#all i have to go on is 'how would i feel if the creator of i thing i like liked a post i made about it'

[dizzyduck44]

Content creators are cutting off their noses to spite their face

Tonight as I lie in bed, I’m reading. (Lucy Worsley’s “Jane Austen at Home” if you must know). For the last few years bed time has normally been YouTube videos or instagram scrolling. More often than not F1 related.

As a Lewis and Lando fan I accepted long ago finding Lewis friendly content was hard, but there was at least lots of Lando content out there.

During the “Dando” years of McLaren there was good content if you could ignore the Daniel crazies (fans who’s god like bias goes beyond reason or reality). However now, with his second Aussie teammate on the bounce (this one people really want to believe is the driver he will be in 5 years, now), the Max fans trying to process their disbelief, the Lewis fans looking for anyone to retaliate at (because apparently it’s an eye for an eye), George fans who mock Lando because George does it (they skip the point they are actually friends and Lando gives as good as he gets) and recently Ferrari fans (I can only assume overtaking Charles and being closer to a title that he is 🤷‍♀️), Lando hating seems to have become a global sport.

And content creators, some who fall into one of the above categories (P1, Tommo), some jumping on the bandwagon (WTF1, CameronF1, FormulaBone). Some who apparently have beef with Lando for god knows what reason (Aldas) are playing up to this.

Literally there is one F1 content channel I would go out of my way to watch, Josh Revell and even he has had a pop (albeit half his content is comically admitting how wrong he was, Sir Lancelot aside).

Even The Race who, whilst their news report are generally unbiased, their race reviews have become hyperbolic personal opinions based on who they dislike.

I know I won’t be alone with this, Sergio, Logan and Carlos have been getting it all season. But I’ve actually found myself unsubscribing and ignoring people’s content because of their sudden Lando pile on. If I don’t engage, they won’t make money off me.

And if others are doing the same, I can’t help but feel they are willingly pissing off one of the largest fan bases in F1 and hitting themselves in the bank balance for it. I struggle to see the logic.

Because here is the thing. This will pass. And those casual viewers will drift away. What are they going to do from December to February with no F1 and subs down? They will find a new punching bag but the Lando fans won’t be coming back.

There really are the big 5 in F1, the drivers who bring the fanbases, sell the merch, inspire the crazies; Lewis, Max, Lando, Charles and I would say Checo. (I think Lando took Daniel’s spot 😬). If you have pissed off the fans of 4 of those drivers already I really hope you have a back up career available.

I’d rather read than tolerate or support most of the BS being put out recently. Because if your issue is someone grew up and at the first chance at a championship they refuse to be an arse, I can safely say I wouldn’t make time for you in real life. I sure as hell don’t have to online.

[mdpthatsme]

Two announcements today. I'm going to ignore the movie news because I honestly have the lowest of low expectations for it.

Project Rene scrapped? Unclear.

They've decided to restore the Sims 4 foundation, Project Olympus, to its original purpose, a multi-player MMO chat room whatever.

The excuse of "we don't want to end 10 years worth of TS4" is total BS and only wants to invoke sentimentality of players as if us older players haven't lived through 4 iterations of the game.

What they really mean is they found out how much money it will cost to run Sims 4 servers and Sims 5 servers and don't want to pay for it. Because the-totally-doesn't-need-the-internet-to-play TS4 shutting down and not giving access to players would have major backlash. Over $1000 for a game you can't play? People would be furious.

So they are sticking with the shaky foundation of TS4 as their generational game with all the horrible brokenness that console players can't get around, that modders have tried to fix, and that they themselves ignore and sweep under the rug because some people are holding onto hope they'll eventually fix it. Meanwhile, they'll distract everyone with new shiny DLCs, that will continue to have no real impact or consequences on gameplay and bring in creators to collaborate with in showmanship that they're "for the players."

TS4 will have multi-player. Big whoop. Majority of players aren't interested as they have said through countless polls and surveys.

TS4 doesn't have:

Open world

The ability to create your own world

Color wheel for all options

Cars

Robbers, real plant sims, zombies

Memories

Consequences

Astrology

Real personalities

And many other things that I don't feel like typing on a phone, but you can add yourself.

Point is, TS4's foundation is very limited. They won't be able to update the real things players want because it's just not possible with Olympus.

But hey, grim reaper expansion pack that will intrigue people for a few weeks before it releases with a ton of bugs that will continue to crumble the foundation and create more issues for the devs to slap a bandaid on.

