#all credit given to the artists
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Sloth (@hcarter1332 on shuffle).
Butterfly (@annathebananna34 on shuffle).
Vintage (@ughspo on shuffle).
Cats (@kaitlynshep1 on shuffle).
Flapper Girl (@emisnothome on shuffle).
Punk Princess (@MrsWebster13 on shuffle).
Light Academia / WLW (@wildflowergirlie on shuffle).
Retro / Florida (@turtle4surf on shuffle).
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They'll turn me in your arms, lady, into an esk and adder, But hold me fast, and fear me not, I am your husband dear. They'll turn me to a bear sae grim, and then a lion bold, But hold me fast, and fear me not, I am your own true love.
The Perilous Gard (1974) by Elizabeth Marie Pope
#the perilous gard#ballad of tam lin#made an edit for my favorite tam lin retelling!#i was obsessed with this book as a kid <3#fun fact this also is one of the books that cc plagarized back in the day lmao#not that that really matters what matters is ive made a little image and now you all have to look at it <3#but speaking of plagiarism#credit to the artists who made these illustrations are given in the alt text#the ink drawings are illustrations from my childhood copy of the book#anyway if you guys enjoy tam lin and somehow haven't read this yet you should check it out!
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firstly, when you get this, answer with 5 things you like about yourself, publicly. then, send this ask to 10 of your favorite followers. Have a good day! ✨️
I literally read yours and was like "dang would I be able to come up with 5 about myself? Well, I haven't been asked, so I don't have to think about it-" and what shows up in a few seconds later?! (light-hearted, this will be tricky, but I do enjoy getting asked questions like these sometimes)
ok, let's see here-
I like how my art looks these days. There's still some areas I want to work on, but I like how much I've improved the last couple years and am developing an art style I really enjoy
I like how I'm able to accept myself as being aroace without any reservations. I've heard a lot of stories about others feeling like they're broken in some way for not feeling romantic or sexual attraction. But I never felt that way about myself, I like that I didn't feel the need to pressure myself into fitting in and was content to just live my life without that kind of partner no matter what anyone else had to say about it
I like being able to remember so many fun facts. Even when the info is often useless and can't really help with anything on the day to day. I enjoy learning new and interesting things and like how I'm able to hold on to all sorts of little tidbits and interesting ideas
I like that I'm able to be comfortable in my own skin. We all know how bad people's body images can be these days. People using filters and editing when they post photos of them selves, countless tutorials on how to this or that to your face or body, endless supplies of anti-aging products that even teens are using. I like that I'm able to accept that I look the way that I look and that there's no problem with that. Pale skin with long dark arm hair, stretch marks from when I hit my growth spurt, scars on my hands, only 5 feet tall, not having a flat stomach. It is what it is, that's how my body is, and I'm ok with it
I like how I'm able to keep my patience. Don't get me wrong, I'm no saint. I still get annoyed when I have to wait a long time for things, having to repeat once or twice, other people standing in the way and having to wait for them to finish something before I can get past. It's annoying, and it can be grating. But I like that I'm able to keep myself calm and wait it out without snapping at others. People can often being annoying or slow, but I don't need to always need to comment on it or pester them to hurry up. Minor inconveniences aren't something I need to let myself get worked up over
#there we go all 5#I feel embarrassed talking about myself like this sometimes#literally aroace is the only label I've given to myself without anyone else's input#any others I take on because enough people said them about me enough times to hammer it in that MAYBE it's true#teacher: “you're so clever and such a great artist to!”#“yeah I'ma need to you to peer-review those statements before I take them as fact thanks-”#like I'm being arrogant for just insinuating I might be kinda smart or patient#(false it is not arrogant to acknowledge your good traits. Be nice to yourselves and give yourself some credit every now and then)
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Idk who's gonna step up and absolutely torch the live action snow white movie alive when it comes out but I wanna be one of them. You cannot even begin to comprehend how much of a spit in the face it is to the entire medium of animation and the positive artistic legacy of Walt Disney studios that they're making that abomination. I have an essay waiting in the wings about how thoughtfully the original Snow White was constructed in relation to blending the humanity of live action with the elevated stylization of animation, and I may either just post it ot twist it into something about the live action remake if I wanna sit on it.
