#all in all a pretty reasonable judge of my character

[yeonmuse]

`✦ˑ ִֶ 𓂃⊹ Curtain Call ·˚ ༘

ᥫ᭡ f!reader x lee heeseung ── 𝒢enre. Uni au. fluff, non idol enha. feats. ot7 [reqs are open] ᝰ.ᐟ 𝓁ibrary 🪷

authors notes This is a follow up to Heeseungs side story in Can You Hear My Heart. It takes place directly after the final chapter of Jungwons Mini Series. This is not a Hee X Reader series, but if youd like to replace the characters name with your own feel free to. This is part of admins University series

IN WHICH 𖤓 Heeseung has a thing for the theaters golden girl, he’s been crushing on her for months. He’s got it so bad for her that he somehow lets Jake talk him into attending auditions just to get closer to her.

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Quiet on set

The hell-like weekend had finally ended and it was now time to get back to classes and rehearsals. The fact that so much had happened in the timespan of just two days still completely shocked sakoia, obviously life was unpredictable and moved fast but she had never expected her weekend to turn out as it had. In two days alone she had met a new friend and lost her due to her being a complete snake.

Aside from the agonizing events of the weekend Sakoia did find herself smiling at the thought of Heeseung going out of his way just to make sure she knew he wasn’t an asshole. Though as quick as the smoke spread across her face it went away, she wouldn’t allow herself to sit and swoon over someone so easily. Though he made it hard, the last 2 months since Jungwons party, any time she’d seen him around or conversed with him he always had this way of making her laugh or smile. The confidence and charm he held could obviously draw a woman in, but it made her feel so easy how simple it was for him to worm his way into her thoughts.

She had been completely lost in her thoughts of the events from last night. She hadn’t realized Heeseung creeping up at her side as she walked.

“Lost in your pretty thoughts so early in the morning?” His voice snapped her back to her senses , warning a smile from Heeseung when she actually made eye contact with him.

“Mm thinking about everything that happened over the weekend, it was a complete shitshow.” Heeseung chuckles seemingly unbothered by the mention of the events, as long as she had forgiven him he truly didn’t care about anything else that had happened over the weekend.

“Mm yeah, ill have to find some sort of way to make it up to Nezz, since it was partially my fault her night was kind of spoiled.”

“Mm don’t worry too much about it, she knows it wasn’t your fault, her and Yuan were completely understating everything once I told them why you blew up like that, we all thought..”

“You thought?”

“We thought that maybe she was just a fling to you, earlier that night Nezza had said that you were the type to mess around, that you don’t usually date.” The tension in the air grew thick as the words left her mouth, she usually wasn’t the type to pre judge but the events of that night had her convinced that it was true up until he explained it all to her. As much as she hated it though, there was part of her that was still holding onto those words, wondering if they were true.

“She was right.” Sakoia felt her stomach twist in knotts at his response.

“She was right about back then yeah, way before, before a few months ago I couldn’t bother dating anyone, didn’t trust anyone enough to date them so yeah there were a few i did have flings with but, wasn’t exactly for me.”

“Is it because of her, Rena?”

“She’s part of the reason yeah, after that it was always hard for me to trust anyone so I steered away from the relationships and titles, though now I’ve had my eye on someone for a while now, been trying to get close to her, she’s the only one I’m really interested in dating.” There was a subtle silence between the two, she seemed lost in thought but all he could do was stare at her as they walked, all he could do was admire how beautiful she looked when she was lost in her own head.

The two of them eventually arrived at the auditorium, sheltered from the cold outside, and engulfed into the warmth of the building. This was their first official practice since the roles had been announced, and thankfully Heeseung wasn’t as nervous as before. Having spent more time with her he was now a lot more confident and comfortable in the role when it came to scenes with her.

Sakoia found heels watching him as he took off his jacket and threw it onto a seat in the front row. She found heels a little distracted after hearing his words earlier, so he was interested in someone. She was forced to come to her senses as the rest of the cast started sauntering into the auditorium, and the two were no longer alone.

For the first time since she started acting she found herself somewhat distracted when she’d look at him. Whether it was her trying to figure out who he had his eyes on, or her trying to distract herself from the fact that she did in fact find him attractive.

Meanwhile all Heeseung could think about was her, how pretty she looked, how angelic her voice sounded as she delivered her lines. The way her nose scrunched up whenever she was deep into her thoughts in between scenes. She was all that he saw.

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🔖 @sol3chu @butterflywonz @jwonistic @squiishymeow @river-demon-slayer @lillotus17 @dreeki @jiamini @st4rryst4r @firstclassjaylee @right-person-wrong-time @pkjay

[pomefioredove]

hellooo!! i saw requests were open so i might just share my thought vomit

idia with a reader that is very curious about his hair, for example they want to braid his hair so they ask him if its possible. orr if it can change different colors other than pink or red, if it burns when you touch it etc etc. hes such a unique character both in design and lore and hes such a silly goober and sooo

please ignore this if it doesnt suit your schedule or if the requests are closed and take caree <3

ahhh ofc! I hope you like this

*ੈ✩‧₊˚ idia's hair

type of post: headcanons. kind of characters: idia additional info: romantic or platonic, reader is gender neutral, reader is kinda yuu, long again

Idia can't be mad at you for asking, or for being curious, but he can be mortified. he's already out of his element here, and you make his stammering and his awkwardness so much worse than the others. like, he can deal with the back-handed compliments and manipulation from the extroverted normies here (they suck, but he can deal), but you're like. nice. FOR NO REASON! he'd much rather have psychological warfare with the greedy, manipulative normies at this school than have to cope with you being all cute and... sunshine-y

he'd been doing a good job at avoiding you, and then Ortho had to ruin everything and "introduce" you guys. apparently you'd been feeling lonely? yeah, right. and you wanted to meet him? you must've just hit your head on something, in which case you should be in the infirmary, and NOT HIS ROOM!!

but he can't say no to you. damn it all. and now you're getting your cuteness all over his things. what's he supposed to do?? pretend you're not here???

and you keep LOOKING at him. it's scary. you're definitely judging him.

"could I... braid your hair?"

oh, just smite him now. this HAS to be some kind of weird prank. did the others put you up to this?

but again, he can't say no. "I guess,"

"will it burn if I touch it?"

wonderful. Idia turns away from you, avoiding your eyes under the guise of demonstrating. "no. it's normal hair. it just looks weird,"

"it doesn't look weird. I think it's pretty,"

this is how he's going to die. death by kindness. ugh. he doesn't have it within himself to respond to that. you don't ask him to, though, getting right to work on braiding his hair.

"is it always blue?"

what is this, twenty questions? "most of the time,"

"what other colors?"

"uh... I dunno," he mutters. he does know, he's just dying. don't mind him. "like... fire colors, I guess."

"oh... cool,"

you finish the braid, and he just sits there in silence, trying to get the memory of the way your hands felt out of his head...

"pretty," you say again, and he dies a little inside. do you have to be so... perfect? like sunshine and warmth and flowers and everything nice?

and more importanty, why would someone like you ever want to be around someone like him?

Idia hopes you never ask yourself that. because he's already thinking about keeping you all to himself.

[peanutpinet]

You Are Loved - Sylus x Insecure Fem Reader

Prompt: “I’m going to prove everyone who made you feel like you don’t deserve love that they’ve been so, so fucking wrong. And I’m going to make you understand that you deserve so much more than you realise.”

Prompt is from: @dumplingsjinson

Blurb: When you thought that you were not worthy of love and are always worried that you would get hurt in the process, Sylus proves you wrong

Trope: I don't really believe in love girl x let me show you what love is guy

Warnings: Light angst, insecurity, soft and loving Sylus, reassurance

Disclaimer: I do not own the images nor the characters or you (the MC). All images were taken from Pinterest and credits go to the images' respective owners.

“You’re dozing off again, is something wrong, sweetie?” Sylus pointed out as the two of you had dinner together

You immediately snapped out and looked at Sylus, reassuring him. “No, no. Just work…yeah” you went back to look at your food and started to pick at it which didn’t go unnoticed by Sylus

Sylus let out a sigh and used his hands to stop you from picking at your food. Instead, he interlaced his fingers with you, rubbing your knuckles. “Hey, tell me. What’s wrong? What’s in that pretty head of yours, hmm?”

You honestly didn’t want to admit what you were thinking. It was silly and you were being insecure because Sylus was your first-ever boyfriend. Sure, you were aware with love, the idea of dating from the books you read, movies you watched but when you’re the one who’s actually going on a date with your boyfriend, it just feels off.

“Hey…” Sylus called out to you again, rubbing your knuckles and getting your attention

“Sorry, sorry. I didn’t mean to doze off again. Umm, what were you saying?” I asked, trying to get into the conversation

“Something is on your mind. What’s wrong, sweetie?” Sylus asked, gripping my smaller hand tenderly but firmly at the same time while you tried to avoid his gaze because you knew that if you did, you would actually give in and admit what was wrong

“Sweetie?” Sylus called you again, his grip a bit tighter but not too much that it would hurt you. “Tell me, why are you picking on your food, avoiding eye contact with me? Did I do something wrong?” Sylus asked as you immediately shook your head

“Then? What is it, sweetie? Do I really need to use my aether core and look into your mind? You know that I can do it but I’m not out of respect for your boundaries” Sylus added on, getting a little frustrated on why you wouldn’t tell him what was going on

“Sometimes I just wonder…” you started, trying to unscramble the words to create a concrete sentence while Sylus rubbed your knuckles with his thumb, reassuring you that he’s not going to judge you. “Go on, sweetie. What do you often wonder, hmm?”

You took another deep breath, not wanting to meet Sylus’ eyes as you spoke. “I just wonder…what made you pursue me and to keep going until now? You know I’ve never been in a relationship and I’m not someone who seems to be capable for long-term because of trust issues and all”

Hearing your reply, Sylus gripped your hand a bit more comforting instead of tight and rough. “Sweetie, look at me”

You still tried to avoid Sylus’ gaze until you felt his large hands creep under your chin and gently turn your head so that you were facing him. Instead of looking annoyed or angry like he normally does when he’s out, his eyes showed a softer, more vulnerable side of him. One that you almost never saw.

“Is there truly a need for a reason to pursue you other than the fact that I adore you?” Sylus asked, his hand on your chin rubbing your face gently and lovingly to the point you almost leaned into his touch but held back and shook your head. “It’s just weird. You’re practically the most powerful man in the N109 zone, you’re wealthy, and handsome might I add. Why pursue me when you can have many other gorgeous and much more successful girls?”

Sylus felt his heart swell when he heard you put out all the compliments to him. “You really think I’m that handsome?” Sylus smirked as you scoffed, trying to pull your hand but Sylus being Sylus, he wasn’t going to let you go that easily

“Seriously? That’s the only thing you caught when I talk?” Sylus chuckled at your sudden outburst, finding it cute. “I assure you, sweetie, it’s not. But it’s not everyday you call me handsome though I know you thought about it. But for real sweetie, what does all my trait have to do with wanting to pursue you? Why should I pursue other girls when there’s you”

“That’s the thing, Sy. I’m just me. I’m no one special. I’m not even that pretty, not that smart, not a business owner or anything outstanding” you argued back

“But you see, I don’t care about you being someone famous, special, or outstanding. I adore you because you’re you. You’re special to me whether you see yourself as special or not. I adore the way you ramble on about the little things of life. I adore how kind, gentle, and caring you are. I adore how raw and real you are with me. You don’t try to hide your bad side or be fake. You’re always yourself with me and that’s what I adore. You” Sylus reassured you, bringing your hand closer to his face as he kissed each of your knuckles before rubbing them again.

“Sylus…people will talk. Well, people already talk…” you mentioned but didn’t get to continue as Sylus immediately cuts you off

“Let them talk. I don’t give a damn what they say. They can think, assume, or judge the hell they want. But I’m going to prove to everyone who made you feel like you don’t deserve love that they’ve been so, so fucking wrong. And I’m going to make you understand that you deserve so much more than you realise”

“You should know very well that I adore you. There is no love purer than mine” Sylus kissed your knuckles, making sure his lips linger on your skin a bit longer

And somehow, the gentleness of Sylus’ touch and the raw feelings he poured out today brought a sense of relief and reassurance. Bringing a new feeling for you that maybe, for once in your life, it’s okay to be selfish and allow yourself to be loved.

A/N: I hope that you all are well, here is the fic I promised where you, the girl, doesn't really believe in love and Sylus reassures you by asking you to trust him and show you what love truly is :3 xoxo, peanutpinet

[oldwritingm]

Sorry for my inconsistent posting schedule my darlings :(

Creepypasta/MH - The Moment They Knew They Loved You

Characters: Jeff the Killer, Nina the Killer, Jane the Killer, Tim/Masky, “Ticci” Toby

Jeff the Killer

It would’ve been a very long time after knowing you

Even if he was physically attracted to you, he wouldn’t consider that “love”

He usually judges people more on their character

That’s not so say he doesn’t enjoy calling people ugly if he thinks they’re ugly though

So you guys would’ve been vibing together for a while

He’d come away from each interaction with you just a little happier (or a lot happier), but he didn’t really notice it

That is, until he walks into a room one day and finds you relaxing, scrolling through your phone

He announces some unhinged plan, fully intending on carrying it out

You just look up at him for a second before (being used to his bs) just giving a thumbs-up and telling him to have fun

He blinked at you for a second, a grin coming to his lips slowly

He thinks to himself: you know, this is why I like them. They understand me.

And then he starts to think about all the reasons he likes you

He spends the rest of the night with your image in his head and a light feeling in his heart

It’s when he’s lying in bed, telling himself to stop thinking so he can sleep, that he finally realizes:

Oh. I’m in love, aren’t I?

He’s not mad about it; he’s more surprised than anything (at first at least… soon he’s ecstatic about it)

But he fully accepts his affection for you, and it won’t be long till he confesses ;)

Nina the Killer

She’s a pretty perky girl with a lot of emotions

Happiness, sadness, anger… she’s unapologetic in expressing everything, to the point that many call her “extra” or “weird”

It’s only for those people that she acts more reserved, and it’s more in an act of resentment than resignation (basically her saying “eff you loser, you don’t deserve me”)

So she only really likes people that she doesn’t have to act differently around

And of course you’re one of those people :)

She finds little things to like and hate about everyone in her life, and you’re no exception

So one night she just happens to be looking at a picture of you, and she gets to thinking

She smiles as she remembers good times with you: going to the mall, getting messy with baking or butchering, late night texting…

At length she decides that there’s a whole lot more to love than hate

And then she gets to thinking about your looks, and maybe she’s biased because she’s just decided that you’re delightful, but she feels a little heat come to her cheeks

She zooms in on the picture she’s looking at, admiring your features one at a time

She’s baffled that she hasn’t noticed how good-looking you are until now

And then the memories play again in her head, but this time her heart soars extra high…

She’s in love with you!!

She smacks a hand over her mouth when she realizes it, then breaks into a fit of giggles

Get ready for not-so-subtle hints and extra affection….