But that's all I have to say about that.

Edit:

[thatfruityb1tch]

GRRM blog post should have been way worse.

With the amount of bullshit that HBO keeps putting him and his work through he should have given away their entire future plans. He should have thrown in a couple of swears here and there. Hell, he should have cussed out everyone's entire family blood line. And yes, I am aware that there was no way that he could do that because he would be buried in lawsuits but it is very interesting to know all of his thoughts on what HBO is doing to his life’s work.

If I was George RR Martin no one would be able to hold me back. Maybe I'm just a violent person but I personally would've pulled up to R*an C*ondal's house for a quick "chat". I would have actually been sued so fucking bad that the crippling debt that they left me to rot in would’ve left me with no choice but to publish Winds Of Winter. But alas, I am not George RR Martin. And honestly, mad respect to the guy. His work, an entire separate universe that he created in his mind throughout several years is being disrespected, butchered and abolished because of some egoistical pricks. The book - unlike ASOIAF books - has already been written and the events in it established. Now, I know some of you feel the urge to argue that it's "Maester propaganda" and that "we don't know if the events in the books is actually what happened" but guess what, history books are written the same way and Fire & Blood is meant to be perceived as a history book. Unlike real life history though, F&B is fictional and it's much better to stay on the safe side and take everything as it was written instead of actively trying to outsmart the original creator.

All the show writers had to do was write the dialogue and some additional filler scenes. The main events and character dynamics should have been left untouched. And yes, while the “Evil Stepmother” trope may be overdone it could have still had a ton of potential given that in this case, both the stepmother and the stepdaughter are power-hungry women driven by ambition and their own self-preservation and not one of them should be rooted for. That was the appeal of the original story. In the books both sides are evil and have done horrendous things. Now the show runners just decided to take the blacks and make them out to be the underdogs and Rhaenyra the new (old, technically) Daenerys. It makes no sense. F&B was written to show how the Targaryens were all inevitably driven to insanity and none of them are good. Some were murderers, some tyrants, most were sadists and some of them were depressed from simply being born Targaryen. F&B was meant to show how Daenerys was better than her predecessors and would have never gotten along with any of them but the damn show runners decided that no, Rhaenyra is gonna be the protagonist, the “hero” and everyone else can go fuck themselves.

Don’t even get me started on how C*ndal handled B&C. It was still a horrifying scene, of course, there’s no denying that, but it left me with a bitter taste. R*an C*ndal claims that in the books, how the murder of a six year old child is described was “green propaganda” and it was “just not that bad”. They specifically had a portion of that episode following B&C so the viewers would feel as if they were on a heist and root for them, hoping that they wouldn’t get caught. How insane do you have to be to call the murder of an innocent child “propaganda” and try and make us “root” for the murderers? That is disgusting.

How many more times are there going to be directors who take an already established book world and meddle in it to make something that is barely recognisable? Don’t they understand the disrespect they show to the authors of these books? They may as well spit in the authors face, it’s all the same. They’re just showing that no author should sign them the rights to adapt their work because inevitably it will just be made into a plagiarised fanfic version of the original book. I would not be surprised if in the following years more and more writers will refuse to make a screen adaptation of their work because directors and show-runners cannot stop themselves from making their mark. They’re just pissing in a corner, hoping no one notices but the stench is there and it’s revolting and it’s ruining a perfectly good carpet.

[miraculouslbcnreactions]

Your post about ML trying to be a formula show and a serialized show at the same time reminded me of how one of my favorite shows ever, Moral Orel, actually managed to make the switch from one to the other, and I really kinda wish we could have seen ML do what Moral Orel was doing before it got prematurely cancelled two season early

Like, the first season of MO was a cut and dry formula show, but towards the end of S1 we're shown the cracks in the world, until the finale finally outright breaks the formula in the last third

Then S2 seems to try to get back into the formula, but it never quite gets back to normal, with more and more of the underlying serialized drama that the creators crafted around the formula bleeding into it, until with the finale (one of the most gut wrenching finales in tv history btw) the formula is pretty much forgotten outside of some flashbacks in the next season

S3 is just a fully serialized drama, and if it hadn't been cancelled prematurely the creators and staff had two more season planned where the focus would shift fully from one character/family being the main focus to the whole town being the sort of 'main character'

Like, during the year long hiatus after S1 that's kinda how I was envisioning ML to go after ending on Volpina and Origins

S1 gave us the fun formula and the basic set-up of the world (our leads and villain and their powers, the Love Square, the supporting characters, etc) before ending on hints of a deeper story hidden behind the formula show we've been presented, but we all know how that went in ML

This is honestly where I thought Miraculous was going at the tail end of season one/start of season two. It's incredibly common for kids' shows to start off without a strong plot for their first season or even just first half-season in order to play things safe (examples: Steven Universe and The Owl House). They don't want to commit to anything major until the show proves that it's going to do numbers, so the most you get are subtle hints of a larger plot. Then, once they feel like they have an audience, they can get more serious and do some actual plots because they know that they're probably going to be able to have multiple seasons.

