#all of them show why their character needs to be here

[redjennies]

*long sigh*

all right this is one of my most resurrected posts and to be quite honest, i think most people get what I'm saying here, but it could be clarified because the second it gets away from a circle of people who get it, people seem to lose the thread pretty quick. it was about a trend I noticed regarding the types of fans C3 was both attracting and whose voices were being heavily elevated within the fandom. with the campaign ending, it only feels right to say my final piece about it and be done with it.

first, this post is about whose stories and voices are centered in fandom. it is not about the cast (though having a predominantly white, culturally Christian, US American cast does influence it because they are telling stories from that lens.) it is not even really about the characters, themselves, and whether this is. it's about the fans, and specifically, it is about the lack of compassion and desire to understand, I see a particular type of white (often for lack of better word, "WASP"-y: raised middle class, culturally Christian, and/or US American/English/Canadian/etc) queer fan extend to anyone who falls out of an extremely narrow lens of "this is the default queer experience" or heaven forbid, to people who are not queer but are marginalized in other ways.

it is about how this phenomenon happens because they have been trained to see their queerness as their only identity (and therefore, in their arrogance, the only identity that matters) as it is the only thing about them that deviates from that WASP-y "default." through this lens, stories that are not relatable to that audience are largely ignored unless they are exceptional enough to be the "Academy-Approved POC Film of the Year" to be tokenized by white liberal audiences and stories that do touch on queerness but are primarily about other things like race/class/disability/etc are whitewashed into something more palatable for that hegemonic "default" audience to the point where it is practically unrecognizable from the original story. this is not unique to CR. this happens across all audiences and therefore, all fandoms.

clearly, this phenomenon leads to a problem in fandoms. if we are not extending empathy to the characters and stories that discuss perspectives that may be different than our own, than we will not be extending empathy to the real breathing humans who see their experiences (or the experiences of people they have known) in those stories. there was this post or article about why we need better POC representation that I read way back in the day and have never been able to find again that really stuck with me that said something along the lines of "we don't need representation because no black person can relate to George Costanza or Rachel Green. we already do. the problem is that white writers and audiences do not relate to black people and that shows through the kind of black characters white writers create." and I think that sentiment is relevant to what I'm getting at here. a lot of white queer fans on tumblr are often half-listening when a story is told, choosing to only pay attention when things are about them because at the end of the day, they have the privilege to do so. therefore, the fanworks they create reflects that lack of interest. the metas and fanon they write reflect that lack of interest. soon enough, the fandom itself reflects that lack of interest.

and worse yet, because queer people are an oppressed group (and to clarify, I don't want to come across like I'm saying just because we're white queers, we're not "really oppressed" or whatever), this lack of interest and compassion for people who are different than you becomes actively celebrated in fandom spaces. you have relatively privilege white queer people on tumblr loudly proclaiming characters only matter if they're gay, stories only matter if they're queer, and so on and so on. which on some level is fine if you prioritize reading and watching stories that have to do with queerness, but you do need to be aware of a massive bias you may have to what "queer stories" even are and how you are interacting with them and who you are leaving out. a great example of this is why every time there's a black bisexual male love interest in a video game, y'all keep calling him "too straight" and therefore "boring" and then getting mad and defensive when someone calls you on it. like I mean-- hit dogs holler. ¯\_(*ツ)_/¯

anyway, I was going to close with tying this concept back into CR and how there was a rot that permeated C3 and how this attitude straight up alienated a lot of fans. (god knows I got shouted out of this fandom until it got so dully unpleasant that I couldn't bring myself to give a damn anymore, and sincerely, from the bottom of my heart, I hope everyone who participated in the near constant harassment I received for the great crime of maybe being annoying as I made my little jokes and shared my thoughts has a bad fucking life. fuck you. learn how to use the block button.) but @utilitycaster who has been following this campaign as well as other actual play shows a lot more closely than I have already touched on that in a pretty dead-on post that I highly recommend.

so here is what I will end on, the phenomenon I've been describing throughout this post is in no uncertain terms, a form of bigotry, and as far as the people who have to live with that oppression are concerned, a queer bigot is not any less harmful than a straight bigot, in the same way a female bigot is not any less harmful than a male bigot. so if you sincerely want to your spaces to be more inclusive and aren't just saying that to "do a leftism," you have to accept your own part in that, regardless of who you are. you have to stop and pay attention to what kind of perspectives you might be ignoring, and stop immediately shouting at people because you interpreted what they said in bad faith. you have to learn how to just shut up sometimes and be a little reflective. i'm not always great at that, but it's a skill you have to practice even if you fuck up. you can always change your mind with new information and new ideas and new perspectives, but if you instinctively chase off everyone who might be willing to talk about something you've never considered before because you're more concerned about being right than learning, you're going to get a rot in your community that is really hard to get rid of once it festers enough. because if you've been told your whole life that the rot is the default and that it is normal and that it's the way it should be, you're never going to notice it's even there.

tbh the Critical Role fandom, along with most fandoms, has a problem with centering easily digestible metaphors for white queer experiences (and even then only those that check all the boxes of the purity list) at the cost of seeing stories through the lens of race, class, mental and physical disabilities and how those can intersect with queer experiences.

for example, putting an unnecessary amount of effort into proving Jester's attraction to Fjord is compulsory heterosexuality while ignoring that Fjord and Jester were both explicitly biracial characters from different class backgrounds and how that class difference intersected with their self image. a general refusal to really interact with Chetney as a character that is heavily coded as mentally ill and uninterested in being "cured." Veth being deemed the token straight Karen despite being a young rural mother of color struggling with addiction and having an arc that was heavily coded as trans, and Ashton, a nonbinary lower class punk with chronic pain, being considered just a man when it comes to ship wars. etc, etc.

[deesseshesca]

PAC: What’s the key energy I need to channel to make my dreams a reality? (18+)

My name is Bella ... Bella Hadid

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PILE 1

Your spirit guides have a message for you  … are u ready ? Is something huge … ‘’KEEP THEM IN THE MOTHERFUCKING PAST’’. Damm babe, I know violence aint it but I think it is time for you to keep the door of your past closed. You must have repeatedly opened them for all your spiritual team to be this enraged. 

Mind of matter. Lol … Repeat after me: MIND OVER MATTER. MIND OVER MATTER. MIND OVER MATTER. You need to stop letting your emotions get the best of you and nah I am not only talking to the crash out girly. Yeah … you also cinnamon girls, yeah you are bolting up everything acting like you are mysterious but really you are this calm in public because you are planning the downfall of your 5th grade enemies the whole time Miss is about to graduate uni. Now crash out, I did not forget about (I mean how can I forget about y’all …). Out here complain about not being able to work with fake ass bitches … well news flash the world is fake and that's for sure not stopping me from getting paid. The reality is that professionalism needs to win no matter what. Yeah even when the person is bluntly racist, homophobic or rude. I could spit you the ‘’ yeah they don't like themselves that's why they hate so much’’ but in reality who gives a damm. Bitch you wanna be paid or nah. Yeah being disrespected is hard but being broke is HARDER. So pick one, QUICK ! Don't get me wrong I’m not telling y’all to let them walk all over u or becoming  people pleaser but it is time for you to learn how to clock someone tea with class. The cooperation world is not the baddies show, it is all about being able to check someone like a real housewives. You go ahead and learn because you have too much potential to let these hating ass hoes take the best of you. Now back to my no emotion/avoidant/claim to be numb but care more than anybody in the world, you need to let go. What you fail to understand is when you don't let go and old grudges you are bringing this disgusting energy everywhere. In the spiritual world there's door you will never enter because you are obsess about bring that fucking baggage with you. I know you, you know, they don't care. That does not mean you are going to forget but ain't you embarrassed to spend so much time plotting on someone you dislike that much. You be claiming you have opp and people praying on your downfall whole time you are the one obsessed with someone from your fucking childhood. Now who's the real loser. Hey babe, (I am holding your hand through the screen), believe me, I believe you. That person deserve the worst and nothing good for the fuck up shit they did to you. I am only worried about your purpose  being wasted holding grudges on someone that's definitely not worth it. 

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PILE 2 

Go ahead … nah that’s literally your message … GO AHEAD. You are on tumblr scrolling  for messages like your spiritual team ain't give a million signs. Like you did not do a vision board in January, like you ain't confident on what you can manifest and what you deserve but yet here you are waiting for someone to tell you ‘’go’’. Here I am, in all my glory and ultimate power given by the divine : GO AHEAD. Show the world everything that you have in you. You know the plan, you already went over it. It has been years that you were working in the betterment of yourself in private. You did a social media detox, cut all the toxic people, fix your alimentation and work on your mental health. Bravo Babe ! Now go ahead and pop your shit and anybody that tries you, you  better make them regret. You did not go through hell and back for a random Karen to take your spark away. You better defend this beautiful person that you became like the past version of you (or inner child) was supposed to be protected. You got this babe. GO SHINE SUPERSTAR ! 

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PILE 3 

FEEL. You are someone who used to be very talented in  maybe drawing or playing an instrument. You are sitting complaining about how unoriginal you are. Reminiscing about a time where everyone applauded your creative genius. Now you have more skills and knowledge yet you can't achieve the same amount of success. Some of y’all are architecture students, you always dream of doing it. You love it , yet it does not feel fulfilling. Now babe you are grown and you have been jaded by life or you killed your inner child trying to be an adult. Don't worry it all happens to the best of us. Good news I have the perfect medicine, let your heart speak in your art/work. You are on the right path, you are just not connected to it in a spiritual sense that's it. Which makes the whole journey a burden instead of an adventure which translates in your art/work showing that is good but never great enough. Because every touch you make as a creator seems like you accomplish a task instead of diving into your passion. 

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PILE 4 

You good pile 4. You found the key (the lessons) and went through the door ( you are in the process of receiving your manifestation). There's a reality you have to accept in life which is you can’t jump levels. This reality does not please you but good news is not going to last forever. One day this moment is going to be a memory of the past. Instead of hating, let's enjoy what you have ahead of you. While having 100% faith, that in a way or another,  your dream reality is happening is just a matter of when.

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[kenwio]

Joker's kid! reader : how batfamily would react on them trying to end their life

Route : recovered dove

Please read warnings before reading this one!

If you do not feel like reading it, it's okay! (Spoilers will be at the end of this part) Please have tea or hot cocoa, and read relax 💖 and remember there are people who care and support you 💖 I'll be posting more fluff in future parts

Warnings : heavy topics, mentions of death, implications of self-destructive behavior and suicidal behavior, hurt/comfort, traumatized characters.

Idea for this part from this ask here . I also used this idea for comfort part form here

Author's note : I'm including this part in route: Recovered dove only because I want to show that mental healing of Joker's kid is a long way, it had ups and downs, but in the end they have family who acres about them now.

You don't know what exactly triggered it. Maybe it was the fact that everyone started discussing break out in Arkham asylum instead of the usual breakfast convention, maybe it was how Bruce said he didn't have time for you, maybe it was how Alfred was distant today, so you thought something wrong, maybe it was that Dick ignored you today, maybe it was that Jason's aggressive demeanor when you saw him, maybe it was Tim's comment when you brought him coffee, maybe it was Damian's harshness when you meet him near your room today.

That all made you feel so lost. To see them all being unwelcoming to you again was overwhelming. Is it because your father is free again, and they thought you'd be helping him? Wait if your father is free... he will want you back. You don't want back! No! You don't want to be with him again! You do not want to be experimented on again, be beaten up by him again. You thought it was finally over, that you were taken away from that life, never to return. You thought you found family! Why does he have to ruin your life again? He drove her away from you already, the only person who protected you before Batman and his birds, the only person who was your family before them, your mom ... and now he is doing it again; he is taking your family away again! But were they your family? You thought that Bruce was thinking about you as his own child, you thought that Alfred was proud of your progress, you thought that Dick was happy to spend time with you, you thought that Jason was enjoying your shared reading time, you thought that Tim liked to study with you, you thought that Damian finally accepted you. Were you wrong? Was it all a lie? Did they want to use you as bait for your father? Or did they think you would be able to tell them something about him? Was that a reason why they got close to you? But now that they see they were wrong, and after they made sure you didn't know anything, they decided to drop the act?

Was it all a happy dream that's just ended? If it was a dream, you don't want to wake up to the nightmare of your previous life. You can't take the suffering anymore. You need to make it stop to end it, to end it all.

You didn't know how long you were in you were in your thoughts, when you got up. You wanted to live. The room that became your own, became your safe space now felt like JOKE. You needed to get away from it. You struggled to open the window, as it required much strength from your shaking hands. But you were persistent in your efforts to open it, and in the end window opened. You looked down, it was quite high, and you knew that for your body, which was unlike theirs, weak and fragile, it would be enough. You've seen a grown man die when he fell from his high back in a crime alley, so for you, it will definitely be enough. Oh, crime alley, you don't want to go there. You don't want to return to life with Joker. You stood up on the windowsill, looking at the green grass down, feeling the cold night wind against your skin. Your head felt heavy, ringing in your ears just made it all worse. You took one step, and you felt incredibly calm. You took another step, only to be pulled away from the windowsill on the ground and held up. You didn't register the loud voice, the way someone was shaking you. You just sit there staring at nothing in particular, not even able to cry because of how tired you are.

In the meantime, Damian, the one who pulled you away from the window, had already called everyone and was trying hard to make you snap out of it. Yet it was not helping. When Bruce arrived, he moved Damian, who was looking at you with extreme worry, aside. Bruce recognized your expression; he had seen it before - thousand-yard stare - your own mind was protecting you from whatever you were feeling. As he was trying to help you, holding you against him, trying to soothe you, the rest of the family arrived in your room, seeing scared Damian, worried Bruce, and you... you looked so broken. It was too hard on them all

A few hours later, when you fell asleep after you came to your senses and cried for a while, Bruce and others started figuring out what made you feel this way. And it didn't take long; they are a family of detectives, after all. And this all made them feel really bad, guilty. As it turned out, on this day, you were too unlucky to notice only the bad sides of things.

There wasn't any breakout In Arkham asylum. Turns out, the lead they were investigating turned out to be false. Bruce, indeed, was busy, but he failed to communicate this in the normal way: he only added that he would try to make some only by the time you stepped away, which he didn't notice. Alfred was distant because he had a migraine today, but he still wanted to work around the house; there were too many chores to be done in the Wayne manor. Dick didn't mean to ignore you, he was too tired after his few nights of being up and he just failed to notice your quiet presence, being too busy thinking about his bed. Jason was behaving aggressively because of the lead about break out from Arkham asylum, which was the one that he followed for his case, and since it was false; it took the case he was working on back to square one. Tim actually was mumbling about his case, quietly cursing criminals, and not you; just like Jason, he had too much trouble because of that stupid lead. Damian stepped in at the last second to help you avoid stumbling and falling when you were waking in your room, which resulted in his harshness to you, but you were too deep in your panic to notice that his gaze was more worried than angry. If Damian wouldn't have been worried and decided to check up on you... non of them want to think about it.

They spend night in your room and in the morning, they talked to you, communicating how things actually were the previous day, and expressing how important you were to them.

It was a shock to everyone. Even Bruce thought it was going fine, that your session was working and helping you, that you were feeling safe, and that your relationships with the rest of the family were getting better. And he knew that what happened damaged the whole family because they almost lost you. He regretted that he didn't phrase his words correctly, feeling like he failed to show his care for you. He knew he should have been careful with words, he knows how impactful they can be. And since he said he hadn't got time for you he started making time for you. He wants you to know that he cares for you and he will make time for you wherever you need him. His one daily check-up became 2 check-ups, and when he had more free time, he checked up more. He pays extra attention to you. Even your little sneeze will make him worried to the point of examination in a medbay. He stays with you, and sometimes talks with you, encouraging you to open up and share your opinion and feelings. He tries to lessen the influence of "bad guidelines" (that were with you because of Joker) in your head. He helps you talk through your feelings, helps you show them and process them. He reminds you that you are cared for now. And he promises that he will protect you. After hearing you out, learning your fears and insecurities, and when he learned out that most of all you are afraid to go by your father's way, he promises you that he will do everything in his power to prevent you from taking this way. Bruce wants you to be happy, to make good memories. You already got unlucky with your father, who made you experience hell, but Bruce will try to be the best Dad he can for you.

Alfred felt so guilty. He knew you needed care, but he was distracted. He feels like he let you down, by forgetting how fragile and sensitive you are. He knew you were struggling; he had seen it himself. If only he had paid you more attention. But Alfred, better than anyone else, knows that he shouldn't be focusing on the past; he needs to work on the present, and he needs to make sure you feel better. He makes sure to make you more happy while he can. It's always your favorite tea at the tea time you share, with his cookies, of course, which he bakes with you from time to time. It's always your comfort shows or documentaries on TV when you two watch something. He also makes sure no one dares to make you feel uncomfortable, even if it will make him look around like Hawk. But Alfred understands that he can't always be around; that's exactly why he makes sure that he teaches you at least a few techniques that would be able to help with worry and anxiety, and he practices them with you. You are his little star, who may be really quiet but still efficiently lights up his days, and he doesn't want to lose you. When you share that you are afraid your family will reject you, he personally goes to everyone, making sure that they won't be saying something that contains a message. He wants to see you all grown up and happy in the end; he will work hard to make sure your life in Manor will be good.

Even when Dick just heard how Damian called for help for you, he felt shocked, what to say when he saw and understood the situation. What do you mean his baby sibling tried to make their life end when he was blissfully unaware, sleeping in his old room? How? What he missed? Just a few days before, you seemed on your way to becoming the happy sunshine of a kid, and now that has happened? He is your older brother and he missed all the singes?! He needs to sit down. It's too hard to accept this version of reality for him. The reality is that he can lose another member of the family. He knows what it is like to lose a sibling, and he will never want to experience it or feel this pain again. And knowing that it's you who tried to end your life makes it all worse. He tries to understand what pushed you, trying to see what he can do to prevent this from happening. He also tries to distract you from all the negativity in your life with quality time and different activities. The incident shook him hard, and while he hoped to introduce you to cuddles differently, he had to do it now. He needs to make sure you are close, still warm, still safe, still alive. And it seemed like cuddling with him made you calmer; you didn't even realize how touch-starved you were until then. It became a sort of comforting ritual for both of you, cuddling, sometimes just cuddling, sometimes while watching something. While cuddling he often says sweet words of reassurance to you. And while he knows he can't stay in Manor forever, he makes sure you know that he is always here for you, just a call away.