Hell, I was going through a personal project of watching every Disney film and taking notes and I might actually start posting those to get ahead of the disgusting ass live action trend. They already said they're making a Bambi remake and I'm so serious, my entire personality will shift, I will become the hater to end all haters, and a lover of the og to the highest degree.
I'm so disgusted by the live action remake trend, it's anti-art, it's anti-humanity and a shameless display of sheer corporate greed and disrespect from Disney on every conceivable level.
#shut the heck up#cartoon history#walt disney#old ah movies#every day i wake up and will into existence the complete and utter bankrupctcy of disneys top brass and the corporation#and for them jusy become an archival project they are a blight on the media landscape#i wish for all their artists and animators to be given work at a less evil studio where their creative energy can shine#without being funneled into these terrible projects and disrespect the artforms they hold dear#do you even understand just how many AN I MA TORS work on those “live action” films l#who get no fucking credit or even disrespected for applying their craft to hold up that illusiok#ever single one of those fucking films is just an animated film made to disrespect and discredit animators and their medium full stop#tag talking#im very talkative today
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*
#cnn just had a special about the shake it off lawsuit#which I’d never really read up on#and while I absolutely don’t believe that Taylor plagiarized the person’s song#and could absolutely believe she’d never heard of it#(cnn pundits: this song was everywhere! it was a hit! it was always on TRL!)#(me around the same age: legitimately have never heard of these people)#I kinda feel the professional thing for her to do would have been to credit them regardless once it was known#the same way she did right said Fred for lyymmd#or the way OR ended up having to for DV#because I feel like there’s more similarity between the complainant’s song and sio#than there is between CS and DV#(read: not much at all)#especially given the optics of the power dynamic and communities involved#and while I don’t know the details and frankly cnn’s reporting was incredibly flawed and didn’t answer its own thesis#I’m assuming because it was dismissed/settled out of court/NDAs involved etc#and I’m sure Taylor’s team held fast because they don’t want to open the door to future suits for other songs and become a target#for people wanting to make a quick buck and exploit her fame#but the one good point they made was that giving 50% credit or whatever would be a drop in the bucket for her but go a long way to support#artists protecting their work and especially African-American artists whose work has been historically diminished and stolen#especially when she’d later set the precedent for her work herself with lwymmd and on the flip side with OR#idk as a swiftie the obvious angle of the episode was irritating because they definitely had an agenda#but that doesn’t mean that points weren’t made#tag novel
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SOME MF JUST POSTED AI ART OF ROY HARPER AND Y'ALL JUST ATE IT UP??????
#deezy rambles#roy harper#HELLO????#LIKE IT'S ALREADY A RED FLAG TO RB ART THAT HAS NO CREDIT GIVEN#and looking at ops blog all they post is ai art#i hate being mean but sometimes yall a bit dumb#like the MOMENT i see art that is like either anime or in a realistic painterly style i immediately get suspicious#because it's weird if i don't recognize the artist or there's no credit given when the art is that good
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They have gotten so far and are nearing their goal. Please help them to reach the finish line!!! Remember that these funds are necessary for daily living as the family awaits evacuation.
🕊 Currently at €64,657 / €100,000 - a donation can also get you entered into a raffle for a free commission from me! More info here !
🎨 Art NOT by me - all art credit goes to an artist (who wanted to remain anonymous for now) who gave Ahmed permission to post, and then Ahmed gave me permission to post on his behalf.
🌟 This campaign has been vetted by @/el-shab-hussein and @/nabulsi - #264 on the vetted Gaza fundraiser list. Also verified by @/butterflyeffect.project (line 741)
EDIT: final goal has been changed due to Ahmed needing to raise the goal to ensure he receives the necessary funds after gfm fees and bank taxes have been taken out! truly despicable that these financial hurdles exist given the circumstances :((
tags - please share if you can!