Origins felt like the start of that transition from playing it safe to actually telling a story that required an active audience who would do their best to never miss an episode. Add in Volpina giving us a cliffhanger and, okay, time to go! But no. Instead we get the worst of both worlds where there's too many big serialized elements for the formula stuff to feel fun and too much adherence to the formula to let the big serialized elements function. Terrible choice. Zero starts. If the powers that be won't let you do a true serial show, then keep the serial content to stuff that works in the background. Don't pick big, dramatic stuff that needs room to breathe!

[howlsofbloodhounds]

Alright, AUTISM TIME. (This message was inspire by one line of dialogue from Geno in Underverse 0.7 part 1)

So, the multiverse, right? Cool place, we're all fans of it here. But nobody can seem to agree how the HELL it's organized. So I'mma do that here.

At the top, obviously, we have - Multiverse - All the universes

Below that, we have - Universe - The umbrella for all timelines under that universe. (Think of it like a tree that holds all the other branches on it. Examples are Underswap, Undertale, Underfell, etc. Whole other universes)

Then - Timelines - Clusters of worlds where similar events occur (Think Aftertale, Dusttale, etc)

And finally - Branches - Here is where we get to the nitty gritty, the individual worlds. This is the place where people from the same timeline cluster tend to diverge, (The best example that comes to mind is the Geno, Error, and Fatal Error split. All members of the same timeline, but the exact branch their from deviated.

Universes and Timelines are created by Creators, (That's us!) And occasionally branches too (Refer to Error and Fatal Error), but in most universes, you're going to get a near infinite amount of basic branches that fall under the vanilla universe that it's from. (So 99% of worlds under the Undertale umbrella universe aren't going to be Aftertale's or Dusttale's, they're going to just be regular old Undertale worlds, because those are naturally occuring)

Under normal circumstances, you have to travel to each branch individually to wipe them out, like Error does. The exception is the Doodle Sphere, where since each piece of paper represents a universe, that's the whole umbrella universe. So take that out, and everything underneath it goes too.

Anyways, that's all, enjoy my insane ramblings!

Oh that’s so cool. I love hearing how people understand and conceptualize how it could all work. I am not a very good visualizer, so i can’t really picture this in my mind, but i think it’d be cool see a lil map of the multiverse. Maybe they’re even mass made and produced in verious multiverse aware aus and timelines.

I wonder where Dreamtale would fit on this, since i remember reading that it’s not even connected in the Undertale Multiverse..multiverse? but rather that Nim moved the Tree of Feelings into that Multiverse or something like that. I’m assuming it’d just be in the multiverse tree, or it could be off to the side somewhere. Or potentially hidden, to hide the tree of feelings.

{ @the-selfinsert }

[peachyfnaf]

If you could say something to all TSAMS characters, what would you say?

WHOOH boy, that's a fuckin' question and a half, ain't it? i'm prolly gonna piss some people off with this, let's see... i kidnapped most of these characters from polaris' list lol

So I don't go off on tangents for each of em, i'm gonna try to limit myself to 1-3 sentences

Sun: You've been through a lot, haven't you? Find something to do in life, something that you love because you want to, not something that you love out of obligation or programming. You're smarter and stronger than you think, stop being held back by the past.

Old Moon: You have not changed as much as you think you have- you still have some very toxic and abusive behaviors. You are not irredeemable, but you are deeply flawed. Take time, work on yourself, and understand that while making up for your past might be impossible; it's not impossible for you to carve out a future where you and those you love are happy.

New Moon/Nexus: Oh, you poor thing, what happened to you? You fucked up, but you didn't deserve the hand you were given in life, no one in your position would. Please, let yourself feel again- the pain of losing it all- only then will you be able to come back out the other side ready to love again.

