#all in all a pretty reasonable judge of my character

[hanzajesthanza]

should i change my headcanons based upon “i saw it in a dream”

[wriokitty]

like a lotus in spring, you are mine to bloom — ft. alhaitham

synopsis: at twenty one, you’re just a girl he meets as he trains for the role of scribe. at twenty four, you’ve become everything he loves in this world. after three years of knowing you and nearly two and a half decades of life, alhaitham finally realizes why his father left letters for his mother instead of just saying the words outloud

❤︎ word count: 7.7k words — we find ourselves here in the same old situation again, i see LOL pls give it a chance though!! plssss

❤︎ before you read: female reader ; 18+ content — not suitable for minors ; not proof read ; strangers to friends to lovers ; mutual pining but not at the same time for a bit (he falls first <3) ; jealous alhaitham ; hinted drunk sex ; getting together + love confessions ; alhaitham character story spoilers + references to his grandmother and parents ; semi-clothed unprotected sex ; no prep ; some nipple play ; creampie ; the cringiest love letter at the end LOL

❤︎ comments: guys every time i write alhaitham it’s so corny and cheesy but . he is my fav genshin guy of all time i deserve to be allowed this okay

TWENTY ONE. 

You’re still a student when you first meet Alhaitham. (Not a student for much longer, but a student all the same. With a little luck on your side and good graces from your darshan’s sage on your thesis, you’re expected to graduate in just a few short months.)

You don’t have the best first meet. In fact, your impression of Alhaitham starts off entirely on the wrong foot. 

He’s newly graduated, just freshly rewarded a degree for his (impressive) efforts, and is now well on his way to training for the role of scribe—you heard he was offered far more prestigious roles, but for some reason, a genius like him settled for a role like that. You try not to judge. People have their passions, after all, and if that’s what he wants to do, well…who are you to make comments? (But amongst a school that only houses the brilliant, Alhaitham is, very undoubtedly, a standout. It’s hard to stand out in a school filled with only the best minds, but he manages to do so with ease. Sometimes, you’re almost jealous. You can’t help but wonder why he doesn’t aim a little higher than he does.)

He trains in the house of Daena. His first order of training is to fact-check ordinance drafts using books so he can better get the hang of drafting them himself in the future. You’re also in the House of Daena to find the last book for your thesis—after weeks of begging, you’re finally granted access to the restricted section to find it. 

And you do. Except your palm meets warm skin instead of the cold leather cover of a book. You pause, glancing up as sharp, teal eyes meet your gaze, staring at you expectantly as if you should be the one letting go. But you need this book. It’s the final research element to finish your thesis, and you’d like to be done with it. End of story. No matter how devastatingly handsome the man (because he is handsome, you’ll admit at least that much), you will not be handing over the last, final key to your academic freedom.

“Um, excuse me,” you say politely, “I was kind of reaching for that.”

“As was I,” he says, staring at you with a bored, almost uncaring expression. Your eyes narrow. “Now, if you’d please kindly take your hand off of mine.”

“I believe it should be you taking your hand off of mine,” you correct, huffing as you add stubbornly, “I reached for it first.”

He blinks at you, bland and a little irritated, as he points out, “Your hand is on top of mine, which means I reached the book first.”

Well.

Maybe if you were feeling particularly patient, you’d be inclined to admit that, yes, he does have a point. But stubbornness, combined with pure exhaustion, has you at your wit's end, and if you have to play the role of a difficult student, then so be it. You’re pretty sure you need it more, and you’re probably a much speedier reader anyway. You’ll have it done and returned in no time.

This guy, on the other hand…he doesn’t look too bright. You’re not willing to take your chances and let him walk off with a book that you might never see again.

“I started reaching for it first,” you scowl, “you just sped up your hand once you saw me. I should get it.”

“Unlikely,” he scoffs, “I didn’t even see you. Although,” he gives you a once over with his eyes, making you feel uncomfortably seen under his judging gaze, “I suppose you were a bit easy to miss.”

You gape at him. “Just what does that mean?”

“It means,” he smirks, taking the opportunity to grab the book as you stand in shock, “that I got here first.”

“Hey!” You glare at him, seeing red for a moment. What a perfectly good waste of a perfectly handsome face—and such an awful attitude coupled with his ridiculously smug grin couldn’t make for a worse combination. But, before you can even say anything, the book is being pressed back into your hands.

“You seem like you want it more than I do, though,” he hums, “I suppose I can let you have it. It’s a bit outdated for this ordinance, anyway.” With that, he saunters off. You push down the soft flutter in your heart for a moment and force yourself to hope you’ll never see him again. (Faintly, you hope your wishes don’t come true—but you refuse to admit it to yourself.)

Unfortunately (and fortunately at the same time) for you, you do see him again. Many, many times, in fact. When he works in the House of Daena as often as he does, and you like to spend all your free time there to study if you can, you’re both bound to run into each other often. Very often. 

And sometimes, it’s quite literally running into him. 

“Oof,” you hiss, staggering backward and hitting your head against the bookshelf behind you as you bump into a sturdy figure. You drop the books in your hand, blinking before reaching to rub your read as you start to apologize. “Sorry, I didn’t see you—oh. It’s you.”

“It’s me,” he says, looking mildly entertained. Alhaitham is everywhere. Everywhere. You can’t escape him if you try, and now, you can’t even avoid him in your own personal space. “Although, I think I should be the one apologizing this time. I was too busy reading to pay attention. This section is usually empty at this time.”

“How often are you in here to know what section is empty at what time?” You raise a brow. 

“Too often to be considered good for my well-being,” he says dryly, sighing in misery. You crack a smile at that. Oddly enough, so does he—you don’t think you’ve ever heard someone say they’ve seen Alhaitham smile. It must be a rare sight that only you, and perhaps a very few others, can say they’ve witnessed. “I was just about to take a break to buy a coffee—I’ll bring one back for you, too, to make up for the cranial damage I’ve supplied.”

“A most wonderful idea,” you perk up instantly, “I love when I get to drain the wallet of a man.”

He gives you an amused look at that. And somehow, bringing you a coffee along with his own during his breaks is a habit that seems to stick for a long, long while after that. 

────────────────────────

TWENTY TWO.

Alhaitham’s feelings are hurt. Not a lot of words tend to do that—he’s been blessed with thick skin and an unbothered attitude to a fault, sometimes. But something about today, for some odd reason, hurts his feelings. 

Your words to the waiter who took your order keep ringing in his head. 

Oh goodness, no, we are definitely not dating!

Most people mistake you and Alhaitham for a pair of lovers rather than a pair of friends. It’s just the way things go when a man and a woman are seen together for extended periods of time over and over. It doesn’t help that Alhaitham doesn’t really have any friends. He had one before you, but…well, things are complicated now. Far too complicated to think about it more than necessary. He has you, and that’s enough. But the matter still stands that most people tend to assume that something blossoms between the two of you that isn’t just friendly. 

He was starting to think it was true himself, too. He knows it’s true from his end, at least. But you say those words with such a sure, definitive tone that it almost sounds like you’re offended by the notion of being seen as his girlfriend. And sure, he would be disappointed—he’s no liar—if you didn’t feel romantically for him, but he’d understand. It’s not something you can help. But you brush off the idea like it’s an anomaly of sorts in the universe for someone like you and someone like Alhaitham to be a couple. It hurts his feelings. More than it should. 

(He knows deep down, in the depths of his heart, that you don’t mean it that way. You never would. But irrationality is but one of many feelings that bloom when it comes to romance.)

Alhaitham knows from a young age he’s different than most kids his age. This fact doesn’t change as he gets older. He’s brighter than most of his peers—which is certainly saying something because Sumeru is a nation filled with enough sharp minds, it’s as though brilliance were the average trait. People don’t typically like Alhaitham (which is fine by him, he doesn’t like most of them, either. They mostly don’t meet his standards). The kids don’t play with him in the parks that Grandmother would leave him at while she shopped around at the market, and they don’t sit with him on his one and only day at the Akademiya when he is but an elementary scholar. It never bothered him. He preferred reading under the trees and self-learning at home, anyway. When he’s older and enrolled in the Akademiya full-time, they don’t prefer to partner with him for projects for any other reason than simply being guaranteed a good grade, and they don’t spare him a glance when they all converse in groups outside of class. He never cared for freeloaders, anyway—he only trusts himself for projects, and he is at the Akademiya to learn, not make friends. 

It’s not until he meets Kaveh does he consider the idea that friendships are meaningful enough to spare some effort into. But the end result of that only solidifies that he is best when in solitude. 

But then he meets you. Some part of Alhaitham knows very early on that you would never be just a friend to him. If it was friendship that he craved, he would have looked for it elsewhere before running into you. Something about you from the very beginning makes him yearn for things much deeper than that. Things that remind him of his parents. 

Friendship is fleeting. People at the Akademiya go their separate ways and meet new people. They fall out and have arguments. They grow up and grow apart and become different. But love blooms like the Kalpalata lotuses on a vine, timeless as time itself. It starts and never ends, one root stemming into more and more vines until they never stop growing.

Alhaitham has fallen in love with you. Logic tells him it’s only a recent development, but his heart has known this outcome would be brought about for a long, long time. And, in all truthfulness, your words have hurt his feelings. 

And yet, he still loves you through it. He thinks that even if you crushed his feelings with a cold, indifferent smile, he would still love you through it. 

A hand waves in front of his face, pulling him from his thoughts as you take a sip from your coffee. Puspa Cafe is not as busy at this hour, most people are in the middle of a work day, but Alhaitham is allowed to pick his lunch hour, and yours happens to be earlier than most.

“Sorry, I just have to ask—are…are you upset?” you ask gently, making him pause. 

Yes.

“No,” he says simply, “why would I be?”

“You seem upset.”

“I’m not.”

“You were fine up until…I don’t know, a few minutes ago. Is something on your mind?”

You know him so well, he thinks. How could you not see how perfect the two of you are together?

“I’m simply concerned about your sugar intake is all,” he eyes the cold, iced drink in your hands with more syrups than he deems necessary. You always have a penchant for choosing the sweetest drink off the menu, and Alhaitham will never understand how your teeth don’t rot.

“Well, that’s very funny,” you roll your eyes, “because I was just thinking about how low on vitamin D you must be—do you ever leave your study to see the sun?”

He spares you a soft chuckle at that, shaking his head before taking a sip of his own coffee—hot and black and with two spoons of sugar. Simple, like how he prefers. You make a face at his drink as he sets it down. 

“Have you ever thought about what you look for in a partner?” he asks suddenly, making you blink in shock for a moment. He flinches at his own forwardness just a tad. 

“Umm, I suppose a little here and there…why do you ask?”

“No reason,” he shrugs, “just curious what your type was, that’s all. You’re painfully single, so I figured your taste was rather distinct.”

“Rude,” you scoff, rolling your eyes enough that he thinks it’s safe to assume you’re not suspicious. “Are you here just to poke fun at my choices today?”

Alhaitham should not be asking you this. Not when the answer so clearly is going to hurt his already very bruised feelings. Of course, your type won’t be him. And, of course, he is going to mourn your answer the second you give it, which is his own fault considering he’s the one who asked. (He has to wonder, for a moment, if this constitutes as an undiscovered hidden kink of his and whether or not he really just gets off on some unnecessary pain. Why else would he willingly subject himself to this?)

But, he’s caught off guard when you shrug and simply say, “I suppose someone who’s intelligent. I’d appreciate some good discussions. And…and maybe someone who’s kind, y’know? I would be rather sad if they were mean,” you pretend to sniffle dramatically.

“That’s…that’s it?” He tilts his head in equal parts shock and equal parts confusion. 

“What did you expect me to look for in a partner?” You snort, “A three-story mansion? A rock-solid, chiseled chest to lay on?” 

“Well, no,” he rolls his eyes, “Maybe something a bit less generic to narrow down your pool, I suppose, but if that’s your bar, so be it. There are far too many men who are intelligent and kind, you know.”

“Yes, but none of them show me any signs of interest,” you pout, “I must be undesirable or something.”

I desire you, he wants to say. He can’t quite find the courage to get the words out, though—and as if the universe has it completely out for him, the same waiter from earlier who is responsible for asking you the question that kills Alhaitham’s mood for the day comes back with the bill. And something else, too. 

Something that kills his mood for the week. 

His jaw clenches a tad when you flush at the note scribbled on a napkin for you, eyeing your flustered reaction while you read over the words: I get off at eight if you’d like to find me. You stare for a moment before you murmur, “Well, look at that. A sign of interest—it must be the Dendro Archon’s divine power.”

“The Divine have no say over who you fall for,” he insists.

“You don’t know that,” you hum thoughtfully, “The God of Wisdom knows her people better than anyone else, you know. I’d like to think she knows when love is bound for two people.”

You fold the napkin carefully and keep it in your pocket, and Alhaitham fishes out his mora pouch with stiff fingers. He leaves a very shoddy tip on the table before he exits after you. 

────────────────────────

TWENTY THREE.

You wake up in his bed. 

It’s a foggy memory, but you know you fucked Alhaitham after more sips of wine than you can count and one flirty comment too many. It happened in a blur last night, and you can’t say you’re surprised that it finally happened at all. Alhaitham is a man just like any other, and mingling pleasure with friendship is a normal thing to do. Falling under him on his mattress is not something you never had daydreams of—but the truth of the matter is that your daydreams don’t just stop with the bed.

They end with a toothbrush beside his in the bathroom. A mug next to his in the kitchen. Your shoes kicked off along with his at the entrance of a home. Your laughter and his bouncing off of the walls. A ring, maybe. One on your hand and one on his. 

In your imagination, it starts with pleasure, but it ends with love.

Falling in love with Alhaitham is a peaceful ordeal. He’s dependable and inherently kind. Strong and impressively capable. Intelligent and objectively handsome. You’d bring him home to your mother and father, and they’d thank Lord Kusanali for smiling down upon their humble little family and their darling little daughter by sending such a divine man your way. 

You don’t think you can pinpoint when exactly it is you started to love this boy, but you know loving him became as simple as breathing. You never thought about it. Never learned to do it. Never questioned it, even. You inhale the scent of his spicy, woody cologne and exhale the warm breath of your affections stored in your lungs. He lives somewhere nestled so deep in your ribcage that you think you’d have to crack each of them one after the other before you could pry him out.

You love Alhaitham. You think you know everything there is to know about loving him. You think you’d do it right—better than anyone else. 

He only drinks his coffee when it’s piping hot, and his wine can never be one degree less than iced. He has dry hands, but he hates the feeling of lotion. He doesn’t like raw onions but he doesn’t mind them cooked. When the sun is in his eyes, he’s in a foul mood, but he enjoys napping under the warm rays, much like a cat. He laughs surprisingly boyishly from his belly if you manage to deliver a dry yet clever enough joke, and he clears his throat and gets a bit shy once he’s realized he’s let it out. He twirls his pen in his hand when he’s bored, and he only uses the kind with gel ink because they write smoother. 

You love Alhaitham. For you, it’s always been him. 

When you wake up to his bare, warm body next to yours, breathing peacefully with an arm thrown over your waist, you can’t help but selfishly wish he’d stay asleep all day. Just for a day. Just for the amount of time you get in between the sun’s departure and the moon’s arrival. Just so you can watch him exist in this moment where it’s you, him, and the liminal space between friends and lovers. Just so you can admire how beautiful he is without worrying about his eyes opening and the inevitable conversation of what you’re both doing is brought up. 

People (like Kaveh, or Dehya, or Tighnari, or…anyone) tend to insist that Alhaitham loves you. It’s obvious, they say, just as obvious as your love for him. You never believe it. It’s not because he’s bad at love or because you’re bad for him. You think he’d make a good lover—contrary to popular belief, you don’t think Alhaitham is uninterested in intimacy or affection. And you think you’d make a good girlfriend—unlike other people, you understand him and like what you see. 

But he doesn’t love you. That much is a fact you’ve long accepted. It’s not because you’re bad for him or because he’s incapable of feeling—but rather, it’s just that bitter, soul-crushing reality that you can’t help who you love and who you don’t. Alhaitham doesn’t love you—it’s not something either of you can really change. Because if he did, he’d waste no time. He’d get to the heart of the matter and quit dancing around the issue. 

It’s just the kind of guy that he is. 

So, because this is your first and likely last time seeing him this way, you slowly reach over and brush a few strands of messy, unruly bedhead from his forehead before cupping his cheek in your hand. His skin is soft and warm under your palm, much more delicate to the touch than you anticipated from how chiseled his features are. Your thumb gently brushes along the slant of his cheekbone, eyes softening at how he lets out a puff of air as he sleeps. 

“Morning,” he says hoarsely, eyes still closed and making you jolt in surprise. He lets out a quiet, sleepy chuckle that would make you melt if not for the way your heart still pounds from the shock. 

“You’re awake?”

“Mhm,” he hums, nodding before finally cracking an eye open. “For a while now.”

“Why pretend to sleep then, you creep?” You scoff, glaring at him as he sits up slightly and glances at you with a teasing glint in his eyes. No part of him seems to be shocked about you being nude in his bed. Or the fact that you’re even in his bed at all, nude or not. 

“You’re the creep if we’re being technical here. It’s undoubtedly a little on the creepy side to study someone with such careful touches while they sleep.”

“That’s your main concern…?” You stare at him—and for lack of better words, you’re dumbfounded. You and Alhaitham have been friends for two years and counting. You’ve never once crossed the line or even toed at it to step beyond the border of anything more. And, yet, here you are. In his bed. Completely nude. He was lying there and felt your delicate touch along his skin, felt you act like a lover and not a friend on a quiet, intimate morning when in fact, you both should be shamefully avoiding each other’s eyes in a moment that’s anything but intimate as you leave. 