@heritageposts @90-ghost @pcktknife @ot3 @riding-with-the-wild-hunt @sabertoothwalrus @effen-draws @aria-ashryver @paper-mario-wiki @valtsv @ankle-beez @jezior0 @schoolhater @komsomolka @appsa
#palestine#gaza#free palestine#palestine will be free#fundraisers#vetted fundraisers#art#art on tumblr#digital art#art design#verify gfm#free gaza#pray for palestine#fundraising#palestinian fundraiser#mutual 4id#important#palestine gfm
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I wanna say from very bottom of my heart that I deeply truly rabidly despise Taylor Swift and the glamorous black hole of immorality, gracelessness and lack of integrity she represents. I truly hate that I have to witness her 2-chord mediocre stream of consciousness high school ballads win the highest accolades in music. I hate how there's not a single discourse - from sports to fucking queer theory - that's free of her. I hate her white feminism, how she's never stood for a single thing that didn't ensure her wealth. I hate how she's credited and praised for things marginalised artists did before her. I hate how she latches onto new artists so they serve HER fame, like remoras to a shark. I hate her phony humble beginnings narrative that people parrot without acknowledging she's a nepo baby. I hate what she did to olivia rodrigo and how no one talks about it. I hate the waste her concerts, lifestyle, and merch create and that a young girl died from heat illness at her concert because the swift team prioritises exclusivity and profit over safety. I hate how she and her fandom popularised the idea that critiquing a woman = misogyny. I hate how she's in her mid 30s and still writes songs like she's a teenager and that songs written by a woman in her 30s acting like a teenager are inescapable. I hate she deliberately re-releases songs and records so other artists can't chart. I hate how she regularly and openly associates with bigoted people but somehow is always given the benefit of the doubt. Most of all I hate how she does and continues to do all of this and so much more and her fans will always have a, "but!" always have an, "anyway!". she's openly and uncritically supporting a presidential candidate who's administration is enacting genocide, but because she made a joke with her cats, we're meant to be like, "yay!" I truly despise Taylor Swift and the black hole of neoliberal white feminist mediocrity she is in popular culture.
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A selection of promotional art for Violet Core, a forthcoming self-described "Romantic High Speed Sapphic Mecha TTRPG" by artist and writer @sarahcarapace, author of Death Spiral and visual designer for @cavegirlpoems' Dungeon Bitches. Violet Core takes its cues from Heaven Will Be Mine, Zone of the Enders and Knights of Sidonia, and plays like a tabletop dating sim with giant robot fights.
The game is currently entering the final 24 hours of its crowdfunding campaign, fully funded and having knocked down two substantial stretch goals in the last days: one for extra art (i.e., more of the above), and one to add an asymmetric play mode in which some but not all players pilot giant robots, explicitly including provisions for, in the author's own words, "handler and pilot toxic yuri" – a particular interest for many of this blog's followers, I'm given to understand!
With just under a day left to go, there are several additional stretch goals within striking distance; I've seen a lot of noise about the one for rules for combining robots (presumably also for yuri purposes), though the one I'm most keen on – a big stack of random encounter and event tables by the aforementioned @cavegirlpoems – is presently just $1700 AUD away. (Yes, I know I'm predictable; my love for Big Stupid Tables is well established.)
I'd love to see this one go the distance, so whether or not you're interested in supporting its campaign, if you happen to know anyone who might be in the market, please pass the word along!
(Art credit: excerpted pieces by @sarahcarapace, @portentous-offerings and @cryskir)
#gaming#tabletop roleplaying#tabletop rpgs#violet core#crowdfunding#kickstarter#violence mention#death mention#swearing
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Pride (@themult1versesaga on shuffle).
Theater / Nightout (@emma_parrot on shuffle).
Vintage / Music (@aprilleboyack7 on shuffle).
Daria Hlazatova (@chrshne on shuffle).
The Kraken! (@zbcoop17 on shuffle).
Scorpio (@Ghost4l1 on shuffle).
A woman is a changeling (@jorobubble on shuffle).
Haunted (@mortemcornix on shuffle).
