#all the posts are tagged by date

[heartorbit]

find another role, carry on the show

[iraprince]

it's time again for the ✨#ADHDCosmicTakeover!✨ my comic this year is about pinballing helplessly between interests and the frustrating feeling of being a "jack of all trades, master of none" (but who said i have to be a "master" of anything anyway? fuck off!)

thank you so much to dreamadoodles for organizing this year! pls check out the tag to see more comics from other contributors 🌠

[irregularjohnnywiggins]

You ever have those moments where an idea just... won't leave your head?

[sp0o0kylights]

Part One

The drive's short one. 

Steve gets out of his car, opening the passenger door for Chrissy and escorting her up to the house, quietly envisioning what Jason would look like if a real monster got him.

What would he say, staring down the crazy, five-starred head, filled with teeth and drool? Would he turn back? Or run?

(Steve swears he doesn't take great pleasure in imagining Carver getting eaten, but he'll admit to taking a little.)  

"Chrissy do you have any idea--oh." Mrs. Cunningham startles, grasping her robe at the front as she spots Steve standing next to her daughter.  

"Hi Miss Cunningham." He says.

"Hello." She says suspiciously. "And who are you?"

"I'm Steve Harrington, ma'am." He watches as her mother straightens immediately at his name, and sinks right into the ol' Harrington charm, knowing instantly it will work. "I know you were expecting Jason, but I'm afraid he wasn't able to drive Chrissy home." 

"Oh, Steve! It's so late I almost didn't recognize you." She titters, suspicion gone. "Your mother and I are on the same charity board." 

Of course they were.

"I thought you were dating that nice Nancy girl." She says with a squint that mimics Chrissy's, because even in the midst of a crisis he can't escape the gossip that is Hawkins upper echelon. 

"Nance is waiting in the car." Steve lies smoothly. "I just wanted to make sure Chrissy got home safe." 

"What happened?" Chrissy's father appears, ushering them both in while blatantly peering around them, eyes sweeping the street before closing the door.

Steve recognizes the move. He's checking for nosy neighbors. 

"Jason and I broke up." Chrissy admits.

"What?" 

"We..." She falters in front of her parents. 

"What happened to Jason?" Her father asks, tuning back in once they're safely away from peering eyes.

"I'm afraid Jason and some of his friends brought beer to the party." Steve steps in to explain.  

"Oh Chrissy, it's a high school party. That's no reason to break up with him." Her mother fusses, face flushing in embarrassment. Her eyes dart from her daughter to Steve and back, and Steve knows he needs to start damage control. 

If he plays it right he can burn Jason while he's at it. 

"He was horrible, mom. Just awful." Chrissy says, but Steve can tell she's shrinking under her mothers gaze. 

"He drank quite a lot, Miss Cunningham." With a theatrical wince, Steve turns to face Chrissy's dad, lowers his voice and says "I'm going to have to talk to Coach about it." 

He gets the intended response, which is a raised eyebrow. "That bad, huh?" 

Steve nods once, painting a pained smile on his face. "He made a real fool of himself tonight, Sir. The basketball team has a reputation to uphold." 

"Oh." Mrs. Cunningham says, hand fluttering in front of her face. "I never would have thought…"

"He's normally a good guy. I don't know what got into him." Steve has them both eating out of the palm of his hand, attention neatly off Chrissy and onto the story he's feeding them. 

Its worth it to see her shoulders relax. 

"I couldn't let him take Chrissy home in the state he was in Sir, and he got very…" 

Steve pauses. 

Fills his voice with tempered disappointment, channeling his dad. "Belligerent. Said some nasty things."  

"Really?" Mr. Cunningham says, with a low whistle, and Steve knows by his tone alone that he's bought in.

Hook, line, sinker.

Steve nods once. "I have to get back to my girlfriend, but Chrissy'" He turns earnestly here, to let her know he's not faking this next bit. "Let me know if Jason bothers you at school. I'll set him straight again if I have to." 

"Thank you Steve." Mr. Cunningham says, as Chrissy's mom hustles her daughter towards the kitchen. 

Steve shakes his hand, then waves at Crissy as she calls her own thank you over her shoulder, before disappearing out the door and back to his car.

The same one where Nancy very much isn't. 

That's a problem for tomorrow Steve.

xXx

Tomorrow Steve gets into an argument with Nancy. 

She can't recall that Jonathan took her home, or that he's bullshit, their whole relationship, bullshit--

But she also can't tell him she loves him.

So Steve snaps at her. Storms off.

 Play’s more basketball.

It takes less than two hours for him to get mopey and another three for him to spiral into deciding he was wrong somehow.

That's what his mom said all the time anyway, wasn't it? The man's always wrong Steven, and he's the man here so…

He gets flowers, chocolates, and fucking waylaid (by Dustin Henderson with his Grow a Monster) and things go sideways from there.

 Train tracks and a junkyard and demodogs make time speed up. An encounter with Billy and a dinner plate causes Steve's recollection of the evening to be fuzzy. 

He just knows that in the middle of dodging death, he has the realization that Nance wants to break up with him.

That he should let her. 

Even if it hurts, even if he doesn't want to. 

She wants to be let go.

So Steve does. He respects her, and when he has a moment after its all over, he tells her to go with Jonathan.

(At least he permanently gets the squirts out if this. Or at least everyone but Mike.

Even if most of them are shitheads and one of them's Hargrove's step sister.

It's--something.

But when Dustin keeps pestering him, demanding Steve drive him all over Hawkins and then drags him to the movies, well.

It might be the best something Steve's had in his life so far. )

xXx

"Oh shit. Is that from Caver?" Eddie asks, popping up near Steve's car like the clown in a jack in the box. 

"Carver can't hit for shit. This was Hargrove." Steve replies, attempting an eyeroll before remembering that his entire face is a bruise. 