She’ll want you to figure it out before she actually confesses lol

Jane the Killer

I feel like she would’ve decided that she loved you pretty early on

Maybe even before interacting with you for the first time

She watched you (perhaps not entirely intentionally at first), and was at once enchanted by your looks and the way you carried yourself

You were like a magical creature of beauty to her

She didn’t dare disturb you in the beginning; she was content just watching

She was sure that her infatuation was purely aesthetic; you were just pretty, that was all there was to it

Except IT WASNT

One day she happened to actually interact with you

She was a little nervous, what with you being held so high in her head

But you absolutely floored her

The way you spoke, the way you saw her as a person…

You hooked her like a bass in a pond

She stood there breathless after your first interaction, watching you walk away with a racing heart

It was then that she knew this was much more than physical attraction

She HAD to have you, or at least try to

And trust me, she will try her hardest 😤

She’ll court you for a while first, just to see if you’re even interested

But if/when you are, she won’t be taking her time in confessing ;D

Tim/Masky

Methinks you’d have been friends for a while first

You went through a lot of things together: good times, bad times, silence, chaos…

And maybe you weren’t besties or anything, or super enthusiastic about each other (actually you’re probably a little cold to each other if anything, even if you do feel strongly attached)

But the point is that you have a history, and you know each other well

Plus there’s an unspoken bond that says you’ll have to tolerate each other for a long time (unspoken obligatory friendship moment)

Not that either of you minded

So one day you’re enjoying some silence together, relaxing out on a balcony and waiting for the dark clouds to pour rain

Your eyes are fixed on the sky, leaving your face in full view of the world

And, more importantly, Tim

He’s not sure why, but his gaze catches on your face

He starts admiring the little features: your eyes, the curve of your nose, the way your eyebrows are shaped…

He doesn’t decide that you’re beautiful. He decides that this is the face of someone he loves

It hits him like a truck—just a random thought out of nowhere:

This is the face of someone I love.

And while he’s taken aback at first, with a reddening face he realizes it’s true

He does love you!! All that you’ve been through together really meant something to him

He looks away bashfully, grumbling something when you ask if something’s up

Get ready for the long game…. This man will never confess

He’ll curse himself for even insinuating any feelings for you, so you’ll be left in the dark unless you’re REALLY good at picking up accidental gestures

“Ticci” Toby

He’d be so oblivious to his own feelings

He’d act super affectionate towards you, but only because he acts on impulse

He never stops to wonder why he gets the impulse to hug you or pinch you or say something not-so-mean (even NICE?! 🤯) when he’s around you

He doesn’t even notice that he only gets those impulses for you

So you’ll probably figure it out before him

And it’s only when you start to return that affection that he really starts to question

But again. He is SO OBLIVIOUS

It takes him a very long time to figure it out… you honestly might just have to spell it out for him

He can’t even take hints

I think that when he finally does figure it out, it’s a fleeting thought that catches for some reason

Like, he’s just daydreaming or something and suddenly he’s dreaming of dating you

And he thinks: hey, that wouldn’t be so bad. But it’s not like I like them like that. Wait…. Do I?

And then he’s just. Floored. Because HOW DID HE MISS IT FOR THAT LONG

Literally grips his hair like “WHAT!!!!”

Immediately runs to go yell at you tell you that he loves you

And you’re just like “oh I know. But thanks for finally confessing! <3”

Thank you so much for reading!! Take care my sweet duckies <33

(divider by saradika)

[luffington]

OMG im obsessed with the fic with Cora and Doffy X Reader! i was wondering if i could request just Corazon X Reader? im absolutely crazy about the idea of sweet Cora having those repressed sadistic urges, and his struggle with wanting to be soft and kind, but cant help liking the darker and meaner, its just. UGH SO GOOD

Maybe the reader could have picked up on that a bit and is teasing him into giving in to those urges (which they're totally into lol)

Also i love your fics sm! keep up the great work <3

✧.* art credit!

➤ pairing: donquixote rosinante (corazon) x gn!reader

➤ word count: 1.3k

➤ warnings: dom!corazon, possessive!corazon, dacryphilia, oral (m receiving), praise kink, established relationship, fem reader

RIGHT ITS SUCH A GOOD CONCEPT!!! we barely know anything about cora outside of what law experienced and we'll probably never find out more so.... character interpretation!

my first draft of this had a paragraph where the reader acted bratty to try to coax out his mean side and he almost starting crying.... i took it out because i couldn't do that to him (ㅠ‸ㅠ)

this ended up being pretty similar to the other fic (read here) but i hope you like it!

NSFW under the break! minors dni thank uuu

Corazon was the sweetest man you’d ever met. Sure, he was a master of deception – hiding his Devil Fruit powers and tricking his brother into trusting him was definitely not an easy feat. His anger issues could use some work, even though the reasons behind his outrage were always justified. But his loving personality and strong sense of morality were very real.

He never doubted your kind heart, either. You had joined the Donquixote Family simply because you had no other options, and dealing with his crazy older brother was better than starving on the streets. Corazon was able to relax around you, be silly and affectionate without being judged by his cold-hearted coworkers, and finally speak after long stretches of staying silent.

But there was more to him.

Doflamingo seemed to be the black sheep based on what little you knew about the biological Donquixotes. A rare case of madness in an otherwise well-intentioned family. However, the brothers still shared the same genes and the same horrific childhood. And even though Corazon never discussed his experiences in the Navy, he certainly witnessed terrible things that still weighed on his mind.

Your boyfriend tried his best to keep any deep-rooted darkness away from you, but it was unhealthy for him to repress every negative emotion. You wanted him to feel comfortable around you. He didn’t need to be an angel all the time.

One time, the eternally clumsy blonde almost fell trying to hover above you in bed. Not wanting to crush you with his ten-foot tall body, he caught himself by grabbing your arm. Hard. You squeaked in surprise and he immediately apologized, but dark blue fingerprint-shaped bruises stained your skin by the end of the night.

Early the next morning, when he thought you were still asleep, he lightly traced the marks over and over. You caught him staring at them throughout the day, too, looking more intrigued than upset. He littered your neck, chest, and thighs with hickies the next time you fucked, and you realized inflicting pain wasn’t what turned him on – he didn’t want to hurt you, he wanted to mark you. Those were his fingerprints on your arm.

So much was taken away from him at a young age that of course he wanted to claim you as his own. Hickies were more conventionally sexy than bruises, so he was less ashamed about admiring them in front of you and telling you how pretty you look. Even gently rubbing a large one on your neck during a Family meeting, which made his brother huff and tell you to get a room. Corazon did get a room after that – pulled you aside into a private bathroom and fucked you against the sink while making you stare at yourself in the mirror. Whispering in a deep voice about how the color of your hickies matched his plum-colored lipstick.

A few weeks later, he came home in the middle of the night after being away on a mission with Diamante and Trebol for nearly a week. Thunder boomed outside the window and his feathery black coat left behind a trail of rainwater as he stumbled into your shared room. His tall frame visibly shook with anger, his dark sunglasses barely covered the fury burning in his eyes. You got out of bed to greet him and asked how the operation went, but he just pulled you into a very wet hug and mumbled, “I don’t want to think about it ever again.” 

You blinked slowly and whispered, “I can help you forget.”

The blonde threw his half-burned cigarette to the floor then smashed his lips against yours. He didn’t bother taking the time to build up to a heated kiss. Immediately biting your lower lip raw before pushing his long tongue inside your mouth. Your eyes fluttered shut, easily submitting and letting him take whatever he wanted from you. The smell of smoke caught both of your attention. Corazon instinctively stomped out the cigarette ashes smoldering on the throw rug without tearing away from the kiss for even a moment. 

“Let me use you.” He looked as desperate as he sounded. “Just for tonight, can you be my little doll? I’ll make it up to you later, I promise, I’ll be so good to you.” Heat shot straight to your core and you nodded fervently, clutching onto his drenched clothes like your life depended on it.

Which is how you ended up with his lengthy cock down your throat, your bare ass in the air and body wedged between his sprawled-out legs. Calloused fingers tangled in your hair to firmly guide you up and down. Graciously giving you time to relax by letting you swirl your tongue around the swollen tip, though he never pulled you entirely off his dick. He looked so pretty like this – damp hair clinging to his forehead, pale cheeks turned pretty pink, subtly squirming on the mattress, pupils fully blown out with lust. 

Corazon suddenly thrust upwards to hear you gag, several inches of his cock forcing their way into your tight throat. Tiny teardrops reflexively lined your eyes as your gag reflex kicked in. You expected the blonde to panic and immediately stop – even though it was just your body’s natural reaction and you were enjoying every second. But instead, he licked his lips like he wanted to devour you. 

There were those Doflamingo genes.

But unlike his selfish brother, Corazon asked if you were comfortable with everything happening for the second time that night. You gave him an enthusiastic thumbs up, obviously unable to verbally confirm with his dick stretching your mouth to its limit. His cock drooled salty precum onto your tongue as thick globs of your drool dripped down to his balls. 

You used both hands to stroke the rest of his length that couldn’t fit in your mouth – the huge man had a huge dick to match. Corazon swatted them away, held your wrists in one giant hand then pushed down hard until every inch of him was deep in your throat, messy blonde pubes tickling your nose. He was glad he set up a sound barrier, otherwise the entire Family would’ve heard the debauched moan that spilled from his lips.

After a few moments of admiring you and the prominent bulge in your throat, your boyfriend released you just before it became too much. “Good girl,” Corazon panted with a dazed smile. “Such a good girl, taking it all like you’re supposed to.”

He gave up trying to hold back after that, bucking his hips against your face and rambling about how pretty and perfect you looked like this. He pressed your head all the way down again just before he hit his peak, shooting a large load of cum directly into your stomach. When he saw your ruined state, a dark pit formed in his stomach. Tears stained your cheeks and spit dripped down your chin as you gasped for air, and he was turned on by it. 

Corazon quickly pulled you close to press soft kisses against your cheek and make sure you were okay. Nothing you said seemed to convince him, so you brought his hand between your thighs. When he swiped a finger through your folds, his eyes widened at how wet you were. He admired the way your sticky juices webbed between his digits, then immediately began toying with your cunt.

“I would’ve stopped you if you didn’t like it,” you grinned, shamelessly rutting against the palm of his hand. “Ruin me with your cock more. I’ll be a good toy for you.”

Corazon gulped, stomach fluttering with sinful excitement. “O-Okay, if… if you’re sure that’s what you want.”

Both of you knew he wanted it more than anything.

[nthspecialll]

The fandom glorifies Arthur Morgan

Now I am not talking about about low honor, I play high honor and got it as the top at the end of every damn playthrough but my Arthur, as it is the cannon Arthur, is not a good guy. I am not going to talk about all of the murder, robbing and stuff he does, because we are majorly aware of it, I am talking his sexism, casual ignorance and disrespecfulness.

I quite often see people say that Arthur Morgan is a woman lover, and he definitely is, he is better than a lot of men from that time (which isn't hard), but he would not hold up in modern times, because he is not from modern times.

Generally speaking, Arthur Morgan is a man who believes in gender roles, he believes in the idea of "a man being a man" and "a woman being a woman." He has opinions about what a woman should do and what a man should do.

I think the biggest hint at this is his relationship with Sadie, because while he accepts her running with the boys he doesn't seem entirely happy about it. "You got a pair of pants and all of a sudden you think you're Landon Ricketts?" "You want to ruuuunnnn with the men?" and also "can Ms Grimshaw spare you?" when the girls asks if they can come to Valentine with him.

Talking of that quest, when he runs off to get Jimmy Brooks he puts Uncle, a lazy old bastard, in charge of getting the girls home even though they are more than capable of doing it themselves as they are healthy young women who knows how to handle horses.

In several antagonize lines against women performers (which are just as cannon as his greet lines) he shouts things like "That isn't very ladylike!" or "Go back to the kitchen" and "go make someone supper."

People keep saying Arthur would "treat them right" and he would, to an extent, he would care for you, he would be nice to you, but he would force those gender roles. He does have a belief women are somehow "softer" and that he as a person with a provider gene should do more of the harsh work.

So now we covered that, lets talk about the racism, or as I probably should rather call it, ignorance, because it is very commonly know Arthur does not judge by the color of skin.

The first one is that Arthur uses the whites-only saloon in Rhodes. Tilly mentions it to Arthur that they don't allow people of color into it, and yet he still supports it, it isn't a big thing but it is something of notice.

Secondly, when he talks to Eagle Flies where he "sets him in his place" Arthur, honey, you are so wrong here. Eagle Flies is being chased by the government for the mere fact that he exists with a different culture, you are being chased because you murdered so many folks, you can run across the sea and live a good life, they are fucked regardless.

When we first arrive in Lemoyne, Lenny and Arthur talks about the Lemoyne Raiders about racism and Arthur says "These boys got a manner about them but I haven't particularly noticed," Arthur of course you wouldn't, you are a tall, muscular, white man with sun kissed hair and blue eyes, you are the poster boy for eugenics.

Lastly, which will also bring me to the third point, the casual disrespect:

Arthur causally calling Javier a slur on the boat for no reason, did you really need that one-liner so badly? That goes for a lot of times in the game such as: "are you secretly normal" "what a lunatic" "we should find a better story for that scar" "But you continue to irritate me, I will kill you and make my appologies to the lady" "stick around and you might die for her as well" "oh I didn't know I was talking to a lady." All those were a slight bit disrespectful, enough to be able to annoy the majority of us if he said it to us, and they were also unnecessary.

He is also canonically chronically late, most notably we can hear Sean saying "that man will be late to his own funeral," and when you go around antagonizing characters in camp they are not surprised at all, rather they go "back at it again huh?"

All of this is just to sum up, Arthur is a pretty bad man (also counting in all the illegal stuff) and we tend to glorify him and forget some of these things, partly is also because Rockstar are amazing at hiding them, at making them seem natural, and they are because this is a historically accurate game! It is set in 1899 and this is a man from 1899 he is going to be casually sexist and disrespectful, and again, considering that he is from 1899 he is a decent guy because the majority of folk would be like Micah, not Arthur.

I definitely love Arthur, and I love Arthur exactly because the point of his character is him not being a saint but a human. His redemption is choosing to do good where he can, but even so, this is a man in 1899 and he is going to have a 1899 mindset. If you want to play a game that is set in the past but don't have that type of accuracy it is not Red Dead you want to play.

Also here is an Arthur pic as a thank you for reading all of that. I love him.

[linkspooky]

GOOD SIBLING, BAD SIBLING: THE FIRE SIBLINGS VS. STARFIRE AND BLACKFIRE

What could two siblings born in a royal family where one is scapegoated and the other treated like a golden child possibly have in common? More than you think.

This post is making the rounds again and I thought it would be fun to make a longer post going into depth why I think Starfire and Blackfire avert the common trope of good sibling bad sibling, by comparing it to something that fails to avoid that trope. If you like doomed siblings or bad victims then click the readmore.

Good Sibling, Bad Sibling

To start off with I'm going to explain what I mean when I use the words Good Sibling, Bad Sibling. It's a trope that's an extention of what I call Good Victim, Bad Victim. It's when a story compares two victims of abuse, and one victim is a more acceptable victim while the other is a bad victim because they're not perfect suffering Cinderellas.

Victims of course still have agency in their responses, they're still culpable if their actions go on to hurt someone, they don't have a right to hurt others, but I think it's also true most people are quick to judge victims for not being strong enough to endure abuse when they haven't been in the same situation.

It's easy from an outsider's perspective to be "I wouldn't do that". It comes from a pretty shallow view that villainizes abusers and renders them as inhuman monsters when the truth is all abusers are still humans and anyone can fall into patterns of abuse whether they mean to or not.

One reason I hate this trope besides like, the fact characters that aren't perfect victims are often considered "too far gone" and murdered by the narrative, it's also just really shallow. In the end it usually comes down to the victim getting love and support healing and the victim who didn't have support getting worse. Which is like, a no duh of a situation. A person without friends or a support system or love in their life tends to not get better? Who woulda guessed.