He makes no move to ask you to leave or even question why you’re still here. You make no move to really leave—it’s not like you want to. 

“What should my main concern be, then?” he looks at you expectantly, like he really doesn’t know.

“Oh, I don’t know, Alhaitham—shouldn’t you be a little more panicked by the idea that I’ve trespassed into your bed and seen you…bare?”

“Well, to be fair, you didn’t trespass. I let you in—and also, to be fair, I saw the same for you, too, so we’re even.”

“You’re oddly calm about this,” you hiss. “This doesn’t bother you even a little? That things might change?”

He looks at you funny—like you’ve just told him a joke that hardly makes sense but makes him want to laugh anyway. “You’re too brilliant to be this dense,” he murmurs. “Maybe I’m quite open to the idea of change.”

You take offense to the first part enough to completely miss the second part of his statement. 

“I am not dense,” you huff, “I’m incredibly bright. I’ll have to send you my thesis sometime.”

“No need,” he responds through a low hum. He pulls you closer, flush against his chest. Bare skin on skin. Intimate skin, at that. You shiver for a moment as his warm, large hand wanders lower and lower before stopping just at the small of your back, rubbing slow circles at the dimple where your spine ends. “I’ve read it plenty of times. It was very insightful.”

“Well, in that case, you should know not to insult my intelligence—”

“If you don’t notice my affection for you, I’m afraid you might not be as observant as I initially thought.”

You pause. Your heart flutters. Then it feels like it decays. Your eyes widen a fraction. Then they feel like they need to be squeezed shut for fear of tears. You feel your fingers twitch to reach for him. And yet they stiffen in distrust. 

“I don’t know what you’re saying,” you whisper. Because you don’t.

You really fucking don’t. You thought you knew. His feelings and how to read them. His thoughts and how his mind works. Every little quirk of his and how he approaches every damn thing in this world. You thought you knew.

Now you feel like you don’t know much of anything, especially not what he means right in this moment. 

“You don’t?” He whispers, hand moving to grab your wrist and bring it to his cheek so his lips can brush along the delicate lines of your palm prints. (If he was brave, he’d tell you that his destiny and yours are written in those very lines. Maybe someday he’ll build the courage.)

“No,” you say through a shaky whisper. “What are you saying?”

“I’m saying I love you. Just like you love me.” He says it so plainly, that you almost feel like it's a dry, cruel joke. (You know him a little better than that, though, to know he’d never.)

“How do you know I love you?” you challenge just because it’s all you have left to cling to—easy, instant denial. 

He laughs. Soft. Quiet. Melodic. So fucking sweet. “I’m too smart to act dense,” Alhaitham teases. And then, for a moment, his eyes soften enough that they almost look vulnerable. “And only someone who loves me could deal with my… peculiarities. Though, I will admit, it took me quite a while to reach this conclusion. You made me work for it.”

“If you’ve known all along—” 

“Not all along,” he corrects, “like I said, it took me a while to come to this conclusion. But once I did, it was rather obvious.”

You scowl with a finger prodding into his chest, eyes misty with relief and the faintest traces of agitation, “Well, regardless, why haven’t you said something all this time? Obviously, I wasn’t as aware as you seem to be, so the least you could have done is spared me the pining and heartbreak of wondering if you’d ever look at me—”

“I wanted to make sure I could offer you a peaceful life first,” he says gently. You blink. He smiles, eyeing something in the distance—you don’t quite catch it, but you think it might be the old, worn-out stack of envelopes sitting on his desk. 

“What?”

“When you’re with me,” he whispers, leaning in so that his lips brush over yours, “I can lead a peaceful life. I wanted to make sure I could give you the same.”

“And what does that consist of?” you raise a brow. 

“Well,” he murmurs, pecking the corner of your mouth, “A stable job with a generous income, which I now have. A fixed schedule, which I have also negotiated. A proper home to house the both of us, which you are comfortably laying in. And…” he grabs your hand, bringing it to his chest where his heart is beating erratically, “A rock-solid, chiseled chest to lay on, which I have dedicatedly worked to add to my physique for you.”

“Haitham!” you squeal, shoving him away with a horrified shriek as he laughs with a wide grin. You don’t even know why he still remembers that comment to poke fun at it, but you suppose that is the tragedy of falling for a prodigious scholar. His mind is sharp. And so is his memory. “Enough!”

“Okay, okay,” he grins smugly. “I want us to lead a peaceful life.”

“There’s not a lot of peace I am counting on with you.”

“I will elect to ignore that statement,” he says dryly, “But that’s why I waited this long,” he buries his face into your neck, nose pressing into the skin as he inhales, “I’m afraid I can’t wait any longer, though. Won’t you accept my frugal attempt at a serene life with you?”

“Perhaps I can make do,” you fight back a stupid grin.

He smiles into your neck. You can feel it. You can practically see it. You hope you’ll grow old with it, too. 

“Then I suppose I’m forever indebted to your graciousness, my love.”

────────────────────────

TWENTY FOUR.

When Alhaitham was eight, Grandmother told him the story of how his parents had fallen in love. It was a typical love story, he thought at the time—nothing overly special or unique. A simple, sweet bond between two people who became friends and something more along the way.

What stood out were the letters. Not very much at first, but with time, he’d realized how special they were. 

Grandmother handed him the letters with a soft, melancholy look in her eyes that made him realize he hadn’t just lost his father and mother. She had lost her son and daughter-in-law. Alhaitham felt the absence of his parents often. It was hard not to at that age—he didn’t have a father to throw a ball to or tag along with to the market. He didn’t have a mother to hum him a melody or make his favorite dish for dinner. But Grandmother filled the gaps in those places well enough that even if his heart bled, not too much blood spilled between the cracks.

But he was no son. Not a proper one for her at her age, anyway. She raised him like he was her own, but she grew older every day, and he didn’t grow fast enough to keep up. He couldn’t take care of her in her old age the way his father would have. He couldn’t do much besides bring the vegetables for her to cut or set the table while she cooked. He couldn’t offer her the mora when she went to the market or carry too many of the heavy bags while they walked home. He couldn’t let her rest in her old age too much because, regardless of how mature and bright he was for his age, Alhaitham was just a child. Her child, nonetheless—Grandmother didn’t let him forget that fact. But a child.

When she died, he arranged the funeral alone. He didn’t cry throughout the whole ordeal. Her old colleagues from way back in her Akademiya days came, as did some of his parents��� old acquaintances. No one he knew too familiarly, though—no one who really mattered when they clasped his shoulder and told him to hang in there.

She was a good woman. He knew that already.

She was very intelligent. A very obvious fact.

She was exceptionally kind. A rather unsurprising observation.

She loved very deeply. Well. That one stung—as true as it might have been.

He remembers it so vividly still. How he had walked home alone after it all. How he had taken off his tie (a very poorly tied tie, at that—Grandmother had always helped him before) and silently entered his room.

It wasn’t until he had eyed his desk that finally, it all sank in. The notes—the ones his father had so carefully written his mother while they were still just starting to fall in love, sat there as if waiting for him. He read them one by one, just like he had so many times before. He didn’t realize he’d started crying until a rivulet of his sorrow landed from his cheek to the page, staining the paper a darker shade of heartache. 

Alone. 

That’s all Alhaitham had ever been since the tender age of four. At least, that’s what people had always thought—but he’d never felt the sorrow people tended to feel for him. Not having a father and mother was okay. Hard at times, but okay. Grandmother had been everything he needed. More than what he needed, in fact. 

Grandmother was everything. And she had left him just the same way his parents had. He’d cried that night—alone in a house that was nothing more than just a house. Not a home, not a place where he could return to and look forward to it. Not a place where love was waiting for him to shelter him as soon as he came back from the cruel, outside world.

Grandmother was gone. Mother and father had left so long ago. But they all had each other—in whatever world they’d crossed to, they’d had each other. 

He remembers it all so vividly still. How he’d read his father’s words, and for the first time in all his life, he’d craved it. What his parents had. 

To my love, my soul, my heart. I am yours, always. 

He wondered that night, through teary and blurry eyes, if love like that would ever find him. If he’d one day be able to call someone his love, soul, and heart.

He thinks now, as you laugh with your head tilted forward and a tweezer in hand while sitting on his lap, that he can. 

“Hold still, you,” comes your teasing remark, “you said this would be nothing. Now look at you.”

“You’re being too harsh,” he grumbles, pouting slightly. With a smile, you bend your neck down and press a soft kiss to his jutted lips, humming before pressing an extra one to the corner of his mouth for good measure. (And yes, the grand sage—acting, you can almost hear him correct in your own head—can pout. He is rather frequent at curling those lips of his in your presence when he wants something, in fact. Or when he is teased too much. Something about you brings about a side of him that is much less stoic and far more dramatized.)

“You can just admit it hurts, you know,” you say through an amused snort.

“It won’t hurt if you just do it right.”

“I’m an expert at tweezing eyebrows,” you huff, “I do mine all the time. And I would know that it hurts.”

“It can’t be that painful,” he clicks his teeth, “just be gentle.”

“I cannot gently pull out a hair from your follicle, Haitham—I don’t know what you want me to—hey!”

He grabs the tweezers from your hand and pulls you close, hugging you tight enough that his nose digs into your skin a bit as he buries it into your neck. It’s Saturday. His first out of two days off for the week—standard scribe work weeks are nine to five on weekdays, and he very much appreciates his weekends away from the bustling, lively Akademiya nonsense. 

Saturday happens to be your day off, too. 

“Where is Kaveh?” you ask quietly, playing with the hem of his shirt. He raises a brow, eyeing the suspicious movement of your fingers.

“Working with a client in Aaru Village. He won’t be back until tomorrow evening. Why am I not enough company for you?”

“Oh, be quiet,” you roll your eyes, and this time, your hands wander under his shirt, palms slowly dragging along his chiseled, planed abdomen while he shivers slightly under your touch. “I was just asking if…”

“If…?” he urges you to continue.

You know he knows. But, for the sake of indulging his smug, teasing little game, you huff and push his shirt up to expose his chest before murmuring, “If we would be interrupted or not. I don’t fancy such awkward run-ins with your roommate.”

“Our roommate,” he corrects, “this is your home, too.”

“Yes,” you smile, brushing your palms over his pectorals, watching as he stiffens when you graze along his nipples, “I suppose it is.”

“Well, he’s not here. And he won’t be, so kiss me,” he demands through a breathy whisper. You do. You kiss him instantly—because kissing Alhaitham is what you do best. When he’s happy, sad, angry, distressed, or just plain tired, kissing him is how you know him the most. When your breaths exchange and your life force and his mingle to become one, singular unit. 

You sigh into his mouth, letting his hands cradle your jaw and tilt your head to better meet his mouth, all while your hands still explore his upper half. He moans under your touch, cock springing to life slowly below you through his pants. You angle your hips forward, inching higher up his lap to drag your crotch along his and help the erection grow against the friction. 

“Fuck,” he hisses, hard and heavy between his legs in no time. 

“Haitham,” you breathe, feeling that familiar ache build between your own thighs. 

You kiss him like that for a bit. Messy, deep, sloppy, and so, so slow. With all the time in the world. Languid strokes of your tongue against his as he rolls his hips up from underneath you, dragging his clothed, bulging cock against your dripping cunt. The fabric separates you, rudely so, and it’s not long until you both grow tired of it. 

“Off,” you whine, tugging at his pants, “off, off, off!”

“So demanding,” he chuckles, pecking your nose sweetly before he lifts his hips, letting you slide off his sweatpants. “Satisfied?” 

“Yes,” you beam, “You always give me what I want. It’s my favorite thing about you.”

His gaze darkens at that—not for any other reason than it makes him so incredibly filled with lust when you speak to him like that. So spoiled and happy about it because it’s him. Him. You’re happy that it’s him. And he’s happy that it’s you. 

You don’t even bother undressing yourselves fully—he pulls down your own pants just enough to expose your pretty, leaking folds, and his hands wander under your shirt, where he almost short-circuits for a moment. Braless. Because you just love to drive him mad, he thinks. This much easy access to your soft, delicate breasts and the pert nipples that decorate them is enough to make him curse under his breath as his thumbs tease over them. 

“You’re a tease.”

“For simply existing?” you gasp, making him crack a small grin. 

“Yes,” he hums, “Your existence on its own teases me at all times. I’m afraid it drives me mad.”

You hum, reaching forward to gently take his hard, leaking cock into your hand and give a light, teasing squeeze. “Maybe my goal is to turn you completely into a lost cause.”

“Then,” he groans, throwing his head back against the couch cushions while he breathes harshly, “then you’re definitely succeeding. Is that what you wished to hear?”

“Yes,” you whisper, kissing his jaw, “It is, actually.”

It doesn’t take long at all before Alhaitham has tossed you back against the couch, laughing as you shriek at the sudden change of position. You glare at him, fighting back your own chorus of giggles as he moves to hover over you, kissing and biting playfully along your cheeks. 

“I love you,” he mumbles.

“Aw, so sweet,” you coo, “say that again.”

He rolls his eyes. His lips curl into the brightest grin at the same time. My love, my soul, my heart—the words are ingrained in his memory always. “I love you.”

“And I love you,” you whisper.

He leans in for a soft, slow kiss as the tip of his leaking cock slides against your folds, tapping against your clit before rubbing along your entrance. You gasp, shuddering against him, wrapping your arms around his neck and pulling him closer. 

“You know,” he murmurs, “I could get used to this.”

“Sex on the couch? We can do that any time—”

“A weekend with just the two of us,” he groans, dropping his head to your neck as you laugh loudly. Bright. Airy. A sound the wind carries to him in his subconscious. He hears you even when you’re not there—even when you aren’t around, he searches for you. 

“Oh,” you say playfully, “Yeah, I guess that’s nice too, isn’t it?”

“I’ll show you just how nice it’s about to be,” he hums. The tip of his thick, blunt head is pressed against your folds—you’re leaking just as much as he is. You slick, and his pre cum mix for a messy collision of arousal as he presses into you slowly, so carefully, you feel like you could break at any second with how he handles you. 

He’s patient. When Alhaitham fucks you, he’s patient enough that you feel like his other half and not his means of pleasure. Like he fucks you for you and not for himself. 

“More,” you insist, impatient as you add, “I can take it.”

“Patience is a virtue,” he clicks his teeth, “I want to take my time feeling you.”

And he does. He rolls his hips slowly. So slowly, you feel delirious. It’s a painful, gradual build-up of pleasure that has you trying to roll your hips into him to meet him halfway, a pathetic attempt when he’s on top of you to press his weight down on you to keep you in place. 

“Please, Haitham,” you whine, sweat shining across your sweet, pleasure-hazed face as he stares down at you, “Please more. I need it—need you. Need all of you.”

“You have all of me,” he groans, feeling the tight walls of your cunt squeeze around him, the squelching noise of his thick girth bullying into your folds in and out, in and out, in and out, driving him to the brink of insanity. “You’ve always had every piece of me.”

“I want more,” you hiss. 

He lets out a breathy laugh that turns into a soft moan. “If that’s what you want.”

The next thing you know, two strong, muscled arms are grabbing your thighs and bringing them around his torso to wrap around him, and his large hands grab your hips and pull, practically manhandling you deeper onto his cock. You shudder, letting out a shrill, high-pitched gasp as he intrudes further into your cunt, nudging the head of his cock against your sweetest of spots and making your body tremble. 

“Haitham,” you gasp, “Haitham, fuck—fuck, you feel so good. So deep—love when you fuck me like this.”

“Yeah?” he murmurs, kissing in between your pretty little scrunched-up eyebrows, “I love fucking you like this, too. When you take me so well, squeeze so tight, and let me feel you like the good girl you are.”

His words make your folds squeeze around him, and fuck—he’s close. So fucking close, the pad of his rough, callused thumb meets your clit as he rubs circles, trying to bring you to the edge before he goes plummeting himself. 

“‘M close—almost…almost there,” you pant.

“Me too, baby,” he groans. He slams into you, skin slapping against skin and the glistening sheen of it mixing your sweat together. His mouth parts with pretty, low sounds of his pleasure, and your face twists with the devastating rush of yours. 

Once. Twice. A third time, and you fall apart as he thrusts into you and presses the tip of his thick length against the spongey spot in the back of your walls. 

“Haitham,” you gasp, legs tightening around him as your nails press crescent shapes into his back. “Fuck, I’m c-cumming…oh, Gods.”

“Good,” he gasps, and with one last roll of his desperate hips, he spills into you, too. A thick, sticky, familiar rush of heat fills your cunt, ropes of cum painting you white within with every twitch of his aching cock. “Fuck—you feel so good. So perfect—you were made for me. Me.”

“You,” you whisper, breathless. 

You let him shudder over you, fingers running through his hair as he finishes releasing his load into you before he slumps his weight over your body. It’s a small couch—decorative more than functional. (All thanks to Kaveh, of course.) But you don’t particularly care when you’re under him. It feels right all the same. 

“We have the house to ourselves this weekend,” he reminds you after some time of catching your breaths. “So…so we can do this all you want.”

You giggle, rolling your eyes as you poke his forehead. “You’re obscene.”

“I’m romantic,” he corrects, “I just want to be with you and nothing else. Can’t blame a man when he’s been gifted such a beautiful sight before him.”

“And cheesy, too,” you huff. 

He smiles. My love, my soul, my heart. 

——————————

You wake up Monday morning to Alhaitham already gone—it’s rare that he’s ever up before you. He leaves the house just in time to make it to work exactly on the dot and not a moment sooner or a moment later. But, as is with any Akademiya position, there are quarterly meetings that even the scribe can’t avoid. You giggle at the image in your head of a grumpy Alhaitham carefully tiptoeing around the room as he miserably gets ready for an early morning of extra work, all while making sure he doesn’t wake you. 