One, giant, never ending bruise. 

"I guess his step sister gave him the slip to come hang out with these kids I watch sometimes. I didn't know she wasn't supposed to be there." Steve shrugs, because it's the technical truth. 

If you turn it sideways and squint anyway. 

"Asshole tried to threaten the kid Max is into by slamming him into a wall and screaming shit, so I stepped in, and--" He waves at his face. 

The same one he's already getting looks for. 

"I was winning." Steve sighs theatrically. "He broke a plate over my head."

The story seemed to freeze Eddie but he recovers with a quick shake of his head. 

"You poor thing." He tuts. "Let me guess--you were more worried about the hair than the wound?" 

Eddie's hands flutter like he's going to touch Steve's head but he seems to contain himself at the last minute.

The hospital threatened to buzz it for stitches." Steve says darkly, playing into the bit. 

(He had not gone to a hospital. 

None of them had.)  

"What would our King be without his crown of hair?" Eddie laments, in a falsetto that was half insult half oddly sincere. It was jarring in that it was hard to get a read on, but the more Steve was around the guy the less it seemed malicious and the more it came off  as just….goofy.

Eddie Munson, Steve decided, was not a freak.

 He was a dorky little weirdo, just like all the other kids Steve now hung out with. 

Just older, and with slightly better hair. 

"Hey Eddie." Another boy calls out, approaching cautiously. 

He's got a leather jacket on, and if Steve thinks hard enough he can sort of conjure up a memory of the guy at Eddie's lunch table, throwing a piece of bread at a pale sophomore decked out in plaid. "You good man?" 

"Yeah Jeff, just checkin' in on the Hair here." Eddie sticks a thumb towards Steve, who raises his hand and waves. 

The falsetto comes back, somehow higher as the older boy swoons over Steves arm. "Soothing his poor soul after that brute Hargrove almost killed him." 

"Has anyone ever told you you're a lot like Bugs Bunny?" Steve asks, the thought leaving his mouth the instant he had it.

(He doesn't care, it's a legitimate question.) 

It has the effect of making Munson look downright chuffed. "I have actually, but only by my Uncle." 

"Why are you checking in?" Jeff interrupts, before seeming to realize he said it out loud. " Ah, I mean--"

"Oh he didn't tell you?" Steve says, as casually as he can muster. "Eddie claimed me and Chrissy at a party last weekend." 

See Munson? Two people could play the weird bit game. 

They've attracted more of Eddie's friends now, two more boys in leather jackets edging closer like frightened deer. 

(One of which is the aforementioned younger man Jeff threw bread at, and Steve vaguely thinks the guy's name starts with a g.) 

"Apparently we're his minions now." Steve tells Jeff in a rather put upon manner. 

"It was just you, the fair maiden chose otherwise." Eddie counters dismissively, voice dropping down low. 

Steve snorts. Hums a sarcastic; "Like you'd let us choose." 

Eddie finally abandons whatever voice that was supposed to be (a villain, Steve thinks, and wonders if it hurts Eddies throat to drop from a false high to a deep low that quickly.)  to say:

 "Mock me all you like, Harrington, but you can't deny the bit worked." 

Steve automatically went for another eye roll, and gets a flash of pain for it. "Who said I was mocking you, you dork? Just stating facts." 

Yet again, Eddie reacts weird to the comment. He looks almost bashful for a second, before he recovers, tugging his hair in front of his face as he plays with it.

The bell rings once in warning, and Steve makes a face towards the doors. 

"I gotta go, Mrs Clicks out to fail me. See you around, Eddie. Jeff." The way his eyes are bruised up he can't quite make out the face Jeff makes at that, but Steve's pretty sure the guys mouth was open. 

"She's a nasty one, my minion, best stay on your toes around her." Eddie calls, and Steve waves a hand in the air to show he heard. 

"What just happened?" Jeff asks, far too loudly for how close Steve still is. 

It makes him chuckle a bit, even as one of the other guys says something in a far quieter voice that has Munson squawking and flapping his arms like a bird. 

The winding little feelings in his chest squeeze his heart, and Steve shakes his head, refusing to be fond of Eddie Munson. 

xXx

College rejection letters come in, one after the another.

Steve could have made it into a few schools he's certain, except he hadn't really applied to any.

Not that any college other than Penn Hurst mattered. His dad wanted him to be a legacy, come hell or high water.

Steve's punishment was hand picked by his parents, and he gets the sailor outfit his new minimum wage job requires is supposed to be a part of it--that his dad made him apply because it was the most embarrassing thing he could think to subject Steve too-- but honestly? 

It's not that bad. 

Not even with Robin, the manager he met yesterday, and who positively, completely and totally, hates Steve’s guts.  

He figures he has time to win her over. 

All the time in the world, now that demons aren't trying to eat his, or any of the kid's, faces. He can focus on the small things. Build himself back up.

Figure out the person he wants to be, now that he's no longer King Steve. 

It’s the thought that kept him from attending any graduation parties. To go felt like backsliding into old habits. 

‘If the kids--if it comes back again--’ 

Getting drunk at night in a random house seemed almost irresponsible.

Particularly not with people Steve has history with, without anyone he really cares about being present. Certainly not Nance and Jonathan, who he wishes he didn’t know are at some end-of-year game night one of Nancy’s friends is hosting. 

(Steve can’t think about that for a number of reasons. 

When he does--because of course he does-- he makes sure to focus on the weirdness that is Jonathan Byers being someone he cares about, instead of the fact he can’t seem to kill his love for Nancy. 

Or that he's horrifically jealous of their relationship. 

That the best sleep he had ever had was between them, two nights after the lab, when they crammed themselves into Jonathan's bed because they all couldn't quite believe it was over.

That night had been so incredibly weird, but grouping together felt safer. Smarter.

