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anime-grimmy-art · 4 years ago

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What do you do when there’s not much to an AU? You make up your own stuff, ofc. And as is per usual when I make Character Designs, I make up a shit ton of lore too.

The ramblings under the cut, but what I’m really interested in, is what you guys think. Do you guys have any headcanons/ideas for this AU? Let me hear them! Also, if you don’t wanna read on tumblr, here’s the Google Docs link: https://drive.google.com/file/d/151yshHxnb_--P6eMKkwkI2dee9xC_Llb/view?usp=sharing

Before I get into the characters’ roles, here’s some general facts and backstory of their town:

- Basically, it’s Undertale meets Harvest Moon / Stardew Valley. Well, kinda. I at least used that approach for coming up for the jobs for the characters. You know, how there’s always a general store, a doctor, a smithy, etc.

- The usual story of a HM game is that you come to a town that’s way past its glory days and you, as the player/farmer, help them get back to that. The “backstory” of the town is that that already kinda happened. I’ll get into it more in the character description, but basically when Asgore was still mayor, the town got really popular. Then yadda yadda, a certain tragedy happened, two kids died, and the town suddenly got very bad publicity. There was a lot of stuff going on back then, bad reputation being spread and also a lot of law stuff, cos, you know, supposed child murder ‘n all, so Asgore made the decision to shut off the town to ppl from outside. This was in the interest of most monsters living there, because as fun as it is to have a lot of people coming there, most just wanted to live a quiet life. Not everyone was happy with that though, so many moved away from town and some others are trying to get the town back on its feet. But more on that later.

On to the characters:

I’m just gonna start with the skelebros, cos it’s their fault in the first place I got so invested.

Basically, they are what the player is in hm/sdv. They just showed up one day, took over the abandoned farmhouse and began their life there. The two came to town way after it was “closed” and since then a new mayor has opened the possibility for new residents to move in. Their farm helps the economy of the town a lot and the mayor, like usually in hm games, is trying to use that to make the town more known again. The skelebros aren’t really working towards that goal however.

So, now a bit more detail on them individually.

Papyrus:

- The design is mostly based on what’s “canon” in this au.

- He works mostly on the fields and is in charge of the crops. Their fields aren’t spectacularly big, but still big enough to plant a few dozen rows of veggies.

- Paps also helps out a lot in town when he has the time. He helps Asgore with his plants, he goes fishing with Undyne, helps Toriel carry crates around and so on. This is inspired by the part-time job mechanic in HM ToT.

- Unbelievably, in this AU Pap is not an absolutely awful cook. Since he helps out at Muffet’s and Grillby’s a lot, they tend to show him some tricks to cooking. Even though Pap’s not a big fan of the greasy or overly sweet cooking those two do, he picks up a lot.

Sans:

- Again, design mostly based on the “canon” look. Maybe a bit more baggy.

- This is finally an AU this dude gets to rest. Since there are no resets and he doesn’t have to see his bro die again and again, for once in his life, he’s not a sad ball of depression. He’s just a chill and lazy dude that loves to make puns. Though, since he’s not too experienced with the feelings of loss, helplessness or grieving, he still tends to hide behind puns and fakes smiles if he does feel bad.

- Sans is in charge of the animals on the farm. Papyrus begrudgingly gave him that role since Pap’s loud demeanour and hectic movements usually scare the animals. Sans’ relaxed attitude draws the animals to him naturally and even if Pap mostly finds him sleep against a tree, in a stack of hay or on one of the sheep, the animals are always fed, healthy and relaxed, so Sans seems to be doing his job.

- Sans always has a small chic sit inside his hoodie or hat. Is it always the same one? Who knows, maybe.

- Sans also, somehow, can produce eggs out of thin air. Grab into his hoodie pocket, in his pants pocket, in his hat, in his slipper, there’s suddenly always an egg there. On good days he can even make butter or cheese appear.

Gaster:

- He’s literally just a scarecrow in this. Though, if you ask any of the bros why they designed their scarecrow that way, they won’t have an answer.

Frisk&Toriel:

- Frisk is mostly based on what I wore myself as a kid in summer. Just a loose shirt with a cappy. Toriel basically has her ut gown, just with an apron on top.

- Frisk just appeared outside the “magical” forest one day. Napstablook and his cousin found them and brought them to Toriel, who has been taking care of them since.

- Toriel runs the general store in town, but also often takes care of the few kids that still live there.

- Frisk usually helps out in Toriels store, plays with the other kids or sits around at Asgore’s. They’re notorious for nabbing small snacks, mostly from Asgore’s plants. You’ll always find them munching on something.

- Frisk was in town before the skelebros. Since they’d moved in, Frisk often went to spy on their farm. After a small incident with angry chicken, Frisk got to know the two better and now they see them as something between brothers and uncles.

- But Frisk honestly gets along with everyone. Just like in UT, they’ve not only been adopted by Toriel but literally everyone.

- Toriel and Asgore’s relationship is not as bad as in the main game, since, you know, Asgore didn’t kill literal children, but there’s still tension between them. Back when Asriel and Chara died and the whole thing with the bad rep for the town began, Toriel felt betrayed by Asgore focusing more on the town than giving their deceased kids the grieving they deserved. They’re not divorced, but Toriel still moved out and said needed space to think. Now that Frisk is in the picture though, the both of them are slowly coming to even ground and may even be able to talk things out and clear up the uncertainty of their decisions.

Asgore:

-Asgore has his UT Ending / Deltarune clothes, just with a gardener’s belt.

- He’s the previous mayor of the town, but after all the crap that happened, he stepped down from the position. Now he has his own little shop and sells seeds, saplings, homegrown veggies and fertilizer. So, basically what e.g. the Marimba Farm is in HM AP

- His main customer is Papyrus and they’re on friendly terms. Asgore is worried about how much and how hard Pap works, so he often gives him a discount.

- Since his family’s past tragedy, Asgore is kind of nervous around kids. So, when he first met Frisk, he hoped they’d not visit him too often. But to his chagrin, Frisk took an instant liking to him and spends a lot of time at his shop (and steals eats the fresh grown veggies). Now, he’s really grateful for that, because for one, he loves Frisk as dearly as he had his own children, and also because now the tension and mistrust between him and Toriel seem to grow smaller day by day.

Undyne&Alphys:

- I gave Undyne a pretty basic fisher’s outfit. Alphys basically has Elli from HM’s outfit, just a bit more doctory stuff added. She still has her canon lab coat too.

- In essence, Undyne and Alphys have 2 completely different jobs. Alphys is the resident doctor and Undyne runs the fish market.

Two things. Yes, I know Alphys is more a mechanic than a doctor, she fits the aesthetic though, so she’s the doc now. And no, Undyne being a fisherwoman is not cannibalism, think of it more as a shark hunting smaller fish.

- The reason I lump them together is because they act as the local “smithy”. Alphys is still really tech savvy in this (I mean, Mettaton is still part of this AU), so she takes on most problems with electronics and stuff. For Undyne, I didn’t want to lose her Royal Guard’s Captain image, so she’s really good at handling tools (and weapons, but Al doesn’t let her make them anymore). So basically, if there’s a broken tool, you can be sure that either Undyne or Alphys can fix it.

- As for relationships, those two are still an item. Alphys is still really shy and a shut-off, but since Undyne and Pap become best friends, she gets to know the skelebros better. She and Sans especially get along well, since most of the time Undyne and Papyrus are let loose, they sit back and talk about science-y stuff. (no, Sans doesn’t have a background in science but he’s still into sci-fi)

- Alphys has a bit of a strained relationship with both Asgore and Mettaton.

Back when Chara and Asriel died, it was because of “illness” (maybe poisoning?). Alphys feels awful because with her back then limited knowledge on medicine she couldn’t help the two. Asgore doesn’t hold anything against her but Alphys can’t help but feel guilty.

Alphys still built Mettaton’s body in this one. The two had a really big disagreement, because Mettaton hated the fact the town was going to close, and he couldn’t understand how Alphys could feel otherwise, even more so endorse the idea.

Mettaton, Napstablook, Mad Dummy/Mew Mew:

- Napsta and Dummy are pretty self-explanatory, they got straw hats. Mettaton’s outfit is a bit of a joke cos it’s a play on “work at the top and party at the bottom”. The tie has two different sides, one with the yellow red pattern, the other completely red. His “top part” is the business part, because when he’s on tv or in the mayors’ office, you don’t usually see his feet. The bottom is his party/dance part, cos his dancing/entertainment channels mostly feature his legs.

- Mettaton, still a robot, Napstablook and Mad Dummy are all still cousins in this AU.

- Originally, they all lived and worked at the Blook Farm, the Animal Farm of this AU. Mettaton, however, despised that simple live and after befriending Alphys and her building him a body, he left the Farm to pursue bigger things.

- Mettaton runs the local tv network. From weather to game shows, he does it all. He also runs the tailor shop in town that sells his designer clothes and merchandise. After Asgore stepped down, Mettaton also took over the role of town’s mayor and now works towards making the place more known again. Not everybody is happy with him doing that though.

- One of those people is the Mad Dummy. He can’t stand people anyways and he always claims that history would just repeat itself.

- Since the whole family is made of ghosts, they have different dummies and scarecrows they can use to take care of the animals. To mock Mettaton and kinda get back at Alphys for giving MTT such an opportunity, Mad Dummy found the blueprints for the Mew Mew robot and now modelled one of their scarecrows after it.

- Napstablook isn’t fond of taking over obejcts like his cousins do, so he mostly takes care of the snails. Somehow, he can interact with them even when incorporeal.

Muffet&Grillby:

- The two of them run the Inn together. Muffet cooks in the daytime and makes desserts, Grillby manages the bar in the evening.

- The two still can’t really stand each other but working together like this benefits them both because their rivalry just spurs them on more.

- Even though Grillby is a patient person, somehow Muffet is the only person who riles him up enough to retaliate. (Well, maybe except for Sans, he’s a strong second).

So, basically everything between those two is a challenge in some way. Even if Papyrus doesn’t notice, even his cooking lessons are a challenge for them.

- Even though they’re constantly bickering, after working together for so many years, there’s a strange level of respect and trust between them. Even if back when they first started this business, they’d pour salt into an already open wound, nowadays they’d know better and just take a step back from the other or even comfort the other (on very rare occasions only).

Asriel&Chara:

- They be dead. Kinda.

Some Characters that’d live in that town too but that I haven’t made designs for:

- Gerson is the original smithy of the town. He’d grown up in a family of smiths, but he’d always had an appreciation for the sea. That’s why, when the town became more deserted and Undyne had a good enough skill level as smith, he took up the Captains hat and now mostly spends his days out on sea. He also ferries people to places if they need him to. Oh, and just like in canon, Undyne learned most of her skills from him.

- Burgerpants is a poor dude Mettaton basically kidnapped when he was trying to get fame in the city. Now Burgerpants works wherever MTT needs him to, be that as cameraman for the tv shows, cashier in his tailor shop or his slave secretary in the mayor’s office.

- MK is Frisk’s best kid friend. MK’s parents are in charge of shipping the goods out of town and paying the individual people. MK’s the one that usually collects the goods at the end of the day.

- Other than that, there are only a few people in town. I’d imagine the older folks or the really young families stayed in town after it was closed. I think the librarby dude would still run the library. Some Snowdin residents like the stone family or the dogs also might still live there.

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the-blorbo-project · 2 years ago

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Hi, just found your survey today and I'd be lying if I said I didn't have so much fun explaining the fandom terms in the most vague-hand-wave-y way ever (I'm very sorry about that). So thank you for the fun

I was curious tho, you mentioned you're 2 PhD researchers. What field of work are you in? Psychology maybe? Bc I want to pursue it in college and I want this to also be my entire life lmao

Also also, I gave you a follow bc I hope you make an update post on here when the results of the survey is published. It'd be very interesting to read about

Hello hello! First of all - hooray! So happy to hear that you had fun taking the survey, and honestly, we're happy to have the hand-wave-y answers because that's still a way people talk about these terms. So thank *you* for doing that! As for us, you can read more about our degrees and fan studies work here: https://the-blorbo-project.tumblr.com/aboutus . You can also email us ([email protected]) and I at least (Maria) would be happy to chat in more detail about college, grad school, etc. And finally! Yes, we're definitely looking for open access places to publish the results of the survey when it's done, but it will be a bit before that's ready.

#your blorbos: answered #mod maria

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ddarker-dreams · 4 years ago

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Yan Childe, Diluc, Kaeya, Zhongli, Beidou & Ningguang / Courting Darling.

Warnings: Stalking, implied blackmail, kidnapping, and gaslighting. Note: this is a bit of an amalgamation from different asks i’ve gotten, put into one thing bc i thirst for these six characters so hard .

Childe:

“What’s life without a little adventure? You can stand to miss work for a day or two, it’ll still be there waiting for you when we get back. People have even gone so far as to say I’m an absolute joy to be around. You want to know who said that? Sorry, that source is staying a secret.”

Childe is an erratic whirlwind of highs and lows. You never know what to expect from him, and he likes it that way, always keeping you on your toes. He doesn’t bother with having his friendliness appear genuine. If you want to doubt his goodwill, then so be it, he won’t stop you. It just makes it all the more interesting to keep you around should you be wary of his presence.

He doesn’t care for the traditional conventions surrounding romance. It isn’t his thing, and he’s used to being considered the odd one out of every crowd, so why stop now? Childe doesn’t tone down any aspects of his bloodthirsty personality in your presence. It’s difficult to tell how serious he’s being since most of it takes the form of jokes or other lighthearted jests. In his mind, the fact he’s even spending so much time with you should make it obvious he’s interested. Whether that’s good or not.

You’re going to be dragged all over the place. Childe’s stamina is seemingly an infinite well, as he takes you from activity to activity. By the end of the day, you’ll be exhausted. Unfortunately, he doesn’t take no for an answer, weaseling his way into your schedule despite your protests. Childe is particularly fond of getting into situations where a fight is inevitable, purposefully taking you to areas with monsters to show off his combat prowess.