Good Sibling, Bad Sibling shows up when two siblings are raised under the same house, sometimes even in the same abusive circumstances and one is a hero and the other is a villain. Another version of this tropes is the fact that if there are twins one of them is usually going to be a good twin and the other is an evil twin.

I can understand where this trope comes from because like siblings are a naturally close relationship, so it makes it a deeply personal conflict when a character's sibling turns against them. I don't even think it's a necessarily bad trope, if both characters are humanized equally which almost never happens.

Examples of this trope: Gammorra and Nebula, Mai and Maki, Shoto and Toya, Dick Grayson and Jason Todd, Itachi and Sasuke.

And of course, Starfire and Blackfire, and Zuko and Azula.

My goal is to show by breaking the source material, New Teen Titans and the Avatar Cartoon down the former averts the trope and the latter plays it straight.

The Golden Child and the Scapegoat

A common trope used in dysfuctional families is dividing children between a golden child, and a scapegoat. The parent often projects all of their positive qualities on a golden child, along with high expectations. While the Scapegoat has all their negative qualities projected on them, and is often blamed unfairly for the dysfunction in the house. They are scapegoated so to speak, and constantly the victim of things like shifting goalposts.

It's like a more extreme version of playing favorites with an extra dollop of abuse on top. Also to be clear, this is an abusive dynamic where both sides are abused. They're not being seen as parents by their parents, and they are essentially being pitted against each other. There are plenty of parents who will be just as harsh on their perceived favorite. Being the golden child doesn't really safeguard you from abuse, even if it seems to be the more favorable position to be in.

Also in general when discussing abuse, arguing over who has it worse is kind of a pointless argument.

Also sometimes the playing favorites is intentional. By splitting up siblings and putting them against each other, the parent gets more control over each of them like a divide and conquer strategy. After all an abusers primary objective is to maintain control over someone by patterns of abusive behavior meant to wear down their sense of resistance.

With that being established, comparing the two royal families is interesting because the "hero" sibling is the golden child in one version, and the "villain" sibling is the scapegoat in another. If anything this proves that both forms of abuse can be the reason for a villain's tragic backstory.

STARFIRE AND AZULA THE PERFECT PRINCESS

Starfire might appear at first to be the total opposite of Azula. One of them is a hero who's like entire character is built around her overflowing emotions and the love she feels for people. While Azula is cold, calculating, and often treats her own friends like pawns instead of people. Starfire also doesn't repeat the cycle of abuse, while Azula does.

If you look past that there's a lot of comparisons to draw between the two of them. They are both raised in warrior, war-like cultures. The Tamaraneans may be all about that peace and love but like, an early conflict with Starfire's is that because she was raised on a planet as a warrior she doesn't understand why other heroes have a no-kill rule.

Azula is also a product of her culture. To begin with she's raised as a child soldier, of a nationalist and imperialist nation who are actively colonizing half the war. Azula also contributes significantly to the war effort, and never shows any doubt to the values of her culture.

As a brief summary of their early characters, Azula is princess of the fire nation which went to war with the world. She's the daughter of the Fire Nation's absolute ruler. She's however, the second born and not ever expected to inherit the throne. She is introduced in season one when Zuko vents to an unconscious Aang about how everything has always been easy for his sister. In Season two she becomes the main antagonist, first tasked with retrieving her brother, and then decides to try to capture the avatar on her own. I'd also be remiss to mention that Azula is the most personal antagonist the heroes face, because Ozai is more of a final boss. Starfire is an alien that was sold by her sister into slavery essentially (Blackfire is not a good person). She escaped to earth and became a member of the Teen Titans where she found a new family and worked as a hero. She's basically an immigrant to earth and there's a lot of culture shock. Starfire eventually returns home to her planet when it's in danger, and faces her sister as an antagonist.

This is another way in which they differ, Azula is the primary antagonist and negative foil to Zuko, and Blackfire is the primary antagonist and negative foil to Starfire.

While both basically have the tentative position of the favorite, while their sibling is demonized, it's made clear to them that they're not actually "safe" with their parents. Both sets of parents are awful and the origin of all abuse within the household. These characters also receive a slap in the face after being in denial for a long time that these parents will even mistreat their "favorite" child and treat them like an object.

Though, I would argue that Starfire is more in denial about her parent's abuse and will still see them as loving parents, while Azula is aware that her father could turn on her and strives for perfection to keep herself "safe".

Note Starfire is still saying this stuff after her parent's sold her into a political marriage.

Ozai: My decision is final. Azula: You ... you can't treat me like this! You can't treat me like Zuko! Ozai: Azula, silence yourself. Azula: But it was my idea to burn everything to the ground! I deserve to be by your side!

I've seen some people's unsympathetic readings of this line that Azula throws Zuko under the bus, but like... Azula doesn't want to be abused like her brother. What a monster. Let's see how you react when the father you thought was safe turns on you, I think most people would say or do anything not to get hurt.

I don't want to sound too critical of Starfire because she has her reasons (Blackfire abused her severely) but both Starfire and Azula seem to justify their parent's abuse to themselves by saying Blackfire or Zuko did something to cause the abuse. Sliding the blame from the abuser to the abuse victim. They participate in the parent's scapegoating of the the least favorite child.

I'd like to point out though that the ultimate cause of the situation is the parents themselves. The abuse started when they are children, and expecting Starfire and Azula as children to like, go out of their way to protect their abused siblings is expecting a lot out of them.

Like Azula is afraid to lose her position as the favorite because Ozai has demonstrated before that he'll horribly mutilate his children. Who would have guessed. Blackfire severely abused Starfire in their childhood, so she sees Blackfire as her enemy and not her parents who would have guessed.

In general too, expecting Starfire and Azula to be perfect siblings in an abusive household, and always protect their siblings, is once again a lot to expect from literal children who don't have fully developed brains.

However, I would say in both cases, they both try harder to connect with their sibling. This is where I get angry anons in my inbox, yes I'm going to make the argument that Azula was a better sibling than Zuko was to her. No I also don't expect Zuko to be a perfect big brother when actively being abused by Ozai. No I don't think Zuko owes Azula anything because she too prioritized her own well being over him that's what abuse victims do.

I'm just making the argument with in text examples that Azula does more things to help Zuko, and Starfire actively tried to befriend Blackfire before the sibling abuse started. In fact I think that's what makes both relationships incredibly tragic. It's not really two siblings who love each other on opposite sides of a conflict. It's that Blackfire and Zuko can't see past their own abuse, and can't love their siblings.

Once again I'm not blaming Zuko for priotizing himself, but I also think it's unfair to critcize Azula for taking care of herself and not sticking her neck out for Zuko when they were both being abused. Wow why are people extra harsh on Azula and extra forgiving on Zuko. It's almost like women are always expected to be perfect nurturers, and when they're not allowed to be complex human beings with flaws. My old enemy the Madonna Whore complex you strike again!

Anyway onto the examples. The big one is that Azula invited Zuko back after Ba Sing Se, seemed genuine about wanting to help resstore his honor. This is also a sacrifice on her part, because as I said even when he was banished Zuko didn't lose the title of crown prince. His status as the heir was never in question and like, letting Zuko stay a prisoner in Ba Sing Se would have ensured his inheritance would fall to her.

Why don't you let him decide, Uncle? [To Zuko.] I need you, Zuko. I've plotted every move of this day, [Makes a fist.] this glorious day in Fire Nation history, and the only way we win is together. At the end of this day, you will have your honor back. You will have Father's love. You will have everything you want.

Now common criticisms people use to argue that Azula has good intentions.

1) Azula needed Zuko to turn the tides in battle. While Azula was kind of in a corner in the fight where Zuko turned she also had Mai and Ty Lee and the entire Dai Li on her side so I don't think she'd really assume she needed Zuko to defeat the avatar. Also she starts getting backed into a corner long after she made the offer to Zuko so she had no way of knowing that ahead of time. Also, also, she might have just been backed into a corner for the sake of drama, making it more impactful when Zuko shows up and turns the tide.

2) Azula somehow knew she might not kill the avatar and needed Zuko to take the fall. This one doesn't make sense because Azula doesn't have any idea that Aang didn't die, until Zuko hints at it. After that point, Zuko kept it a secret from her and refused to tell her even though the truth being revealed would impact both of them. Like for Azula to know ahead of time she'd fail to kill the avatar when she made her offer to Zuko, and then bring him back to take the fall would require some 4d chess on her end.

Two more examples are Azula goes out of her way to warn Zuko that he might get in trouble for visint Iroh so often. On the Beach she's the one who comforts him and retrieves him from their old vacation house. When they're in front of the fire and Zuko is troubled she asks him what's wrong and even asks if she's the one at fault. Whereas Zuko mocks her for not having problems when Azula confesses her mother thought she was a monster he doesn't say anything in response.

In Tales of the New Teen Titans we get a closer look at Starfire and Blackfire's childhood, and we're shown Starfire tried hard at first to get along with her sister. Starfire also, in spite of being a victim of Blackfire's abuse went out of her way to save her life twice.

Something Blackfire responded with by immediately trying to kill her. Blackfire, you are a piece of work. In both cases, I'd argue Starfire and Azula try at least to have a positive relationship with their siblings. Attempts that are almost completely one-sided. I don't want to demonize Zuko too much though, because as I said when you're actively being abused it's number one easy to see the other sibling as being better off, and only natural you would prioritize yourself.

Also, Blackfire was an adult and continued the abuse later on in life when she had more agency, whereas Zuko for most of the tv show was a minor and you shouldn't hold minors to adult standards. If I judge characters for having an imperfect reaction to abuse, or not being perfect siblings I can no longer call myself a bad victim enjoyer.

Both Starefire and Azula as I said, participate in the scapegoating. In both cases it's out of a desire to maintain their spot as the golden child, because they want to assume they're safe.

Starfire actively defends her aprents all the time, while insisting that Blackfire was evil to begin with. Which is understandable again because Blackfire's abuse is just so much worse than anything Azula does to Zuko. It's expecting a little too much for Starfire to see the humanity in her abuser when she's a lifelong victim.

Like little blackfire things: Killing her sister's pet.

Phsyical abuse, actively trying to kill her even before they were on opposite sides of a war.

Selling her into Slavery (where Starfire was sexually abused).

It's extra tragic because both are essentially blaming the other for their parent's abuse. Blackfire takes out her pain on Starfire as revenge for her parent's favoritism, even though it's not her fault. Starfire demonizes Blackfire because she refuses to confront the fact that her parent's are abusive.

This is behavior Azula engages in as well. If you read into her actions, you can tell she blames Zuko for his abuse, you can't treat me like Zuko, while also believing that if she can just make Zuko act more like a prince he won't provoke his father anymore. Once again, sliding the blame on the abused rather than the abuser makes Azula feel more safe, because she also believes if she's perfect Ozai will leave her alone.

Zuko and Blackfire: The Banished Prince and the DIsowned Princess

This is another pair of seeming opposites. Blackfire is essentially Starfire's most personal arch enemy, occupying the same spot as Azula. Zuko is a villain for awhile, but honestly he's bad at it, and until the end of Season 1 he's so ineffectual he's more comic relief. Blackfire like Azula is insanely competent and causes a lot of genuine harm to the protagonists, and is far far worse than Zuko or even Azula obviously. I mean I've already listed some of the things she did above, but she also let her planet be conquered by aliens, orchestrated not one but two cues, and tried to have her parents blown up on live television.

However, both characters are effectively disowned and banished from their country for their inability to fit in. Both are banished and excessively punished.

Blackfire is the first born princess of Tamaran and she should have been heir to her family, but she was stripped of her inheritance because she was born disabled. Every Tamaranean can fly except her because of a sickness that nearly killed her when she was younger.

That's right everyone, the disabled representation you've been waiting for the sibling abuser and war-mongerer.

I think Blackfire's abuse covers a common way parent's treat their disabled children, where they don't want to make accomodations and make it clear they' don't want to take care of a disabled child and spend all their attention on their abled children instead. This trope is often called "Better dead than disabled."

Also I'd be remiss to point out that Tamaraneas have access to hover technology so Blackfire's disability doesn't inhibit her in any way. Like damn, parents will do anything but try to accomondate their disabled child.

Zuko is punished needlessly for a small offense of speaking out of turn in a meeting for not wanting to sacrifice young soldiers, and then refusing to fight back against his father in an angi kai. At which point he's banished and sent on a fool's errand of hunting the avatar.

Blackfire's reason for being banished is uhhh, because she tried to kill her sister in combat training, but also she was stripped of her inheritance just before being born disabled. She awas punished for things she couldn't control before she did anything wrong.

Both siblings also try to make up for their trauma and perceived deficiencies by constantly projecting violence. Blackfire is like, obsesed with war, Zuko's definition of honor is more focused around glory gained by combat more particularly killing the avatar in the first season. Both of them actively participated in colonization, Blackfire helped colonize her home planet, Zuko burned Kyoshi village and helped Azula with Ba Sing Se. Blackfire brought back an army to colonize her home planet, then attempts a military coup of a rather peaceful reign her parents secured not once but twice.

Both are blamed for their parent's abuse, it's Blackfire's fault because she was a violent and unlikable child she made it impossible to love her. It's Zuko's fault, he just didn't try hard enough to please his father and fit in as a prince.

While I may sound overly critical of Avatar's writing I do like how they gave Zukio a lot of chances to make mistakes and screw up, and instead of condemning him or dismissing him as too far gone they kept reinforcing that he always had a chance to better himself.

Both characters are really jealous and tend to blame the other sibling who's treated as the favorite for their abuse.

Zuko: "You're like my sister. Everything always came easy to her. She is a firebending prodigy and everyone adores her. My father says she was born lucky. He says I was lucky to be born... I don't need luck though - I don't want it. I've always had to struggle and fight and that's made me strong. It's made me who I am".

Though to give credit to Blackfire, while as a child she blamed Starfire for everything and used her as a punching bag, as an adult she seems to understand that the cause of their conflict was their parents and in fact tries to explain this to Starfire multiple times. So she's matured enough to see that Starfire is ultimately a victim too.

As I said too, Zuko is a child, he's also like still actively being victimized by Ozai while at the same time under the notion that if he does the right thing he can earn Ozai's love for 3/4ths of the show it's easy to understand why he'd blame Azula for his position as the scapegoat instead of Ozai.

Zuko never attempts to convince Azula to change sides with him, or considers that an option. When Azula is like, falling through the air about to die he doesn't tell his friends piloting the bison to try to save her. His stated goal when fighting Azula in the fignal agni kai is to put her in her place. That's literally a line he says.

Zuko, the empath when noticing she's having a total mental breakdown says "She's kind of off" and decides to take advantage of that to win the fight. When Azula finally breaks down and is screaming and crying, he just kind of sits there looking bored.

I'm not arguing that Zuko owes her anything that's a personal opinion, just that it's inconsistent with Zuko's writing. Zuko is presented to us as a character revolving around redemption, that learns that love and forgiveness are key to growth and healing and then just... doesn't apply those same lessons he learned to his sister.

That same kind of hypocrisy is present in Starfire, but it's like intentional. Starfire's inability to empathize with her sister, when her entire character revolves around empathy and love shows just how damaged her relationship with her sister is. Even then Starfire like, saves her life twice and was never able to kill her. With far more reason to not empathize with her sister, while blatantly hating her, Starfire still has that tiny bit of empathy for her. It's also like, Tamaraneans are a violent warrior people, and they're also extremely emotional and full of love, Starfire embodies both sides of that.

It's not just Blackfire either, it takes Starfire a long time to learn that she can't just kill criminals (again understandable, a cultural thing, in fact people like Dick are a little bit too harsh on her for this instead of trying to explain and understand where she's coming from). It is consistent with Starfire's writing, she is openly loving, but she's not the team mom that's Donna.