Better.

Not in a way Steve wants to put into words. 

Not in a way he wants to confront at all.) 

His parents hadn’t been able to make it home to watch him walk at his graduation--his father landing a last minute meeting with some important person or other. 

Faked apologies were given, money transferred, and Steve, not wanting to sit in his too-huge house, had meandered to Family Video. 

Tried to forget his father’s cold voice in the background of his mother’s call, loudly announcing he’d have made it a priority to see Steve graduate-- if he’d gotten into Penn Hurst. 

Steve just shakes his head. Pushes those thoughts into the back of his head, into the same place all his other weird thoughts live.

The glare he gets from the tall, pimple-ridden guy working the rental counter was expected.

Chrissy Cunningham, was not. 

"I thought you’d be at one of the parties.” He tells her, when he turns down the romance aisle and finds her staring blankly at a shelf. 

She startles, before recognition flits over her face and a warm smile is directed his way. 

“I'm honestly not a fan of parties." She confides in him, hand clutching a tape in her hands."Not those kinds, anyway.” 

"More slumber parties, less keg stands your speed?" Steve guessed, blatantly turning his head sideways in order to read the title.

She awards him with a wider smile. "Exactly." 

"Chrissy Cunningham. Are you renting Jaws?" He teases, leaning in just a touch.

She flushes, but turns and squares up to him. Steve's delighted to see it. 

"Why yes I am. I'll do you one better and even admit it's one of my favorite movies." 

Steve grins at her, and sees the way she lights up on response, eyes bright. 

This is the Chrissy that Carver had tried to kill. The strength and pure fun that radiates off her enhances the beauty she has to something almost otherworldly. 

Steve has seen enough beauty in his life to recognize when it will stay. That Chrissy wil one day be 80 years old, with gray hair and knit sweaters, and she'll still be able to light up a room. 

"Like sharks killing people that much huh?” He teases. And it’s easy, slipping into this part of himself around her. The part he’s been trying to get back. 

The confidence that he walked with, before monsters crawled out of the ground, and Nancy put a hole in his heart.

"I'll let you in on a secret. ." Chrissy leans in, dropping her voice low enough that Steve has to lean in a bit too to hear. "My favorite character is the shark." 

Steve playfully gapes at her, and for the first  time in a long time, feels like things will be okay. 

He’ll be okay.

He won’t be King Steve. He’s not Nancy's Boyfriend Steve either--but someone else. Himself.

A Steve who exists outside of Hawkins High, outside his family name. 

He likes it.

"I told you that was his car. Steve!" A too familiar voice calls and Steve can't mask the despair that hits him as he turns to his (now least) favorite shithead, whose storming through Family Video’s doors. 

"Dustin." He identifies, with an edge to his voice he can only pray Chrissy doesn't pick up on. "Other brats. What are you doing?" 

Mike stands stubbornly at Dustin's right, Lucas nervous at his left. 

Will Byers is situated next to Mike but Steve's not as familiar with him, and has no idea how to interpret the kid. 

If he had to guess based on the face he’s being sent, Will’s more nervous then the rest--but equally determined. 

(This does not make Steve feel better. It in fact, somewhat convinces them they’ve run headfirst back into trouble.) 

"Well we were going to go to Lucas’s, but now, we're bumming a ride from you!" 

"I'm busy." He says flatly. 

"Ste~eeeve!" 

"I didn't know you had a brother." Chrissy says, hand covering her mouth. 

Looking back at her, Steve's pretty sure she's trying to physically hold back laughter. 

If one could shoot lasers with their eyes, Steve would be nailing Dustin for ruining--whatever it was that was happening here. 

"He's a rescue" Steve says flatly. "It’s not working out though. We're planning on returning him to the shelter.” 

"Wow Steve." Dustin returns, offended. "First of all, if anyone's rescuing anyone I rescued you, or did you suddenly forget that you show up to family dinner every Thursday at my house like a sad orpha--mmpphh!" 

‘Mmpphh’ because Steve had taken several long strides across the store to smack his hand over Dustin's mouth. 

"Sorry Chrissy, it would appear the asshole children I am paid to babysit escaped whoever is supposed to be watching them." He shakes Dustins head, in lue of strangling him. “Hit me up later we’ll discuss the shark’s best kills.” 

“Will do.” Chrissy says, as Steve begins the process of shoving his four smaller friends out the door. “Drive safe!” 

“No you don’t, and you’re gonna prove it by swinging through McDonalds for us.” Dustin sing-songs, swinging himself into the passenger side of the Beemer. 

“You assholes owe me, big time.” Steve hisses, as Lucas and Mike instantly begin making kissy faces the second they’re out into the parking lot. "I had plans tonight!"

“Do you have McDonalds money?” Steve asks, only to immediately wince at himself because fuck did he just sound like a soccer mom. 

“I have money I took out of my mom’s wallet.” Mike says as he settles into the car with his friends.

“Fine.” Steve sighs in defeat, starting the car. 

He determinedly does not ask if the idiots walked here, because there is a suspicious lack of bicycles, if only because he hit his mom quota for the day and Steve refuses to say anything else that might edge out his cool persona.

The one he swears he still has.

Supposedly. 

("Does my mom really pay you to watch me?" Dustin asks a while later, when the other brats are distracted. His voice is painfully honest, and softer than it normally is. 

"In food, yes." Steve says, because he’s not that much of an asshole--and maybe, because Dustin is truly his only friend right now.

Steve honestly looks forward to those Thursday dinners, helping Ma Henderson and having her fuss over him in a way his parents never had. 

In a way no one ever had. 

Dustin lands a solid kick to his ankle, making Steve curse. "That's not payment you ass!"

"Ow, God Dustin--" 

"Just admit you're my actual friend, you dick!" 