“Did you get a look at that, [First]? Aha, I haven’t had this much fun in ages! You already want to head back? Hm, I don’t know, the night is still young. Stop dragging your feet or I might just have to carry you. Not that I’m complaining, should that be the outcome. It’s up to you. Oh! Now that’s the spirit! I’ll try not to be hurt by how fast you’re moving now.”

Diluc:

“Ah, [First], I take it you’re doing well. I couldn’t help but notice you eyeing this book at the market earlier. I’ve had a copy of it for ages, but with how busy things are, rarely do I have time to read. I’d be appreciative should you accept this and give it a better home.”

Diluc is self-assured in many areas of his life, romance is not one of them. He knows how to carry himself in the company of businessmen, staying polite and vigilant, but this rigid method doesn’t work in his favor when it comes to wooing you. To soften the blow on his side, Diluc tells himself that it was never about a relationship anyway. That his main priority was and will always be to ensure your safety. He tells himself this, but... isn’t sure if he really believes it.

He’s a perfect example of pining from afar. Subconsciously, he’ll drift towards areas you tend to linger around, hoping to spot you amidst the bustling crowds. Each time he tells himself that this’ll finally be the time he approaches you. The opportunity is set before him, waiting to be taken advantage of, but he rarely follows through with his desire.

It frustrates Diluc to no end how easily others flock to you. He’ll stand there, still as a statue, eyes boring into whatever pest currently holds your attention. This would be the push to finally send him your way. It’s a surprise to you both when Mondstadt’s wine tycoon materializes by your side, politely asking to speak in private. Truth be told, he just can’t stand the thought of another person holding your attention that isn’t him.

“I apologize for my abruptness back there. There’s something I’ve been meaning to ask you about for some time, and well... would you consider having dinner with me tonight? I’d appreciate your company.”

Kaeya:

“It’s a funny thing, really. How we keep bumping into one another like this. Ah... that suspicious expression, it wounds me deep, sweetheart. When did you start looking at me like that, I wonder?”

There’s no doubting Kaeya’s interest in you, from the first time he sauntered over to you and started a conversation. The problem you have is deciding how genuine his advances are. While Kaeya might not be the textbook definition of a heart-wrenching playboy, you’re familiar enough with the many rumors surrounding him to be wary. It doesn’t help that he’ll point this out to you when guessing the source of your apprehension.

His methods are, oddly enough, effective. Kaeya balances the various aspects of seduction with ease. He reveals just enough about himself to draw out your attention, before focusing the conversation back onto you. You’ll never get to stop and realize how little you know about the man sitting in front of you, he makes certain of that.

Kaeya might hide certain aspects of himself, but his dubious morality is never concealed. He has you entirely wrapped around his finger, words validating his actions falling from his lips with the utmost ease; he’s a force to be reckoned with. You’ll start a conversation heated about something you’ve learned, only for it to end wondering why you were ever upset in the first place.

“Now, now, there’s no need to get all riled up over something like this. Don’t you trust me by now? When have I ever given you reason to doubt me? You need to take a look at the bigger picture. Hey, take a seat. I’ll sit here all night explaining to you if it’s necessary.”

→[More underneath the cut].

Zhongli:

“There must be something that I can assist you with. It may not look it, but I’m familiar with many fields of work, even obscure ones. Please allow me to lend a hand.”

Zhongli, despite having been around for many centuries, is somewhat clueless in romantic pursuits. He’s aware of his fondness for you, but doesn’t know what to do with it. This leads him to becoming your shadow for some time. He focuses on what he knows best: observation and processing new information. Your every little movement will be analyzed and tuck into the back of his mind for later usage.

Zhongli’s soft over the idea of you coming to rely on him for everything. He prides himself on his wealth of knowledge and work ethic, believing it a strong appeal, one that he puts on full display when you’re around. It’s not rare for you to overhear neighbors and friends speak highly about Zhongli. They’ll mention in passing how they were having difficulty with something, only for Zhongli to come around and help without asking for anything in return.

This is exactly what he’s been hoping and waiting for. Zhongli has patience and sets himself up to be a desirable partner in your eyes, the efforts from his labor coming into fruition. Before you even speak to him for the first time, you’re likely to think highly of him, having heard all the ways he’s helped people close to you. Now that the stage is properly set, he’s ready to make his interest in you more evident.

“I’ve heard a lot about you, [First]. Oh? You can say the same for me? Well, I hope I can live up to your expectations. I had just been on my way to Yanshang Teahouse, would you care to join me? My treat, of course.”

Beidou:

“You haven’t lived until you’ve experienced a voyage with my crew and I. I’ll set up a nice cabin just for you, how does that sound? Hm? Special treatment? Don’t worry your pretty little head about that, lass.”

Beidou’s attention is overwhelming and oftentimes dangerous. Traditional social conventions are nothing but a waste of time for her, meaning that common courtesy is disregarded in favor of always speaking her mind. Which might not be so bad if she wasn’t so amorous. Even the most oblivious person couldn’t miss Beidou’s overt favor towards you.

This reverent display of affection is only exacerbated when she’s drunk, face flushed and an arm swung tightly around your shoulder. She doesn’t care who sees, who’s judging, or what gossip will be born from her actions. Beidou makes a point of showing everyone in the vicinity that even if you aren’t officially partners yet, a claim has been staked on you.

Whether it be coercion or some other unsightly method, Beidou is intent on bringing you on her ship at least once. Or that’s how she initially phrased it to you. Imagine your surprise, that when you finally caved so she’d drop the subject, her crew was untying the ropes keeping the boat at port.

“The fun’s just getting started, you haven’t seen anything yet. Don’t get all teary-eyed yet, sweetheart, I know you’ll come around. This’ll be a story sung by sailors for generations to come.”

Ningguang:

“If I’m being honest, not many are given the opportunity to speak to me outside of business-related ventures. I never thought I’d find it this... pleasant. I hope you’ll continue to entertain me as you do now.”

Ningguang starts off her wooing in a subtle, almost coquettish manner. She is confident in her charm and brilliance. Not many have been gifted in the art of conversation to the same extent Ningguang has, her silver tongue paired with quick intellect making it difficult for you to escape. She’ll corner you verbally without you even noticing it.

Ningguang finds amusement in how you stumble over your words, pure of heart and not chained down by special interests. Your forthright but considerate demeanor intoxicates her. She’s used to people cowering in her presence or trying too hard to pursue their goals. You might even earn a rare compliment or two, disguised as politeness, that doesn’t register for hours.

She is a lady of fine taste. The sky’s the limit when it comes to her wealth, which is unrivaled throughout Tevyat, and you’ll be quick to notice this. Ningguang is most partial to sending you traditional Liyue adornments, believing the rich culture behind each piece suits your beauty. She’s also fond of the fact that when you wear her gifts, everyone in the vicinity will know it’s from her, due to its extraordinarily high cost.

“Do you like my latest gift, little dove? It was made custom with you in mind, an unrivaled display of craftmanship, if I may add. Wear this and carry me with you... always.”

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faulty-writes · 4 years ago

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This is a little different than most of my other works, but I'm trying to branch out and write for more of the secondary or minor characters. I actually adore the Todoroki family, especially Fuyumi and Natsuo. So I hope you guys enjoy this little appreciation piece featuring Natsuo who no doubt deserves more love considering he's a very interesting and complex character, at least in my opinion.

[ Natsuo is known as 'the nice guy' on campus despite also being recognized as a "Todoroki" and many knowing of the relation he holds to the number one hero, Endeavor. He's had plenty of experiences where people have used him because of this, but the latest one leaves him a tad heartbroken. What other choice does he have but to run to you? ]

The sound of his abnormally thick tears landing on the tiled flooring of the hallway faintly echoed as he continued on his way. Ignoring all the looks and obvious gossip that would come with the fact he was so shamelessly crying in the middle of a school day.

A sniffle came as Natsuo reached up and with some force, wiped his right eye with the end of his signature gray hoodie sleeve which he normally wore on campus. The very campus he had grown to love over the past year and the one Fuyumi had insisted he go to in order to study medical welfare.

It was funny, he could still hear her words echoing in his head, ‘Leave our family circumstances to me and go do what you want to pursue,’ and that he did. He knew he shouldn’t have been surprised that his sister offered to take the brunt of their family problems and encourage him to do what made him happy.

But at the same time, Natsuo hadn’t originally wanted to leave his sister or youngest brother behind. He didn’t trust their well-being with ‘Endeavor’ around, despite his mother having long since recovered from the mental and physical abuse the so-called "number one hero" put her through.

Since the death of his eldest brother, Touya. He couldn't shake this protective and anxiety-ridden feeling that had been slowly growing inside of him. He'd be damned if anything happened to his remaining siblings, even if it meant he'd experience more emotional trauma in the long run.

Much like today. College was supposed to be a fun time, and while Natsuo understood that some enjoyed ‘experimenting’ and partying rather than studying. He was never much of the party type and while he knew he was attracted to other genders, he never outwardly acted on it.

Knowing how his father treated his mother was the one thing that drove him to desire a true romantic relationship and that was what he thought he had. Unfortunately, there was a cruel reality that came with being the son of Endeavor, and while he should be used to people trying to get close to him when they found this out.

He never thought they would sink so low as to try and date him on the off-chance they'd get to meet the number one hero. His fingers sunk into the front of his hoodie, twisting the fabric as a soft ache coursed through his chest.

Which he could only describe as a broken heart and despite wanting to go back to his own room, bury his face into a pillow, and hide under his covers. There was one person he wanted, no needed, to see. It wasn’t his mother or sister, not even his youngest brother. It was you.

Strangely, since the start of his first year in college. He seemed to gravitate towards you, at first he believed it was only due to the fact that you were also studying something related to the medical field. But as your friendship continued and he got to spend more time with you, he realized that he genuinely enjoyed your company.

The fact he found himself telling you things, secrets that he wouldn’t have thought of sharing outside of his family was a pleasant surprise. Maybe you were just easy to talk to? He wasn’t sure, but he did know that unlike most.

You weren’t going to use him just because of his relation to Endeavor, though he knew you were interested in hero studies. There was no worry in his mind that you’d use him for some hero-related advantage.

Another sniffle came before he reached up to once more wipe away his tears, even if his effort was in vain considering more just came. He took a deep breath, trying to both collect and center himself. ‘Man, this backpack feels heavy,’ he thought as he clenched his jaw and focused his attention on the floor.

Counting the familiar shapes in the tile that he knew would eventually lead to your room. The logical reason for his backpack feeling so heavy was due to the fact it was filled to the brim with various textbooks and a few notebooks that were scribbled with his writing.

He could feel the slight bitter sting of frost beginning to grow on his tear-stained cheeks which he ignored for the moment. Still, he wiped his eyes once more before picking up his pace. He soon began to speedwalk which turned into a jog which eventually led him to frantically running and accidentally stumbling into your door.

Once more, he seemed to get stares from the passersby. But in a way, he couldn’t blame them. He wasn’t even sure how he looked slumped against another student's door with his arms stretched above his head and his hands closed into fists.

His forehead was pressed against your door and his tears continued to slowly fall. His eyebrows came down and for a moment, he wondered what he was doing before the door suddenly opened. “Hel-” your sentence came to a stop when the white-haired boy stumbled forward and your hands instantly grasped his arms.

Your stance stiffening as you unconsciously seemed determined to stop him from falling. One of your legs was bent back, and the other bent forward. An awkward silence filled the air before you heard the soft sound of something hitting the wooden floor of your room.

It reminded you of water and a few seconds later, Natsuo lifted his head. You instantly noticed those tears and felt his hands curl into the front of your shirt, funny you hadn’t noticed or felt the pressure of his hands there before.

But in a way it made sense, Natsuo was always very gentle. Even when handling the few people who volunteered to pretend to be "patients" during his medical welfare classes. In fact, it seemed he was downright cautious when it came to others.

Never necessarily wanting to cause trouble and sometimes acting rather shy unless you happened to bring up a topic he didn’t like. You had long since learned the reason why he preferred to keep the topic of ‘family’ out of conversations.

Yet, you wondered if Natsuo was crying because of something related to just that. But you knew you shouldn’t jump to conclusions just yet. Still, you couldn’t help but look into those blue orbs of his. The look of hurt was clearly visible, not only in his eyes but also indicated by the way his face was twisted.

Then he leaned forward, allowing a soft whimper to escape in the process. Partly burying his face into the front of your shirt as he lifted his leg up. Then without warning, he slammed his foot against the floor. Which caused you to jump, but you didn’t dare release Natsuo.

Especially as his tears soaked into the fabric of your shirt, unlike most Natsuo's tears were always cold. You assumed it was due to his quirk, but before you could say anything the sound of Natsuo’s cracked and broken voice caught your attention.

“D-Damn it,” the stuttered words filled the air and you frowned, wanting nothing more than to run your fingers through that white snow-like hair of his before you glanced back up. Noticing a few people staring into your doorway, you honestly didn’t know why they were staring or why they weren’t minding their own business.

But you did know that something was clearly wrong with Natsuo and whatever that something was caused this reaction. You shot the bystanders a glare before focusing back on Natsuo. You opened your mouth to speak, but were interrupted by the sound of his voice once more.

“I...am so sick of this,” his words, of course only confused you. What was he sick of and how did it relate to his current state? You managed to straighten out your legs, however, Natsuo continued to cling to you.

His tears hadn’t ceased nor those soft almost desperately gasps for breath. “I’m sorry,” he suddenly said before he turned to look over his shoulder. His hands remained curled into the front of your shirt as he looked at the many people staring at the two of you.

Some seemed curious as to what was happening and others amused to see the almost grown man crying in the arms of his friend. With more strength than he intended, he once more lifted his foot and slammed your door shut.

The noise it created echoed through your room and though Natsuo felt guilty for having treated your door in such a manner, his chest was already aching profusely. When he turned back to face you, the fact he had small bits of ice underneath his eyes and on the skin of his cheeks didn't go unnoticed by you.

Your hands left their position on Natsuo’s forearms to gently cup his face, it shouldn’t be a surprise that he was cold to the touch. You knew that was yet again another semi-harmless side effect due to his quirk, despite the fact you had never actually seen him use it.