Jason was mad at himself for allowing himself to snap at you earlier. He feels incredible guilt that he was the reason that you were in that state. For a few days after, he could only watch you in your room or living room until he talked about his feelings and the incident (how he calls it because he can't speak that out loud, it physically hurts him to admit it) with Bruce and Dick. He started slowly approaching you, continuing your reading sessions, but also, sometimes, he decided just to start talking with you. He shares with you his experiences in the crime alley, and you share yours; you both know that only you two in the whole family could understand the full horror of this place, and that's aside from the fact that both of you know the full horror of Joker. He says to you that you'll never become like him, because he sees you are different. Jason tries to comfort you, yet he knows he is not ideal in it, but he is willing to try as much as he can just for you. He can understand that you feel lonely; he can only imagine how lonely you get when all the family is busy with vigilante work. It got him thinking, remembering. He remembers times when he was still Robin, and sometimes, when he got hurt, he stayed in his room alone, and. he hated it. Back when Dick gifted him a plushie of a bat, and now, in another attempt to comfort you, he brings this old plushie to you. He tells you that this plushie kept him company and protected him from everything bad, and now it will protect you, and now you'll never be alone anymore; your family's love will be here for you.

Tim was second after Damian to arrive in your room. This sight horrified him. He just froze, in shock. For once, he didn't know how to act or what to do. After everyone made sure you were okay, and his brain began working again, he started to do what he knew best - investigating and researching to find ways of how to help you, trying them with you in the meantime. Art therapy? He tried to hold a few sessions with you. Special games? You both alredy beating third one. Special music? Here is his player, listen when you want. He becomes more attentive to you, noticing every little detail. He knows as a person who likes studies like him, you would want to learn more about your mental health and how to care about yours. He found a way to explain the basics of it all to you in a way that is easier for you to understand, and only when she reads articles (that he chose, of course) about mental health and coping mechanisms. You want to cuddle with him while reading? Good, he will do it (he is happy that Dick showed you how to cuddle and totally not jealous). You want to stay with him while he works? Okay, sure, he is here for you. He makes sure you can ask him anything; he reminds you that you are safe with him and with others. So when you ask about Arkham and your father there he makes sure to show you that Arkham is hard to get out (even if it's not true).

Damian didn't like how it felt to see you on the windowsill. He doesn't like how it feels to see you in this state. He doesn't like fear. But fear made one thing clear: he cares about you. He hadn't understood how important you became until that incident happened. You are his sibling, and even if he did not choose you, even if he was against the idea of you being in the family at first, now he knows you held a place in this family like everyone else. And now he knows that he will do everything in his power to make you safe; he will protect you even from yourself. He asked Bruce to install precautions in your room. He follows you like your shadow everywhere you go. He makes sure that there is no danger in your way. He checks up on how you sleep after patrols. He makes sure to be nicer when he is around you, and he heads to ask Father, Pennyworth, and Grayson how exactly to behave around you. He joins in Tim the research of ways for you to cope with traumas or ways to comfort you, and when he sees articles about how communicating with animals improves mental health, he brings Titus to you, and when he goes for walks with Titis he makes sure to take you on them too since he also found out that walks improve mental health, and since it's walking with Titus it's beneficial in double. He protects you and he cares for you even if he struggles with proving it

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Thank you for reading! Feel free to share your opinion and have a good day 💖

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Tag list :

@socially-embarrassing , @leovergurl , @deathbynarcisstick , @cryptic-arr0w , @lynns-cornerr , @cxcilla ,  @charlotteking23 , @ninihrtss , @lillycore , @pix-stuff , @tfamidoingwithmylife , @linoalwaysknows , @00hellohello00 , @lilithskywalker , @bagofrice , @lenaisaloser , @devilslittlehelper , @camilo-uwu , @l3v1us , @eyeless-kun , @stargazingbutgayer, @wpdarlingpan , @weirdothatreads , @maybea1 @lyla-viper-wayne @amber-content @lizzyzzn

if i forgot to add someone to the tag list, please let me know, and i will add you to the next part

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Spoiler:

Next chapter connected to this (click here) and after that I'll finally write about Joker's kid! reader hair dyeing adventures

[isuggestforcefem]

Forcefem February story: Nicole saves Ethan

Part one - Nicole

It began as it usually did. Nicole, a poor helpless orphaned young woman, with a story to make the most stoic of men sob, and such a great excuse for her to join the town. The town's eldest was wary of her. He knew, she thought. Or at least, he suspected something. Nevertheless. That wouldn't stop her. This wasn't her first, anymore. Nicole knew how to handle herself. Keep herself en guarde.

It did make her job less fun, though. She had barely any respite, needed a consistent story and a consistent character, every moment of her waking day. And she couldn't work at night, lest they see the light of her room.

Angela had been very lovely, on this part. The old woman had allowed Nicole to stay in her ex-husband's study, as it hadn't been used in years. Angela had lost him, she would say, on the lonely nights. He had walked out one day, and never came back. Taken by the night, she would say. Nicole wondered if she knew, too. She wondered if the creaks of wood she heard from behind her door were Angela, watching her, spying her.

All that to say it really wasn't a fun time. She yearned for the plan to enter motion. It had already been a month! Usually, she could have had cleared step one in a week, at most, but clearly, Diana's choice of town still lacked. She'd have to talk about it with her, once she was back. Even though Diana was her best friend and most trusted ally at the Academy, she still lacked a lot of technical skills. Maybe that was why the administration still refused her application for solo missions. "I ought to help Diana out", Nicole thought to herself. Her friend was her senior in experience and yet Nicole risked graduating before her.

Nicole approached the mirror. She was still as beautiful as ever. Surely, this face would be enough to sway most hearts. Her hair was undone. She grabbed her hairpin, held a strand of hair, and clipped it onto her hair. Suddenly, a swirl of magic took control of the brunette's hair, assembled it in a neat ponytail. She messed with it a little bit. Better not make it look too neatly woven. She had an image to keep up. She grabbed her dress, Angela had washed it for her. What a treasure of a woman. She almost felt guilty to betray her trust in this way. But then again, she always did. It never stopped her.

Going down the stairs, Nicole yelled "I'm ready!". Angela's brother had asked for a helping hand. It did upset her plans,, but she had to keep up appearances until the end. She could still do it tonight. She would do it tonight. She had faith.

The day seemed to never end. She had been gathering herbs for hours by now, but still Angela's brother showed no sign of going back home. At least the sun was still high. Finally, the man spoke to her. "I think we're done for today, you can go back." "Oh thanks," she said, without a trace of emotion in her voice. Finally, speaking her soul.

This place was boring. The local pub served frankly disappointing alcohols, and was only inhabited by things that were more of the decaying corpse than they were of the person. The town's center was usually occupied by a group of gangsters - guards - that looked at her like she was a piece of meat. Whatever. This would soon be over.

There he was, her target. A boy named Ethan. He had little presence, few friends. Nobody would miss him. Nobody would care.

She would.

He had short black hair, wore a white shirt and brown pants. She had seen boys like him by the dozen, and all of them had became beautiful, happy girls. He would follow.

"Hi," Nicole exclaimed brightly, with a little wave, "I'm here early! -Nicole! Hello, I am glad to see you. -I have a gift for you!" Saying this, Nicole reached for her bag's contents. There was a choice to be made; four rings from which to decide the step to take.

[ma1dita]

asking for trouble

a 'partners in crime' installment - luke castellan x dionysus!reader words:  7.8k prev -> when the curtains close | next -> as above so below summary: (post-TLT, compliant to TLO) The one where Luke's final wish is to see you. (He's himself again, and all he wants is to find out if the trouble was worth it all) a/n: non-descriptive mentions of blood and war, main character death. angst. a boyfriend that yall may or may not agree with. one chapter left after this!! i imagined the last scene to play out with luke in a room where they have the immersive exhibits at a museum

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[august 15th; camp half-blood kitchens, long island, new york — 9:49 pm]

Everything begins and ends with love if we are fortunate enough.

There’s a stillness that fills the air the night before what historians and future demigods alike will deem the Battle of Manhattan. It’s stifling—suffocating in the silence of the camp kitchens as you cover a sheet cake with blue frosting, piping the edges with a steady hand as you check the clock, time always ticking over your shoulder.

Almost lights out.

The circumstances are different now though, and surely no one will be able to sleep soundly tonight. Fate is hard at work unraveling the future, the gods and their spawn alike are preparing for war, yet you’re here putting sprinkles on Percy Jackson’s birthday cake.

It’s the most nonsensical thing you’ve done all week amidst the war preparations, taming the whirlwind of mixed emotions that shook camp in the days before. Perhaps it comes with the knowing that everything will change, and the only way out is through. Only the lucky ones get to go home after this.

“Are you really not coming with us tomorrow?”

Clarisse chuckles at your question from her position against the doorway, crossing her arms and watching you stick candles on the top of the sweet dessert. Her hands flex over her sleeves, tugging at the fabric like she needs to hide away from the rest of the world, “You make it sound like it’s a walk in the park instead of what it really is.”

“Is that why then?” You look up from your piping bag raising an eyebrow at her, “We need all the help we can get, Risse.”

“It’s a death wish. I don’t know how you do it grandma, but the world will keep spinning no matter if 5 shows up or not,” Clarisse mutters, rolling the words around in her mouth, “How do you do it? Knowing that he’ll be there…I-I don’t want Chris to put himself through that again. We’re going to lose anyway—something, if not everything.” 

You know that too.

There’s something ironic about how the children of war won’t be joining the fight of their lives, but Clarisse La Rue is as stubborn as a mule when she doesn’t get her way. Only something truly special would send her running to the battlefield at this point.

“A part of me feels obligated to be there and help fix it, Risse. This is the path I chose.”

She scoffs, her sneakers knocking against the side of the kitchen island. The daughter of Ares is wistful, hesitant… and nothing like herself tonight. You suppose conflict shapes someone like her like how insanity lines the essence of your being. Intangible, but the base of every choice—the driving reason connecting you to your godrents. 

“Yeah, I know that, but I still don’t get it. You don’t have to be here anymore,” she says thoughtfully, moving the cylinders of sprinkles around on the counter by height order, then by colors of the rainbow, “you could’ve chosen the easy life without all of this…I mean, if I ever got out of here alive, I wouldn’t look back.” The statement is sharp in the silence as if she’d attacked you with Maimer. Your eyes meet hers as if there’s a big secret she’s missing out on. You always look at them like that now, with a faraway gaze of a place none of them can reach.

“Who’s to say? Getting old and aging out of here is harder than you think, you know… College, rent, taxes…” you list off with every squeeze of the piping bag, spelling out Percy’s name with white frosting. Clarisse bites her lip, resting her chin against the palm of her hand as she watches you.

When she closes her eyes at night, she often dreams of being home in Arizona, dry heat prickling at her cheeks and dust swirling at her ankles. That’s what her future will look like, she thinks—and she’ll let herself be selfish if it means she gets what she wants. What do you dream of? Do you think about a future for yourself if you’re so worried about saving everyone else’s?

“But you still came back. Is this easier than that?”

Not easier, but familiar. Nothing you ever want comes easy after all. There is a comfort in walking the grounds of a camp counselor job you used to dread instead of filling out job applications; easier to you means fighting with the gods and slaying creatures of old instead of paying student loans and making rent. 

“I think you’ll find out that you do stupid things for love, Clarisse La Rue.”

She’ll never tell you this, but you’re the strongest person she knows. You’ve shown her that strength doesn’t always mean brain or brawn. Sometimes strength is loving someone without expecting anything in return, and the gnawing feeling in her stomach eats at her in an unsatisfying way—like Tantalus reaching for the grapevine, fingertips grazing the leaves for eternity.

Instead, Clarisse wipes down the counter with a Clorox wipe as you make your way towards the door, cake in hand. Tonight, she and her siblings will sleep with the knowledge that they’ll get to see another day. Call her selfish, sure—but that’s how she loves them. Alive.

“I still stand ten toes behind the fact that Michael Yew can be knocked down a fucking peg,” she mutters. There’s a small smile on her face and when she looks up at you, she sees your face is illuminated by moonlight. Clarisse hopes this won’t be the last time—silently praying to her father to extend his hand onto you.

“I’ll see you when I see you, La Rue.”

Whenever that is, she thinks. This is easier than a goodbye. What matters is showing up. What matters is that they try. That’s what she reminds herself as she turns off the big light and heads toward Cabin 5. 

Does any of that still matter in the end if they aren’t alive?

Her siblings are already asleep when she tucks herself into bed despite the music and laughter coming from 12. Light from across the way filters through her window, a warm glow cast across her face leaking through even when she shuts her eyes. It warms her, reminds her of the orange of the stupid shirts they wear, sunsets on Fireworks Beach, and the molten lava that drips down the climbing wall. 

Home might not be what she remembered it to be after all these years. Clarisse decides to sleep on it, hoping that when they wake, there’ll be something worth fighting for.

[august 15th; cabin 12, long island, new york — 10:08pm]

Camp Half-Blood is quiet as you walk through the dark forest, minding your step over the brambles and checking off your mental list of responsibilities before day breaks. The air is especially cool for a summer night, melancholy being your only jacket as you move on auto-pilot. Your fingers tighten around the tray you hold, pushing the door open to Cabin 12 which currently houses most of your campers. It’s lively and bright in here—you would think they’re all celebrating a Capture the Flag win instead of being sent off to their deaths for the greater good.

Tomorrow, they’ll wake up soldiers.

The wood creaks beneath your boots and it’s drowned out by the sound of soft chattering and laughter, a few of them still scuffling over sleep spots, and then—”HAPPY BIRTHDAY PERCY!”

There are only enough people in here to comfortably fit in a few of the strawberry trucks tomorrow—some went home to their parents to avoid the chaos and some chose not to fight at all. And the ones that remain— all 40 of them, that is, are spread out on the floor in sleeping bags writhing like worms. All the whooping and cheering is accompanied by Michael leading his siblings in song (and Connor and Travis ruining it by chanting CHA CHA CHA!). 

Percy is just shy of sixteen now, but the sheen in his blue eyes still reflects the tranquility of open water and something tender that you saw in him when he came to camp at twelve years old. Later, through mouthfuls of cake and smears of blue buttercream on his cheek, the son of Poseidon looks up at you thoughtfully, “Is this a pity cake?” He tries to make light of the situation by acting like the fate of the world doesn’t depend on his life or death, and you take a deep breath. 

Even demigods fall victim to fate, and the gods still push on. But what of their children that fight for change in the world they set the rules for; their children that fight their battles for them and lose their lives for immortal beings that live forever?

“This is a birthday party, not a pity party, Percy Jackson. There's no pity for the damned,” you chuckle. Damned if we do, damned if we don’t. All of the world’s problems seem so permanent when you’re 15 years old. It’s just fucked up that his will actually alter the course of humanity.

“And if this is the end of the world, I just wanted to make sure we’ve told you happy birthday first.”

“Well thanks,” Percy mumbles over a spoonful of buttercream, face reddening when Annie throws a paper towel roll at his face, “Hey!” It reminds you a lot of when you and Luke would fight in the dining pavilion, chicken tenders and mac n’ cheese flying through the air, and apples cut just the way you like.

You blink. 

It all boils down to him or Luke.

“Wipe your face, Seaweed Brain!”

Percy rolls his eyes, smiling down at his plate regardless of the weight he carries upon his shoulders. The more you want to live the more you have to lose, you think as you brush your knuckles against a spot of frosting he missed. You don’t look at the blonde boy and see a hero of the Great Prophecy—still, you see him as the little boy who was mesmerized by you conjuring strawberries on his plate on his first day at camp, innocent and honest. 

Looking around the room wistfully at that thought, you start to see the memories of their childhood blanket all of themlike ill-fitting clothes; it’s all you can notice. The feeling is so big it swallows you whole. Annabeth is still the little girl who’d rattle off obscure facts from Snapple bottle caps from her time on the road, drawing pictures of buildings with your eyeliner after sneaking into your room. Silena still makes blush out of berry juice and would call you about boy problems as if she’s not a child of the goddess of love herself. Will is still the boy who sings as he lights up fireflies and draws smiley faces on bandages. Katie, the girl who makes flower crowns for your birthday and eats strawberries with you soaked in morning dew. You look around and see scraped knees that you’ve kissed better, sleepy eyes you’ve sung to, and hearts you’ve kept warm—this is your glory, your greatest achievement being the family you’ve found in the woods of the Long Island Sound.

“You see it too?” Grover mumbles, nudging you and you sigh, squeezing his shoulder. Sometimes you forget the satyr is older than you; he stands tall as your pillar of support, unwavering in his promise to protect these kids. 

“We’re getting old, man.”

“You’re only 23. There’s so much left of you,” he deadpans. Laughter comes out of you in waves as you shake your head smiling.

“And what a pleasure it’s been to grow up with you.” 

Grover bids you a good night as you walk up the stairs to your old room, phone in hand while you dial a familiar number. Your boyfriend answers before the end of the first ring.

“Hey, I didn’t think you’d still be up!”

Settling against the windowpane near your bed, a soft smile graces your features and you realize he’s not there to see it. It’s always been easy with him—Dex was unbelievably kind, and he had a heart that he’d share without you having to ask. He was unlike any man you’d ever encountered before, and over the past year and a half you found it easy to love him. 

Worst of all, he’s utterly devoted to you. At least every part of you that you were willing to give him, even if it wasn’t all of you per se. Plus, you saw the ring in his desk drawer last week.

