#all i want in life is a greg

[ssahotchnerr]

happy birthday dharma and greg 🫶🏻

[houseswife]

House MD makes for a way more interesting Sherlock adaptation than any other because it truly explores the depths of the character’s potential as a rude, selfish sociopath by making him American

[devllishy]

BABE WAKE UP IT'S OTGW REWATCH SEASON !!! 🗣️🗣️🗣️

click for better quality please please please idk why tumblr hates me

[tinylilvalery]

Shiv weaponises her vulnerability to victimise herself to force Tom into forgiving her [1][2] + doesn't respect his boundaries [3][4] when he needs space from her.

1. In 1.10 Shiv comes clean to Tom on their wedding night about her cheating on him, AFTER their marriage (despite Tom asking her beforehand and giving her a chance then). Shiv weaponises her vulnerability into forcing Tom to forgive her, bringing up how when they met she was a "mess" and in a "very bad place" and how she needs him and also tries to gaslight Tom about their relationship never being monogamous. He forgives her because he's in a difficult position (divorce on the same night as marriage?? She didn't give him an out to call off the wedding beforehand and waited until after he was secured), he loves her, and he's forced to sympathise and accept things.

2. Shiv only apologises to Tom when she sees how cold he's being with her in 4.8. There's real danger he's actually done with the relationship. The kicked dog isn't returning to heel. She apologises. He doesn't accept it (you don't have to accept an apology, especially if you're still upset and someone is tryna force an apology on you because THEY feel bad and want to alleviate their guilt and return things to something that THEY'RE comfortable with). She uses the fact that her dad just died, which doesn't change the fact that everything he said in the prior fight was true. Their relationship had been shit for ages prior to Logan's death, therefore Logan's death doesn't excuse the rest of the relationship, and he's still immovable. Damn, he's always comforted and folded to her before, he's not doing that right now. Shit. Bring out the heavy. I'm pregnant and it's yours! The ultimate card to reel him back. He wanted a baby right? But he doesn't even believe her now... Why should he care anyway? How much has she ever cared about him?

3. In 4.7 Tom walks away from Shiv and goes to the balcony, needing space, telling Shiv he's tired. She doesn't respect this need for space and corners him on the balcony, literally not allowing him any reprieve, and actively mocks him for being exhausted, pressing and pressing him until he snaps, despite the fact he didn't even want to fight in the first place. He needed space and wasn't allowed to have it.

4. Tom is exhausted and stressed out of his mind in 4.8 with his job (something that means the world to him and yet also something Shiv has never taken seriously - and how could she understand the importance it holds for him when she's a nepo baby). He asks Shiv to talk about this another time and that he can't do this right now. She doesn't respect his request and presses her needs above his and takes him aside again and isolates him, and then acts surprised and offended when he doesn't respond how she wants him to. Ironically if she had actually respected him asking to talk another time when he wasn't so stressed, she might have gotten the results she wanted: Tom back in her pocket.

[gregoftom]

“do you have all the support that you need [for sweden]?”

[44cowboycryptid44]

I hate my rotten mind and how much it worships you

-olivia rodrigo, lacey

[thefabelmans2022]

we never see greg call his mum anymore and that honestly makes me sad.

[forvirresky]

Actually. Re the su post tags. I think pearl was holding it together rather well, really. Some seriously remarkable and commendable composure. We really only see a few instances of it slipping through, and it only turns into a true break in composure when someone presses her on it. If I were her I really dont think I could bear to see the guy that took my best and first and only (for a really long time) friend away from me. Yes it was roses decision, but greg was the catalyst that allowed it to happen at all. I think I would be really resentful, even if I didn't want to be. I certainly could never be the guys friend.

Dude and the implication of pearl possibly getting with a human????? (barring the possibility of the pink pearl that mightve had that subtext? Unsure. There was a fairly long stretch where pearl was shown getting a bunch of humans numbers. And the pink haired girl episode especially) she is never gonna be able to have that crazy lengthy history she had with rose with any human. They just don't live long enough. That's so little time in comparison. It would just be potential after potential after potential. A brief time of attachment and they're gone, and she'd still be there. Again!! It'd be rose over and over and over. I think I'd go bonkers!!!

Anyways su was ok and I'm not into it anymore but some of the character stuff has really stuck with me.

[swagging-back-to]

gregs parents never opening any of his letters, him being basically no contact, him running away, the strictness

[artbyblastweave]

I'm not the first to mention this, but one bit that I thought was really clever in Steven Universe is the ways in which the show subtly justifies the cartoonism of the principle cast always wearing the same outfit for ease-of-animation purposes. The gems are a gimme in that they're all hardlight-projections, and even before that's solidified as a plot point they're otherworldly and superheroic enough that you don't really think to question it. But Steven canonically just owns hundreds and hundreds of those star shirts, which are leftover merchandise from his father's fizzled-out career as a rock star. Into which you can read a whole bunch of other stuff if you really want to, right? And I do want to. It's reflective of Greg's misplaced optimism that he got hundreds of those made in the first place, and it's a benign but visible example of how Steven's life is shaped by the knock-on effects of decisions his parents made before he was even alive. He's got his mother's superpowers and he's wearing his father's shirts.

[nm137-blog1]

Give me them there on taskmaster or at least a new years treat. PLEAAAASE.

Imagine the team tasks. They know each other so intimately that it would lead to some very good opportunities to sabotage each other or the other team. And they’d be constantly setting each other up for jokes.

instead of "the six idiots," i propose that we should start calling them "bbc ghosts cast members who haven't been on taskmaster"

[purplecoffee13]

NFWMB - part 1

Summary: “Harry is a retired boxer who owns a gym and teaches self-defense classes. He considers himself a strong man, but when a gorgeous innocent woman attends a try-out class, she manages to leave him weak in the knees…”

Wc: 4.3k

Tropes: boxer!Harry x innocent!reader

Warnings: mentions of violence and SA

A/N: hello everyone! This is my new series NFWMB, named after one of Hozier’s most horny songs😄. I am so incredibly excited for this series omg it’s gonna be so good!!! If you don’t believe me, go listen to NFWMB and you’ll get a vague idea of what’s coming ;)

P.S. header = pov change

General Masterlist

Series Masterlist

Harry Styles was not one for regrets.

His life may not have turned the way he expected it to, but he was still proud of where he had come.

Being a professional boxer was a risky job, and Harry had known that when he had decided that it was going to be his career. But there was no other logical option. Harry was an exceptional boxer who was able to go pro at age 18, where he defeated a lot of men who were older and bigger than him.

It was his passion, it always had been. Which was something that was quite remarkable, especially to his closer family members, because Harry was anything but a violent person in his day to day life. He was quite reserved, and managed his temper very well. The years in the boxing ring did harden him quite a bit, his reserved nature developing into something more akin to stoicism.

Nevertheless, Harry loved boxing. It wasn't so much a fight to him, but more of a puzzle. Each opponent had its own made up riddle, and it was up to Harry to solve it as quick as possible. Much like a dance you learn the steps to along the way. A perfect combination of intuitive technique.

He hadn't planned on having to retire at the age of 27 already. It was supposed to be his peak; it had been for almost all boxers in history, and he was looking forward to how far he would be able to push his body during his prime.

He never got the opportunity to get an answer to those questions. A car accident got in the way.

He wouldn't have been able to stop it, he knew that, and he had forbidden himself from thinking about what could've happened had he not taken that specific road back home that horrible night. There was nothing he could do about it now, so there was no point in dwelling on it.

After a year of recovery, he was slowly able to get back into the rhythm of his old life again. Well, except for the boxing part. Knowing that his career in that field was over, he began thinking about some other options of his, and decided on fulfilling another dream of his: opening a gym.

He had always wanted to do it, but he always imagined to be retired by the time he would start on that.

Now, two years later, his gym was already in multiple locations, but Harry was still working at the first one he opened. He would visit the other ones every once in a while to see how everything was going, but he was mainly at the one nearest to his house. It was special to him, the place where it all started.

Despite running the place, and therefore not needing to be on location all the time, Harry was at the gym 24/7. He wasn't a personal trainer—wasn't really his style—but he would help people and teach self defense classes to women.

Every Thursday between 6 and 9, he would teach groups of ten women everything they needed to know on defending themselves from whatever threat they may run into. It was one of the things he was proudest of; the turn out at those classes. That these women put their trust in him, and let him help them become even tougher than they already were.

Tonight, after teaching the last group, Harry had gone to the bar with some of his friends. One of them was Sophie, a woman he had become friends with since she'd joined his self defense class. She was a great person with an impeccable sense of humor, and Harry was glad he had introduced her to Greg, his best friend. They were basically made for each other.

Harry had to admit that he envied his friend for the relationship he had. He was happy for them, but sometimes couldn't help but think that his lack of a partner was this one puzzle piece that would make his life even better. All in good time, he reminded himself.

"Hey," Sophie caught Harry's attention when she waved her hand in front of his face. His gaze shot to hers, eyebrows raised. "So, I was talking about your self defense class today at work. You know, promoting your business and all."

Harry chuckled at the cocky tone in which Sophie told her story, chin up high. He mumble a soft 'thanks', to which she grinned.

"You're welcome. Anyways, I have this new colleague and she seemed so intrigued by it, but she was too insecure about joining. I mean— she didn't outright say that, but I could just tell." She huffed, Greg rubbing her back. Sophie was a very happy person in general and wanted the best for everyone, this new colleague of hers included. Harry had the same habit, it's why he immediately suggested:

"Why don't you invite her along next week? A free try-out."

"But your try-out classes aren't for another two weeks." Sophie noted.

It was true. The self defense classes had become very popular, and since Harry taught them himself, he had scheduled one night of try-out classes a month. He was only able to take on so many people, but he didn't mind making this exception.

"She can join your regular class." Harry shrugged, and Sophie's eyes beamed with excitement.

"Thank you Harry!" She squealed happily, giving Greg a hug to channel her enthusiasm. "Oh, I hope she'll come along!"

"I'm sure she will." Harry assured her with a smile, and took another sip from his beer.

Y/N had never been one for risks.

She had never been the type of person to take the leap of faith, relying more on familiar feeling of security. Why risk hurting yourself when you could be safe and content?

It was the logic she had always operated with, the logic she had been taught from a very young age. Y/N had had a sheltered upbringing. Her parents wanted her and her little brother to be as safe as possible, and that was just fine to Y/N.

Her little brother was the more feisty one of the two, and his childhood consisted of a lot of fighting. It hurt Y/N to see the people she loved so much be so angry all the time, and it only motivated her to be as good as possible. She never drank, smoked, or went to parties. She turned in her homework early and got an A on almost every test. It did put a strain on her relationship with her brother, especially since Y/N's behavior would be used as ammunition towards him.

They still didn't talk all too much, but Y/N hoped that one day, she could repair that relationship again.

Moving a few towns away was a big deal for her parents, but the wonderful job she had gotten as a secretary at quite a prestigious law firm had made it all worth it. They helped her with moving into her apartment, but Y/N would regularly visit them on both weekdays and on the weekends. All in all, she'd had a safe, comfortable, content life.

Until a few months ago.

It was a Friday night, and Y/N had agreed to a date. One of the lawyers at the firm, Oscar, had been flirting with her ever since she started working there. Not wanting to be impolite, Y/N never outright rejected him, and so the flirting continued. She was a bit uncomfortable about it — especially since he was nearing his forties and she was only 23 — but figured the banter was part of the job. She was so shocked when he did ask her to go on a date, she said yes.

It wouldn't be too bad, she figured. She would just go on the date and tell him she wasn't interested afterwards. It could be casual, and no one would be too hurt. The date was definitely out of her carefully moderated comfort zone, but she would step out of it for one night.

The date was fine. Like she had expected, she wasn't interested in Oscar in a romantic way. Still, she listened to his stories, laughed right on cue at all his jokes, and told some of her own anecdotes as well. The dinner was great, and he even offered to walk her home.

They were nearing Y/N's apartment when Oscar had suddenly slowed down his walking pace. She only noticed when she was a few feet away from him, and walked back to where Oscar was standing.

"Are you okay? We're almost there, I promise." Y/N smiled politely, much like she did in the office. Oscar didn't say anything in response, only the corners of his mouth quirking up ever so slightly.

"You're so beautiful, do you know that?" He  complimented her, and Y/N looked at her feet, not quite knowing how to handle the flattery.