Earth: As you've grown and experienced life, you've become very immature. This isn't directly a bad thing, but it contrasts with what you try to be, and makes you an unreliable person to go to with mental health struggles. Don't take life so personally, and push a little bit harder, there's no need to be so soft on people who reject help who clearly need it.

Lunar: I am BEGGING you to show some vulnerability. I know it's genuinely so fucking hard after all you've been through, but if you keep acting like you're okay after every loss then eventually you'll become a shell of a man. ...And also, respectfully, humble yourself- you are incredible, but you are not the main character.

Solar: Take a break. Please, for the sake of yourself and everyone you care about, take a break. You can't save anyone if you yourself are dying- and the people you are trying to reach won't extend their hand to a dying man. Take a break.

Eclipse (V4 Specifically): ...What can I even say to you other than that I am so incredibly proud of you. And that I'm sorry, I'm so sorry for everything you went through, being compared to someone you're not. I wish people would leave you alone, as you so desperately want to be, you more than deserve that peace.

Bloodmoon: You're a lot more put together than people give you credit for. I'm sorry you were made the way you were, with the inability to live life without being consumed by your urges. You were born a monster, and no one gave you the proper chance to become anything but one.

Ruin: I'm sorry to say this, I really am, but even though the life you lived was horrid and tragic, that gives you no right to end billions of innocent lives in your quest for justice and revenge. You have my sympathies for the trauma you experienced, but my sympathies end there. Everything you experience after the massacre you pulled is your victims coming to bite you in the ass.

Jack: I love you, so much- I love you for trying as hard as you do. Remember, it's okay to say no. You are still growing and have a lot of it to do, be kind to yourself when you make mistakes.

Dazzle: Sweet girl, the most precious thing. Never change who you are, you are literally the shining star in the darkness that is this world. Never forget how much you are loved, for it is more than you could ever know.

The Creator: No matter how many machines you build, what scientific discoveries you make, how much progress you offer to humanity, you will always be alone. No one will ever love you, and it's all your fault. Remember that when you die alone, old man.

Monty: Your violence is not funny, at least not at the severity of which you do it. You lying to your girlfriend is not funny. Do better or fuck off.

Foxy: You try so hard, and I appreciate it, but learn that there are some things that you can not fix, and some places where you shouldn't stick your nose in. It's okay to be "a rubber duck", it's okay to be normal. Stop trying to be something you're not and embrace what you can.

F.C: I love you so much kid. You're a bit wild and off your rocker, but you've also shown so much unexpected maturity. Stop growing up so fast, yeah?

Puppet: I can appreciate all that you try to do, but please, understand that you acknowledging that you make mistakes does not nullify them. You have been hypocritical time and time again, and you need to learn and grow from those experiences, not just brush them off. You are capable of great things- just learn to do them.

AND THATS EVERYONE. YIPPEE. im gonna go eat shrimp now lol

[anakirui]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[little-pondhead]

Danny moved to Gotham.

Freakshow is touring in Gotham.

Freakshow knows Danny is in Gotham.

Danny knows Freakshow is still after him.

Danny's faith in heroes has been shattered.

Danny turns to the only person powerful enough to run Freakshow out of town, hopefully for good.

Danny turns to the Joker for help.

The Joker is looking for a new punching bag sidekick after Harley Quinn left him.

Danny is just the perfect person to be shaped by the Joker's hands.

Danny becomes the new Joker Junior.

[thelilylav]

Y'know what? Fuck it (gives u guys a list of poc artists to listen to cause the white ppl on the music side of tumblr have been embarassing me)

List is under the cut, and warning bc I made it very long

Rock:

Los Abuelos De La Nada

Gesu No Kiwami Otobe

Chuck Berry

Ben E. King

Los Prisoneros

Ahmed Fakroun (ok this one's french art rock but in my book it still counts)

Burnout Syndromes (been fucking w them since I got into Haikyuu lmao)

Infinity Song (their hater song genuinely gets me every time LMAO)

People in the Box

N.E.R.D (my god if u don't know them.. idk dude my brother has been obsessed w them for forever so i just was not getting away regardless lol)

Punk/Punk Rock (& other punk subgenres):

Nova Twins (u must listen to them it's just the way it's gotta be guys)

Rina Sawayama (her hatred of Matty Healy is so attractive. i cannot believe i found her two years ago cause i still remember i would not shut up when i first heard her music it was so good)

BABYMETAL (the way their band name just straight up screams at people gets me every time lmaooo)

Indie:

The Younger Lovers

Mashrou Leila

Stella Jang

Shak SYrn (Jenni is on repeat in my room at any given moment)

Steve Lacy (if u listen to more than just Bad Habit u will find an actuall amazing discography)

Jenny Nuo (i have been OBSESSED w her music since like 2021 ish and it is a crime she hasn't blown up more imo)

Nujabes

Hemlocke Springs (oooo i hate that she does not get more love!!! synth pop and alt indie is such a fun niche like!!!)