It was too…good to be true.

You recognize that this was your way out like Clarisse said, your escape from the turbulence that was your life as a demigod. But it was hard to believe that you were deserving of it. He’d never know of the ichor that runs through your veins, and the life you’d have to leave behind to truly be with him. You suppose every love you’ve ever had was sacrificial. You just wonder if because of that, easy makes it hard to feel real.

Maybe if you survive this one you’d tell him the truth. But for now, he’s rambling in your ear about his sudden work trip upstate. Morpheus and Hypnos are already at work then, redirecting the city dwellers out of Manhattan. It must be later than you thought already and in a few short hours, Apollo will be shining his rays across the Island for what you hope won’t be the last time.

“I wish I was with you right now,” you mutter in a hushed tone, and you hear him laugh breathily through the static sound of the phone. It’s easy to imagine him twirling the telephone cord between his fingers, flopped over the tiny loveseat you went halfsies on with your first big paychecks. The apartment you both moved into after graduation is more accurately a shoebox—but it’s yours, and the love you have for it is immeasurable in comparison to the square footage. You hum, listening to the sound of his voice, “Maybe I can catch you before I go—stop by and say hi before I drive up.” 

He won’t. By morning, you’re not even sure if he’ll remember you—all traces of Greek gods and their counterparts wiped clean from memory until it’s all over, whenever that is. You’re mindlessly walking in circles around your room, bare feet padding against the floorboards. He repeats your name and you realize you haven’t been paying attention, the tail end catching your ear, “Hmm?”

“Or you could come to me. I’m sure your dad won’t mind. It’s time I meet him, don’t you think?” 

And out of anything happening tomorrow, that especially sounds like a nightmare so you make a noise of disagreement, “I can’t. You know I can’t, honey. I’ve got…” your voice trails off as your lilac eyes land on a faded photo strip thumbtacked to your wall, “unfinished business to deal with.” There’s nothing left but inky silhouettes on the sun-damaged paper, two past lovers huddled together. But you know what it’s a picture of. Rye Playland, you and Luke at fifteen, cheek to cheek and covered in wisps of cotton candy.

“Mm. Sounds important. Does your unfinished business have a name?” 

Dex sounds playful now, teasing despite the silence on your end of the line. A beat passes, and then another, and he can hear the sound of your hands rifling through the things in your desk drawer. The dragon scale necklace is cold in your palm. 

For good luck, you think. 

It’s been a while since you’ve worn it—keeping it safe in the only home you and Luke shared, and as soon as it touches your neck, you feel a little less empty inside. It feels like a safety blanket, protecting you from whatever might come next. You almost feel guilty to be relieved.

Thumbing the cord absentmindedly, you mutter, “You don’t even know the half of it, Dex.” 

“Maybe one day you’ll tell me.” Sometimes, it’s like he knows— Dex must be the ivy that grows over the walls you’ve built up around yourself, and he can see glimpses of who you try to hide behind your stone-cold resolve. He wonders if you’ll ever tell him about the names you call out at night— an indistinguishable language he’ll never fully understand. He wonders where you’ve gotten your constellation of scars and where your mind goes when you sit next to the window and stare at the skyline.

Oh, he wonders.

The glow-in-the-dark stars are faded now on the ceiling when you look up at them, fighting to give their last bits of light. You wonder too, if there’s any fight left in you; a bit of Luke always remains—he’s everywhere you look. You can feel him as night falls upon New York, bidding you goodnight before it crumbles tomorrow. 

“Maybe. Good night, honey.”

Dex yawns into the receiver. You know his feet are kicked up onto the coffee table even though you always tell him he shouldn’t, and that his glasses are already off for the night. You really think he could be a nice guy to end up with, all things considered. Dex was the epitome of normal, and after almost two and a half decades of existence, it’s quite evident that you are anything but. 

Normal might be quite nice.

He yawns again. Hypnos must have reached his window, “I love you, you know that?”

“I do. Me too. Good night.”

It’s the truth. 

You love this man and the spaces he’s filled within the chaos of your life. You love all of him, from the perfectly normal way he makes breakfast for you every morning (and laughs when he burns the toast), and takes the train to work at a middle school in Harlem (“6th grade ELA takes a lot out of a man,” he jokes). He picks you up from your job at the therapist’s office downtown if you get out too late, as a gentleman would (though you’ve fought monsters that he’d scream at the sight of). Once upon a time, normal was exactly what you used to wish for.

There’s a moment where your breath hitches and you sink against your pillow and you wonder if he would love all of you—demigod and all. Could he get used to this— summers at Camp Half-Blood with chariot races and gladiator-style fighting, pegasi and harpies roaming the grounds, and watersports with woodland nymphs? Dex never even questions your green thumb or how Pollux made him hallucinate your dead brother when he came to visit (“It’s what Castor would’ve wanted! The full twin-terrogation!” he insists. You convinced your boyfriend he got food poisoning that night). Could you come clean about knowing how to slay a chimera, or why you never get drunk, and have the stamina of an Olympian (the athletic kind, but not too far off from the truth)? 

But it shouldn’t be called coming clean. That makes it sound like you’re ashamed of who you are—which you’re not. You’ve just been hiding this part of you from a normal human that you love very much.

Gods, is this how your dad felt when he was seeing your mom? 

Somehow insanity has always felt bearable—love, however, has always been such an ordeal.

The phone bounces onto your bedspread once you hang up the call. There is no more time to worry about playing a part. Tomorrow, everyone comes as they are—whatever happens after will be a problem if you reach another day. Fate has its way of making itself known, you know that by now. Blinking, you take a deep breath, and very intentionally, with your feet criss-cross applesauce, you pray—for what, you still try to figure out as the minutes tick by. 

Better late than never.

Here at camp, you were always the last one up after lights out, anyway. Tonight of all nights shouldn't be any different.

[august 16th; 34th street and herald square, manhattan, new york — 9:17 am]

“Where do you think you’re going, mister!”

Your little brother flinches, immediately turning tail and walking across the deserted street to meet you in the middle. He’s taller than you now, craning his neck down to look at your angry glower as you thrust a finger into his face, “You’re sticking with me.”

“Jake said he’s taking 9 and 12 to the Holland Tunnel,” Pollux calls out, shuffling his feet and you punch his arm hard, “OW! —It’s what Percy wants.” He swats your hand away for good measure, his arm guards clanking against yours when he dodges another swing at his head.

“We are Cabin 12, you shithead. I’m not letting you out of my sight for a second.” Your staff is heavy against his shoulder and Pollux can’t help but let his gaze wander to where Jake Mason and the other children of Hephaestus are waiting for him a block over. Manhattan is a warzone, and the difference between fighting empousai and fighting his older sister right now is very similar in theory—hard to do alone. The tunnel is halfway across the city from the Empire State Building—if something were to happen to either of you…

"M’not here to fight,” he sighs, “with you at least. I need to do my part, sissy.” The old nickname is an arrow through your heart and you grab Pollux’s hand, “I just want to make sure you’ll be okay. I wouldn’t be able to forgive myself if I couldn’t get to you in time.”

“HEY 12! You coming, or what?”

The two of you look towards the small army down the block, both of your hands intertwined like grapes from the same vine. You’re not sure if you can let go; you’re not sure if your father could lose another child. But Pollux’s face is almost set in stone—he’s never been more sure of himself. Your lip wavers, forcing itself into a stiff smile and he softens at the sight, “I’ll be okay.”

“And if you’re not? Then what?”

He shrugs, “Then… then I’ll get to see Castor.”

You nod, breathing shakily, and flinching when Jake calls for Pollux again, “Well. If you are okay…You come find me. After this is over, you come straight back home to me. You got it?”

Pollux hugs you, hard—the force of all of him sending you sprawling into his arms and it knocks the wind out of you. As the twins have grown, it’s been rare for them to show you any affection. They’d usually recoil or whine about how mushy their older sister is, and each time it makes you laugh. But right now, you stand there gripping onto his t-shirt, breathless; the ringing in your ears gives way to words he mumbles into your hair, “I love you,” he says, in case you didn’t already know. 

Just in case this is goodbye. You take it in for a moment longer, running a hand through his blond hair and cupping his cheeks as you finally step away, “I love you. I’m so proud of you, P. We all are.”

“Haven’t done anything yet,” he grins, backing away slowly, a skip in his step as he nears the small troop of Hephaestus kids. You wave them off, blowing a kiss as they band together and turn in the other direction.

Why is it that you can only be proud of someone if there’s something to prove it?

You think about all 40 of your campers fighting for their lives in the greatest city in the world. The sound of hellfire, roaring monsters, and screams that could only come from your kids. Fatigue wears you down with each swipe of magic towards enemy forces, monsters writhing in pain at your feet, demigods reduced to insanity and blood-curdling screams. It disgusts you even more so that no one can witness the weapon you've been forced to become.

After all, no one knows any of you were there. Life continues on outside of the bubble containing the Battle of Manhattan. And only the ones fighting will be able to remember this. Only you will remember the blood you spilled to wrestle for your destiny.

The rest of the city continues to sleep, safe from the people who swore to protect it.

[august 18th; empire state building, manhattan, new york mount olympus, in the sky above new york??? — 5:22 pm]

Running up 492 flights of stairs was another type of hell you didn’t expect to put yourself through, but it was faster than waiting for the elevator to Olympus. It’s quiet besides the steady rush of blood pumping in your ears, your boots slapping against the tile to reach your friends who might be in danger at the hands of someone you know well. But it’s too late to give up when you’re so close—you realize you’re praying to anyone who’ll listen as you push through the pain of always being a little too late. 

“Ugh!”

Air pierces through your lungs painfully as you trip up a landing, hands clawing against the banister. Have you been running in place this whole time, quick to start but hard to follow? Your lip quivers, eyes trailing up the stairwell faster than your legs can take you. 

Whatever the outcome, you’ll be better for it, you hope.

It’d be easier to give up. To stay away and not watch Percy fight for his life against him. You dry heave as you press your head against the wall, wondering if it’s worth not seeing what will become of this wretched prophecy. It’s hard to survive loving the villain when the rest of the world is dying because of it. Your legs feel like jelly underneath you, and not a single soul in Manhattan knows you’re here—until you feel the strength of an old traveler lift you up and revitalize your soul. Looking down to see your boots retie themselves tightly, the feeling in your chest reminds you of him. Everything leads back to Luke, and you think wherever he is now—Hermes knows that too. 

“Thank you,” you mutter. He’s handpicked your prayer through the tempest that hangs over Manhattan so that maybe your hands will be gentler in smiting his lost son. You find yourself with the nerve to run up the last dozen flights of stairs, pushing past the entryway to see Thalia Grace under a statue of her stepmother, “THALIA!” You barely make it to her fallen form before her free arm tries to push you away from the rubble.

“Get out of here! I mean it—” Thalia spits out your name through gnarled teeth and bones crunching under the heavy hands of Hera. The statue lays over the bottom half of her body, holding her legs down like how one forms a fist, and the daughter of Zeus pushes through pain and millennia worth of her dad’s karmic debt in giving her life—the essence of being a forbidden child still has a hold on her, even now. 

“I’m not gonna…leave you…”

With everything in you, both demigod strength and sheer desperation, you push at the unmoving stone and your fingernails begin to splinter from the pressure. 

But you know what it feels like to get left behind. 

Desolation slowly sets in your bones, a hollow feeling that spreads through your core as sweat rolls down your cheeks, and when you sniff to wipe it away, Thalia’s lip quivers. She’s writhing in pain and everything is coming to an end down the hall from where you stand. 

“We’re so close, Grace. I’m not giving up on you when we’re this close. I need you in there with me so you just hold on, okay?”

The marble is cool to the touch under your moist hands, and her face is fixed in a grimace as she looks up at you and sees you for who you are—another demigod who was never given a fair chance at fate but with a spirit of a hero waiting for the right chance. Thalia coughs before slapping your hand away, “LISTEN TO ME! I’ll be okay. He needs you to be there. We’re almost out of time!” 

You barely register your body moving as you get up and start to run, looking back at Thalia by the time you’re at the top of the landing. There are no words that you could imagine to string together when your eyes meet hers in the distance that separates you two—the feeling of grief bearing down as you both know the end is near and inside those doors.

As you turn back around, you take a moment to wonder if you might’ve had different people in mind for who’s up there waiting for you.

[august 18th; the hall of gods, mount olympus, the sky above new york— 6:48 pm]

Finally pushing through the heavy doors of the Hall of Gods, your eyes burn like salt in a wound as you travel toward the center to see three figures laid out on the marble mezzanine. There’s a cramp in your calf by the time you reach them, your legs giving way as you skid to a stop in front of Luke’s corroded body. The pain doesn’t register for you, split skin going numb as you stare into the eyes of a storm you fell in love with almost ten years ago. 

A stranger is no longer wearing your love’s skin. Percy and Annie’s eyes feel heavy against your back as they watch you sigh in relief, a landslide of emotion rolling off of you when you see he’s still breathing, even faintly, as if he waited for you to make it back to him.

“It’s Luke,” Annabeth chokes out, “the scythe transformed into Backbiter and I knew it was him. He was fighting for us.” Her voice makes you flinch, makes this more real—it echoes as the wind carries it through the hall. Without a doubt in your mind, you know it’s him by the way he looks at you with tired eyes, soft and amber—the light pushing away the shadows and he reaches out for you. His skin is paled by the River Styx, face weathered by the Titan as you gently guide his head onto your lap. A pathetic cry slips from your mouth when you realize there’s more pressure in the fingers he brushes against your cheekbone versus the one holding the blade embedded in his chest. 

Fuck, what do you even say? 

He’s dying right in front of you and you can’t think of a single word to say.

The clock is ticking and every breath of his comes out weaker––he speaks before you can find the words, breathing out, “I missed you,” like it was a relief to say it. And it all comes spilling out like a secret you’ve been safeguarding since the day he left— a mix of your tears and his blood smearing across your cheek as he reaches out to wipe them ever so gently. You find yourself smiling in the face of death itself—smile even if the both of you can feel death’s hand on him saying that time is finally up because the act of meeting each other here in the middle makes the years you’ve gone without him worthwhile. 

The reunion is also the loss; a nasty habit you’ve both fallen into over the years. But this time, Luke’s finally able to give you the world he wanted to see just before he leaves it.

You clutch him close without intending to let go, purple eyes scavenging for confirmation that this is your Luke, the one who pushed you through the brambles of the North Woods, wind in his hair and mischief in his smile. He’s citrus and musk, cunning smiles, something sacred kept within cabin 11, calloused fingers pulling at your t-shirt, and the voice out of tune at nightly sing-a-longs—and he loves you still. 

Loving you was the only thing that never changed.

“Shhhh, don’t waste your energy. The gods will…” you swallow a sob despite yourself, “I…my dad’s going to be here soon. He’ll help us.” There’s a lump in your throat that carries the weight of everything unsaid. Who would help you now that everyone else is getting what they wanted—a brighter tomorrow without the villain? But the prophecy unveils itself so cruelly, and the one who hurt you is the hero in this story, just as he’s always dreamed. It so happens to be at the cost of loving you.

Luke’s eyelids flutter like butterfly wings descending softly. You press a kiss onto his forehead like you used to while waiting for him to fall asleep. The chuckle that rumbles his ribcage is faint against the hand of yours that’s holding him together and the war is finally over and no one even knows that besides the four of you in this room.

“I'm running on borrowed time,” Luke wheezes, “I think my life ended the day I left you.” His thumb weakly traces the tear tracks cascading down your face, and he’s reacquainting himself with every feature of yours while he can touch it—to hold and be held by you after so long feels like drinking up ambrosia, his last bits of strength telling you what you’ve always known. 

Is there a word stronger than love?

One that would explain how close and how far you feel to him at this moment and you don’t want to say the wrong thing but there are no wrong words when it comes to the right person. Hoarsely, through wavering lips, you chuckle, “Then it's time to stop running, baby. I’m here now.”

It’s exhausting to carry the weight of tomorrow in your arms and to know it’ll be made possible only by letting him go. You’re holding him too tightly, claws sinking in to feel—to ground yourself and keep him tethered to this reality, just in case a different answer falls out of the sky. 

But falling with Luke Castellan, falling for him, has been nothing like you wanted. You've said your goodbyes more often than you can count. 

This part is just about letting him go.

“I think I’m doomed,” he laughs, coughing harshly. Blood soaks his airways, retribution for the lives he took. It drips out of his mouth and you still look at Luke like he’s asked you to marry him. What a soft, funny thought. 

Love must be more violent than war, to feel like this—to know he’s wrecked your world and still come out the other side smiling at him like he put the stars in the sky. His fingers are slipping out of yours as you hold onto the knife that keeps him here and Luke mutters, “I’m so s-sorry. You deserved better in this life.” You hear Annabeth sob from somewhere behind you but you can’t look at anything else but his eyes, not daring to miss another moment of him.

“Can’t be all that bad,” you say with a watery chuckle, wiping his mouth with your thumb. There’s more of a mess now with your feeble efforts but the action comforts you more than him; caring for Luke is something you cannot unlearn. 

“This life gave me you. I don’t want to know anything else. Do you hear me?” 

You want Luke to know this—to understand that even if this is how fate has handled the both of you, there is no other hand you would hold but his.

“You’re my whole life, Trouble.”

“I know, angel. I know. It’s always been me and you.”

You and me, he mouths, an echo of himself left to relay the message as his eyes lose their warmth, empty now and unseeing. And then he's home in your arms again as you hold every broken and bloodied piece of him together until he's no more. The parts of him he leaves behind blur into you, rivulets of his lifeforce weaving through your fingertips even when you put pressure against the knife you both hold, hands cradling the spot under his armpit, and to Percy and Annabeth it looks like you're holding his heart, clutching it between your fingers.

Protecting it until his last beat—when he finally gives it over to you. 

It was always yours, anyway. 

Before, in the in-between, and now after, his heart is yours.

Time stops for Luke Castellan, the man born to die, in the Hall of Gods that day— in the arms of his partner and in the presence of his little sister and truest friend. 