"Thank you." She said softly, and froze when Oscar's fingers tilted her chin upwards. Her eyes widened when he suddenly leaned in and put his mouth on hers. After the first few seconds of pure shock slowly passed, Y/N pulled her head back.

Not getting the hint, Oscar grinned and leaned in again, this time with both his hands on her face. Y/N let out a yelp, stumbling backwards. Her body's alarm bells were ringing so loudly, but Oscar must've been deaf to her body language because he backed her up against the wall and kept kissing her.

Y/N cried out as she tried to push Oscar off with her hands, but he only grabbed them and pinned them above her head. Finally, not knowing what else to do, she lifted her knee and kicked him right in the crotch. Oscar shot backwards, groaning loudly as his grip finally loosened on her. He looked incredibly angry.

"What the fuck?!" He bellowed, standing up straight again. Y/N's lip quivered, tears running down her face.

"You wouldn't stop." She said softly, almost in a whisper. Her entire body was shaking from the adrenaline. Oscar's mouth opened to say something, but the conversation got interrupted.

"Oscar!" A woman's voice shouted from down the street. He turned his head, and his face morphed from sheer rage into a lovely smile, the same one he always put up for Y/N back in the office.

"Sophie!" He said, but the mention of her name sounded strained. Sophie... Y/N recognized her name, but she hadn't ever met the woman. She was one of the three female lawyers at the firm. Had been working there for only five years, but her reputation was so badass, everyone knew who she was.

"What are you doing out tonight?" Sophie asked as she gave Oscar a hug, and turned to Y/N. "Who's this?"

"This is Y/N." Oscar replied. "She's a secretary at the firm."

"Nice to meet you." Y/N extended her hand, and Sophie shook it.

"Nice to meet you too! How come I've never seen you around?" She tilted her head.

"I— I work on a different floor."

"Well, I'm glad I met you, Y/N!" She said, the kindness in her tone being a real comfort after that scary moment she just had to live through. Somewhere in the way she said it, and in the way her eyes softened slightly, it almost felt like Sophie knew.

"I— I should go. It's getting pretty late." Y/N decided that this could be her sweet escape.

"Right, I'm gonna bring Y/N home." Oscar said, and your eyes shot to him. Anxiety filled your lungs until all you could breathe was fear. You didn't want to be alone with him. You had no idea what he would be able to do to you. What were you going to do about it? You weren't even half as strong as he was.

"Oh, which way is it?" Sophie asked, turning to Y/N, who was about to open her mouth but got interrupted by Oscar.

"That way." He pointed toward the direction of Y/N's house. Sophie side eyed her colleague, then nodded.

"Exactly the way I was going! Let's go." She hooked her arm into Y/N's, and began walking, ranting about how it was unacceptable that they didn't work on the same floor.

Y/N wordlessly nodded along, filled with gratefulness to Sophie or the universe—or both—for not leaving her alone with Oscar again.

She got home safely about five minutes later, not daring to look Oscar in the eyes as she hugged him and said goodbye, and she only allowed her tears to fall down her cheek when she closed her front door.

Y/N spent the rest of the weekend in bed, not in the mood to do anything. By Monday, she felt both better and worse. She had had some time to come down from the shock of what happened, but the terror that filled her at the realization that she was to see Oscar again, had her stomach turn. On Monday morning, she even got into work late as a result of a wave of nausea that hit her once she'd grabbed her keys, spending the time she used to drive to work to puke her guts out instead.

Later, she'd found out that Oscar had called in sick that day. It gave her some time and space to breathe. Sophie visited her the same day, and she hadn't stopped visiting since.

Oscar did eventually return to work, but they never talked anymore. Y/N didn't dare to look him in the eye, and she avoided him at all costs. One day, about two weeks after everything happened, she did see him waiting by her cubicle, but she hid in the toilet for half an hour and by the time she returned he was gone.

It had been two months since that horrible event, and Y/N had entirely isolated herself. Back to the normal routine, back to what was familiar. It gave her a sense of control. She was fragile, and sensitive. She had just pressed down her sadness and anxiety that lingered as a result from the date, and instead focused entirely on what she could control.

She figured it would be easier. Well, except for the mental breakdowns she'd get when something small didn't go right. The dishes not being cleaned, her vacuum not taking up every speck of dust; it just set her off. It wasn't healthy, but she had no idea how else to deal with these things.

When Sophie mentioned she was following self-defense classes a couple weeks ago, Y/N's ears had perked up. She tried to be subtle about it; asking questions to pry some information about the classes from her. But, being the amazing lawyer she was, it didn't go over Sophie's head, and before she knew it she had an invite to a class.

"See you next week!" Harry exclaimed as the last of the women from the 7pm class left the room. He was still busy putting everything back into place before the next class which would commence in about five minutes.

He was just about done with everything when Sophie walked in, another girl walking in close behind her. Harry couldn't really make up her face, as she stayed closely behind Sophie, even upon nearing him.

Sophie looked proud, probably feeling very accomplished about the fact that she had been able to convince this colleague of hers to take her up on her offer.

"Hey!" She greeted Harry cheerfully, giving him a quick hug. He was still smiling when he turned to the woman standing next to Sophie. His mouth went a bit dry when he took in her face.

"Harry, this is Y/N."

For starters, she was a bit shorter than Sophie, and quite frail too. Her hair was up in a ponytail, leaving her features to be admired out in the open. Her eyes were soft—radiating mostly insecurity at the moment—and wide. Those Bambi eyes and plump, rosy lips...

She looked so... innocent?

He wasn't sure if it was the right word, but he was sure that he had to say something before the silence became too long.

"Hi Y/N." He repeated her name, seeing the slightest flicker of surprise run through the eyes of the woman in front of him. But the slight relaxation of her body told him that his usual trick was working. It was a typical 'strategy' that he would often use with people who were a bit unsure about him. His voice would soften, he would always wear a hint of a smile on his face, and he'd repeat people's names to create a bit more of a familiar environment. It always worked, and he was glad it did. He never wanted anyone, especially a woman, to feel uncomfortable around him.

"Hi." The corners of her mouth tugged up.

Angel.

That's all he could think of as he looked at her. Jesus Christ, she was beautiful.

"Thank you for joining the class. You don't have to join in on everything if you don't feel comfortable. Just observe and see if this is something you would like to practice more often, okay?"

The girl in front of him nodded intently the second he had finished talking. Her eyes widened ever so slightly before she peeped out an, "okay."

Harry grinned, his gaze shooting to Sophie—who was looking at him with this suspicious look on her face that she only got once in a while—before calling everyone in a circle and commencing the class.

This girl, Y/N, turned out to be a real distraction for him. He was so focused on trying to read how she was feeling that he trailed off during explanations a couple times. It was embarrassing, really. He was a grown man for God's sake, why couldn't he just concentrate?

Y/N only joined in for a couple of the basic movements, but she stayed back for most of the class. Her big eyes observed every movement Harry and the others made, impressed with how developed everyone seemed to be in their techniques. He noted that it only seemed to make her more timid, though.

His eyebrows kept knitting every time he looked at her, getting lost in his thoughts on how he could help her become more comfortable in his class. She'd caught his stare about halfway through the class, and at the way her eyes shot to the floor he realized that his gaze was actually doing the completed opposite of what he wanted to do, which was help her.

When the class ended, Harry gave his usual speech about how good everyone had done their job, and that he would see them all next week. Afterwards there would always be a couple of women hanging around to ask questions, and he would stop a few on their way out to compliment their improvements. When the rest of the women had left, Sophie walked up to Harry, Y/N following closely behind.

"Great class, Styles. Thanks for teaching me some ass kicking again." She teased, smiling at him before she took a sip from her water bottle.  Harry chuckled, shaking his head faintly.

"Glad you liked it." He turned to Y/N. "What about you?"

Her cheeks started heating up, mouth falling open ever so slightly. "M— me? Oh, uhm, yeah, pretty good."

"I'm going to use the bathroom really quick, I'll be right back." Sophie chimed in, and began walking towards the door. "Keep her company for me, will ya Styles?"

Harry almost laughed at how Y/N's eyes nearly popped out of her sockets at Sophie's announcement. She was nervous around him, and it was quite endearing, but she didn't need to be. Although it was very cute, Harry wanted her to be comfortable around her.

"You hated it, didn't you?" He said as soon as Sophie was out of sight. Harry was amused, watching Y/N scramble for words when she realized what he had said.

"What? No, no of course not! You're great! Teacher— you're a great teacher, I mean." She stumbled over every last one of her words, making it sound even less convincing than it already was, even though she did really mean it.

Harry solely raised his eyebrow, indicating that he did not buy any of that, and it was all it took for her shoulders to slump and a little sigh to leave those pretty lips of hers.

"It's really not you, I promise. I just get... a bit nervous in group settings, especially when it comes to sports. I don't even go to the gym." She confessed, and Harry nodded. That certainly made more sense. His heart warmed a bit at the fact that she reassured him that he wasn't the reason she wasn't liking the class all too much.

"Why don't you go to the gym?" Harry asked further, his tone soft. He didn't want to press too much, but he did want to know more about her.

"It's... embarrassing." She shrugged. Harry chuckled.

"I go to the gym all the time. I mean, I own this one. I can only imagine how embarrassing I must be."  He joked. He had to say he thought it was pretty funny, the way she blushed as he teased her.

"No, I didn't mean it like that! You're not embarrassing at all— I mean, you’re like the opposite. You're lean, and strong. You have like— big arms and you know what you're doing." She ranted, and had no idea how much Harry's ego was fueled by the compliments she was unknowingly throwing at him. "Whereas I— I have no idea what to do at a gym. I hate the idea of people being able to watch me and judge me if they want. Not that I think everyone's focusing on me all the time! I— I don't think that..."

Y/N's heart was racing as she finally got herself to stop talking. It was a nervous habit she had always possessed. As soon as something got awkward, her mouth would open and it would just never shut again. All communication skills flew out the window as soon as something — or in this case someone — made her nervous. She couldn't even remember half the words she just said.

"I can teach you, if you want."

The offer was as unexpected to Y/N as it was to Harry. He hadn't quite anticipated the words rolling off his tongue, but he didn't regret them either.

"It'll be a private class, and it can be in a closed room, like this one, or after closing time. Whatever suits you." Harry tried his hardest to sound casual, and not like what he was offering was something he literally never did. He had to hire a cleaner at home because he was too busy to get around to cleaning the house, that's how much he had to do. But the prospect of losing even more free time did not seem to bother him at all. In fact, he hoped Y/N would take him up on his offer as he scanned her face and waited for her to say something.

"No, I wouldn't want to ask that of you. I'm sure you're busy with a lot of other things." She declined politely, but he didn't miss the glimmer of hope in her eyes. Those private classes had sounded intriguing to her, he just knew it. So instead of accepting her rejection, he shrugged.

"How about this. I'm always in till late on Tuesday's. If you're sure you don't want private lessons, that's fine. But if it does sound like something you want to do, just be there at 9. I'll be there either way." Harry suggested. He didn't wait for a response — hearing Sophie's footsteps nearing — and instead said,

"Just think about it, alright?"

Y/N merely nodded, not even able to croak out a 'yes' before Sophie walked back into the room.

"Okay, I'm ready to go. Y/N?" Sophie asked, watching as her friend agreed and grabbed her things before walking towards the door where Sophie stood.

"Thanks for the class." Y/N turned around and smiled at Harry, throwing him a small wave as she started following Sophie out the door.

"Anytime." He winked at her.

"Bye Styles!" Sophie shouted, her keys clinking as she waved at Harry, behind her.

"Bye Soph." Harry called out, his eyes still transfixed on the girl behind his friend.

He didn't take her eyes off her as they walked towards the exit, taking in every detail of her delicate body as she moved further and further away from him. She was painstakingly beautiful. How had she just walked in? As soon as the girls disappeared behind the door, Harry let out a big sigh.

"Fuck." He murmured under his breath.

He really hoped Y/N would take him up on his offer. Harry had very quickly and very suddenly developed this intense need to help the girl, and that couldn't mean anything good.

Maybe he'd never see her again. She did sound very unsure. Besides, who said that she even wanted to go to this class? For all Harry knew, Sophie could've just used her manipulative convincing tricks, and Y/N, the polite angel she was, would've felt too bad to decline. Maybe, she thought he was an ass and didn't want anything to do with him.

In spite of the countless theories flying through his head, he knew that she wanted it. He had seen it in her eyes. She did really want to join the class, she was simply too nervous. But whether she would take him up on the offer, that was the question. He'd have to wait until the following week.

