#all things considered......

[fisheito]

#1 nurse on the way!!!!!!

[eosofspades]

i didn't have "i'm broken" teenage asexual angst i had "i'm literally being the only reasonable one about this concept and the rest of you are behaving like fucking freaks" perception issues

[manga-and-stuff]

Source: Vinland Saga ヴィンランド･サガ

by Makoto Yukimura

[podcastwizard]

"knight posting" this and "guard posting" that. i'm the princess's trusted handmaid who provides her advice and comfort in my soothing, low-class style. i am saying things like "if you don't mind me speaking out of turn, my lady..." and sharing fairy tales and lullabies my sad mother taught me. also i am fucking the jester.

[biggest-gaudiest-patronuses]

not "i ship these characters" or "i want them to bond platonically" but a secret 3rd thing (I want them to be forced to interact by the Narrative bc they would HATE that)

[bacchuschucklefuck]

no more fan-ta-sizing about it! everything's already changed~

[eggsistential-breakdown]

tdp season 6 shitpost doodles

[planariaareneat]

How The Nocturnal Bottleneck and Nipples Make Us Human

Almost every post here considers what humans do have, really. It’s a little tiring; realistically every world has its harsh environments and vicious species and a sophont to match. We probably wouldn’t be unique for our adaptability or our persistence or even adrenaline

But our evolution is fucked up as hell, to put it lightly.

Mammals went through what’s been dubbed the nocturnal bottleneck essentially since the start of the mesozoic right up until the Cretaceous ended the archosaur’s exclusive hold over the daylight. We lost a lot of things from every mammal spending most of its time in either a cramped, suffocating burrow or scrounging around in the faint hours of nighttime. Our blood cells lost their nuclei to hold more oxygen while we spent time deep underground, we lost protections against ultraviolet rays in our skin and eyes, we can’t even repair our own DNA using the light of the sun. Most aliens probably wouldn’t have such traits unless their evolution followed a very similar path to ours. They’d be able to see ultraviolet and wouldn’t have to worry about sunburn and all the wonderful privileges essentially all fish, birds, amphibians, and reptiles enjoy as we speak. 

There’s also what we gained from spending so much time in the dark.

Brown fat is only found in mammals, it’s a special type of fat which bear cells with several oil droplets and are utterly jammed with mitochondria. This lets it make heat, a lot of it, fast. We don’t even need to shiver to induce this heat generation from brown adipose tissue - factor in our downright hyperactive mitochondria, and we can warm up quickly. Sure, it doesn’t have too much use in adult humans, but it keeps our infants warm and still provides a little boost the whole run we have in this universe.

Unless aliens also went through a time where their small ancestors had to face cold nights, they’d have to produce heat the old fashioned way when chilled. Aliens might have to shiver the whole time they’re in a cold room while the human watches in confusion, quite literally unshaken, and wonders if the room is a lot colder than the thermostat set to 60 says. The aliens stare at their companion in confusion, it’s just a normal temperature to shiver at after all, how is the human sitting so still?

Our small ancestors spending all their time out foraging at night is also why we have such a good sense of touch, smell, and hearing. They were more important senses than vision (we’re lucky to have even redeveloped basic color vision, frankly) at the time and place and simply ended up continuing to serve us well. Birds and reptiles rarely have acute senses of smell and the latter especially are lucky to have acute hearing, and birds rarely have impeccable hearing themselves either. Our skin is free of scales and honed to sensitivity, and our external ears and complicated ear bones provide an immense range of hearing (from 20 all the way to 17,000 hertz!).

Aliens might not be able to pin down the chirp of a cricket or the light click of a lock being picked. The human might be the only one on board a ship that can pick out the finer sounds of the engine’s constant thrum and know the critical difference between when everything is fine and when something is wrong. The human could probably pick out the sounds of an approaching enemy’s careless footsteps - they’re only as light enough for *them* to stop hearing them, after all - and be the one to see the horrified expression (well, more on that later) on their face when we get the drop on them in spite of their perceived stealth. 

But perhaps the most versatile, convoluted, amazing, and utterly unique trait we have is right on your face this instant. Lips.

Lips in most animals are a simple seal to hold in the mouth’s moisture and protect the teeth, even if they’re supple they’re NEVER muscular except in mammals, and we have only one thing to thank for it; milk and nipples. Lips evolved exclusively to allow babies to suckle, it required a vacuum to be created in the mouth, and with no other animal having anything like a nipple it never happened in other animals. Many animals make milk, to be frank, but no other animal has nipples.