Lips against his ear, no one tries to pull you away, even when the gods of Olympus march in expecting a battle to only find a dead hero and a story that needs to be told.

You’ve never seen him so still before. 

Luke’s always been the one with something to say, hands fidgeting to hold yours. Still, you hold his hand even if he can't feel it, still smile even if he can't see you, still whisper words of devotion even if he can't hear it. By the time you feel your father’s hands on your back and hear Percy say, “We need a shroud. A shroud for the son of Hermes,” you imagine that he’s miles away from where he lays motionless, dead weight in your grasp. Nothing can pull you away from the mantra you set to remind him that he’s yours even when he leaves again. Luke’s soul will soon journey where you cannot follow, and you whisper to him in the stillness amidst the noise, “I love you, I love you, I love you…” 

When the Fates come to collect the body, their ancient hands spin around the two of you as they unweave your hold on him. You weren’t given a choice—his material body dissipates in front of your eyes and you swear you feel the tug from deep within your core as you watch them float Luke away. It’s so much different now from when he used to fly around your room with his stupid winged Converse—even the gods avert their eyes when you let out a sob that shakes the ornate hall. Hopelessly you watch, sat down on the marble and unable to move or follow—as if maybe he’d still answer to your sweet nothings, and not leave you hanging once more. You slump against your father’s side, catatonic and at a loss for words—they leave with him, floating away into the distance.

Humanity’s biggest problem and resolution has always been love—this was never a story about the lack thereof.

[august 18th; death, pre-judgement? — the seven minutes after]

The path that Luke Castellan takes after he dies is most peculiar and unlike any path he’s traveled before. And yes, there have been several times that he’s come close to death—under Ladon’s claws in the Garden of Hesperides, and when he relinquished his physical self by bathing in the River Styx, but neither of those times where he’s cheated his way out can compare to the real thing. 

He once read in one of Annabeth’s textbooks that there are seven minutes of brain activity that wanes in your consciousness before you die. There’s a distinct thrumming in his ears when he comes to, and Luke discovers he’s completely in the dark with no sense of direction and most importantly, no visible way out. The old him, were he still alive—would be panicking by now, short terse breaths and sweat upon his brow. Old Luke would have fidgeting hands and eyes that rocket around for an exit. But this Luke, whoever he is—whatever he is now, finds himself eerily calm. Everything glows in a vignette, and familiar scenes materialize before his vision, a kaleidoscope of color and your shrieking laughter surrounding him in the familiarity of your happiness with him—it feels like lifetimes ago. He realizes he’s smiling. 

Versions of you swirl in the space he stands in, taking up space wherever he can look, wherever he turns—you’re there. 

And he remembers.  

Memory is a choice after all, much like love is. And no one can take that away from Luke Castellan except death itself.

The scene flickers for a moment, eyelashes fluttering against morning light peeking through the windows of Cabin 11.

It’s Luke’s first morning at Camp Half-Blood after the storm that brought him and Annabeth there. You’re standing over him with a half-beaten pillow and a menacing grin that grows as he spits out feathers. It’s his first impression of you, Kool-aid tipped hair and hands shaking with a crushed Redbull can in your other fist.

“Good. You’re still breathing. Wasn’t sure for a sec.”

A voice yells out your name and you make a run for it, barefoot and giggling and looking back at him every few steps—his breath catches in his throat again like how it did on the first day you both met.

The scenery changes and he’s sitting next to you on the dock of Canoe Lake.

“I dare you.”

“No way,” he hears himself say, and then he sees you fling algae at him in ropes, cold and slimy that it makes his voice crack, “He—ey! You’re gonna get us fired and it hasn’t even been a full day since we got the job,” he says, clearing his throat as you bite your lip.

“What’s one last hurrah?”

“You’re always gonna be Trouble, aren’t you?” he says, getting annoyed by the orange fabric that temporarily blinds him. Chuckling, you pull your shorts off and look back at him, eyes glinting in the moonlight and he can’t help but ogle at the rest of you, gulping hard. You catch him staring and he averts his eyes, looking back at the treeline to see if anyone’s come to find you both. A resounding splash echoes in the silence between you and Luke turns back to find your head bobbing visible above the water and not much else.

“I double-dog dare you, Castellan.”

He jumps in.

The dark blue of the water turns into light reflecting the pinks and purples of the sky above Montauk Point at sunset.

“We’re alive! Told you we’d be fine,” you yell, clicking your seatbelt off and jumping out of the car before Luke can even put the hatchback in park. It was his first drive anywhere—you’ve finally graduated from looping around Farm Road.

“Hey wait up!”

He calls out your name, but you’re already kicking up sand as the distance between you grows until he locks up the car and chases after you. You didn’t stand a chance, slipping and sliding in the sand as the son of Hermes quickly grabs you around the waist and throws you over his shoulder as you scream bloody murder. When he sets you down, your arms are looped around his neck and you’re smiling against the pink and tender scar on his cheek.

“Think we can break into the lighthouse before the guards come, angelface?”

The sound of crashing waves turns into chattering cabin counselors and when Luke looks around again, he’s at the Big House, with everyone else pushing their chairs in and walking towards the door. He holds his hand out and you grab it with no words or instruction—like a key nestled within its lock, exactly where it’s meant to be. 

“Last order of business, kind of…” Your dad drones from his spot near the windows. Luke tries to let go of your hand but you don’t let him, “Don’t panic,” you mutter.

“This… fraternization won't become an issue for all of us, will it?”

Everyone’s frozen near the doorway, staring at your intertwined hands. Luke clears his throat and turns toward Mr. D, “I’ll see to it that it doesn’t. Sir.”

You could almost hear a pin drop, and no one knows what to say next—not even Mr. D.

“Yeah, I’ll keep Castellan in line.”

That’s the confirmation everyone was waiting for; a mixture of groans and the clinking of drachma fill the air as Chris holds his hands out and takes his spoils of victory with a charming smirk on his face. Clarisse throws the coins at his head.

“I feel like I should take a bow or something,” Luke snickers into your ear, before placing a kiss against your temple.

You’re still in his arms and still look good in orange, but when he pulls back to look at you again, you’re both hovering above the ground near the dining pavilion. His knees are shaking when his winged Converse flap madly underneath you—a flurry of uncoordinated movement that makes you want to piss yourself.

“You’re lucky I have a strong core, babe,” he grins—and he’s thrilled at the fear on your face as you clutch onto him for dear life, one arm around his abdomen and the other around his neck, both legs latched around his waist.

“I swear to the fucking gods if you drop me, Castellan…”

His right foot jerks in a slightly different direction, making him laugh as you squeak.

“Castellan, huh? That scared, Trouble? Not gonna drop my baby.”

The wind around you whirls like a tornado as Luke tries to show off, getting higher and higher until, “LUKE!”

He catches you by the fingertips again and now there’s sand beneath your feet. You’re still spinning in his arms and his mom is singing along to a song playing on the radio you brought to Westport Beach. May claps lightly and you tug her up with a soft smile, “Come on Miss May! Take your son out for a spin.” Tugging at the damp white t-shirt you wear over your underwear, you take a seat on the picnic blanket and watch them with a smile you haven’t given Luke in years.

“Mother-son dance,” May whispers in his ear, humming a few notes of the wedding march.

He closes his eyes and soaks it all in, slightly swaying.

That thrumming is in his ears again, a steady beat against his chest and he feels it everywhere—a pounding rhythm that cannot be ignored. He opens his eyes and you’re snuggled against each other, tangled beneath the sheets. You’re still asleep and Luke just…watches you before the morning starts (whenever this is) and it all has to end. You’re breathing against his neck, lips slightly agape as warm air brushes his pulse. He moves hair out of your face and you pull him in unconsciously, skin to skin with no atom of space left between you. 

Luke blinks. 

You’re in your college apartment.

He blinks again.

His childhood bedroom.

Again, please.

In Cabin 12.

Please, just one last time.

You’re drooling against his neck in his tiny bunk in Cabin 11 and the noise is getting louder now—a static sound that morphs into the sound of your voice throbbing like a heartbeat, “I love you, I love you, I love you.”

It’s the last thing he can hear before he has to go.

_ 

“I wanna see your eyes / Is it a crime to say I still need you?” - Adrienne Lenker

[celestialworlds]

sometimes i have byler doubt (scarred by voltron) until i realize the duffers went to one of the best film schools in the united states and know damn well how to make everything obvious but not obvious.

everything in that show is hidden under a thick layer of subtext, just like how will's sexuality was built up from season one to season 4 using basically ONLY subtext and trusting people could see what was happening. that's why i think some people get so worked up about people pointing out stuff about mike's storyline. because they're not paying attention to the subtext. it's not supposed to be in your face. the whole point of subtext is to read into it

the duffers have previously said they dont like anything to be "too on the nose," which is exactly, almost by definition, what subtext helps get rid of. it's supposed to be up in the air because its not in your face. you're supposed to ask questions. that's what makes the reveal of it so fun, and why the show garners so many viewers despite its wicked gap between seasons.

they also love trope subversions:

— the first victim trope: the first person to die in a horror film is usually the "hot one" or the "sexually promiscuous" one to "punish them" in a sense, stranger things subverts this trope by instead having nancy live, and barb die. (not saying barb's ugly shes a beautiful woman)

— the final girl trope: the final girl in horror is usually the one who somehow makes it out alive despite not really being a fighter, being innocent and essentially using whatever they have to fend off the "bad guy". stranger things subverts this trope by explicitly making nancy confrontational, a fighter and just a badass overall.

— the madman in the asylum: subverted the trope of the "bad guy" in the asylum being the villain by instead making victor creel wholly and completely innocent. he's there not because of his own doing, but of his son's.

anyways, i think its kind of expected to doubt it, actually. you're supposed to expect one thing and then be absolutely shocked when that gets flipped on its head. but i could be wrong so who knows!

all i know is that at this point almost everyone is supposed to be empathizing with will, and we know the painting lie pays off in season 5. i don't think they can easily backpedal with will's feelings this late into the series, and even if they wanted to theyve backed themselves into a very cramped corner by making will say that he needs mike and he always will. he's not going to just move on. its mike or nothing for him, and i don't think the duffers are going to pretty much break the one character theyve consistently put through hell and back every single season.

for all my non film major friends on here <3 this is what subtext is and how it works in the narrative

[weekendlusting]

A TALE OF FAME

pairing ꪆৎ charles leclerc x ahaana patel ᥫ᭡. f1 driver x bollywood actress au

chapter ꪆৎ 3

summary ꪆৎ she's everything, and he just drives.

note ꪆৎ no hate to any characters used in the story, none of what i write reflects on how they actually are. all my love, happy reading.

prev

────୨ৎ────

Charles Leclerc sat in his hotel suite, fingers drumming impatiently against the glass of whiskey in his hand. He wasn’t even drinking it—just swirling the amber liquid in the dim light of his room, as if the motion itself could steady his thoughts.

Alex was late. Of course, she was. She had a way of dragging things out, prolonging the inevitable, believing that if she held on long enough, reality would bend to her will.

He heard the sharp knock at his door and exhaled slowly before getting up to open it. Alex stood there, all too put together—her blonde hair in effortless waves, her lips curved in a knowing smirk, like she already thought she’d won whatever game she was playing.

“Chéri,” she purred, stepping past him without waiting for an invitation. “Miss me?”

Charles shut the door and ran a hand through his hair. “Sit down, Alex.”

She turned, arching a perfectly sculpted brow. “Oh? We’re being serious now?” She strolled over to the couch, sitting with the grace of someone who still thought they held all the cards.

Charles didn’t sit. He remained standing, arms crossed, his jaw tight. “I told you this was over.”

Alex let out a soft laugh, tilting her head as she crossed her legs. “And yet, you called me here. Mixed signals, don’t you think?”

“I called you here,” Charles said, voice measured, “because you don’t seem to get it. We are done, Alex. Finished.”

Her smile didn’t waver, but something flickered in her eyes. “Are we?” she said smoothly. “Because I keep hearing your name next to mine. The media still calls me your girlfriend. You haven’t exactly rushed to correct them.”

Charles clenched his fists. “I shouldn’t have to. We broke up. You just refuse to accept it.”

She leaned forward, resting her chin in her palm. “Or maybe you’re just confused. Maybe this—whatever this little tantrum is—will pass, and you’ll realize that I am the only woman who truly understands you.”

Charles let out a humorless laugh, shaking his head. “Tantrum? You think I’m throwing a tantrum? Alex, I am exhausted.”

Her smirk faltered slightly, but she masked it quickly. “Exhausted of what?”

“Of you!” His voice rose, exasperation lacing every word. “Of the mind games. Of the manipulation. Of the constant need to control everything, including me.” He pointed at her. “You think if you show up enough times, if you insert yourself into my life over and over, I’ll just—what? Change my mind?”

Alex’s eyes darkened. “I wouldn’t have to insert myself into your life if certain people weren’t trying to replace me.”

Charles exhaled sharply, pinching the bridge of his nose. “And here we go.”

She stood, arms folding as she stepped closer to him. “Don’t act like you don’t know what I’m talking about, Charles. That little actress you’ve been parading around—Ahaana.”

Charles’s eyes snapped to hers, his posture stiffening. “Ahaana has nothing to do with this.”

Alex scoffed. “Please. You think I don’t see the way you looked at her that day?” She stepped closer, voice dripping with venom. “She is nothing. She’s a novelty. A shiny new toy for you to play with. And once the excitement fades, you’ll realize what I’ve always known—you and I are inevitable.”

Charles’s jaw clenched so tightly it hurt. “You are delusional, Alex. And actually fucking crazy if you think that Ahaana has anything to do with this.”

Her lips curled. “Am I?”

“Yes,” he snapped, stepping forward, closing the space between them. “I have never—never—been more certain about anything in my life. We are over. I am breaking up with you. I don’t love you. I don’t even like you.”

She inhaled sharply, but before she could speak, Charles continued.

“You want to know why? Because I see you now. For who you really are. You’re not the woman I fell for—you’re a version of her, twisted and bitter, clinging onto something that doesn’t exist anymore.” He exhaled harshly. “You’re right about one thing. I do look at Ahaana differently. Because she isn’t like you.”

Alex’s face twisted, her hands curling into fists. “She will never be me.”

“Thank God for that.”

The silence between them was thick, charged with something dangerously close to hatred. Charles had never wanted to hate Alex—had never even imagined he could—but looking at her now, seeing the pure, unfiltered malice in her eyes, he realized he might be close.

She straightened, lifting her chin. “You’ll regret this.”

“No,” he said quietly. “I won’t.”

She stared at him, something almost desperate flickering across her features, before she masked it with indifference. “Fine,” she said. “Have it your way.”

Charles said nothing. He just watched as she turned, her heels clicking against the floor as she stormed toward the door. But before she left, she paused, glancing back over her shoulder.

“This isn’t over,” she said, voice eerily calm.

And then, she was gone.

Charles stood there for a long moment, his heart pounding, his fists clenched so tightly his nails dug into his palms.

But then he exhaled, shaking his head, as if shedding the last remnants of whatever hold Alex had on him.

For the first time in a long time, he felt free.

Meanwhile not too far away,the hotel room was bathed in soft hues of twilight, the warm amber glow of the setting sun spilling through the sheer curtains. Ahaana sat curled up in a chair by the window, her phone resting idly on the armrest. Her fingers absentmindedly traced the rim of a coffee mug, long gone cold. The day had been uneventful, yet her mind was anything but still. The ghosts of the past lingered in the shadows, whispering doubts, tugging at old wounds she had worked so hard to forget.

India.

Film city.

Even the thought of it sent a strange chill through her veins. It wasn’t fear—not exactly. It was the weight of something unfinished, something unresolved, lurking in the corners of her memory. The industry that had once been her playground had also turned its back on her when she had needed it the most. And yet, here she was, being offered a way back in.

What the fuck is happening? She sighed to herself, rubbing her temple.

The phone buzzed suddenly, pulling her out of her thoughts. She glanced at the screen, expecting yet another half-hearted PR email or a message from her manager. But instead, a name lit up the display, and for the first time that day, she felt something shift inside her.

Varun Dhawan.

She hesitated for only a second before answering. “Hello?”

“Finally! Madam has answered my call.” His voice was light, teasing, filled with the familiar warmth that had always made her feel like home.

Ahaana huffed out a small laugh. “Hi, Varun.”

“Hi, she says. That’s all I get? After ignoring me for days?”

“I haven’t been ignoring you.”

“Really? Because Karan and I were starting to think you had developed some severe phone phobia. Should we be concerned?”

She rolled her eyes but couldn’t suppress the small smile tugging at her lips. “You’re being dramatic.”

“Dramatic? Me? Never.” His tone dropped slightly, losing some of its playful edge. “Ahaana, you know why I’m calling.”

Her smile faltered. Of course, she did.

“You and Karan are relentless,” she muttered, leaning back against the chair.

“Because we believe in you,” he countered immediately. “And because we know you still love this. Don’t pretend you don’t.”

She exhaled slowly, staring out at the dimming sky. “It’s not that simple, Varun.”

“Yes, it is.” His voice softened. “You were born for this, Ahaana. And you know it. Whatever happened before—”

She stiffened slightly. “Let’s not talk about that.”

There was a pause, as if he was choosing his next words carefully. Then, he sighed. “Fine. But don’t let the past dictate your future. You’re not that person anymore.”

She wanted to believe that. She really did.

“You don’t have to do this alone, you know. And we’re still your people, Ahaana.”

She closed her eyes for a moment. She had spent so long pushing everything away, convincing herself that she didn’t need anyone, that she had forgotten what it felt like to have people who cared. People who wanted her back.

Then, before she could respond, another voice chimed in from the background. “Has she said yes yet?”

Karan Johar.

Ahaana let out a small laugh despite herself. “Karan, are you eavesdropping?”

“I don’t eavesdrop. I supervise.”