You yawn, sitting up to start your morning for your own day of work ahead—but it catches your eye before you can fully rise from bed, making you pause. 

A note? No, you realize almost instantly. Not just a note—a letter:

To my love, my soul, my heart: Kalpalata lotuses will bloom soon. I forget how beautiful the world is sometimes, and I suppose it’s because I am always distracted by your beauty alone. Will you laugh as you read this? I suppose you might because even I must admit, it is a rather cliche thing to say. I can just picture your smile now, and I am certain I will have it memorized until my last breath. It’s easy to remember it so well when it’s all I see in my dreams. Have I told you how often I see you in them? It’s difficult to think that there was once a time in Sumeru when we did not dream. It seems like sleeping beside your body is no longer enough—your presence is required even in my slumber for me to truly be at peace.  Perhaps when the lotuses bloom, we can take a trip to the deeper parts of the rainforest to catch a glimpse of a few. They say the vines are blessed by The Lord herself. I was never one to seek out the divine, but perhaps with a gift as sacred as you, I should take the time to thank Lady Kusanali for granting such brilliance to take bloom in my presence. Only, the difference is that here with you, there are no cliffs to climb or seasons to await. You are mine to bloom, always—my precious, beautiful lotus.  Forever yours,  Haitham ♡

ITS DONE. HAPPY LATE BDAY TO MY FIRST AND LONGEST LOVE. YOU MEAN EVERYTHING AND MORE TO MEEEEE

[pomefioredove]

hellooo!! i saw requests were open so i might just share my thought vomit

idia with a reader that is very curious about his hair, for example they want to braid his hair so they ask him if its possible. orr if it can change different colors other than pink or red, if it burns when you touch it etc etc. hes such a unique character both in design and lore and hes such a silly goober and sooo

please ignore this if it doesnt suit your schedule or if the requests are closed and take caree <3

ahhh ofc! I hope you like this

*ੈ✩‧₊˚ idia's hair

type of post: headcanons. kind of characters: idia additional info: romantic or platonic, reader is gender neutral, reader is kinda yuu, long again

Idia can't be mad at you for asking, or for being curious, but he can be mortified. he's already out of his element here, and you make his stammering and his awkwardness so much worse than the others. like, he can deal with the back-handed compliments and manipulation from the extroverted normies here (they suck, but he can deal), but you're like. nice. FOR NO REASON! he'd much rather have psychological warfare with the greedy, manipulative normies at this school than have to cope with you being all cute and... sunshine-y

he'd been doing a good job at avoiding you, and then Ortho had to ruin everything and "introduce" you guys. apparently you'd been feeling lonely? yeah, right. and you wanted to meet him? you must've just hit your head on something, in which case you should be in the infirmary, and NOT HIS ROOM!!

but he can't say no to you. damn it all. and now you're getting your cuteness all over his things. what's he supposed to do?? pretend you're not here???

and you keep LOOKING at him. it's scary. you're definitely judging him.

"could I... braid your hair?"

oh, just smite him now. this HAS to be some kind of weird prank. did the others put you up to this?

but again, he can't say no. "I guess,"

"will it burn if I touch it?"

wonderful. Idia turns away from you, avoiding your eyes under the guise of demonstrating. "no. it's normal hair. it just looks weird,"

"it doesn't look weird. I think it's pretty,"

this is how he's going to die. death by kindness. ugh. he doesn't have it within himself to respond to that. you don't ask him to, though, getting right to work on braiding his hair.

"is it always blue?"

what is this, twenty questions? "most of the time,"

"what other colors?"

"uh... I dunno," he mutters. he does know, he's just dying. don't mind him. "like... fire colors, I guess."

"oh... cool,"

you finish the braid, and he just sits there in silence, trying to get the memory of the way your hands felt out of his head...

"pretty," you say again, and he dies a little inside. do you have to be so... perfect? like sunshine and warmth and flowers and everything nice?

and more importanty, why would someone like you ever want to be around someone like him?

Idia hopes you never ask yourself that. because he's already thinking about keeping you all to himself.

[peanutpinet]

You Are Loved - Sylus x Insecure Fem Reader

Prompt: “I’m going to prove everyone who made you feel like you don’t deserve love that they’ve been so, so fucking wrong. And I’m going to make you understand that you deserve so much more than you realise.”

Prompt is from: @dumplingsjinson

Blurb: When you thought that you were not worthy of love and are always worried that you would get hurt in the process, Sylus proves you wrong

Trope: I don't really believe in love girl x let me show you what love is guy

Warnings: Light angst, insecurity, soft and loving Sylus, reassurance

Disclaimer: I do not own the images nor the characters or you (the MC). All images were taken from Pinterest and credits go to the images' respective owners.

“You’re dozing off again, is something wrong, sweetie?” Sylus pointed out as the two of you had dinner together

You immediately snapped out and looked at Sylus, reassuring him. “No, no. Just work…yeah” you went back to look at your food and started to pick at it which didn’t go unnoticed by Sylus

Sylus let out a sigh and used his hands to stop you from picking at your food. Instead, he interlaced his fingers with you, rubbing your knuckles. “Hey, tell me. What’s wrong? What’s in that pretty head of yours, hmm?”

You honestly didn’t want to admit what you were thinking. It was silly and you were being insecure because Sylus was your first-ever boyfriend. Sure, you were aware with love, the idea of dating from the books you read, movies you watched but when you’re the one who’s actually going on a date with your boyfriend, it just feels off.

“Hey…” Sylus called out to you again, rubbing your knuckles and getting your attention

“Sorry, sorry. I didn’t mean to doze off again. Umm, what were you saying?” I asked, trying to get into the conversation

“Something is on your mind. What’s wrong, sweetie?” Sylus asked, gripping my smaller hand tenderly but firmly at the same time while you tried to avoid his gaze because you knew that if you did, you would actually give in and admit what was wrong

“Sweetie?” Sylus called you again, his grip a bit tighter but not too much that it would hurt you. “Tell me, why are you picking on your food, avoiding eye contact with me? Did I do something wrong?” Sylus asked as you immediately shook your head

“Then? What is it, sweetie? Do I really need to use my aether core and look into your mind? You know that I can do it but I’m not out of respect for your boundaries” Sylus added on, getting a little frustrated on why you wouldn’t tell him what was going on

“Sometimes I just wonder…” you started, trying to unscramble the words to create a concrete sentence while Sylus rubbed your knuckles with his thumb, reassuring you that he’s not going to judge you. “Go on, sweetie. What do you often wonder, hmm?”

You took another deep breath, not wanting to meet Sylus’ eyes as you spoke. “I just wonder…what made you pursue me and to keep going until now? You know I’ve never been in a relationship and I’m not someone who seems to be capable for long-term because of trust issues and all”

Hearing your reply, Sylus gripped your hand a bit more comforting instead of tight and rough. “Sweetie, look at me”

You still tried to avoid Sylus’ gaze until you felt his large hands creep under your chin and gently turn your head so that you were facing him. Instead of looking annoyed or angry like he normally does when he’s out, his eyes showed a softer, more vulnerable side of him. One that you almost never saw.

“Is there truly a need for a reason to pursue you other than the fact that I adore you?” Sylus asked, his hand on your chin rubbing your face gently and lovingly to the point you almost leaned into his touch but held back and shook your head. “It’s just weird. You’re practically the most powerful man in the N109 zone, you’re wealthy, and handsome might I add. Why pursue me when you can have many other gorgeous and much more successful girls?”

Sylus felt his heart swell when he heard you put out all the compliments to him. “You really think I’m that handsome?” Sylus smirked as you scoffed, trying to pull your hand but Sylus being Sylus, he wasn’t going to let you go that easily

“Seriously? That’s the only thing you caught when I talk?” Sylus chuckled at your sudden outburst, finding it cute. “I assure you, sweetie, it’s not. But it’s not everyday you call me handsome though I know you thought about it. But for real sweetie, what does all my trait have to do with wanting to pursue you? Why should I pursue other girls when there’s you”

“That’s the thing, Sy. I’m just me. I’m no one special. I’m not even that pretty, not that smart, not a business owner or anything outstanding” you argued back

“But you see, I don’t care about you being someone famous, special, or outstanding. I adore you because you’re you. You’re special to me whether you see yourself as special or not. I adore the way you ramble on about the little things of life. I adore how kind, gentle, and caring you are. I adore how raw and real you are with me. You don’t try to hide your bad side or be fake. You’re always yourself with me and that’s what I adore. You” Sylus reassured you, bringing your hand closer to his face as he kissed each of your knuckles before rubbing them again.

“Sylus…people will talk. Well, people already talk…” you mentioned but didn’t get to continue as Sylus immediately cuts you off

“Let them talk. I don’t give a damn what they say. They can think, assume, or judge the hell they want. But I’m going to prove to everyone who made you feel like you don’t deserve love that they’ve been so, so fucking wrong. And I’m going to make you understand that you deserve so much more than you realise”

“You should know very well that I adore you. There is no love purer than mine” Sylus kissed your knuckles, making sure his lips linger on your skin a bit longer

And somehow, the gentleness of Sylus’ touch and the raw feelings he poured out today brought a sense of relief and reassurance. Bringing a new feeling for you that maybe, for once in your life, it’s okay to be selfish and allow yourself to be loved.

A/N: I hope that you all are well, here is the fic I promised where you, the girl, doesn't really believe in love and Sylus reassures you by asking you to trust him and show you what love truly is :3 xoxo, peanutpinet

[studiogrimm810]

Sweet Apple Pie

pairings/characters: (pining) dean winchester x gn!you

summary: subconsciously showing your affection for dean through baking leads to him admitting his feelings for you he didn't even know he had

warnings: fluffy and angsty, tension, pretty tame just super yearning

word count: 2,998

A/N: this was a request!! hope you enjoy (especially since this is my first dean fic lol) let me know how i did, i v much wanna start writing more for dean so PLEASE send requests!!!! ^.^

———————

The first time you made good use of the bunker's industrial kitchen was only a few weeks after you took residence with the brothers. Baking was an activity dear to your heart, and ever since you were a little kid you had made all sorts of sweet creations for you and others to enjoy. Unfortunately, due to life on the road hunting, an oven was hard to come by for such a casual hobby. But now that you’re presented with such a spacious kitchen already loaded with just about any appliance you could ever need, you had decided it was about damn time you whipped up your favorite apple coffee cake muffins.

You had never forgotten the recipe, nor the idle skill of measuring with your heart, so they came out perfect. The mouthwatering aroma of brown sugar and apple quickly filled the kitchen and spilled out into the hallways of the bunker.

When you had placed the sweets out to cool, it wasn’t long before Dean found his way to the rack with tunneled vision. You expected the boys to sample your creations, even hoped for it, but what you didn’t expect was the swell in your chest at the way Dean melted with delight as he took a too-big bite.

“God,” he had groaned, following with your name that he practically moaned. And holy fuck, did that awaken something you didn’t think you’d ever allow yourself to feel for the older Winchester. “Where have you been all my life?” He said, and looking back you could tell that he was just momentarily drunk on the baked good, but fuck, the way his face almost adored you with appreciation continued to stir the illogical thoughts in your chest.

Those same illogical thoughts caused you to, only a few days after the muffins, throw together some kitchen sink cookies. Now okay, hear out the process before judging. Dean Winchester is a closed off man, you’ve known him for a while now and his tough exterior is rarely ever cracked. Sure, he can be sarcastic and have a childish sense of humor at times, but it is still obviously a deflection to you. Never, and you really mean never, had you seen his guard fall like it did when he tasted that muffin.

You can also tell he didn’t even realize that he had let it happen. Maybe it was the domestic nature of the situation, or the lazy day that let his veil fall. Certainly, the reasoning didn’t matter, what did matter was the way you were able to unknowingly chip away at his tough exterior with something as simple as sugar.

It’s a late night and you stayed behind while Sam and Dean ran an errand regarding matters with Crowley that you weren’t really involved with- not that you were complaining. It was rare you got to enjoy moments like this to yourself.

You played your music loud as your body swam across the kitchen, stirring, rolling, and pressing the cookie dough and placing it neatly in the oven. Once a timer was set, you started on the dishes and hummed along to the music. You swayed your body and cleaned with a pep in your step.

Let’s go over again how loud your music was set, loud enough that you didn’t hear the front door open and latch back shut. You also didn’t hear the voices of the brothers and their footsteps as they ducked into the kitchen with amused smiles. And it was embarrassingly long before you noticed their presence, when you did, your heart nearly stopped.

“Jesus!” You exclaim, clutching your chest and scoffing an embarrassed chuckle. “Feel free to announce yourselves next time,” you shake your head and reach to pause the music. Looking between them, they looked exhausted and clearly the deal hadn’t gone how they wanted.

But beyond the exhausted look in his eyes, you saw a glint of vulnerability that made your breath catch. Something about the way Dean’s eyes watched you with such warmth holds a domestic feel beneath them. His eyes rake your body, presumably finding humor in your powdery apron wrapped taut around your waist due to the curled smirk on his lips.

“Enjoyin’ yourself, sunshine?” He asks with a raised brow that crowns his softened features as he shrugs off his coat and lays it on the back of a chair. His tone rushes a wave of heat to your cheeks in embarrassment. You turn back to the counter and try to look busy.

“Thought you were supposed to call on your way back,” you snarked lightly, trying to act nonchalant. Dean rounds the island and cracks open the oven and you’re quick to smack his hand with the closest item to aid you- a dish towel. “Hey! You’ll let all of the heat out,” you shove him away and replace your body in front of the appliance to latch the oven closed and keep guard. You spin around and Dean is standing with his hands raised in compliance.

“Don’t blame me,” he shrugs, his eyes still oddly melted with the glint that you’ve never seen before, or maybe just never registered.

“If you want cookies, you need to be patient,” you insist, setting the towel back down and untying your apron.

“I think I can manage that,” he smirks, scrunching his face up like he’s settling but the way his eyes crack back open, the warmth remains. Almost intensifies. “Now,” he leans against the counter on his elbow and latches his hands together. “How long am I expected to wait?” He asks, looking right at you.

You scoff and turn to grab the timer, “you’re unbelievable,” you mumble. “Five minutes, now is that gonna kill you?” You look back at him with a tilted head and feigned concern. The attitude is smacked right off your face as his tongue darts out to wet his lips.

“I think you can manage, Dean,” Sam speaks up, startling you with his reminded presence. You whip your head over to spot him, leaned along the door frame with his arms crossed and a slight roll to his eyes. “Smells great in here,” he compliments, pushing off of the frame, “save me a cookie or two, but I’m beat. Gonna call it a night.”

“Y-yeah, night, Sam!” You call after he’s started to leave, collecting your thoughts and feeling a little shameful that you forgot he was even in the room.

“Can I get you anything?” Dean asks, on his way to the drink cart to pull out a crystal bottle of whiskey. You’re still trying to play catch up with your flustered state but force the words out.

“Double, thanks,” you murmur, taking a subtle deep breath. He pours the drinks and hands you yours as he claims a bar stool. The two of you discuss your days mindlessly and you try to ignore the dimming glint and focus on the guard he’s let down. He’s honest with you and not cagey like he usually is with his words.

It isn’t long before the cookies are done and you pull them out to cool. And after insisting that he needs to be patient, he still can’t help himself as he burns his mouth with a gooey cookie and a satisfied moan.

“Damn, you’re good,” he says like he almost doesn’t believe it. He eats two more cookies before they’ve fully cooled and you two continue to discuss whatever.

———

The muffins, the cookies, a few sweet breads and some specialty pastries later- you now decide it’s time to make Dean’s favorite. You’ve been wanting to try at an apple pie for a while now and tonight was the perfect night. You had just gotten back from the store, bag of apples and a few other needed items in hand, and you excitedly set them up in the kitchen where Sam was making dinner.

“Smells delicious,” you compliment, placing your items out of the way until Sam is done with his meal. He glances over his shoulder at you with a warm smile. You can bake like nobody's business but you were a complete lost cause when it came to a savory meal.

“Stuffed peppers with rice,” he lists his meal. As you near his spot hovered over the stove, you see six hollowed peppers in a baking dish and a skillet filled with grilled chicken, onions, tomatoes and jalapeños.

“Hell yeah,” you approve, going to the fridge to fetch yourself a beer. You hold up the one in your hand as a silent offer to Sam and he declines.

The kitchen was calm and homey and the silence was comfortable as you sat at the bar and watched Sam work. However, after filling the peppers with the cooked combination, you could tell something was on his mind. He retrieves a block of cheese from the fridge and a grater from the cabinet to crumble a layer of queso fresco over the peppers. Once the pan is in the oven and a timer is set, he turns to you, curiosity in his eyes.

“Is that stuff for an apple pie?” He raises a brow, gesturing towards the items you recently purchased.

“Yep!” You say with a nod and a swig of your beer. “Pie’s are a first for me, believe it or not,” you chuckle.

“Well good luck,” Sam nods simply, still not saying something that you can tell he wants to but you don’t pry. He pushes off the counter and heads out the kitchen, “Oh hey, can you get those out in about 10 minutes? I gotta take care of something real quick but I’ll be back to do my share of dishes.”

“You got it,” you stand to start your apples. You pull out a cutting board, knife, and peeler, and start on the apples. Humming softly to yourself and prepping the fruit. The 10 minutes pass quickly and you pull out the peppers, placing them on the stove next to the pot of finished rice. You’re about to call for the brothers when Dean rounds the corner.