Zuko like, not even trying to redeem Azula or just like, not really caring is inconsistent with the writing that's trying to tell us that deep down Zuko is a caring person that is going to help heal the fire nation by showing them a better path forward. Zuko's double standards towards his sister, and his unfairly blaming her for his father's abuse is not written as a flaw. Blackfire unfairy blaming Starfire for her parent's abuse is a flaw. Blackfire's abuse of Starfire is her own fault, which is something she continues to do well into adulthood.

Which is why it's kind of all the more baffling, that Blackfire is way worse, is humanized a lot more by her narrative than Azula is. Now we reach the final part.

The Final Agni Kai

Now to trash on everyone's favorite scene that I absolutely despise as the end to Zuko and Azula's arc, while praising what is my favorite arc in the whole New Teen Titans manga. In the series finale of Avatar, Zuko after reuniting with Iroh is tasked with challenging Azula for the throne in the Agni Kai. They fight, and Zuko comes out on top.

In what is essentially the final fight between Starfire and Blackfire, Starfire is alerted by her brother that things are going down on her planet. She leaves earth with the Teen Titans and returns to her planet for a second time. Where she learns that she is being sold by her parents into an arranged marriage, as a part of a peace agreement with the invading force of her planet. Something that Starfire does not take well too, because she's currently in love with her longtime boyfriend Dick Grayson.

I'm going to skip over the Soap opera that is Starfire and Dick, because it's soon revealed that Blackfire too has returned in order to orchestrate a coup to overthrow her parents once more.

In the end Blackfire reveals her plan that she's set up an ion bomb to hold the whole planet hostage unless her parents abdicate and declare her ruler. At which point, Blackfire succeeds.

Both plots involve the scapegoat finally reclaiming their heritage and beating their sibling for the first time, one is the hero, the other is the villain... or are they?

There's a reason I love one arc and hate the other. It's that Blackfire is eventually allowed to be her own seperate character from Starfire, whereas Azula is ultimately just a plot object to strengthen Zuko's arc. This is shown in just, the amount of focus Zuko and his inner world are compared to Azula, how he has one of the most lovingly tailored redemption arcs shown throughout the entire show whereas Azula's mental breakdown is rushed through the entire end.

However, to further illustrate this let me show how well the New Teen Titans humanizes Koriand'r. To begin with, we see their childhood from both perspectives, to show both are biased narrators. Starfire represents her sister as being born evil, while Blackfire believes Starfire being the favorite took all her parent's love away from her.

Blackfire also gets, sympathetic motivations that demonstrate she's also capable of love and craves it deep down but suppresses it because she believes she needs to be a weapon of war. Something that is directly stated by the comics and only like implied by offhand by the avatar show.

In fact Blackfire gets to star in her own comic which tells a story where she is temporarily blinded after her first defeat to Starfire. After feeling helpess she feels like she's lost the will to fight, the will to kill, the will to rule which is how she defines herself.

Blackfire survives with one of her soldiers who doesn't abandon her, and helps teach with her rehabilitation teaching her how to fight while blind. Their relationship grows so close that Dorion feels like the first person that ever took care of Blackfire, and she breaks down and admits how much she wants to be loved. She almost seems willing to give up her conquest.

However, Blackfire misses out on the chance to be loved because her fanatically devoted soldier tricks her into killing him in order to show her that she still has the edge to kill.

This also clues us into more complex motivations for Blackfire. She is actively a patriot who believes that her father's rule is weak (she turns out to be right) and believes that conquering her planet is in effect her way of saving it. She has to put on this persona because the cause is more important than anything in her life, even love.

(This also contrasts Starfire who has no interest in being a ruler and runs away to live on earth with her love).

Also I'd be remiss to mention at the end of this particular arc Starfire doesn't forgive her sister or reconcile with her. I've never believed she owed her that. The arc just shows that Blackfire a human being (or a tamaranean I guess) who is capable of both good and evil. That her motivations are more complex than being a power hungry usurper and she actually can have good intentions. She's more of an example of the 'Well-intentioned Extremist" trope.

It's the complete opposite of Azula who's reduced to the mad queen stereotype in the end. Which is another knock against Avatar, Blackfire might not be the best disabled representation in the world but as I said parent's only treating their disabled child as a burden and that disabled child watching their parents take care of and love their abled children is a real thing that happens all the time. The comic also goes to show how competent Blackfire is in sipte of her disability.

Whereas, I can't imagine what it feels like to see yourself in Azula's mental breakdown, only to watch her last moment on the show have her offered no support, and not even a single sign that she might recover one day. Blackfire's motivations are tied to her abuse, but she's not demonized for being disabled in fact she's fantastically competent. Azula's like, readuced to an inhuman, ugly monster, and her mental illness takes all of her agency away and once again we're shown no hope for recovery.

Azula is reduced to a screaming incoherent mess. She has basically no agency in the end. Not only does Blackfire have agency, but like she has acutal points to make? The story values her point of view and gives credence to it? Myand'r is a weak ruler. She's not wrong when she says that their parents are the source of abuse for both of them. In fact, the narrative directly states the ones who started the abuse are their parents while it only implies it again with Azula and Zuko. Maybe the reason so many people deny that Azula is an abuse victim is because we only see the abuse from Zuko's perspective not Azula's. Whereas we get both conflicting accounts of Blackfire and Starfire's childhood and the narrative trusts us to judge things with nuance rather than needing it fed to us.

The planet has been invaded twice now. She's also, like, more popular with her father's weak rule?

Also like the story shows us why Blackfire will make a better ruler than Starfire. The narrative doesn't really illustrate how Zuko will be a better ruler, it just follows the "good king" trope.

I mean it's a fun little parallel that both Zuko and Blackfire are both an exiled prince and princess respectively, who return home to take back their throne. On one hand though, it feels like Zuko does it out of like, wanting to reclaim his birthright, or his feeling that the throne is his destiny. That's part of Blackfire's motivation too, but as I said, Zuko never states onscreen how he plans to improve the fire nation, Blackfire's got like actual policies.

Which is where the difference ultimately lies, Blackfire and Starfire are ultimately characterized as two sides of the same coin who need to come together to save the planet. Killing blackfire or putting her down won't fix shit or end the cycle of abuse on Tamaran. Blackfire and Starfire are much like Tamaran defined by love and war, and there's love and war in Starfire, and love and war in Blackfire and they both need to find a balance between the two.

This is in contrast to Zuko and Azula who's final conflict is just putting Azula down like a mad dog, quite literally. Blackfire is allowed to be human, with good and bad traits, and like actual points to make whereas Zuko's narrative only cares about Zuko's thoughts, and in general instead of coming together the narrative seems to think the only way that Zuko can triumph is if Azula is dragged down into the mud.

Blackfire is a character, and Azula is ultimately just a plot obstacle.

So that's my long ramble on a sibling relationship I absolutely love, and a sibling relationship I can't love no matter how much I like Zuko and Azula individually.

[ilomilodailystuff]

Okay. I see the fandom panicking and even starting to destroy itself...

For the ones who still love GO and would continue to love it as they always did but is judged because of ONE☝️ person's actions that might or might not be true, know you're safe here and I wouldn't judge you for loving GO despite Neil's accusations.

Because you gotta keep in mind that this show AND book are also Terry's. And you have to keep in mind that Neil wasn't alone in that project. Think about all the people that worked on the show, whether it's the crew or the actors. They're absolutely innocent, so why would you spit on their work as if they were guilty too ? Of course none of them would support Neil's actions if it's true, that doesn't mean we have to throw every poster or book or drawing or delete every fanfic or even stop writing fanfic because of this as if everyone were in the same boat.

These accusations are about Neil and Neil only and I would find it kinda sad that this story would be thrown away despite Terry had worked on it too, despite it also was in his memory. Ofc, if it's true, it's obvious Terry wouldn't be okay with it either but does that mean a story fully achieved and their characters have to be condemned with Gaiman ? Mostly when now, a lot of illustrators, writers and animators made it their own ? Mostly when it somehow saved many people's lives ? Mostly when this book or show had made people laugh and cry ?

This fandom is stronger than that.

Let's not mix everything.

Would you find it appropriate to talk about GO to the victims ? Obviously, no. For the sole reason that it's not. the same. thing. We have to put things back in their places. GO is GO, harassment and s*xual aggression are what they are. And it would be incredibly disrespectful to mix both.

So, my point is. Don't be ashamed to love GO despite what's happening. Don't feel guilty for supporting a show while you don't support the author. Don't let the fandom die because of one person's actions when there's so many people who worked on it almost just as much. I understand you're upset, I understand you'd think it might be hypocritical to love a show with the creator being accused of horrible things. But make the difference.

And I can assure you, if Neil is not guilty (and if he is, I hope the victims will get justice and Neil will have what he deserves) I'm pretty sure that he's not thinking about Good Omens at all right now, but just thinking about sorting this out and clearing his name as every innocent person would need to do so.

So, whether the truth is hurtful or a relief, let's keep the GO fandom going. For if it's hurtful, we will make Terry's story alive for his and many people's sake, and if it's a relief, we would have been doing things right by not jumping into conclusions.

Either way, you're welcome here and you're safe with me. Keep loving. Spread some joy. Don't let Neil's possible actions stain a wonderful story that is not only his own ❤️

[rin-solo]

Let's talk about "Monster" ... and one of Odysseus' criminally underrated traits: his lack of judgment.

I was re-listening to "Monster" the other day and it kind of just hit me... Overall, that song isn't my favorite (it's somewhere in B tier; the lyricism is great, and the part after "So if we must sail through dangerous oceans..." absolutely slaps, it's just not one that I go back to frequently.) But there are some things I genuinely adore about it because I adore the way it progresses Odysseus' character arc as clearly not a "corruption" and how this is conveyed through the way the song is set up and presented.

First of all, I simply have to yap about how Odysseus isn't justifying his foes' actions the way that I have seen some people falsely assume. He's describing what they did or do and essentially saying, "They aren't letting themselves be stopped by guilt from doing what they think they have to do, so why should I?"

Polyphemus doesn't overthink whether it's right or wrong to kill some people because they harmed him or his sheep.

Circe may deep down feel guilt but isn't letting that stop her from turning men into pigs to prevent any more harm from befalling her nymphs at their hands.

Poseidon isn't losing sleep over drowning a fleet because that is what gods do to retain their infamy and status.

Odysseus and the rest of his soldiers didn't use the Trojan horse tactic out of malice or bloodlust, but out of pragmatism. It was the most efficient way to win a war that would have only cost more lives on both sides if they hadn't ended it then and there.

You look at that and you may think, "That's all very fair, but that doesn't mean any of those actions are justified" ... and you'd be right. None of the actions above are actually right or justified.

But the thing about "Monster" that I love so much is that it's specifically NOT something like, "These people I've encountered are all evil and ruthless and they are right and justified in being that way; I'll be the same." It's actually, "These people I've encountered act with ruthlessness; it clearly aids them in achieving their goal, and they seem to have figured out how to not feel guilt over their actions. I want to reap those benefits too. So far, I've been acting with mercy, which seems to have disadvantaged me. If they can do it, I can and should do the same to level the playing field."

Odysseus isn't saying that their actions are right, wrong, or justified. He's simply exploring why these people act the way they do. And he does so entirely without judgment.

I'm not surprised about him not judging Circe; while she was still wrong since she went overboard and struck preemptively against people who were not guaranteed to ever cause harm, she was pretty much redeemed in the end and her point is the easiest out of these to understand.

But the rest? Polyphemus killed his best friend. Poseidon drowned his whole fleet. The Trojan horse? It never comes up anywhere else but since he mentions it here, I think it's safe to assume that Odysseus feels guilty for using a tactic such as this. And still... Odysseus talks about his foes' actions with understanding and an open mind. He acknowledges their points of view—all of them, even if none besides Circe ever acknowledged or understood his.

The only time we genuinely see Odysseus act out of resentment is when he tells Polyphemus his name... After that, he never shows anything of the sort ever again. If he ever held any resentment toward any of his foes, I feel like this is where he lets it go for good.

Hell, even Poseidon, whom he would have by far the most reasons to resent, Odysseus doesn't actually judge or resent. I wrote a whole mini-essay on why the Vengeance saga proves that Odysseus doesn't actually seek or want vengeance on Poseidon. One might argue that he sounded like he was avenging his crew in "Six Hundred Strike" but it's important to remember that he offered Poseidon forgiveness one song earlier. He didn't lead with vengeance or resentment, but he rekindled his anger when Poseidon rejected his mercy.

My point is that Odysseus doesn't judge or resent any of the people who attempt to stand between him and his home... which shows incredible character strength in and of itself. This occurs later, but he acts similarly toward Calypso in "Not Sorry for Loving You" as well.

This is such an underrated trait of his, especially considering it fits perfectly with EPIC's themes, which revolve around seeing every perspective and balancing between ruthlessness and mercy. Honestly, I don't think those themes would even work with a protagonist who isn't so open-minded.

Coming back to "Monster," as we've established, Odysseus doesn't pass judgment on his foes. Similarly, he isn't saying that his decision to embrace ruthlessness and "become" a Monster (read more to find out why I put that in quotation marks) or any of his future actions as this Monster are justified.

I genuinely despise it when people call his arc a "villain arc" or "corruption" because that's pretty much missing the entire point. He isn't actually becoming a monster, corrupting, or genuinely changing his personality—hence why I put those quotation marks earlier. He is deliberately choosing to embrace a certain ruthless way of acting, fully knowing that it is not actually right or justified. "So what if I'm the Monster?" is self-gaslighting. He knows it's not "so what?" But he's doing it anyway because he has seen this way of acting aiding his foes. He literally says, "I must become the Monster / And then we'll make it home." He is convinced that this is what he must become because he keeps being told this by everyone.

From the top, his values or person isn't actually being corrupted. He's not really internally changing. He's merely adapting a way of behaving because he thinks it's the only way he'll still get home, and only because of that. It's really f*cking sad actually. Especially because he is wrong; his not being ruthless is not actually the problem, as we find out later.

Genuinely, his monster act lasted exactly 3,5 songs; in the second half of "Mutiny" it's already all gone because he is so afraid for his crew and what they're about to do to themselves that he instinctively goes back to wanting to save them despite how they just led a mutiny, despite how they don't listen to him regarding the cows.

Odysseus' entire arc can be described as, "He tries out mercy, and it doesn't get him home. He tries out ruthlessness, and it doesn't get him home either. In order to get home, he needs to learn balance, in Hermes' words "Every trick in his domain"." And that is also, as I believe, the main theme of EPIC: Neither ruthlessness nor mercy by itself is the solution. Both have their place; one needs balance. Or: treat people as they ask to be treated.

Only by the time of the Vengeance saga does Odysseus seem to have finally figured this out, and that's where he genuinely starts succeeding.

So no, Odysseus is no longer "The Monster" by the time of the Vengeance saga, no matter how much the visuals in "Six Hundred Strike" try to convince us otherwise. But he isn't "Just a Man" either. Did anyone besides me notice how he stopped calling himself this or justifying his weak moments like that in "Monster" and how he doesn't go back to it even after dropping the monster act?

And here we have the perfect segway into an essay I haven't written yet that might answer the question, "If now he's not a man and not a monster, what is he then?"

Well, technically Odysseus told us himself that one time he acted out of resentment... "Neither man nor mythical." But that's an essay yet to be written... I'll get to it soon, and there we might answer what actually happened in "Six Hundred Strike" and why the line "If you dance with fate I know you'll enhance your state", that I see is mostly overlooked, matters so much more than we probably all think.