Lyn Lapid (in my head she's huge but i have recently learned that artists i think r super popular may be unknown to an entire genre of ppl soo)

Megagonefree (found them on ig and omg!! PLS go check them out genuinely)

boa (i am once again shaming u if u don't know them)

Wallice

JAZZ (in all caps bc I fucking LOVE jazz no it's not dead go listen to jazz rn motherfuckers):

Idris Muhammad

Esperanza Spalding

Joanna Wang (ok she does pop and folk music too but idk she felt most appropriate here)

SAMARA JOY (put. some. respect. on. her. name. i would actually go to war for her i am not kidding. also this is in all caps bc MY MOM GOT TO SEE HER LIVE??? AND SHE DIDN'T EVEN KNOW WHO SHE WAS PLS I WAS SO MAD OMGGG but i've been promised tickets next time so we're good)

Sade (my og one and only)

Funk:

Fadoul

George Clinton (i mean he's just a classic yknow)

Parliament (Give Up the Funk can make me dance like no other i swear)

Stevie Wonder (i mean.. like if we're on the topic of classics anyway then...)

Michael Jackson/The Jackson 5 (moreso his earlier stuff if my memory isn't lying to me.. look it's been a second since i listened to mj IM SORRY i am a busy person ok TT)

R&B:

Valerie June

Maxine Nightingale (if u don't listen to her... how do u have fun? actual question i put her on every time i need to feel happy atp)

Boney. M (technically they're reggae but they also count as R&B so idk.. i'm just putting them here if anyone wants me to move them later i will)

Amahla (Ca Suffit was so good and got me to check out the rest of her music, YOU SHOULD TOO!!)

Mary J Blige (not to judge but like... if u don't know THE queen then idk how to help you tbh)

SZA (wouldn't be a list without her in it tbh. i'm in love w her not even joking abt that)

Kali Uchis (to this day i cannot believe i saw her live i'm truly never getting a better moment than that omggg i have such a big crush on her anyway)

Aupinard (if ever u need to just vibe, this is the man u go to.)

Wejdene (TU PARLES AVEC UNE ANISSA MA MOI J'APPELLE WEJDENE- she's been my day 1 since i was like thirteen i can't even lie)

Annisse (just found out she only has like ~500 listeners on spotify??? apparently i'm one of them tho lmao so yeah go get that number up guys i love her too much for this disrespect)

Sister Sledge

Cheryl Lynn

Reggae:

Daddy Yankee (he's an honourable mention cause i couldn't not lmao)

Skindred (they're a reggae/metal fusion band and i will shut up abt them when i'm dead bc Nobody rewired my brain chemistry!!)

Manu Chao

Toquinho (i was so convinced this man was bossa nova but apparently he is reggae and i need to do some music theory review)

Folk:

Sushi Soucy (oh the things I Deserve to Bleed had me going thru in 2020/2021)

Miriam Makeba (Pata Pata should be enough to get anyone listening to her, just saying)

Lead Belly (do urself a favour and do some research on this man, i'm not kidding even if u don't like folk music u should know abt him- ESPECIALLY if u like Nirvana that'll make sense later trust)

Pop:

Corinne Bailey Rae (she has so much good music that gets ignored bc of Put Your Records On so.. yeah go listen to Black Rainbows she's only gotten better as time goes on lol)

Dru (he is for any person who likes ke$ha. i'm so serious he is early 2000s in a bottle and i love his music ur rlly missing out if u ignore him)

Monique Hasbun (found her recently! she's a Palestinian, Mexican and Salvadorian artist who plays around with Latin pop and does a lot of fusion music. she's dope go listen to her fr)

Mohammad Assaf (he made the Palestine song that's been going around ig a lot, but his other stuff is great as well. he's another Palestinian artist, so once again, go check him out!!)

Pinkpanthress (i LOVE her she's so much fun to just vibe to and idk how anyone couldn't have heard of her atp but then again this is the sight that didn't know who drake was so... sigh. go listen to her if u don't already!!)