Your cheeks and lips are a marvel among tetrapods, no other animal can suck like mammals can. Aliens wouldn’t have straws or even be able to sip from the edge of a glass, they’d have to have a proboscis or simply tilt the whole thing back. Aliens likely won’t have woodwind instruments or balloons you can blow into. We take so much about our lips for granted. Hell, our muscular faces are vital for expressions, we’re probably absolute facial contortionists among a cast of creatures with mandibles and beaks and expressionless scaly maws. Aliens might find us ridiculously easy to read, if anything, compared to their own kind (all the better to deceive them) - or perhaps they’d find us hard to decipher anyways, with our lack of color-changing skin or erectable crests of bright feathers. Baring teeth might not be seen as a sign of aggression in most of the universe, smiling would be all too distinctly human. 

Perhaps with how infectious we are sometimes, that’s what we’d contribute to the universe; others might have to make do with opening their mouths just enough to show their teeth or splaying their innumerable mouthparts with just the right curve, but perhaps we’d teach the galaxy to smile, one ally at a time. 

Wouldn’t that be amazing?

[egophiliac]

Wait, the tsun event has a whole bit dedicated to Malleus bragging about what kitchen appliances he knows how to use? Twst EN just got the milk culinary crucible, which means at the same time Malleus is showing off, the entirety of the EN players are learning Leona doesn't know how to use a microwave. The timing really just makes it feel like Malleus is flexing on Leona XD

it's in Mal's card story rather than in the event proper, but yep! after teaching his tsum proper microwave usage, he takes it on a tour and very proudly shows off his extensive knowledge of household appliances. (except when he thinks his tsum fell into the washing machine and doesn't know how to unlock the lid, so he just. explodes it instead. hashtag just diasomnia things. 🤷)

I do think he and Leona should get into a fight about who has done a better job of learning how to use kitchen tools! Leona has the advantage of having grown up in the modern world, but Malleus has the motivation to actually do literally anything. who will win

[nostalgicfun]

Feel free to share which is your favorite NOW in the tags, but this particular poll is about which you preferred as a child! ⭐ These are being grouped by a vague theme, so in a few days we'll do another one with more options!

Also, same rule as the last poll: REALLY popular choices (ATLA, SpongeBob, Scooby Doo, Pokemon, etc.) are overwhelmingly popular and have been omitted for the sake of seeing the results for other shows.

Notes: These are shows involving live action characters, no cartoons this time! The timeframe for these polls is generally "I was a kid in the mid-to-late 90s or early 2000s." Mister Roger's Neighborhood and Sesame Street are both multi-generational so they were not included to be fair to the show's with shorter runs 💖

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[keferon]

Guys. Guys they’re miners. They’re tiny cogless miners. Guys

I blacked out and filled the whole three canvases with sketches of them being itty bitty goobers. Figured Imma show you some haha

[tourettesdog]

I am begging people to be normal about completed fics, and in particular one shots.

I am begging people to stop demanding more from authors, and insisting that one shots need to be longer or have sequels.

I don't think yall understand how many fanfic authors are one more "where's the rest of it?" comment away from throwing out any plans they might have had to continue an idea.

Unless an author like specifically says they might write more for an idea, just-- assume something marked as completed is complete, and respect it as it stands, please.

[bottombaron]

The scarest thing about Nandor being actually smart in all things Guillermo is that this is the reason why he'll never make the move to be with him:

Nandor already knows how he feels about Guillermo.

He's not even repressing it. He's just made peace with it. Because Guillermo was never an option.

Guillermo is human. He'll choose to stay human. He's fleeting. He'll always leave in some form or fashion. Nandor doesn’t choose to act on his feelings for Guillermo for the same reason why he never turned him. It would just be a curse.

[thirdtimed]

still figuring out how to draw them

[branwinged]

one thing about asoiaf is that it frequently invites you to have sympathy for characters who've carried out varying degrees of morally repulsive acts (most apparent with pov characters such as theon, cersei, tyrion, and jaime but also sandor, joffrey, and even viserys). and most of these characters have received some equivalent of, what may look like 'narrative comeuppance' : theon flayed by ramsay, cersei made to perform her walk of atonement, tyrion sold as a slave, jaime losing his hand, joffrey's painful, drawn out death etc. except the scenes really aren't framed like that since the series doesn't seem to buy into that idea. all these incidents are not just deserts but moments of horrible injustice against these characters. and that's a little series thesis statement in itself, no neat category of monsters whose misdeeds can be addressed by a single moment of karmic justice but people like you and me who hurt others and have been hurt and continue on living. it's saying, here's this person who is capable of great cruelty influenced and motivated by their experiences with the world, but will you also hold understanding and sympathy in your heart for when the world is cruel to them in return? given what most fandom discourse looks like... the answer to that question is unfortunately a resounding no for a lot of readers.