Varun snorted. “He’s been pacing for the past ten minutes, by the way. I think he might actually combust if you say no.”

Karan’s voice came through again, a touch more serious this time. “Darling, you’re a star. Stop dimming your own light.”

Ahaana stared at the city skyline, a myriad of thoughts swirling inside her. But for the first time in a long time, the hesitation didn’t feel quite as heavy. Maybe Varun was right. Maybe Karan was right. Maybe it was time to stop running.

She inhaled deeply, a quiet moment of clarity settling over her. Then, she spoke.

“Okay.”

A beat of silence. Then Varun whooped so loudly she had to pull the phone away from her ear. “YES! Ladies and gentlemen, she’s back!”

Karan’s relieved sigh came through the speaker. “Finally. I was this close to staging a full intervention.”

Ahaana laughed, shaking her head. “You two are impossible.”

“And you love us for it,” Varun quipped.

She did. More than she cared to admit.

And maybe, just maybe, it was time to come home.

The gang had game nights far too often then they'd like to admit, Max and Kelly were ofcourse there, Ahaana was there, Carlos and Rebecca joined, Lando somehow always inserted himself in even though everytime he cheated and got himself uninvited. Even Alex Albon and Lily joined them from time to time, but couldn't make it this time and Charles was with them for the first time ever.

The night was young, but the energy in the room felt like the start of a Grand Prix itself—fast, loud, and filled with the potential for absolute disaster. The gang had gathered in Max’s hotel suite for a game night, and true to form, it had already descended into chaos.

“I’m telling you, Lando cheats,” Ahaana declared, pointing an accusatory finger at him as he smirked from his spot on the couch. “There is no way you won that round fairly.”

Lando, lounging back with all the ease of someone who had just scammed his way into victory, dramatically placed a hand on his chest. “How dare you? I am an honest man.”

“Honest, my foot,” Kelly interjected, shaking her head. “Even Charles saw it, didn’t you?”

Charles, who had been uncharacteristically quiet for the past few minutes, blinked. “Huh?”

“See? He wasn’t even paying attention,” Lando scoffed. “Probably too busy thinking about how free he is now that he’s finally dumped his psychotic ex.”

That got everyone’s attention.

Rebecca, who had been stacking poker chips, froze mid-motion. Max, who had been snickering at Lando’s misfortune, raised a brow. Ahaana, who had been preoccupied trying to figure out how Lando had managed to win five rounds in a row, looked up.

“You finally did it?” Carlos leaned forward, grinning. “You actually told Alex to get lost?”

Charles exhaled heavily, running a hand through his hair. “It was not exactly smooth.”

“Of course, it wasn’t,” Max said. “She’s like an overly attached leech.”

Kelly winced. “Oof. Harsh, but fair.”

“I don’t even want to know the details,” Lando said, tossing a handful of popcorn into his mouth. “Actually, no. I do. Tell us. In detail.”

Charles groaned. “Why are you all like this?”

“Because this is the most entertainment we’ve had all season,” Rebecca quipped. “Now spill.”

Charles rolled his eyes, but he recounted the story of his final conversation with Alex. The room responded accordingly—with gasps, laughter, and a few muttered curses aimed at Alex’s name. When he finished, Ahaana just shook her head, unimpressed.

“She’s delusional,” she said simply. “Absolutely delusional.”

“I would’ve paid money to see her reaction when you told her it was over,” Max admitted, grinning.

Charles smirked. “It was… satisfying.”

“Okay, enough about the she-devil,” Lando said, stretching. “Let’s get back to the game before Ahaana starts accusing me of cheating again.”

“You do cheat,” she said without hesitation.

“I do not—”

“Lando, you have a history of cheating at literally every game we’ve ever played,” Max said, unimpressed.

“I prefer to think of it as strategic improvisation.”

“Strategic bullshit,” Rebecca muttered.

The next hour was filled with absolute mayhem. There was yelling. There was a near-brawl between Carlos and Lando over an Uno reverse card. At some point, Kelly got so frustrated she threw a playing card at Max’s head, which only made him laugh harder. Charles, for the most part, found himself entertained just watching it all unfold.

Ahaana, in particular, seemed to come alive in the chaos. Her laughter was light, effortless, and every time she rolled her eyes at Lando or tossed a witty remark at Max, Charles found himself watching her just a little too long.

“Alright, alright,” Ahaana said, throwing her hands up in surrender after another brutal loss. “I need a break before I throw Lando out the window.”

“Jokes on you,” Lando said. “I’d land gracefully.” To which Max snorted.

Ahaana got up and stretched, and that’s when she casually dropped, “Oh, by the way, I officially start shooting for Jigra in 17 days.”

The room went silent.

“What?” Max was the first to react, blinking.

“You’re actually going back?” Lando added.

Rebecca gasped. “Finally! You’re returning to the big screen!”

Ahaana smiled, a little softer this time. “Yeah. It’s time.”

There was a beat of silence before Max, ever the older brother figure, crossed his arms. “Are you sure?”

She looked at him, understanding the weight behind his question. “I am.”

Max studied her for a long moment, then exhaled. “Alright. If anyone gives you trouble—”

“I know, I know.” She grinned. “I’ll call my attack dog Verstappen.”

He smirked. “Damn right.”

After a long round of jenga and then stuffing their faces in food, the last slice of pizza appeared on the table, and the room instantly went silent, all eyes locked on it.

Ahaana leaned forward, a mischievous grin spreading across her face. “Well, look who’s in the spotlight now.”

Carlos didn’t miss a beat. “I’ve been eyeing that slice for the last ten minutes.”

“Oh, please,” Ahaana shot back. “You just noticed it now because it’s the last one.”

Lando raised an eyebrow. “You’re really gonna fight over pizza? This is an all-time low, even for you.”

“Shut up, Lando,” Carlos grumbled. “It’s mine.”

Max chuckled from the side. “This is gonna be good.”

Ahaana picked up the slice like it was some sort of prized possession. “I’m just saying, I’ve had a long day. So I think I’m entitled to this.”

Carlos shot up from his seat, but Ahaana held the slice just out of reach, her smirk widening. “Nice try.”

Max shook his head, watching the two of them. “This is the dumbest thing I’ve seen all week.”

Ahaana, sensing victory, took a deliberate bite of the pizza. “Too slow, boys.”

Lando leaned back, popping a piece of popcorn into his mouth. “Well, that was anticlimactic.”

Later that night, after the raucous energy had settled slightly, Charles found himself watching Ahaana from across the room. She was laughing at something Lando had said, her head thrown back, eyes crinkled in amusement. The dim lighting softened her features, casting warm shadows over her skin, making her look almost ethereal.

He didn’t know when it started, this quiet admiration of her. Maybe it was when she first walked into his life with that effortless confidence, like she belonged in every room she entered. Maybe it was when he realized she wasn’t just sharp-tongued but also deeply, frustratingly kind. Or maybe it was moments like this, when she wasn’t doing anything extraordinary—just laughing, existing—and yet, she managed to pull his entire attention like a force of gravity.

There was something in the way she carried herself—unapologetic, bold, yet with an underlying grace that was hard to ignore. She was an enigma, a storm and a lull all at once. And he was starting to realize he liked that about her. A little too much.

“Are you staring at Ahaana?”

Charles nearly choked on his drink. He turned sharply to see Max smirking at him, amusement flickering in his eyes.

“No,” he denied, a little too quickly.

Max hummed, unconvinced. “Sure. And I’m a level headed person when angered.”

Charles groaned. “Can you not?”

Max chuckled, clapping him on the shoulder. “Oh no, mate. I definitely can.”

Across the room, Ahaana caught his gaze, a small, soft smile playing on her lips. Charles smiled back but quickly looked away because he was scared his blush would be way too evident, but the warmth on his face lingered and Ahaana caught it anyway, chuckling a bit at the very handsome man, which Charles heard.

Yeah. He was in trouble.

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ᝰ.ᐟ third part! hope you guys like it!

next

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tags @seonghwaexile @bookishprophecy @justadesirebel @peterholland04 @bakingpiastries @ricciardosheart @mikefaistgf @sp1rl @charlesgirl16 @leila-030304 @uhcalli @blahblechblah @phobiccneel

comment to be added to taglist

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© weekendlusting

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[rainbow-neko-artblog]

What was the biggest disappointment about the chapter in your opinion?

There was a lot of things- things I called from day one and said I would be disappointed with if they did. The list from most disappointing to least. Beware of spoilers:

-Ollie being the prototype: stupid stupid stupid stupid i hate it its such a blatant rip off of the mimic i hate it so fucking much no wonder chapter 4 was buggy to all hell when mob entertainment is stealing all its ideas from steal wool -The Doctor being the first ever straight up EVIL character in Poppy playtime, and yet somehow, the most disappointing. He had no reason to do the things he did- he was just bitter towards Ludwig for removing him from a program for his own good and was an asshole who tried to sabotage his whole company after his death, and continued to do so even when he was turned into a giant super computer. Despite all his boasting about the omni-hand giving him /god mode i feel like mommy long legs did a better job at rigging things against us while the doctor barely makes an attempt. Its like he doesn't even want to live anymore. Hell I'm not even convinced half of what we do to him was necessary- he didn't need the meaty bits to continue talking- so why did he have them anyways? STUPID. STUPID. STUPID. I'm going to shove him into a Tamagotchi. -The omni hand is a copout. why the FUCK does it have a set number of charges- what if an administrator got stuck in a room with no charges left. DUMB. dumb. so dumb. -Poppy getting mad at us for killing doey as if we wanted to, as if we werent all tricked, thats always broken my immersion in games- when characters get mad at you for the plot. It's like- I WOULDNT HAVE CHOSEN TO DO IT MYSELF!!! -It would have been EASY to get Doey back to his senses, because the tape to do so was literally like 3 rooms from where we killed him- and the doctor had given us choices before. so why didn't we get choices to save Doey here? -One of the tapes shows a reflection of our character, revealing that we are infact 100% human- unless there's a toy stuffed into that hazmat suit we got on. -Mob entertainment has a habit of giving us cutouts for characters with absolutely no screentime and it pisses me off. The nightmare critters were obviously a money grab because of the success of the smiling critters, there wasn't a single section that included them that I didn't think could have easily been replaced with the Smiling critters. YET THEY DIDN'T EVEN GIVE US CUTOUTS. I continue to hate the nightmare critters.

THE ONLY GOOD THING that came from this chapter is that people will stop yelling at me about Dogday being Dr. White because they share the same voice actor- because its been officially debunked that Poppy isn't Stella Graybur even though they share a voice actor. Voice actor connections have no sway in which humans end up in which toys in lore, and MAN does that make me feel so vindicated.

[luckymousey]

Thoughts about Ace's dream (parts 245-248) (mostly things I liked)

THEY FINALLY UPLOADED ACE’S DREAM BABYYYYYYYYYY

First of all, to be honest, when I first saw the snap in Tumblr I thought: wait, didn’t the Stitch event end already?🤨 and then I realized it was his dream.

Let’s start!

⚠️ English is not my first language, and there are spoilers⚠️

There might be some spelling mistakes

Cater filming everything with his phone through the whole ride, I just love how he’s still himself (Honestly, I feel that not a single student of Heartslabyul would feel dizzy because of the traveling, yk, they’re based off Alice in Wonderland, and Alice fell through a hole, I’m sure they would feel dizzy by others things, not something that’s similar to a roller coaster ride) and then he says: ah, but Grimmy was shouting too loudly and the wind is annoying, I need to put music to hide it 😔

I also love the fact that he takes photos of everything even knowing that the photos aren’t in his real phone (I hope they find a way to recover the photos for Cater)

When Sebek asked if Ace is from Sunset Savanna I was like: wait, weren’t they friends? How could he not know? And then I realized i had been looking at too many fanarts of the first year gang *slaps forehead*

Honestly, I’m impressed by how much knowledge this guys have, when Deuce said that Ace lived near the capital of the Kingdom of Roses, Leona started talking about how it was not possible for them to have an ocean near (maybe I’m too dumb to know things like these, maybe not)

Grim getting disappointed that it was a dream, he really wanted to have holidays the 365 days of the year 😂 (my baby son is so cute)

Cater saying that he knew skateboarding and surfing, I don’t know, I just LOVED that fact, even more, I’ve a headcanon of the TWST actor AU I wrote some time ago that says that both Leona and Cater use their brooms like surfboards while filming because they go surfing together during summer.

I love that we got to know more about Cater

Idia’s comment right after Cater explained why he liked those hobbies, he’s like a narrator inside the book, but instead of talking to the public, he talks to himself

AND RIGHT AFTER THAT HIS OWN BROTHER SNITCHES ON HIM, HAHAHA, I just couldn’t stop myself from laughing when he said Idia also made himself a small boat (the video I saw was in Spanish and it said “barca”, which means boat in English, I’m not sure if the game referred it as a literal boat tho)

And Idia’s wish? Riding a shopping cart through a home goods store? I also wish for that, Idia, a lot of people wish doing that, you’re not alone, my man.

When Idia got scared because Cater reminded him of the time when he kidnapped Riddle and others with a smile, he just started stuttering, so cute (his actions weren’t cute tho)

ACE MAKES HIS APPEARANCE, YES BABYYYYYYYY (I love him so much 😭)

Idk why, but I just love when the characters shout at people, like calling them from afar, and Ace nailed it

It seems like the Lilo and Stitch event doesn’t happen in the original timeline, because everyone was so surprised (even Yuu has the option to make a comment about his shirt or his sunglasses)

Honestly, I never, EVER, thought about the fruit that was on Ace’s shoulder until Grim pointed it out, I swear to you all that I started laughing once I imagined someone having to walk with those and couldn’t stop until I remembered I still had to watch the episode (and now I got another headcanon for the actor AU 😈)

AND NOW RIDDLE APPEARSSSSSS

I loved when he went like: “don’t overdo it, got it, Ace?” And then everyone was like: “YOU ARE ALREADY OVERDOING IT!” I think they thought Ace’s imagination was too powerful

When Cater pointed out that Riddle was showing his bellybutton, it reminded me of that meme of: SHOW US YOUR ANKLE, SHOW US YOUR ANKLE (we’re talking about Riddle here, I wouldn’t be surprised if he got flustered about naked skin)

I realized that Riddle is kind of naive, because he says: “Ace told me this was a formal attire for an island” and he just did as he was told, my poor boy, one day, you’re getting pranked

And then he slowly approaches Cater and whispers (which made him look sooooo cute) him if he looks weird (NO MY BABY, YOU DON’T, 10 OUT OF 10, YOU’RE SLAYING MY QUEEN), HE LOOKED LIKE A BABY ASKING HIS OLDER BROTHER FOR ADVICES

Considering both Silver and Sebek are in the same club as Riddle (in one of Ruggie’s cards, Sebek even got punished by him while doing club activities) their surprise is understandable

One thing I didn’t really like is that we didn’t get to see fake!Trey or fake!Cater wearing new outfits 🥹

I know they all wear makeup, but for someone reason my eyes couldn’t stop looking at their eyes, they are all so fucking gorgeous, ugh

Honestly, does someone here knows if Cater is rich or not? Because they also mention that Cater was the one who rented the private island (I know it’s a dream, but who knows) maybe it’s because of his father’s job?

And Cater immediately getting into his role, he knows what he’s doing, he’s so smart, I love him.

When Ace suggests getting changed because he doesn’t like seeing the school uniform Leona said (I’m not quoting from the game): “we’re BUSY” I felt it was more like: “I want to get over this bullshit and take a nap”

THE WAY ACE WAS SMILING WHEN HE ANNOUNCED THE REASON OF THE CELEBRATION, that is the same smile he has when something good happens to him, but knowing what’s going to happen next, I just couldn’t help it🥲

I also realized how much I like when a lot of characters shout at the same time, it’s nice to hear

The part where Ace denied when Trey said how they would get sad talking about Yuu leaving, I know you’re just a tsundere, accept it, Trappola I’m still not prepared for that part

In the video Idia says: “I could be hit by a extroverted lighting” I’m just loving everyhting Idia says

I got sad when Ortho said there was no point in attacking him, I wanted to see Ace getting bullied (don’t hate on me, it’s just karma doing its job)

I would’ve loved if Jack and Epel were there too

Ace was talking like a salesman: “we got pink shirt here, and then a yellow one, and then a blue one” I just can’t with him 😂

We can’t see what is really happening between the characters (like, two characters could be hugging but we aren’t able to see it because this is not an anime, yet) but I believe Grim took Ace by his hair, pulled it and shouted in his ear to make him clear they were in a dream, YOU’RE DOING GREAT BABY, SHOW HIM WHO THE REAL BOSS IS

Aaaaand, we made it until here, no matter how many times I say it, I’m not prepared to reach that part

[fandom-susceptible]

100% agree, but addition: it's not even just that he killed Ibis.

Terry knows exactly what sort of person Claudia is. He's totally fine with letting her kill all sorts of magical creatures for her spells. He even assists her with finding them and takes an interest in how they work. I truly think his reaction to killing Ibis was because he's never killed another elf before, not because he has a moral objection to killing things for power.

Plus, the thing is . . . it goes deeper than that. Claudia was shown being perfectly honest with him about everything from the beginning - to the point that it makes her uncomfortable in Season 7 when Aaravos begins to urge her to lie to him. She's had the plot of eliminating the elves and dragons ever since season 3; that didn't go away after Viren died. She explicitly was trying to get him back so they could then go take revenge on everyone. It's not even about some twisted "defending their kingdom" anymore, she's fully just planning on vengeful genocide.

And Terry's fine with that.

He only balks when it's Aaravos doing it. As long as Claudia was acting of her own volition, he was fine with the murder, with the genocide, with the bloody vengeance she wanted on the world. Not just fine with it, actively supportive of it!