Part of you wondered why that was. Still, you couldn’t help but allow your thumbs to run over those specs of ice stuck to his moist cold cheeks and the desire to get a warm hand towel to clean his face was strong.

You weren’t sure if you wanted to ask what happened first or calm him down enough so he would tell you with as little of a fight as possible. Your touch was welcomed as Natsuo reached up and laid one of his hands over yours.

“Do you...want to sit down?” you questioned and Natsuo looked momentarily confused before he glanced away as if he were thinking about something. Sometimes when he acted like this, it annoyed you. You knew how guilty Natsuo could feel over things that he either shouldn’t or weren’t even his fault.

He was here crying into your arms, but you knew somehow he'd make up a reason to feel guilty about it. ‘Well, that isn’t going to happen today,’ you thought as you released his face and reached down to take hold of one of his hands.

Even though they too were always cold, you couldn't help but find some odd sense of comfort when you were holding him by the hand. Despite the fact, Natsuo was significantly larger than you. But, you assumed that was only due to the fact that he physically took after his father.

The fact he went to the gym daily only added to that overall intimidating stature of his. Regardless, you squeezed his hand in reassurance as you guided him towards your bed. He made no move to resist your guidance and once you had him sitting down, you gently laid your hands on his shoulders.

Those tears were now single drops that slowly slid down his icy cheeks and you'd be lying if you stated it didn't hurt seeing Natsuo like this. You took a deep breath. “Stay here,” you instructed, “I’m going to get a warm towel, you have ice on your face,” Natsuo seemed rather surprised and reached up to touch his cheek.

Using his thumb to glide along the skin and sure enough, he could feel the smooth surface of the small patches of ice. “Oh…” he said before a sniffle came. “Sorry,” though most would know not to apologize for something beyond their control.

Still, he couldn’t help but fold his hands into his lap. Squeezing them between his thighs. His feet were nervously tapping against the floor, creating a rhythmic pattern and if one listened carefully enough, they’d recognize it was the pattern of a standard heartbeat.

In a way, it was amazing how much subconscious knowledge you could obtain. Natsuo failed to notice the rhythmic pattern, but you could hear it clear as day even from the bathroom where you proceeded to ring out the warm hand towel.

A soft groan escaped him, and his thighs were the only thing keeping his hands in place. Else he would be running them through his unusual spiky hair and possibly pulling it out. ‘What am I even doing here man?!’ he frantically thought.

‘Y/n...is always the person I run to, I keep bothering them but I’d rather be like this than…’ his jaw clenched when the thought of Endeavor entered his mind and a soft growl rumbled in his throat before he heard your footsteps which prompted him to raise his head.

You noticed he was looking at the wet towel you held with an expression only a curious and slightly confused child would make. “Mm,” once more he looked away, feeling the guilt continue to build as you sat down next to him and laughed.

"Don’t tell me you’re feeling guilty again,” you stated, and not to your surprise, Natsuo turned his head to look at you. His tears seemed to be completely dry and you wondered if that was because he was here with you or that he simply overworked his tear ducts.

“Sorry,” he muttered, still focused on the towel you held and the small amount of steam that seeped from it. “I...get it's kind of crazy for me to keep running to you but-” you shook your head, quickly interrupting him.

“But nothing,” you replied as you leaned forward, “that’s what friends do and you and I have been friends since the start of our freshman year,” that had to count for something, right? You reached over, cupping one side of Natsuo’s face.

“Now stay still, I want to get that ice off your face, and then you can tell me what’s bothering you,” the words left your mouth almost like a friendly command. But like most of the time, Natsuo didn’t seem to take offense.

He simply nodded and gave you a look that you knew meant he understood. Very gently, you pressed the towel to his face. Applying some pressure to ensure the bits of ice chipped off and sure enough, you could see the clear cold pieces slowly begin to melt.

When you began to wipe his opposite cheek, you couldn’t help but raise the question. “Hey Natsuo,” you began, effectively catching his attention and the soft, “Hm?” he responded with. “I’ve never seen you actually use your quirk,” you pointed out.

“Is there a reason for that?” a gasp came when Natsuo suddenly jerked his head away from you. “Uh…” blinking once or twice. You lowered the wet towel to your lap and grasped onto it. Twisting the fabric between your fingers to allow the now lukewarm droplets of water to soak into the pajama bottoms you were wearing.

Maybe you crossed a line? Did this have anything to do with his family? As far as you knew, his mother possessed a rather powerful ice quirk. Was that the reason he never used it? You weren’t sure, but usually, when Natsuo acted in this closed-off manner it was related to his family.

“Sorry,” you said, “I didn’t mean to pry, I was just curious,” the explanation was simple and you hoped Natsuo would believe you. He took a deep breath and let out a sigh before bringing his hand up, running his fingers through his hair.

“It’s fine,” he replied, though you could tell his voice was a little strained before he turned to you. That’s when you saw the frown on his face and his eyes looked misted over as if he were going to cry again. You really didn’t want that.

“Natsuo are you-” though the answer was obvious, he wasn’t okay if he had come running to you in tears. But even so, Natsuo nodded. “Yeah…” he reached out, grasping the wet towel that you were previously holding before he got up.

You wanted to ask where he was going, but it was clear he was only heading to the bathroom. “It’s just…” you heard the wet plop of the towel landing in the sink before Natsuo walked back out and once more took his seat on your bed.

You reached out, laying your hand on his thigh. “You don’t have to tell me,” you offered with a kind smile, but Natsuo shook his head. “It’s fine,” he repeated yet again before allowing his hand to rest by his side.

“Big bro Touya and I used to play around with our quirks, but Touya was always so serious about his,” you watched as his expression grew dark and a clear hateful glance appeared in his eyes which seemed distant at the moment.

This was more than likely due to the fact that Natsuo was picturing his late brother alongside his father. “Uh…” you glanced down and watched as the hand that laid by Natsuo’s side began to curl into a fist, though you knew he would never actually raise that fist or cause harm to you.

It was just shocking how the subject of his family brought out this side in him, but you remained quiet and continued to listen. “Because of that...bastard and I hated seeing Touya like that!” he suddenly exclaimed, leaning forward as his fists began to tremble, and without much thinking, you laid your hand on his back.

"Natsuo…” you said, hoping your voice would bring him back out of the hateful moment he was in. His jaw was clenched and a shiver ran up your spine when you felt Natsuo’s trembling hand take a grip on your upper arm.

But there was still that familiar gentleness to it which indicated to you that even when Natsuo was temporarily blinded by this hatred, he was still aware of his surroundings and those that were important to him.

This was only confirmed when he lifted his head to look at you with a smile, though it was small. It was still present and seemed to put you at ease for the moment. “I’m okay but…” he once more turned away from you and a sigh escaped him.

“I convinced big bro to have fun with our quirks instead of doing what the old man wanted him to, but since he...died. I...I couldn’t bring myself to use my quirk again and I’m sure sis feels that way too,” your frown deepened, ah so that’s why.

Maybe he fears he’ll lose the memory of his elder brother if he were to use his quirk again? “What else happened?” Natsuo looked back at you, confused for a brief moment before, “Oh...right,” he said as if he had almost forgotten he ran to you in broad daylight with tears streaming down his face.

He turned, bending down to slip his shoes off before he slid his backpack onto the floor. Then he proceeded to climb onto the bed or rather proceeded to crawl over to your pillows and plop himself down.

Being surrounded by your familiar scent eased him as did the fact he could stretch both his arms and legs out. You looked at him all sprawled out and comfortable. ‘Well...I guess if it makes him feel better,’ you thought as you watched Natsuo stare at the ceiling.

His face twisting with a variety of emotions that made you wonder just what caused him to cry in the first place. He didn’t deserve that, or at least not in your opinion. “She broke up with me,” he suddenly said, his voice somewhat quick and you barely understood what he said.

“Who?” you questioned as you got onto your knees and pressed your hands into the mattress, looming over Natsuo much like how a dog or loyal companion would. "My girlfriend…” he muttered as he once again looked to the side, you assumed it was an attempt to look away from your gaze which was a mess of confusion.

“Why did she break up with you?” It was said that getting your heart broken was hard to handle, but there had to be more behind this. You sat on your knees, placing your hand on your hip as you looked down at Natsuo who slowly turned his gaze back to you but seemed to avert it just as quickly.

Despite his overall twisted expression that laid somewhere between sad and angry, you also noticed the faint pink tint to his cheeks. Was that from anger or embarrassment? You honestly couldn’t tell. But Natsuo normally didn’t get embarrassed around you and you knew he knew he could tell you anything.

‘It must be from anger,’ you concluded as you continued to wait patiently for his answer. “I’m so tired of it,” he said in a soft voice which prompted you to lean closer. “Tired of it?” you repeated, clearly not understanding where that was coming from.

“I’m sick of being recognized just because of the old man's last name!” he exclaimed once more, though his voice wasn’t raised too high. It still caused you to jolt back, then again you should have realized this whole thing had something to do with his family.

Natsuo turned to you and impatiently pressed his hands against the mattress so he could sit up. His jaw was clenched again and his eyebrows slit in anger and the way he kept his eyes locked on you made you feel a little uncomfortable despite the fact you knew his anger wasn’t directed at you.

Then a sigh came and Natsuo’s head dropped. You saw this often when he was trying to collect or calm himself down. It honestly worried you that he was always going between emotions, trying to keep himself in check for the sake of others.

His eyes were closed, but when he opened them once more you could see the absence of anger. “I wanted to study medical welfare to actually help people…” he confessed as he brought his legs up to his chest and you watched as he wrapped his arms around them.

Those long sleeves of his hood concealing the contraction of his muscles and biceps. He seemed to stare off into the distance once more. “I wanted to make a difference in the world so the name Todoroki could actually mean something to me, unlike the tie it has to that bastard,” he hissed and like a switch, that anger was back.

You could even hear that soft rumbling of a growl threatening to admit from his throat. “I don’t want to be recognized as a Todoroki just because of him!” you opened your mouth to speak, but all thoughts and actions escaped you when Natsuo turned to look at you.

Once more sporting that angry expression which was terrifying in its own way. But then, it slowly began to fade into sadness and he lowered his arms. Allowing his hands to fall back onto the mattress, you couldn’t help but glance down when you felt his fingers brush against yours before you looked back up.

“I don’t want people trying to get close to me because of him either,” Natsuo stated and you gasped when you felt his cold hand engulf yours, taking firm grip as if he was silently gesturing to you that he needed some form of physical comfort.

“But that’s exactly what she did,” you felt that hand begin to tremble and you quickly gave it a reassuring squeeze. “She used you to get to your father?” you questioned, a little confused but still showing an effort that you wanted to get the story correct.

Natsuo nodded. “She’s an inspiring hero I guess," he said with a shrug, "and wanted to get close to me so she could have the chance to speak to my father,” his tone sounded like he had given up as he tilted his head back and stared at the ceiling.

That ache in his chest returned, but somehow your touch prevented it from growing any further. “Guess I was more interested in caring for her that I didn’t see it,” he commented before tilting his head back down. “Just tired of it,” he repeated.

"I wouldn’t introduce my father to anyone I’m with...they deserve better than to be exposed to him!” you could imagine that’s how the rest of his story went then. His ex-girlfriend trying to pressure him into introducing her to Endeavor only for Natsuo to express his concern and reasons for why he couldn’t.

Then from there she must have gotten angry and confessed the truth. The whole situation was unfair and you could feel your own anger brewing, using people was one thing. But using them for your own personal benefit, pretending to love them?

That wasn’t exactly forgivable in your book. No wonder he was crying. “I’m…” would saying you’re sorry even do anything? You knew Natsuo wouldn’t take offense, but it seemed unfitting for the current situation. Instead, you found yourself leaning over.

Releasing his hand in order to wrap your arms around him, nuzzling your head against his shoulder as you embraced him. Natsuo while not overly shocked at your friendly gesture, crossed his legs and wrapped his arms around your waist before pulling you even closer.

Though your back slightly hurt, you didn’t mind. Natsuo, while not completely touch-starved, still melted into anyone’s affection. You felt his stiff body finally relax and the cool touch of his cheek against your ear as he nuzzled the side of your head.

“Thank you,” he whispered, despite the fact, there was no one else around to hear you two. “I know I keep bothering you whenever-” you reached up to tug on the back of his hair.

“You’re not a bother,” you said in a stern tone, “and you should be happy that girl is now your ex, you didn’t deserve what she put you through,” your arms tightened around him just before you pulled back and grasped his shoulders.

Making sure he was looking at you before you continued to speak, “No one deserves that, you’re a wonderful person Natsuo and I know there are others that won’t care that you’re a Todoroki or that will help you make it into a name you can be proud of,” you assured him and watched as the faintest expression of hope washed over his face.

Just that alone meant the world to you and while you knew Natsuo didn’t need any protection, you still wanted to try your best to be there for him. “Come on,” you insisted as you crawled over him in order to reach the opposite side of your bed.

Though Natsuo took up most of the space, you managed to lay down and offered him your hand. That smile of his seemed to grow and as expected, he gently grasped onto your hand as he laid down by your side.

“You can stay here if you want, it’s still daylight and I don’t have any more classes for today,” you insisted and hoped he’d take the bait because you didn’t exactly trust he wouldn’t get emotional again later.

Natsuo always seemed to overthink things and maybe that’s where his sense of guilt came from. “Hm?” he glanced away and you were quick to speak. Taking a firm grip of his hand, you slipped your fingers between his and gave him a stern expression.

“Don’t let your guilt tell you that you’re going to be a bother, I want you to stay,” your words were accompanied with another reassuring squeeze, and once more his gaze was directed back on you.“...Okay,” he replied, you smiled and turned your attention to the ceiling.

Allowing your intertwined hands to remain nestled between you. Your mind was free of any thoughts, unlike Natsuo who was debating how he could even thank you for everything you did for him. Just listening to him was enough, but you went the extra step to dry his tears and invited him to stay for however long he wanted.