Strangely enough, he couldn't wait until it was Tuesday. He couldn't wait to find out…

[solxamber]

Trash Novel Chronicles: I Want to Retire - Idia Shroud x reader

You write a novel that reads like a dumpster fire and while trying to delete the draft, you accidentally get isekai’d into it. Now, as the villainess you have to get Idia Shroud on your side as well as survive high society. You have your work cut out for you.

Series Masterlist

You’ve lived a life. A noble life, full of honor, glory, and caffeine-fueled late-night writing sessions.

You're an aspiring author.

An aspiring author who, unfortunately, just created the most stupid novel plot of all time.

At least, that’s how it feels. You sit back, staring at your screen, utterly defeated as your latest creation flickers mockingly before you.

You’ve named it: "The Battle for Genius Prince Idia’s Hand" (working title, don’t judge). And wow, it’s a mess.

Here’s the breakdown of your disaster:

You’ve got your heroine—a girl so sweet she’s practically made of sugar, like one of those cookies that look good but crumble the second you bite into them. Naturally, she’s fighting for the affection of your male lead, Prince Idia, who is a socially awkward, genius mechanic prince (because you thought it’d be fun to make him hot and bad with people).

Then there’s the villainess. Ah, the villainess. She’s smart, sharp-tongued, and has enough sass to level a small city. Her entire personality? Sabotage. And she’s also after Idia—because apparently, that’s the only thing women in this story care about. (You regret this immensely.)

But oh no! Plot twist! Idia gets kidnapped by some unnamed evil force (you’ll figure it out later). The heroine? Well, instead of rescuing him, she falls for some Bland Prince. You don’t even know why. You think his name might be Greg. Or Gerald. Honestly, he’s that unremarkable.

Meanwhile, the villainess doesn’t even care anymore about Idia. Instead, she’s full-on dedicated to ruining the heroine’s new, bland romance because… well, that’s her whole schtick.

It’s… awful.

You sit back, hands in your hair, groaning aloud. “What is this? Who would even read this?”

You glance at your notes. They’re a chaotic mess of random scribbles: “Idia = genius, but hates people,” “Villainess needs more fire,” and “Heroine? Too boring. Spice her up. Maybe dragons?”

Yeah. This isn’t working.

You slump in your chair, utterly defeated. The characters are good, great even! But the plot? Oh, the plot is a dumpster fire. No, worse. It’s a flaming dumpster floating down a river of bad decisions. You can’t believe you spent hours writing this.

That’s it. You’re scrapping the entire thing. You’ll keep the characters, sure. But the story? Gone. Deleted. No one needs to suffer through this mess.

Determined, you crack your knuckles and reach for the keyboard, ready to hit the big red “DELETE” button on your disasterpiece.

“Say goodbye to this trash heap,” you mutter, “and hello to some actual good writing.”

But, alas, the universe has other plans.

Just as your finger hovers over the delete key, the worst possible thing happens. Your elbow, as if possessed by the forces of chaos itself, nudges the precariously balanced coffee cup on your desk. The liquid inside, which you had so carefully placed right next to your laptop like a ticking time bomb, tips. In slow motion, you watch the dark, caffeinated doom spill over the edge and land directly onto your keyboard.

“No, no, no, no, NO!” you shout, lunging forward, but it’s too late.

The coffee floods your keys like a tidal wave of misfortune. Your laptop makes a sickening little noise, a soft bzzt, and the screen flickers ominously. You sit there, frozen in horror, watching your computer sizzle as if it’s been cursed by the gods of terrible life choices.

And then—just when you think it couldn’t get worse—it gets worse.

There’s a small, but very real, spark. You flinch back, because nothing good ever comes from sparks. The screen flickers violently, the keys start to buzz, and then—before you can even process what’s happening—you feel it.

ZAP!

Electricity courses through your body. Your vision flashes white, your muscles seize, and in one horrifyingly comedic moment, you realize you’re being electrocuted by your own laptop.

You’d scream if you could, but all you manage is a high-pitched whimper before everything goes black.

Dead. You’re dead. Killed by your own coffee and a poorly thought-out novel. Fantastic.

You blink your eyes open, your head pounding like you’ve been hit with a ton of bricks—or, more likely, an electrical charge. Slowly, your vision clears, and you find yourself… staring at an unfamiliar, ornately decorated ceiling.

Where the hell are you?

You sit up with a groan, and that’s when it hits you: the bed. It’s massive, plush, and absurdly luxurious—definitely not your usual ratty mattress. Panic sets in, and you scramble out of bed, only to catch your reflection in a nearby mirror.

It’s not your reflection.

Oh.

Oh, Shit.

Staring back at you is her. The villainess. The sharp-tongued, drama-fueled antagonist of your novel. The one with a penchant for ruining lives and stealing the spotlight. The one you made up.

You gasp, gripping the sides of the mirror. “No. NO.” You stare at the dark hair cascading over your shoulders, the perfectly arched brows, and the terrifyingly intense smirk that seems to have a life of its own. “Why am I her? Why this of all characters?”

You step back from the mirror and slap your cheeks, half hoping that’ll wake you up from this fever dream. It doesn’t. You’re still stuck in the body of the villainess, and with each passing second, reality—or whatever twisted version of it this is—sinks in deeper.

“Of course,” you mutter, throwing your hands up in frustration. “Of course this is my life now. I write the dumbest novel in existence, and this is what I get.” You pace in front of the mirror, ranting to no one in particular. “Who even thinks it’s a good idea to make me the villainess? Me?! I didn’t sign up for this!”

After a few minutes of thoroughly berating yourself—and by extension, the cosmic forces that brought you here—you finally stop, resting your hands on your hips.

“Okay. Fine. FINE. I’ll play your stupid game, universe.” You throw one last glare at your reflection. “But I’m not tormenting the heroine. Nope. She can have her stupid one-sided rivalry for all I care. I want nothing to do with this mess.”

The decision made, you shake your head and take a deep breath. “Alright, what’s next?” You glance around the villainess’s extravagant room, trying to figure out your next move. And then, a lightbulb goes off in your head.

Prince Idia.

In your novel, he’s socially awkward, reclusive, and definitely doesn’t deserve to get caught up in this disaster. He’s just collateral damage in your sorry excuse for a plot, and honestly? You feel kinda bad about it.

You snap your fingers. “That’s it. I’ll find Prince Idia. Save him or something. Maybe I can even get a reward for rescuing a royal!” You’re feeling pretty good about this plan—much better than sticking around and causing drama with the heroine, at least.

With a dramatic flourish (you are still the villainess, after all), you head for the door, ready to track down Idia and redeem yourself in whatever twisted way you can manage. Who knows, maybe this whole situation won’t be as bad as you thought.

Or… maybe it’ll be even worse. But you’ll cross that bridge when you get to it.

After what feels like hours of arguing with your stubborn, uptight butler—who is absolutely convinced that your decision to head straight for the abandoned palace at the edge of town is the worst idea you’ve ever had—you finally break free.

“If anyone was kidnapped, that’s where they’d be!” you shout over your shoulder as you march toward your carriage, ignoring his protests about "safety" and "reckless behavior."

Butler or not, you’re on a mission. And after a bumpy ride to the palace, here you are, standing at the entrance, waiting for the traps or menacing guards to pounce.

...Nothing.

It’s strangely anticlimactic, actually. You push open the door, expecting maybe a cackle or some ominous fog. But no, just dust and an eerie silence. You frown, stepping cautiously inside.

“What kind of royal abduction is this? Budget cuts?”

Just as you’re about to chalk this whole thing up to a monumental waste of time, you hear it—a low curse, followed by the distinct sound of tinkering. You freeze, listening closer.

Definitely someone messing with something.

Your hand instinctively reaches for your trusty gun (bless past-you for deciding guns belonged in this novel), and with practiced ease, you pull it out and slam open the nearest door.

"Hands up!" you yell, pointing the barrel directly at—

A very, very scared Prince Idia, crouching beside what looks like a half-assembled mechanical gadget. His wide, shocked eyes meet yours, and he lets out a startled yelp, nearly knocking over the tools scattered around him.

"Wh-What the hell?!" you blurt, lowering the gun slightly. This was not the daring rescue scene you imagined.

Idia flinches, awkwardly raising his hands. “I—uh, I don’t know who you are, but how did you even find me?!” he stammers, looking at you like you just kicked his favorite gaming console.

"How did I—? Are you kidding me?" You gesture dramatically with the gun, still in shock. "I’m one of the people you were supposed to choose from! Remember? The whole ‘Battle for the Hand of Prince Idia’ thing?”

He blinks at you, deadpan. “Oh… Oh, no,” he mutters, more to himself than you. “Absolutely not. I’m not going back. I staged this whole thing for a reason.” He crosses his arms, stubborn. “I’ll just stay here with my gadgets. You can go back to… whatever you do.”

You stare at him, flabbergasted. “What do you mean you staged this?” You glance around the dusty, decrepit palace. “This is your brilliant escape plan? Hiding out in the palace equivalent of a haunted IKEA?”

He sighs, running a hand through his hair. “Look, it’s quiet, it’s out of the way, and no one bothers me here. I didn’t get kidnapped, okay? I just—didn’t want to deal with all the royal court nonsense.” He shrugs, as if staging a fake kidnapping is the most logical thing in the world.

“You do realize that Ortho is still at the palace, right? Your little brother? Alone? Without you?” You raise an eyebrow, watching the slow dawning horror creep across Idia’s face.

“Yeah, so?” He huffs. “He’s the Crown Prince now. I’m sure he’s fine—"

“Bro,” you interrupt, “have you seen high society? Ortho’s gonna get eaten alive. Not to mention the other princes aren’t just gonna let him waltz around with a crown on his head without making his life miserable.”

Idia’s eyes go wide, his brain clearly working overtime as the realization hits him like a ton of bricks. “Oh… Oh no. I didn’t think of that.”

You nod sagely. “Yeah. Big oops.”

He stares at the ground, looking like he’s physically shrinking under the weight of his own bad decisions. And then—something unthinkable happens.

“Help me,” he says, his voice desperate. He looks up at you with pleading eyes. “Please. I’ll—I’ll make you anything you want, build you gadgets, whatever you need! Just help me navigate high society while I… hide in the shadows or whatever.”

You stare at him in disbelief. “Are you… Are you asking me to pose as your fake fiancée?”

Idia flushes crimson, his hands flailing. “N-No! Well, maybe? Yes. I mean, yeah, but it’s not like I want to—" He groans, burying his face in his hands. “Just… ugh. Yes. Please.”

You cross your arms, tapping your chin. “Hmm. Fake engagement, huh? Alright, but only if you give me a beach house when this farce is over and Ortho officially takes the crown.”

Idia looks up at you, blinking in surprise. “A beach house? That’s your condition?”

You smirk. “Hey, I know what I want. So, do we have a deal?”

He hesitates for a moment, but then sighs, defeated. “Fine. You get the beach house. Just… make sure no one talks to me. Or atleast, you have to handle almost all the talking.”

With a satisfied nod, you extend your hand. “Deal.”

Idia, still red-faced and awkward, shakes your hand. You can’t help but wonder what sort of chaos you’ve just agreed to—but at least you’re getting a beach house out of it.

Sneaking Idia back to your manor wasn’t the most glamorous affair. He insisted on wearing a cloak, “for dramatic effect,” even though the streets were practically empty.

"You know, for a guy who's supposed to be a genius, you're real bad at blending in," you deadpan as he stumbles over his own cloak.

"It’s supposed to make me inconspicuous," Idia mutters, pulling the hood down further. "People see a cloak, they assume you’re some weirdo and leave you alone. It’s basic stealth mechanics."

“Uh-huh. And tripping on it helps too?”

“Shut up.”

Once inside the manor, you sit him down to discuss the details of how you’re going to spin this whole ‘rescue’ thing. Idia, now a little more at ease, starts fiddling with some gadget he pulled from one of his cloak’s hidden pockets. You can't tell if he's actually paying attention, but you figure you’d better get started.

"Okay," you say, leaning in like you’re about to hatch the greatest scheme of your life. "We need a story. Something grand. Heroic. Full of intrigue, mystery—"

“Or we could just say I, uh, got lost?” Idia offers halfheartedly. “And you happened to find me by accident. That sounds more plausible.”

You shoot him a look. "Idia, this is high society. No one ‘just gets lost for 3 months.’ We need something more exciting. Like, I fought off a band of rogue kidnappers—"

“Did you now?”