"Language! I swear your mom stole you from wolves, you animal--" Steve swatted at him. 

Maybe, possibly later, he will go on to admit that yes, Dustin is his friend. 

He will even agree to making up a stupid handshake for it. 

It involves lightsabers and gore at least, which Steve insists is very cool.)

[incorrectbuckandeddie]

Buck: I just wanted to let you all know that I have a boyfriend.

Hen: Congrats Buck!

Chimney: Wait let us guess! Does he have brown hair?

Hen: Was he in the army?

Chimney: Does his job involve rescuing people?

Hen: Does he have abs for days?

Chimney: Do we know him?

Buck: How did you two know I was dating Tommy?!

Hen and Chimney: WHAT!

[felsicveins]

His heart belongs to another

And no other heart will do

[starcurtain]

Hello! I just saw your latest post and you might have been referring to my ask if it was the one about Ratiorine's differing philosophies or of what philosophies they abide by (existentialism, absurdism, etc) then that's me! If you weren't referring to that I apologize for the confusion. Sending it off anon this time so maybe it doesn't disappear 🥲

Sorry for the ask disappearing the first time; I'm not sure what happened, and I was so sad because I had been carefully holding on to it to answer it! I'm glad you were able to resend.

I do have to say first that philosophy is not my area of expertise, so there may be much more qualified philosophy buffs out there who can answer this more accurately than me, but I'll give it a go with my personal understandings of the characters:

First, Ratio is the easier of the two I think. As many people have said, he's a good fit for existentialism. His entire shtick is basically believing in the power of the individual to improve and enrich their own life, to fight valiantly regardless of the hardships imposed by their life's circumstances, and to make themself into a better person by their own choices.

It's important to underscore that this means Ratio believes in self-determination, in the idea that people's lives are not foreordained but are actually actively shaped each day by personal decisions. Therefore, people have inherent freedom to decide the course of their own lives by accepting what they approve of, refusing to accept what they disapprove of, and harnessing their own individual power to ultimately achieve self-actualization.

Essentially, Ratio works under the impression that life is not guided by something as intangible as destiny, and no matter where you start off in life, what ultimately happens to you is within your control (or at least within the control of whoever controls you). This is likely a small part of why it grates on him so badly that he wasn't recognized by Nous, because the fact that one can dedicate everything to a goal and still not achieve that goal runs contrary to his central philosophy.

If he believes that people have the power to determine the course of their own lives, then what does it say about him, who fought so hard to do exactly as he claims even idiots can do--seize control his own fate--and yet didn't succeed? Are there some things outside of man's power? It's enough to make even a renowned doctor question himself, and Ratio decided to come out on the side of "It's a personal failing, not a flaw in my philosophy." He literally said "Skill issue" to himself.

Changing tack a tiny bit here, I think it's also important to emphasize that there is a difference between existentialism and nihilism even though these philosophies dovetail. Again, I'm not an expert in philosophy, so my understanding is very limited, but the basic idea of existentialism is that "existence comes before essence"--that is, things start as a blank slate and gain nature and meaning after the fact. We are not created by some grand design, nor is there any inherent "purpose for living." Things just exist because they exist.

This is where existentialism intersects with nihilism, at the starting point that existence is inherently meaningless. But, in my personal opinion, nihilism as a philosophy fails to move beyond that. Pure nihilism is ultimately self-defeating because it leaves us with no motivation to commit to growth. It's a philosophy antithetical to the continuation of life as we know it. Existence is meaningless and any meaning you personally derive from existence is also meaningless, so why bother attempting to derive any meaning at all? This complete apathy is the Device IX that Star Rail paints as so dangerous.

And Ratio is not this way at all. His philosophy absolutely reaffirms that life can have meaning, so long as people create that meaning for themselves. He simultaneously asserts that anything that people create is not meaningless ...which basically means that meaning itself cannot be meaningless. (If that makes any sense to anyone.)

Frankly, I would argue that this philosophy may be a core part of why Ratio has not been recognized by Nous so far, rather than simply his "being a good person." (Nous is a robotic AI super-computer, why would THEY care about the presence or lack of human empathy?) Ultimately, Ratio's central philosophy about people being capable of determining their own fates and purposes also applies to his understanding of knowledge--knowledge is not something which is inherent in certain beings from birth or limited to the purview of the "special" (geniuses), but is attainable by all people. People are not "born talented" or "born untalented," they are simply "educated" or "uneducated," with the only barrier between these categories being one's own personal willingness to change. The mundane can become the divine--if they work hard enough at it.

Thus, knowledge is not wealth to be hoarded, but a currency to be spent to enrich other members of humanity.

(By the way, completely random aside--it also surprises me that everyone relates Ratio to Alhaitham from Genshin when they literally have such a glaring fundamental discrepancy in their understanding of the concept of wisdom... But anyway, back on topic!)

Ratio may (sort of) respect the members of the Genius Society, may recognize their incredible knowledge and abilities, but at the heart of the matter lies a single all-important question: Does Ratio even really believe in "genius" as a distinction (other than as a concept to insult himself)? Does he truly believe there is barrier between brilliance and idiocy that "ordinary people" can never cross?

He speaks convincingly about geniuses being different from "the ordinary," but if his core belief is that people have the power to pull themselves up out of despair and achieve greatness through effort and self-development, rather than some form of luck or god-given talent at birth, then... do born "geniuses" even really exist? Is there really an insurmountable difference between brilliant and mundane?

If knowledge is the equalizer of all sentient beings, do we not all have at least the initial capacity to become geniuses?

I personally think this central distinction about the capacity for knowledge among all humanity is the actual deciding factor in Ratio's rejection from the Genius Society, because, at the end of the day... how do you become a member of the "Genius Society" when you fundamentally reject the distinction of "genius" as an exclusive category from the start?