“Hey,” you greet with a warm smile, scooping some cut apples in a bowl. He just ticks his head up with a dull smile, he looks nervous. Your own smile falls and you try to examine him. “Dean?”

He heads straight to the fridge and grabs a beer.

“Yeah?” He asks, popping the cap with his ring and taking a generous swig.

“You okay?” You ask, setting down your knife. Dean avoids your gaze.

…“I’m telling you, man. Whether they know it or not, they’ve got heart eyes for you like crazy,” Sam says in a shushed voice and a knowing smile.

“No,” Dean rolls his eyes and stands from his relaxed position at a table in the library.

“Dean, you’re not that brain-dead. They’re making you an apple pie as we speak. And it’s not like you haven’t been returning the glances,” Sam keeps his voice hushed but a bit sharper for emphasis. Dean considers his words, thinking back to the more intimate moments shared between you, him, and a freshly baked dessert…

“Yeah, sorry, just a busy day,” he shakes his head to knock out his thoughts but it doesn’t work.

…Pistachio croissants. Sam’s favorite of yours that you’ve made so far and it took Dean some convincing to try but for you, of course he did. This was the first time Sam really put it together. Years of Dean complaining about Sam’s ‘rabbit food’ and mocking him for it but here he is, trying a ‘weird green food’ just because you asked it of him. And he loved it. You laughed when Dean tried to suppress an eye roll at how annoyingly good the pastry turned out to be…

“I understand,” you say, biting a small portion on the inside of your lip and looking down to the apples. “I’ve got a new dessert in the works if you’re interested.” You offer, your smile returning out of pure excitement.

Whether it’s the idea of pie or the happy expression on your face, Dean's lips perk and the nervous pit dies down in his stomach.

“Apple pie,” you say, popping a cut piece of apple in your mouth.

…The first time Dean felt it unknowingly, was when you had made strawberry cupcakes- your favorite. After frosting all dozen of them with Dean's help, there was just enough icing to scoop up on your finger and suck off. Call him a romantic if you want, but good lord that act made him lose all train of thought and ended up causing him to seek out the next time you used your mouth in such a way…

Dean has to tear his eyes away from your face and he goes to look at Sam’s cooking.

“Don’t they look great?” You ask, eager to dig in but waiting for Sam to come back to take his pick first. Dean doesn’t respond.

He turns back to face you as you take the bowl of cut apples to wash off in the sink. The contentment in your figure swells something in his chest. You look at peace. He’s seen you- the killer you. When you’re neck deep in vamps, you become a machine. Your face hardens with a snarl as you abandon your mercy for the sake of the fight. He always admired how committed you could be in a hunt, it reminded him of himself, but now as he sees you wrapped in an apron and your hair neater than usual, he can’t help but adore. Your clothes are comfortable and not tactile, there are no bruises or cuts on your exposed skin, and there is no edge to your being. You’re comfortable.

You set the bowl of rinsed apples back on the counter and catch Dean's eyes. He looks pained. Like a deep ache is pulling him down but something keeps his eyes determined.

“What’s going on?” You ask, taking a few steps closer to him. This mood isn’t like him. He doesn’t get stuck like a deer in headlights over anything, but something has him frozen. He opens his mouth to speak, darting his eyes away, but nothing comes out. He places his beer off to the side and rubs the back of his neck.

You wait patiently, wiping your hands dry on a clean portion of your apron and just watching him. You make sure to look more over his shoulders or his stubble, hoping to seem less intimidating by not staring directly into his eyes. But when you feel his gaze land back on you, you meet him again.

Before you can form an encouraging smile, he progresses to you, his hands cupping your jaw and pulling you up to him. A quick gasp parts your lips and locks into him. His brows are scrunched in pain but he transmits nothing but pure need in his kiss. He knows this is stupid. He knows this is useless. He just can’t seem to care.

His dominant hand stays on your jaw as the opposite slides around to you back of your neck and down your back, pressing you into him.

You finally catch up with him and your hands find their way under his flannel and to his waist, digging your nails into his sides and anchoring yourself to him as you tug at his shirt.

His breath warms your lips when he remembers to breathe, resting his forehead against yours. His eyes are still screwed shut and he looks regrettable. You move your dominant hand to rest on his cheek and he leans into it instantly as if it’s a magnet.

You don’t say anything, you just let him take the time he obviously needs. And when he finally opens his eyes, they’re red with threatened emotion.

“Am I really that good a baker?” You ask with raised brows and a soft chuckle. A small smirk lifts his lips and he closes his eyes with a loaded sigh.

“We’ll have to see how that pie comes out first,” he jokes back with a more confident smile. Your thumb caresses the apple of his cheek and his eyes remained closed as if to place all of his focus on the physical affection.

“What made you do that?” you ask, not stopping the soft motion on his skin.

“Stupid ignorance,” he says it like a joke but you know he believes it to be true.

“Thank god for that then,” you combat, not wanting to think a kiss that damn good as a mistake.

“I just couldn’t help myself. You-,” his words catch in his throat and he keeps his eyes closed. Your thumb still runs along his skin.

“You don’t have to explain yourself,” you shake your head and his hand slacks to rest on your collarbone. You rise up to press a soft and delicate peck to his lips, and he desperately leans in for more as you pull away. He finally opens his eyes again and he looks like a teased puppy.

“Help me get this pie made and in the oven and I’ll touch you all you want,” your eyes dip down to his lips as you run your hand down his neck in a teasing manner. You look back up at him through feigned innocent lashes with a tilted head, awaiting his response.

He swallows and wets his lips. You can see a playful womanizer glint in his eyes but he’s drunk on your touch so all he can do is nod with a smile of relief at how well his impromptu decision to kiss you went. He follows every instruction you give him but he can barely keep his hands off your body as he watches you work. He really is helping- one handed tasks are helping, you rationalize. And you also note how swift he is with just one hand. How enticing.

———————

thank you so much for reading!! <3

>pictures are not my own, i have the originals linked here (pinterest) >>check out my other works here

>tags: @blossomingorchids

[oldwritingm]

Sorry for my inconsistent posting schedule my darlings :(

Creepypasta/MH - The Moment They Knew They Loved You

Characters: Jeff the Killer, Nina the Killer, Jane the Killer, Tim/Masky, “Ticci” Toby

Jeff the Killer

It would’ve been a very long time after knowing you

Even if he was physically attracted to you, he wouldn’t consider that “love”

He usually judges people more on their character

That’s not so say he doesn’t enjoy calling people ugly if he thinks they’re ugly though

So you guys would’ve been vibing together for a while

He’d come away from each interaction with you just a little happier (or a lot happier), but he didn’t really notice it

That is, until he walks into a room one day and finds you relaxing, scrolling through your phone

He announces some unhinged plan, fully intending on carrying it out

You just look up at him for a second before (being used to his bs) just giving a thumbs-up and telling him to have fun

He blinked at you for a second, a grin coming to his lips slowly

He thinks to himself: you know, this is why I like them. They understand me.

And then he starts to think about all the reasons he likes you

He spends the rest of the night with your image in his head and a light feeling in his heart

It’s when he’s lying in bed, telling himself to stop thinking so he can sleep, that he finally realizes:

Oh. I’m in love, aren’t I?

He’s not mad about it; he’s more surprised than anything (at first at least… soon he’s ecstatic about it)

But he fully accepts his affection for you, and it won’t be long till he confesses ;)

Nina the Killer

She’s a pretty perky girl with a lot of emotions

Happiness, sadness, anger… she’s unapologetic in expressing everything, to the point that many call her “extra” or “weird”

It’s only for those people that she acts more reserved, and it’s more in an act of resentment than resignation (basically her saying “eff you loser, you don’t deserve me”)

So she only really likes people that she doesn’t have to act differently around

And of course you’re one of those people :)

She finds little things to like and hate about everyone in her life, and you’re no exception

So one night she just happens to be looking at a picture of you, and she gets to thinking

She smiles as she remembers good times with you: going to the mall, getting messy with baking or butchering, late night texting…

At length she decides that there’s a whole lot more to love than hate

And then she gets to thinking about your looks, and maybe she’s biased because she’s just decided that you’re delightful, but she feels a little heat come to her cheeks

She zooms in on the picture she’s looking at, admiring your features one at a time

She’s baffled that she hasn’t noticed how good-looking you are until now

And then the memories play again in her head, but this time her heart soars extra high…

She’s in love with you!!

She smacks a hand over her mouth when she realizes it, then breaks into a fit of giggles

Get ready for not-so-subtle hints and extra affection….

She’ll want you to figure it out before she actually confesses lol

Jane the Killer

I feel like she would’ve decided that she loved you pretty early on

Maybe even before interacting with you for the first time

She watched you (perhaps not entirely intentionally at first), and was at once enchanted by your looks and the way you carried yourself

You were like a magical creature of beauty to her

She didn’t dare disturb you in the beginning; she was content just watching

She was sure that her infatuation was purely aesthetic; you were just pretty, that was all there was to it

Except IT WASNT

One day she happened to actually interact with you

She was a little nervous, what with you being held so high in her head

But you absolutely floored her

The way you spoke, the way you saw her as a person…

You hooked her like a bass in a pond

She stood there breathless after your first interaction, watching you walk away with a racing heart

It was then that she knew this was much more than physical attraction

She HAD to have you, or at least try to

And trust me, she will try her hardest 😤

She’ll court you for a while first, just to see if you’re even interested

But if/when you are, she won’t be taking her time in confessing ;D

Tim/Masky

Methinks you’d have been friends for a while first

You went through a lot of things together: good times, bad times, silence, chaos…

And maybe you weren’t besties or anything, or super enthusiastic about each other (actually you’re probably a little cold to each other if anything, even if you do feel strongly attached)

But the point is that you have a history, and you know each other well

Plus there’s an unspoken bond that says you’ll have to tolerate each other for a long time (unspoken obligatory friendship moment)

Not that either of you minded

So one day you’re enjoying some silence together, relaxing out on a balcony and waiting for the dark clouds to pour rain

Your eyes are fixed on the sky, leaving your face in full view of the world

And, more importantly, Tim

He’s not sure why, but his gaze catches on your face

He starts admiring the little features: your eyes, the curve of your nose, the way your eyebrows are shaped…

He doesn’t decide that you’re beautiful. He decides that this is the face of someone he loves

It hits him like a truck—just a random thought out of nowhere:

This is the face of someone I love.

And while he’s taken aback at first, with a reddening face he realizes it’s true

He does love you!! All that you’ve been through together really meant something to him

He looks away bashfully, grumbling something when you ask if something’s up

Get ready for the long game…. This man will never confess

He’ll curse himself for even insinuating any feelings for you, so you’ll be left in the dark unless you’re REALLY good at picking up accidental gestures

“Ticci” Toby

He’d be so oblivious to his own feelings

He’d act super affectionate towards you, but only because he acts on impulse

He never stops to wonder why he gets the impulse to hug you or pinch you or say something not-so-mean (even NICE?! 🤯) when he’s around you

He doesn’t even notice that he only gets those impulses for you

So you’ll probably figure it out before him

And it’s only when you start to return that affection that he really starts to question

But again. He is SO OBLIVIOUS

It takes him a very long time to figure it out… you honestly might just have to spell it out for him

He can’t even take hints

I think that when he finally does figure it out, it’s a fleeting thought that catches for some reason

Like, he’s just daydreaming or something and suddenly he’s dreaming of dating you

And he thinks: hey, that wouldn’t be so bad. But it’s not like I like them like that. Wait…. Do I?

And then he’s just. Floored. Because HOW DID HE MISS IT FOR THAT LONG

Literally grips his hair like “WHAT!!!!”

Immediately runs to go yell at you tell you that he loves you

And you’re just like “oh I know. But thanks for finally confessing! <3”

Thank you so much for reading!! Take care my sweet duckies <33

(divider by saradika)

[shorthaltsjester]

endlessly thinking thoughts about cr characters, morality, and selfishness (likely place for me to be, given that my day job includes endlessly researching ethics and meaning of life) but in light of bell’s hells most recent illustration of their insularity and individualism, I’ve been really like. Trying to unpack why I find it particularly egregious in this party when obviously mighty nein were notoriously self-interested, especially at the beginning, and when vox machina had quite a few moments where their horses were far higher than they had any reason to be. And again, I really want to make it clear her that I don’t hold self-interest or selfishness to be some abhorrent and unforgivable thing, in fact I think its incredibly normal especially given the context of main characters in a story told through game mechanics that flourish on the interest of the individuals making the choices. I’ve written before about how one of the throughlines that I’ve seen in laura’s pcs (since I’m someone who particularly enjoys looking at the moral outlooks characters develop) is a common thread of morality that’s highly dependent on their own interests. And like, this is a positive throughline to me! Without getting into my own views on morality, it is particularly compelling to me for characters with isolated upbringing (which applies to vex, jester, and imogen, each in different ways) to develop a moral code informed by that isolation, and in vex we see her moral code is ‘anything goes if it protects those I hold dear’, in jester we see a moral code that doesn’t care about morality as much as it cares about the chance to care and be cared for, and in imogen we see a moral code developed in response to her very unique experience of hearing the darkest parts of people and judging them on those (which to be clear, i am not judging her for that fact, I think it makes extreme sense for someone who hears the thoughts the people have to be horrified by those things, but it does mean her moral system is almost completely backwards, where intention holds more weight than action, which perhaps makes sense of the popularity of defending all of her ideas and choices and the Right Ones by certain parts of the fandom that insist leftism is hidden in the dnd real play). And that’s all to say that, out of the cr parties we’ve seen, I don’t think any single member of bell’s hells is uniquely more or less selfish or more or less of an asshole than previous characters. And in fact, I tend to be quite fond of selfish characters, I have a well documented history of cherishing them well beyond the cr fandom. But the point is that my calling something or someone self-interested is not a value judgement in this context, it's a descriptive claim about the traits a character exhibited.

Imogen, who has insisted time and time again re: the values of the accord that she would not be swayed by the temptation of predathos because she recognizes the importance of this fight, only to turn around and pretty immediately open herself up to predathos to fulfil the most threatening part of ludinus’ plan is self-interested. I cannot conceive of any other way to describe her choices. And her being self-interested doesn’t mean she can’t also be altruistic at times, but I will be clear that I don’t think her risking killing herself as she attempts to bring down the god-eater that she released is particularly selfless. In my best faith interpretation I’d say she’s pretty middle of the road in that choice. But I bring all this up because a comparison I’ve been seeing is that bell’s hells aren’t as mean as the mighty nein or even vox machina in certain moments and that it doesn’t make sense for the fandom to view bell’s hells as likely to be villains when the same wasn’t true of the previous two campaigns, and I think I have to pretty emphatically disagree, and not because I don’t think there aren’t moments in both campaigns that feature extremely high levels of assholery and villainry from pcs – I mean, some of my favourite cr characters are percy and jester, both of whom i’d say are ‘good guys’ due to the pure luck of the found familys they fell in with and both of whom often suggested plans that were. Not okay. To say the least. But ignoring the difference between suggesting fucked up plans and walking your god-eater infused bestie back towards the troops sent to support you in keeping that entity contained, the other big difference I’ve noticed in my own introspection on how I react to bh vs mn and vm, as well as which things i cherish about previous campaigns that were really missing from c3 to what I think is the story and the character’s detriment (staying away from the shape of the narrative, just because others have made posts that put words together better about that than I can) is that while members of vm and mn remained self-interest to the end of their campaigns and have reasserted those habits in appearances since, the parties as entities working in exandria had both, to echo ashton’s apt suggestion to ludinus, grown up.

Like one moment I think of is beau and fjord’s convo in the nein hells episode, because beau is being her asshole self and fjord is being his ‘I care about My People and I’ll think about the rest later’ self (i say affectionately but certain parts of the fandom I recognize would view derogatorily) – clearly they’re not the kindest people as they discuss bell’s hells, but two notable things are (a) they still treat the hells with the respect and use their means to help them prepare for the battle coming, even when they hear the horrifying thought that the hells aren’t certain they’ll choose to save the gods, all the nein request is that they choose the kind option (b) they say none of their doubts to the hells themselves – likely because they have the empathy to realizes that its a high stress situation that won’t be made better by a reminding the hells how small and likely ineffectual in the universe they are – and their comments about cannon fodder are ones made in jest to each other. Even taking that in the worst faith interpretation, the jokes that beau and fjord make in a private conversation has absolutely zero influence on bh. This is quite different than bells hells, after like. as clearly betraying the accord they promised to assist (even if their intentions are ‘good’) as is possible, belittling the religious armies sent to support their endeavor to keep predathos sealed as they all feel the weight of an irrevocable change occurring in exandria, one bells hells has first account knowledge now that it IS incredibly willing to eat mortals, and laudna and ashton, the members of bells hells most often cited by certain fandom spaces as characters who have gone through so much and it only made them kind and strong, look into the faces of people facing literally existential threat and laugh and mock them. That is, mighty nein as individuals is comprised of some of the, perhaps, most asshole pcs, but The Mighty Nein as a party is committed to treating others the best they can, to leaving things better than they found them (a quote that I think is particularly exemplary of the dynamics of self-interest at play in the mighty nein, since it originated as a blatant illustration of molly’s notion of self-importance but developed to become a kind of commandment that the nein became committed to fulfilling). The opposite is true of bell’s hells, where orym and dorian at least both seem to have motivation beyond themselves, imogen’s changes but has shown she is capable of letting go of her ‘intention reigns’ requisitely individualistic perspective, and chetney plays up his selfishness but has shown himself to care quite a bit for people beyond their party but bell’s hells as an entity is uh, pretty self-interested.