“And there was this epic battle—"

“With what? Your sense of direction?”

You glare. “Focus. We need an alibi."

Idia sighs. “Fine, whatever. Make it sound cool, but not too cool. If it’s too impressive, people will start thinking I owe you something.”

“Oh, don’t worry. I already have an idea of what you owe me,” you say, smirking.

His eyes narrow in suspicion, but you move on.

"Alright, so I 'bravely' tracked you down to the abandoned palace—"

"Because obviously that's where I'd be hiding," Idia interrupts sarcastically, rolling his eyes.

"—and I singlehandedly defeated a gang of ruthless kidnappers, saving you from a life of captivity. You, overwhelmed by my gallantry, are forever in my debt—"

Idia snorts. "Forever in your debt? Yeah, right. You're more likely to find me dead than in your debt."

“Just go with it. It’s a good story.”

Eventually, you both settle on a suitably ridiculous tale where you, after days of tireless investigation, heroically rescued him from an evil plot to overthrow the royal family. It's unnecessarily elaborate, full of conveniently absent witnesses and a dramatic escape from a non-existent dungeon. The whole thing’s so ridiculous, you almost feel bad for making anyone listen to it.

“Right,” you say, standing up. “Now we just need to sell this at court.”

When you arrive at the palace, Idia hangs back while you step forward, playing your part as the "heroic rescuer." Ortho’s the first one to spot you, and when his eyes land on Idia, they widen with shock and excitement.

“Brother!” Ortho shouts, practically flying over to tackle Idia in a hug. “I knew you’d come back!”

Idia, not really one for public displays of affection, awkwardly pats Ortho’s head. “Yeah, yeah, don’t make a big deal out of it,” he grumbles, though you can see the tiny smile tugging at his lips. “I was, uh, working on some top-secret stuff. Y’know, important genius-level projects.”

Ortho beams. “That sounds just like you!”

You have to hold back a snicker. Yeah, real “top-secret.” Like avoiding social interaction at all costs.

Soon, you’re ushered into the royal court. The king—who clearly knows something is up—doesn't look remotely surprised by the "revelation" that Idia was never actually kidnapped. But, because royal politics are weird, he plays along.

“So, Prince Idia,” the king says, raising an eyebrow, “I suppose you’ll want the Crown Prince title back now that you’ve returned?”

Idia freezes, panic flashing in his eyes. "Uh, absolutely not. Hard pass. Nope. Ortho’s got it handled, right? He can keep the whole… crown… thing.”

Ortho nods eagerly from behind him. “I’ve got it covered!”

The king sighs but nods. “Very well. And what about you?” He turns to you. “Surely, a brave soul such as yourself deserves a reward.”

Here it comes. You’ve rehearsed this with Idia, but now that you’re on the spot, you can’t help the dramatic flair in your voice as you clasp your hands together and say, “All I ask… is for Prince Idia’s hand.”

The king looks thoroughly amused, while Idia, beside you, is turning a very interesting shade of red.

“What?” Idia hisses under his breath. “That was not the line.”

You grin, leaning closer. “Yeah, but you have to admit, it’s funnier this way.”

To his credit, Idia doesn’t collapse on the spot, though he does look like he’s reconsidering his life choices.

Meanwhile, from across the room, you catch the third prince—your so-called "male lead"—glaring daggers at you. He looks like he's about to burst a blood vessel, while the heroine next to him is scandalized beyond belief.

“B-but Idia’s hand was supposed to be won!” she protests, clearly flustered.

You tilt your head innocently. “Oh? Not satisfied with the third Prince?” you ask, batting your lashes at her.

Her face goes red, and the Bland Prince—whoever he is—looks equally scandalized.

Next to you, Idia quietly high-fives you behind his back.

“Nice one,” he whispers.

As you both walk away from the court, Idia glances over at you, his usual sarcasm softened by relief. “You know, I really thought I’d end up hating this whole scheme, but you’re not bad at playing the part.”

You chuckle, nudging him. “Told you it’d be fun. And now I get a beach house, so it’s a win-win.”

Idia sighs but can’t hide the smile tugging at his lips. “Yeah, yeah. Just don’t make me go to any more parties, okay?”

“Deal.”

You’re sitting across from Idia in the study, supposedly "spending time together" to prove to the world how deeply smitten you both are. In reality, though, you’re plotting out your beach house retirement plan, while Idia is hunched over his latest gadget, muttering like a mad scientist.

"Okay, so if I tweak this—boom, self-repairing AI drone. Easy. The idiots at court would never get it," he whispers to himself, eyes glued to the wires and gears he's fiddling with.

You’re busy doodling floor plans of your dream beach house, adding an extra pool for fun. “Yeah, totally, sweetheart,” you mumble, pretending to listen. This fake relationship thing is going swimmingly.

That’s when the door flies open, and in waltzes the male lead—of course he doesn't knock. The guy practically drips entitlement as he saunters in, admiring himself in the reflection of a spoon he’s for some reason carrying.

Without missing a beat, you and Idia scramble to look like actual lovers. You slide closer to him, casually tossing an arm over his shoulders, and he—already flustered—just stiffens like he’s been caught in a trap.

“I see you two are enjoying each other’s company,” the male lead says, not even looking up from his spoon reflection. “I came to invite you to the tea party. You know, with all the nobles. The whole ‘Idia’s too traumatized to socialize’ excuse isn’t gonna fly anymore. It’s been three months.”

Idia’s eyes widen, and you can practically hear his soul leave his body. You give him a reassuring nudge.

“Don’t worry,” you whisper. “I’ll do all the talking. You just have to sit there, sip tea, maybe nibble on a pastry, and nod at Ortho. I’ve got the rest covered.”

Idia doesn’t look convinced, but he nods anyway. “Sure, sure, as long as I don’t have to, like, interact.”

The two of you arrive at the tea party, and the moment you step into the garden, you realize you're absolutely screwed. It’s not a tea party at all—it’s some weird medieval Olympics with archery targets set up, and a bunch of nobles are taking turns shooting arrows while their wives cheer them on.

“What… is this?” you whisper, horrified. “Why are there archery targets at a tea party? Is this... a misogyny power trip?”

Idia looks like he wants the ground to swallow him whole. He’s already backing away slowly, trying to make his great escape, but you grab him by the back of his cloak before he can bolt.

He shoots you a look like you’ve just committed the ultimate betrayal. “This... is not a tea party. You said tea and pastries. Where are the pastries?!”

“I didn’t know!” you hiss back. “I thought we’d just sip tea and gossip about whose cousin married whose horse!”

Before either of you can make another move, the heroine spots you and immediately latches onto your arm, dragging you to the tea table. At the same time, the male lead grabs Idia and hauls him over to the archery side.

"Wait—no—uh—" Idia stammers, but he’s already been thrown into the testosterone-fueled chaos of nobles trying to outdo each other.

Thinking fast, you impulsively declare, “I’ll be the one doing the archery! For my fiancé, of course. You know, because those thugs that kidnapped him? They had bows too!”

Idia, catching on, immediately puts on his best terrified expression. “Y-Yeah! Bows! I’m… I’m still traumatized! Please don’t make me relive it.”

The crowd collectively gasps, and you inwardly pat yourself on the back. Nailed it.

Somehow, despite knowing absolutely nothing about archery, you end up winning the whole thing. Turns out, none of the nobles have actually seen a bow before. You didn’t even hit the bullseye—you just got the arrow near the target, which was apparently enough to impress them.

The prize? A complex-looking mechanical device, something straight out of Idia’s dream workshop. You look at it, completely clueless, before handing it over to him.

“Uh, here. I have no idea what to do with this.”

Idia stares at the device, his eyes wide in disbelief. “You’re… giving it to me?” He looks touched but also suspicious. “You’re not gonna ask for some crazy favor in return?”

You shake your head. “Nah. It’s all yours. Consider it a thank-you for not leaving me to deal with this disaster alone.”

He blinks, clearly not used to receiving gifts without strings attached. “Well… uh, thanks. And… good job on the archery. You, uh, really sold the ‘traumatized fiancé’ bit.”

Before you can respond, the rest of the nobles start talking about "true love," and you can practically feel the heroine’s eyes boring holes into you. She’s fuming, glaring at the male lead—who, by the way, didn’t win—and looks like she’s about five seconds away from tearing out her hair.

You shoot her a smug grin, thoroughly enjoying her frustration. Idia, who’s been watching the whole thing with mild amusement, lightly bumps you with his elbow.

“Thanks for… you know, saving me from whatever that was. And for giving me this… thing,” he says, holding up the device.

“No problem,” you reply, smirking. “I think we’re pulling off this whole ‘smitten lovers’ thing pretty well.”

Idia snorts, trying to suppress a smile. “Yeah, well, if you keep dragging me to ‘tea parties’ like this, we’re gonna need to come up with a better plan. Preferably one where I don’t have to socialize with archery-obsessed nobles.”

“Deal,” you laugh. "Next time, I'll find a real tea party."

"Please don't."

You’re lounging on a comfy chair, lazily chatting with Ortho, who’s happily explaining some new contraption he and Idia worked on. You’re half-listening, more focused on sipping tea and enjoying the rare moment of peace in this chaotic castle.

That is, until Idia suddenly appears in front of you, looking unusually determined. He stands there, awkwardly shifting his weight, before thrusting his hand out in front of you.

Without thinking, you blink up at him and, in your confusion, place your chin on his outstretched palm. You give him a questioning look, waiting for further instruction.

Idia’s face immediately flushes a deep red. “W-What are you doing?! That’s not—I didn’t—gah!”

Ortho’s trying not to laugh, but it’s clear he’s barely holding it together.

“What?” you ask innocently. “You held out your hand, so I thought…”

Idia runs a hand through his hair, clearly flustered, before spluttering, “I—no, I was asking for your gun!”

“Oh. Right.” Without hesitation, you hand him the trusty weapon you always keep on hand, because at this point, you’ve learned to never question what Idia needs. It’s always better that way.

“Thanks,” he mutters, grabbing it like he’s on a mission and rushing off to whatever secret lair he retreats to.

You glance at Ortho, who’s giggling to himself. “Do you think I should be worried about that?”

“Nah,” Ortho says with a cheerful shrug. “He’s probably just making modifications. He’ll be fine!”

The next day, your luck runs out. Just when you were hoping for another peaceful afternoon, the heroine arrives for a surprise visit, dragging along her little posse of noble followers. You’re seated in a stiff parlor chair, forced to endure the barrage of small talk and fake smiles, feeling as if the universe is punishing you for all the nonsense you wrote in that novel.

One of the heroine’s cronies leans in with a sickeningly sweet voice, “Oh my, Lady Heroine, I just love your new gown. You look positively radiant. Unlike some people who seem to… dress for comfort, I suppose.”

You shoot her a withering glare, but it’s hard to focus when the heroine herself joins in, adding with a falsely sympathetic tone, “It must be so difficult for you, pretending to fit into high society. I can’t imagine how exhausting it must be, keeping up appearances.”

You’re just about to snap back when, suddenly, the door bursts open. In comes Idia, holding your gun, looking both determined and completely out of his element. For a brief, terrifying moment, you wonder what kind of chaos he’s about to unleash.

Before you can ask, he walks straight over to you and hands it to you, his expression serious. “Here. I finished the modifications.”

Your jaw drops as Idia starts rattling off a list of improvements. “So, I increased the firepower by 30%, added a cooling mechanism so it doesn’t overheat, and now it’s got an auto-targeting system that can scan multiple threats at once. Oh, and I swapped the trigger to be more responsive, so you won’t have any lag—”

You can’t help but notice how animated he looks. His usual deadpan expression is replaced by a lively spark in his eyes as he talks about all the intricate details. He’s completely in his element, and you find yourself enchanted by the way he speaks. It’s rare to see him so passionate, so alive.

The moment is shattered when he finally notices the others in the room. His face drains of color, and he gives a forced smile that screams I don't want to be here. Without another word, he turns on his heel and flees the room. But you notice something strange—he had been holding your hand the entire time. His grip, tight and warm, leaves a lingering sensation even after he’s gone.

You’re left holding your newly modified gun, your face heating up as you process what just happened. The heroine's entourage are all staring at you with wide eyes, as if they’ve just witnessed the most romantic moment of the century. Even the butler, who’s usually the epitome of professionalism, is grinning like he’s just uncovered the secret to eternal happiness. The maids nearby are giggling behind their hands, clearly entertained.