Ratio wants to share knowledge and uplift everyone (even if he thinks most people are starting off at the rock bottom known as idiocy).

His mission is diametrically opposed to the concept of a "Genius Society" in the first place.

He wanted in to the cool kids club because he desperately craves validation and acceptance, but the philosophical values of the Genius Society are ultimately incompatible with his own. In short, he would have to cease to be "Veritas Ratio" to succeed in joining the geniuses.

Okay, okay, back to the original point again, and just one more note about Ratio: Even though existentialism also goes hand-in-hand with absurdism, I don't think Ratio is far enough down the philosophical rabbit hole to believe in the wider definition of absurdism. Although I think he does agree with the inherent meaninglessness of existence, I don't think he views existence itself as truly irrational and the universe as as manifestation of unknowable chaos. I think he'd at least like to imagine that there are some ontological principles and inherent laws governing the operations of reality, and I think he does believe that certain things can be predicted with the application of enough thought... He certainly seems to believe in some form of "objective truth," at the very least.

I think he'd at least like to believe the universe is semi-orderly, even if he might deep down admit this is also wishful thinking.

So, to me he reads as a strong metaphor for pure existentialism, with deliberate rejections to both nihilism's apathy and absurdism's lean toward solely subjective reality.

PHEW, this is already long and I still have a whole other character to talk about... I had more to say about this topic than I thought. Sorry for the long read!

Anyway... Aventurine.

I've seen all sorts of things thrown around for Aventurine's philosophy, and while I think he does inherit a bit of Acheron's absurdism by the end of 2.1, I actually don't think Aventurine is an absurdist, an existentialist, or a nihilist.

I think Aventurine is a struggling fatalist.

He doesn't like it. We see him actively question it, but ultimately, he does come back to the concept of destiny over and over.

First, I think it's important to draw a clear distinction between Ratio and Aventurine: Ratio's existentialism is a philosophy that technically works even in a theological vacuum. Nous doesn't have to exist for Ratio's philosophy to function. Ratio's belief in the self-determination of humanity is, in fact, somewhat opposed to belief in aeons in the first place, and only works because technically the aeons of Star Rail used to be human (or were originally human creations). It's essentially an atheist viewpoint.

But Aventurine is a religious character. Like, he's just... religious. That's a fact about him. Even though we do hear his doubts, at the end of the day, he actually believes in Gaiathra, and believing in a omniscient supernatural being that is not human in origin (is from outside the aeon system) comes with a whole set of philosophical foundations that most aeon-worshipping characters just don't have in Star Rail. (Sunday is the obvious exception here, by the way.)

Kakavasha's like the one practicing pagan in the middle of an atheist convention. Awkward.

Being more serious: Religion requires faith. Faith requires the ability to believe in things you cannot verify with empirical facts. To believe in things you can only feel, never see. The belief that a goddess is watching over you, blessing you, and guiding you requires you to also accept the idea that events in your life are not always in your own control--that some of what occurs to you is decided by powers beyond your comprehension.

In essence, faith requires belief in fate. And that leads to fatalism.

No matter how much he doesn't like it, no matter how much we see him struggle with it, Aventurine does actually seem to believe in the concept of fate. He believes that some events in life are destined to occur, that some things are outside of individuals' control, and that ultimately not everything can be changed.

This is the dead opposite of Ratio's mindset: No matter how hard we fight, how far we push ourselves... in the end, sometimes people fail. Sometimes the only answer to our endless struggles is that we die, as we were destined to, before ever achieving the greatness we sought or the futures we were promised.

As an aside, I don't think faith or religion are necessarily the only factors connecting Aventurine to this particular philosophy either. Even removing theological aspects from the conversation, his extreme focus on the gambling aesthetic suggests a strong connection to fatalism too--if not a goddess, then one's fate may as well be in the hands of luck itself, of the whims of the rolling dice--or the push and pull of "powers that be," those figures of authority in the room where it happens, who make their shady deals according to preset rules and expectations, every bet resulting in an ultimately predictable outcome.

(He keeps gambling and gambling, hoping that he'll get a different result than the one he knows is inevitable...)

This is, of course, an inherently pessimistic mindset, a perfect dark-mirror to Ratio's deep-down optimism. Fatalism puts humanity into a position of powerlessness. All hopes and dreams are given over to the goddess, by whose judgment and whims the actual events of one's life are decided. Pain and poverty are inevitable trials. Suffering and death are foreordained.

And yet Aventurine has to cling to this, as much as he doubts it, as much as he hates the idea that things in his life are beyond his power to control.

Because if fate doesn't exist... If it wasn't destiny, if the tragedies of his life weren't trials from the goddess, if things weren't supposed to go this way... Then every single thing in his life really is meaningless. Everything he suffered, everyone he loved and loss, his mother's and sister's sacrifices, the torment he went through--just sheer bad luck. All of it, completely and utterly meaningless.

How can you convince yourself to keep living, in the face of such supreme and all-encompassing Nihility?

This is the central struggle of Aventurine's character, the actual mental and emotional journey we see him undertaking from 2.0 to 2.1. He is literally on the precipice, swinging between a viewpoint that he hates--his fatalistic belief in destiny--and an entirely self-defeating philosophy--nihilism--whose only possible final outcome is suicide.

This is what his talk with Acheron at the end of 2.1 is all about. This is how she saves him. In that final cutscene, we witness Aventurine reach a mental compromise, managing to finally reconcile his necessary faith in the concept of destiny with the reality that life may truly begin meaningless--but beginning meaningless does not mean staying meaningless, and believing in destiny does not bar you from making your own choices or finding your own purpose in life.