Was it that you knew he found comfort in you, your scent, your presence? Is there any way he could express his gratitude? Suddenly his own words came back, echoing like thunder inside his head. ‘I...couldn’t bring myself to use my quirk again,’ he held his breath and slowly lifted his free hand, turning it so he could gaze at his palm.

The sound of his and Touya’s laughter now softly echoed alongside his words. ‘It’s been years,’ he thought before he turned to glance at you, but ended up flinching when he realized you were already looking at him.

“Are you okay?” you questioned, now that everything was off his chest he should be, right? Then again, you have been wrong before. Natsuo almost seemed to be in a trace, though his eyes hadn’t left yours and his hand remained lifted in the air.

‘Would I even know how to control it? I can’t risk hurting Y/n but if this proves how thankful I am to them then…’ he finally seemed to make a choice and he slowly turned on his side causing the bed to shake along with his movements.

“Can I see your other hand for a moment?” he questioned, knowing that if anything did happen to go wrong with his quirk that he could use the basic knowledge he learned from his medical welfare classes to hopefully undo any damage.

“Hm?” you seemed a tad confused by his request and why he was holding his hand up, but once more you reminded yourself that Natsuo had no ill intentions. You maneuvered yourself on your side much like him and slowly held your free hand out.

Natsuo smiled and carefully connected your fingertips, then he took a deep breath. Channeling his long-forgotten quirk to the center of his palm, though he could feel the cold rush. It came as a surprise to you. In fact, the sudden drastic drop in temperature coming from Natsuo's hand was an utter shock.

Even knowing quirks existed, this almost seemed impossible. “N-Natsuo?” you worried something was very wrong when you felt it, the cold rough texture of tiny ice crystals growing across your skin. You almost wanted to pull away as there came a slight pulsing pain with the bitter coldness that was Natsuo's quirk.

But instead, you looked to your hand, your jaw was clasped closed and your eyes were wide. Too focused on those ice crystals that continued to grow and slowly frost over the top of your fingers. You stared in amazement.

“I...b-but you…” your words were all jumbled together and you almost missed the fact that Natsuo’s palm was covered in a thick lining of ice and how red the skin surrounding it was. Still, even if this brought him some minor discomfort.

He couldn’t help but smile as he watched your reaction, the small feeling of heartache numb for the moment and replaced with a small dose of happiness. Partly due to you and partly because he was relieved he could in fact control his quirk even after years of refusing to use it.

“I just wanted to say thank you for being there for me,” he stated and though still astonished, you glanced back at him. Even though the small mishaps would more than likely continue to happen as well as people that would attempt to use him for their own personal benefits. You somehow knew he was going to be just fine.

#natsuo x reader #bnha x reader #todoroki natsuo

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rolkstone · 2 years ago

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10 Fandsoms 10 characters

tagged by @walkwithursus

Sideshow Bob, The Simpsons. A staple, for sure. I get in and out of the Simpsons fandom often but it's usually Bob who draws me back in. He's elegant, in aesthetics and voice and mannerisms. He has little ways of moving and speaking that are intoxicating. He's also quite complex and sympathetic. He's been ready to murder before and physically abuses people. He's in no way reformed. But his heart is hurting. He really doesn't feel appreciated or seen enough by anyone.

Jimmy McGill/Saul Goodman, Breaking Bad/Better Call Saul. I already knew I'd love this character in BB because I love Bob Odenkirk in Tim and Eric. He turned a fairly minor, silly character into one of such depth and complexity. Fun fact: watching Better Call Saul lit a fire under my ass to pursue a law degree myself. Jimmy is very sympathetic but sometimes does things that are beyond cringy (all part of his plan, of course).

Light, Death Note. I just love this character; he's fucking horrible. The book could have gone to anyone, so it's interesting to see it in the hands of this red pilled asshole with a serious god complex. He loves himself for being so smart, but when it really counts...

Ryoko, Tenchi Muyo. I don't remember much from that show, nor much about Ryoko. But I bring her up because she was the first female character I developed a serious crush on.

Zhao Yunlan, Guardian. An excellent show, really fun and filled with characters and concepts. Zhao Yunlan is gorgeous of course but his real draw is his personality. He's technically a cop but at least he works on more supernatural cases and tries to help people. He is smitten with his co-worker from the beginning, and their love story promises to expand over may lifetimes

Villianelle, Killing Eve. Very cute, beautiful, sweet...and deadly. She acts like a typical uncaring killer in the beginning but she begins to unravel as the show goes on. Her obsessive love for Eve is fascinating, makes me hopeful for some consummation, and tragic. What really got to me from her is how deeply sad and empty she in inside no matter what it seems. Her job is assassin and she's expected to do her job well. But in her heart, she doesn't really want this.

Maurice Moss, the IT Crowd. I only just started watching this show, but it's very cute and funny. I don't dislike anyone. Maurice is adorable and his mannerisms and shyness remind me of myself. I can absolutely get that way around people. And I love "nerdy" stuff (esp. in the context of this show, where nerd meant STEM field devotee)

Jimmy Conway, Goodfellas. Definitely a character I think of when I'm writing my Mafia stories. I like that he's a "gent" to some people, esp. those who cooperate. He could be a good partner, till the second you disagree with him or no longer want to play ball.

Rochelle, Left 4 Dead 2. One of my absolute favorite games for years. I miss playing it (my computer can't handle it). She's cute and got a lot of fun voice commands. Of all the survivors I can identify with her and Nick the most (and I ship them). She loves Depeche Mode! She's brave but you can tell she's just hanging on and depends on the team to keep going. She seems defiantly hopeful and determined to reach the objective.

Biff, Back to the Future. At first he just seemed like your typical meatbag villian, and I won't pretend he's much more complex than that. But there's something that draws me to him, maybe seeing his struggles, mostly against himself. Bullies like him are usually compensating for something or are being abused themselves. He already gets treated like shit by the principal, and he's probably used to being figuratively spat on by teachers and other elders. He's loathsome, but I want him?

tagging: anyone who wants to do this!

#tag games #fandom favorites

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skipps-writes-for-gojo-satoru · 4 years ago

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I'm not sure Gojo has ever even shown an interest to any girls.

He calls Utahime weak and teases her by making fun of her, essentially- which she hates. Mei Mei is incredibly strong and beautiful, and Gojo acknowledges her skill but that's it. I also noticed that in the anime (the manga doesn't have honorifics, so please correct me if I'm wrong) but he calls her Mei-san rather than Mei Mei. Therefore, I don't think he ever tried to get much closer to her than the interactions we've seen. When she asks him if he'd comfort her if she cried, he tells her that's she strong- she wouldn't cry. I thought it was interesting that while Mei Mei's question was slightly flirty, Gojo answered so simply, without any teasing.

He calls Shoko by her first name, which is understandable since they spend more time together being in the same grade. He realizes that her ability is rare and useful, but like with Utahime and Mei Mei he doesn't go any further than that. He mostly speaks to her about work related things and doesn't flirt or tease much at all.

Honestly, I think Gojo actually respects his female colleagues and mostly pokes fun at Utahime because she's so uptight and strict. Shoko and Mei Mei are more relaxed and self-assured, and Gojo recognizes their skills and compliments them for it rather than teasing them. I doubt Gojo really thinks Utahime is truly weak more than he just loves riling her up. Other than that, Gojo's pretty respectful.

Also, in the Hidden Inventory arc, Gojo was bombarded with screaming from all the girls excited to see him. Other than pulling his shades down so they could see his face- after they asked him to, btw- he didn't really do much else. He didn't even react much to the teacher giving him her phone number. His only comment was "what a fun school," and it's interesting to see that while lots of girls do appreciate his looks, he acts only mildly amused.

Other than that one model as his wallpaper, we don't really see Gojo flirt or show interest with anyone. He only really teases Utahime to piss her off- I suspect he hates how much she follows the rules like Nanami does, who he teases often as well. He likely just enjoys annoying people so stern because rules just don't sit well with him (especially because of what those "rules" had done to Geto).

It's just a possibility, but he could be one of those guys who's more interested in work than pleasure- I know, he's handsome, but not all handsome people are players and cheaters. I think that's a horrible stigma and a lot of attractive people irl are judged and criticized solely for their looks. People make too many assumptions on someone just based on their genes, and I think it's pretty shallow to think Gojo's a womanizer just because he's attractive. And he knows he's attractive- but when did being confident in yourself make you a philanderer? Gojo has never used his looks manipulatively at all.

It's definitely a possibility that he would be a womanizer, but I'd say it's unlikely based in what we've seen. To sum it all up, Gojo doesn't show interest in anyone. He teases Utahime often, likely for the same reason be teases Nanami- they're too uptight. Shoko and Mei Mei are both incredibly skilled and beautiful sorcerers, and he does acknowledge and compliment them for it, but he doesn't tease or flirt with them. He's respectful, and he works with them as his colleagues. He didn't get distracted by the teen girls fawning over him either, or suddenly get overtly cocky or show off, only sliding his glasses down so they could see his face, and even then he acted only mildly amused. Also, when Miwa asked him for a picture, he didn't even stay and chat with her or anything (I know she's a minor, but if he truly was a womanizer, he would have at least stayed to hear her compliment him or anything to feed his ego) Maybe ask her "Oh, you want a picture with me? The strongest? How cute~" A flirty comment, a joke, something to fuel his own ego, but he doesn't do that. He doesn't act in a way that conveys he openly pursues attention from women. He just takes the picture with her and walks off casually.

Therefore, other than the fact that he's handsome- and I know many people who would assume things about someone based on their attractiveness, which is a terrible stereotype- Gojo doesn't show much interest in flirting at all. He could be the type of guy who works more than plays- and there's plenty of guys who are handsome but aren't super interested in playing around. Being handsome doesn't automatically mean he's the type to sneak around and have affairs here and there. It's completely realistic for a handsome man to be uninterested in any kind of relationships- not all men are sex crazed, and being a tease to his friends doesn't make Gojo a flirt either. Teasing your friends is perfectly normal.

Therefore, Gojo being a 28 year old virgin is totally possible- not everyone's a sex crazed teen who only thinks about what's between their legs, and basing it on what normal Japanese teens do is unfair. Neither Gojo or his lifestyle is exactly normal, and there's definitely barriers when it comes to experiencing normal youth activities for Gojo's generation- especially Gojo's generation. Yuji's generation definitely has more freedom to do fun things because of what Gojo has done to give the youth more freedom- things he hasn't been able to experience himself in his youth, like playing baseball during the exchange event. That was the first time they ever did something different to tradition, and that was only because of Gojo's consideration.

Gojo's youth was filled with blood, exorcising, and choosing between life and death. The deaths Yuji and co. witnessed were what Gojo experienced as well, if not worse. Gojo's task in his youth was to protect the weak, and he found that burdensome. At least, until Geto betrayed them, and Gojo realized the new burden he had to bear in changing the Jujutsu world because of what it had done to his only best friend.

There are definitely more important things in Gojo's mind than just losing his virginity, like saving people and choosing who to save, whether he should kill or not kill.

Gojo is the strongest, but he also bears the biggest burden- and that burden is something he chose to bear, and being the strongest is something he chose to be. Because before Geto left, it was "We are the Strongest." Now, Gojo worked tirelessly so that he could say "I am the Strongest."

And that's not something you can do while sleeping around. I think a lot of people fail to recognize just how hard Gojo works for himself and others. They just think, oh he's the strongest, so it should be easy for him. But it's really, really not that simple, is it? Especially when you have to do it on your own, and even then Gojo realizes that his strength alone isn't enough to save people. He can't save everyone by himself- It's not enough for just him to be the Strongest, so he works diligently to build and inspire his students to stand with him.

He's actually a very deep and emotional man who cares about his students and especially, even now, his best friend. Everything he does is for their sake- he sacrifices the normal life he could have lived, like Nanami had done, for their sake. And he fights with the higher ups, takes the brunt of their ire, and laughs it off, acting as if he fine, like a dad pretending he's superman for his kid's sake. But Gojo is burdened, and he's tired, and he hardly sleeps, and he has the most missions- he's the Strongest, which means everyone needs him, and he bears it.

Sorry for ranting again tho. I think I went into two different topics lol oops- 🤔

OUR SAVIOR 🤔 EDUCATING PEOPLE pay attention ya'll another thing I've noticed in the latest episode is that in his phone contacts he actually writes Utahime's name properly like formally no emojis or teasing shit he actually sees them as his colleagues people he can rely on his field of work and yes about the whole thing when he bursted into riko's class man was absolutely clueless just silent as a teacher tries to give him his number. I'm pretty sure as a child Gojo wasn't allowed to attend public schools due him being in danger or putting others in danger so he doesn't know much about public schools or normal people in general since he spends all his time with people from the jujutsu society.

That is definitely true just because someone is good looking that doesnt mean he's some cheap womanizer. I see a lot of people shipping him and Utahime together which is understandable ship who you like but I don't think Gojo as any ulterior motives like wooing Utahime by teasing her he just is plainly teasing ya know like friends do but in this case Utahime hates his guts and he doesnt know. I mean it takes some amount of hate to try to throw hot tea at someone 😂

While certainly I agree Gojo's teen like wasn't the best it was like he literally had a full time job at that age but who's to stay he didn't go messing around one time? I'm sure during his teen days he wanted to experience things he didnt get to to but now could because he lives on his own now. But maybe he didnt at all who knows? Which also raises another question, I wonder if he has any romantic experiences? And this was all before what happened in the hidden inventory arc after that I can see him more becoming invested in his duty and with what happened with geto as well would of definitely had a huge impact on him to try harder even though hes the strongest so that the next generation wouldn't have to experience the things he went through.

It's really sad if you really think about it what hes been through and what he has to shoulder all while keeping the facade that he's okay, I bet there were times he cursed his powers and his life....but he bears with it anyways because everyone is counting on him....