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Okay okay hear me out Rain: reader watching Sanji cook, just sitting, waiting, maybe reading a book but catching glances at him every so often and he knows they're looking at him and just smiles....sorry I love that man
accidentally in love
opla!sanji; 2,569 words; fluff, banter so much banter, flirting, flustered!sanji, whipped!sanji, no "y/n", confessions, "sweetheart", fem!reader, straw hat"!reader
summary: in which sanji is trying to cook dinner but you're very, very distracting. or, sanji finally meets his match.
a/n: i know i said i might not write for anyone other than zoro but i lied. i guess i'm a sanji bitch now too. fuck.
Sanji’s always liked to say that he can cook anywhere, anytime, given that he’s got something that resembles heat and a smattering of ingredients — like any great artist, he knows how to make do. But, he’d be lying if he said that he didn’t enjoy this — the quiet of a ship’s kitchen, the gentle sway of the ocean, the simmer and pop of fat on a pan, the soft bubbling of boiling water — and you.
You, perched on the counter with your legs hanging off the side, hair piled up and pinned with a chopstick, a book in your hands or on your lap, the early afternoon sun spilling in to caress your skin like so many loving fingers. Sometimes, he’ll glance over while chopping onions or mincing garlic to catch a glimpse of you, and he’d find himself stilling, his fingers slowing, his breath suspended in his chest, caught like an insect in amber: held weightless and perfect.
“You’re staring,” you say, flipping a page without looking up, a smile twitching at your lips.
“Yeah, I know. I’ve found that admiring beautiful things helps me in my creative process,” he says, his grin going lopsided as he lowers his eyes to the ingredients on the cutting board — tiny, plump cherry tomatoes ripe to bursting. He resumes slicing each in half with swift, decisive cuts and relishes in the sound of your laughter.
“Careful with that mouth of yours — someone might accidentally fall in love with you,” you flip another page.
Sanji slides the cut tomatoes into a bowl and wipes a hand on the towel slung over his shoulder.
“Accidentally? C’mon, you gotta gimme some more credit. But if anyone’s fallin’ in love, it’s gonna be with you.”
Another page. Sanji plucks a few zucchini from a large bag and starts to julienne them into thin strips.
“What are you making?” you ask, finally setting the book down in favor of peering at all the ingredients he’s got laid out. He quirks an eyebrow, glancing up.
“What, finished with that book already?”
“Nope — just found something more interesting to look at, that’s all.”
Sanji blushes.
Let it never be said that Vinsmoke Sanji can’t take as good as he gives but by all the gods and monsters and sea kings — you’re a damn good flirt. Almost as good as he is, he used to think. Now, as he covers up his rapidly darkening cheeks with a chuckle, turning away to grab a potato for skinning, he wonders if you might just be better.
“You never answered my question, y’know.”
He looks up again, his tongue feeling strangely swollen and uncoordinated in his mouth. You’re grinning at him, your legs still swinging, but in the few seconds he’d looked away, you’ve inched closer, your outer thigh now almost pressing against the edge of his cutting board.
The first time he’d found you perched up on his long work table with a book in your lap, he’d blinked, crossed his arms, and debated on asking what on earth you thought you were doing. Chefs generally do not take kindly to their prep spaces being treated like free real estate for sitting, but he’d never been able to say no to a beautiful woman, now has he? And least of all you.
“Thought you could use the company,” was your answer to his then-unasked question. He’d laughed, nodded, and gotten on with his breakfast prep. But that was months ago and since then, it’s become something of a habit; a ritual, almost.
“What question was that? I was —” he asks, clearing his throat, his fingers almost slipping on the freshly peeled potato, “distracted by your —”
“What are you making?”
“Oh —” Sanji returns his gaze to the cutting board, now acutely aware of the smell of your skin, creamy and warm. He swallows, trying to focus on slicing the potato.
“Just a cherry tomato and zucchini noodle pasta — not often that we get such fresh produce. But Luffy’d asked if I can make chips from scratch the other day so that’s what this bad boy’s for,” he says, holding up half the potato.
“You sure one potato’s gonna be enough?” you shift your leg to cross one above the other, and Sanji has to swallow passed the thickness building up in the back of his throat at the sight of your soft, smooth thighs.
“Good point,” he says, laughing as he bends down to grab a few more.