His softer side that everyone focuses on highly distracts from how dark he really is as a person. Legitimately, right up until he finally left her, I was half-convinced he wasn't even real. One of my close friends (who isn't on tumblr) came up with the theory that he's a magical figment of Claudia's imagination given form. Even the "true of heart" plot didn't disprove it to me; he's what remains of her childhood innocence, then. That theory only sort of breaks apart after he leaves her - but then again, the Season 7 "loss of innocence" meta plot was heavy handed, and we've seen with things like Ava and the shadowhawk arrows that plenty of enchantments, once cast, are just cast. The mage doesn't need to actively maintain them.

So I'm still not fully convinced Terry is even a real elf.

If he is, we can't excuse how fucked up he is underneath the nice facade. I have the same problems with him as I had with Claudia in the early seasons; their cuteness and sweetheart surface is distracting people from how truly dark they are.

Claudia was always going to surpass Viren as the villain of this show. We saw early on that Viren is a coward. Viren hesitates. Claudia doesn't. The second Aaravos got access to her instead of Viren, the old man was getting tossed aside like a dirty rag, even before we knew about Leola.

I lowkey think that Terry is a similar character. He seems like a lighthearted character now, especially since that "Zuko here" scene and attempt at a redemption arc, but I think when it comes down to it, his priority is Claudia and making her happy. I don't think he gives a flying fuck what happens to the rest of the world. Why he's so dedicated to her and cares so little about everything else, I don't really know. It could be just pent up resentment for the world that rejected his identity as a man, but he doesn't come across as projecting that particular anger at the entire world, just at his home village somewhere in the Uncharted Forest. Or it could be he has his own ulterior motives and he, like early seasons Claudia, has convinced himself he's true and right and therefore he has no guilt on his conscience, leading to spells perceiving him as having a "true heart". Most adults have something in their past they regret, even if it's small. Maybe Terry just doesn't, until for some reason Aaravos changed the game for him.

I don't know. I don't think I'll ever trust Terrestrius, but it will be interesting to see how the show takes him if Netflix lets us have a third arc.

"Terry is pure of heart, it is what allows him to see the map"

Ibis from the afterlife. A.K.A the guy he murdered:

[clonerightsagenda]

To celebrate space archives getting published I might as well post an abandoned short story from 3 years ago that deals with a lot of the same themes in a more concentrated way. This is my toxic yuri for 2025. Enjoy and see if you can remember the post I made about it back in 2022.

This Story Was Made Possible By Viewers Like You

I never liked confession cams.

You know, someone sits in a soundproof room with just the cameras and talks all teary-eyed about how they’ve struggled, and how they really feel, now that no one can hear. But of course someone can hear. You can. You’re there, in the room with them, a few months in the future and a hundred miles away. It’s all a performance. Everything is.  

I’m not doing that, ok? This is for me.

They came to the house with bags full of clothing and artificial smiles. They came with extra toothbrushes and half-constructed plans. They came with high hopes and already dented dreams.

I came with nothing. I was already there.

It started the same as always. They jumped when I greeted them and then stole glances at each other’s reactions. No one said anything back. I didn’t expect them to. I’d been getting everything ready. Twenty bedrooms, names on the doors. Lights on, temperature tweaked up there, down here, never quite comfortable. I’m very good at that part of my job.

That first arrival scene goes through a lot of editing. Cut out the boring bits, highlight the quirks that make contestants stand out. The details we highlight set the audience’s perception of each player. Create heroes, villains, characters. No one on these shows presents themselves as they really are. You get the construct.

Me? I get a little bit more.

Let’s skip the boring parts. They milled around for a while before finding their rooms. Most unpacked their clothes. One placed a photograph on her dressing table, angling it so it would be in easy view of the camera. A bid for sympathy, I figured, but my opinion wasn’t the one that mattered.

The files would have told me that her name was Gloria Martina Sosa, contestant ID seventeen, age twenty-nine, pronouns she/her. Employed in finance and competing because her mother needed to pay for a medical procedure. The files would tell me that, but I already knew.

This time, there was a container of chocolates on the table when Gloria inched down the hallway to the dining area. She was good at finding her way around the floorplan already, even though it was designed to send them circling in the wrong direction and bumping into each other. I wondered if they noticed.

She approached the chocolates cautiously. She knew it had to be a test. I knew she liked chocolate.

“Can –” She paused before old-fashioned manners asserted themselves. “May I have one?”

“Yes,” I said.

She slid her hand in. Then she hesitated again, fingers still reaching. “Would you like one?”

I checked to see if someone else had entered the room. Nothing on the visuals from any of the dining room cameras. She was the only one there.

She was talking to me.

“No,” I said, after an obvious pause. Then, because of the manners, “No thank you.”

Her fingers curled around a chocolate. “That was stupid of me.”

I didn’t need to answer that, so instead I thought about her motives. I couldn’t show favoritism; she should know that. Did she want to look empathetic for the audience? She wouldn’t win any points cozying up to me.

Maybe she meant it as a genuine kindness. It was early enough that she might not know better.

“Do you ever wish you could eat?” she asked. The chocolate was in her mouth, but her fingers folded and refolded the square of foil.

Why was she still talking to me? I couldn’t tell her it was against the rules – it wasn’t, officially. So I said, “This won’t make good television.”

Her eyes widened. She was thinking of all the time she’d wasted here, the time her competitors might have been using to build alliances or look for clues. She yanked the container of chocolates off the table and ran back toward the hallway. She’d use them as an offering, maybe, or a bargaining chip. She didn’t say thank you, or goodbye.

Why would she? I’m not a player. I’m the host.

#

I know how this sounds, so let me set the record straight. I’m not an artificial intelligence. People love to claim they’ve invented a thinking machine, but when you drill down to the bones of one you’ll always find an algorithm. Sure, this place runs on all sorts of automation, but at the end of the day, you need a human to come up with a wicked twist or make sure the tracking software doesn’t mix up Mateo and Benjamin because there was a mishap in the laundry room and they’re wearing each other’s clothes. AI doesn’t have the flexibility a project like this demands. I don’t think it ever will. Or maybe that’s wishful thinking, since if it happens, I’ll be out of a job. It’s not a great job (I’m making minimum wage here) but I don’t have to pay rent or buy groceries, so the money adds up.

There used to be a whole team – six-hour shifts, front-end and back-end crews – but budget cuts hit everywhere. It gets quiet sometimes, but at least I don’t have to make a big production of hiding when I’m going to the bathroom with a tampon. I do the best I can, drink a lot of coffee, and chalk any delays or mistakes up to a buggy operating system. There are surgeries you can get to keep you sharper – some employers insist on them – but I wouldn’t let anyone stick neurotech in my brain even if I could afford it. Too many horror stories. It’s easy to keep them thinking I’m a machine. I slap a voice filter on, and my disinterest in everyone’s drama means I don’t have to fake sounding inhumanly bored.

But enough about the woman behind the curtain. That’s not what anyone tunes in for.

#

About half the guests roamed the halls after dark the first night, which meant prowlers skulking around corners and smacking into each other. I downed two energy drinks and kept an eye out for the most entertaining close calls so I could cut them together later. On other nights I’d feel safe sneaking some sleep, but the first was always busy.

Gloria stayed in her room. Instead of climbing into bed right away, she knelt and whispered something in Spanish. The translation software would handle that for anyone who wanted to know what she was praying for. I could guess.

When she finished, she looked up. They’re never sure where to focus when they talk to me. I’ve learned to read that lost expression as a sign I’m about to be on call. “If I need something, do I just ask?”

“That’s correct.” When she didn’t say anything else, I continued, “Did you need something?”

“Not right now.” Not from me.

#

The next few weeks passed the usual way. Dean found an immunity stone hidden behind the false back of the pantry. Three different groups swore ill-fated alliances while pretending to be preoccupied with their laundry. The first contestants were voted off, mostly because of dismal challenge performances and in one case because Heather kept stealing other people’s toothpaste. (Luckily for me, I didn’t have to listen to them moping about being eliminated. The losers’ quarters had cameras, of course – everywhere does – but none of those feeds went to my workstation.)

Most of the time the participants treated me as so much background, but there are always exceptions. One afternoon Haruto and Farah were arguing about an inane piece of early twenty-first century pop culture trivia and wanted me to tell them who was right, and Anna was asking about the latest sports scores, and one of the microphones in the dining room wouldn’t connect right even though I’d run troubleshooting, and –

“Is Corey busy?”

I pressed the intercom button for Gloria’s room and said, “One moment, please.” Then I switched channels (click). “The home team won their last game 4 to 1.” Click. “Yes, it was the same actor; they used CGI to make him look younger.” Click. “Sorry for the delay.” I punched in Corey’s ID to pull up the last place the cameras had seen him. “A lot of guests are requesting my services right now.”

I don’t know what did it. Maybe a hint of exasperation crept into my tone, or the keystrokes filtered through the speakers, or a real sentient computer program wouldn’t apologize. Whatever tipped her off, Gloria’s eyebrows pulled down. It wasn’t an expression of surprise as much as it said, ‘I knew it’.  

“You’re not an AI,” she said. “Are you.”

Damn. I could have lied. The producers would’ve wanted me to, but they left me there to play the game however I chose. Besides, I’d already paused too long. A machine wouldn’t have to think about it.

“A lot of the answers are. There’s a library of canned responses for the most predictable questions. I’m here for the more complicated problems.”

“Here?” She spun her eyes around the room like I might pop out of a closet.

“On site. Behind the scenes.”

“But you can see and hear me?” She hunched in on herself. “I don’t like that.”

“You signed up to be on a TV show.”

“That’s different.”

Because I wasn’t an adoring fan. “Did you want an answer to your question?”

“You can see him too?” She was hung up on that considering the position she put herself in. The contracts they signed asked them to give away all sorts of control.

“I can see everyone. I’m not watching all the time, though. That’s part of the automation. I get notified when there’s activity that might be interesting.” I checked the relevant screen, which showed me the feed from camera 251. “He’s brushing his teeth.”

“Is that interesting?”

“Not according to the system.” Showering would be, because the system’s a pervert. So are the folks back home, although the editors make sure to frame things just right so that we can deny we’re showing anything explicit.

She sighed. She kept her head angled toward the floor, like denying the cameras eye contact preserved some sliver of her privacy. “I guess I can’t opt out.”

“Not until you go home. You could try to be less interesting, but it’ll cost you.” That strayed dangerously close to advice. “I’ll delete this conversation, though. Have to preserve my image.”

That got her head to pop up. “You can do that?”

I wiggled my fingers over the keyboard, a pointless gesture since she couldn’t see me. “As long as you’re in this building, I’m basically God.”

“God.” Her lip curled. I’d seen her praying earlier. Maybe my boast sounded like blasphemy. “What’s your name?”

“I can’t tell you. I’ve got rules. Sorry,” I added, repeating that human touch that betrayed me.

“I don’t know why I asked.” She looked away from the camera again. “Don’t watch me sleep.”

“Wouldn’t dream of it.” She was pretty. But watching a pretty woman over the cameras isn’t automatically creepy. If it is, what does that say about you?

I tried to keep my word. Gloria wanted to believe she still had boundaries, and unlike our loyal viewers, I don’t get my kicks spying on people. Every so often, though, my eyes crept back to her square on my monitor. I knew so much about these people, and she was the only one who knew I existed. That knowledge was like a blinking notification that never went away.

#

I didn’t expect Gloria to talk to me again, and for a few days she didn’t. She sat in silence while I announced the day’s events or when other participants asked me questions, a frown mostly smoothed off her face. I saw it, though. That’s what she was frowning about.

Four days after our conversation, she was tearing her room apart looking for something. It’d been twenty minutes, and she wasn’t going to find it. I was waiting for her to figure that out. She groaned, tilted her head up, and asked, “Do you know where my charger is?”

“Under the sofa in the living room.”

She jumped. “That was fast.”

“Pretty good AI impression, right?” I hadn’t been watching her sleep, but I’d been paying attention. So sue me. If she decided to spill my secret, I’d have to… well, I didn’t know. It had never happened before.

“Is anyone else there right now?”

“Haruto and Farah.” Still arguing, somehow. Getting worked up about each other’s vintage cinema opinions was their version of entertainment.

She sighed and sat on the side of her bed. “I don’t want to get sucked into whether we need any more live action remakes. Can you tell me when they leave?”

“Sure.” Informal. I was slipping.

She drummed her ankles against the floor and then, with a huff, hopped up again and began straightening the mess she made. She wasn’t a woman who liked to be still. I wasn’t surprised when she broke the silence. “Does anyone else know?”

“If they’ve guessed, they haven’t said anything. This isn’t a test, or one of the puzzles you’re supposed to solve. You weren’t supposed to notice.”

She slammed a drawer. “Do you like spying on people?”

“That’s not what I’m doing.” She snorted. “It’s a job. A boring one, most of the time. Alerts tell me when any of you do something relevant, and then I cut the best footage together and send it back to the real editors. I’m not watching you every second. Who would want to?”

That got her to stop folding a shirt and look up at camera 387 so I’d be sure to see the disgusted expression on her face. “The fans?”

Fair point. “I forget about them sometimes.”

“I doubt your bosses would be happy to hear that.” She moved on to stuffing toiletries back into her bag, but her movements were less ferocious. “How did you end up working here?”

“I worked as set crew on a few smaller projects. I didn’t get training for it, but I’m good at picking up just enough to make myself useful.” That’s what kept me around through round after round of layoffs. I learned the bare bones of other people’s jobs, and upper management decided bare bones was enough. That kind of approach doesn’t make friends in the workplace, but neither does getting fired. And hey, it worked out that I’m not a team player. The only one on my team now is me.

“Do you like reality TV?”

“Hell no.” I couldn’t believe anyone would put up with the genre without getting paid for it. “But a job’s a job. Did you always dream about starring in something like this?”

She paused, clutching a bottle of perfume. “Not like this.” She took a bracing whiff – the label said orange vanilla, but smell is one thing I can’t piggyback on. “You’ll delete this?”

The start of our conversation was already flagged. “Speak freely.”

“I liked the romantic ones when I was younger. The fairy tale element; I read a lot of fairy tales growing up. Later I realized how artificial they were, but you keep hoping.” She shook her head. “I can’t believe I told you that.”

Neither could I. Then again, they were encouraged to bare their souls for the cameras. It must be a hard habit to break. “Given the data I’ve collected, I think Anna is your one true love.”

Instead of laughing, she shoved the perfume into her bag. “I’m not here for that.”

“I know.”

She zipped up the bag, stood, and looked right at the camera, hands on hips. It was the closest I’d come to eye contact with someone in months. “How much do you know about me?”

“Mostly what’s in your files.” I reread them after she caught me. I had her entire application packet, every official scrap of information the network collected.

“And I don’t know anything about you.”

“You know I don’t like reality TV.”

“What’s your favorite color?”

She shot the question at me, and I responded reflexively. “Blue. At least it is now. I don’t see the sky much on this job.”

“Blue.” She digested that and looked past the cameras, up to the ceiling and the sky beyond that she’d only see through windows until the game was over. “I miss it too.”

“Now you know one thing about me. Happy?”

“Can I ask more, later?” She sucked her lower lip between her teeth; I think the question surprised her as much as it did me. “I don’t like being watched by a stranger. I can’t stop you watching, but I can stop you from being such a stranger.” A crafty spark entered her eyes. “You are here to answer our questions. That’s what they told us in orientation.”

They did tell them that. “I’ll do what I can,” I said. “But be careful. I don’t want everyone in the house asking me for my biography.”

#

Gloria was the one on camera, but she was the one who forgot herself. She was standing in the kitchen running a plate under the water when she looked toward a camera and asked, “What do you eat?”

“Uh,” said Benjamin, waiting for his turn at the sink. “Are you talking to me?”

“Based on existing data, Benjamin enjoys soy-based products and fresh fruit,” I said in my best automaton voice.

At least she caught on quick. “Thank you,” she said, and went back to rinsing pasta sauce off her dishes.

After she retreated to her room, she said, “I’m guessing I’m not supposed to socialize with you.”

“There aren’t any rules against it,” I said, which wasn’t a no, and then followed it up with, “It’s not the most strategic use of your time,” which wasn’t a yes.

“I need a break from everything out there sometimes. At least I know what you’re lying about.”

Safer not to comment on that one. Besides, she was still going.

“Mateo is always trying to make sure the cameras get his good side; you know he’s here to make a name for himself. And Anna keeps talking about how she wants to buy her own automated mansion, like she can’t imagine going back to having to manually turn on the lights. They’re so trivial. It makes me want to toss them out a window and tell them to come back when they have something serious to compete for.”

I didn’t comment on that either, but I could’ve. The truth was, at least half the participants needed the money for reasons beyond popularity contests or tech upgrades. It didn’t matter. If I told her, she wouldn’t think they deserved it as much as she did. Even without the files, I could have read her life story in her unblemished skin and name brand outfits. She’d never sweated through record-breaking summers because during surge periods companies always cut off the poorest neighborhoods first. She wrinkled her nose at the cricket flour crackers in the pantry like someone who had the luxury to leave food on her plate. She had no idea how many people watched her and wished they could take her place – not for a chance at a cash prize or fifteen minutes of fame, but just to have a safe place to sleep and enough to eat. When people watch shows like this, it’s not about rooting for an individual, not really. It’s about constructing elaborate narratives about themselves. Wanting participants, wanting to be them: there’s not much of a difference in the end. They’re all different flavors of consumption. Some players catch on faster and embrace being the product.

But Gloria was used to being on the other side of the equation. She’d been comfortable her whole life, and this medical bill was the first time she hadn’t had enough to make the world work the way she wanted. So she came running here for a fairy tale ending, because of course she was entitled to that along with everything else.

You’d think people like me who’ve been struggling their whole lives would fight hardest, but people like that? They get vicious.

Instead I said, “So you’re saying it’s nice to talk to me.”

“It’s a change.”

I minimized camera 16’s window where Richard and Destiny are gearing up to either start a fight or swap spit. Hard to tell with those two. “What do you want to talk about?”

“What do you think of us? You watch us all day.”