Later on in Penacony's story, we literally see Acheron use Ratio's philosophy to reject the same nihility that crept into Aventurine's:

Acheron wards off nihility's apathy through an absurdism all her own, but one which manages to enclose both Ratio's and Aventurine's otherwise incompatible mindsets: We have no way of ever knowing for certain whether the events of our lives are fated or mere nonsense. We have no way of knowing if our choices are our own or foreordained. But we don't need to know this to find meaning and value in them. Whether life is nothing more than unpredictable chaos or a predetermined pattern of cause and effect, what matters is what you make of it.

Ultimately, I think that this post has really helped me recognize just how well Aventurine and Ratio work as philosophical foils.

They really are perfect opposites.

Aventurine's fatalism is deterministic, while Ratio's existentialism is self-deterministic. Aventurine's philosophy is inherently pessimistic; Ratio's is inherently optimistic. Ratio's philosophy operates on a core belief in the freedom of humanity to decide their own paths in life, while Aventurine hates but does ultimately believe that people aren't really in control, that even if no gods are guiding us, we can't rise above our own natures. Ratio's philosophy makes meaning from growth; Aventurine's makes meaning from loss...

And they both struggle with fundamental doubts in their own philosophies, core questions that are directly tied to their own lives. Aventurine worries that his faith might be misplaced, that destiny might not exist, and that everything he suffered might have been in pointless, empty vain. Ratio faces the crisis of recognizing that his core belief in the power of humankind to determine their own paths and make their own meaning might not actually apply to everyone--because it doesn't seem to apply to himself.

It's literally only by bridging this philosophical binary with Acheron's anti-Nihility absurdist rhetoric that we can reach some sort of healthy outcome. That's why it takes both Ratio's note and Acheron's comments to finally lead Aventurine to acceptance. Ratio probably needs a little bit of Aventurine's "If you didn't make it into the Genius Society, there's got to be a reason" mindset to finally reach some peace with his situation too.

I'm not even a philosophy expert and even I can see that there's really only one takeaway here: These two characters were totally written with each other in mind.

Aventurine and Ratio need each other on core metaphysical levels! 😂

It's so good guys. You can't see it, but I'm making chef's kisses, I promise.

[ghelullu]

RKH images, Maplewood, 29.07.2016

You can almost hear the disgruntled noise because they only gave them one mic for all three of them - but he handled it with grace

[bandtrees]

they would get divorced in one universe just to find eachother in another one

alternatively titled: sometimes you're the level-headed token flesh-head impulse-control-and-polycule-member of a stubborn, eccentric, and hearty telephone-headed drug addict, and there's cruelty in the world you deem fit to suicidally fight, and that either goes about as well as you'd expect it to, or you learn about love and the value of your life and junk along the way

[wikiangela]

several sentence sunday

tagged by @hippolotamus

sooo bucktommy won me over, i couldn't resist anymore 🙈 so here's a bit of them after their date lol (also, I didn't get the Tommy hype before but after seeing him everywhere for two days... I get it now 🥵)

___

"(...) We should do this again.” Tommy says, turning fully towards Buck, and Buck’s eyes immediately find his lips. He can’t wait to kiss him again, and this would be the time, at the end of the date, wouldn’t it?

“We should.” Buck nods, licks his lips, eyes darting up to Tommy’s eyes. He’s smiling softly, just looking at Buck. “I-” he starts, and then thinks, fuck it, and this time he makes a move, as he leans across the console to grab Tommy’s chin, like he did Buck’s in his kitchen, and bring him in for a kiss. Tommy immediately reciprocates, and Buck melts against him, and then when Tommy’s calloused hand covers his cheek, it just feels so- so different, in the best way possible. This kiss lasts longer than the first one, each of them constantly coming back for more, but it’s as gentle and tender as that one. Buck loves it, and can’t help smiling into it. He wants more. “Hey.” Buck says, finally pulling away, licks his spit-covered lips nervously. “Do you- do you maybe wanna come in for a beer?” he asks shyly, and at Tommy’s surprised expression and raised eyebrow he realizes it might sound like he’s inviting him for more than a beer, and he panics again. “I- I- I mean, just a beer. And maybe- maybe more of this.” he pecks Tommy’s lips again, not able to resist a smile. “But just a beer. I don’t think I’m- But who knows, maybe-” he stumbles over his words, because the truth is, he wants Tommy, he wants… he wants so much, he wants to experience so much for the first time – it’s just that he’s not sure if it’s not too quick for this relationship, and for him.

“Evan.” Tommy interrupts, bringing his other hand up, now cradling Buck’s face in both, thumbs moving soothingly along Buck’s cheeks. “Your pace, remember? No pressure, no rush.”

“You’re really cool, you know that?” Buck whispers.

“So I keep hearing.” Tommy chuckles, and it’s adorable. He kisses Buck again, and the butterflies in Buck’s stomach go crazy. Fuck, he doesn't remember the last time he felt this giddy and excited and just light. “I’d love to come in for a beer.”

___

no pressure tags: @elvensorceress @thebravebitch @shortsighted-owl @eddiebabygirldiaz @watchyourbuck @eowon @loserdiaz @evanbegins @ladydorian05 @wildlife4life @diazpatcher @lover-of-mine @monsterrae1 @thewolvesof1998 @neverevan @weewootruck @loveyouanyway @spagheddiediaz @rainbow-nerdss @epicbuddieficrecs @pirrusstuff @spotsandsocks @alliaskisthepossibilityoflove @nmcggg @rogerzsteven @giddyupbuck @sunshinediaz @honestlydarkprincess @underwater-ninja-13 @exhuastedpigeon @911-on-abc @jesuisici33 @steadfastsaturnsrings @theotherbuckley @buddieswhvre @dangerpronebuddie @diazsdimples @daffi-990 @bidisasterbuckdiaz @fortheloveofbuddie @hoodie-buck @tizniz @your-catfish-friend