Until then, know that I am not actually the first one to address the "Neither man nor mythical" significance. Credit goes to @glisten-inthedark; coming across her post on this matter genuinely enhanced my understanding of what happened so much and I need all of you to read it because it's a truly brilliant conclusion. I'll write my own essay on this topic soon, I promise. But without that post, I would've probably not come to this realization for a long while.

Either way, we end this essay with words that I will never tire of repeating: Stop villainizing Odysseus, y'all. It's not cool, not only because it's undeserved but also because it pretty much shows that you have successfully missed the point and core theme of this musical.

... See you when we inspiration for another essay strikes me. In the meantime, have a brief introduction to what that essay will cover in meme form because I can.

[xlatrina]

(Pt. III) Friends to Lovers HCs w/Homicipher x GN!Reader

Tags: Platonic + Romantic HCs, Friends to Lovers trope for basically every LI, Likely OOC for some LIs*, Mini Scenarios (so HCs are kinda plot-driven), *Multi-Part Series, entirely SFW

Also, changing tenses in some cases + not proofread again... sorry!

*Some of the LIs are likely written OOC (Out Of Character) mainly due to a lack of substantial in-game appearances (at least in my opinion!). 

*Split into multiple parts because I’ve come to realize that these HCs are muuucccchhh too long 😅 BUT!! I’m too lazy to shorten them sooo… YEAH lol

Part I (Big 🙆‍♂️)

Part II (Mr. Chopped 🪓)

Part III (Mr. Crawling 👣)

$$$

Mr. Crawling

This man is in love with you.

Lowkey could stop right there.

Well, anyway…

Mr. Crawling is a GREAT friend, actually.

Like he’s the kind of buddy that’s —first of all —down for whatever.

You said you tryna go walk through an unfamiliar part of the Apartments to try and find a mysterious elevator?

Well…

YEAH SURE HE’LL TAG ALONG

I MEAN… WHY THE HELL NOT, Y’KNOW??

“Me know place here,” He’ll say. More or less: I know this place!

And he’s so damn chipper about it, too!

He’s just an overall helpful guy.

He seems to have an intrinsic protective streak in him, too.

Which is interesting, ‘cause it’s like…

While it’s obvious he’s been in the Apartments for a long time, it’s clear that he hasn’t completely lost his sense of humanity.

I mean, trust —it’s definitely worn in some ways.

Like, he eats people bruh.

Trust, his sense of humanity is def gone in some ways...

But!! At least he's not as violent as the other ghosts can be!!

Like, generally speaking, you’ll find that he’s a pretty admirable dude.

He doesn’t hurt other entities for the pure sake of hurting them.

Defense, and alternatively —for food or other resources like clothes or tools.

Those would probably be the only reasons Mr. Crawling would ever just… attack someone, especially unprovoked (unprovoked, but not necessarily without reason).

That being said, he’s a social butterfly!!

He’s literally a professional yapper in every sense of the word.

Like… he could start a podcast LMAO

Podcast Bro!Mr. Crawling…

Anywho, he’s genuinely a people person and he likes being in good company.

Whether it’s you, Mr. Silvair, Mr. Chopped, Mr. Stitch(?), the Nurse, Mr. Wheelchair, the Hairdresser, etc…

He’s genuinely the type who could talk to literally anyone about anything for any amount of time.

If you’re a yapper too, this’ll probably be fun for you!

And hell, you may very well have met your match, LOL.

If you’re more introverted or quiet —no matter.

Mr. Crawling, being the professional he is, knows how to fill up any awkward silences with banter.

He doesn’t judge you at all on the basis of how you react to his yapping. Truly.

At the end of the day, he just enjoys sharing your company and getting to hear your voice, as little or as often as that occurs.

Hopefully, you don’t find his constant need for company annoying.

… Do you find him annoying?

At some point, Mr. Crawling begins to realize his feelings for you have changed…

In the case you accept him as a partner, he’s absolutely OVERJOYED.

Not only have you promised to indefinitely keep his company, but you also accepted him as your better half!

“You enjoy me?” He’ll ask, pulling himself over your curled-up form beneath the thin white sheets of the hospital bed.

“Me enjoy you,” you’ll say. You might even pet his head a few times, and he’ll giggle maniacally before dropping his head into your neck.

As Mr. Crawling’s fondness for you intensifies, so does his protective streak.

This guy turns into Papa Bear when it comes down to protecting his better half.

What Megan thee Stallion said??

“Three things I don’t play about: myself, my money, or my man!”

That, but more like: “... my friends, or my partner!”

Something like that, LOL.

Mr. Crawling’s sweethearted, bubbly, outgoing, protective, and quite affectionate. Intimacy is a language he speaks as fluently as his otherworldly one.

As we know, he’s very much the “high-maintenance” type.

He’s just super affectionate overall —and Mr. Crawling just wants to know that you’re always on the same page!

Tell him you love him. 

Tell him how fun it was exploring the same old dreary halls with him. Tell him how relieved you felt when he swooped in to shield you from danger, even though you could handle yourself just fine. Run your fingers through his hair and massage the nape of his neck as you tell him how much you’ve come to enjoy —and maybe even crave —his company.

And when you’re done…

Tell him you love him. Yes, again. Again and again and again and again and again…

He could never get enough. Truly.

He could never get enough of you.

With a boyfriend like Mr. Crawling, you’ll never have to fear a lack of comfort, protection, friendship, or intimacy…

Because he’s constantly giving it to you. 

You don’t even need to ask for any kind of intimacy —again, he’s giving it to you anyway.

And whether you’d like to shack up in a nearby spare room beside Mr. Silvair and Mr. Chopped’s loungeroom (of the sort) or if you take him with you to the surface world…

It makes no real difference in the way Mr. Crawling clings to you.

All he knows is so long as you’re both finding yourselves tangled together beneath the sheets each night, all is right in the world!

Mr. Crawling just wants to spend his evenings at home, and if home is where the heart is, then…

Well, you know how that goes!

[Part I (Mr. Big 🙆‍♂️) | Part II (Mr. Chopped 🪓, First Half/Second Half), Part III (Mr. Crawling 👣)]

[coolshadowtwins]

SVSSS fanfic that I will never write-

LBH post canon accidently goes back in time. How? I don’t know, it isn’t important. If I had to pick a stupid reason, then in PIDW had a storyline where LBH went back in time to a wife’s past to like… learn more about her? To help her in the trauma? IDK but what I do know is that Peerless Cucumber would have ranged for hours about Airplane adding in the concept of time travel and then doing nothing else’s with it.

And guess who the subject of the wife plot is now??? That’s right- SQQ. Except the wife plot took the body and not the soul, and now Binghe is back during SJ’s disciple days.

LBH somehow, as the main character, manages to convince the peak lords of the time that he’s of Qing Jing! He is, really! He really laid on the charm here.

Previous Sect leader: I don’t know if I believe you, but since you look like such a polite young man-

LBH gets escorted away to a room by the head disciple. And who is the head disciple of the sect leader peak??? It’s Yue Qi, sad and depressed and lifeless because LBH managed to find himself in the period of time where YQY thinks SJ is dead!

LBH: I want to meet my young Shizun. Shen Qingqiu- Shen Jiu I think now?

YQY: …. Xiao Jiu is dead?

LBH: Maybe in the future for like five years but not right now!! He’s my super awesome Shizun! …. Do you want to drop everything to go look for him?

YQY: Oh boy, do I!!!

So the two bounce from the sect with no warning, looking Shen Jiu. Luckily, now knowing that he is alive and didn’t die in the fire, it’s pretty easy to follow the line of gossip that follows WY and SJ. And of course, the entire time, LBH is praising his Shizun.

Now, he hasn’t said that he was married to his Shizun. He didn’t want to spoil that just yet! He’ll reveal that to his younger Shizun himself when they find him. But until then, he can still tell YQY how awesome his Shizun is, and how nice, and how close he was to SQH and LQG and even to YQY himself! (That last one was a bit of a fib, of course. SQQ was always a little uncomfortable around the sect leader. But YQY was eating all of this up, being so happy that his childhood friend was so happy and well liked, and well…. It was only a small fib)

They finally catches up with them, and quickly dealing with the other guy, YQY and SJ have a nice reunion, having both think the other was dead! And of course, it was incredibly clear that YQY had been looking for SJ this whole time, which does wonders for his abandonment issues. SJ may yell at YQY for leaving the sect so suddenly and risking everything just for him, but on the inside, he is bursting for joy, trust me.

LBH is not bursting for joy. Like, at all. He had been so excited to see his Shizun but young and now that he’s here…. Something inside of him and screaming that this wasn’t his Shizun.

He had no reason to believe that. This was very clearly SQQ at 14~. But of course, he’s the 200 IQ protagonist and figures it out quickly that his wonderful Shizun/husband took over his body when LBH was 14 and that this was his shitty Shizun that made his early years in the sect awful.

He’s fully ok with that. If his husband needs to possess another man to be with him, than who is LBH to judge? Only the best body for him! The problem is, of course, that he has spent the entire trip over ranting to YQY about how good of a teacher SQQ was to him, and now YQY is excitedly telling everything he said to SJ. LBH can’t just…. Back track now! That would be weird, and if they think that someone will possess SJ later, then what if his husband never shows up??

So he goes along with it. It isn’t hard- he doesn’t hate SJ, not like PIDW him would. He was only under him for three years~ and a lot of what happened to him was still being justified in his head. So it’s just… whatever, to him at that point. He confirms what YQY had been saying, spins a charismatic lie to the sect about why they left and how GREAT SJ will be as a disciple in the future, and then he leaves. Just, fades away in front of everyone.

And now this is SJ’s life. He thinks he’s a good Shizun in the future, even if he can’t stand kids. He think that he becomes friends with SQH and LQG, which is oddly hard to do?? LQG angrily wants to fight him every time he sees him, which is super annoying, and SJ is 88% sure that SQH is talking to demons but, you know. If another version of him managed to become their friend without future knowledge, then he has to do it now! He has a head start on the race here, no way is he losing it!

He does become friends with them, and is still incredibly close to YQY as they grow up. He’s still… him, but his major heart demons- the abandonment by his Qi-Ge and being unsafe even in the sect- aren’t there anymore. He even manages to be an ok Shizun to a young LBH, somehow. He’s pretty sure that he’s sucking at that, btw, because the little brat gets on his nerves when they are in the same room for more than five minutes, but he’s being mostly polite! He had to wonder what the other version of him did to get such a glowing review from the future version of his disciple, because it has to be more than this.

Ironically, because I think it’s funny, this is the timeline that our LBH finds himself back in. The time travel was always meant to be a stable one timeline kinda thing, so anything he changed in the past affected the future. I imagine in PIDW that LBG didn’t do much of anything but maybe comfort his future wife, for Airplane’s fear of making a confusing paradox for himself. But this Binghe? Oh no, he did so much!

Because he saved SJ some heart demons, and helped him make friends despite his trauma, he’s not as prone to Qi divinations! Which means that he didn’t have a fatal one when LBH was 14! Which means when LBH gets back to his time after all of that, he takes one look at his ‘Shizun’ and knows that this isn’t his husband. Which means that his husband never possessed SJ!

He’s horrified, and spends a whole day moping around the peak, trying to think of ways to fix this. He has just gotten himself worked up to go and do something drastic when NYY finds him.

NYY: There you are!! Shen-Shidi has been looking for you all day!

LBH: H-huh?

NYY: Why are you moping around, huh? Did you and Shen-Shidi have a fight? Don’t worry! He’s your husband, I know he’ll forgive you-!

LBH: WHAT.

And that’s how he learns that while he isn’t married to his Shizun in this timeline, he is married to his Shixiong, Shen Yuan! Shen Yuan, who got shoved in Willy nilly when the system realized that SJ wasn’t going to die when he was supposed to.

There’s probably some sequel where LBH has to fake that he has memories of what happened in this timeline, which I imagine is somewhat close to Svsss? The system was still running around, even if a major player has changed. And LBH would just be so bad at faking it in front of two people and two people only- SJ and SY.

SY: Binghe, don’t you remember our first date? :)

LBH: …It wasn’t the water prison!

SY: ….that statement is correct but also the wrong answer.

And

SJ: Beast, you’re not coming to this Immortal Convenance. Don’t you remember meber what happened last time?

LBH: …. You didn’t push me into the endless abyss?

SJ:… That statement is wrong and I was also going for the HHP tag alongs you obtained.

[bbsmuts]

Career Advice ft. Miss A Suzy & AOA Seolhyun

A/N: I have a few notes before I start this one, first and foremost being that I got plenty of DMs after Special Fanmeet telling me the shock play was well done and it was a good addition to the smut, so I'll be incorporating some of that into more smuts in the future. My readers (as well as myself) have made it clear that they're into dom/sub dynamics, ownership kinks, and all that kind of stuff, so I'll be incorporating that a bit more. You're welcome, ya kinky bastards.

Is this very, very late? Yes. Is it very much overdue? Indeed it is. But will it be very good due to how much time I've had it a a draft? Probably also yes. Maybe. I don't have time to proofread things, so I never know.

This is a pitch from @phoenixwolf (who's been quite patient and a pleasure to work with), which is a pretty unique idea I've never seen before. It'll be quite a bit different from all my others, since the main character isn't in any kind of relationship with the idols. I'm doing a bit (well, in some parts a lot) of modification with how being an idol works and the perks that come with it, since to be quite honest I don't really know how it works and I need to make it fit the story better. So take note of that throughout the story whenever I mention something that probably isn't a thing irl. I have to use Y/N with this one because there's no way I can write it without using a name for the main character, which I don't do.

But after very much procrastination and too much time spent as a draft, it's here. I'm not at all used to writing a more tentative, maybe sub-ish character, so Seolhyun's noona kink solo might be iffy. And also just pretend that Suzy and Seolhyun are in the same group/under the same agency (Kakao) for the purposes of the smut. Also my first time writing a daddy kink. It's probably just about the same as a sir kink.

Point is, this one might be iffy.

-상훈

Length: 5.81k

Possible TW: Just about nothing, just a noona kink for Seolhyun and a daddy kink for Suzy. And of course my trademark, a sprinkle of light spanking/choking.

Tags: Threesome, cunnilingus, blowjob, dom/sub, daddy kink, noona kink, choking, spanking, fingering, face riding

It was just another one of those days; sitting, waiting outside a businesswoman's office waiting to be talked to. The small plaque on the dark mahogany door read "Kim Seolhyun, Ace of Angels". The plush chair I sat on had to be the best office guest chair I'd ever sat on, predictably enough considering where I was.

Explanation time.

My name is Y/N, and I'm a week away from debuting as the next global K-pop superstar. Or at least, that's what everyone around me is saying. I'm 19, and very new to the bustling, jolting, lively atmosphere of the agency's headquarters. I'm not even completely sure of everything that's going on. I auditioned for Kakao Entertainment when I was 15 and almost immediately got a callback from them. I performed two more auditions beyond the initial one and was accepted as a trainee with high praise from judges. I signed my trainee contract and trained for 4 years, during which they touched up on my singing, rapping, dance skills, physique, modeling sagacity, and overall competence as a future idol, all of which they had described to already be near perfect. From the day I arrived on Kakao's doorstep, I had been told I was going to be the next global K-pop sensation. And now I'm a week away from debuting as a massive solo artist.

To say I'm nervous is a little bit of an understatement.