“Not all day, I told you. Honestly it’s – did you ever work customer service?” Her eyebrows jumped. I could’ve guessed that too. “Well, in that kind of job, you don’t pay much attention to individuals. You’re all one big crowd. Of course, you’re also my only live entertainment. Could you do anything more interesting?”

“Any suggestions?”

“Steal Corey’s watch.”  

She laughed. Corey told everyone who would listen how expensive his custom-made timepiece was. His audience hung on to every word, although they were mostly hanging on to his cheekbones. “That won’t get me any votes.”

“I’d vote for you.”

“You mean you’re not charmed by him?”

“Not my type.”

“Not mine either.”

I know, I thought, but I didn’t say it. She didn’t like to be reminded.

#

Gloria didn’t steal Corey’s watch. The next time he made a production of giving someone the time she looked right at the nearest camera, and I almost choked on my protein bar laughing.

After she left that conversation, she slipped into her room and leaned against the door. “You always delete the video when I’m talking to you, right?”

“It wouldn’t do me any good to send it on.”

Her shoulders loosened. It was surprising, and a little gratifying, that my presence now made her relax. “In the real world, you’re pressured to be doing something useful with every second of your life. In here, every second you’re performing for the cameras. It’s nice to be able to stop.”

I covered a yawn with one hand and reached for my coffee. “At least you get regular rest periods. I can’t give you details, but some people were keeping me up last night.”

She frowned. “Would you rather I let you go?”

The frown was also gratifying. “No, there’s enough I need to monitor right now anyway. Just keep your activities within regular business hours. That’ll make you a model participant in my book.”

“I’ll try.” She settled onto her bed and stretched her arms over her head, bending back the wrists. Then she asked, abruptly, “Do you have a favorite guest?”

“I’m not supposed to pick favorites. I won’t name names, but my least favorite is someone who starts whistling when they’re trying to concentrate. I always get the tune stuck in my head.”

“I’d hate that too.” She dropped her arms down and rested her hands in her lap. “It doesn’t seem fair. You get to see all of us, and I don’t get to see you.”

“It’s for the best that you can’t.” I shifted in my chair where I was sitting cross-legged in sweatpants I’d been wearing for three days straight. “I don’t have to be presentable to anyone back here. My hair’s a mess.”

She shrugged. “It would be nice to see any new face. Can you tell me what you look like?”

“Better not.” There weren’t any rules against that either – no one would’ve thought we needed them. But I wasn’t there to be looked at. “Just… imagine me. Whatever you’d like.”

She thought for a moment and then said, “You look nice.”

“Thank you.”

#

For the next month, I watched from my hundreds of cameras and listened through my hundreds of microphones. I scoured test banks for trivia questions and rearranged the responsive floor plan to build obstacle courses. I beamed everything back to our viewers, and the network compiled data to send back. Their demands were predictable. So-and-so is popular; be sure to get close-ups. Contestants X and Y don’t get along. Trap them in a room together with a malfunctioning door. Sometimes the instructions were specific, but often they just told me what the audience wanted. By now, I knew how to get it.

While I did that, I watched Gloria. She was average, as these things go. She lasted longer than half the participants in a challenge where I cranked the temperature lower and lower. Then she flopped when asked to identify the fake headline in a social media feed. She nodded to cameras with a half-smile, and although she could be doing it for the viewers, I couldn’t help but wonder if she was doing it for me.

She stayed kinder than I expected, even as everyone dropped the niceties and the game turned into a bloodbath of votes and eliminations. I’m not usually wrong reading people. I have so much to go on.

She kept talking to me late at night. Participants are promised some privacy in their bunks. (If they read their contracts line by line they know better. Viewers get very interested whenever a player invites someone else in. That was happening in two locations, so it was easy to cover up my own indiscretions.)

“Do you know what’s happening back home?

“Only what the network sends me.” I didn’t miss it. Participants signed up for fame or money, but escape would work as well. At least locked in this house, the problems weren’t real. You knew the challenges were fake, and everyone went to bed with a full stomach at the end of the day. It’s not a bad gig, really.

“I don’t know how my mother’s doing.” She was staring at the ceiling instead of making virtual eye contact with me. “Sometimes I’m afraid I won’t get back in time. It feels like it’s been longer than a few weeks.”

She didn’t seem to be waiting for a response. They were encouraged to think out loud for the cameras.

#

Nine weeks into this round of the game, she was in trouble. We didn’t talk about it. I was supposed to be her refuge from all that. Ridiculous, if you think about it, but we all have our illusions. She didn’t have access to viewer opinion polls or other players’ confessions, but I could tell from the way she held herself that she knew. If she didn’t win this week’s challenge, she was gone.

That shouldn’t have bothered me. I don’t pick favorites. Players come and go and nothing changes. Except…

I used to talk to my coworkers’ empty chairs to hear my own voice. I erased crosswords and started them again. The job without Gloria would be… boring. I didn’t want to look across all my monitors and not see her there.

I’ve never related to the viewers who root for their favorite contestant. This was different. They’re behind a screen watching the edited version of a woman from miles away, a woman who doesn’t even know they exist. I knew her. She knew me.

She didn’t ask for my help. I’d like to imagine she respected my integrity or didn’t want to risk my job, but I saw the way she threw herself into trying to shore up shaky alliances, too little too late. She’d rather rely on herself. I might be the all-seeing eye and the voice in her ear when she went to sleep, but when it comes to playing the game, no one pays attention to the help.

My inbox dinged. The network was responding to my latest batch of video. I skimmed through it: suggestions for contrived scenarios to start people fighting, instructions to let the showers break down, standard stuff. Then, at the end: We need new topics for this week’s trivia challenge. Any ideas?

The challenges got repetitive after a while. Production was always looking for suggestions. I opened a reply, started typing, and then paused.

I could help. No one would know. Gloria would be here, with me, for another week.

It wouldn’t be my first case of workplace dishonesty. I’d fibbed on timesheets and extended my breaks like everyone has. I’d kept my mouth shut and let coworkers take the fall for my mistakes. This was interference with the outcome of the show, though. I could get fired.

Who was going to catch me? Me?

I typed, What about fairy tales?

#

Gloria was exultant. She won the trivia challenge, securing her place for the week and spurring a nasty double cross in an alliance that had been planning on forcing her out. She paced back and forth in her room, rehashing her triumph. I responded with customer service hmms. It didn’t occur to her that I might be behind the convenient choice of topics. Which was fine. If she realized, she might let it slip, or expect more favors, and I’d risked enough already. It was fine that I was everywhere controlling everything and she still acted like she had no idea. People like her are the same everywhere. They assume the world runs itself.

“If I win next week’s challenge and Richard and Destiny stay on bad terms, I have a chance,” she said. “I could win.”

I didn’t say much in response. Maybe she thought I was being careful not to spill any show secrets, or maybe to her I was just another audience member witnessing her triumph. I’d had so much time to watch and still had trouble reading her.

I’m not omniscient, is the point. I never had the power to read her mind or control her or even save her in the end. I was only ever buying time.

I’d built a habit of letting emails pile up and answering them when I felt like it, but now I never closed my inbox. I took my phone with me on bathroom breaks or rare trips outside. Of course, if the network found out what I’d done, they might not bother with professional communication. They might send a crew in with no notice to throw me out on my ass.

That dampened my enthusiasm as Gloria dreamed of making the final three. Household malfunctions rose. I got jumpy. Anna asked me a question, and I froze, because for a moment I thought I’d been caught. A spam email snuck through my filter, and I spilled my energy drink all over the keyboard when I heard the notification. I wanted to scream through the intercoms, Don’t you know what I can do? What I’ve already done? You don’t even know that I’m here.

Instead I turned the heat up two degrees and reassured Anna that she’d buttoned up her dress correctly.  

#

In the end, I didn’t get caught. The shutdown order came for different reasons. Mateo, a fan favorite, had settled into a committed relationship. The move wasn’t popular with viewers. They liked him as a heartbreaker with someone else in his bunk every night. I don’t get the appeal, but ratings are ratings.

End the game, wipe their memories, and start over, the message said, with a list of new parameters to try. Just like the last four times I got this email. Neurotech sure has expanded the boundaries of reality programming.

Like I said, I’ve got horror stories.

I flicked through the changes. The bulk were new living arrangements and challenges tailored to different participants’ skills. The true appeal was more pathos for viewers to sigh over, as former lovers betrayed each other and friends met again as strangers. They eat it up so much I wonder if the game will ever end.

Maybe I should be happy about that. It’s job security.

I could see Gloria out of camera 43. She was selecting a meal packet and humming to herself. I wanted to warn her, to say that every time before this she’d become someone shut off or brittle or cruel, and that I liked her better this way. I wanted to tell her it’d been thirteen months since she saw her mother, not two. I wanted to ask if she had any idea. But I signed a contract too.

Instead I waited until after lights out and said, “Let me show you something.”

Gloria trusted me enough by now that she waited until I’d directed her to a blank stretch of wall to ask, “Why did you bring me here?”

“If you compare the interior to the outside of the house, this can’t be an exterior wall. There’s too much space. You didn’t notice?”

“I didn’t.”

She did in three of the other versions. Gloria had rarely been a model participant. She’d explored more, discovered more, when she wasn’t talking to me. “When people do, I tell them it’s not part of the game. It’s where we keep some of the machinery used to run the facilities.”

“What’s really on the other side?”

“Me.”

She started at that, looking from the camera to the wall and back again, like she assumed I lived in the fiber optics. “You’re there?”

“In my own set of apartments. It’s roomy now that I’m the only one. There’s a side door, so I even get a little sun sometimes. There’s a lot of machinery back here with me, though. We try not to lie when we can tell part of the truth. Makes it easier to keep track of everything.”

She reached out and presses her hand to the chipped paint of the wall. “You were always right here.”

“Hang on, I’m at a different terminal.” I hopped out of my chair and squeezed myself between my desk and the one that used to belong to Paulo before the last round of cutbacks. “Now I’m right there.” I was simplifying things, of course. There was at least a foot of wires and paneling between us, but it was still the closest we’d ever been. I reached out to press my hand to the wall and imagined the touch of another human’s skin against my own.

This was my last chance to tell the truth. I could reveal everything, lead her to the emergency exit only I knew about, and invite her to run away with me to… what? We were both there because we needed something, and the world won’t give you anything for free. In this house, blasphemy or not, I was basically God. I could steer her away from danger. I could construct a narrative. Outside, I couldn’t create a happy ending for either of us.

From what I knew of Gloria Martina Sosa, the many possible Gloria Martina Sosas who had walked under this roof, she would hate me for keeping this from her.

It was a good thing she didn’t know me at all.

“Why did you decide to tell me now?” she asked.

There were a lot of things I could have said. Because this version of you dies tomorrow. Because there are bigger rules I won’t break, and I want to believe I’m a person who would break some of them, for you. Because I’m saying goodbye, and you don’t even know it.

“Because we’re getting close to the end now,” I said. “You’ll be too busy soon to think about me.”

“It’s hard to not think about you when you’re watching all the time. Especially now that I know exactly where you are.” She ran her fingers across the paint before pulling away. “Maybe when this is over I’ll be able to see you face to face.”

I couldn’t hesitate. If I hesitated, she might guess something is wrong, and my entire job relied on returning polished answers with mechanical precision. “That would be nice.” I was using my work voice, all business. “You should get back to bed before anyone wonders why you’re up.”

She smiled – at the wall rather than the camera. She might have been looking toward me, but that means she didn’t meet my eyes. “Are you worried about my beauty sleep?”

“Rest is important,” I said. “I’m not supposed to have favorites, but I’m rooting for you.”

Thanks to my instructions, she made it back without running into anyone, turning corners and ducking into rooms without a word of protest. Once I delivered her to her room, she dimmed the lights and slipped into bed to while away the last few hours this version of her would ever see.

I watched her fall asleep, and I didn’t say a word.

Maybe next time.

#

They were called in for a medical check-up the next morning. “Is this a challenge?” Gloria asked while getting dressed.

“No,” I said. “It’s perfectly normal.” The producers would be pleased. I’d never sounded less human.

#

Teardown procedure between rounds was always the same. I filled out the standard paperwork and finished packaging the last days of footage to be shipped back to the editors. My email inbox could be thinned out. I’d gotten practiced, and none of the tasks took long. Then it was just me, the empty house, and Gloria’s ghost roaming the silent halls.

If you look at it right, I’m doing her a favor. Outside the house, the monsters are so much worse than me. People want to be you, or have you, and they’ll eat you alive. People who grew up like me would understand. They might even ask me to do the same for them.

I don’t know why I’m bothering to justify myself. My job is to watch and record, not to editorialize. There’s no reason for me to sit down in front of the camera and say, My name is Cal, and there’s nothing I could have done. But I guess I’ve caught the narrative bug after watching everyone else spin out their stories, because here I am making my recording. Wishing there was someone on the other side of the screen to turn me into someone new.

I have no illusions that I would be an audience favorite. That’s never been my role.

An email with the finalized set-up for round six arrived in my inbox, and I scanned it so I’d be prepared. There will be no chocolates next time. Every round, the producers try something different. But I will say hello, and maybe this time she will say it back.

#

They come to the house with bags full of clothing and artificial smiles. They come with extra toothbrushes and half-constructed plans. They come with high hopes and already dented dreams.

I come with nothing. I was already here.

[taelophone]

Frat Boys & Parties ˙⟡ — A tutorial. ⋆⭒˚｡⋆ "How do I write a Frat Party?"

Ok, so as a luigi girlie, I want you guys to understand how to write our frat boy correctly !! Heres a lil walkthru of a frat party! The good, bad, and the gross lol

!DISCLAIMER! Not every frat is the same, but these are some common themes ive seen after about 4-5 crashes at diff brotherhoods lol

1. The Party

Ok, so this is a p self explanatory part. What is a frat party like, and what are some common misconceptions.

The most common one i see is that there’s some sort of “guest list” or that in order to get into a frat, you have to come with a brother. This isn’t true…at all. You will be LET IN for being a woman, as long as they find you “attractive” (I did say the bad would be included). Frat parties are usually not invite only, and if they are it’s usually a brother thing. It’s actually harder to get into a frat as a man, as their main goal is as many chicks in the house AS POSSIBLE. If you come with ONE dude as ONE chick, you will separated if he’s not a brother lol. They won’t let him in.

If you do go with a man, please bring at least 3-4 friends. There needs to be a ratio lol.

Now how do you even get into a frat? Simple! Word of mouth, socializing, etc. if you have even one friend that’s a social butterfly, you will more than likely be aware of when different frats are hosting. There is usually NO invite system.

You can make a character that’s known to be social, you can be the social friend, etc etc. But honestly its not difficult if you have even a slightly small friend group.

2. What It’s like

You can always tell when someone hasn’t been to a frat by the way they talk about them. They are very VERY gross😭 You will be uncomfortable, the music is painfully loud and shitty, the tables are sticky, everyone smells sweaty, and you will get hit on and very potentially harassed. This is why it’s wiser to come with a male friend and 4-5 girlfriends. It’s not wise to be at a frat alone or just with one girl. Remember, the goal is ALWAYS going to be getting you drunk.

Write about the stickiness of the floor, how humid the room feels, the constant jostling of bodies, and the people around you. The party will feel less realistic and flat if there’s no small dialogue. For example, bumping into people.

“Excuse me, sorry!” A random girl squeaked, a drunken smile on her face as she squeezed past, her pupils the size of dinner plates.

Or if you’re feeling a little more frat-boy motivated, write a brief interaction with a brother.

“Hey…you havin’ fun? Yeah, my dude Jacob put this party together. He’s kind of an asshole, cuz he made me do all the planning, but it’s whatever.”

If your character is more reserved and tends not to drink, the night will be uncomfortable for them. One way I like to show discomfort or emphasize the grotesque is use “gross” imagery. Compare the actions and surroundings of your character to formally uncomfortable topics and ideas. Remember, imagery is a GREAT tool! Use it to make your advantage and make your readers skin crawl!!

“The crowd around you wiggled and thrashed like a hoard of hungry maggots attacking at a piece of rotten fruit, the bitter and stale taste of the cheap beer serving as their stimulant in the ghostly night.”

And on the topic of beer, it’s ALWAYS cheap. It’s free, so why are you complaining? Complaining about the drinks is usually a no no lmfao😭 make sure to include that in as well! I can’t give you any brands to go off of cuz it’s different at every party I’ve been to, but it’s usually NEVER any high quality shit. No Heineken, no Bud Lite, no Miller.

Cheap beer tastes literally like scorching expired fruit. It has the stalest taste ever. It’s DISGUSTING. I need to emphasize this so YOU can emphasize it in your writing. Alcohol burns! It hurts to chug, it hurts to sip, it’s “spicy”. This is another opportunity to use allusion and imagery in your writing. Talk about how it feels like flames going down, or how it bites at the flat part of your tongue and stings your nose.

Now, if your character is a little bit more open to drinking, slowly begin to go from “gross” imagery or themes of discomfort into fantasy and “wonderland-esque” imagery.

You’ll have more fun at a frat if you’re not sober, and that’s the tea. Monitor how much your character is drinking, and how she should be reacting in this state! I break it up into a couple of levels.

Buzzed.

Tipsy

Sloppy

Blackout

At buzzed, your character should slowly begin to get more social. She’s giggly, happy, and a little more relaxed but still very in tune with her surroundings. Spend more time in the party than you will in her mind. At this point, she’s thinking a little bit less, so try to cut a little bit of monologue.

At tipsy, she’s getting loose-lipped and courageous. Talking to strangers, dancing with a brother she’s never met, pursuing the goal she had originally come to the party for (if she has one), and a little bit less aware. She may lose her friends in the sea of people, but she’s overall still fine.

At SLOPPY, she’s becoming a bit of a nuisance. She’s getting loud, bumping into people a bit harder than usual, has no concept of personal space, and is a yap machine. She’s talking so much, and is stumbling and laughing at anything. Or, quite the contrary, she’s crying and sitting on the floor. Depends on who she is.