[notfeelingthyaster]

look i love timkon and i learned to like timbern (sometimes), but in honor of pride month, i really think we should diversify into niche tim drake mlm ships, we haven't made use of the opportunities it gives us

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[aq2003]

really love how throughout a lot of smith and jones martha is really skeptical and apprehensive towards ten (+ one of my favorite exchanges between them - "what, people call you 'the doctor'?" "yeah?" "well, i'm not. far as i'm concerned, you've got to earn that title."), not taking everything he says at face value, even doubting the fact he's an alien until over halfway through the episode.. And like. i really truly think the thing that wins her over isn't him kissing her or any of the other insane mixed messages he manages to send, it's this scene here, where he /earns that title/ in her eyes:

(+ david's bit in the commentary, where he says: "[the doctor] has actually sacrificed himself, and - i would say, that that final act of selflessness is what finally, eventually, welds martha to him. [...] and she now returns it. she returns that act of selflessness.")

this is what their relationship is built on. it isn't about martha being the second-best replacement to rose or a rebound or whatever. bc it isn't really about rose. it's about doctor-in-training martha meeting someone (quite literally, "the doctor") whose ideals she aspires to, and doing her best to be the same person to him as he is to everyone else. it's about ten in return admiring her intelligence and inquisitiveness and how she cares for human life, recovering his compassion, letting himself lean on her for support - and then remembering at the most inopportune moments that he's supposed to not need anyone and be on his own forever. And around in their little nightmare loop they go where they save each other over and over until one of them breaks

i've seen ppl look at martha and go "why she does she admire/why is she so in love with ten if he acts like that to her?" or something along those lines and like. it's not just the fact she's in love with him (in fact i'd argue she actively tries to push it aside post-gridlock). it's the fact that she knows he's the kind of person to put everyone else's lives/well-being over his own. she trusts him to save her when she's in trouble even though it's been like two days at most that they've known one another bc she recognizes that same "deep all-encompassing drive to help others" in him. and she also recognizes, much much earlier than him, that he needs someone to save him, especially when he's unwilling to save himself. and yeah for a bit she thinks he returns her feelings and is just playing hard-to-get, but she realizes pretty early on that this probably isn't the case, and i think that realization fully solidifies here:

(this is when she's listening to ten talk abt gallifrey). And idk it might just be me but i think this expression isn't just her empathizing with his loss. it's also guilt, for wanting something from him that he's clearly unable to give when he's wracked with so much grief. (and you see it in the next episode, where tallulah asks if they're together and martha says for certain that they're not, and that he doesn't know about her feelings for him. she keeps everything to herself bc she now knows that when he shut her flirting down at the end of 3x01 it was the genuine reaction of someone who a) isn't interested and b) is scared of getting close with someone else again)

freema described their dynamic as "she's keener than him" and i think about this all the time. martha doesn't really take what ten throws at her. what she does instead is constantly poke holes in his already-failing front of "i will show someone the wonders of the universe so i can ignore what is wrong with me". what she does is stand up and fight him when he tries to go off on his own. what she does is put aside her well-being in favor of helping someone - just like what she saw him do for the people in the hospital when they first met. tldr, that's the doctor and his doctor and rip martha you would've loved who's gonna save u now by rina sawayama

[corrodedcoughin]

I feel like Eddie is the type of guy to always have a slide whistle in his pocket and uses it to make incidental sound effects for the conversations that happen around him.

Nobody knows where he gets them all from and they don’t ask incase he takes one out and starts playing with it.

Wayne is so happy every time he loses one of the whistles. He absolutely never tells Eddie when he finds one of the numerous whistles that have rolled under the couch. He has an agreement with Steve to dispose of them secretly and securely.

Except one night when Steve’s driving around town with Eddie, he opens the glove box and there’s a bag full of whistles (seriously nobody knows where he’s getting them from. And in bulk?)

And Eddie is all ‘HEY!’ Which immediately makes Steve tense up in preparation for an argument with his easily antagonised boyfriend about the possible theft of offending musicals instruments.

But then Eddie continues with ‘more whistles! I didn’t take you for a fan dude!!’

And promptly shoves one up each of his nostrils and one in his mouth and tries to play them all at once while demanding Steve watch instead of watching the road.

Steves going to have to think of a new hiding spot.

[caligvlasaqvarivm]

To elaborate more on the Pesterquest stuff -

Alternia is a hell world. It's shitty to live in, even if you're a highblood, unless you fit a very specific mold of person AND are lucky enough to be born of a high caste. Every troll character we care about is, in some way, fucked over by their relationship to their society; Eridan and Vriska get it the worst, having been forced to participate in the murdering side of things since they were young, but every lowblood is screwed and every highblood is made worse even just by their passive participation. Kanaya becomes less sympathetic because she seems completely at peace with the society she grew up in, and Feferi wants to enforce casteism, even if it's of a different flavor. Gamzee and Equius both hold genuinely casteist beliefs and attitudes, which slip out and alienate them from the people they care about.

Putting a friendship simulator into the middle of all this is... a choice, I guess. I'm not going to begrudge anyone for wanting that or liking that, but it's going to be inherently at odds with what Alternia is and is meant to represent, and thus, fundamentally at odds with many of the characters' arcs and even basic personality traits, so heavily are they influenced by the shit society they grew up in.

For a non-Eridan example, Karkat loathes himself in massive part because his society loathes him. He's kill-on-sight and lives in daily terror of death. He wears a symbol at all because not having one marks him as even more of a freak, even though he knows that that symbol is connected to the empire's biggest rebel, whose footsteps he is expected to follow. The reason he's so obsessed with being leader-y and earning his teammates' reapect, or the respect of anybody, is because he's so deeply insecure about whether or not he even deserves to exist.