You fall into a companionable silence, the quiet only punctuated by the tack-tack-tack of his knife on the cutting board and the occasionally shunk-thump of ingredients being swept into a metal prep bowl.
“You’re staring,” he says. And this time, it’s Sanji who grins, keeping his eyes fixed on the remainder of the herb mix he’s chopping up.
“Yeah, I know. I’m making a habit of admiring beautiful things. I’ve heard that it’s good for me.”
Heat bursts in Sanji’s chest as if he’d swallowed a shot of whiskey or gin or perhaps something even more potent. His head spins, but he steadies himself before letting out a soft, low whistle. He fights the urge to look up just to check if you’re as affected as he is.
“Keep talkin’ like that and falling in love with you’s not gonna be an accident.”
When he finally looks up to shoot you a flirty smile, he finds himself faltering as he meets your eyes.
“Who said I wanted it to be an accident?”
The knife in Sanji’s hand slips and he swears as it knicks the skin of his forefinger.
“Ah, shit —”
“Oops.” You have the decency to look sheepish as he shoots you a mildly reproachful look. But you shift your legs and tug open a drawer that had been tucked beneath where your knee had been, pulling out a small bandage.
“Come here,” you offer, reaching out as he stares at you for a second before moving forward to give you his hand. You gently wipe away the blood before pressing the bandage to the small cut, running a thumb over the edges to make sure it’s sealed.
The air hangs between you like dust motes trapped in sunlight, like first snow caught in the silvery breaths of awestruck children.
“There,” you say, the word no more than a whisper. Your hands linger over his, his skin burning where you’d touched him. Shivers skitter down the length of his spine as he gulps in a breath of air that tastes faintly of fairytale endings and happily-ever-afters.
“Thanks.”
He doesn't pull away. Neither do you.
Like this, he can count every single lash that frames your doe-wide eyes. Like this, he can feel the static thrum of electricity threatening to jump from his body to yours, and all at once, he understands why lightning always tries to reach for the closest thing to its storm-ridden skies.
Perhaps it, too, yearns for closeness — for that infinitesimal moment of connection.
He wants to reach for you.
Your lips hover a kiss’s-breadth away.
An alarm goes off.
“Oh fuck —”
He jerks away from you, the world clanging rudely back into focus as he reaches for the lid of a large pot, his heart hammering something fierce inside his ribcage. He nearly burns himself on the thick fog of steam rising from inside the pot to reveal six flat-face crabs, freshly caught that morning.
Behind him, he hears the distinct sounds of you slipping from the long work table.
“Leaving already?” he asks as he turns back around with a stab at his usual light-hearted cheek.
You lick your lips, grinning, “I feel like I’ve caused enough damage for one dinner service. If I keep hanging around, you might lose a finger next.”
“Small price to pay for the company of a beautiful woman,” but there’s a gravel and grit to his voice that wasn’t there before, and he looks away first when this time your eyes catch. He tries to busy himself with prepping the pan sauce for the crabs.
“I’ll let Nami know that the next time she wants to peek in on you cooking.”
“Hey —”
You pause at the sound of his voice just as you reach the door. You turn.
Sanji’s expression flickers between caution and anticipation as he opens his mouth, his eyes somehow sharper and darker than they usually are.
“We’re not done talking about this.”
You cock your head, “About what?”
But there’s a smile teasing at the corner of your lips and Sanji lets out a good-humored sigh.
“Alright, go. Or else I might lose more than a finger.”
Like a heart, he thinks as you close the door behind you with a soft click.
Dinner is an appetizer of cold zucchini pasta followed by a warm, tangy tomato veloute. Then come the crabs — freshly steamed over a bed of risotto and served with a lemon and rosemary pan sauce so delicious it has even Zoro sighing with satisfaction.
“Wow, special occasion?” Nami asks, looking up as Sanji comes around with a tray full of cocktails, complete with blood orange slices garnishing the lip of each glass.
“Ain’t every day a special one with this crew?” he asks, winking at Nami as she takes her drink.
Everyone laughs, but as he sets down your drink, you notice a tiny note tucked beneath the base of your glass.