The reason why I'm here is to talk with former and current idols to orient me into what it's going to be like. I've already had conversations with a few notable ones, and now I'm outside Seolhyun's office. I've also been told Bae Suzy is here to see me, which is something I'm excited for. Suzy has been one of my favorite idols since I was really young. ___

"Mr. L/N?" Seolhyun's secretary spoke in a soft voice. "She's ready for you."

I stood up, and with a deep breath and a small adjustment of my tie, pushed open the door.

To my slight surprise, Suzy was already in the room, sitting with Seolhyun behind the desk.

Suzy gestured me in, and I took a seat in front of the desk. It was very well-organized and neat.

"Hi, Y/N." said Seolhyun. "I'm Kim Seolhyun, and this is–"

"I know who you are." I said.

She smiled warmly. "Then introductions aren't necessary, are they?"

I chuckled. "No, they aren't. I requested to meet you specifically."

Suzy smirked. "That's refreshing. Well, it's very nice to meet you, Y/N."

Seolhyun nodded.

"It's a pleasure." I replied, shaking both of their hands.

"No, the pleasure is ours." said Suzy. "It's not often we get to meet the next K-pop superstar pre-debut, is it? Especially when he's so hot~"

Seolhyun hit Suzy on the arm lightly. "Stop, isn't it too soon for that?"

"It's never too soon."

I smiled at the compliment. "Thank you, Suzy. Can I call you Suzy?"

"Yes, of course."

"So," I said, preparing to ask the list of questions I had prepared in my head. "What's the lifestyle like, being an idol?"

...

"–so basically, to sum up that point, don't fall out of line. Not publicly." Seolhyun finished.

"Unless, of course, you feel a little bit more daring, like me." Suzy threw a wink my way. "Media goes crazy for a bit of controversy."

Seolhyun rolled her eyes. "It's a daring move, but your publicity will skyrocket over a scandal. Suzy would know all about that."

Suzy grinned. "Nothing like watching your fans start World War III on social media because you didn't wear safety shorts."

Seolhyun chuckled. "Some, like Suzy, like to rock the boat a little. And it's good for publicity; the media likes a daring figure."

"So you're telling me I should cross the line a bit from time to time?" I asked.

"Yes." Suzy replied immediately.

"Not necessarily," corrected Seolhyun, side-eyeing Suzy, "it depends on what kind of idol you are to the public. But a tiny scandal here and there does keep you in the headlines, whether that be a good thing or a bad thing."

"Ok," I said slowly, "that makes sense. Other than that, what can I do to start off with a bang?"

"You?" Seolhyun said. "You might not even need any of that. I mean, they said they could have debuted you without training. They said they were considering cutting your training short and debuting you early."

"Of course, that's when funds had dipped a lot," Suzy added, "but that's not important. What's important is that they were seriously considering doing it, which never happens."

"So that either means you're already going down Suzy's route, or you're one hell of a potential." said Seolhyun.

"It's the latter."

"Yeah, I figured. All the talk around here has been about you since you started training. All the higher-ups and execs have been super excited because you'll be bringing in a lot of revenue."

"Which automatically makes you a high priority, especially once you actually start making them money." Suzy carried on. "Low-profit artists and groups are lower priority. You? You'll be pretty much as high priority as it gets, which means you can exploit it. Use it to your advantage."

"However you want to use it, bear in mind the fact that they are relying on you for profit. Of course, if you get too cocky, there's always consequences, but as long as you keep in mind the firm boundaries, you're all good."

"Okay," I said, "so I can push my luck a little, just don't overdo it."

"Exactly." Suzy replied. "You're a fast learner. And I'd advise you to wait to exercise that prioritization for a little while until they've gotten a good idea of what kind of idol you're going to be, what kind of profits you'll make them. If you do it too early, they might think early on that you're going to give them a hard time."

"And if that happens?"

"Don't know. Contract termination at the very most, but I doubt they'd do that. But they can make your life hell if they want to."

"Okay, got it. What else?"

"Well..." The two of them thought about it, and then Seolhyun spoke up. "You could try Suzy's approach..."

"Which is?" I prompted.

"Sucking a lot of music producer dick." Suzy laughed.

Her reply took me be surprise, but I barely reacted. "Yeah, I'm afraid I won't be sucking any dick on my way up."

Suzy chortled. "I don't mean that, dummy. But there happen to be a lot of female employees, execs, bosses, producers...I'm not saying do what I did, but all I'll say is...it'll get you in the good books."

"And considering what you have to offer..." Seolhyun added, unconsciously licking her lips as her eyes trailed down me.

Despite myself, I felt my cheeks go a bit red. "Thanks, noona."

She blushed a little and giggled.

Suzy rolled her eyes and shook her head. "Don't get her started, Y/N."

"What?"

"Seolhyun has a thing for being called that. Like, a big thing."

"Oh." I said simply. "Sorry."

"Don't be." She smirked. "In fact, that brings us to our next point, in a roundabout way."

"What's your next point?"

"If, as I advise you, you walk my path, play to your higher-up's kinks. Obviously they'll like it anyway it and therefore you'll be in the good books, but if you play to their kinks, it's like an automatic figurative promotion. I remember one time when I was dealing with this one exec who had a mommy kink–"

"Yeah, yeah, we don't need to hear that one." Seolhyun interrupted. "Don't put him off before he even debuts."

"I'm not into that mommy shit, but I can play along to just about anything." The implications of my sentence were not missed by the two of them.

"Oh, can you?" Seolhyun's voice was suddenly lower, quieter. The two exchanged a knowing look, one that spoke more than a book full of words. "What do you think, unnie?"

Suzy nodded at her and looked back at me.

"We'd like to offer you a special...orientation program." Her voice took on the same tone.

"Oh?" My thoughts ran wilder. "And what would such a program entail?"

"Oh, you know..." Seolhyun trailed off as they both rose from their chairs. "Suzy's route."

"Yeah, we'll be sure to tell the execs how good you are...if you're good." They approached.

My pants were feeling uncomfortably tight at that moment, and it did not go unnoticed by them.

"Ooh, he's liking that idea." The two of them moved closer, their thighs rubbing against mine, hands caressing my arms. I was suddenly very aware of Suzy's tiny skirt, Seolhyun's short shorts. "Let's see what we're working with here."

Shrugging out of my blazer as Suzy pulled on it from behind me, I rid myself of the extra layer and loosened my tie. Suzy's hands unbuttoned the buttons on my shirt one by one all the way down and pulled the bottom of it out of my waistband, leaving it on me.

"Oh~" Seolhyun's eyes widened. "He's quite the specimen, unnie."

I flexed my abs and arms for her benefit, and she bit her lip with lust in her eyes. "Can't wait to give this one a test ride, mmm..."

Suzy unbuckled my belt from behind me and slipped it out of its hoops, allowing Seolhyun to slide my pants down my legs and off my Oxford-clad feet.

"Looks like Y/N has a big thing too, unnie...damn."

Suzy came back around to have a look, and she smirked, nodding in approval.

"Nice, now that's a body that's had a hell of a lot of work put into it. And a massive cock, too..."

My face was going red again. "Thank you."

Seolhyun straddled me, sitting comfortably on the straining bulge of my boxers, barely concealing the gasp that left her lips when it rubbed her through her shorts. "Ah, enough niceties, let's get to your orientation."

"One at a time or same time?" asked Suzy.

"One at a time, then both, I wanna see what this kid can do first."

Suzy opened the door and disappeared, leaving me and Seolhyun alone.

Her voice dropped to a growl as she leaned into my ear, slowly rocking her hips on me, pulling my face closer to hers by the tie. "You said you can play along, hm?"

"Uh, yeah, I did."

She pulled back a little, her expression half eagerness and half interest. "Then make sure you do."

With a flourish she stripped off her small top, a sexy lace bra the only thing between me and her full breasts.

"Mm, you like what you see baby?"

"Yes..." I couldn't take my eyes off her.

"Hmm?" She raised her eyebrows, the grinding coming to a sudden halt.

"Y-yes, noona."

She smiled and resumed her grinding. "Good boy."

Something in her tone turned me on, more than the pleasure of her grating her hips on me. Usually I had a slight leaning towards being a dom, but something about her dominant aura pushed me towards the other end of the spectrum.

She got off me and slipped her shorts down her legs, straightening up to reveal her tiny little thong, which left absolutely nothing to the imagination. I caught my breath, cock now furiously straining against the thin fabric of my boxers. She slid back onto me, two millimeters of cloth the only thing keeping her heat off me.

"Can I touch you, noona?"

She moaned quietly at the sensation she was causing herself, and nodded. Her eyes closed and she bit her lip as I reached up and caressed her breasts over the thin lace fabric, pinching her nipples. I slipped a finger under her thong and rubbed her clit.

"Ooh, yes, just like that," she cooed. "You sure know what you're doing, had practice?"

"Yes, noona." I fingered her harder and took my hand off her breast and moved it to her ass, squeezing a moan out of her. She reached up and fondled her own breasts, and she allowed me to reach behind her and unclasp the bra, unleashing her treasures.

I took off my own shirt as she leaned her face down and kissed me, the gyrations starting to get more needy.

"F-fuck, I want you, Y/N." Her breath came out shaky as she found the perfect spot to grind on and jumped on it, increasing the speed of her movements.

I pushed my boxers down past my thighs and finally freed myself, and she gasped. "Oh my god, you're so big..."

She quickly rid herself of her thong and returned to my lap, lining me up with her entrance and slowly sinking down, suppressing a whimper as she felt herself being filled up. I stretched her out inch by inch until her crotch met my base. Her head fell back and she took a second to adjust, before she started to bounce on top of me. My cock was driven in and out of her tight tunnel, and it was overwhelming. She must not've had anyone in a while because she was certainly the tightest I'd ever had. She clenched around me on purpose on the way down, forcing a groan out of my mouth.

"Does it feel good sweetie?"

I didn't answer immediately, mind lost in the sensations she was causing me. Her thin hand slipped around my neck, not gripping but making her assertion clear.

"Does it feel good?" Her voice dropped a little lower.

"Yes, noona."

Her smile returned. "Good boy."

I pressed a finger to her clit, and moved it up and down in time with her bouncing. She kept kneading her own tits, moaning and squealing adorably.

"Fuck, noona, you're tight!" The pleasure was too good, she was going to make me cum. "So tight!"

"I know, hold on baby." She purred. "Don't cum yet."

Doing so was difficult, but I managed to stave off the impending orgasm and let her keep spearing her pussy on me. I brought my hand down on her ass, making her yelp, and she bounced harder, raising her eyebrows.

"Now now, let's – ahh – control ourselves, hmm?"

"Yes, s-sorry noona."

Seolhyun suppressed another cry and gripped my shoulders, humping into me with barely controlled lust.

"Such a nice dick, big and hard for me, yeah?"

I only moaned in reply, meeting her bounces with thrusts, jabbing deeper into her. She clenched around me harder in an involuntary response, failing to muffle her yells on each thrust.

"Noona," I groaned, "what about the–fuck–secretary? Won't she-"

"No, she won't."

I inwardly shrugged and thrusted harder, teetering dangerously on the verge of cumming inside her.

"Fuck, I can't hold on," I gripped her hips and pulled her down, jabbing into her. "Should I pull out?"

"No," she murmured, her eyebrows contracting. "Cum inside me!"

Unable to stave it off any longer, I felt that rush of pleasure, the tensing of my entire body. Her eyes flew open and she gasped at the first spurt. She rode it out until she'd taken every last drop from me, and then relaxed her body. Our heavy breaths eventually slowed, and she got off me and quickly got dressed.

"Fuck, you're good. You'll have no trouble in that area, no trouble at all. Rest up, Suzy will want her turn. And get at least partially dressed, she'll want to strip you too." She paused for a moment. "She's the exact opposite of me in the bedroom. She likes to be dominated."

I smirked widely. "Oh, I don't think I'll have any trouble with that."

She returned the smirk. "Neither do I. Well, have fun..."

I heard the sound of a door opening and shutting behind me, and two female voices outside for a few seconds. I pulled on my pants, got out of the chair, and leaned against it, facing the door. The door opened and Suzy sidled in, hands clasped in front of her. She bit her lip when she caught sight of me, and I got off the desk.

I let her take her time approaching, her hips subtly swaying with each step. She reached me and slid a hand over my bare chest, a small and shy smile on her face. Her demeanor had completely changed, something I was more than willing to take advantage of.

I snaked my hand up her chest and fastened it around her neck. She gasped and bit her lip again, leaning into me. I turned her around and pushed her against the desk, my other hand slithering to her skirt and pulling it up. She moaned as I slipped my hand into her black panties and slowly rubbed her slit.

"Mmm," she whimpered, "ohh yes, that's good..."

"Yeah, you like that baby?"

"Mmhmm," she replied in a high pitched tone, nodding eagerly with her eyes closed. I tightened my grip on her neck, and she inhaled sharply.

"What was that?"

"Yes, daddy..."

"Good girl." I growled in her ear, fingering her harder, and her breathing got faster and heavier.

"Daddy it feels so good," she moaned, then cried out at me circling her clit with my thumb. "Oh please daddy, harder!"

I slipped two fingers into her pussy and moved them around slowly, curling them down into her g-spot. She clutched my arm and took in a deep, shaky breath, mouth falling open.

"Fuck! I'm gonna cum!"

"Do it," I muttered, busy at work on her pussy. "Cum for me."

"Ohh fuck, faster, please!" I obliged, moving faster and strumming her spots like the strings of a guitar. Her body trembled and her walls clenched around me, almost crushing my fingers. I slipped a third inside her and pushed, now knuckle deep. But I wasn't about to let her cum so quick, I had much more to do to her.

Suzy's eyes had rolled back by the time I pulled my fingers out, and she'd fallen silent in nearly orgasmic bliss. She looked down at my drenched and motionless fingers and immediately put on adorable puppy eyes.

"Please let me cum, daddy," she begged submissively. "Please, I need to cum..."

"Oh, you need to?"

"Yes, daddy, I do..."

I turned her around and bent her over the desk, then resumed my fingering at a much slower pace. She bucked her hips back into my outstretched fingers, whining needily.

"Faster, please!" She pleaded. "I need to cum, please daddy, let me cum, harder, please..."

I slapped her ass and she yelped, clenching around me again. "Be quiet."

"Yes, daddy."

I did pick up the pace a little, and employed my thumb to rub her clit, continuing the spanks since I noticed she enjoyed it. I was feeling an increasing desire to take my pants off and pound her senseless, but I wanted to make her cum with just my fingers first. And I was very, very close to doing so, judging by her facial and vocal expressions.

"So–good–yes–please–cumming!" Her pleas had spiraled into unintelligible babble as she got closer to her climax. "Harder–fuck–gonna cum!"

My shoulder was beginning to feel sore from the exertion I was putting it through, but I ignored it and kept pumping into her, paying special attention to her more sensitive areas and driving her insane with pleasure. Every stroke brought her closer to her release, and finally it was too much for her.

"OH F-FUCK!" Body trembling and writhing, Suzy orgasmed with a loud cry, her juices gushing out over my fingers. Her pussy tensed and spasmed uncontrollably on them.

Noticing her legs wobbling dangerously, I held her up and helped her into the chair. Her face was flushed red and stray strands of hair were sticking to her sweat-sheened forehead.

"D-daddy..." she whimpered, giving me the puppy eyes again, "I want you..."

I rid myself of my pants and boxers and approached her, seeing arousal flare in her eyes at the sight of me.

"Give me your dick, daddy." She sat up and reached forward, grasping my now-hard cock.

I reached down and pulled her hands off. "Hands to yourself, baby girl. Get on your knees."

"Yes, daddy."