To clarify some of my thoughts here in the spirit of the wicked renaissance happening rn, I’ve always felt that for good was an incredibly apt song for the mighty nein, because it really nails that feeling that perhaps they didn’t change each other as individuals to become better people on the grand scale, maybe they’ve just changed each other permanently, but they (and I would agree with this) view each other as having changed each other for the better (e.g., I don’t know if I could say whether jester is a morally better Individual at the end of the campaign, but I can say with certainty that she fulfils and makes moral choices in her work as a member of the mighty nein). And I don’t know if this can be said about bell’s hells – I think they have certainly influenced each other and changed how alone many of those characters felt, and that is not a slight on the story, it can be a great centre for a story to focus on how a relinquishment of the feeling that one is alone in the world can change them. But for the most part, that hasn’t been bh’s story, their story instead has been about validating their refusal to become anything beyond what they insist was out of their control. And not to get to annoying philosophy student about it but bell’s hells are maybe some of the most explicit examples of sartrian bad faith I’ve seen in fiction in a hot minute, because their insistence that they treat their wounds as incurable and entirely out of their hands has led to them limiting their own potential because many of them ignore their responsibility as people to make choices in their own lives. In contrast, at the end of the campaign, mighty nein are still assholes as we all like to refer to them as, but in the context of an apocalypse, I think I’d prefer the assholes like fjord – who is certainly being truthful when he says he doesn’t care about what harm comes to 200 people when jester is at risk but who also, as they traverse into aeor, is insistent that their group won’t be running away from whatever apocalyptic threat awaits them, even if that means dying in the fight – than I would an asshole like ashton – who promises to fight for the little guys but who then turns around and acts upon a philosophy that says the strongest will survive. When you look at the mighty nein, it is incredibly easy to see the fingerprints of change they’ve left upon one another, and even to see the boundaries they place on one another’s asocial behaviours through their presence in one another’s lives (more recently the group chastising jester’s fond words about ludinus is a good example, but others are yasha’s pressuring caleb and essek to move on from their wizard talks as they collect paper in aeor instead of venturing further toward the battle they have to fight, or fjord and jester’s frustrated conversation in the ukotoa reunion about how fjord made a stupid decision and he doesn’t regret but he feels dejected and jester checking him on the fact that they still need to figure out a solution). It takes some extrapolation to see how bells hells have changed each other in more than aesthetic ways, if they have at all. Because the catalyst for change is pressure to do so, and aside from moments where it was truly change or be left behind, bh doesn’t challenge each other unless forced to by morri’s trials or delilah’s interruption and on the very odd occasion an interesting game of rollies-spin-the-bottle. 

And it’s interesting because the asshole behaviour of the mighty nein, like bell’s hells, stems from being left on the outskirts of society and the mistreatment that comes with that, so seemingly the change from being alone to being with others is one that actually insists upon being challenged to grow and change. I mean, just looking at the starting points of the characters, there’s an intriguing amount of stark similarities between their pasts; jester and fearne were both people loved dearly by the family they grew up with but who were loved within the confines of a gilded cage, ashton and beau both have an glaring self awareness that their anger at the world has a very particular source (their parents) but use that as justification rather than a means of self reflection, yasha and orym are trying to navigate a world in the wake of an incomprehensible loss and a sense of duty, fjord and imogen are both seeking out knowledge of their own powers and unknowingly retreading the paths of their missing and presumed dead parental figures. The idea that bell’s hells are uniquely mistreated by society in the history of cr player characters is, politely, laughable. Absolutely they’re mistreated, and I think it could be fair to say these characters are more defined by their isolation than others but I think that has more to do with the lack of downtime rp than it has to do with the context of their suffering.

What I have loved about the mighty nein is that in their realization that the bonds they forge with each other are undermining the truths most of them had taken to be true – that they were alone and without a place in the world – they are also forced to realize that no longer being alone and isolated comes with the weight of social responsibility. And this was born out of a willingness the mighty nein had to call each other out and that the players had to allow their characters to be wrong and get called on it. Because that’s the friction of living with other people on the small party scale and the large world scale – in the mighty nein’s ability to survive as a people who cared for each other even when they didn’t agree or when they made decisions that they couldn’t understand, they were constantly developing their ability to care for the very same world that left them alone. Because in campaign two, the world as a whole had the role that the gods have in campaign 3 – why should a party of nobodies, treated like shit by the world and the people in it go through the effort of saving it?

And the mighty nein answered, in their own imperfection and assholery, that nothing is ever just one thing – one of the things I cherish most about campaign 2 is its commitment to ambiguity, allowing the complexity of the world to go unsolved because there is no solution to the fact that life is immense and sometimes incoherent. I don’t think its a coincidence that I’ve seen some of the people lamenting the idiocy of fandom members like me who think that it actually isnt a leftist win to destroy the world in the hopes of spontaneous justice arising in c3 are the same people who criticised c2’s conclusion with the cerberus assembly for not being leftist (a word which for them means . the aesthetic image of a rebellion sparked and not the unending commitment to doing what you practically can to make life more just for those around you – whether they’re particularly kind to you or not) enough. The conclusion of c2 emphasizes that the choice to make the world a better place isn’t something that can be achieved in one single sweeping action that will wipe the boards clean – there is no murder of all the members of the cerberus assembly that would’ve solved the problems that caused the assembly’s power. There is no forcing of the god’s out of exandria that will deal with the actual issue undergirding both bh and their blorbo-moralized fans' criticism of the gods, which is that mortals are cursed with the burden of free will, and being mistreated by other mortals means constantly having to try and make sense of the fact that someone chose to do something cruel to you (and, sometimes, that you made a choice that allowed that cruelty to occur) – a burden made much heavier when the person who hurt you is your cult-indoctrinated mother, or your cult leader father, or the person in the mirror. The mighty nein take up this fight, and the complexities of their individual identities begin to heal in the light of a commitment in their relationship as friends and as a team to improve the world, even on the small scale. Bell’s hells remain gridlocked and stagnant and unwilling to change in an unspoken turf war of self-interest because they’ve insisted (influenced in part by the context of the campaign 3 narrative but, as others have aptly pointed out, that narrative was much more influenced by bh’s lack of curiosity regarding anything except their own minds) upon finding a solution to a problem they’ve decided is earth-shatteringly (quite literally, to the people of ruidus) unjust based on, aside from encounters where fellow mortals were the primary oppressors, their own testimony of the god’s not listening to them and the obvious villain’s parallel testimony. Something I’ve really been chewing on lately is caduceus words to fjord about his role as a paladin of the wildmother – that maybe it just means that someday, someone will pray for a miracle, and there fjord’ll be and the weight that has given that fjord’s bond to ukotoa came from his desperation not to die and his willingness to accept whatever help would be offered, that fjord could now be the person that reaches out to someone in need, and that the hand he offers won’t come with a curse.  And I think that’s really the poignant difference between bh and mn for me, that for bh, their experiences of injustice, though did make them personally bitter, did not make them morally misanthropic.

Comparatively, Bell’s Hells chose to ensure that, because the gods never answered their prayers, they shouldn’t be permitted to answer anyone else’s. Is this an understandable position? Sure, for the walls of a preschool, not really for a group of characters that I will ever be in any way inclined to view as something close to heroes. While it’s true that there are parts of life that are beyond our control – somethings happen to us that we have no say in, and they cause injuries both physical and mental that we are left to heal without any rhyme or reason, it is still our responsibility to heal them. And if you choose not to, well, then you’ve chosen not to, and are responsible for the consequences and judgements that choice might amount to.

Anyway, sorry this is all over the place but TLDR: calling bell’s hells as a party self-interested is actually just descriptively correct – they can save members of the party made up of their close friends and still be self-interested – and while the individual members of bell’s hells actually aren’t all that uniquely self-interested in the history of cr pcs, the party is uniquely self-interested in how they’ve chosen to navigate the world an their responsibility to the people in it.

[luffington]

OMG im obsessed with the fic with Cora and Doffy X Reader! i was wondering if i could request just Corazon X Reader? im absolutely crazy about the idea of sweet Cora having those repressed sadistic urges, and his struggle with wanting to be soft and kind, but cant help liking the darker and meaner, its just. UGH SO GOOD

Maybe the reader could have picked up on that a bit and is teasing him into giving in to those urges (which they're totally into lol)

Also i love your fics sm! keep up the great work <3

✧.* art credit!

➤ pairing: donquixote rosinante (corazon) x gn!reader

➤ word count: 1.3k

➤ warnings: dom!corazon, possessive!corazon, dacryphilia, oral (m receiving), praise kink, established relationship, fem reader

RIGHT ITS SUCH A GOOD CONCEPT!!! we barely know anything about cora outside of what law experienced and we'll probably never find out more so.... character interpretation!

my first draft of this had a paragraph where the reader acted bratty to try to coax out his mean side and he almost starting crying.... i took it out because i couldn't do that to him (ㅠ‸ㅠ)

this ended up being pretty similar to the other fic (read here) but i hope you like it!

NSFW under the break! minors dni thank uuu

Corazon was the sweetest man you’d ever met. Sure, he was a master of deception – hiding his Devil Fruit powers and tricking his brother into trusting him was definitely not an easy feat. His anger issues could use some work, even though the reasons behind his outrage were always justified. But his loving personality and strong sense of morality were very real.

He never doubted your kind heart, either. You had joined the Donquixote Family simply because you had no other options, and dealing with his crazy older brother was better than starving on the streets. Corazon was able to relax around you, be silly and affectionate without being judged by his cold-hearted coworkers, and finally speak after long stretches of staying silent.

But there was more to him.

Doflamingo seemed to be the black sheep based on what little you knew about the biological Donquixotes. A rare case of madness in an otherwise well-intentioned family. However, the brothers still shared the same genes and the same horrific childhood. And even though Corazon never discussed his experiences in the Navy, he certainly witnessed terrible things that still weighed on his mind.

Your boyfriend tried his best to keep any deep-rooted darkness away from you, but it was unhealthy for him to repress every negative emotion. You wanted him to feel comfortable around you. He didn’t need to be an angel all the time.

One time, the eternally clumsy blonde almost fell trying to hover above you in bed. Not wanting to crush you with his ten-foot tall body, he caught himself by grabbing your arm. Hard. You squeaked in surprise and he immediately apologized, but dark blue fingerprint-shaped bruises stained your skin by the end of the night.

Early the next morning, when he thought you were still asleep, he lightly traced the marks over and over. You caught him staring at them throughout the day, too, looking more intrigued than upset. He littered your neck, chest, and thighs with hickies the next time you fucked, and you realized inflicting pain wasn’t what turned him on – he didn’t want to hurt you, he wanted to mark you. Those were his fingerprints on your arm.

So much was taken away from him at a young age that of course he wanted to claim you as his own. Hickies were more conventionally sexy than bruises, so he was less ashamed about admiring them in front of you and telling you how pretty you look. Even gently rubbing a large one on your neck during a Family meeting, which made his brother huff and tell you to get a room. Corazon did get a room after that – pulled you aside into a private bathroom and fucked you against the sink while making you stare at yourself in the mirror. Whispering in a deep voice about how the color of your hickies matched his plum-colored lipstick.

A few weeks later, he came home in the middle of the night after being away on a mission with Diamante and Trebol for nearly a week. Thunder boomed outside the window and his feathery black coat left behind a trail of rainwater as he stumbled into your shared room. His tall frame visibly shook with anger, his dark sunglasses barely covered the fury burning in his eyes. You got out of bed to greet him and asked how the operation went, but he just pulled you into a very wet hug and mumbled, “I don’t want to think about it ever again.” 

You blinked slowly and whispered, “I can help you forget.”

The blonde threw his half-burned cigarette to the floor then smashed his lips against yours. He didn’t bother taking the time to build up to a heated kiss. Immediately biting your lower lip raw before pushing his long tongue inside your mouth. Your eyes fluttered shut, easily submitting and letting him take whatever he wanted from you. The smell of smoke caught both of your attention. Corazon instinctively stomped out the cigarette ashes smoldering on the throw rug without tearing away from the kiss for even a moment. 

“Let me use you.” He looked as desperate as he sounded. “Just for tonight, can you be my little doll? I’ll make it up to you later, I promise, I’ll be so good to you.” Heat shot straight to your core and you nodded fervently, clutching onto his drenched clothes like your life depended on it.

Which is how you ended up with his lengthy cock down your throat, your bare ass in the air and body wedged between his sprawled-out legs. Calloused fingers tangled in your hair to firmly guide you up and down. Graciously giving you time to relax by letting you swirl your tongue around the swollen tip, though he never pulled you entirely off his dick. He looked so pretty like this – damp hair clinging to his forehead, pale cheeks turned pretty pink, subtly squirming on the mattress, pupils fully blown out with lust. 

Corazon suddenly thrust upwards to hear you gag, several inches of his cock forcing their way into your tight throat. Tiny teardrops reflexively lined your eyes as your gag reflex kicked in. You expected the blonde to panic and immediately stop – even though it was just your body’s natural reaction and you were enjoying every second. But instead, he licked his lips like he wanted to devour you. 

There were those Doflamingo genes.

But unlike his selfish brother, Corazon asked if you were comfortable with everything happening for the second time that night. You gave him an enthusiastic thumbs up, obviously unable to verbally confirm with his dick stretching your mouth to its limit. His cock drooled salty precum onto your tongue as thick globs of your drool dripped down to his balls. 

You used both hands to stroke the rest of his length that couldn’t fit in your mouth – the huge man had a huge dick to match. Corazon swatted them away, held your wrists in one giant hand then pushed down hard until every inch of him was deep in your throat, messy blonde pubes tickling your nose. He was glad he set up a sound barrier, otherwise the entire Family would’ve heard the debauched moan that spilled from his lips.

After a few moments of admiring you and the prominent bulge in your throat, your boyfriend released you just before it became too much. “Good girl,” Corazon panted with a dazed smile. “Such a good girl, taking it all like you’re supposed to.”

He gave up trying to hold back after that, bucking his hips against your face and rambling about how pretty and perfect you looked like this. He pressed your head all the way down again just before he hit his peak, shooting a large load of cum directly into your stomach. When he saw your ruined state, a dark pit formed in his stomach. Tears stained your cheeks and spit dripped down your chin as you gasped for air, and he was turned on by it. 

Corazon quickly pulled you close to press soft kisses against your cheek and make sure you were okay. Nothing you said seemed to convince him, so you brought his hand between your thighs. When he swiped a finger through your folds, his eyes widened at how wet you were. He admired the way your sticky juices webbed between his digits, then immediately began toying with your cunt.

“I would’ve stopped you if you didn’t like it,” you grinned, shamelessly rutting against the palm of his hand. “Ruin me with your cock more. I’ll be a good toy for you.”

Corazon gulped, stomach fluttering with sinful excitement. “O-Okay, if… if you’re sure that’s what you want.”

Both of you knew he wanted it more than anything.

[nthspecialll]

The fandom glorifies Arthur Morgan

Now I am not talking about about low honor, I play high honor and got it as the top at the end of every damn playthrough but my Arthur, as it is the cannon Arthur, is not a good guy. I am not going to talk about all of the murder, robbing and stuff he does, because we are majorly aware of it, I am talking his sexism, casual ignorance and disrespecfulness.

I quite often see people say that Arthur Morgan is a woman lover, and he definitely is, he is better than a lot of men from that time (which isn't hard), but he would not hold up in modern times, because he is not from modern times.

Generally speaking, Arthur Morgan is a man who believes in gender roles, he believes in the idea of "a man being a man" and "a woman being a woman." He has opinions about what a woman should do and what a man should do.

I think the biggest hint at this is his relationship with Sadie, because while he accepts her running with the boys he doesn't seem entirely happy about it. "You got a pair of pants and all of a sudden you think you're Landon Ricketts?" "You want to ruuuunnnn with the men?" and also "can Ms Grimshaw spare you?" when the girls asks if they can come to Valentine with him.

Talking of that quest, when he runs off to get Jimmy Brooks he puts Uncle, a lazy old bastard, in charge of getting the girls home even though they are more than capable of doing it themselves as they are healthy young women who knows how to handle horses.

In several antagonize lines against women performers (which are just as cannon as his greet lines) he shouts things like "That isn't very ladylike!" or "Go back to the kitchen" and "go make someone supper."

People keep saying Arthur would "treat them right" and he would, to an extent, he would care for you, he would be nice to you, but he would force those gender roles. He does have a belief women are somehow "softer" and that he as a person with a provider gene should do more of the harsh work.

So now we covered that, lets talk about the racism, or as I probably should rather call it, ignorance, because it is very commonly know Arthur does not judge by the color of skin.

The first one is that Arthur uses the whites-only saloon in Rhodes. Tilly mentions it to Arthur that they don't allow people of color into it, and yet he still supports it, it isn't a big thing but it is something of notice.

Secondly, when he talks to Eagle Flies where he "sets him in his place" Arthur, honey, you are so wrong here. Eagle Flies is being chased by the government for the mere fact that he exists with a different culture, you are being chased because you murdered so many folks, you can run across the sea and live a good life, they are fucked regardless.

When we first arrive in Lemoyne, Lenny and Arthur talks about the Lemoyne Raiders about racism and Arthur says "These boys got a manner about them but I haven't particularly noticed," Arthur of course you wouldn't, you are a tall, muscular, white man with sun kissed hair and blue eyes, you are the poster boy for eugenics.

Lastly, which will also bring me to the third point, the casual disrespect:

Arthur causally calling Javier a slur on the boat for no reason, did you really need that one-liner so badly? That goes for a lot of times in the game such as: "are you secretly normal" "what a lunatic" "we should find a better story for that scar" "But you continue to irritate me, I will kill you and make my appologies to the lady" "stick around and you might die for her as well" "oh I didn't know I was talking to a lady." All those were a slight bit disrespectful, enough to be able to annoy the majority of us if he said it to us, and they were also unnecessary.