And don't be sorry at all! I am actually really learning alot about Gojo from you. Please continue to tell us your thoughts and feelings. I don't mind at all ❤ and thank you for taking the time to write 💕

#gojo discussions #virgin or not?#gojou satoru #jujutsu kaisen #jujutsu kaisen gojo #jjk gojo #jujutsu kaisen x reader #gojou satoru x reader #gojo satoru #jjk imagines #gojo satoru x reader #skipps chat

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emgoesmed · 3 years ago

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Hi! I was wondering if you could give me some advice. I just graduated high school and got accepted into nursing school but now I'm not so sure and am interested in pursuing pre-med in hopes of going down the doctor route instead. How did you know med school was for you? Because I really want this, but I'm constantly worried about wasting time and money to switch from nursing to pre-med, just for me to possibly not be cut out for it. I feel discouraged because I never planned for this, high school was hectic grade wise because I didn't have a great home life and the pandemic, so my grades were just average. I'm also not the best at math and have only taken chem/bio early on in high school. I really want this though, and I feel like I believe in myself because I am passionate and driven when it comes to accomplishing goals, but what if I'm not smart enough and waste even more time. I feel so lost and don't even know where to start

Hi! Thanks for reaching out. This is an extremely long-winded reply, sorry about that. I just want to make sure I answer it thoroughly.

How I knew med school was for me:

My decision to pursue medicine was a slow process of elimination, followed by an equally slow process of confirmation. I'm not bad at science and math, but they have never been my strong suit. When I started college, I took classes in a variety of subjects my first year and then slowly eliminated fields I didn’t see myself enjoying a career in. I settled on a biology major, with a Spanish major for fun. The next step was deciding how I wanted to use my biology degree, so I worked in a couple of labs and immediately decided against bench research or pursuing a PhD. This left medicine. I shadowed a couple of doctors but wanted more clinical exposure. I graduated college, took the MCAT and some classes to improve my GPA, and worked in an emergency department as a medical scribe to get a better sense of what a doctor did during their day-to-day. Medical scribing is not for everyone (not least because the pay is truly horrendous) but I had a fantastic time meeting patients with all kinds of clinical issues, and working with the doctors, physician assistants, and nurses in a fast-paced environment. After a year, I switched to a new job as a clinical research coordinator, where I got to explore a different side of medicine: oncology research. I loved meeting patients, working with a multidisciplinary team to improve patient care, and attending the tumor board meetings and listening to the attendings, fellows, and residents discuss treatment plans. Overall, it was another sign that becoming a doctor was what I wanted most. So I applied to medical school, and here I am.

Nursing vs pre-med:

I know it’s so stressful to graduate from high school and suddenly feel like you need to have your entire life figured out. But the thing is—you don’t. I had some friends in nursing school when I was in college, and they are all very cool people. One of them is now in medical school. She decided that she was more interested in the role of a doctor than working as a nurse. There is also a professor at my school, a retired physician, who was a nurse before she started medical school back in the day. A nurse and a doctor are equally important and very different, but you aren’t locked into being a nurse for life if you don’t want to be. Your first career doesn't need to be your only career. For now, you could start by shadowing some doctors to get a better idea if it’s a good fit for you, and look into the nursing and pre-med curriculums to see how much overlap there is.

Tl;dr: I had a winding path to choosing a career as a doctor. It involved eliminating other jobs first, then gaining clinical experience to reinforce that I’d made the right decision. I know a lot of great nurses, and some chose to pursue a career as a doctor after they had graduated nursing school. I hope that whatever decision you decide to make, you’re happy with it. Best of luck. 😊

#emgoesmed #ask #anon ask #answered #premed #nursing #medical school

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the-orangeauthor · 2 years ago

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hey sunshine! how are you doing?

I hope you're good <3

since you have already graduated uni, I was wondering if you could help me with a little (big) problem I have that's making me stressed

(it's okay if you can't/don't have time/don't feel comfortable with sharing!!!!)

So, next year im in fourth year (if everything hopefully goes right🤞🏻) and that means I have to write a thesis, here called End of Grade Project or TFG. And although is entirely a thing for fourth year, my profs have already advised us that we should start thinking about topics and themes to write our thesis about

if you've done a thesis, how did you choose the topic you wanted to write about?

also if you have tips to spare, i'd love to know them, cause it's making me pretty anxious and rationally I know it's not a problem for Present Me, but I get nervous nonetheless

a million thank you's<33333333333333

(and, in case you can't help me, which is again totally valid, use this ask to tell me about your day, your writing or whatever interest you have atm, I'd love to read about those as well, haha)

Good evening my sweet cup of coffee, it has been a very long week but I am back to answer this for you ❤️

I have a link here to a post I made recently briefly covering how I did my thesis but I can go into more depth for you!!

You do a degree in psychology right? I don’t know how that would differ from mine but I asked around and here’s how it works:

Because I did a biomed degree we also had lab based thesis options which is what I went for as the practical experience was great for my masters application. I had quiet a few friends go for essay only projects and here what they did to prepare:

Read - every time, always, look at new research in your field, new studies, explore areas that you covered in lectures that caught your eye and see if there’s still more to discover - there always is

Personal experience - as with most science degrees / healthcare related degrees there’s always some kind of personal element you can link there, my friend wanted to research MS since someone in her family had it etc

Are you planning on further study in a specific field? I knew I wanted to do research in immunology so I went for the project most closely related to it so I could use that as an opportunity to research it more

Brainstorm - if you have several or few ideas make a brainstorm and just write what you know / don’t about each one, you may find that one of these topics leaves you with interesting questions you might want to pursue

Speak to your professors!!! Your professors are experts in their fields, talk to them about ideas that you’ve come up with, if they think there’s enough research out there for you to get good info for your project etc

Speak to your friends - you’ve all studied the same thing for years now, bounce ideas off of each other

Your notes - go back and look at what you’ve learnt. Where are the question marks in the research? Which of these experiments should have had more variables? How would a new demographic change the results you have?

Read read read read read read read read - you don’t have to read the whole article, the opening abstract will be enough to start sparking some ideas

Remember, your thesis isn’t about the results and data you gain, it’s about showing the professors that you are capable of evaluating large sums of information, selecting what is relevant, and drawing logical conclusions from what you’ve read.

Have fun with it, it’s a big project and you’re going to spend a lot of time on it. Make sure your final topic is interesting to you (absolutely does not matter if everyone else thinks it’s boring, this is for you) and make sure you understand at least a few foundational concepts for it. You’re already thinking about it pretty early on so you have plenty of time to bounce around ideas, and never be afraid to run it past your professors for advice, it’s what they get paid for!!

I hope you’ve had a lovely week ❤️❤️❤️

#carmen☕️#thesis #sciblr #studyblr #dissertation #uni life

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leverage-commentary · 4 years ago

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Leverage Season 2, Episode 14, The Three Strikes Job, Audio Commentary Transcript

Dean: Hi I'm Dean Devlin, Executive Producer and Director of this episode.

John: John Rogers, Executive Producer, Writer of this episode.

Chris: Chris Downey, Executive Producer, and this is the Three Strikes Job.

John: This is the first half of the big season finale which we like to do. And we are meeting our favorite recurring character Detective Bonanno, played by our friend Mr. Blanche, right?

Dean: Yes, Robert Blanche.

Chris: Robert Blanche.

John: Fantastic find; local actor. And it was interesting because really as we had come to- first time dealing with split season, first time Sophies not around, we had to- you know, we really hunted around for the character we would be emotionally anchored to for the season finale; you don't want it to be a random vic. And- cause last year was the whole Nate arc-

Chris: Right.

John: And having- Robert having established his character made him really beloved, made it easier.

Dean: And we've never really done a pre-opening like this that's quite this violent.

John: Yes.

Chris: Yeah.

Dean: So it was a little bit out of our tool box, but yet we tried to do it in a way that it didn't seem like a completely different show.

John: This is the edited version. In the original version, a toddler wanders through the field of fire and is brutally mowed down.

[Laughter]

John: I'm glad we cut that out, that was weird.

Dean: That wasn't good.

John: Just seemed odd.

Dean: Especially when the toddler pulled out a gun and-

John: And was doing the [unintelligible] the dubs were cool though. I liked those.

[Laughter]

John: So this is Sonny at the toll booth; there's no two ways around this.

Chris: Oh, yeah.

John: How tough was this to shoot?

Dean: You know, it was actually pretty easy. We had about six cameras shooting simultaneously; we did it 3 different times and moved the camera each time. And this van you may recognize from Beantown Bailout-

John: Yes

Dean: Which also got shot up. So whenever we need to shoot up a car, that’s the car.

Chris: And did we add-? Or did we-

Dean: Now here’s the interesting thing-

John: We putty it in.

Chris: We putty it in? Oh.

Dean: The actor was not available this day to shoot. So that’s a different actor made up to look like Robert Blanche.

Chris: Oh wow, that’s great.

John: That's great. So our local Portland actor has a double? A stand in?

Dean: Has a double. [Laughs]

John: Wow, that's great. Oh, she's fantastic. And now this is- again, one of these sorts of things where we’re trying to anchor all of Nate Ford’s emotional cues. And you actually tried to shoot this identically, if I remember correctly.

Dean: That's right. We wanted to try and match the look and feel of the hospital scene from the pilot, but just skewed enough so that we know we’re someplace else.

John: Paul Blackthorne's name. And this was a lot of fun. This was a big giant episode concept.

Dean: One of the things you have to understand is- you gotta know when we do these two-part season finales, they're really shot like a movie, cause you shoot them all at the same time. And this one is, as you will see - far more ambitious than what we did in season one. Yet because it’s at the end of a very tough season where the writers actually ended earlier than normal; we only have four days to prepare to shoot this two-part season finale.

John: Yeah. We actually started prepping off outlines.

Chris: Yeah.

John: And then I think I turned in the first half? First half first? Second half-

Dean: Yeah.

John: I think I kept in order at least. And then, you know, turn them each in. And by that point, nicely enough, the Portland crew was such a well oiled machine that they knew what they wanted. Also, we had learned by this point to really try to find anchor locations.

Chris: Yeah.

John: To build and tie our acts around. So knowing that we were gonna do the baseball scam, they knew they could start processing all that was needed.

Dean: This is also the first time in season two that we brought back this recurring nightmare of him reliving the death of his son. The idea was that he had to some degree resolved it at the end of season one, but yet it’s still there just below the surface, and then suddenly kicking in to the end of season two it comes back up again.

John: And it was really the last trigger. If you’ve been watching the arc all the way through, we’ve been playing with his control issues and the fact that he's drinking again, and that feeling of helplessness has triggered him back into his addictive behavior. I mean, he’s already kind of bathing in his addictive behavior at this point in the previous episodes, but this is what really pushes him over the edge.

Chris: Yeah.

Dean: Also normally we like to have fun kick in pretty early after the opening scene, but yet this- because we're trying to set up a larger emotional arc in this two-part season finale. We have an emotional opening with Bonanno getting shot, then we have another emotional beat where he’s reminded of his son, and here another emotional beat where he’s trying to connect with Sophie and his frustration of not being able to reunite with her is bubbling. So we really actually took a long time on this before we let the fun kick in, which is not usual.

John: Because we were really gonna screw with Nate Ford in these two episodes, and you really feel like you just can't, ‘Oh, remember that stuff you should have noticed in previous episodes? That’s why he's doing this.’ We really needed to reset it.

Chris: One of the reasons that I think this plays so well is that if you watch them back to back, which I'm so glad they were broadcast that way on TNT, is that this scene here really pays off in part two.

Dean: Yeah.

Chris: And it’s- you know, it's a little ways to go if you have to wait a week between them.

John: Yeah.

Chris: But now it really plays like a movie.

Dean: And big kudos to Jeri Ryan because she had- she only had a few episodes to create an arc, and really everything she did in the previous episodes come together in these last two.

John: Yeah.

Dean: She’s really part of the team by now.

John: Yeah. And that bit where she drinks his booze in order to get it away from him was actually the first physical bit we ever pitched talking about the character. We were trying to figure out a way to differentiate between Sophie and Tara, and the idea where Sophie is a little more sensitive, a little more coddling...

Chris: More empathetic.

John: More empathetic, yeah. Tara will just basically drink you out of your own problems.

Chris: Right.

John: This was a tough day. Mainly because Tim really dug in on this.

Dean: Yeah.

John: This rage- this was a tough day. You know, he’s angry. And you can hear him-

Chris: Yeah.

John: And you can- he really- this was a small set for them to be screaming at each other on. It was really nice.

Dean: Yeah. And it really helped the other actors as you’ll see just in the way they are reacting. I mean, you see Christian is really messed up by this.

John: Yeah.

Dean: And it was a great way to-

John: Yeah cause one of his best friends in the world is sitting eight feet from him screaming at his face.

Dean: Yeah.

John: I mean, you know. And yeah, they're all really digging in on the idea that Nate Ford has gone off the rails.

Dean: But once they jump in, then the fun begins again.

Chris: Yeah.

Dean: And now we start to get into that rhythm of, ‘Ok.’

Chris: You can see his little look on his face right here is the cue for the fun on Hardison.

John: Yeah. As soon as- yeah, as soon as the sarcastic ‘these guys are goons’ face comes up.

[Laughter]

Dean: Now by the way, those goons faces on the board are actually people who work here at post production at Electric.

[Laughter]

John: So don't be alarmed if you see them at your local bank or supermarket.

Chris: And I'll call out another couple of people whose faces are on this, too, you two guys a little later.

John: Oh yeah, we’re a little later. Exactly. This was also fun because this was something we kind of picked up on if you watch the second season episodes. A little bit more of detective Nate Ford.

Chris: Yeah.

John: You know, he was a guy who hunted bad guys.

Dean: Right.

John: And we put him back in the context a couple times this season of hunting bad guys. You know, and this one in particular he figures out exactly the situation in which case they should pursue.

Chris: Yeah.

John: Good crime scene photos. Big shout out to Derek.

Chris: Gruesome, yeah.

John: Gruesome, yeah. Nice.

Dean: But because we shot this scene before we had shot the scene with Bonanno getting shot-

John: We had no footage, that’s right.

Dean: We had no footage, so we had to make up fake crime scene photos and hoped that they would somehow-

Chris: Derek had those crime scene photos pretty easily, don’t you think?

John: That was a little disturbing.

[Laughter]

John: ‘I just went out and did it in a back alley in Chicago.’ This is also fun because this is one of the few times we’ve had Hardison of all people go, ‘I don't want to do this one. This one seems like a bad idea.’