At Blackout, she’s slowing down. Her words are drastically slurred, so be prepared to ignore your grammarly. She’s stumbling through people, likely trying to find a place to sit down, the lights are way brighter than they actually are, and she might even throw up.

THISSS is how you write being drunk! It varies from person to person, because I am unfortunately a flirty and energetic drunk, but this is a baseline to work with.

The more your character drinks, the more their headspace should reflect this feeling. Some words like floaty, tingly, euphoric, giddy, etc should suffice. I even like to compare it to space because sometimes it do be feeling like zero gravity😔

do we want a part 2 with how to write actual Frat boys? Cuz it seems not many of us have encountered them irl…(it’s better that way trust.)

[lady-iskra]

@truemetis

Say one thing, it was excellent foreshadowing for what would be revealed about how Aang would treat his kids in LoK. Now if only it was meant that way it could at least then have lead to a interesting story.

I mentioned my thoughts on this quite a few times here on Tumblr: By failing to show us a healthy, compelling K@taang, they instead created a well-written tragedy completely by mistake. This is a phenomenon, and it won’t stop astonishing me. Starting with the endgame kiss in ATLA without their arguments, including the non-consensual kiss, being resolved first.

@sokkastyles

There's also no effort to make Katara feel included. Why does Katara have to sit off to the side? Why can't she participate in celebrations of Aang's culture, too?

Not only has Katara in the comics been downgraded to Aang’s pretty, little sidekick, for whatever reason she isn’t even participating in gaining knowledge about her boyfriend’s culture. She wouldn’t even have to become an Acolyte by doing so.

Why do the air acolytes have to all be girls, anyway? If Aang wants to preserve his culture, and is nervous about appropriation (which is a valid fear), shouldn't his chosen acolytes be chosen based on qualifications other than "young girls who worship me"? Because...they are all young girls.

This is such a weird decision. On one hand, it is completely valid for Aang to take a chance on preserving his culture. On the other hand, those girls didn’t even seem to have a genuine interest other than it being the culture of their celebrity crush, which they’re imitating. Because, at the end of the day, this is what they are: (Pre-)teen girls having a celebrity crush. He even admits it himself: 'It's just a silly fan club', and he rightfully gets angry when he learned that some of them took it even as far as to appropriate the cultural tattoos. So, he is aware of this.

If Aang is oblivious, not only does that not matter (because ultimately the decision was made by the writers), but it makes it worse, because it means he is oblivious to Katara's needs. And that is the most charitable interpretation, because in reality, nobody who acts this way is oblivious. The story of the innocent man who becomes famous and just happens to be seduced by his adoring fangirls is a myth. In the real world, Aang telling these girls who already are going to do whatever he says that they get to be part of his super special club that doesn't include his girlfriend would be a red flag.

The oblivious-thing is something Aang stans (but not only) would mention to defend Katara’s statement of her deserving no thanks, but to me:

It doesn’t matter, the thing is that Katara’s feelings are absolutely valid and understandable to everyone with even a tiny bit of empathy towards her character or understanding of healthy communication inside a serious relationship.

How in the whole wide world does someone keep oblivious of excluding their partner for the sake of entertaining a flirty bunch a whole day and night? Especially when said partner is sitting on the wall with knees pressed against their chest, looking sad and lost... Aang ignores Katara because he enjoys the attention, that is what the panels are telling us. Making it about his extinct culture doesn’t excuse anything (if this is really the case. The panels are showing us something different, imo, but whatever).

They could’ve just shown Katara and Aang running into some fangirls he is turning off nicely and then meeting people later on, who are genuinely interested in his culture becoming Air Acolytes. This was done so badly.

I can’t get over the fact that Bryke decided Katara should believe she deserves no thanks in The Promise. I mean, they literally made her feel guilty for being uncomfortable spending the night with her bfs groupies fangirls.

I’ve seen people claim that Aang was oblivious to this. Don’t they get what this is about? His obliviousness doesn’t even matter. Katara's feelings are valid no matter what, and talking about it would have been the only healthy thing to do.

And don’t get me started on those who insist that this shows how both of them had grown since Book 1... This is no growth to me. It seems like Katara, who has always been vocal about her feelings, learned in this one year of her relationship to repress them instead. Either to avoid conflict altogether or because she's been told to 'control herself'. And unfortunately, this is the reality for so many women in RL.

If this is Bryke’s idea of a healthy relationship, I’m actually so glad that Zutara isn’t canon. They could’ve easily made up for the forced K@taang endgame in ATLA by showing a relationship where both sides are validated equally, but instead we got this bs.

If this wasn’t already a bad enough example for girls and young women of what a healthy relationship is supposed to look like, Bryke took it even further: They made the very girls who openly flirted with Aang in front of his girlfriend the official Air Acolytes. In other words, unless Katara and Aang are off on their next adventure, they are surrounded by them almost 24/7.

Yeah, that’s right. Just keep smiling, Master Katara Avatar’s girl.

I mean, what does her life look like surrounded by those Aang-worshiping girls and her boyfriend, who remains oblivious? Constantly smiling, acting as though she doesn't hear the obvious advances happening right in front of her? Ignoring the catty comments directed at her by some of them? And, in general, adjusting to her boyfriend's—later, husband's—life while forgetting her own ambitions? Now, we could argue that she wouldn't stay with Aang if she eventually realizes that she has put up with too much and lost herself. But, I think, we all know that lifelong relationships like this exist in RL.

[pastorfutureletthembe]

I love YINGDU as it is

I don't think I'll read these interviews everyone is talking about :/ I thought hard about it, I've read the general points of it, but I don't think reading them will make me enjoy YINGDU more. Quite the opposite actually.

Me: thank you but no thank you. Later maybe. Love you, still.

I don't understand why they had to get interviewed to clear things up. By why, I mean, this situation is fucked up and I don't get how things got like this in this industry.

First. Can't the fans just wait and see? We're grownups, stop treating us like children who cried to get a lollipop. We'll still be here next year. Trust your fanbase.

Second... in what kind of world were the animators under pressure to the point they created plot holes and new timelines by accident? I'm extrapolating but, for real, how fucked up is it that they decided to rush a show that popular for the sake of airing it early? I'm sorry, was the money we spend on merch every few weeks not enough? I'm just mad at the production, honestly. Because they made a big mistake.

They're rushing in like bulls in a china shop. The character PVs were a mistake as well. They should have been released after YINGDU, to manage our expectations on characters that were yet to be introduced. I used to think it was an actual teaser, a window on how Lu Guang saw them or what they will become because of Lu Guang's meddling with the timeline. Now, I'm starting to think they needed strong marketing to get people's attention.

The whole thing makes my viewer experience less than optimal. So I'll keep writing meta but I won't take these interviews into account. 🧩Meta is for fun🧩, mere interpretation, only fanon, and that's okay. Meta is gamble. Meta is character study and theories on plot twists.

✨And that's okay✨

We're not suppose to write season 3 in advance. So it makes sense to me to keep having fun on what the show and the official content bring us. But as far as I'm concerned, the interviews didn't happen. It's not denial, just-

When I was studying cinema in university, my teacher once told me a very harsh truth: if you have to explain the sequence you filmed, then you didn't film it right. Sadly, in this context, production limitations were at fault but the lasting impression is the same.

Do you realize how insane it is that a creative team has to spell their work out to their fans? How humiliating it must be? There's revealing easter egg, teasing next season, spilling spoilers on accident, and then there is whatever that was. I feel for the creators and animators who worked themselves to exhaustion to bring something as beautiful as YINGDU to life. Because this season? It isn't perfect and it's inconsistent and different but no one can call it ugly. I would lick my screen because the image does look tasty lmao. My heart bleeds for all the people involved in this season.

Meta is trying to understand and noticing easter eggs, honouring the writers and animators' work X

Of course, that's only my stand on the topic. I might take different directions in my interpretation than others, that's all. Aaaaaand? Yes. That's okay 🥰

As an artist myself, I feel like the situation is kind of disappointing for the people who worked on YINGDU. That's why I'll take the canon as it is. I don't want to mourn what could be or should have been. I want to enjoy what is.

Meta is diving in the depth of symbolism X

As a fan, I get that we're happy with every nugget of information on what's coming next. The lore in Link Click is still blurry and while I honestly want to believe it is an artistic choice and will stay under control, I can't help but fear it's the result of bad writing. But. What if it is? Meh, I'm still here, enjoying myself. Because I love this show as it is, I see the flaws and the beauty in it. I'll be there.

Meta is love and each of us expresses it differently X

[hopelesslyprosaic]

I feel like The Six Napoleons is one of the best Granada episodes, and part of why is, of course, That Scene.

By which of course I mean this one:

All genius, but of course, even more specifically, the bit starting at about 5:52. You know the scene I mean, and if you don't by all means watch it!

Honestly, it's an in-a-nutshell demonstration of the greatness of both canon and the Granada adaptation.

Here's the scene from the book:

“Well,” said Lestrade, “I’ve seen you handle a good many cases, Mr. Holmes, but I don’t know that I ever knew a more workmanlike one than that. We’re not jealous of you at Scotland Yard. No, sir, we are very proud of you, and if you come down to-morrow there’s not a man, from the oldest inspector to the youngest constable, who wouldn’t be glad to shake you by the hand.” “Thank you!” said Holmes. “Thank you!” and as he turned away it seemed to me that he was more nearly moved by the softer human emotions than I had ever seen him. A moment later he was the cold and practical thinker once more. “Put the pearl in the safe, Watson,” said he, “and get out the papers of the Conk-Singleton forgery case. Goodbye, Lestrade. If any little problem comes your way I shall be happy, if I can, to give you a hint or two as to its solution.”

And here's the dialogue from the show:

Lestrade: I’ve seen you handle a good many cases in my time, but I don’t know that I ever knew a more workmanlike one than this. We’re not jealous of you, you know, at Scotland Yard. No, sir, we are proud of you, and if you come down to-morrow there’s not a man, from the oldest inspector to the youngest constable, who wouldn’t be glad to shake you by the hand. Holmes: Thank you! Thank you! Would you get down the Conk-Singleton forgery case please, Watson? Goodbye, Lestrade. If any little problem comes your way I shall be happy, if I can, to give you a hint or two as to its solution.

Not many differences! ACD knew what he was doing- he knew how to write a good yarn, he knew how to write good characters, and he knew how to write a good interaction. Granada wasn't filmed in canon order, so we don't get to see the progression of Holmes's relationship with Lestrade per se, but after a number of excellent, more "foiled again!" type Holmes-Lestrade interactions since A Study in Scarlet, ACD decided to do something cool and different here and pulled it off beautifully.

And when the director and writer of this Granada episode put this one together, they decided that the relationship between Holmes and Lestrade should be a focal point in this episode, and not only did they barely need to change a dang thing in the ending to do it, what small things they did change were all beautifully in the service of the tone of the original ending, taking advantage of the brilliant material they had to work with. I was just relistening to the excellent episode of the Jeremy Brett Sherlock Holmes Podcast discussing The Six Napoleons, and one of them points out that one of the few text changes is removing the word "very"- going from "we are very proud of you" to "we are proud of you." And it works so well- it accentuates the contrast with the previous suggested notion that they would otherwise be jealous, between what Holmes might have expected to hear (and, indeed, perhaps expected to WANT to hear) and the actuality, and how much more meaningful it turns out that is to Holmes.

The creators here- and I of course include the actors, as both Colin Jeavons and Jeremy Brett act the fuck out of this- are so smart with how they pull this off. They know that what they have on the page is gold, but they also know how they can buff it up for a stronger shine. They know that Brett will absolutely eat up all of ACD's stage directions about his response, he knows the character inside and out at this stage, so let's keep the scene the way it is and, instead, build the rest of the episode around setting up this scene in such a way that it will have maximum impact as written.

There is one thing that is added- and that's the handshake at the end, that Holmes offers to Lestrade. We don't know what happens after Holmes's final words in the story, but in the episode, the physical acting continues telling the story only implied in the text of the short story- Lestrade is a bit thrown by Holmes's reversion back to his old, casually cutting self, but rolls with it, only for Holmes to extend his hand to him. Lestrade seems, even, slightly surprised- this is, perhaps, Holmes's rare gesture of pride in him.

[banditomojado]

ATTENTION I HAVE FOUND A NEW SHOW TO OBSESS OVER. THE FOLLOWING IS A BRIEF BREAKDOWN OF ALL THE MAIN CHARACTERS AND WHY I LOVE THEM/WOULD DIE FOR THEM ALREADY.

Mild spoilers for the first 5 episodes of The Legend of Vox Machina!

Oh boy, where do I begin!!! I have always been a lover of fantasy ever since I saw LOTR as a young child! Unfortunately, I didn't grow up around friends who were into the genre so I was never exposed to things like D&D. But fear not, folks like me! You need not be a D&D veteran to enjoy this show! Okay, so let's start talking about the characters featured in this party!

First up, the twins! Specifically here, Vex'ahlia "Vex" Vessar! So I love that the series features a sibling pair. Vex, at least in the first few episodes, seems to be the de facto leader of the group. She's a half-elf, half-human, a ranger-type, a badass archer and skilled warrior. The group, especially her brother, seems to look to her for guidance and commands in a lot of situations. She's so cool and has a strong presence in every scene. She has a dry wit, always on point with her verbal jabs. I've only known her for a day, and already I would trust her with my life. I do feel like she is a little too controlling of her twin brother, but so far she hasn't done anything too awful besides passive-aggressively disapproving of her brother's budding attraction to another member of the party, but more on that later!

And now for her brother, Vax'ildan "Vax" Vessar! He is a rogue-like character, specializing in daggers and throwing knives, and stealthy combat. He is also a wizard at picking locks. Much like his sister, he maintains a cool, mysterious aura about him, and he seems to come in handy whenever the situation calls to be sneaky. LOVE that the series has heavily implied he's a bi-king, featuring several scenes in the first five episodes where he flirts with both male and female characters. I love his relationship with his sister, you can already tell they have been through a lot and have helped each other survive it all, although it could prove troublesome if he does in fact decide to pursue a certain other half-elf, half-human member of the party...

Speaking of which, up next is Keyleth of the Air Ashari! She is a druid, capable of a wide array of magical abilities like controlling plant-life and shape-shifting into different kinds of animals! She's so cool, but she also has a sort of "fresh-out-of-college-stumbling-through-life" kind of vibe that I find utterly adorable. She's awkward, messes up a lot, struggles with self-esteem issues, but always tries her absolute best and has already saved the party from certain death a few times. I'm a sucker for flawed, awkward characters who carry the weight of the world on their shoulders and are just trying to do their best. Apparently she is currently on a ritualistic quest (Aramenté) to prove herself to her people so she can one day lead them and is not allowed to return until she has done so. So much pressure on my girl! She is obviously attracted to Vax, and I think they would make a cute couple, but something tells me that things won't quite work out for them...

Up next is Percival "Percy" Fredrickstein von Musel Klossowski de Rolo III! He is by far the "edgiest" member of the group. He is a human gunslinger, a somewhat surprising set of skills for a fantasy setting, but it fits into this world perfectly! He's incredibly skilled with his gun, very smart, and by far the most sophisticated of the party. He comes from royalty, after all, and the first five episodes reveal how that life was ripped from him following a violent coup d'état which resulted in the slaughter of his entire family. So needless to say, my man has some baggage. He seems to possess a darker side to him that only appears when he is in a state of rage. He is very scary when in that state, and even carries around a plague doctors mask for such occasions. Revenge stories are a favorite of mine, as they always manage to provide the character seeking revenge with immensely satisfying/cathartic arcs, so I'm very much excited to see where the story takes him! I also think it's very telling that he is the sole human character of the party, it explains his inclination towards the dark side!

Next up we have Pike Trickfoot! She is a gnome cleric, capable of magical abilities like healing and conjuring up light-based energy shields. She is a fascinating character, given that her magic stems from heavily religious beliefs, though she seems to revel in violent situations and vices like binge drinking. She is a sweetheart, always looking out for the other members of the party, but also not afraid to go toe-to-toe with an enemy! The first five episodes see her lose connection to the Everlight, a kind of goddess that is the source of her magical abilities, thus she is forced to separate from the group. This was a huge bummer, because I really enjoyed her interactions with the other members of the party, especially her close friendship with the next member of the group I'll be talking about!

Next up is Grog Strongjaw! He is a Goliath barbarian, specializing in brute strength and combat with his mighty ax. Normally I'm not that interested in big, buff, warrior-like characters, but he's an absolute delight! He provides a lot of the show's comedic relief, due in large part to his limited wit and insatiable desire for bloodshed. He is big and dumb, but full of heart and determination to keep his friends safe, especially Pike, who he seems to share an especially close bond with. LOVE that he calls her "Pikey"! Having to see them go their separate ways so early into the series was definitely upsetting (seeing him cry over not being able to feel her presence while they were apart was precious), but I'm glad the group still has his brute strength to rely on if things get hairy.

And finally, we have Scanlan Shorthalt! He is a gnome bard, who also seems to possess a few magical abilities via his lute, such as being able to conjure up a large, floating purple hand. He is by far the main source of comedic relief of the group, crass and hedonistic, with an admirable ability for quick wit. He is also the group's resident slut, never wasting an opportunity to possibly get laid. He also appears to be bi, which is lovely. Comic relief characters often hide the saddest backstories, so I'm excited to delve more into his past and learn more about him. He also seems to have a crush on Pike, which is just absolutely adorable, although based on how he acts around the group, it's no wonder nothing has happened between them yet. Better wait until he grows up a bit, Pikey.

So far, the series has given me plenty of reasons to love each member of the party, and the writing for them has so far been excellent! Love their various little interactions, I think you could pair off or group any member together and you would still get a satisfying story/adventure. Five episodes in and I'm completely hooked! If anyone who is a fan of the show wants to watch along with me, let me know! I know I'm super late to the party, but I would LOVE to discuss the story with someone! I'm aware that these characters existed long before the Amazon show and that the show itself was a result of a large fan-funded campaign, so I'm especially eager to get to talk to fans who have been there from the very beginning!