You glance down at the gun, then back to where Idia disappeared. Great, you think to yourself. How am I supposed to survive this?

As if reading your mind, the heroine gives you a smug smile. “It seems your fiancé is quite… attached. How charming.”

You roll your eyes, trying to ignore the sudden rush of blood to your cheeks. “Yeah, he’s a real romantic,” you mutter sarcastically.

But even as you try to brush it off, your thoughts keep returning to that sparkle in Idia’s eyes, the way he had held your hand, and the way his enthusiasm had made your heart skip a beat. Maybe this royal con is going to be more complicated than you expected… but also, maybe not as bad as you feared.

Dragging Idia to get fitted for the imperial ball is like trying to drag a cat into a bathtub. He’s actively resisting, feet planted as you haul him toward the tailor with all the enthusiasm of a man being led to the gallows.

“Why do you keep doing this to me?” he groans, leaning back so far you think he might just throw himself on the floor in protest. “An angel loses its wings every time you make me do this. Do you want heaven to be wingless? Is that what you want? To singlehandedly destroy heaven?”

“I’m aiming to open a black market for wings, yes,” you say, deadpan, yanking him forward. “The profits will be incredible.”

“You’re a menace,” he mutters, shuffling along behind you, still resisting like a particularly stubborn mule. “Just put me in a broom closet with a bag of chips and leave me there. I don’t need to go to this ball. No one wants to see me.”

“I do,” you quip. “I’m dragging you into society, one unwilling step at a time.”

By the time you actually manage to get him dressed, you feel like you’ve aged five years. But when you take a step back to admire the result, it’s worth it. Idia looks stunning, even if he’s fidgeting like his clothes are secretly made of fire ants. He’s basically the human version of a rare collectible: usually hidden away, but absolutely jaw-dropping when you finally get to see him.

“Alright, Prince Drama,” you say, exhaling, “I’m going to get dressed. Try not to set anything on fire while I’m gone.”

When you return, you immediately notice something’s up. Ortho’s whispering something to Idia, and whatever it is, it’s causing a nuclear-level blush to spread across his face. He’s stiff as a board, and when he turns around and sees you in your ball attire, he goes straight from “mildly panicked” to “catastrophic system error.”

Without warning, he chucks a flower at you. Just full-on throws it like it’s a projectile weapon.

“Here,” he croaks out, his voice cracking halfway through.

You blink, catching the flower mid-air with one hand. “Uh, thanks? Were you... trying to plant this on me?”

Idia’s face somehow manages to get even redder. “No—I mean yes—I mean—” He looks around for help, but Ortho just gives him an unhelpful thumbs up from the corner.

You grin, deciding to help the poor guy out. “Why don’t you pin it in my hair instead?”

His hands shake as he fumbles with the pin, and you’re pretty sure he’s using every ounce of self-control not to stab you in the scalp. You bite your lip, trying not to laugh, but the whole situation is just too funny. Especially when Ortho gives you a conspiratorial wink from behind Idia’s back like he’s this close to winning a bet.

The ball itself is, as expected, a social hellscape. You and Idia survive by sticking together like conjoined twins, fending off the waves of nosy nobles and fake smiles. You can practically see the stress radiating off of Idia, his expression one of pure misery.

And then, the king makes his grand address, signaling the start of the first dance. You feel Idia stiffen beside you.

“Oh no,” he mutters, “Oh no. This is where it all goes downhill. I’ll trip, I’ll break my leg, and then they’ll throw me in the royal dungeon for embarrassing the family.”

“Relax,” you say, squeezing his hand. “It’s just one dance. I’ll lead, you follow. Easy.”

“I hate this,” he mumbles as you drag him onto the floor. “I hate everything about this. I should have just set myself on fire and gotten out of it that way.”

But despite his protests, you manage to lead him through the first few steps of the waltz. To your surprise, he’s not completely hopeless. He stumbles a little at first, but with you guiding him, he starts to get the hang of it.

“You’re doing great,” you say encouragingly.

“Stop lying,” he grumbles. “I’m one misstep away from taking us both out like a bowling ball hitting pins.”

The music continues, and with every turn and spin, you notice the room around you fading into the background. For a moment, it’s just you and Idia, navigating the intricate steps of the dance together. He’s still anxious, but he’s keeping up, and more importantly, you can tell he’s starting to trust you. He’s letting you take the lead, and for someone like Idia, that’s huge.

From Idia’s perspective, this entire ball is a waking nightmare. He’s completely out of his element, surrounded by people he’d normally go to great lengths to avoid. But then there’s you. You’re handling everything with this... ease, this grace that he can’t even begin to comprehend. You’re not just dancing with him, you’re actively navigating the minefield of court politics like it’s no big deal.

And you don’t need to do this. This isn’t your problem—it’s Ortho’s succession, not yours. But you’re here, by his side, going all out to make sure Ortho’s future is secure. Idia’s heart twists in his chest. He doesn’t get it. You’re way too cool for this. Too cool for him. You wink at him mid-spin, and he feels like his brain’s short-circuiting.

"Oh no. I like them. Like, really like them. And soon, they’ll be gone. This whole engagement is just for show. After Ortho’s investiture, we’ll go back to our separate lives, right?"

He swallows hard, trying not to freak out, but it’s too late. He’s in way too deep.

After the dance, you lead him off the floor and start mingling with the other nobles, making alliances and doing your whole “political mastermind” thing. Idia stands awkwardly to the side, trying to blend into the wallpaper, but his eyes keep following you. You don’t have to do all this for Ortho, but you are. And that’s... that’s really cool. He admires you, he can’t help it.

And then—oh no. The lower nobles. They spot him and beeline toward him like sharks smelling blood. Before he can make a break for it, they swarm around him, throwing party invitations at him like confetti.

“Prince Idia, you simply must attend our garden soirée next week,” one of them gushes, eyes sparkling.

“And our evening gala!” another pipes up. “You’ll be the guest of honor, of course!”

Idia’s face goes pale, and he shoots you a look that screams, HELP ME.

You swoop in like a knight in shining armor. “Ah, yes, well, unfortunately, Idia can’t attend. He’s... uh... allergic to sunlight.”

The nobles stare at you, blinking in confusion. Idia stares at you too, his expression a mix of disbelief and amusement.

“Allergic to... sunlight?” one noble repeats, frowning.

You facepalm. Smooth. “I mean... it’s a joke! Ha! Obviously! What I meant to say is... uh...” You scramble for an excuse. “I need a nap.”

There’s a beat of silence.

“I—uh—can’t sleep without him,” you blurt out. “It’s, uh, a couple thing.”

The nobles blink at you again, thoroughly bewildered.

You grab Idia’s arm, muttering, “We’re leaving,” and make a quick exit, practically dragging him behind you.

As soon as you’re out of earshot, you let out a groan. “Oh my god, I can’t believe I said that. ‘Allergic to sunlight’? Really?”

Idia is doubled over laughing, completely losing it. “You what?!” he howls. “You need a nap? And you can’t sleep without me?!”

“Shut up!” you say, cheeks burning. “I was trying to save you!”

“You saved me? More like doomed me!” He wheezes between laughs, clutching his stomach. “Oh man, you are terrible at this. You make me look good, and that’s saying something.”

You glare at him, but his laughter is so infectious that you can’t stay mad. And honestly? He looks free. Unbridled, even. It’s the first time you’ve seen him laugh so openly, so without reservation, that it almost makes you forget how embarrassing the situation was.

Almost.

It's finally time for Ortho's investiture, and to say you feel unprepared would be an understatement. Not for any political reason—you've long since mastered the art of navigating court intrigue. No, the issue is far more personal, far more heart-wrenching. After today, once Ortho is declared Crown Prince, Idia will no longer have any excuse to stay in the spotlight. He'll retreat, back into the shadows, probably even fake his own kidnapping to get out of any future public events. And you?

You'll finally get that peaceful beach house you’ve been dreaming about.

But the thought doesn’t feel like a reward. It feels bitter. You don’t want that beach house—not if it means losing Idia. The man who’s wormed his way into your heart with his sarcasm, awkwardness, and hidden kindness.

But you know he’s not someone you can tie down. Idia doesn’t do well with permanence. And as much as your heart begged to hold on to him, you also know he’d likely slip through your fingers if you tried.

So you do what any self-respecting person would in this situation: put on a brave face, slip into your formal attire, and prepare to smile your way through heartbreak.

When you walk out to greet Idia, he’s already dressed in his formal robes, looking every bit the reluctant royal. His eyes widen slightly when he sees you, but he says nothing, fidgeting with the hem of his sleeve.

You muster up the strength to smile and reach for his hand. “Ready?”

He nods, but neither of you can meet the other’s eyes.

From Idia’s perspective, today should feel like a victory. He’s been planning for Ortho’s investiture for months, and now that the day is finally here, he should be feeling nothing but relief. But no—he’s filled with an overwhelming sense of dread. It’s not about Ortho. His little brother is brilliant, and Idia knows the kingdom is in good hands.

No, what he’s not ready for is letting you go.

If someone had told him a year ago that he would care about someone—want someone—so desperately, he would’ve locked them up in a mental facility. But here he is, standing on the precipice of his worst nightmare.

You, who shine in every public setting, who effortlessly charm everyone around you, are going to move on. He knows he can’t tie you down with his reclusive lifestyle, his constant desire to escape from the world. How could he? You’re everything he’s not—bright, resplendent, beloved. He can’t ask you to give up your life for him.

But when you come out and take his hand, his heart skips a beat. Neither of you are able to look each other in the eye, but the gesture says more than any words could.

The investiture itself goes off without a hitch. Ortho’s speech is flawless, full of the hope and wisdom of a ruler who will no doubt lead the kingdom into a golden age. You’re so proud of him—of the boy who’s become like a little brother to you.

But even as you smile and clap with the rest of the court, you feel a heaviness in your chest that has nothing to do with the political spectacle unfolding before you.

A few tears slip down your cheeks, and you don’t even know if they’re from the overwhelming pride you feel for Ortho or the quiet heartbreak you’ve been trying to suppress all day.

Before you can wipe them away, Idia silently hands you his handkerchief. He doesn’t say anything, doesn’t even look at you, and that just makes the ache in your heart a little worse.

You take it with a quiet, “Thanks,” dabbing at your eyes, and you both stand there in tense silence, watching as the formalities continue around you.

Once the investiture concludes and the guests filter out, you and Idia retreat to a balcony to catch your breath. The sky is darkening, and the cool evening breeze does little to soothe the heaviness you feel in the pit of your stomach.

Idia breaks the silence first. "I've, uh... already arranged the beach house. It’s in your name now."

You blink, looking over at him. His voice cracks slightly, and when you finally turn to face him fully, you realize that he looks like the very picture of heartbreak. He’s not meeting your eyes, staring out into the distance as if it’ll keep him from falling apart.

You swallow hard, trying to keep your voice steady. “Idia... do you want me to leave?”

He freezes, still not looking at you. "I... I want you to be happy. I mean, that's the whole point, right? The beach house, everything—you’ve been wanting that for ages."

“I didn’t ask if you wanted me to be happy,” you say quietly. “I asked if you want me to stay or go.”

The silence between you stretches, heavy and suffocating. You hold your breath, waiting for him to answer. When he finally speaks, his voice is barely above a whisper.

“I... I don’t know what I’m gonna do if you’re not here anymore.”

That’s all the confirmation you need. Before he can say anything else, you step forward, cupping his face and pulling him into a kiss. For a split second, he stiffens, shocked, but then he melts into it, his arms wrapping around you like he’s afraid you might disappear if he lets go.

It’s everything you needed and more—sweet, desperate, and filled with all the words neither of you have been able to say. When you finally pull away, you rest your forehead against his, both of you breathing heavily.

“Come with me,” you whisper. “To the beach house. We can... we can figure everything out from there.”

Idia lets out a watery laugh, one that’s half-disbelief, half-relief. “You really want a shut-in like me hanging around your dream house? You’re gonna get sick of me in a week.”

You smile, brushing a strand of hair away from his face. “I don’t think I could ever get sick of you. So... what do you say?”

He hesitates for a moment, then gives a small nod, his eyes shining with unshed tears. “Yeah... okay. I’ll come with you.”

And just like that, the weight that’s been pressing down on your chest all day lifts. It’s not the end—it’s a new beginning. One where you and Idia don’t have to part ways, where you can move forward together.

As you both stand there on the balcony, holding each other close, the world feels a little less daunting, and the future a little brighter.