Chris: Yeah. Now look at this shot.

Dean: Now this actor here- those of you who may have seen my film Flyboys, he was one of the pilots in Flyboys. And he did me a solid and came and did this little guest spot. And this is Richard Kind, who I had not worked with since Stargate-

John: Wow.

Dean: -and has been a family friend forever, and I think one of our most underrated actors in this country.

Chris: Yeah, I mean, it's the kind of part you typically don't see him in. I mean he plays kind of a nebbish-y guy.

John: Yeah.

Chris: And boy, did he just bring a gravitas and a menace and really built a whole backstory to his character.

John: Well let's talk about it- that’s where this story comes from. We really wanted to do our city of industry, corrupt east coast port town. I grew up near Boston, you grew up in New York-

Chris: Yeah.

John: -and, you know, this is very much based around that, sort of, north of Boston, Route 1 type of town.

Dean: Right.

John: And so getting an east coast actor, just a guy who could bring you that kind of New York power family vibe made a difference. And he showed up- he loved the script, showed up with three ideas. Three lines of dialogue, in three scenes that gave this character backstory, depth, and pathos. It’s like, ‘Wow, that’s a very good actor.’

Chris: And what the fact to do is Brad Culpepper the Third. I mean that he was from a long line-

John: Yes. And he dug in on that and he found something that just made you, you know-

Dean: He also came up with this concept that he wasn’t in it for the money, he was in it for the power and the legacy.

Chris: Yeah.

Dean: Which is an interesting distinction.

John: Yeah, exactly. There is- he really dug in on the evil speech of evil. The idea that he is not a bad guy in his own head in any way shape or form. This was- what hotel was this? Was this the Governor?

Dean: This was the Governor Hotel.

John: They really did us a solid this episode, they did a fantastic job.

Dean: We ended up shooting three different episodes at the Governor, and then they were our host for the Leverage convention.

John: Oh, also the wrap party.

Chris: Which was fantastic.

John: I don't remember that much.

Chris: The Leverage convention, which was awesome.

John: I can't believe you people missed it.

[Laughter]

John: We’re gonna assume nothing horrible happens. The horrible irony of when we try to recall these DVDs.

Chris: Oh, no, please.

[Laughter]

John: Lovely little- this was a great neighborhood; they put up with us. And this was a lot of fun, whenever you can play the annoyed brother vibe between the two of them.

Dean: Oh, I could watch it all day long.

John: Yeah. This was also the night we found out we got picked up for a third season.

Dean: That’s right.

Chris: Oh yeah, that’s right.

John: This is fun, that’s Beth in the rig on the ledge. If you go to my blog, you’ll see the pictures of her doing this. It’s insane. There's just no way we should be allowing her to be on the edge.

Chris: Oh that’s great.

John: That’s city hall, by the way, in Portland. That’s city hall.

Dean: That is, that is.

Chris: They let you just jump off the roof in city hall?

John: You know what- if you're in Portland, show up, ask, and they'll let you. I'm sure there will be no repercussions to me saying that. And this is kind of fun, Paul Blackthorne as the shadowy character that you kind of touch on. And this is all based on- his character’s actually based on a guy down in Florida-

Dean: Yes.

John: -who got an arms deal with the US government, who was like a bar guy.

Chris: Yeah, he was kinda like a party kid.

John: Yeah, who somehow got a 300 million dollar contract with the US government selling recycled arms from Eastern-

Chris: Recycled arms from Eastern Europe, yeah.

John: That’s Beth on the rappelling line. Remember that? We shot that.

Dean: And I’ll tell you, this is an example of how Beth, even alone, just completely captures your imagination. She has no one else to act with here except for our AD off camera reading dialogue, and yet she's completely engaged in the story, in the character.

John: Yeah, this was a lot- this was- actually you wrote this whole chunk.

Chris: Yeah.

Dean: Oh, here's another great local guest star.

John: Yeah. And that was another thing that Portland gave us. There's a lot of great local theater guys, a lot of local great actors who can really land a joke.

Dean: Yeah, it was so surprising.

Chris: I love that he has the ice tea, it's such a great-

[Laughter]

Chris: Such a great touch.

John: I like- and also the sort of- I don't know if it’s the weird veiled hostility between Hardison and Eliot gets turned outward whenever they run one of these cons-

Dean: Right.

John: -but that guy is going to be the subject of their rage at each other. This guy was really great.

[Laughter]

Chris: And this is a crime lab bit. I mean, let’s be honest, there are eight different CSIs on; we wanted to have a little fun.

John: Yes. We were kind of making fun of the CSI- the whole idea that CSI shows up at your house. I had my house broken into, they didn’t show up.

[Laughter]

Chris: The fact that the beat cop could be-

John: Bossed around by-

Chris: Bossed around by CSI guys was born out of those shows

John: And this, by the way, the bit with the balloons, was Richard.

Dean: Great.

John: Just awkward, just trying to shift it, trying to ground it. And again, this- what amazes me when we got into the research of it, was how cheap it was to buy these guys.

Chris: Yeah.

John: I mean really- like $10,000 gets you somebody's kid in city politics.

Dean: That's true.

Chris: The promise of a job when you're out of the office. You know, I mean, that's what brought down the Illinois governor.

John: Yeah, that's right. That’s right. And that's what is kinda fun is we do- oh, I love this bit.

Dean: Comedy frame.

John: Comedy frame! What is this? A locked off comedy frame.

Dean: Exactly.

John: Locked off frame, two people come in facing each other-

Dean: And I love this little smile right there on Christian’s face .

[Laughter]

Dean: He was just enjoying the bit until he realized, ‘Oh wait, I have to perform in the bit.’

John: Is that on the X? Is that- how did you get the RED so low?

Dean: Oh we just put it right on the floor on a sandbag.

John: Oh that's good.

[Laughter]

John: Thanks to these nice folks for letting us trash their home, by the way.

Dean: Yes. And for those of you who may have noticed in the wide angles, just the little numbers on the evidence things on the floors.

John: Yes, that they’ve scattered all over the ground. Yeah no set-dec did a great job.

Dean: You can see the numbers in the background.

Chris: Oh those are great!

John: And- and earning his pay-

[Laughter]

John: Nicely done.

Chris: That’s a nice little transition there.

John: It is a nice- almost like you put some thought into this.

Dean: And I swear I didn't. And this is our line producer’s wife .

John: Yeah.

Dean: Who also did a guest star in last year’s two-part season finale.

John: Last year’s finale!

Chris: Oh, that’s right!

John: I like the idea she was on vacation in LA last year.

Dean: Exactly.

John: And now she’s back and involved in another Leverage scam. In my head it's the same person.

Dean: And this is an interesting scene for their arc, because, you know, Beth - Parker - really didn't trust Tara coming in.

John: Well she's not part of the family.

Dean: And only in this scene does she actually start to earn her trust, and they start to bond.

John: And we also wanted to reset the fact that, again, Parker is good in the short con. If you throw a surprise at her she doesn't handle it well, because talking to people doesn't even go well. Interestingly enough, she relates to people better in character than as Parker.

Chris: Yes.

John: Yeah. And so until Tara gives her- so yes, the awkward- we really pulled up every political trope we could find.

Chris: Oh, sure.

John: I think we sat down - adultery, pregnancy, corruption. Then we just went through the Times one day, just pulled up every scandal from that summer.

[Laughter]

John: And the 4-18 months. And there's actually a mayor’s conference, too.

Dean: That’s right.

John: We found out where the mayor’s conference was.

Chris: It's in Vegas. Sure that's where you would have the mayors conference, and that’s where he would meet her.

Dean: I like the little turn Parker makes here, after she’s been coached part way through it, now she gets it. So now she’s feeling comfortable doing it.

John: Now she understands, yeah.

Dean: And you can see her-

Chris: ‘Yeah, I'll just wait out there.’

John: And that is an actual office- that's a conference room at the city hall?

Dean: That sure is.

John: That we rappelled down into.

Dean: We had to use it as the mayor's office, cause the actual mayor's office was too small.

[Laughter]

John: That's right.

Chris: Oh, yeah.

John: Infamously the mayor took the smaller office in the city of Portland cause he just felt like he only needed that much work space.

Dean: That's right. Mayor Sam Adams who’s been incredibly helpful to this show, and we’re very grateful.

John: Yes. Very cool guy. I don't regret that duffle bag full of cash at all.

Chris: That is a great shot there.

John: That is a great shot. That really establishes that space.

Chris: She’s- jeez.

John: She's beautiful, yes. I was referring to the setting, but-

Chris: Sorry, I was just-

John: Yes, Jeri Ryan was very beautiful, too.

Chris: I was just lost in Jeri Ryan.

John: It happens. And this is the great speech. And again, we listened to transcripts and looked at testimony. I mean if you look at Blagojevich-

Chris: Blagojevich, sure.

John: The remarkable bluntness with which they announce their terms and prices always amazes me.

Chris: Yeah. And it almost sounds like movie dialogue, but it’s not! It’s just the way they talk!

John: Yeah.

Dean: The evil speech of evil.

John: And we come up with evil speeches of evil, and then when you go find the real ones it's like, really? You said that? With a straight face? Alright.

Chris: Yeah.

John: No, research is your friend. We really- you know, this is a remarkable static act with an awful lot going on. I never noticed that before.

Dean: Well I think- again, this is- when we separate our team into different locations, but yet having them communicate, it really gives a sense of energy to it.

John: But we only have, like, three agendas.

Dean: Right.

John: You know, running it at any one time. This was a tight little shot. I remember this. This was- we were in that back bedroom, and trying to shoot. And then you had to- you had a totally different blocking, if I remember correctly.

Dean: Yeah, instead of being in the room with him, we decided we’d squeeze him through the doorway and make him feel like he’s in an even tighter space than he was by framing it that way. But it also gives a chance to use this hallway and bring in our guest performer.

John: Yeah. And the clue that travels over two different episodes. Hopefully, again, I'm glad that they aired these back to back because it would be tricky to-

Chris: Yes it’s- to track- there's a lot of stuff that this really did play like a movie.

Dean: And once again, we got to the-

John: Oh, the big smile.

Dean: -comedy frame.

John: Yes.

[Laughter]

John: That’s for all you young filmmakers out there, that is the comedy frame. And then the look- just the look of pity on his face. Yeah.

[Laughter]

John: And the badge on the- there's no reason the CSI guys should have a badge on a shield. Chris just loves the badge on the shield- the badge on a chain.

Dean: Exactly.

Chris: He likes that.

John: He really likes that look. If he can be doing like a 1970s- if he could be doing the British version of Life on Mars, he’d be the happiest man alive.

Dean: Oh yeah.

[Laughter]

Chris: Now I got a question for you. So was- now we had a Maltese Falcon joke, just one line in-

Dean: The previous episode.

Chris: -the previous episode. Did that give you the idea for the Maltese Falcon? Who came up with the Maltese Falcon bit?

John: No, you know it was- it was literally, I was trying to figure out, ‘What's the MacGuffin? What’s the maltese falcon? You know what, it'd be actually kind of fun to just call it that.’

Chris: Just the Maltese Falcon, OK.

John: Cause it’s so famous now, it's a little meta. And, you know, the fact that it would be called something rather than a shorthand for something-

Chris: Right.

John: Cause we use that in the writers room all the time.

Chris: Yeah, we do.

John: The maltese falcon, what's the thing? Macguffin, Hitchcock famously defined it as. And this is Nate deciding to bail on the pitch and making- and this is tough. He’s basically processing offscreen dialogue and acting like he’s coming to a decision.

Dean: I love Richard’s reaction to it, it's like ‘What?’

John: We just went for the whole-

Chris: ‘You just paid all this money, you don't want to engage in graft with me?’

John: Behind though-

Dean: Even out of focus he's stealing the scene.

John: I know. He's really upstaging the hell out of- out of focus. Look how far back he is. Aaand you're back.

[Laughter]

John: And we've announced our agenda.

Chris: We've announced our agenda, we know our- and here we go.

Dean: Now this place was great, this ballpark. We wanted to shoot here all year and hadn’t really found a way to do it.

John: And that's why I give full props to Chris, is cuz I had the crime story back half of this done, and I could not figure out what the con on the mayor was. And you had fallen in love with this location you had seen- you were like-

Chris: This was great, I had gone to a game here.

John: We can finally pay off this location. And that’s- again, that's an advantage of being a city where you get to know- cause the baseball con was always a half an episode.

Chris: Right.

John: And we could never quite get it to be a whole. And then it was like, ‘Oh, we need half an episode. Boom.’

Chris: Well also there's a lot of public corruption around building ballparks, and we did a little research that minor league ballparks bring 30 million dollars into the local economy.

John: That was great. The day we did research and found out it was just a flat 30 million for almost every ballpark, it’s like, that’s just a great number.

Chris: Yup.

Dean: And by the way, I think some of the best special effects we’ve ever done are in this two-part season finale, but I don't think you'd even notice it. For instance all these shots in the ballpark, we had to erase and change all the signage-

John: Oh, that’s right.

Dean: -because we didn't have permission. And then later, we had to put in the crowds that were reacting. So there are amazing special effects in this, but they are so real you didn’t even know.

John: That’s right. Utterly seamless. If you see them, we screwed up. Yeah, and this particularly since those aren’t lockoff, the camera is moving, you know, the character is wiping in front of it, yeah.

Dean: And again, I love what David is doing in this scene, he is just channeling Smithers.

John: Yes.

[Laughter]

John: And there’s Paul Blackthorne, he’s really doing the job for us as evil European dude. He has a large black car-

Chris: Yeah.

John: He's got a halfway rolled down window. We know what his job is in the story, we know what his job is in the narrative.

[Laughter]

John: But what I love here is the fact that Richard there's just so dismissive. I mean the body language here besides- Why is this a good shot? Because you don’t have to turn around to get both of them.

Dean: Exactly.

John: He’s very casually powerful.

Dean: Right.

John: This is a man who’s used to the world running the way he wants it to run.

Chris: Right, in this little burg of Bellbridge.