He is also canonically chronically late, most notably we can hear Sean saying "that man will be late to his own funeral," and when you go around antagonizing characters in camp they are not surprised at all, rather they go "back at it again huh?"

All of this is just to sum up, Arthur is a pretty bad man (also counting in all the illegal stuff) and we tend to glorify him and forget some of these things, partly is also because Rockstar are amazing at hiding them, at making them seem natural, and they are because this is a historically accurate game! It is set in 1899 and this is a man from 1899 he is going to be casually sexist and disrespectful, and again, considering that he is from 1899 he is a decent guy because the majority of folk would be like Micah, not Arthur.

I definitely love Arthur, and I love Arthur exactly because the point of his character is him not being a saint but a human. His redemption is choosing to do good where he can, but even so, this is a man in 1899 and he is going to have a 1899 mindset. If you want to play a game that is set in the past but don't have that type of accuracy it is not Red Dead you want to play.

Also here is an Arthur pic as a thank you for reading all of that. I love him.

[linkspooky]

GOOD SIBLING, BAD SIBLING: THE FIRE SIBLINGS VS. STARFIRE AND BLACKFIRE

What could two siblings born in a royal family where one is scapegoated and the other treated like a golden child possibly have in common? More than you think.

This post is making the rounds again and I thought it would be fun to make a longer post going into depth why I think Starfire and Blackfire avert the common trope of good sibling bad sibling, by comparing it to something that fails to avoid that trope. If you like doomed siblings or bad victims then click the readmore.

Good Sibling, Bad Sibling

To start off with I'm going to explain what I mean when I use the words Good Sibling, Bad Sibling. It's a trope that's an extention of what I call Good Victim, Bad Victim. It's when a story compares two victims of abuse, and one victim is a more acceptable victim while the other is a bad victim because they're not perfect suffering Cinderellas.

Victims of course still have agency in their responses, they're still culpable if their actions go on to hurt someone, they don't have a right to hurt others, but I think it's also true most people are quick to judge victims for not being strong enough to endure abuse when they haven't been in the same situation.

It's easy from an outsider's perspective to be "I wouldn't do that". It comes from a pretty shallow view that villainizes abusers and renders them as inhuman monsters when the truth is all abusers are still humans and anyone can fall into patterns of abuse whether they mean to or not.

One reason I hate this trope besides like, the fact characters that aren't perfect victims are often considered "too far gone" and murdered by the narrative, it's also just really shallow. In the end it usually comes down to the victim getting love and support healing and the victim who didn't have support getting worse. Which is like, a no duh of a situation. A person without friends or a support system or love in their life tends to not get better? Who woulda guessed.

Good Sibling, Bad Sibling shows up when two siblings are raised under the same house, sometimes even in the same abusive circumstances and one is a hero and the other is a villain. Another version of this tropes is the fact that if there are twins one of them is usually going to be a good twin and the other is an evil twin.

I can understand where this trope comes from because like siblings are a naturally close relationship, so it makes it a deeply personal conflict when a character's sibling turns against them. I don't even think it's a necessarily bad trope, if both characters are humanized equally which almost never happens.

Examples of this trope: Gammorra and Nebula, Mai and Maki, Shoto and Toya, Dick Grayson and Jason Todd, Itachi and Sasuke.

And of course, Starfire and Blackfire, and Zuko and Azula.

My goal is to show by breaking the source material, New Teen Titans and the Avatar Cartoon down the former averts the trope and the latter plays it straight.

The Golden Child and the Scapegoat

A common trope used in dysfuctional families is dividing children between a golden child, and a scapegoat. The parent often projects all of their positive qualities on a golden child, along with high expectations. While the Scapegoat has all their negative qualities projected on them, and is often blamed unfairly for the dysfunction in the house. They are scapegoated so to speak, and constantly the victim of things like shifting goalposts.

It's like a more extreme version of playing favorites with an extra dollop of abuse on top. Also to be clear, this is an abusive dynamic where both sides are abused. They're not being seen as parents by their parents, and they are essentially being pitted against each other. There are plenty of parents who will be just as harsh on their perceived favorite. Being the golden child doesn't really safeguard you from abuse, even if it seems to be the more favorable position to be in.

Also in general when discussing abuse, arguing over who has it worse is kind of a pointless argument.

Also sometimes the playing favorites is intentional. By splitting up siblings and putting them against each other, the parent gets more control over each of them like a divide and conquer strategy. After all an abusers primary objective is to maintain control over someone by patterns of abusive behavior meant to wear down their sense of resistance.

With that being established, comparing the two royal families is interesting because the "hero" sibling is the golden child in one version, and the "villain" sibling is the scapegoat in another. If anything this proves that both forms of abuse can be the reason for a villain's tragic backstory.

STARFIRE AND AZULA THE PERFECT PRINCESS

Starfire might appear at first to be the total opposite of Azula. One of them is a hero who's like entire character is built around her overflowing emotions and the love she feels for people. While Azula is cold, calculating, and often treats her own friends like pawns instead of people. Starfire also doesn't repeat the cycle of abuse, while Azula does.

If you look past that there's a lot of comparisons to draw between the two of them. They are both raised in warrior, war-like cultures. The Tamaraneans may be all about that peace and love but like, an early conflict with Starfire's is that because she was raised on a planet as a warrior she doesn't understand why other heroes have a no-kill rule.

Azula is also a product of her culture. To begin with she's raised as a child soldier, of a nationalist and imperialist nation who are actively colonizing half the war. Azula also contributes significantly to the war effort, and never shows any doubt to the values of her culture.

As a brief summary of their early characters, Azula is princess of the fire nation which went to war with the world. She's the daughter of the Fire Nation's absolute ruler. She's however, the second born and not ever expected to inherit the throne. She is introduced in season one when Zuko vents to an unconscious Aang about how everything has always been easy for his sister. In Season two she becomes the main antagonist, first tasked with retrieving her brother, and then decides to try to capture the avatar on her own. I'd also be remiss to mention that Azula is the most personal antagonist the heroes face, because Ozai is more of a final boss. Starfire is an alien that was sold by her sister into slavery essentially (Blackfire is not a good person). She escaped to earth and became a member of the Teen Titans where she found a new family and worked as a hero. She's basically an immigrant to earth and there's a lot of culture shock. Starfire eventually returns home to her planet when it's in danger, and faces her sister as an antagonist.

This is another way in which they differ, Azula is the primary antagonist and negative foil to Zuko, and Blackfire is the primary antagonist and negative foil to Starfire.

While both basically have the tentative position of the favorite, while their sibling is demonized, it's made clear to them that they're not actually "safe" with their parents. Both sets of parents are awful and the origin of all abuse within the household. These characters also receive a slap in the face after being in denial for a long time that these parents will even mistreat their "favorite" child and treat them like an object.

Though, I would argue that Starfire is more in denial about her parent's abuse and will still see them as loving parents, while Azula is aware that her father could turn on her and strives for perfection to keep herself "safe".

Note Starfire is still saying this stuff after her parent's sold her into a political marriage.

Ozai: My decision is final. Azula: You ... you can't treat me like this! You can't treat me like Zuko! Ozai: Azula, silence yourself. Azula: But it was my idea to burn everything to the ground! I deserve to be by your side!

I've seen some people's unsympathetic readings of this line that Azula throws Zuko under the bus, but like... Azula doesn't want to be abused like her brother. What a monster. Let's see how you react when the father you thought was safe turns on you, I think most people would say or do anything not to get hurt.

I don't want to sound too critical of Starfire because she has her reasons (Blackfire abused her severely) but both Starfire and Azula seem to justify their parent's abuse to themselves by saying Blackfire or Zuko did something to cause the abuse. Sliding the blame from the abuser to the abuse victim. They participate in the parent's scapegoating of the the least favorite child.

I'd like to point out though that the ultimate cause of the situation is the parents themselves. The abuse started when they are children, and expecting Starfire and Azula as children to like, go out of their way to protect their abused siblings is expecting a lot out of them.

Like Azula is afraid to lose her position as the favorite because Ozai has demonstrated before that he'll horribly mutilate his children. Who would have guessed. Blackfire severely abused Starfire in their childhood, so she sees Blackfire as her enemy and not her parents who would have guessed.

In general too, expecting Starfire and Azula to be perfect siblings in an abusive household, and always protect their siblings, is once again a lot to expect from literal children who don't have fully developed brains.

However, I would say in both cases, they both try harder to connect with their sibling. This is where I get angry anons in my inbox, yes I'm going to make the argument that Azula was a better sibling than Zuko was to her. No I also don't expect Zuko to be a perfect big brother when actively being abused by Ozai. No I don't think Zuko owes Azula anything because she too prioritized her own well being over him that's what abuse victims do.

I'm just making the argument with in text examples that Azula does more things to help Zuko, and Starfire actively tried to befriend Blackfire before the sibling abuse started. In fact I think that's what makes both relationships incredibly tragic. It's not really two siblings who love each other on opposite sides of a conflict. It's that Blackfire and Zuko can't see past their own abuse, and can't love their siblings.

Once again I'm not blaming Zuko for priotizing himself, but I also think it's unfair to critcize Azula for taking care of herself and not sticking her neck out for Zuko when they were both being abused. Wow why are people extra harsh on Azula and extra forgiving on Zuko. It's almost like women are always expected to be perfect nurturers, and when they're not allowed to be complex human beings with flaws. My old enemy the Madonna Whore complex you strike again!

Anyway onto the examples. The big one is that Azula invited Zuko back after Ba Sing Se, seemed genuine about wanting to help resstore his honor. This is also a sacrifice on her part, because as I said even when he was banished Zuko didn't lose the title of crown prince. His status as the heir was never in question and like, letting Zuko stay a prisoner in Ba Sing Se would have ensured his inheritance would fall to her.

Why don't you let him decide, Uncle? [To Zuko.] I need you, Zuko. I've plotted every move of this day, [Makes a fist.] this glorious day in Fire Nation history, and the only way we win is together. At the end of this day, you will have your honor back. You will have Father's love. You will have everything you want.

Now common criticisms people use to argue that Azula has good intentions.

1) Azula needed Zuko to turn the tides in battle. While Azula was kind of in a corner in the fight where Zuko turned she also had Mai and Ty Lee and the entire Dai Li on her side so I don't think she'd really assume she needed Zuko to defeat the avatar. Also she starts getting backed into a corner long after she made the offer to Zuko so she had no way of knowing that ahead of time. Also, also, she might have just been backed into a corner for the sake of drama, making it more impactful when Zuko shows up and turns the tide.

2) Azula somehow knew she might not kill the avatar and needed Zuko to take the fall. This one doesn't make sense because Azula doesn't have any idea that Aang didn't die, until Zuko hints at it. After that point, Zuko kept it a secret from her and refused to tell her even though the truth being revealed would impact both of them. Like for Azula to know ahead of time she'd fail to kill the avatar when she made her offer to Zuko, and then bring him back to take the fall would require some 4d chess on her end.

Two more examples are Azula goes out of her way to warn Zuko that he might get in trouble for visint Iroh so often. On the Beach she's the one who comforts him and retrieves him from their old vacation house. When they're in front of the fire and Zuko is troubled she asks him what's wrong and even asks if she's the one at fault. Whereas Zuko mocks her for not having problems when Azula confesses her mother thought she was a monster he doesn't say anything in response.

In Tales of the New Teen Titans we get a closer look at Starfire and Blackfire's childhood, and we're shown Starfire tried hard at first to get along with her sister. Starfire also, in spite of being a victim of Blackfire's abuse went out of her way to save her life twice.

Something Blackfire responded with by immediately trying to kill her. Blackfire, you are a piece of work. In both cases, I'd argue Starfire and Azula try at least to have a positive relationship with their siblings. Attempts that are almost completely one-sided. I don't want to demonize Zuko too much though, because as I said when you're actively being abused it's number one easy to see the other sibling as being better off, and only natural you would prioritize yourself.

Also, Blackfire was an adult and continued the abuse later on in life when she had more agency, whereas Zuko for most of the tv show was a minor and you shouldn't hold minors to adult standards. If I judge characters for having an imperfect reaction to abuse, or not being perfect siblings I can no longer call myself a bad victim enjoyer.

Both Starefire and Azula as I said, participate in the scapegoating. In both cases it's out of a desire to maintain their spot as the golden child, because they want to assume they're safe.

Starfire actively defends her aprents all the time, while insisting that Blackfire was evil to begin with. Which is understandable again because Blackfire's abuse is just so much worse than anything Azula does to Zuko. It's expecting a little too much for Starfire to see the humanity in her abuser when she's a lifelong victim.

Like little blackfire things: Killing her sister's pet.

Phsyical abuse, actively trying to kill her even before they were on opposite sides of a war.

Selling her into Slavery (where Starfire was sexually abused).

It's extra tragic because both are essentially blaming the other for their parent's abuse. Blackfire takes out her pain on Starfire as revenge for her parent's favoritism, even though it's not her fault. Starfire demonizes Blackfire because she refuses to confront the fact that her parent's are abusive.

This is behavior Azula engages in as well. If you read into her actions, you can tell she blames Zuko for his abuse, you can't treat me like Zuko, while also believing that if she can just make Zuko act more like a prince he won't provoke his father anymore. Once again, sliding the blame on the abused rather than the abuser makes Azula feel more safe, because she also believes if she's perfect Ozai will leave her alone.

Zuko and Blackfire: The Banished Prince and the DIsowned Princess

This is another pair of seeming opposites. Blackfire is essentially Starfire's most personal arch enemy, occupying the same spot as Azula. Zuko is a villain for awhile, but honestly he's bad at it, and until the end of Season 1 he's so ineffectual he's more comic relief. Blackfire like Azula is insanely competent and causes a lot of genuine harm to the protagonists, and is far far worse than Zuko or even Azula obviously. I mean I've already listed some of the things she did above, but she also let her planet be conquered by aliens, orchestrated not one but two cues, and tried to have her parents blown up on live television.

However, both characters are effectively disowned and banished from their country for their inability to fit in. Both are banished and excessively punished.

Blackfire is the first born princess of Tamaran and she should have been heir to her family, but she was stripped of her inheritance because she was born disabled. Every Tamaranean can fly except her because of a sickness that nearly killed her when she was younger.

That's right everyone, the disabled representation you've been waiting for the sibling abuser and war-mongerer.

I think Blackfire's abuse covers a common way parent's treat their disabled children, where they don't want to make accomodations and make it clear they' don't want to take care of a disabled child and spend all their attention on their abled children instead. This trope is often called "Better dead than disabled."

Also I'd be remiss to point out that Tamaraneas have access to hover technology so Blackfire's disability doesn't inhibit her in any way. Like damn, parents will do anything but try to accomondate their disabled child.

Zuko is punished needlessly for a small offense of speaking out of turn in a meeting for not wanting to sacrifice young soldiers, and then refusing to fight back against his father in an angi kai. At which point he's banished and sent on a fool's errand of hunting the avatar.

Blackfire's reason for being banished is uhhh, because she tried to kill her sister in combat training, but also she was stripped of her inheritance just before being born disabled. She awas punished for things she couldn't control before she did anything wrong.

Both siblings also try to make up for their trauma and perceived deficiencies by constantly projecting violence. Blackfire is like, obsesed with war, Zuko's definition of honor is more focused around glory gained by combat more particularly killing the avatar in the first season. Both of them actively participated in colonization, Blackfire helped colonize her home planet, Zuko burned Kyoshi village and helped Azula with Ba Sing Se. Blackfire brought back an army to colonize her home planet, then attempts a military coup of a rather peaceful reign her parents secured not once but twice.

Both are blamed for their parent's abuse, it's Blackfire's fault because she was a violent and unlikable child she made it impossible to love her. It's Zuko's fault, he just didn't try hard enough to please his father and fit in as a prince.

While I may sound overly critical of Avatar's writing I do like how they gave Zukio a lot of chances to make mistakes and screw up, and instead of condemning him or dismissing him as too far gone they kept reinforcing that he always had a chance to better himself.

Both characters are really jealous and tend to blame the other sibling who's treated as the favorite for their abuse.

Zuko: "You're like my sister. Everything always came easy to her. She is a firebending prodigy and everyone adores her. My father says she was born lucky. He says I was lucky to be born... I don't need luck though - I don't want it. I've always had to struggle and fight and that's made me strong. It's made me who I am".

Though to give credit to Blackfire, while as a child she blamed Starfire for everything and used her as a punching bag, as an adult she seems to understand that the cause of their conflict was their parents and in fact tries to explain this to Starfire multiple times. So she's matured enough to see that Starfire is ultimately a victim too.

As I said too, Zuko is a child, he's also like still actively being victimized by Ozai while at the same time under the notion that if he does the right thing he can earn Ozai's love for 3/4ths of the show it's easy to understand why he'd blame Azula for his position as the scapegoat instead of Ozai.

Zuko never attempts to convince Azula to change sides with him, or considers that an option. When Azula is like, falling through the air about to die he doesn't tell his friends piloting the bison to try to save her. His stated goal when fighting Azula in the fignal agni kai is to put her in her place. That's literally a line he says.

Zuko, the empath when noticing she's having a total mental breakdown says "She's kind of off" and decides to take advantage of that to win the fight. When Azula finally breaks down and is screaming and crying, he just kind of sits there looking bored.

I'm not arguing that Zuko owes her anything that's a personal opinion, just that it's inconsistent with Zuko's writing. Zuko is presented to us as a character revolving around redemption, that learns that love and forgiveness are key to growth and healing and then just... doesn't apply those same lessons he learned to his sister.