The grand hall is slowly emptying out, nobles drifting away after offering their congratulations to Ortho. You and Idia maneuver through the lingering crowd, dodging overly-friendly dukes and avoiding eye contact with barons hoping to extend the festivities.

Idia clings to your arm like a cat being dragged to the vet, mumbling, “Please tell me we’re not about to be emotionally ambushed again.”

You smirk. “Relax. It’s just Ortho.”

“Yeah, that’s what you always say before things get sentimental and I have to deal with ‘feelings.’”

You spot Ortho standing near the dais, still wearing the ceremonial robes from his investiture. Despite the long night, he looks bright-eyed, waving cheerfully at some departing courtiers. When he catches sight of you two, his face breaks into the biggest grin, and he hurries over like an eager puppy.

“There you are!” Ortho beams, practically glowing with excitement. “I was worried you left without saying goodbye.”

“Us? Leave without saying goodbye?” you tease. “What kind of villains do you think we are?”

“Exactly the kind who would sneak away in the middle of a banquet,” Idia mutters under his breath. “And you know what? That plan still sounds great.”

Ortho rolls his eyes fondly. “You’re impossible, brother.”

“Only when I’m awake.”

“Anyway,” you cut in, shooting Idia a playful glare before turning back to Ortho, “we wanted to talk to you before we go.”

Ortho’s smile falters, just a bit. “You’re leaving already?”

You nod, squeezing Idia’s arm. “Yeah. We’re heading to the beach house.”

Ortho tilts his head, curious but not upset. “You’re moving there?”

“For a while, yeah,” you explain gently. “Idia and I need a break from all the court politics. But don’t worry. We’ll visit you. Often.”

Idia shifts beside you, scratching the back of his neck. “Yeah, uh... It’s not like I’m leaving forever or anything. Just... you know, temporarily escaping society.”

Ortho laughs, but there’s a softness in his gaze now. “I get it. I don’t blame you for wanting to leave all this behind for a bit.”

You take a step closer, voice lowering. “And hey... I know you’ve got a lot on your plate now. But we’re still family. If you need anything—anything—we’ll be here for you.”

Ortho’s grin returns, full force. “I know. I’m really glad you two have each other. Honestly, I was worried for a long time that Idia might never find someone willing to put up with him.”

“Gee, thanks,” Idia deadpans. “Glad my personal development arc has been so inspiring for you.”

“But seriously,” Ortho says, his expression softening again. “Thank you. You’ve done more for us than you had to. I know you could have just... gone back to your world or left things as they were. But you stayed. And you helped him.”

Oh no. Not this again. That suspicious prickle starts in your eyes, and you blink rapidly to fend off the tears. Not now. Not in public.

“You’re not... making me cry,” you insist, even as your voice wobbles. “This is just... allergy season.”

“Oh no, it’s happening,” Idia groans dramatically, pinching the bridge of his nose. “Please don’t cry. If you cry, Ortho’s gonna cry, and if Ortho cries, the nobles will definitely blame me.”

“Shut up, you big baby,” you sniffle, swatting his arm before pulling Ortho into a hug. “Come here, you. Group hug, now.”

Ortho barely has time to react before you’ve wrapped him up in your arms. He laughs, squeezing you back. You reach out blindly and grab Idia’s sleeve, yanking him into the fray.

“Wait—wait, what—!” Idia stumbles forward, sandwiched awkwardly between you and Ortho. “This is... I don’t...”

“Shhh,” you whisper, patting his back. “Feel the love.”

“This is emotional ambush!” Idia protests, voice muffled against your shoulder. “I want it on record that I was forced into this.”

“Noted,” Ortho says with a laugh, hugging both of you tighter. “But you’re not getting out of it.”

For a moment, the three of you just stand there, huddled together in a ridiculous knot of limbs, nobles glancing your way but tactfully avoiding comment.

Idia mutters into your ear, “This... this is basically treason against introverts.”

You grin. “Consider it penance for being emotionally stunted.”

“You’re both the worst,” he grumbles, but his arms stay wrapped around you.

Eventually, you pull back, wiping your eyes with the heel of your hand. “We’ll be back soon, Ortho. I promise.”

“I know.” Ortho smiles warmly, giving you one last squeeze. “And when you do, I’ll make sure you never have to attend another dull court event again.”

Idia perks up at that. “Oh. Now that’s what I call incentive.”

With one last shared laugh, the three of you break apart. Ortho steps back, standing tall and proud in his new role, though his smile still holds all the warmth of a little brother seeing his family off.

“Take care of him,” Ortho says quietly, glancing meaningfully at you.

“I plan to,” you reply, meeting his gaze with a small, reassuring smile.

“And you,” Ortho adds, looking at Idia. “Don’t screw this up.”

Idia gapes, indignant. “I—why does everyone assume I’m the one who’s going to screw it up?!”

You and Ortho exchange amused glances before both of you answer in perfect unison:

“Because you will.”

Idia groans. “Yeah, okay. Fair.”

With that, you bid Ortho one final goodbye, tugging Idia along before anyone else can rope you into small talk. As you leave the grand hall and step out into the cool night air, the weight on your shoulders feels a little lighter.

Idia sighs in relief. “Well, that’s over. Time to hibernate for the next decade.”

You chuckle, lacing your fingers through his. “Hibernation in the beach house?”

“Hell yeah.”

And with that, the two of you set off into the night, leaving the court behind—for now.

Oh, what happened to the heroine and the male lead, you ask? Let’s rewind a few months before Ortho’s investiture—back when they were still blissfully unaware of the elaborate downfall that awaited them.

You knew that the heroine and the male lead would try to make a spectacle of themselves during Ortho’s rise to power. The way they pranced around, flaunting their superficial charm and good looks like they owned the place—it was insufferable. And, of course, they were always scheming in the background, hoping to secure power and glory for themselves. You couldn’t stand it.

So, you set up the perfect trap.

It began at a lavish gala, one of those unnecessarily extravagant events where nobles gathered to network, gossip, and throw subtle insults at each other. You arrived fashionably late, as any proper duchess would, with Idia reluctantly in tow, mumbling under his breath about how every social event felt like “one of those long quests with zero rewards.”

“The rewards are emotional, Idia,” you whisper, linking arms with him.

“Yeah, emotional damage,” he mutters.

You suppress a smile, but your mind is elsewhere. Tonight is the night. You had planted the seeds weeks ago, a few well-placed rumors, some whispered insinuations, and a letter you’d accidentally left behind in a well-trafficked corridor. It was all coming together like a beautifully chaotic symphony, and now, the climax.

You spot the heroine first, her radiant smile masking the venom beneath. She’s making a grand entrance, arm-in-arm with the male lead, who, as always, looks like he’s stepped straight out of a romance novel. His hair is perfect, his jawline sharp enough to cut through glass. But you know better. They’re both so predictable.

“They’ve arrived,” you murmur to Idia.

He gives you a blank stare. “Yeah, cool, I’m just here to not die of social exhaustion. Whatever you’re planning... don’t tell me. I don’t wanna be involved.”

“Suit yourself,” you reply with a grin.

You watch them mingle, waiting for the right moment. And there it is—the heroine, attempting to cozy up to the king, laughing a little too loudly at one of his mediocre jokes. You slip through the crowd, making your way to where a certain nosy noblewoman is holding court. A noblewoman known for her love of gossip and her even greater love of ruining people’s lives with it.

Perfect.

You lean in, feigning concern. “Oh, My Lady... I probably shouldn’t say this, but I heard the strangest thing about the heroine. You won’t believe it.”

Her eyes gleam with curiosity. “Do tell, my dear.”

“Well,” you drop your voice to a whisper, “there’s talk that the heroine and the male lead are involved in some... unsavory business dealings. Something about embezzling funds from the royal coffers for their own gain? I don’t know how true it is, of course... but it would explain some things, wouldn’t it?”

You leave the rest unsaid, letting her imagination do the rest. The best part? It’s all technically true. You had orchestrated it so well, the heroine and the male lead had no idea that their “private” meetings and “innocent” financial maneuvers were anything but secret.

She gasps, her fan snapping shut. “I knew there was something off about them! Oh, the gall! I must inform the king immediately!”

And just like that, the gossip spreads like wildfire. Within minutes, the entire room is buzzing with scandalous whispers. The heroine and the male lead notice the shift, the way people start looking at them, and for the first time, they’re on the back foot. They try to smile, but their unease is palpable.

You sit back, watching the chaos unfold, sipping your wine as nobles begin to distance themselves from the pair, shooting them suspicious glances.

Idia sidles up next to you, looking around at the suddenly tense atmosphere. “What... what did you do?”

“Who, me?” You bat your eyelashes innocently. “I have no idea what you’re talking about.”

He gives you a side-eye. “You’re terrifying.”

“You knew that when you asked me to be your fake fiancée.”

The next day, official inquiries are launched into the heroine and the male lead’s finances, and though they try to clear their names, it’s no use. The damage is done. Their reputations are ruined beyond repair, and they’re forced to withdraw from court life entirely. A fitting end for their ambitions.

Which brings you to the present...

It’s a peaceful morning in your beach house, and you’re sitting on the veranda, enjoying your coffee while the sun rises over the horizon. The sound of waves crashing against the shore is your only company, and for once, there’s no looming political intrigue or royal drama to worry about.

That is, until Idia stumbles out of the bedroom, his hair a messy blue cloud, his eyes half-closed with sleep. He groans as he sees you, one hand on the wall to steady himself. “Why are you up so early? It’s like... the middle of the night.”

“It’s 10 AM,” you reply with a laugh.

“Exactly,” he grumbles, shuffling over to you. Without another word, he flops down beside you, his head immediately finding its way to your neck. He nuzzles into you, muttering something unintelligible, and you chuckle softly, patting him on the cheek.

“You’re such a big baby in the morning,” you tease, pressing a soft kiss to his forehead.

Despite being married for the past two years, Idia’s face turns tomato-red every time you do something affectionate. He blushes furiously now, burying his face in the crook of your neck to hide it.

“Y-You’re unfair,” he mumbles, voice muffled. “Saying stuff like that... it’s embarrassing.”

You grin. “But you’re so cute.”

“I’m not cute. I’m a grown man. And you’re a villain for making me get up before noon.”

You laugh, running your fingers through his messy hair. “Maybe, but I’m your villain. So deal with it.”

Idia groans dramatically but makes no effort to move away, too comfortable where he is. You continue sipping your coffee, enjoying the moment of peace, when he finally speaks again, a little softer this time.

“Y’know... you really did a number on the heroine and the male lead. They’re still laying low, huh?”

“Maybe the rumor I spread was truly a masterpiece,” you say with a smirk, remembering how perfectly everything had gone according to plan.

Idia snorts. “A masterpiece of destruction, maybe.”

You chuckle, pressing another kiss to his forehead. He sighs contentedly, the two of you basking in the quiet comfort of your shared life. It’s moments like this that remind you just how far you’ve come together, from court intrigue and scandal to peaceful mornings at your beach house.

And honestly? You wouldn’t have it any other way.

Series Masterlist ; Masterlist

For the next part,

[love-takes-work]

Streamily.com Presents: The Steven Universe Cast Reunion Q&A Part 1

Here's a complete overview of the Q&A that was put on by Streamily, hosted by Elijah ("Not-So-Average Fangirl"), featuring Rebecca Sugar as the showrunner/creator, Deedee Magno Hall as Pearl, Lo (formerly known as Charlyne Yi) as Ruby, Estelle as Garnet, Susan Egan as Rose Quartz/Pink Diamond, Tom Scharpling as Greg Universe, Michaela Dietz as Amethyst/Famesthyst, and Larissa Gallagher as Bluebird Azurite. Read below to find out about a secret scrapped episode, Rebecca's comment on how to look at Rose Quartz, and lots of hilarious commentary from the cast about the experience of voicing characters on Steven Universe.

When the stream opened, everyone did their introductions:

Rebecca said they created the show.

Deedee said she played Pear. LOL, then said Pearl.

Lo said they played Ruby.

Susan said I play Rose . . . (with a cringe) and Pink.

Tom said "I was Greg, and I still am Greg, I guess."

Michaela: "Famethyst for life baby!"

Larissa played Bluebird, and a little bit like the character, she pops up when you don't expect it!

Estelle was not on the call at the very beginning but joined shortly after the questions began.

Here are the questions and the participants' answers!

Q: There were so many messages in SU. Which one do you hope viewers keep with them the most?