John: Yes.

Dean: And this is such a terrific location, and we were there early in the morning, got this great light. I was so excited to shoot this.

Chris: And they have a nice-

John: Story shcmory. Pictures.

Chris: They have a nice rapport here, too. They have this kind of easy going, you know, banter.

Dean: You know, so much of this episode- these episodes, was wish fulfillment. We wanted to be in that ballpark all year, we wanted to get near the water under the bridges...

Chris: Yes.

John: You also- in case you're skipping through the commentaries, you’ll notice this happens in Bellbridge, Massachusetts. Bellbridge is the corrupt town in Chris’s episode, Order 23.

Chris: Yes, yeah.

John: We decided to create just one imaginary Massachusetts city we could crap on for an entire season.

Chris: Yes.

John: Just to make sure we had clearances, and we always knew-

Dean: Exactly.

John: So please, if you're from a real Bellbridge, don’t be angry.

Chris: Yeah.

John: Yeah, their rhythm here is lovely. They are partners by this point, in a very different way. And the fact that Jeri has established that over six episodes is pretty cool. How tough is it to shoot in a ballpark, my friend?

Dean: Well some of this we actually stole footage at a real- during a real game, but the rest was very easy because they were so cooperative. I mean, this is the actual locker room and they let us have it for the day, and gave us equipment and were-

Chris: And those are the- are those the uniforms?

Dean: Just terrific. Those are the actual uniforms. The ‘P’ is actually for Portland.

[Laughter]

Dean: But in our show it’s-

Chris: Palmerstown.

John: And I love the fact it's actually the Portland Beavers, because if we come up with a comedy mascot we couldn't have beat beavers.

Dean: No.

John: And by the way the Portland Beaver? Good guy.

Dean: Very good guy.

John: Very good guy. Really cool. We hung out, everything.

Chris: Oh apologies to Crash Davis here, but boy does he do- he does-

John: Oh he's so digging in.

Chris: Does a great Bull Durham.

John: Really digging up. This is- we went back and forth- are we doing Major League or Bull Durham here?

Chris: It's pretty Bull Durham here.

John: It’s pretty Bull Durham.

Chris: The journeyman catcher who shows up unannounced, it’s-

John: Yeah, and also the idea that these- you know, talking to a lot of these guys who play this level ball, the precarious nature of their lives- I mean the guys who are kind of on rota from a major league team make a lot of money.

Chris: Yeah.

John: The guys who are journeymanning this out, a lot of them have day jobs, man.

Dean: What I love about this is that Eliot himself doesn’t like baseball. Because we’ve already established what a big, giant sports fan he is.

Chris: Yeah.

Dean: About how excited he was about all the sports channels in- both season one and season two.

John: But it's hockey- and it’s always hockey and football. And interestingly, we gave him your problem with baseball.

Dean: Exactly.

Chris: Yes we did, it really worked great.

John: I love baseball and I'm like, ‘I have no idea what he wouldn't like.’ And you said, I don’t like-’ Oh.

Chris: Oh, and John did a beautiful job directing this.

John: This is my directing debut right here

[Laughter]

Chris: Mark it down folks.

John: Japanese power drink commercial. Because it really was one of those things I had in mind and it's like, ‘Alright describe it. You know what? I can't describe it, I'll just shoot this.’

Chris: I think I originally wrote it as it’s like a car- like a local car ad.

John: Yeah.

Chris: Oh my god, how great is this Japanese sports drink commercial?

John: Also, again, you're lucky to have Chris Kane because a lot of actors wouldn't do the comedy beat in the commercial.

[Laughter]

Dean: Nails it.

John: He nails it. Look at the big smile!

Dean: And he enjoys it!

John: Look at that, having a good time.

[Laughter]

Dean: But he hates baseball, and then he comes in here and the minute he cracks that bat you just see- you know, heroin to the junkie.

Chris: He really did- he gave it a real arc, you know.

John: And also, I like the fact that this is the first time he uses a baseball bat for what it's actually meant for.

Dean: Right.

[Laughter]

John: He's been beating people up with baseball bats for like 20 years, and never really hit a ball with one before. Also, by the way, cool digital ball.

Chris: Oh watch this.

Dean: Exactly.

John: There you go.

Chris: Oh that is great.

Dean: I'm telling you some of our best digital effects-

Chris: That’s fantastic.

John: Oh look at that look.

Dean: And the second one- watch the indentation on the pad on the wall when the ball hits it. Small thing for effects artists, but really lovely, just oh that little indentation.

John: Oh that’s nice, the shadow. And there we are.

Chris: Oh there you go folks, there's Dean and John.

Dean: Oh dear, oh dear.

John: We’re also doing the voices here on the radio shows. On the DVD there should be about nine takes of this scene. Because the two of them, at one point it got very weird and sexual with her speaking Spanish, and Hardison getting all ramped up.

[Laughter]

John: It- this was definitely one of the ones where you just, like, park the camera and let the two of them go.

Dean: Yeah.

John: Yeah.

[Laughter]

John: Interesting, one of the challenges of shooting the greenscreens is color temperature.

Dean: Yes.

John: We actually had a little bit of trouble with this shot because- most people don’t understand, there’s a lot of different greens that go on green screens. It was not dead right, doing the special effects goes from easy to unspeakable.

Dean: Exactly, and so this one had- a lot of work had to go into being able to see what was on the screen.

John: Ironically, a lot of this was harder to see than the incredibly complex crowds and baseball stuff.

Dean: The stands, exactly.

John: This was a lot of fun. Outside real city hall, outside Portland city hall, at a coffee shop across the street at some ungodly hour of the morning.

Dean: Yeah, this was the first thing we shot that day.

John: And again, this is- it was interesting how originally there was an entire subplot where, how they’d been lured there, how the mayor- and you don’t need it.

Chris: Yeah. This is much better.

John: Yeah.

Dean: He just sees them, he walks across the street.

Chris: Yes.

John: We even took that bit out. We originally had him see them.

Dean: I love the really, really bad heist.

[Laughter]

John: The bad lift.

Dean: Smithers stumbles into the table.

John: And Kind just drops the look there a little bit.

Chris: A little disgust right there.

Dean: Just a little squint.

[Laughter]

John: And the turnaway when it’s like, ‘Oh horrible lift.’ They don’t even have to- they both know what happened, they both know it was unspeakable.

Dean: Well, you know, amateurs to pros, you know?

John: And this was fun, these are based on real blueprints.

Chris: Yeah, real blueprints for-

Dean: This was that other shot was the beginning of the day. This was the last shot of the day, and we’d run out of time. So I had to shoot this all in one shot.

John: Oh this is a one-er!

Chris: This is a one-er, take a look at that.

Dean: This is a very hard steadicam shot. While it’s not that impressive of a shot, it's a very difficult shot.

John: And also-

Dean: Cause you’re doing all the coverage with one camera.

John: And you're banging focus like crazy.

Chris: You’re getting a lot of information, right.

John: And also the actors can’t mess up.

Dean: That’s right.

John: At no point can they stop, can they drop a line, can they, you know.

Dean: The only thing we did is one little reverse at the very end on David’s character. But as you can see all of this-

John: To give you a cut, or?

Dean: Just to give us a cut in case we needed to combine.

Chris: It’s interesting how great these end of day one-ers come out.

Dean: Yeah.

Chris: And they're born of necessity.

Dean: That’s what so interesting about television is, you know, it really forces you to be creative.

John: Yeah. Oh there you go, I see what you did.

Chris: Oh here's the ballpark.

Dean: Now this is a mixture of stuff that we staged and stuff that we stole during an actual ballgame. But all the-

Chris: The actual ballgame you shot before, I think, the script was written.

John: I think I sent the outline saying we would be at the ballpark. And so Dean had to come up with a shot list based on basically our friendship-

Chris: This is great.

John: -figuring out what I would probably put in the script.

Dean: These are all real things there.

John: Yeah.

Dean: That we shot. Now all the crowds, though, we added digitally.

John: Yeah.

Chris: Oh that’s great.

Dean: So in all these wide shots when you see these full crowds, they had about- there was a scattered amount of people. In all the shots where it’s full, that’s us.

John: Yeah.

Chris: That’s great.

Dean: For all these shots here. And of course all the signage is changed digitally.

John: And Kane went down, caught a couple pitches, and actually on the shot we have him hit, he actually connected, put it on the warning track. It was a good day for Chris Kane.

Chris: That’s a beautiful shot, too, there; love that.

John: That's a beautiful one, yeah.

Dean: And this actor is actually a state senator.

[Laughter]

Dean: Who had helped pass the legislation for us to-

John: I actually think we’re the bad guys at this point. Seriously, we’re doing an episode about graft and corruption and-

Dean: Well the hilarious thing is, he wanted to play the corrupt mayor.

John: I know. And we were like ‘You know dude, that's probably not the best idea for you to play the corrupt mayor.’

Chris: I can see the campaign commercials.

Dean: All those crowds, digital.

Chris: Wow, that’s great.

Dean: I mean that's really something.

John: And look at that, through a moving shot.

Dean: And then all the signage behind them is changed as well.

John: And that’s our-

Dean: And if you notice, that’s Hardison’s orange drink on the sign.

Chris: Oh that’s great.

John: Oh my god, that's right.

Chris: And to do with- with a moving camera is very difficult.

Dean: Very difficult.

John: And this is a conference on the mound from both Major League and Bull Durham.

Dean: And the pitcher is actually our second AD.

John: Kyle, yeah.

Dean: Yeah.

John: That's right, you give him a nice hero shot here, too.

Chris: Oh, that's a great shot of Kyle.

John: I also love- This helps lock in the arc where he’s like, ‘I'm now fully committed to winning baseball as much as I am to winning fights.’

Dean: Exactly.

John: No this was a lot of- and this is a lot of fun. This was- it's amazing what you can do with implication.

Dean: Right.

John: You know, just put two people in the same geography and let the characters draw their own conclusions.

Chris: Yeah, let them do the math.

John: A lot of time you'll try to oversell the con, and what you have to remember is people create narrative about the world around them, you know?

Dean: Oh and I love this bit.

John: Yeah this is a lot of fun, the stuntie really took a hit. And down!

Chris: Oh, oh, oh!

[Laughter]

John: I love he does kind of the -

Dean: Notice that the ref is cross eyed; he's a real ref!

[Laughter]

Dean: That is not something that- I didn't ask him to act cross eyed.

John: I love this- that dude is dead. That dude is dead. He’s plainly just- he's not getting up. Right now they're asking people to leave the park quietly.

Chris: I think he did that in one or two takes, I mean, he just got it.

Dean: Yeah.

John: He just- it was a beautiful fall.

Dean: By the way, this is another one-er and this is a very difficult scene to light for television where you don't have that much time. And our DP was really creative in the way he made the sun blazing through the back to light up pretty much the entire set.

John: Yeah.

Chris: Now was it easier because you're working with the RED camera for something like this? Available light...

Dean: The RED helps, but at the end of the day it’s about your DP and your gaffer, and we really have, really, two of the best guys in the business.

John: And again, this is also- so much help to be able to do the research on this. Where it’s like, ‘Well, how could he possibly communicate in code how much money-?’ No, he would write it down and give it to him.

Dean: Right.

John: That's what they do, apparently, I had no idea.

[Laughter]

Dean: Right.

Chris: Yeah.

John: Or they'll just say it, unaware. And this yeah, this was a lot of fun, because also- Richard really found the idea that he was supposed to help Nate feel overconfident.

Dean: Right.

John: You know, he's supposed to play into it a little easy. And he's- now he's totally into it.

Dean: I love how cross eyed the ref is, that's so great. I mean, the umpire, that's just so great.

John: Boom! That was a good solid hit. That's- Chris Kane put it on the warning track ladies and gentlemen.

Dean: And if you listen carefully in the background, you can hear the crowd chanting ‘Roy, Roy.’

[Laughter]

John: Oh he's become a hometown hero in roughly two weeks. What's the next shot up? Oh there we go, back at McRorys.

Chris: Now- now we're back.

John: Now this is one of our lovely roundy- and oh, this is great. One of our roundy-rounds where we just basically- script kids, when you want to communicate pipe and reset, the way to do it is have somebody not give a crap about the pipe that you're talking about.

[Laughter]

John: He has his own agenda, it makes it instantly amusing.

Chris: Somebody comes in irritated.

Dean: And boy did he knock this out of the park.

Chris: Yeah, yeah.

Dean: Kane, who didn’t care- I mean Eliot, who didn't care about baseball at all, is so proud of himself and he's so mad they didn't share his moment of glory.

John: His joy. They named a sandwich after him. Also, that’s a nice beat that they all chose. It’s like, you know, alright, you gotta give it up. That's a nice moment; boom, boom, and the fistbump.

Chris: You got a sandwich named after him.

Dean: Eliot has a hoage? No a reuben.

[Laughter]

John: I also like- I had not noticed before because I was kind of- Nate’s taking a phone call and I was watching it for that beat, the, sort of, fun that Jeri Ryan’s playing there, it's like, ‘OK, I'm part of the family now, this is genuinely amusing.’

Dean: Now this is a fun reveal shot.

John: One of the cross cuts that I gave you again as your birthday gift. Moving in opposite directions?

Dean: Moving in opposite directions so that they are always looking at each other screen direction wise.

Chris: Right, right.

John: Cause we know awful things happen when you cross the lines.

Dean: If you cross the line, cities fall.

[Laughter]

Chris: No, but I mean, when you do phone calls that's an important thing to do.

Dean: For me I think so. I’m old school.

John: What I love is the fact that he starts the incredibly confident powerful guy that we know. And by the end of this swing around, Richard lets himself just kind of look- just

Dean: Now he's-

Chris: Nice reveal there.

John: Yeah, and nice reveal on that blown out window. And now he's just a pawn, he's just a broken little man, you know. And that's very- the last shot is plainly Nixon.

[Laughter]

John: It’s plainly like- what's that famous shot of Nixon at 2am in the oval office?

Dean: Right.

John: It’s that look at him. And he did all that in one take, conveying pipe to Nate.

