a group of gods.

[mychapel-004]

watching people fight over how canon the book of bill is while completely mischaracterising bill is such a strange experience

yes he’s a liar. yes he’s a manipulator. yes he is so distant from any semblance of humanity that he is literally incapable of regret, empathy or remorse, or at least admitting to himself that he feels it.

but he’s also TERRIBLE at it. he’s a total loser. he’s objectively bad at the one task he’s spent lifetimes on. throughout history he attempts to sweet talk many, many different figures into building his portal and it rarely goes down well. multiple civilisations are aware of his existence and the sole reason we know this is because they hated him and invented their own ways of keeping him out. he has been consistently rejected by humanity at every turn, only coming close to completing his goal when he literally possessed a dead man and formed a cult.

ford is the only person who really, truly fell for the act. not just that, but bill didn’t even have to pretend to physically be someone else to get him hooked. ford took him as he was.

all this to say, bill is absolutely a grifter who will say anything to get what he wants, which means a lot of BOB is just sweet talk, carrot and stick, he’s just saying what the reader wants to hear. but that’s not the important bit.

bill is a liar but he wraps the truth up in layers of misdirection, doublespeak and lies. a monster really did destroy his homeworld. him and ford really were going to change the world. he even addresses this in the book, he lies until it becomes the truth. a lot of bill’s characterisation is shown in the gaps between his lies, it’s all in the fault lines, in a similar way to stan. he’s a very meta character, but ultimately he’s still a character and he still behaves in ways that are designed to convey meanings to the audience.

of course he’s lying in the book of bill, but he’s also telling the truth, in addition to bits of info from other sources that he is unable to edit like the theraprism section. it’s fun to have a character who lies a lot, but it would be a pointless exercise to have an entire book be non-canon and false, especially when we get much more interesting character work from the parts where he runs out of lies and his only options are desperate truths.

anyway. people wanting to enjoy canon info in a canon book isn’t just them “being easily manipulated” or stupid, and you aren’t a better fan for not believing it

[beescake]

back in the day we had pantskat

now we have sagg sollux

[wistfulwatcher]

2.05 The Aftermath | 5.01 Nameless, Faceless

[queerofthedagger]

the thing i feel people don't really take enough into account when it comes to arthur's supposed obliviousness regarding merlin's magic is that merlin is the absolute opposite of what arthur has been raised to believe sorcerers to be. merlin is clumsy and kind and - in the earlier seasons - like walking sunshine. he so obviously has negative desire for actual power, nor any respect for it, and while arthur absolutely knows that merlin isn't stupid, he 100% is an idiot.

and it's not stupid or ignorant on his part! people just do this, whenever they are taught someone who does or believes a certain thing is inherently evil! it's never the friendly guy next door who snacks half of your breakfast and then just grins when you complain, obviously not! arthur trusts merlin even early on, and beyond belief later on. of course merlin can basically do magic in front of him, because there is no part of arthur that actually thinks someone like merlin could have magic. you don't see what you're 100% convinced can't be there. if he ever got there, his already brittle construct of indoctrination and supposed repeated confirmation of said construct would crumble immediately! as it does in dotd after like, a day. it only doesn't in regards to morgana because as far as arthur is concerned, the moment she started using magic she became the cold and ruthless enemy he still couldn't bring himself to actually pursue! like.

it's very easy to think it's startingly oblivious, but one thing i really wish people would keep in mind a little more is that the viewer watches from a different point of view, and operates with a whole other set of information. that arthur operates under a certain worldview in an environment that does not teach to question it at all, and gives little opportunity to do so. it's actually wild arthur questions uther's teachings as often as he does, and considering that every time he does, they, to his knowledge, just get confirmed again (nimueh, morgause, morgana, uther's death, and so on and so forth), it's even wilder that he keeps doing it

[dykealloy]

such a small detail but I cannot stop thinking about law leaving kikoku by luffy's bedside when he went out to talk with hancock and ivankov. idk it stirs up a lot of questions. like does law do this often? does law, like zoro, talk to his well-behaved cursed sword like "kikoku, sit. watch." before he leaves to go have lunch or a well deserved twenty minute post-surgery nap. is this the protective equivalent to leaving a baseball bat by the bedside? doctor's bedside manner emotional support blade? but then I also can't help but notice that it's unsheathed. which... actually, who is that sword protecting really, just sitting there? did luffy wake up more than once in the cradle of that submarine while his body was still recovering? (drugged up to the gills, entirely noncoherent, unable to be reasoned with, going in and out of consciousness, the only thought running through his mind being "ace"). probably would've been a nightmare for the heart crew

[s0fter-sin]

soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart

sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers

and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure

the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish

soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down

he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill

we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan

he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost

he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them

he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted

he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much

[metamatronic]

my take on adult!ib and mary post the “together forever” ending.

what if they came back to the gallery though. gallery adventures pt. 2. where they will certainly not meet anyone they’ve met before. and shenanigans certainly won’t ensue.