She knelt in front of me, and I grabbed her head by her hair and pulled it forward, guiding my cock into her mouth.

"Mmph!" She raised her hands to my thighs and gave them a small nip as my shaft slid down her tight, squeezing throat.

She gagged a bit and struggled, but didn't tap out, instead massaging the underside of my cock with her tongue.

"Mm, such a good girl," I said, twirling her hair around my fingers and pulling her deeper. "Such a good little slut for me."

One of her hands left my leg and I heard an obscene squelch, combined with a moan into my dick. She was getting turned on by the little bit of dirty talk already.

"A stupid little whore, aren't you?" I continued, flinging out whatever dirty names I could fish up from memory of past sub girls. "Just a dirty slut."

She nodded and moaned again, her arm working more furiously beneath her skirt. I gritted my teeth and let my head tip back.

"Fuck, that feels good," I felt her self-pleased smile against my base. "Keep going, baby girl."

She choked and a little saliva ran down her chin, closely followed by a tear from her effort. She took the other hand off my leg and started caressing her own breast, eyes rolling in her head at the pleasure she was giving herself.

Her lower face was slowly becoming a mess of tears mixing with saliva from her sloppy blowjob. The mess she was making of herself clearly turned her on. From what little I could see of the face that was buried in my crotch, her eyebrows were turned up, I could feel her jaw starting to go slack. I gripped her hair harder and thrust my hips harder, drawing nearer to my own orgasm. But I wasn't going to cum before I'd fucked her, so I semi-reluctantly pulled out of her throat. She sat back and caught her breath for a moment before she stood up and bent over the desk, wiggling her ass enticingly.

I pushed into her with absolutely no hesitation, and she was wet enough that I didn't need to play with her any more. She was even tighter than Seolhyun, and I put my hand over her mouth to suppress her loud moan.

"Shhh." I murmured, and let go of her mouth. "Keep that pretty little mouth quiet."

I started thrusting into her, fast and steady. Her hands gripped the edge of the desk and she gritted her teeth to keep from making noise. I reached forward and grabbed her hair, forming it into a rough ponytail and pulling her head back.

"Daddy, it's too good, I can't hold b-back," she moaned, biting her lip. "You're so big, fuck..."

I fucked her faster, the desk creaking a little under the repeated motion. I could tell she was trying her best to keep herself from crying out, but I also knew it was coming.

"F-fuck, I can't...I can't...keep...quiet..."

She was shaking with suppressed pleasure and bucking her hips back on me. I slapped her ass, making her squeal, and pulled on her hair harder. Her tight hole compressed around my cock like it was made for me, the perfect balance between ease and resistance. I pushed two of my fingers on my other hand into her mouth, and she started sucking on them, moaning quietly.

"Give me more, please, daddy," she murmured, voice barely audible. "Faster, please...nghh yes keep going!"

My hips smacked against her thick ass with each thrust, the claps reverberating around the small room. I took my hand away from her mouth and brought it down to her clit, rubbing circles and pressing down, making the volume increase dramatically.

"Didn't I tell you to stay quiet?" I smacked her ass again.

"A-ah! Yes, daddy, I'm s-sorry!"

"Good." I resumed my fingering, making her whimper in her effort. It only took a few seconds of determined caressing of her clit to bring her resolve crumbing down once more.

"Fuck! It's so good daddy, please don't stop! Yes, yes, yes, more!"

I pulled out of her pussy and spanked her plump ass again. "Guess you're getting punished, baby girl."

"No, please! Please don't stop, I'm so close!" She desperately bucked her hips, trying to get me to fuck her again.

I didn't reply, but hauled her onto the desk and spread her legs, reaching forward to choke her. She gasped at the sensation of my head pressing into her pussy again, but nodded after a moment.

I snapped my hips forward and, due to how slick my cock was from her slick, easily pushed most of my length into her, drawing a guttural groan from her. She looked at me with pleading eyes, her expression indicating just how needy she was.

"Fuck my pussy hard, daddy," she breathed, "pound me like I'm your little slut."

"You are my little slut." I gripped her neck tighter and started my thrusts at a slower pace, still powerful. "Understood?"

"Yes, daddy."

"Good girl."

She shuddered and moaned, eyes rolling back in her head as I fucked her.

"Ohh yes, that feels so good..." she whined, hands still clutching the table's edge. "God yes, please keep going..."

"Shut up." I said "This is your punishment, remember?"

"Mmhmm!" She nodded vigorously. "It's my–fuck–punishment..."

I spanked her ass again and drove my cock into her faster. This hadn't been what I'd expected when I'd come in here, but I certainly wasn't complaining about the outcome.

"I'm gonna cum," I growled in her ear. "And you're going to take it all like a good girl, aren't you?"

"Yes, daddy," she gasped, her walls tightening around me as she bucked her hips. "I want all your cum in me!"

Her words sent me over the edge, and with a groan I buried myself inside her pussy and exploded, firing my hot cum deep into her womb. A rush of pleasure flowed through me, sending the feeling everywhere from my fingers to my toes. My muscles tightened and contracted, involuntarily sending my hips into her ass again. She jerked and trembled as the waves of orgasmic pleasure overtook her too, a powerful jet of cum spraying me.

"Fuck, daddy, yes!" She screamed, back arching. "S-so fucking good, yes!"

I pulled out of her pussy and collapsed back into the chair, sufficiently tired out for the time being. Her legs relaxed and fell into a resting position, and she slumped back and laid down.

...

It was a little while before either of us found the energy to do much other than pant and sit there resting. I heard the door creak open, looked over the top of the chair, and saw half of Seolhyun's grinning face peeking through the small opening.

"Yes?"

She smiled wider and closed the door, eyes raking over Suzy's slumped and naked form before doing so. I stood up and pushed the chair aside, went to and opened the door, and gestured Seolhyun in.

"You up for another round?" She asked immediately.

"Hell yes. Think Suzy's out, though."

"I want to ride your face." Her words were clear and decisive. I was entirely okay with that, so I laid down on my back on the carpeted floor. She then stripped off the large nightshirt she'd covered with and stood over my face, giving me an incredible view of everything she had to give. With no further ado she lowered her pussy onto my awaiting mouth and started grinding. I had a perfect visual of her softly whining and caressing her own breasts as she rubbed her slit against my tongue, which was prodding, swiping, and licking any part of her that was sensitive. She let out soft moans, moving her hips back and forth and pleasuring herself on my mouth.

As I was busy eating her out, I heard a creak from the desk and soft footsteps on the plush carpet. A minute later, Suzy's hands slid over my thighs and my cock was suddenly enveloped in a warmth which I could only assume to be her mouth. I groaned into Seolhyun's pussy and kept up my exertions, very quickly pushing her to her climax.

"Oh, fuck, just like that baby," she moaned, biting her lip and closing her eyes. Her eyebrows contracted as I circled her clit with the tip of my tongue. "Oh yes, I'm gonna cum!"

I worked my tongue harder, pushing into her entrance firmly. She shuddered and her legs tensed around my head, a sure sign of her approaching orgasm.

"Oh, you're so good at this, fuck! Oh god yes yes, don't stop!" I smirked, my ego stroked, and bucked my own hips a little into Suzy's mouth. Her tongue disappeared from my shaft momentarily and then something much wetter, much tighter pressed down on it. I let my head fall back a little as she impaled her warm, throbbing pussy on my cock, the pleasure doubling. I heard a loud cry from behind Seolhyun and I automatically started thrusting up into her.

For several minutes more, Suzy fucked me and I tonguefucked Seolhyun. She had been reduced to mindless pleas for more, body on autopilot as she gyrated her hips on my face. I was apparently way better with my tongue than I thought, and it was only a few more seconds before all three of us reached our peaks at the same time.

I went first, blowing up her pussy with a deluge of hot jizz that triggered her to cum; her warm juices splattered my abs and ran down my sides. Seolhyun's grinding sped up exponentially and then with a scream she met her orgasm. Her cum squirted into my waiting mouth and she fell back into Suzy's lap with an exhausted moan. We all stayed there for a moment more, basking in the after-orgasm bliss, before a notification pinged Seolhyun's phone. She picked it up, read the message, and scoffed. I looked up and could make out a text from one of her superiors:

"Having fun?"

She looked over at the security camera in the corner and gave it a sarcastic wave before putting down her phone and getting up. She dressed again quickly and left.

Suzy stood up clumsily a second later, a small trickle of my cum falling onto my abs. She too got dressed and left, leaving me alone in Seolhyun's office. I stood up, wiped my own cum off my abs with a paper towel, and put my boxers and pants back on. From what I could hear outside, one of the superiors had come down to see what was going on, judging by the voices outside.

"–yes, he was amazing. He knows his stuff." Seolhyun's voice said.

"Suzy?" said a male voice.

"Yes, he's such a good dom, he's so sexy and confident..." She said.

"Good, good. Yet another attribute we can add to the list of perfections. He's sure to be a hit soon enough."

I smiled and pulled away from the door, ego points going through the roof right about then. The conversation continued for a couple more minutes, then the door opened and one of my managers came in, dressed in a suit and tie.

"Ah, Y/N." He said briskly. "If you'll be so kind as to put on a shirt, you've been requested by one of your producers. He wants to talk about your title track, something about the lead sounds on the track. I really have no idea what the issue is, but he said he needs you right away."

I pulled my shirt over my head and refastened my tie around it, leaving the blazer on the chair. "He's been fussing about that for about a week. Might as well go see what we can improve."

"Thank you. Now, if you'll follow me..."

I followed him out the door and into the hall, where Suzy and Seolhyun were both standing, still flushed red. I threw Suzy a wink as I passed and she blushed harder, giggling. A satisfied smirk back on my face and confidence swelling within me, I followed the manager down the hall towards the studio, feeling that things could only go well from here.

[violet-moonstone]

once more defending my love, book!elphaba thropp

reading reviews of wicked and im seeing people say they hate book elphaba because she's "unlikable"

so many people love the feel good vibes of the musical while not seeing that they sound exactly like people who would have shunned elphaba at shiz for not being pleasant enough and making them feel unsettled instead of putting them at ease

I'm saying this because I find that people are often much more charitable towards fictional characters than real people -- and people IRL who have Elphaba's severe, unwavering personality and unwillingness to conform often face the same social stigma she did, no green skin required. Like yes, Elphaba was an outcast because she had green skin, but I don't think the green skin is the point of the novel. I think her being green is a visual manifestation of being so at odds with what you're "supposed" to be that people demonize you for it. Book Elphaba is queer and hinted to be intersex. I read her as neurodivergent, so this all tracks to me, and considering that other forms of oppression and stigmatization are very important themes in the narrative, I think the green-ness simply emphasizes to the other ways in which she's marginalized.

Trying not to go into the Wicked rant that I tend to do every few months but I feel it coming on

I'm all here for critiques of the novel, because it certainly has flaws, and I understand why people don't enjoy it -- but there is something funny to me about people wanting a narrative about looking beneath the surface to find true value but hating the version of that story that requires the most compassion to appreciate. Like the musical is fun and well-made but it does not require any effort to like musical Elphaba because she's conventionally attractive woman who's feisty and kinda quirky...oh and she's also green. And her being green matters more to the other characters than to us. We don't care that she's green (because we already know it would be wrong to judge her based on that) and the musical gives us no other reasons to judge her, so we don't really have to process any complex emotions.

(Sidenote, I think if book Elphaba were still green but more conventionally attractive, bubbly, and less political, she would not have been as much of an outcast -- at least not in her later adolescence. Her green-ness could have been a novelty or spectacle that she used to her advantage if she made up for it by being more palatable in other ways. Of course, she would never do this, because that's simply not Elphaba. She could never twist herself to be anything other than who she is, even out of social self-preservation.)

Book Elphaba is so much more prickly and unpleasant --and hell, so was I at the height of my social ineptitude and feeling like there was something so so wrong with me (because why for the love of God couldn't I just fit in and act the way the cool kids my age did).

Her unpleasantness and seriousness and insistence on talking about important things that make people uncomfortable are her green-ness imo. Those are the things that affect how we as the reader experience her, and we must experience her strangeness as well.

And while I understand that if the moral of the story is essentially "don't judge a book by its cover" then yes, you can tell a thematically sound story about a girl who is actually pretty cool but just happens to be green and talk about how she's ostracized simply because she looks different. That's a perfectly fine story -- but I think it can go much further -- because it's not only wrong to marginalize people who look different, it's also wrong to marginalize those who are internally different. Difference is persecuted whether its visual or behavioural.

Even if Elphaba weren't green, there are inherent aspects of who she is that prevent her from conforming to the ideal, both in her world and ours. And I think valuing her with all of those things in mind is a lot more rewarding than simply liking her despite the fact that she's green.

Anyway I love Elphaba Thropp and I don't think her being more palatable would have made the story better — it simply would have made it more popular, and I think on that at least, fans of both the book and musical should be able to agree is not an inherently better thing.

...

OK one last point, I saw someone saw they prefer the musical because it has more "girl power" meanwhile the book feels "obviously written by a man" and I just...dear god what a surface level take

Yes Gregory Maguire is a man (oh, the horror!), but he wrote the women in Wicked as people, without hand wringing about if they're likeable or pleasant enough. They are flawed and raw and not just there to make the audience feel warm and fuzzy. He writes about sexuality without making women feel like sexual objects -- I suspect because he also writes about the sexuality of his male characters (the women aren't just in the story to turn us on) and he himself is gay, so there may be less male-gaze going on than with a lot of men who write fantasy. Yes, characters are described in sexual ways, but this happens regardless of gender.

[artist-issues]

Tell me every reason you enjoy Zootopia enough to give it all the rewatches you do.

Every? Oh boy.

Good Story

Perfect Characters

Visual Appeal

Earnestness

Let me break it down.

1. Good Story

Zootopia’s main point is: “Try to make the world a better place by realizing we’re fundamentally the same.”

That’s a really good main point.

It has the benefit of being true. Right now our culture is super into “self-identification,” and this crazy contrast between, “I want to be able to identify as something special” and “Now that I know what categories I fit in, I can choose who’s ‘one of us’ and who’s ’not one of us.’” Okay well that sounds pretty and I’m sure it fulfills some emotional need at some point, but it’s actually super divisive, and self-serving, and it’s the seeds for all prejudices. Including racism.

Do we have differences in origins and experiences? Yes. Of course. Do we also have some fundamental things in common? Yes. Of course. Which truth are you going to give the highest priority to? If it’s “no, I’m a prey animal, I know exactly where I belong, that’s who I am, that’s how I dress, that’s my compass for how I interact with others” then you’re getting all your security from your “sense of self,” and being able to understand what that is…which is just a fancy way of saying “I’m all about me. My own perspective informs everything I do.”

Anyway. Zootopia’s message was super true.

And the coolest thing about it is that if only Judy were in the wrong, and the other half of the dynamic duo, Nick, was this open-minded, un-prejudiced guy…and she just hurts him and has to apologize…the movie’s message wouldn’t be as well-communicated.

They have their prejudices and their hurt-from-being-prejudiced-against in common!

They’re the same…because they’ve both felt what it’s like to be treated like they’re not “the same.”

Nick isn’t the only character being mistreated and written off because of his species. The whole first half of the movie is about Judy being mistreated and written off. They think she can’t be a cop because she’s little and cute and a prey-animal. They think Nick can’t be trustworthy because he’s sneaky and small and a predator.

So literally…if Judy represented one race, and Nick represented a completely different race…the movie would be saying that both those races are discriminated against. They even have discrimination in common. AND, if Nick represented men who people make assumptions about because he’s a man, and Judy represented women who people make assumptions about because she’s a woman—the movie would be saying that both those genders are falsely judged.