That same kind of hypocrisy is present in Starfire, but it's like intentional. Starfire's inability to empathize with her sister, when her entire character revolves around empathy and love shows just how damaged her relationship with her sister is. Even then Starfire like, saves her life twice and was never able to kill her. With far more reason to not empathize with her sister, while blatantly hating her, Starfire still has that tiny bit of empathy for her. It's also like, Tamaraneans are a violent warrior people, and they're also extremely emotional and full of love, Starfire embodies both sides of that.

It's not just Blackfire either, it takes Starfire a long time to learn that she can't just kill criminals (again understandable, a cultural thing, in fact people like Dick are a little bit too harsh on her for this instead of trying to explain and understand where she's coming from). It is consistent with Starfire's writing, she is openly loving, but she's not the team mom that's Donna.

Zuko like, not even trying to redeem Azula or just like, not really caring is inconsistent with the writing that's trying to tell us that deep down Zuko is a caring person that is going to help heal the fire nation by showing them a better path forward. Zuko's double standards towards his sister, and his unfairly blaming her for his father's abuse is not written as a flaw. Blackfire unfairy blaming Starfire for her parent's abuse is a flaw. Blackfire's abuse of Starfire is her own fault, which is something she continues to do well into adulthood.

Which is why it's kind of all the more baffling, that Blackfire is way worse, is humanized a lot more by her narrative than Azula is. Now we reach the final part.

The Final Agni Kai

Now to trash on everyone's favorite scene that I absolutely despise as the end to Zuko and Azula's arc, while praising what is my favorite arc in the whole New Teen Titans manga. In the series finale of Avatar, Zuko after reuniting with Iroh is tasked with challenging Azula for the throne in the Agni Kai. They fight, and Zuko comes out on top.

In what is essentially the final fight between Starfire and Blackfire, Starfire is alerted by her brother that things are going down on her planet. She leaves earth with the Teen Titans and returns to her planet for a second time. Where she learns that she is being sold by her parents into an arranged marriage, as a part of a peace agreement with the invading force of her planet. Something that Starfire does not take well too, because she's currently in love with her longtime boyfriend Dick Grayson.

I'm going to skip over the Soap opera that is Starfire and Dick, because it's soon revealed that Blackfire too has returned in order to orchestrate a coup to overthrow her parents once more.

In the end Blackfire reveals her plan that she's set up an ion bomb to hold the whole planet hostage unless her parents abdicate and declare her ruler. At which point, Blackfire succeeds.

Both plots involve the scapegoat finally reclaiming their heritage and beating their sibling for the first time, one is the hero, the other is the villain... or are they?

There's a reason I love one arc and hate the other. It's that Blackfire is eventually allowed to be her own seperate character from Starfire, whereas Azula is ultimately just a plot object to strengthen Zuko's arc. This is shown in just, the amount of focus Zuko and his inner world are compared to Azula, how he has one of the most lovingly tailored redemption arcs shown throughout the entire show whereas Azula's mental breakdown is rushed through the entire end.

However, to further illustrate this let me show how well the New Teen Titans humanizes Koriand'r. To begin with, we see their childhood from both perspectives, to show both are biased narrators. Starfire represents her sister as being born evil, while Blackfire believes Starfire being the favorite took all her parent's love away from her.

Blackfire also gets, sympathetic motivations that demonstrate she's also capable of love and craves it deep down but suppresses it because she believes she needs to be a weapon of war. Something that is directly stated by the comics and only like implied by offhand by the avatar show.

In fact Blackfire gets to star in her own comic which tells a story where she is temporarily blinded after her first defeat to Starfire. After feeling helpess she feels like she's lost the will to fight, the will to kill, the will to rule which is how she defines herself.

Blackfire survives with one of her soldiers who doesn't abandon her, and helps teach with her rehabilitation teaching her how to fight while blind. Their relationship grows so close that Dorion feels like the first person that ever took care of Blackfire, and she breaks down and admits how much she wants to be loved. She almost seems willing to give up her conquest.

However, Blackfire misses out on the chance to be loved because her fanatically devoted soldier tricks her into killing him in order to show her that she still has the edge to kill.

This also clues us into more complex motivations for Blackfire. She is actively a patriot who believes that her father's rule is weak (she turns out to be right) and believes that conquering her planet is in effect her way of saving it. She has to put on this persona because the cause is more important than anything in her life, even love.

(This also contrasts Starfire who has no interest in being a ruler and runs away to live on earth with her love).

Also I'd be remiss to mention at the end of this particular arc Starfire doesn't forgive her sister or reconcile with her. I've never believed she owed her that. The arc just shows that Blackfire a human being (or a tamaranean I guess) who is capable of both good and evil. That her motivations are more complex than being a power hungry usurper and she actually can have good intentions. She's more of an example of the 'Well-intentioned Extremist" trope.

It's the complete opposite of Azula who's reduced to the mad queen stereotype in the end. Which is another knock against Avatar, Blackfire might not be the best disabled representation in the world but as I said parent's only treating their disabled child as a burden and that disabled child watching their parents take care of and love their abled children is a real thing that happens all the time. The comic also goes to show how competent Blackfire is in sipte of her disability.

Whereas, I can't imagine what it feels like to see yourself in Azula's mental breakdown, only to watch her last moment on the show have her offered no support, and not even a single sign that she might recover one day. Blackfire's motivations are tied to her abuse, but she's not demonized for being disabled in fact she's fantastically competent. Azula's like, readuced to an inhuman, ugly monster, and her mental illness takes all of her agency away and once again we're shown no hope for recovery.

Azula is reduced to a screaming incoherent mess. She has basically no agency in the end. Not only does Blackfire have agency, but like she has acutal points to make? The story values her point of view and gives credence to it? Myand'r is a weak ruler. She's not wrong when she says that their parents are the source of abuse for both of them. In fact, the narrative directly states the ones who started the abuse are their parents while it only implies it again with Azula and Zuko. Maybe the reason so many people deny that Azula is an abuse victim is because we only see the abuse from Zuko's perspective not Azula's. Whereas we get both conflicting accounts of Blackfire and Starfire's childhood and the narrative trusts us to judge things with nuance rather than needing it fed to us.

The planet has been invaded twice now. She's also, like, more popular with her father's weak rule?

Also like the story shows us why Blackfire will make a better ruler than Starfire. The narrative doesn't really illustrate how Zuko will be a better ruler, it just follows the "good king" trope.

I mean it's a fun little parallel that both Zuko and Blackfire are both an exiled prince and princess respectively, who return home to take back their throne. On one hand though, it feels like Zuko does it out of like, wanting to reclaim his birthright, or his feeling that the throne is his destiny. That's part of Blackfire's motivation too, but as I said, Zuko never states onscreen how he plans to improve the fire nation, Blackfire's got like actual policies.

Which is where the difference ultimately lies, Blackfire and Starfire are ultimately characterized as two sides of the same coin who need to come together to save the planet. Killing blackfire or putting her down won't fix shit or end the cycle of abuse on Tamaran. Blackfire and Starfire are much like Tamaran defined by love and war, and there's love and war in Starfire, and love and war in Blackfire and they both need to find a balance between the two.

This is in contrast to Zuko and Azula who's final conflict is just putting Azula down like a mad dog, quite literally. Blackfire is allowed to be human, with good and bad traits, and like actual points to make whereas Zuko's narrative only cares about Zuko's thoughts, and in general instead of coming together the narrative seems to think the only way that Zuko can triumph is if Azula is dragged down into the mud.

Blackfire is a character, and Azula is ultimately just a plot obstacle.

So that's my long ramble on a sibling relationship I absolutely love, and a sibling relationship I can't love no matter how much I like Zuko and Azula individually.

[violet-moonstone]

once more defending my love, book!elphaba thropp

reading reviews of wicked and im seeing people say they hate book elphaba because she's "unlikable"

so many people love the feel good vibes of the musical while not seeing that they sound exactly like people who would have shunned elphaba at shiz for not being pleasant enough and making them feel unsettled instead of putting them at ease

I'm saying this because I find that people are often much more charitable towards fictional characters than real people -- and people IRL who have Elphaba's severe, unwavering personality and unwillingness to conform often face the same social stigma she did, no green skin required. Like yes, Elphaba was an outcast because she had green skin, but I don't think the green skin is the point of the novel. I think her being green is a visual manifestation of being so at odds with what you're "supposed" to be that people demonize you for it. Book Elphaba is queer and hinted to be intersex. I read her as neurodivergent, so this all tracks to me, and considering that other forms of oppression and stigmatization are very important themes in the narrative, I think the green-ness simply emphasizes to the other ways in which she's marginalized.

Trying not to go into the Wicked rant that I tend to do every few months but I feel it coming on

I'm all here for critiques of the novel, because it certainly has flaws, and I understand why people don't enjoy it -- but there is something funny to me about people wanting a narrative about looking beneath the surface to find true value but hating the version of that story that requires the most compassion to appreciate. Like the musical is fun and well-made but it does not require any effort to like musical Elphaba because she's conventionally attractive woman who's feisty and kinda quirky...oh and she's also green. And her being green matters more to the other characters than to us. We don't care that she's green (because we already know it would be wrong to judge her based on that) and the musical gives us no other reasons to judge her, so we don't really have to process any complex emotions.

(Sidenote, I think if book Elphaba were still green but more conventionally attractive, bubbly, and less political, she would not have been as much of an outcast -- at least not in her later adolescence. Her green-ness could have been a novelty or spectacle that she used to her advantage if she made up for it by being more palatable in other ways. Of course, she would never do this, because that's simply not Elphaba. She could never twist herself to be anything other than who she is, even out of social self-preservation.)

Book Elphaba is so much more prickly and unpleasant --and hell, so was I at the height of my social ineptitude and feeling like there was something so so wrong with me (because why for the love of God couldn't I just fit in and act the way the cool kids my age did).

Her unpleasantness and seriousness and insistence on talking about important things that make people uncomfortable are her green-ness imo. Those are the things that affect how we as the reader experience her, and we must experience her strangeness as well.

And while I understand that if the moral of the story is essentially "don't judge a book by its cover" then yes, you can tell a thematically sound story about a girl who is actually pretty cool but just happens to be green and talk about how she's ostracized simply because she looks different. That's a perfectly fine story -- but I think it can go much further -- because it's not only wrong to marginalize people who look different, it's also wrong to marginalize those who are internally different. Difference is persecuted whether its visual or behavioural.

Even if Elphaba weren't green, there are inherent aspects of who she is that prevent her from conforming to the ideal, both in her world and ours. And I think valuing her with all of those things in mind is a lot more rewarding than simply liking her despite the fact that she's green.

Anyway I love Elphaba Thropp and I don't think her being more palatable would have made the story better — it simply would have made it more popular, and I think on that at least, fans of both the book and musical should be able to agree is not an inherently better thing.

...

OK one last point, I saw someone saw they prefer the musical because it has more "girl power" meanwhile the book feels "obviously written by a man" and I just...dear god what a surface level take

Yes Gregory Maguire is a man (oh, the horror!), but he wrote the women in Wicked as people, without hand wringing about if they're likeable or pleasant enough. They are flawed and raw and not just there to make the audience feel warm and fuzzy. He writes about sexuality without making women feel like sexual objects -- I suspect because he also writes about the sexuality of his male characters (the women aren't just in the story to turn us on) and he himself is gay, so there may be less male-gaze going on than with a lot of men who write fantasy. Yes, characters are described in sexual ways, but this happens regardless of gender.

[ilomilodailystuff]

Okay. I see the fandom panicking and even starting to destroy itself...

For the ones who still love GO and would continue to love it as they always did but is judged because of ONE☝️ person's actions that might or might not be true, know you're safe here and I wouldn't judge you for loving GO despite Neil's accusations.

Because you gotta keep in mind that this show AND book are also Terry's. And you have to keep in mind that Neil wasn't alone in that project. Think about all the people that worked on the show, whether it's the crew or the actors. They're absolutely innocent, so why would you spit on their work as if they were guilty too ? Of course none of them would support Neil's actions if it's true, that doesn't mean we have to throw every poster or book or drawing or delete every fanfic or even stop writing fanfic because of this as if everyone were in the same boat.

These accusations are about Neil and Neil only and I would find it kinda sad that this story would be thrown away despite Terry had worked on it too, despite it also was in his memory. Ofc, if it's true, it's obvious Terry wouldn't be okay with it either but does that mean a story fully achieved and their characters have to be condemned with Gaiman ? Mostly when now, a lot of illustrators, writers and animators made it their own ? Mostly when it somehow saved many people's lives ? Mostly when this book or show had made people laugh and cry ?

This fandom is stronger than that.

Let's not mix everything.

Would you find it appropriate to talk about GO to the victims ? Obviously, no. For the sole reason that it's not. the same. thing. We have to put things back in their places. GO is GO, harassment and s*xual aggression are what they are. And it would be incredibly disrespectful to mix both.

So, my point is. Don't be ashamed to love GO despite what's happening. Don't feel guilty for supporting a show while you don't support the author. Don't let the fandom die because of one person's actions when there's so many people who worked on it almost just as much. I understand you're upset, I understand you'd think it might be hypocritical to love a show with the creator being accused of horrible things. But make the difference.

And I can assure you, if Neil is not guilty (and if he is, I hope the victims will get justice and Neil will have what he deserves) I'm pretty sure that he's not thinking about Good Omens at all right now, but just thinking about sorting this out and clearing his name as every innocent person would need to do so.

So, whether the truth is hurtful or a relief, let's keep the GO fandom going. For if it's hurtful, we will make Terry's story alive for his and many people's sake, and if it's a relief, we would have been doing things right by not jumping into conclusions.

Either way, you're welcome here and you're safe with me. Keep loving. Spread some joy. Don't let Neil's possible actions stain a wonderful story that is not only his own ❤️

[themeaningthemeaningthe]

can’t sleep for other reasons and my brain can’t stop thinking about a post i saw and initially ignored but keep having thoughts about. i didn’t comment on it or anything and now it’s lost to the ether and i don’t wanna go looking for it but these thoughts gotta go somewhere.

this will be long and rambling and probably a little incoherent cuz it’s 3am.

the post was someone saying that they finally picked up gideon the ninth after years of seeing locked tomb posts and griddlehark, then dropped it after like 2 chapters bcuz they think the dynamic between gideon and harrow is abusive (which is fair when u first start it) and they can’t believe people are into it as enemies to lovers. on the one hand, people are totally cool to just not like something for whatever reason, i myself just have thoughts about the Nuance that i didn’t express on the post that i now must here.

lots of important spoilers for GtN!! (and maybe accidentally ones to HtN)

ok here’s the rant.

that’s the point!!!!! that’s the point.

they are terrible to each other and they have always been. the growth and the development of their character dynamics together explores how this thing between them that has always been sharp and seething and spiky must buckle under the weight of outside pressure beyond anything they could have imagined.

in a very important pool scene (one that is ubiquitous in fanart and i have to believe this poster saw at least a few times) we get an explanation from harrow! and not only does this give us a more full look into the context of drearbruh outside of gideons narrow point of view, but it also makes more clear why they were like That.

i’m sorry but literally harrow is 200 dead kids that her parents killed to make her, and gideon is the one kid they couldn’t kill. and gideon realizes once told this, she is the living reminder of the war crime committed to save the house, and no one who knows can forget it.

and harrow has known the truth of her origin since she was old enough to comprehend anything!! so yeah, a traumatized child who knows she’s the entirety of a generation of her house is gonna lash out at literally the only other child on the planet who she happens to also have power over.

and i feel like the book makes this pretty clear!! this was bad!! but also, these are two traumatized kids growing up in a dying, creepy, planet that is lowkey hell.

the other key thing about the pool scene, is that it is a Confession. these books are sooo steeped in catholicism. harrow isn’t just explaining the true history of her life, she is Confessing all of the sins that make her up and all of the sins she has committed. bearing the entirety of the wretchedness of her soul for gideon judge. expecting her only friend whom she has made miserable for years to kill her.

and i know we joke about gideon being lesbian jesus, but there’s a reason for that (besides the obvious). bcuz after hearing her Confession, gideon baptized harrow in that pool.

one flesh one end, bitch.

and also like yeah griddlehark is an enemies to lovers in some ways, but i feel like also not in the typical way you would think about that trope?? bcuz correct me if im wrong but they never really become lovers (and i personally am not sure they ever will). yes they love each other and make the grandest gestures of love imaginable. but that love is inevitably fucked up in some ways and it’s impossible for it to not be.

god that was way too long. anyway. some Nuance is necessary.

[rin-sith]

Let's talk about "Monster" ... and one of Odysseus' criminally underrated traits: his lack of judgment.

I was re-listening to "Monster" the other day and it kind of just hit me... Overall, that song isn't my favorite (it's somewhere in B tier; the lyricism is great, and the part after "So if we must sail through dangerous oceans..." absolutely slaps, it's just not one that I go back to frequently.) But there are some things I genuinely adore about it because I adore the way it progresses Odysseus' character arc as clearly not a "corruption" and how this is conveyed through the way the song is set up and presented.

First of all, I simply have to yap about how Odysseus isn't justifying his foes' actions the way that I have seen some people falsely assume. He's describing what they did or do and essentially saying, "They aren't letting themselves be stopped by guilt from doing what they think they have to do, so why should I?"

Polyphemus doesn't overthink whether it's right or wrong to kill some people because they harmed him or his sheep.

Circe may deep down feel guilt but isn't letting that stop her from turning men into pigs to prevent any more harm from befalling her nymphs at their hands.

Poseidon isn't losing sleep over drowning a fleet because that is what gods do to retain their infamy and status.