A (Rebecca): Rebecca learned to trust themself in being the authority about who they are. They were a bit rocky on this issue when the show began in their twenties, and learned they needed to be true to the art they made. That was reflected in the characters too. They hope people watching will learn to trust in themselves too, in the face of other people trying to tell you who you are.

Q: For Deedee Magno Hall: Pearl grew and changed in the show. How did it feel playing her in the first few episodes vs. the last few?

A (Deedee): There was no way for Deedee to know Pearl's journey when she started voicing her. She relied on Rebecca and the Crew to learn how to voice Pearl. The group had been talking about the pilot before they jumped onto the call, and Deedee says if she had listened side by side to what Pearl sounded like in the Pilot and what she ended up sounding like at the end, Pearl (along with character growth), vocally got exaggerated--it was Deedee's voice but really "went there"! Pearl felt so many feels. Deedee hopes she executed it well direction-wise. What a blast to play Pearl! And to see the growth in her character! It was fun and a challenge, and Deedee was grateful!

Q: For Michaela Dietz: Amethyst is silly and chaotic usually--what did Michaela pull from for the more emotional and serious moments?

A (Michaela): Many of the more emotional moments are about figuring out origins (the Kindergarten, etc.). Michaela is a transracial / transnational adoptee, so she pulled from that and was looking for her birth family while they were recording the Kindergarten episode. That was an easy well to tap. The growth that Amethyst had over the course of the series and movie and Future, Michaela feels like it parallels her relationship with the other actors and their characters. She's grateful to have made so many friends and is so happy to have learned so much from Rebecca (she joked about calling Rebecca "Reba").

Q: Question for all: If you could hang out with your character for one day, what would you do?

A (Rebecca): Steven is based on their brother, so they would love to spend time with Steven. It was challenging through Covid to not spend time with Steven. They always make time for Steven. They love spending time with people who played the characters! They never got to have a wrap party because of Covid! They were together for 8 years and they still want to have a belated wrap party. They would also love to spend time with Ruby (the self-insert character) and they love spending time with Lo too. Then they said "I need to be stopped because I'll go through every person."

Announcement: Estelle just joined!

Belatedly, the mod asks Estelle's question: Garnet is such an iconic character. Did Estelle know she was a Fusion from the beginning?

A (Estelle): No. She was the big grown Gem who took care of the others. She found out in real time with the cast when she did the recording. She was surprised by the lines in real time and had to calm herself down to record each line. She felt it was an honor.

Back to the "all: question of what each would do if they could hang out with their character.

A (Deedee), misunderstanding the question: If she could hang out with characters, would do tae bo with Garnet, get french fries with Steven, and have a karaoke and dance party with Amethyst.

A (Lo): When they were in kindergarten they would spit all over a tree and try to cover it with their spit. If they hung out with Ruby, they would ask for Ruby's help spitting on trees. There would be lots of hugging, punching pillows, etc. The moderator Elijah thinks fan artists will have fun with that.

A (Estelle): If she hung out with Garnet, she would ask Garnet to give her all the future information. She would want to borrow her "future vision goggles" too and want to know the future.

A (Tom): He would just drive around with Greg and listen to records. Go eat more. And end up going bowling.

A (Michaela): She would eat trash with Amethyst (and also some quality food?). They would mess around the San Gabriel Valley, get meal after meal, maybe buy an illegal turtle? No, that's not funny. They might hit up Ruby and spit on trees. Take in some underground wrestling. Amethyst is very intensely chill, and Michaela thinks they could do a great many things together.

A (Larissa): Going from intensely chill to intensely chaotic. She wants to bring it down from chaos and go ride Lion on the beach, with Bluebird carrying swords.

A (Susan): She wants to go into Rose's room to unpack. Pearl would need to be with her to Marie Kondo the situation. Then she would throw on a Universe shirt and hit music festivals.

Deedee realizes she misunderstood the question and wants to add: if she hung out with Pearl they would do laundry and some spring, summer, winter, and fall cleaning. Definitely Marie Kondo-ing the whole universe together.

Q for Susan Egan: Rose turned out to be a very complex character. As the story progressed and more about her was revealed, did Susan's approach to voicing her change?

A (Susan): She can't sing the praises of Rebecca enough: Susan didn't know at all what Rose's deal was. She got some hate comments when it was revealed that she was Pink, and she LOVED that because it meant the fans were invested. She was as shocked as everyone else. Pink was aging in reverse; Rose was wise and flawed, and then Susan would be voicing Pink and had to be petulant and immature, and she's thankful for Rebecca's direction in getting that right.

Q for Lo: Ruby is adorable. We got to meet so many versions of her. Other than Garnet's Ruby, which Ruby was Lo's favorite to play, and why?

A (Lo): They loved playing Navy. They got to be hammy. They ask if you know how when you order stuff at the drive-thru and you become that? They don't know why. It felt good. While voicing Ruby, they got to get in touch with how angry they were. Being seen as an Asian woman, it was nice to have a spot to channel that anger, and being Navy is like making fun of who you have to become when you're a people-pleaser. "I LOVE DIRT!"

Q for Tom Scharpling: Greg is an eccentric but loving father. What was Tom's favorite part of playing him and does he have a favorite scene?

A (Tom): Doing Greg was so fun. It's not Tom but it's more him than he thought all along. He had never done voice stuff before this, so he went in completely new. A script would say "walla walla" but he thought he was supposed to say "walla walla." Everybody laughed at him. He knew literally nothing about proper voice acting. So he got to really try and work at it. It was so satisfying to get to better at it. Anything from "Mr. Greg" was the big one in terms of a memorable episode. It was the best time.

Q for Larissa Gallagher: Bluebird Azurite is quite a menace. Did she listen to the individual Ruby and Aquamarine voice acting for inspiration?

A (Larissa): Yes. The script said Bluebird was Cockney, so she already knew what to aim for, but it turned out that taking those inspirations from the two characters she's made of would have led to this kind of voice naturally.

Q for All: Where do you each of the participants think their character is now and what are they doing?

A (Rebecca): To the cast, they know what the characters are up to post-show, but they can't say, it's too canonical.

A (Deedee): Says she doesn't know what canonical means. Pearl is probably doing more laundry and working on an album.

A (Lo): They guess they're just . . . fused. (Perhaps separating for scouting?) They might play Ruby Rider but not alone anymore. Interdependence, learning how to ground; Lo is not really sure how to answer since they feel like Ruby would spend most of her time as Garnet.

A (Estelle): She doesn't know. She figures Garnet sees what was gonna happen and just said "mmm." Just chilling. Even when she's fighting she has to be chill with the fighting-related grunting. She got direction to "flatline" her acting. She found it pretty natural though.

A (Tom): Greg is probably right where everything started again. Maybe working at a GameStop. Maybe he owns a bowling alley now. When asked what Greg would name it, he replies "Strikes and Spares."

A (Michaela): Amethyst would randomly get rich with Bitcoin and is retired. Maybe she would play Taiwanese Mahjong. Living a great retired life.

A (Larissa): Bluebird would be plotting and scheming and planning. Probably on a big planning board.

A (Susan): If Rose and/or Pink exists on any level, the only appropriate thing for her to be up to is community service. Like cleaning up trash at the bowling alley? Susan thinks it's time to start having a positive impact.

Q for Rebecca Sugar: Were there any scenes that ended up on the cutting room floor that you wish you could have included?

A (Rebecca): There was a bunker episode that they spent weeks on trying to crack; they wish they'd finished it. Ronaldo had a doomsday bunker. Sadie and Lars were trapped in it (with Steven). There's no way to leave. They were working on it so long and just couldn't make it work but they were determined to (maybe a little bit of the sunk cost fallacy!).

But usually the things that got left on the floor ended up evolving and changing into something different, even if they were really attached to the original idea. The idea for "Barn Mates" was originally that Sadie and Lapis would be the roommates with Sadie going to college. They feel that the Sadie story they ended up actually using was great. They love what they ended up doing with Lapis too.

In the very earliest version of "Giant Woman," Steven was going to unfuse into the two parts of him. And his "perfect" form, the big glowing muscular adult-looking Steven, was a Season 1 idea, and they didn't use him until Future. (After all, our roly-poly Steven is perfect!)

Now there are some fan-submitted questions. Their usernames are included.

Q for Deedee Magno Hall, from Makittuu: In what ways is Pearl special to you?

A (Deedee): She feels like a broken record, but she says again she was grateful to be voicing someone with the same natural voice as she had, and she had always wanted to be able to sing in a cartoon. She loves that she got to sing in the show. Pearl was the first major voice acting role that she had ever done and there's no way she would have known what the show was going to become and how successful it would be. She was auditioning for everything and was new to voice acting at the time. But one thing that she loved about voicing Pearl is that she got to share the experience with her kids. She connected the love Pearl had for Steven with the love she had for her sons. When she started voicing Pearl her kids were 2 and 8. For them to be able to watch Steven Universe on TV and hear Mommy's voice was so cool to share with her family. Now her kids are 13 and 19!

Q for Estelle, from Gonosoi: Do you have any fun stories from recording your lines on the show?

A (Estelle): When she was going through things in her life--and she thinks this is true no matter where you are or how you identify--the show somehow could speak to whatever she was going through. The lines would often be relevant. She'd come in with sunglasses on because it was early for her and her voice would be low. She'd be crying behind her glasses in difficult moments. She liked a fresh first take instead of knowing ahead of time what she'd be reading, so she didn't read the script ahead of time. She was surprised by needing to do the "ugh" and "ah" noises in different ways. It'd be difficult vocally. With Michaela, Zach, and Deedee, in between the lines and reading things together, hearing them switch back and forth between talking about life and then doing their recordings, it was so cool to see them do their work.

Q for Michaela Dietz, from Mal: Which one of your other characters would get along well with Amethyst?

A (Michaela): Definitely Vee from The Owl House. Maybe Maj'el from Star Trek Prodigy. She would be so "What is this purple being? Why do you eat? Where does the food go?" She'd be fascinated with Amethyst. And Michaela feels like Amethyst would thrive and try to do weird stuff in response. The shapeshifting she has in common with Vee. They'd get up to some trouble. Fun trouble. Harmless trouble. (Another fanart cue!)

Q for Susan Egan, from Gladde: Does Susan feel that Rose forgot about Spinel? Does she think she wanted to go back?

A (Susan): Susan thinks a lot was forgotten in her mind when she became Rose. Rose was so enamored of what's in front of her in every moment; she lives in the moment and can be a good quality but obviously Susan didn't know all of that when she was recording! Steven Universe is her kids' favorite thing she's done. Rebecca?

A (Rebecca): So much of the show is about how--something that was ultimately captured in the end credits song-- when you don't think of yourself as someone with power, Pink had less power than everyone around her, and she didn't know how much she mattered to others. She did things to them that she didn't think twice about because her importance to others didn't register. Feeling that she didn't matter, it radiated out. To her--her relationship with Spinel, Spinel was a toy to her. When she got a chance to grow up, she thought it made sense to leave Spinel behind. Pink is actually a softened version of what she was originally planned to be like. The sympathetic side of that and her self deprecation grew as they developed Pink over time. In aspiring to be a better person than she thought she was, that became who she was.

A (Susan): Rebecca brought all these characters' complexity to the table. It's easy to make things two-dimensional but people are complicated and we need to look at that in context. Good and bad can exist in the same person. She doesn't want Rose to always want to think about being Pink, but she thinks it helped her want to save more characters as Rose.

A (Rebecca): Rebecca likes to think of the Pink Diamond / Rose character as a cautionary tale.

Q for Lo, from stiffcorpse00: What kind of dates would Ruby and Sapphire go on?

A (Lo): Axe-throwing. They reference walking through doors and accidentally crashing into the frame, and they say "That's me." So they wouldn't do axe-throwing personally. Maybe Ruby and Sapphire would get some boba. Go walking. Teach Ruby how to float in water back because anger makes Ruby sink. Helping Ruby get anger out by screaming into pillows. Swinging one way and the other way.

Michaela suggests they could go to a rage room.

Lo objects that they're so expensive, and that they could just break stuff without needing to pay for it.

Susan suggests it'd be a writeoff because it's for work.

Lo says they'll go there and take a date.

Michaela says the experience is exhausting and therefore you don't need much time there.

Lo says a Ruby and Sapphire date involving paintball would be great, but everyone would run from Sapphire. Ruby's rage would get in the way. Sapphire would coldly get everyone.