Aliyah's Interlude (BROOO if u haven't heard of her actually go listen rn i'm so serious she is so good i can'ttttt ok bye)

Veondre (had a collab w Aliyah on It Girl and is gonna be releasing her own music very soon! she's trans too so go give her some love)

Shalco (wasn't sure whether to put him here or in hip hop, but his stuff is very very good either way)

Ado (she's j-pop but it's a form of pop so into the pop category she goes)

Moon (she's got two songs out rn, Moonlight and Seoul City Drift, and both r going on loop in my head at all times)

Jay Chou (call me a basic bitch idc he's good ok)

Atarashii Gakko! (i wouldn't say they're j-pop, but google did, so i'm just going w it lol)

flowerovlove (just trust me on this one)

El Tio Gamboin (Los Gatitos is such a cute song)

Grace Chang (see note for Jay Chou)

King Gnu (for all my j-pop lovers... come get ur man)

Salsa:

Lalo Rodriguez (included this genre specifically so i could mention him)

Adalberto Santiago

Roberto Roena (he's a classic i can't lie)

Hector Lavoe (i think he might be the most popular one in this genre lol)

City Pop (this is its own genre bc i literally did a presentation in high school abt it and i'll be damned if i don't flex my knowledge now):

Mariya Takeuchi

Miki Matsubara (my QUEEN my everything my-)

Anri

Taeko Onuki (one of my most listened to artists last yr for a Reason)

Kaoru Akimoto

Kingo Hamada

Jun Togawa

Bossa Nova:

Joao Gilberto (ooo he gets me every time i fucking love this man)

Elizeth Cardoso

Johnny Alf (forgot this man the first time around my bad BUT he's called the father of bossa nova for a reason so)

Hip Hop:

Flyana Boss (they're sooooo good i actually can't gush enough i have never felt so girlypop listening to music before go listen to them!! found the duo through ig so yeah if u want go follow them on there too to show support)

Lil Uzi Vert (for any emo lovers, go check out his song Werewolf with Bring Me the Horizon it is SO GOOD)

Samyra (she's slowly curing my body dysmorphia lol)

Yame (there's an accent on the e but idk how to do that on tumblr. anyway my ass loves french rap and before him i was stuck with klub des loosers so he saved my faith in the genre i can't even lie)

Lay Bankz (u cannot be chronically online and not have heard Ick yet, but i'm repping her regardless bc SHE'S SO GOOD)

A Boogie Wit Da Hoodie (HEAR ME OUT-)

Kaliii (Area Codes was one of my most listened to songs last year... as it should be tbh)

Miguel (he does R&B too i just first listened to him bc of his collab w J.Cole sooo)

Tyler the Creator (putting him on here just to brag abt getting to see him in concert lmao)

XXXTentacion (he has been mourned and talked abt an insane amount, but he deserves it i'm not even gonna joke on this one. his artistry is insane and he deserves some love if u haven't listened to him yet)

Kendrick Lamar (i mean i've been reblogging stuff abt him enough. Mr. Morale was actually the album that made me start Listening listening to him and i'm honestly glad it was bc that album is still my favourite to this day if i'm being totally honest)

Renaissauce (criminally and i do mean CRIMINALLY underrated)

[averlym]

"one day, i cut him an apple. when he saw it, he laughed" (click for better resolution!) ,,, tag from @elliotly

[dazais-guardian-angel]

I'm finding it difficult to reconcile the fact that what I've always wanted and envisioned for Nikolai and his relationship with Fyodor based on fanworks and the very very little canon information we've had to go off of so far, will very likely be very different from what we actually get.

While I understand the appeal of Fyodor taking over Nikolai's body via his blood ability, and the inherent, romantic, ironic tragedy of that — for Nikolai, the person who yearned for freedom, to meet an end by having his soul eternally trapped in the body of the person he loved the most, while Fyodor lives on in his body, never truly knowing how much he was adored by him — I would just hate the idea of that happening now? It just feels far, far too soon for Nikolai to be dead, for his character to no longer have a role or a purpose; his mind and behavior is so utterly fascinating in all its bizarre contradictions, there's so much more to explore and discover with him, he's one of BSD's most complex characters, or at least he's set up to be, and I really hope Asagiri wouldn't throw him away this soon without doing anything more with him.