I mean. Wow. Right now, your movie is either pro-woman or pro-man. Right now, your movie is either BLM or white-supremacy. Everybody’s lining up on one side of the line or the other. Zootopia says, “it doesn’t matter what character you’re looking at, from the elephant that can’t remember anything to the two main characters—every single one of them has fundamental things in common, and one of those things is that they all live like they’re in their own special category. When actually, they’re all fundamentally the same.”

I don’t want to keep beating the dead horse. But I have a post somewhere that lists every background character and points out that each animal is the exact opposite of what you would assume they are based on their animal-stereotype. The otters are never shown being playful or snuggly, only traumatized and ferocious. The cheetah is fat and slow, not quick or even quick on the uptake. Etc.

Even if you look outside of characters—look at the sets. Look at the environments. The whole city is designed “for animals, by animals.” But it’s in neat little segments. The animals organize themselves by habitat. Of course, in one sense that’s practical—the polar bears can’t live in Sahara Square, etc. but the point is, by making Judy and Nick, the main characters, small animals, in a city where everything is built to accommodate by species—UGH this is so good—they have to figure out how to problem-solve in situations that weren’t made to accommodate them.

Little Rodentia? Judy has to avoid stepping on all the mice or knocking over their buildings. Parking tickets? She has to figure out how to jump to reach bigger animals’ windshields—or she inconveniences smaller animals because the tickets are all printed at the exact same size. Stuck in a cell? The guards didn’t think about the fact that small animals can fit down the pipes made to accommodate big animals.

Zootopia is a city advertised to be where all the animals can come together. But the way they do that is by trying to accommodate every species’ preferences. So then actually while they try to come together, everything from their cars to their districts remind them of their differences. The whole idea is that they prioritize the wrong truths. Yeah, mice can’t drive giraffe cars—but they still have “driving” in common. See?

And oh my word. Initially it was supposed to be a spy story. But they changed it to a buddy cop story. Why? Well because justice doesn’t discriminate. Or at least, it’s not supposed to. So then there’s another lens to look at the story’s main theme through.

It’s just that every layer, every perspective you look at the movie from, is just hammering that truth into you: “Try to make the world a better place by realizing we’re fundamentally the same.”

2. Perfect Characters

Every character is so well-thought-through in this movie, even the side characters. You get the feeling you could watch a whole movie based on the side characters, because that’s the amount of love and nuance built into them.

Look at the main ones, though. Bellwhether is supposed to be soft and a follower. She’s a sheep. Instead, she’s hard and bitter—and she’s a leader. A villainous leader, but a leader, nonetheless. Even as she tries to keep animals divided based on fear of their stereotypes, she’s not fitting her own stereotype. Her voice actress has this strained, half-hoarse, but sweet voice. Like you can tell that this character has spent a lot of time under pressure and trying to manage appearances. Appearing like she’s fine, and she can handle it—until you realize that the appearance she’s really managing is “the cultural fear-based identify of the city.” They dress her in plaid and flowers and she’s a farm animal, because that’s the kind of character Judy would be most likely to trust. But she still has green eyes, and jagged teeth, so that when she does start making evil expressions there are some caricature-pieces in there that come out and accentuate that.

Nick Wilde—everybody’s favorite—is supposed to be sly and smooth and shifty. And he is. He’s a fox. But he’s also brave, helpful, and trustworthy. The first time you see him is when he’s dodging out of the way of a bigger animal ignoring him and about to run him over. Well, that’s important.

Because Judy knows what it’s like to have to get out of the way of larger animals, because they overlook her.

So right off the bat, this character she has to get along with and work with, this character who furthers her development and nails the main point, is introduced in a way that has something in common with her. But he’s also introduced in a way that gives her an opportunity to focus on a different truth—that he is different from her. Because the sheep is yelling that he’s a “fox.” Right away, we’re back to species-as-identification.

And that’s what the movie does, all the way through. It presents new animal characters, and with those new animals characters, more than one thing is true at a time. And Judy has to try to focus on which truth is more important. “Try to make the world a better place by realizing we’re all the same.” Yes, Nick is a criminal. But Nick is also brave, helpful, and eventually, becomes trustworthy.

Judy, too. Judy is an incredibly well-done character. Because she believes, in her head, that anyone can be anything—which is not what the movie ends on. In fact, she goes from saying, “anyone can be anything,” to saying, “we all have limitations.” It’s not true that a fox can be an elephant. But it is true that a fox can be trustworthy. Figure out what’s true, and try to make decisions for the better, based on that.

I could talk about character design and acting. Ginnifer Goodwin gives just the right amount of smugness and self-confidence to Judy without making her unlikeable—you don’t realize she’s smug and her self-confidence is misplaced until she does, when she fails to make the world a better place for Nick.

Judy wears tight, actionable, well-fitting uniforms for the whole movie. In her civilian clothes when she comes to Zootopia, she’s wearing athletic t-shirts and shorts. Ready for action, that’s Judy, even in her civvies. Meanwhile, Nick? Nick wears loose-fitting clothes. Loud, patterned clothes that don’t match. Like he didn’t even what, ladies and gentlemen? Like he didn’t even TRY. “Try to make the world a better place…”

Because when you meet Nick Wilde, he’s long since given up on trying, in life. So his character design reflects that. He rarely even stands up straight, or opens his eyes all the way—his default is drooping. And guess what?

When Judy “gives up?” Quits her job? Goes back home? Stops trying? Her civvies aren’t ready-for-action, trying clothes. They’re loose flannels. And her “ears are droopy.”

SERIOUSLY, you can find things like this in every corner of the movie. For every character. Not one character is a throwaway, not in voice acting, not in design, not in animation, and not in narrative.

3. Visual Appeal

Which leads me into this point—no other animated anthropomorphic animal movie is as visually appealing as Zootopia.

What Zootopia does is it matches the best of the best anthropomorphic animal designs from past Disney movies:

And they marry it with this incredible intentionality with modern CGI.

Did you know Disney invents its own software for things like fur textures?

The sheep’s wool, the velvet pig skin, the fox fur, the bunny fluff—it’s all completely different textures. There’s no one “fur” covering all the hairy mammals.

Nick isn’t just orange. He’s orange with deep red and dark tufts. Judy has black tips to her ears, too—which helps the two of them look like, in some sense, they belong “together” in every shot.

It’s so important to the movie that the animals feel like animals that they worked this hard to do this. And then that extends to the textures of the snow, the ice, the sand, the wet leaves, the grass, the fire.

Every character moves like their animal, and like themselves. Nick and Gideon are both foxes, but they don’t move similarly at all. Gideon is aggressive and glowering and physical. Nick, again, is slouchy, leans on everything, completely non-confrontational.

Other anthropomorphic animal movies like Sing or Puss in Boots—they’re not doing both as well. Zootopia is appealing, without sacrificing realism completely, and without cutting character acting.

The lighting. Nope. This post is too long, I can’t talk any more.

4. Earnestness

There is no disingenuous moment in this movie.

The animators are never lazy. They always go for the challenge. They don’t cut corners. Have you ever seen “Over the Hedge?” I like Over the Hedge. But I watched it recently and it’s crazy how many shots are strategically placed so that the animators don’t have to solve a certain effects problem.

For example, when RJ sprays Hammy with cool whip to make it look like he has rabies? He doesn’t. You never see the cool whip leave the can. It just cuts away, then cuts back when RJ is pulling the can away from his face. The shots are also cut so that you never have to see gas actually come out of Stella—and you never see Vern’s full body as he gets back into his shell, just the upper part of the shell as he wiggles it around, going through the motions of putting it back on.

That’s because that stuff would be painstaking to animate. Any time one character has to interact with props or substances (especially liquids) that are not part of their model, it’s harder on the animator.

Zootopia? We’re getting full-on views of characters getting wet, fur and all, characters touching various objects and elements, foam coming out of the mouth, new clothes, new set pieces, multiple models, huge crowd shots of different animals in different outfits, all with their own movement patterns and acting.

And all that hard work and effort, aimed so totally at the main theme of the movie? Making sure it looks as good as it can? Not just that, but the way it’s written, the acting, is so genuine. They don’t hold anything back. They don’t shy away from real emotion.

Judy Hopps’ apology scene is brutal. She’s crying, having a hard time finishing a sentence, her voice is all tight. It’s not pretty, it’s not romantic, it’s like…ugly crying. And her character is wrong in a super embarrassing way. They're not afraid to go there. The writers, the actors, the animators—they’re not afraid of being too vulnerable with these character flaws.

So many movies, especially kids’ movies today—they just pull up and shy away from being real through their characters. They think a quick sad facial expression will get the point across. And it does. The audience gets that the character feels sad about whatever the circumstance of the scene is. But not as powerfully. Because you didn’t put as much work and heart into it.

Zootopia is all heart, from work ethic to vulnerability to the filmmakers enjoying what they’re doing, enough to make it as good as it can possibly be. I can’t explain it better, other than to say, you feel like they would’ve been happy making this movie much much longer than it was. You feel like they’re cramming every bit of joy and passsion into every little joke, every side character, every hair on a CGI bear.

There you go. Long post, you did ask for it

[witchygod]

Thinking about Kenji Sato Flanderization

I think certain scene with Kenji certainly stood out out about Kenji for fans, particularly the "do my own thing" and "I know it's been a long year but you got me now" scenes and I've noticed a trend where Kenji is characterized as well honestly a bit of an asshole, sometimes to an unlikable degree so let's talk about it.

I also think these scenes have paid into some instances of flanderization of Kenji's character. Yes he's a bit arrogant and witty but he's not as egotistical as everyone thinks- he's certainly not as RUDE as everyone seems to perceive him though he does have a temper. It should be noted his temper only seems to come through when he's extremely stressed or on the field- in conflict. He's very graceful in how he handles Ami's questions as wel. He only gets snarky with his coach because his coach approached him first with abundant hostility which I'm gonna be real- not the kind of behavior that is ideal, one could argue he was trying to weigh Kenji's value but with the context of Kenji being a world series player in America this is value as an athlete that should be proven already, if he's concerned about Kenji's arrogance that'd be another thing and while that's certainly AN issue but he admits it plainly what it is 'this is Japanese baseball not American' and Kenji responding to that with a bit of disrespect is extremely fair- and coming from his coach it very much paints the tone of how he's gonna be interacting with his teammates.

A large part of Kenji's rudeness is a direct result of hostility or an active defense from either invasive questions perceived attacks on how 'japanese he is'. This is not a subtle sub theme of his character mind you- he straight up admits to Ami that the reason he 'doesnt give a shit' is because he had to learn to because he was always being judged for being Japanese in America.

Let's not get it wrong though- Kenji is arrogant and egotistical because seriously who gives out their autograph without being prompted. These are some traits, but he's not entirely up his own ass, and he's not rude (Mama Sato raised a very good boy... Ultradad helped too) . Aside from when he was pissy with her for asking some extremely personal questions off the back at a press event- Kenji is extremely respectful of Ami, he makes sure to remember the reporters by their names not publicist and while he's not humble he's very sociable. Hell he's even polite talking to the Kaiju- actively taking a gentler tone of voice with Gigantron despite his frustrations (and increasing panic over the fact the KDF is going to kill her and he can't figure out how to stop it)- he's snarky with Mina but even then he isn't entirely dismissive of her, honestly he treats an AI more like family than a servant which is a big difference in attitude than most egotistical superheroes with ai companions.

Kenji is not the sort to be a womanizer hell he doesn't even seem the sort to attend parties unless he's forced to, it's pretty clear he's a bit of a loner- this is evident as much as there is never a mention to him missing his teammates in America and the fact the only person he has to talk to in Japan aside from his father is an acquaintance he's not even certain won't publish his personal conversations with. (She won't because she's a fucking professional with ethics which is also the reason that she's not a love interest God bless I love you Ami💕) He's overwhelmed by relearning how to fit in to Japan, dealing with the xenophobia,adjusting to the new culture of baseball become Ultraman deal with his daddy issues and mourning the disappearance of his mother- all things that heavily influence his attitude and a lot of times seem to be overlooked by people.

We take away one or two of those stressors Kenji goes from snarky and arrogant to a whole lot more sociable and pleasant. He's at his core a sensitive and confident individual who's just really passionate about baseball. He's kind enjoys teaching others about his special interest and is charismatic and bold despite being prone to holding people at arms length. Which is fair because he has a lot of dangerous secrets.

In short Kenji Sato is just a Mama's boy girl(jk)

In short Kenji Sato is a pretty complex character who suffers from a decent amount of emotional constipation and just straight up having no friends. He's respectful and kind and a bit sensitive which can make him seem pretty temperamental and he's prone to pushing people away at the first sign of hostility or when they overstep his boundaries. He's extremely stressed throughout the movie and adjusting to a lot of NEW, and the KDF/Kaiju trying to get chunks out of him and the pretty blatant xenophobia from the baseball scene (ill justified by him playing badly :/) doesn't help.

I also didn't mention much of his reluctance to being a hero and his irresponsibility to the role initially I realized and I think that should be its own subject because what's going on there is less a personality thing and more.... Directly correspondent to his relationship with his father, and the fact he was GROSSLY unprepared for the role. But I do want to note that his sense of responsibility is a lot stronger than people think because it doesn't really take a lot to convince him to do the right thing after Nobiranga's death. If he was still prone to inaction after this event I'd chalk it up to a personality defect but no he's pretty quick to make more of an effort as Ultraman after this, he saw the consequences of his actions and while he's gonna whine about it he does what he has to.

I may also go on a Rant Rant later about his coach and how the next movie really needs to try to save his character because he's shit at his job....

[merlucide]

Pookie do like what icks bllk boys get (not specifically about reader) 🫶🫶🫶

Idek if I make sense

“ICKS” BLLK BOYS GET

Notes: YES OFC 🤩🤩 hope this was what you had in mind :D (also so sorry for taking long- I had trouble thinking about this lol)

characters: Bachira, Reo, Sendou, Oliver, Rin, Otoya

again, again, don’t take this seriously 💀

BLLK BOYS “ICKS”

BACHIRA MEGURU

is so hurt when his close friends / y/n doesn’t return his affection- 

If someone does the “who?” “Who asked?” Thing. Yeah he doesn’t like that

Pretty much people who make others feel small or unimportant

It’s kinda hard to make Bachira hate ppl tho

When the weather app lies

When he’s a few cents short and the cashier won’t let it slide (that pisses me off to no end oml)

MIKAGE REO

snobby ppl

Ppl who don’t care about what he’s saying

When ppl wear mismatched socks

When ppl loud in quiet settings

Side-eyers 

SENDOU SHUTO

when ppl invade his personal space (if he’s not super duper close with them)

Mean people 😭

When people cut him in line

When ppl judge him

0.5 photos

AIKU OLIVER

when ppl chew with their mouth open

Dry Texters

ppl who walk in front of him

women who know their worth

ITOSHI RIN

I had an awful time thinking about his omg

when ppl don’t look at him when he goes “ahem” very loudly LMAOO

When he gets left on read (only he can do that!! 🙄)

When people talk about how “hard” there day was

pick me girls/boys (they all drive him mad)

OTOYA EITA

When girls don’t wanna talk about soccer or video games

gay girls (OKAY B4 YOU COME AT ME HEAR MY REASONING. he hates gay girls bc they are taking away girls from him LOLL) 

(Also he is convinced that he could “change” lesbians …🧍‍♀️)

When people tell him Naruto is ass

When he gets called out for his fucked up toenails

THANKS FOR READING :D

made may 25th 2024