If you soften Alternia to the point you can write a lighthearted friendship simulator in it, then that characterization... goes away. Karkat is no longer motivated by deep, overwhelming insecurities, which drive him to idolize the society that deems him unworthy, mistakenly believing that if he can find validation in that society, he'll feel less bad about himself. Instead, Karkat is just kind of an asshole!

It's the same way with Eridan. He and Karkat are equal and opposite in this way - while Karkat is marked for death by his society, Eridan belongs to the extremely privileged caste of sea dweller royalty - even moreso than Feferi, as Feferi is slated to be murdered by the Condesce as soon as she comes of age (and her ridiculous optimism is likely something she cultivated in outright defiance of this fate). But it turns out that being a sea dweller sucks shit, too, if you aren't the extremely niche type of person that society deems "correct."

Eridan is not actually casteist and genuinely likes his land dweller friends - and this is unacceptible. Not only that, but smaller "unacceptible" offenses are wrapped up in big ones - despite not liking murder and feeling guilty about it, murder is objectively the correct thing for Eridan to be doing, constantly, to the point of it being "all [he's] ever done practically," because if he doesn't fulfil the duty of his bloodline to be murdering lusii (and by extension, their charges, who are culled when their lusii die), EVERYBODY dies. The constant push-pull of trauma, societal expectations and obligations, the fate of the species, and the fact that he is inherently not the "right" kind of person for his society, are pretty much his entire character. He's basically a walking ball of anxiety and emotional turmoil.

So, again, if you soften Alternia to the point where you can write a story about Eridan wanting to see Shrek in a public theater (something he would not actually be able to peacefully do in canon Alternia - at least not without taking off his cape, hiding his fins, and going anonblood - as sea dwellers are considered ridiculously hostile to the point even Gamzee's nervous about being on the beach for too long), Eridan ends up being just kind of an asshole!

Pesterquest!Eridan is, and I cannot stress this enough, fundamentally not the same guy as canon Eridan. They have practically nothing in common, from the fact that PQ!Eridan is willing to do something for leisure, to the fact that he isn't widely feared and the movie theater doesn't empty out in a panic when he turns up, even down to the fact that he likes femme fashion (canon Eridan goes to Lengths to lean into masc fashion) and Shrek (canon Eridan is a hipster). Hell, even the fact that PQ!Eridan SMILES is a massive deviation from canon!Eridan, who has never once been depicted smiling, and probably hasn't for many sweeps.

Also that he has that much beef with Sollux when, canonically, the two had a lukewarm mutual dislike and didn't even bother interacting until Feferi was added to the mix and Eridan became mad that Sollux was dating her. He wasn't even casteist about him until then, and after, even Sollux and Feferi don't think he's casteist, they just think he's ashenflirting so he can get into a quad with Feferi. Like come on, if you're going to feature another troll in Eridan's route, 1) make it be Karkat, and 2) have Eridan cheat on you the whole time with Karkat like he does to Feferi.

Eridan is just overall a wild choice in a friendship sim - I can't even blame them for just writing an OC and putting an Eridan skin on top - because societally, Eridan isn't even supposed to have non-sea dweller friends. The sea dweller/land dweller race war is something the Condesce deliberately put into place in order to keep land dwelling nobility in line, and Equius cites it as one of the reasons he never got along with Eridan. Like, the very fact that Eridan talks to two land dwellers on friendly terms (Kanaya and Karkat) is a MASSIVE deviation from what he's "supposed" to be like, and a huge hint that he's not as casteist as he'd like to appear. You are genuinely hundreds, if not thousands, of times likelier to end an encounter with Eridan either orphaned or dead than as his friend. He's an unstable maniac, and there's a reason so many members of his team don't like him even though he's legitimately not casteist and they mostly seem aware of it (nobody really complains about or even notices Eridan's casteism by the time they're on the meteor - his contradictions are really obvious, and it's likely that they've more or less realized that he's full of shit).

Again, I don't begrudge anybody for wanting or liking PQ. Who cares, really. I'm just saying that as a canon discussion blog, there's not really any place for PQ because it's so far removed from canon that, like, there's not really anything meaningful to discuss about it. The setting and characters in PQ are fundamentally divested from canon, and not even in an AU way. And it's totally fine if that's what you like, but, yeah, like.

Was Eridan written well (where "well" = accurate to canon): no. Maybe he's fine as an OC with an Eridan Minecraft skin slapped on, but that's not my beautiful son, that's not my baby boy.

What did they get wrong about Eridan (where "wrong" = inaccurate to canon): all.

What route would I have written for Eridan: he shoots you with a gun and you die. And then maybe cheats on you with Karkat

[afabtwink]

I’m romancing Karlach on my Astarion origin run and I just… have so many thoughts.

Astarion being cold to the touch because he’s undead.

Astarion being surrounded by other cold, undead wretches.

Astarion getting to see the sun again.

Astarion meeting Karlach and seeing real, genuine hope in someone’s eyes again.

And he’s hesitant, because who could go through the pain she has and not come out jaded. But here she is.

He can’t touch her, and he is so used to only being considered for his body. She can’t have him, and still she adores him. Still she stays.

They finally touch, and she is so warm. The first real warmth Astarion’s felt in ages. The first time in ages someone’s asked him how he feels and what he wants, and bothered to look past the surface and past his lies. The first time someone’s cared enough to.

Them being opposites in so many ways, from strengths to looks to personalities and perspectives, but finding out they perfectly compliment each other.

She makes him feel safe. He hasn’t felt safe in so long.

Astarion’s touch cool on her overheating skin, and Karlach’s touch warming his icy frame.

And suddenly, even when they aren’t touching, he’s not so cold any more.

Because after so many years in the cold, Karlach is his sun. And even when he has to go into the dark again, she’ll keep him warm. Even if they have to travel to the hells themself, he’ll keep her cool.

And I just really love that for them.