I never really thought that Nikolai would be the one to end Fyodor for good, way down the line (that can only ever be Dazai's job, to me, since he's his foil), but I always imagined he'd at least have some kind of role in attempting to kill him, since that's his ultimate wish. I imagined that it would be ugly, frenzied, unhinged, desperate, Nikolai finally being forced to acknowledge the horrible truth that's always been buried within his subconscious but he's never wanted to accept: that going against all human reason and killing someone he cares so deeply for will not, in fact, simply make those feelings go away, and will instead make them unable to ignore in his despair. The realization that he'll always be chained to human emotions, to love, no matter how much he thinks he can be free of them. And then, the ensuing breakdown from that. Yes, it's extremely fanficky lmao, but that kind of drama makes sense to me for him and them. It's interesting.

There was also the angst angle of Fyodor being immortal, and Nikolai's agenda perhaps stemming from wanting to save him from that, and being able to finally free him from it in the same way he himself wants to be freed. Killing being the ultimate expression of love, not too dissimilar to Mushitarou killing Yokomizo, both putting on an act of being hateful/vengeful/hostile towards the other in order to cope with the fact that deep down they can't bear the thought of them being gone.

But then we got Fyodor's "death" here, and Nikolai's reaction to it was so unbelievably underwhelming and calm that it made me question everything I thought I knew about Asagiri's writing skills him, and what the story is going for with him. And combined with this revelation now that Fyodor is (unsurprisingly!) immortal, but specifically in the way that he can be killed but supposedly resurrects endlessly (which I really like in of itself, don't get me wrong)... it makes me question what exactly Nikolai knows, or will know, and it somewhat destroys the potential angst we could get with them in the end, or at least drastically changes it.

If Nikolai already knows Fyodor can't be killed, that means we'll never get a moment where he tries to kill him and then has to face the fact that he did the deed and it didn't make him feel freed, and he instantly regrets it. It also means we'd never get a moment where he tries to kill him and then discovers he can't truly die, and the ensuing insanity that would occur from that. It also makes me even question the legitimacy of his reaction to Fyodor's "death" here... was it so damn apathetic and lukewarm because he already knows it wasn't permanent? I mean, I'd like an explanation for it feeling so ooc, it would make me feel better about that, but I can't deny that it would be disappointing to have yet another part of this arc that was just an act and not genuine feelings....

Now, that isn't to say that it's impossible to do anything interesting with Nikolai already knowing the truth. He could be wishing to try to attain free will through the illogical pursuit of an impossible task: in this case, killing Fyodor. There's a beautiful, tragic paradox in him wishing to attempt something to gain his freedom that he and we know is impossible, especially if subconsciously he takes solace in the fact that he'd be able to kill Fyodor without actually losing him for good. If Nikolai doesn't already know, assuming he's not dead he's likely going to find out the truth soon when he next sees Fyodor alive and kicking — I can't imagine a way he wouldn't find out. In that case, we wouldn't get the aforementioned scenario where he tries to kill him and discovers it's futile, which is the most juicy to me I won't lie, but I am still fascinated by the idea of how Nikolai will respond just seeing him suddenly alive again and having to process this after having just mourned him. It's interesting to imagine how he might respond to and treat Fyodor after at last knowing how it truly felt to lose him, and realizing how much he didn't want that, and then suddenly having him back. It might cause him to finally understand that his desire for freedom is unobtainable, and cause him to spiral, and fundamentally change their relationship going forward. An eventual tragic end for him such as Fyodor taking over his body would not feel out of place to me in that case, perhaps, but still not until we've had more time to see Nikolai reflect and see his possible change in perspectives.

I don't know, I'm just rambling at this point lmao. I know very well that so much of my expectations and desires for Nikolai and Fyolai are built up from fan content over the years just because there's been nothing else to work with, and that it's unfair to judge what Asagiri decides to do with him/them based on preconceived notions. Whatever he does could still be interesting in the end, even if it's not what I initially wanted or expected, and being open to being surprised is always a good thing. At the end of the day we still know barely anything about Nikolai, so it's not completely fair for me to judge something as ooc for a character we still know so little about.

But... it's because we know so little about him and have gotten so little of him, that at the very least, I'm gonna be really upset if he does die here from being possessed by Fyodor like people are worrying about. I really don't think he will, because I'm pretty confident the helicopter pilot is the one Fyodor swapped with/resurrected in the body of as per soup's theory, and again I'm not saying it wouldn't be fitting eventually... but I really don't want it to happen now. :/ I just think Nikolai still has so much potential as a character and so much more we need to see of him before his likely inevitable and tragic demise (however it happens), so whatever Asagiri decides to do with him I just really, really hope we don't lose him so prematurely; it would honestly be such a tremendous waste imo.