Dean: And now we switch to our handheld, because our guys are in trouble. And I love how much Nate is overcompensating. Whenever Nate’s overcompensating, you know something has gone horribly, horribly wrong.

John: And his addiction is taking over. Be it booze or control.

Dean: And in this case, both.

John: Yes. He's not really got his head on in this particular case. Yeah, everyone's arguing with him, everyone- and this is another great thing, when Nate spins out you don’t ever have a problem with the plot, because the problem with the plot is the point of the plot.

Chris: Right.

John: Like with, ‘That doesn't make sense. That doesn't make sense.’ Exactly! Tell that to Nate!

Chris: Yeah.

John: It's important for him to know.

Dean: Our editor did- Brian Gonosey, did a very interesting choice here from cutting from Nate to Nate. Which we almost never do, and it gives it, kind of, strange, nervous energy.

Chris: Well you're kinda-

John: It's claustrophobic.

Chris: You get the sense of people's eyes on him.

Jon: Right.

Chris: A lot of people looking at him.

Dean: But it’s not- again, that kind of cut we don't normally do on the show, and it really makes this a nervous scene.

John: Yeah, you’re going-

Dean: Nate to Nate to Nate to Nate.

John: Yeah, cause you're hopping- Jeri to Parker, you're seeing him plead his case. Jeri to Beth, Jeri to Beth, you know, you're seeing him through their eyes. And then back to the reactions where they know, yeah.

Dean: Something’s wrong.

John: And each one of them is making a very specific decision at that point.

Dean: Again, this port- these guys were so great to let us shoot there.

John: Oh man.

Dean: Gave us such wonderful access.

John: That’s the real port, that's not stock, baby, that’s-

Dean: That’s right, that’s the real deal.

John: And- and a lot of fun doing the TSA stuff, doing the Homeland Security stuff. The research on this was as horrifying as you'd imagine. Most of this is security theater, your ports are not secure, sleep tight America.

Dean: And this actor was also discovered in that same improv group that we found the actor from the doctor episode.

Chris: Oh that��s interesting.

Dean: The Order 23.

Chris: John, you made a good point about how Order 23 pays off. A question about Order 23, about security at the courthouse.

John: Yes, in Order 23 there's a beat like ‘How do they get the gun in there?’ And it’s because the courthouse has not been refurbished, because the budget on the town-

Dean: Right.

John: The city is so poor. And that's also why he felt confident hiding the money there.

Chris: Right, right.

John: That pays off here in the- you find out the reason there's no money for the city is the mayor has grifted it all.

Dean: Right.

Chris: All the security money that he got, federal anti-terrorism money went into his own pocket.

Dean: And I love how Eliot is now playing a celebrity.

[Laughter]

Dean: And he's so proud that he's a celebrity.

John: And we also flipped roles for once, cause Hardison is usually not the one who’s annoyed, it’s-

Dean: Right.

Chris: Yeah, no it's true, he is.

John: It's really he’s- and it’s really both, ‘Get back on the job,’ and, ‘I'm not the center of attention.’

Chris: Yes.

Dean: These two are magical together.

John: Yeah, that's a great- this is a great noir set up.

Dean: Yeah, even with the black car in the distance, which is a bit of red herring.

Chris: Look at this shot, I mean this is a movie shot.

John: Beautiful. Now how do we- was this at night? Or were we during the day here on this?

Dean: This was at the end of the day, so we actually spilled into night and had to light it to keep it looking like this. And that's an actual oil tanker that they allowed us to shoot at.

John: Yeah.

Chris: Wow.

John: And then that- this walkway is actually exactly where we just located it. It's directly below the docks. And it really was- a lot of the fun was walking around the location going, ‘OK, this scene can happen here, this scene can happen here.’ And we didn't get too poisoned shooting in this warehouse. We all had funny coughs for about a week, but we were OK.

Dean: They warned us about spiders and raccoons under this-

John: Yeah.

Dean: So we were looking for eight-legged raccoons at some point.

John: At some point we were very worried there would be a horrible combination.

Chris: Oh really? Wow, I missed this part.

John: Well you weren't up here for shooting at the oil tanker, getting poisoned by fumes.

Chris: Yeah, yeah. I looked at the schedule and went, ‘What’s the day you hang out in the baseball park?’

John: I noticed that. You came for the baseball park-

Chris: ‘Oh, I’ll come for that.’

John: You really didn't hang out with us in the oil tanker hold. Yeah, black lung kicking in.

[Laughter]

John: This is a great cross cutting by Brian, this kind of- what he's doing is he's finding some- finding an odd rhythm here. It's not danger, it's unease.

Dean: Right.

John: You know, every shot is a little too short, it's a little too- yeah. And again, sort of end of day shooting, everything in the warehouse from the moment they walk in- like they get to the oil barrel, through the end of the episode pretty much, you did in a one-er.

Dean: Yup.

John: One direction one way, one direction the other.

Dean: Your easy bake oven reference is awesome. I don't know how many people under the age of 40 are gonna get it, but god I love that reference.

John: Who under 40 watches television anyway?

Chris: I appreciate it so much. Made me laugh so hard.

John: They've still got those. I got one for my niece.

Chris: With the one little bulb that actually makes the cake.

John: Who knew? I love, Parker is constantly finding crates full of guns.

[Laughter]

John: I'm fairly sure she could open a gift with purchase from Neiman Marcus and it would have guns in it.

Chris: And by the way, kudos to you to find- when we put this thing together, to find the transition between corrupt mayor and arms deal in the docks. I mean, the thing was built around certain setpieces.

John: Yeah. And also it sort of made sense these- when you research, the amount of legal arms dealing that goes on in the states is magnificent.

Chris: Right, right.

John: And when you find out these guys run these things out of Boston, New York, Miami, you know.

Chris: Right.

John: It's got to be somewhere.

Dean: And this is one of the rare times where our team is really losing at the end of an episode.

John: Oh yeah, they’ve got to lose. They really- they have- and this was interesting, because it really was one of those times where we sat back and said, ‘In what version of this show are our guys the bad guys that get caught?’

Dean: Right.

John: Just write this section of this show like that show. Like we're writing NCIS or we’re writing CSI or something. And really put our guys in the dead seat. And man he just radiates rage.

Chris: Yeah.

John: And it's not just because Richard Kind is a bad guy, it's because he's lost control.

Chris: Yeah.

John: You know, that is Nate Ford in a world he doesn't want to live in.

Dean: Now we got them in this impossible situation, and- but we can’t end the show without a little bit of fun.

John: Yeah.

Dean: And the win within the loss here is, I think, is truly inspired.

John: Oh yeah, managing to get them out of there.

Dean: Yeah.

John: That was a lot of fun. I can't remember where the idea from- the idea of the multiple exits came from. We were playing around in another episode with ambiguity, somebody- signal of, like, time and ambiguity, and that held over, because you use all the parts of the animal, and that hung out and that's of course-

Chris: That's Katie O’Grady.

John: Katie O’Grady.

Chris: She’s a terrific Portland actress. She runs an acting school up there.

John: Yup, yup. And she really came in as kind of one off, and it’s- after two episodes it’s like, ‘Yeah, I could see this character coming back. I could see this fed,’ you know. A lot of Portland actors did that. A lot of Portland actors turned one day into a recurring role.

Dean: Yeah.

John: The- and just barely buying him enough time. And that's the important thing here, is that each character is finding a little piece of the solution. That was the fun of this episode is, there's a famous fighter pilot saying which is, ‘Stay alive for the next 10 seconds.’ That's all you have to do. In the next 10 seconds, your wingman will get the guy, or the guy will get out of position, and that's all they are trying to do for this section of this script.

Chris: Yeah.

Dean: Thers a great turn here where he reveals that he was somehow part of this attempted assassination of one of the family- the extended family.

John: Yeah.

Dean: And the rage that comes out of Nate is everything that’s built up over the entire year.

John: And what's really interesting is, because you shot this all in one piece- this is not split up into takes, this built in real time.

Dean: That's right.

John: You know, this really builds from that confession- and I was out of position the first time he did the wrench, and I was like ‘What the hell just happened? Did Tim just crush Richard Kind’s head?’

Chris: It's his friend! They're friends!

[Laughter]

John: Yeah, they're friends, but the wrench wasn't in the script. Tim just picked up the wrench!

Dean: Right.

Chris: He just picked up a wrench. And we were like, ‘Is that a rubber prop wrench?’

Dean: I love her character is like, ‘Then just kill him.’ I mean, she has no moral position on this, she just wants to get out alive.

John: Yeah, this- like we were talking the other day, where Sophie still exchanges Christmas cards with people she's ripped off, Tara Cole has walked out of a lot of burning buildings with metal suitcases full of bloodstained cash.

Dean: And never looked back.

John: And never looked back. And in that moment she is absolutely serious. If you're gonna kill this guy, get it done. You know, but she’s not gonna coddle him.

Dean: Now this may be one of my favorite bits that you guys have ever come up with, and it starts with a great turn.

John: It’s like- you know why? Cause it’s a locked off comedy frame, my friend.

Chris: That is.

Dean: Locked off comedy frame. But it's one of the oldest gags in television.

John: It is.

Dean: Is that slow turn look.

Chris: The turn look.

John: And then the turn reveal, and this-

Chris: ‘Oh no. Oh no, you're not gonna do it. Oh no, no way, Jose.’

[Laughter]

Dean: And once again, Aldis Hodge showing why he is a truly, truly special talent. This part is not written.

John: No.

Dean: This part is just him going-

John: The printed page ends with, ‘They turn and look at the van.’

Dean: Right.

Chris: Yeah, yeah, yeah.

John: Yes and-

Dean: All of this is him being brilliant.

John: And that means also that Beth and Chris had to find the timing to when they were both gonna turn.

Dean: Right.

John: And that's the thing is, they work together a lot, now they've got a lot of, sort of, physical cues from each other. But yeah, this is all him, this is all him going off. And this is born of 207 when we shot him and Will Wheaton versus each other; they spent the whole day in the van alternating. And so Aldis was making a joke about the fact he has a very weird relationship with that van, cause he's in it and nobody else is.

Dean: And he even brought back in the fact that everyone teases him that the van smells.

John: Yes, exactly.

Chris: That the van smells, we made that a recurring thing.

John: So that's become a recurring thing and it was really- it was really the actors discussion of his character that led to the bit.

Dean: Now a lot of people may miss this-

John: Oh this is my favorite bit-

Dean: -but just watch Parker when the doors shut.

John: Yup.

Dean: Because Parker is so close to Aldis she gives a kiss goodbye and leaves the little lip print.

[Laughter]

John: I never noticed that before.

Chris: Oh she did, she leaves the lip print, that’s great.

John: Not in the script.

Dean: One of my favorite camera moves right here. ‘Aaaaand, let’s begin.’

[Laughter]

John: There is- definitely been working together long enough now that we know- and now that jazz music is in the background, we’re up and running.

Chris: There you go.

Dean: It all kicks in. And again, how Richard was able to now change from that dark to humorous. Literally turning on a dime.

John: And this is him-

Chris: Oh there's so many speeches he made saying goodbye.

John: This is him doing the- that is Kirk saying goodbye to Spock.

[Laughter]

John: By the way, from the Wrath of Kahn, that is the speech he's doing right there.

Dean: And we- my favorite digital effect.

John: No van, no van there.

Dean: All painted.

Chris: Oh that’s great.

John: ‘I’ll miss you.’ No and that was- but of course, again, you were blowing stuff up at a dock.

[Laughter]

John: Without any real permission or notifying the authorities. It’s really I think I'd be disappointed now if you called ahead.

Dean: That’s right.

John: And this is the reveal, and this was really tricky, trying to figure out the timeframe, how they could get around, how quickly they get around.

Dean: So we had to use the bomb as the time signature.

John: Yeah.

Chris: Right.

John: Because the- when we got there originally, this was structured slightly differently, but the exits in the physical locations didn't match. But that’s why TV is great, you have a writer on set-

Dean: Exactly.

John: So you can actually have the director walk around with you and go, ‘This isn't gonna work.’ ‘Sure it will.’ ‘No it won't, fix it.’

[Laughter]

Chris: Well I think originally the thing went inside the-

John: Yes, yeah. And we couldn't do that, and you couldn't see the blow, and then you had to blow all three doors simultaneously if you did it, and it would've been madness. And Katie's look of rage there is magnificent.

Chris: That’s great, as the car goes by.

John: It really- ‘I am an angry, angry fed.’ And this is also one of the times when we don’t let Nate off the hook.

Dean: Right.

John: You know and Aldis is genuinely- yeah.

Chris: Yeah, he managed to transition from the fun of saying goodbye to the van, to actual rage.

Dean: Genuinely pissed off. And now another bit of John Rogers directing on this episode is the car getting away.

Chris: Nice!

John: The car- yeah, this is-

Dean: Right here, here we go and then look at this nice power slide.

Chris: Oh, good job.

John: I caught the reflection in the side of the car that was suction cup bounce and they actually hold on. You didn't give me the wet down one.

Dean: And this is my favorite reveal of a character ever.

John: I have no idea how you did this! Did you lower him by rope? How does he get in the shot?

[Laughter]

Chris: Well he comes in-

John: And we’re coming around, this is all a one-er and… he… is… there.

[Laughter]

John: He just- it is one of those things where, much like-

Chris: How would he fit inside?

Dean: [Mimicking Mark Sheppard] There's no one else that can make an entrance-

John: Quite like Mark Sheppard.

Dean: -like Mark Sheppard.

[Laughter]

John: And by the way, we decided to make him- because we were cooking up a threat, and- we’ll actually continue talking about this in the next episode...

Chris: In the next episode.

Dean: Please stay tuned for the second part of this.

Chris: Stay tuned.

Dean: But this was a lot of fun, and thank you for listening to the first half. Stay tuned for part two.

#Leverage #Leverage TNT #Leverage Audio Commentary Transcripts #Audio Commentary #Transcripts #Parker #Alec Hardison #Elliot Spencer #Nate Ford #Sophie Deveraux #Season 2 #Episode 14 #Season 2 Episode 14 #The Three Strikes Job

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