Odysseus and the rest of his soldiers didn't use the Trojan horse tactic out of malice or bloodlust, but out of pragmatism. It was the most efficient way to win a war that would have only cost more lives on both sides if they hadn't ended it then and there.

You look at that and you may think, "That's all very fair, but that doesn't mean any of those actions are justified" ... and you'd be right. None of the actions above are actually right or justified.

But the thing about "Monster" that I love so much is that it's specifically NOT something like, "These people I've encountered are all evil and ruthless and they are right and justified in being that way; I'll be the same." It's actually, "These people I've encountered act with ruthlessness; it clearly aids them in achieving their goal, and they seem to have figured out how to not feel guilt over their actions. I want to reap those benefits too. So far, I've been acting with mercy, which seems to have disadvantaged me. If they can do it, I can and should do the same to level the playing field."

Odysseus isn't saying that their actions are right, wrong, or justified. He's simply exploring why these people act the way they do. And he does so entirely without judgment.

I'm not surprised about him not judging Circe; while she was still wrong since she went overboard and struck preemptively against people who were not guaranteed to ever cause harm, she was pretty much redeemed in the end and her point is the easiest out of these to understand.

But the rest? Polyphemus killed his best friend. Poseidon drowned his whole fleet. The Trojan horse? It never comes up anywhere else but since he mentions it here, I think it's safe to assume that Odysseus feels guilty for using a tactic such as this. And still... Odysseus talks about his foes' actions with understanding and an open mind. He acknowledges their points of view—all of them, even if none besides Circe ever acknowledged or understood his.

The only time we genuinely see Odysseus act out of resentment is when he tells Polyphemus his name... After that, he never shows anything of the sort ever again. If he ever held any resentment toward any of his foes, I feel like this is where he lets it go for good.

Hell, even Poseidon, whom he would have by far the most reasons to resent, Odysseus doesn't actually judge or resent. I wrote a whole mini-essay on why the Vengeance saga proves that Odysseus doesn't actually seek or want vengeance on Poseidon. One might argue that he sounded like he was avenging his crew in "Six Hundred Strike" but it's important to remember that he offered Poseidon forgiveness one song earlier. He didn't lead with vengeance or resentment, but he rekindled his anger when Poseidon rejected his mercy.

My point is that Odysseus doesn't judge or resent any of the people who attempt to stand between him and his home... which shows incredible character strength in and of itself. This occurs later, but he acts similarly toward Calypso in "Not Sorry for Loving You" as well.

This is such an underrated trait of his, especially considering it fits perfectly with EPIC's themes, which revolve around seeing every perspective and balancing between ruthlessness and mercy. Honestly, I don't think those themes would even work with a protagonist who isn't so open-minded.

Coming back to "Monster," as we've established, Odysseus doesn't pass judgment on his foes. Similarly, he isn't saying that his decision to embrace ruthlessness and "become" a Monster (read more to find out why I put that in quotation marks) or any of his future actions as this Monster are justified.

I genuinely despise it when people call his arc a "villain arc" or "corruption" because that's pretty much missing the entire point. He isn't actually becoming a monster, corrupting, or genuinely changing his personality—hence why I put those quotation marks earlier. He is deliberately choosing to embrace a certain ruthless way of acting, fully knowing that it is not actually right or justified. "So what if I'm the Monster?" is self-gaslighting. He knows it's not "so what?" But he's doing it anyway because he has seen this way of acting aiding his foes. He literally says, "I must become the Monster / And then we'll make it home." He is convinced that this is what he must become because he keeps being told this by everyone.

From the top, his values or person isn't actually being corrupted. He's not really internally changing. He's merely adapting a way of behaving because he thinks it's the only way he'll still get home, and only because of that. It's really f*cking sad actually. Especially because he is wrong; his not being ruthless is not actually the problem, as we find out later.

Genuinely, his monster act lasted exactly 3,5 songs; in the second half of "Mutiny" it's already all gone because he is so afraid for his crew and what they're about to do to themselves that he instinctively goes back to wanting to save them despite how they just led a mutiny, despite how they don't listen to him regarding the cows.

Odysseus' entire arc can be described as, "He tries out mercy, and it doesn't get him home. He tries out ruthlessness, and it doesn't get him home either. In order to get home, he needs to learn balance, in Hermes' words "Every trick in his domain"." And that is also, as I believe, the main theme of EPIC: Neither ruthlessness nor mercy by itself is the solution. Both have their place; one needs balance. Or: treat people as they ask to be treated.

Only by the time of the Vengeance saga does Odysseus seem to have finally figured this out, and that's where he genuinely starts succeeding.

So no, Odysseus is no longer "The Monster" by the time of the Vengeance saga, no matter how much the visuals in "Six Hundred Strike" try to convince us otherwise. But he isn't "Just a Man" either. Did anyone besides me notice how he stopped calling himself this or justifying his weak moments like that in "Monster" and how he doesn't go back to it even after dropping the monster act?

And here we have the perfect segway into an essay I haven't written yet that might answer the question, "If now he's not a man and not a monster, what is he then?"

Well, technically Odysseus told us himself that one time he acted out of resentment... "Neither man nor mythical." But that's an essay yet to be written... I'll get to it soon, and there we might answer what actually happened in "Six Hundred Strike" and why the line "If you dance with fate I know you'll enhance your state", that I see is mostly overlooked, matters so much more than we probably all think.

Until then, know that I am not actually the first one to address the "Neither man nor mythical" significance. Credit goes to @glisten-inthedark; coming across her post on this matter genuinely enhanced my understanding of what happened so much and I need all of you to read it because it's a truly brilliant conclusion. I'll write my own essay on this topic soon, I promise. But without that post, I would've probably not come to this realization for a long while.

Either way, we end this essay with words that I will never tire of repeating: Stop villainizing Odysseus, y'all. It's not cool, not only because it's undeserved but also because it pretty much shows that you have successfully missed the point and core theme of this musical.

... See you when we inspiration for another essay strikes me. In the meantime, have a brief introduction to what that essay will cover in meme form because I can.

[xlatrina]

(Pt. III) Friends to Lovers HCs w/Homicipher x GN!Reader

Tags: Platonic + Romantic HCs, Friends to Lovers trope for basically every LI, Likely OOC for some LIs*, Mini Scenarios (so HCs are kinda plot-driven), *Multi-Part Series, entirely SFW

Also, changing tenses in some cases + not proofread again... sorry!

*Some of the LIs are likely written OOC (Out Of Character) mainly due to a lack of substantial in-game appearances (at least in my opinion!). 

*Split into multiple parts because I’ve come to realize that these HCs are muuucccchhh too long 😅 BUT!! I’m too lazy to shorten them sooo… YEAH lol

Part I (Big 🙆‍♂️)

Part II (Mr. Chopped 🪓)

Part III (Mr. Crawling 👣)

$$$

Mr. Crawling

This man is in love with you.

Lowkey could stop right there.

Well, anyway…

Mr. Crawling is a GREAT friend, actually.

Like he’s the kind of buddy that’s —first of all —down for whatever.

You said you tryna go walk through an unfamiliar part of the Apartments to try and find a mysterious elevator?

Well…

YEAH SURE HE’LL TAG ALONG

I MEAN… WHY THE HELL NOT, Y’KNOW??

“Me know place here,” He’ll say. More or less: I know this place!

And he’s so damn chipper about it, too!

He’s just an overall helpful guy.

He seems to have an intrinsic protective streak in him, too.

Which is interesting, ‘cause it’s like…

While it’s obvious he’s been in the Apartments for a long time, it’s clear that he hasn’t completely lost his sense of humanity.

I mean, trust —it’s definitely worn in some ways.

Like, he eats people bruh.

Trust, his sense of humanity is def gone in some ways...

But!! At least he's not as violent as the other ghosts can be!!

Like, generally speaking, you’ll find that he’s a pretty admirable dude.

He doesn’t hurt other entities for the pure sake of hurting them.

Defense, and alternatively —for food or other resources like clothes or tools.

Those would probably be the only reasons Mr. Crawling would ever just… attack someone, especially unprovoked (unprovoked, but not necessarily without reason).

That being said, he’s a social butterfly!!

He’s literally a professional yapper in every sense of the word.

Like… he could start a podcast LMAO

Podcast Bro!Mr. Crawling…

Anywho, he’s genuinely a people person and he likes being in good company.

Whether it’s you, Mr. Silvair, Mr. Chopped, Mr. Stitch(?), the Nurse, Mr. Wheelchair, the Hairdresser, etc…

He’s genuinely the type who could talk to literally anyone about anything for any amount of time.

If you’re a yapper too, this’ll probably be fun for you!

And hell, you may very well have met your match, LOL.

If you’re more introverted or quiet —no matter.

Mr. Crawling, being the professional he is, knows how to fill up any awkward silences with banter.

He doesn’t judge you at all on the basis of how you react to his yapping. Truly.

At the end of the day, he just enjoys sharing your company and getting to hear your voice, as little or as often as that occurs.

Hopefully, you don’t find his constant need for company annoying.

… Do you find him annoying?

At some point, Mr. Crawling begins to realize his feelings for you have changed…

In the case you accept him as a partner, he’s absolutely OVERJOYED.

Not only have you promised to indefinitely keep his company, but you also accepted him as your better half!

“You enjoy me?” He’ll ask, pulling himself over your curled-up form beneath the thin white sheets of the hospital bed.

“Me enjoy you,” you’ll say. You might even pet his head a few times, and he’ll giggle maniacally before dropping his head into your neck.

As Mr. Crawling’s fondness for you intensifies, so does his protective streak.

This guy turns into Papa Bear when it comes down to protecting his better half.

What Megan thee Stallion said??

“Three things I don’t play about: myself, my money, or my man!”

That, but more like: “... my friends, or my partner!”

Something like that, LOL.

Mr. Crawling’s sweethearted, bubbly, outgoing, protective, and quite affectionate. Intimacy is a language he speaks as fluently as his otherworldly one.

As we know, he’s very much the “high-maintenance” type.

He’s just super affectionate overall —and Mr. Crawling just wants to know that you’re always on the same page!

Tell him you love him. 

Tell him how fun it was exploring the same old dreary halls with him. Tell him how relieved you felt when he swooped in to shield you from danger, even though you could handle yourself just fine. Run your fingers through his hair and massage the nape of his neck as you tell him how much you’ve come to enjoy —and maybe even crave —his company.

And when you’re done…

Tell him you love him. Yes, again. Again and again and again and again and again…

He could never get enough. Truly.

He could never get enough of you.

With a boyfriend like Mr. Crawling, you’ll never have to fear a lack of comfort, protection, friendship, or intimacy…

Because he’s constantly giving it to you. 

You don’t even need to ask for any kind of intimacy —again, he’s giving it to you anyway.

And whether you’d like to shack up in a nearby spare room beside Mr. Silvair and Mr. Chopped’s loungeroom (of the sort) or if you take him with you to the surface world…

It makes no real difference in the way Mr. Crawling clings to you.

All he knows is so long as you’re both finding yourselves tangled together beneath the sheets each night, all is right in the world!

Mr. Crawling just wants to spend his evenings at home, and if home is where the heart is, then…

Well, you know how that goes!

[Part I (Mr. Big 🙆‍♂️) | Part II (Mr. Chopped 🪓, First Half/Second Half), Part III (Mr. Crawling 👣)]

[coolshadowtwins]

SVSSS fanfic that I will never write-

LBH post canon accidently goes back in time. How? I don’t know, it isn’t important. If I had to pick a stupid reason, then in PIDW had a storyline where LBH went back in time to a wife’s past to like… learn more about her? To help her in the trauma? IDK but what I do know is that Peerless Cucumber would have ranged for hours about Airplane adding in the concept of time travel and then doing nothing else’s with it.

And guess who the subject of the wife plot is now??? That’s right- SQQ. Except the wife plot took the body and not the soul, and now Binghe is back during SJ’s disciple days.

LBH somehow, as the main character, manages to convince the peak lords of the time that he’s of Qing Jing! He is, really! He really laid on the charm here.

Previous Sect leader: I don’t know if I believe you, but since you look like such a polite young man-

LBH gets escorted away to a room by the head disciple. And who is the head disciple of the sect leader peak??? It’s Yue Qi, sad and depressed and lifeless because LBH managed to find himself in the period of time where YQY thinks SJ is dead!

LBH: I want to meet my young Shizun. Shen Qingqiu- Shen Jiu I think now?

YQY: …. Xiao Jiu is dead?

LBH: Maybe in the future for like five years but not right now!! He’s my super awesome Shizun! …. Do you want to drop everything to go look for him?

YQY: Oh boy, do I!!!

So the two bounce from the sect with no warning, looking Shen Jiu. Luckily, now knowing that he is alive and didn’t die in the fire, it’s pretty easy to follow the line of gossip that follows WY and SJ. And of course, the entire time, LBH is praising his Shizun.

Now, he hasn’t said that he was married to his Shizun. He didn’t want to spoil that just yet! He’ll reveal that to his younger Shizun himself when they find him. But until then, he can still tell YQY how awesome his Shizun is, and how nice, and how close he was to SQH and LQG and even to YQY himself! (That last one was a bit of a fib, of course. SQQ was always a little uncomfortable around the sect leader. But YQY was eating all of this up, being so happy that his childhood friend was so happy and well liked, and well…. It was only a small fib)

They finally catches up with them, and quickly dealing with the other guy, YQY and SJ have a nice reunion, having both think the other was dead! And of course, it was incredibly clear that YQY had been looking for SJ this whole time, which does wonders for his abandonment issues. SJ may yell at YQY for leaving the sect so suddenly and risking everything just for him, but on the inside, he is bursting for joy, trust me.

LBH is not bursting for joy. Like, at all. He had been so excited to see his Shizun but young and now that he’s here…. Something inside of him and screaming that this wasn’t his Shizun.

He had no reason to believe that. This was very clearly SQQ at 14~. But of course, he’s the 200 IQ protagonist and figures it out quickly that his wonderful Shizun/husband took over his body when LBH was 14 and that this was his shitty Shizun that made his early years in the sect awful.

He’s fully ok with that. If his husband needs to possess another man to be with him, than who is LBH to judge? Only the best body for him! The problem is, of course, that he has spent the entire trip over ranting to YQY about how good of a teacher SQQ was to him, and now YQY is excitedly telling everything he said to SJ. LBH can’t just…. Back track now! That would be weird, and if they think that someone will possess SJ later, then what if his husband never shows up??

So he goes along with it. It isn’t hard- he doesn’t hate SJ, not like PIDW him would. He was only under him for three years~ and a lot of what happened to him was still being justified in his head. So it’s just… whatever, to him at that point. He confirms what YQY had been saying, spins a charismatic lie to the sect about why they left and how GREAT SJ will be as a disciple in the future, and then he leaves. Just, fades away in front of everyone.

And now this is SJ’s life. He thinks he’s a good Shizun in the future, even if he can’t stand kids. He think that he becomes friends with SQH and LQG, which is oddly hard to do?? LQG angrily wants to fight him every time he sees him, which is super annoying, and SJ is 88% sure that SQH is talking to demons but, you know. If another version of him managed to become their friend without future knowledge, then he has to do it now! He has a head start on the race here, no way is he losing it!

He does become friends with them, and is still incredibly close to YQY as they grow up. He’s still… him, but his major heart demons- the abandonment by his Qi-Ge and being unsafe even in the sect- aren’t there anymore. He even manages to be an ok Shizun to a young LBH, somehow. He’s pretty sure that he’s sucking at that, btw, because the little brat gets on his nerves when they are in the same room for more than five minutes, but he’s being mostly polite! He had to wonder what the other version of him did to get such a glowing review from the future version of his disciple, because it has to be more than this.

Ironically, because I think it’s funny, this is the timeline that our LBH finds himself back in. The time travel was always meant to be a stable one timeline kinda thing, so anything he changed in the past affected the future. I imagine in PIDW that LBG didn’t do much of anything but maybe comfort his future wife, for Airplane’s fear of making a confusing paradox for himself. But this Binghe? Oh no, he did so much!

Because he saved SJ some heart demons, and helped him make friends despite his trauma, he’s not as prone to Qi divinations! Which means that he didn’t have a fatal one when LBH was 14! Which means when LBH gets back to his time after all of that, he takes one look at his ‘Shizun’ and knows that this isn’t his husband. Which means that his husband never possessed SJ!

He’s horrified, and spends a whole day moping around the peak, trying to think of ways to fix this. He has just gotten himself worked up to go and do something drastic when NYY finds him.

NYY: There you are!! Shen-Shidi has been looking for you all day!

LBH: H-huh?

NYY: Why are you moping around, huh? Did you and Shen-Shidi have a fight? Don’t worry! He’s your husband, I know he’ll forgive you-!

LBH: WHAT.

And that’s how he learns that while he isn’t married to his Shizun in this timeline, he is married to his Shixiong, Shen Yuan! Shen Yuan, who got shoved in Willy nilly when the system realized that SJ wasn’t going to die when he was supposed to.

There’s probably some sequel where LBH has to fake that he has memories of what happened in this timeline, which I imagine is somewhat close to Svsss? The system was still running around, even if a major player has changed. And LBH would just be so bad at faking it in front of two people and two people only- SJ and SY.

SY: Binghe, don’t you remember our first date? :)

LBH: …It wasn’t the water prison!

SY: ….that statement is correct but also the wrong answer.

And

SJ: Beast, you’re not coming to this Immortal Convenance. Don’t you remember meber what happened last time?

LBH: …. You didn’t push me into the endless abyss?

SJ:… That statement is wrong and I was also going for the HHP tag alongs you obtained.