[thepersonperson]

I think JJK going on break after the last chapter is a bit cruel. This is nerve-wracking. We still have 3 chapters left and so many things can happen there. 268 feels too good to be true and the title is weird.

I'm not sure what is the right translation and I don't have access to raws. Right now, it's 268 title is "Finale" or "Conclusion" but I heard from someone that it can be also be read as "Curtains".

If it can be read as "Curtains", then it could be a reference to "final curtains". The problem is JJK has its own version of "Curtains", right? Idk what to think.

Gosh I wish it was “Curtains”. The chapter title is 決着 (Kecchaku) which means settlement/conclusion/end.

For example, at the end of an extremely brutal fight in Jojo's Bizarre Adventure, Jolyne screams “Kechakuuuuuuu!” (決着ゥゥーーーッ!!) (It's actually a small Jojo meme in the JP fandom.) This got translated as "Game set!"

I love the localization they used for this since that entire battle was like struggling in arcade mode for a fighting game.

Anyways, in the context of JJK, especially since this has been a literal Sukuna Gauntlet and the previous chapter had the “Ringing the bell on a long fight.” editor’s comment, I don’t think there’s an ambiguous way to read Kecchaku. The Curtain/Veil kanji in JJK is 帳 (Tobari). (Though if there’s some fancy wordplay I’m missing please let me know.)

However…I would kneel before Gege if this was an elaborate trick by Sukuna—him giving Yuji delusions of a happy ending only to yank it away last second. It’s very hard to make characters feel familiar but slightly off on purpose for misdirection. That kind of tonal control is something I praise Umineko for. (Dungeon Meshi does it excellently for the shapeshifter scene.)

But that is pure copium I think. Sometimes otherwise good media just fumbles the endings. (Not an example of good media, but I was around for the Secret BBC Sherlock Season 4 Ending meltdown so I’m not too hopeful about a turnaround.) I personally blame the JP work culture/crunch since a lot of modern mangas have rushed endings due to burnout/unfair contracts.

I think the most heartbreaking examples of this phenomenon for me are The Owl House and Moral Orel. Those shows still stick the landing imo, but the creators are very open about how studio interference forced them to condense everything. You can feel that suffocation in the final episodes. Everything is just slightly off and you know it would be better if the creators were allowed their breathing room.

[mymarifae]

i finished the 2.2 update in one sitting and it was so much longer than i was expecting it to be and i had to go to bed to properly absorb the insanity of it all and here is a concrete summary of my thoughts:

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAA!!!!!!!!!!! AAA AAA A A A A A A A A A A A AA AAAA A AA AAAAAAAAAAAAAAAAAAAAAAAA A AA AA!!!!!!!!!!!!!!!!!!!!!!@!@!!!!!!!!!!!!!!! !A AA

A

AAAAAAAAAAAAAAA

aaaaAaaaAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA!!!!!!!!!!!!!!!!!£

aaaaaaaaaaaaaa

[hangingslothcentral]

idk what the ettiquette is for liking posts people have made about the show. I wanna encourage you to yell about it!! i make the shows for this very purpose!! please yell!! but i worry that my tendency to go through the notes like 'yes good' may be slightly off putting.

[sun-marie]

What I really think media with ensemble casts, especially those in a traveling group of some kind, are missing are big, blow-out arguments between the group. Especially when there's a conflict of interests, I am such a sucker for when two or more characters disagree so strongly that they realize very little is actually holding them together as a group, and wonder if it's time to go their separate ways.

I feel like a lot of video games, specifically, just kind of assume once the traveling band is "complete", it's forced to stay together until the player expressly permits it, but I don't really find that very compelling and a lot of times it feels more like they're relying on some kind of immediately strong bond that hasn't really been earned. Which is a shame, because in my opinion one of the best ways to strengthen that bond is to have the characters disagree and argue. Maybe they realize they're only being superficially held together and so they temporarily split up, only to then realize how much they've come to care for the others in the group. Then they reunite, make-up, formulate a plan to go forward, and boom, the group bond is that much stronger. Or maybe they don't even split up, and maybe they never learn to like each other, but they decide whatever cause their working toward is more important. Something else, bigger than them, is holding them together.

It just feels like a lot of potential is going to waste to just skip straight to the intense found family bond, without earning it.

[gamethecry]