There is more discussion of smashing fax machines and glass etc. in a rage room. Deedee asks "What is a fax machine?"

Q for Tom Scharpling, from GalixyYouniverse: What was his reaction to Greg getting his hair cut and was he upset?

A (Tom): He was fine with it. He was always coming from a different place than everyone else. His change would be getting rich or getting a haircut. Everyone else's was huge and cosmic. Anything with Greg, he related to Greg more than he should admit to.

Rebecca points out they have like drawings from 2013 with Greg with short hair. Sacrificing hair in a battle is something they always wanted to do.

Q for Larissa Gallagher from 1F4cnt4ND: How does she think Aquamarine and Ruby met and what was it like when they fused?

A (Larissa): She says it was a little bit mean to put her after Tom answering about the hair cut! But she doesn't know. If she had to say anything, it'd be existential. When you meet someone and you get that ball of energy inside you and you don't know whether it's good or bad--you don't know what's going to happen but something will happen. She likes to think that's the kind of energy that evolved. It didn't go in the most helpful emotional way but it was that moment attraction that no one can explain. Rebecca?

A (Rebecca): They had discussed in the writers room what Steven's influence is on Homeworld, how there'd be all these Gems on the wrong side of history, whether they were high status like Aquamarine or low like Eyeball, they'd pool into an out-group and meet to be frustrated about it. They'd been working on something that made sense before Steven changed the rules. Different types of fusions / collaborations and one born out of frustration and spite was one they wanted on the show.

Q for all participants, from trynottohappen: What was the hardest scene to record?

A (Susan): The first thing she did as Rose was the VHS tape. The monologue was her first time playing a mother, and it spoke to her heart. Like Michaela looking for her biological parents, there's something the character can teach you. Susan had to pull herself together after reading it--she needed to be joyful about her progeny coming. It makes her weep even today. It was one of her favorite things. She loved recorded with Deedee, and loved the love between them, the betrayal of Rose to Pearl, when we finally get to know what was really going on between them.

A (Larissa): The scene where Bluebird revealed her backstory of why they felt the way they felt. The complexity of the characters in the show, the hate isn't just "I hate because someone did this and said that." It's grounded, a real space of hurt that can never be fixed. Having to recreate that and not hate the character but love the character because of how much pain they were in. That was difficult but incredible.

A (Michaela): The hardest scenes were toward the end because she knew the show was ending. They were cherishing every moment together. In 2016, the day after the election, that was a hard day. Everybody was really distraught. There was a group hug at the end. In a time of such uncertainty, it gave her so much solace to know they had each other and they had art, they had ways of expressing themselves, that day sticks out.

A (Tom): For him, the songs were difficult. He would get sent a demo Rebecca recorded the night before, he's driving into NYC from New Jersey and listening to the song for hours all morning so he'd have it in his head, and then would be so nervous doing the songs because he didn't want the whole recording to be just him going word by word, line by line. The songs were the big thing he was hung up on. He'd try to do the songs first, then the spoken lines, and then the things where he yelled--he'd end up screaming sometimes and he'd not have a voice left. He wanted to do right by these very special songs. He jokes that Rebecca said he let them down over and over. (Rebecca denies.)

A (Estelle): She doesn't remember many hard moments. She'd attribute that to Rebecca's direction. She took a laid-back approach. The grunts and noises weren't familiar but also weren't difficult for her. She'd drink tea after. Real life would be happening but they always had each other in their bubble.

A (Lo): The Ruby Rider episode was the most fun and the hardest. They always wanted to play a cowboy! They were also going through a divorce during the recording. It was tough leading up to marrying Sapphire, delivering the lines, and they started crying because the opposite was happening in their life. And then they got direction to be more emotional even though they were crying. They said their voice was dead inside even though they were quite emotional. They're shy in the booth. Lo felt sweaty and weird doing the acting in front of other people, feeling awkward, and this is the first time they had to be a voice actor. This was THE WORST playing multiple characters during the baseball episode.

Michaela was so impressed with Lo having to be "like 800 characters."

Lo comments that doing 5 voices around other people as a neurodivergent person was so difficult.

A (Deedee): She loved receiving the demo recordings before having to sing a song. One of her favorite things was the singing. She wants the album of all Rebecca's demos. She remembers getting a script Monday to prepare and record on Wednesday. She heavily depended on the voice director and Rebecca. The really wordy scripts were difficult for Deedee with "ten-dollar words." The screaming was also really difficult. (She'd also do singing at the beginning, speaking in the middle, screaming at the end.)

A (Rebecca): Instead answering what scene was the hardest to write, they say there are so many. Because it was storyboard-driven, the script was in flux until it was animated, and they'd still be working with dialogue. With the potluck, when Lars doesn't show, Sadie has dialogue as she's walking down the street talking about Lars. They did a thousand drafts of it. With Sadie's story, there's a matryoshka of struggling with self-esteem while commenting on other people's self-esteem. There was a long path to get Steven to step into his mom's shoes. The biggest thing was tracking the ongoing storyline in a storyboard-driven show. Rose's speech was pored over as well. They wanted it to be layered and make more sense as you learn more about her. Does this line encapsulate everything you're going to learn about this character 60 episodes from now?

Q from CaughtMoonlight: If each of them could play any other Gem, who would it be?

A (Susan): Everyone wants to be Garnet, but could never!

A (Larissa): Ditto. 100%. Also, not a Gem, but she wants to be Lion.

A (Michaela): Peridot. All the way.

A (Tom): He says he can't do that and he's just a slob doing the voice of a slob. These things are all out of his reach.

A (Estelle): She'd go with turbocharged Peridot. She says the things that are in Garnet's brain. She'd get spicy with it.

A (Lo): Lo would choose Greg. They say he's not a slob. The world should be more relaxed and accessible.

Tom says he doesn't mean slob in a bad way. But he owns his slobbiness.

A (Deedee): Hard question! She loved voicing Pearl and all the Pearls. Everybody else, it would be so hard to voice. No comment.

A (Rebecca): Early on they decided to take a back seat and not cast themself. They loved being in the director role. They put a lot of themself into SO many characters. That let them have a presence in everyone. One thing they're really grateful for, but their former boarder Adam Muto on Adventure Time, they got to voice Marceline's mother. The composers aivi and surasshu asked them to sing "Love Like You" because it's really a reflection of so many characters that they got to write.

Q for All: They are asked to share their projects and socials.

A (Rebecca): Working on things they can't talk about yet. Last year they released an independent album. Years ago Estelle said Rebecca should tour. Susan said kind things. Lo texts songs back and forth. They would not have been able to make that album without that encouraging. Tom had them on the radio show. So humbling. Spiral Bound is a little EP and they're so grateful. They'd love to do more stuff like that.

A (Deedee): She loves the album. She is doing some recurring voices for Kiff on the Disney channel, and singing praise and worship at church.

A (Lo): They're playing Larry in StuGo who's shirtless and gender fluid on Disney. They want everyone to know sunsets are awesome. Catch them while you can to chase away depression.

A (Estelle): She has a new album coming out early next year, with two singles out now. The music is uplifting. And there's the Estelle Show (on Apple radio!). She's just living her best life.

A (Tom): The Best Show/podcast is still on every week. He started writing a new book--he wrote one a few years ago and thinks the one he's writing now will be done in maybe 11 years, so check it out in 2038. Just working on TV stuff and dealing with whatever happens.

A (Michaela): Exciting stuff we can't talk about. It's tangerine season! Trees going off! Been harvesting.

A (Larissa): Just got back from Japan. Trying to get back there. Video games are coming out but she can't talk about it. She is working on a startup called Ethovox, trying to protect voice actors int he age of AI. Larissa got so much fandom just from doing Bluebird for two minutes! She's so grateful for that.

A (Susan): She produces live concert content for Disney worldwide. She loves being behind the scenes and creating jobs for others and bringing joy. They've been in 18 countries! She wrote shows for the Hollywood Bowl.

Part Two comes out November 18, 2024! You can get signed prints at Streamily!

[harrowscore]

and yet we're supposed to believe that losing her powers and living as mal's housewife in la casetta in canadà is a happy ending for her?

it's... fascinating how the grisha are both reviled and venerated as saints in the same country. they're extremely powerful in many ways, and yet objects of superstition and even outright discrimination and fear by ravkans, their own countrymen. it's contradictory tbh. i would like to call it "complex portrayal" but... heh.

[miley1442111]

drunk confession-a.hotchner

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a/n: omg i just started watching dharma and greg (another thomas gibson show) and it's so funny like wtf (greg is such an airhead its adorable)

summary: aaron admits some very cute things when he's drunk.

pairing: aaron hotchner x bau! reader

warnings: none

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The team constantly forgets that you and Aaron are together. You two don’t touch each other at all during the job. Both of you are very pda-averse and you like your own space. 

That does not translate to a drunk Aaron.

-----------------------------

It had been an awful case, and you’d decided to go out with the team for a few drinks. Somehow, Penelope and Derek had gotten Aaron so drunk, that his hands were all over you and he was sporting his little-seen smile. Your co-workers had decided to take the absolute piss out of him for it, which meant you were being mocked as well. 

“She’s so beautiful,” Aaron gushed to the team as he slung an arm over your shoulder.  

“Thanks baby,” you grumbled over the laughing of our coworkers. You could feel Aaron’s hand on your waist slipping lower and you knew you’d have to get him out of here before he did something down-right indecent. “How about we get you home? You look tired,” you offered and he nodded his head like an overactive puppy. 

After one more round of embarrassing questions, you finally get Aaron into a cab and back to your house, thank god this case had been in Washington. You laid him down on the bed and hurried to the bathroom to take off your makeup and get ready for bed before Aaron got up to find you. Jack was long asleep, his babysitter left after you and Aaron came in, a surprised look on his face at seeing the man she’d known to be so put-together in such a state.

“Aar-” You started until you felt his hands on your waist and the rest of his body leaning on your. It took a lot of strength to keep both of you upright and not on the floor but you managed. 

“I wanna go to bed,” he slurred. 

“Then go back to bed,” you laughed.

“With you. Only with you.”

You giggled at him. “I’ll be there in 3 minutes, go lie down-”

“NO. I wanna do everything with you for the rest of my life, I’m not going to bed on my own,” he confessed with a shy smile. His confession sobered you up quite a bit. 

“Aaron, what?” Your chuckle got caught in your throat. 

“I wanna be with you for the rest of my life,” he smiled, puppy-dog eyes making you weak in the knees. 

“You’re drunk,” you dismissed him.

“I’m in love,” he ‘corrected’. 

“You’re very, very drunk.”

“I’m very, very in love,” he chuckled, pressing kisses up your shoulder as you washed away your makeup.  “Imagine it, we’d get married in a nice church, go on our honeymoon in Italy- where you’ve always wanted to go.”

“What about Jack?” You smiled at him. 

“He’d stay with Jessica for a couple weeks, I’d need some time to fuck you properly-”

“Aaron!” You chastised. Aaron became a lot more loose-tongued when he drank as well. 

“What? You don’t complain,” he laughed and it made you laugh. 

“You’re so drunk, and you’re going to be so embarrassed when i tell you in the morning,” you started to lead him to bed as he kept rambling on. 

“And when we get back we’ll find out you’re pregnant, It’ll be a girl, of course. You’ll have no complications and then a year later we’d be pregnant again, twins this time, so we’d have to move. It’ll be two more girls, and then our last kid will be a boy but we’ll also be preoccupied with Jack’s pre-teenager hatred phase so our youngest will probably have the most troublemaker-tendencies, but neither of us will mind because he’ll be so cute,” He smiled. “We’ll get one of those big houses in the country on a bunch of land. And I’ll stay at home with the kids, and you’ll work lecturing at a college nearby and we’ll be so far away from all the horrors of the BAU that we won’t even remember what happened before.”

You didn’t even realise it, but you were tearing up thinking about this beautiful life Aaron had planned for the two of you. 

“Doesn’t that sound nice?” He smiled and turned to you, his arms wrapping around your torso. 

“That sounds perfect,” you whispered through tears. “Perfect Aaron,” you smiled at him and kissed his cheek. 

“Good ‘cause I have the ring picked out, but don’t tell Y/n!” 

“I won’t don’t worry,” you chuckled and kissed his cheek again.

You fell asleep excited to tell him all the embarrassing things he admitted, and excited about the proposal yet to come. 

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Part 2: the morning after

criminal minds masterlist :)

navigation for my blog :) (criminal minds, obx, the bear, marvel, top gun, the hunger games :)