You take a sip of your drink, glancing down at the note. It has three simple words written in Sanji’s unmistakable, slanted handwriting:
Kitchen — after dinner.
You tuck the note away in your pocket with a secret grin, taking another long sip of the cold, refreshing drink.
The final course is a heaping pile of home-made potato chips with garlic and cheese dip, and Luffy wastes no time in shoveling half the batch into his mouth, crunching loudly over a series of vague, animalistic hums and grunts that all seem to denote happiness.
You finish your drink and slip away under the guise of going for another.
When you get to the kitchen, it's to find Sanji already cleaning up.
“Need a hand?” you ask, setting your empty glass on the counter before lightly hoisting yourself up onto it.
Sanji shakes his head, turning off the water and wiping down his hands. He pours you another drink from a large pitcher before setting it down and pursing his lips.
“This afternoon —”
“I meant what I said —” you say, cutting him off as you look away, eyes fixed on your knees as you swing your feet away from the table’s edge, “if that’s what you’re asking.”
“Oh, yeah,” Sanji clears his throat, reaching into his pocket to grab a cigarette and a lighter, if only to keep his hands busy. The thing in his chest that he’d been so convinced was his heart for most of his life now feels very much like a ticking time bomb. Or perhaps a hand grenade, with the pin held precariously between your teeth.
One word from you and —
“So? What about you?” you ask.
Sanji sucks in a long breath of smoke, holding it in his lungs before letting it out. The familiar sting grounds him as he looks at you and wonders if you know all the things he’d do for you. All the things he’s already done.
“Me?” he asks.
“Yeah — did you mean it?” And for the first time since he’s known you, you sound uncertain, “All… all those things you said? All the things you’ve been saying?”
He takes a few steps forward, finally allowing himself to breach the delicate circle of your personal space, his free hand coming to rest on the counter next to your thigh, his palm pressing flat to keep himself from going too far, too fast.
“Three guesses,” he says, letting his eyes flicker down to your lips and linger there, “You guess right… and there might be a prize involved, hm?”
A small, knowing grin spreads across your lips even as you quirk an eyebrow.
“Three guesses to a yes or no question? C’mon, if I didn’t know better, I’d say you’re losing your touch.”
Sanji leans in and you can almost taste the smoke on your tongue.
“But you do know better, don’t you, sweetheart?”
You suck in a breath, reaching up to tug the cigarette from his lips.
“Yes.”
You catch a flash of his smile a second before his lips find yours. He tastes of salt and tobacco and lemon-rosemary sauce.
“That’s one,” he says as the pair of you break apart. The cigarette lies forgotten on the counter.
Somehow, his hands have found their way to the bend of your waist, settling there as naturally as the tide might settle against its favorite stretch of forgotten beach.
You smile as you reach up to tug him closer, “Yes.”
Another kiss.
Sanji notes with a satisfied grin that your cheeks are just as flushed as his feels when he pulls away this time. He nods, trailing long fingers up your side, one hand reaching up to cup your cheek, the other pressing at the small of your back.
“That’s two.”
You nudge his nose with yours and he feels his hand-grenade heart leap into his throat.
“And…” you hum, letting your head lilt to one side as you ghost your lips over his, “Hm, lemme think about this one…”
Sanji rolls his eyes, tugging you forward by the back of your neck, crushing your mouth to his. It’s more insistent this time — the kiss, the breath, his fingers, your hands — more desperate and fumbling, fueled by the ever-growing heat bubbling at the base of his spine.
“Yes —” you hiss, panting as the pair of you pull apart, your pupils blown wide and dark in the dim kitchen light.
“And that’s all three,” he says, his smile going wide with warmth, “See? You’ve got it. Knew you’d get there.”
“Did you ever doubt?”
Sanji shrugs, taking half a step back to admire the sight of you, with kiss-swollen lips and heat-flushed skin. Perfect might not be strong enough a word.
“There was a moment here or there,” he says, to which you respond with a light shove to his shoulder as you hop off the table.
“Oh, I meant to ask you — what’s for dessert?”
Sanji laughs, “What? Did my garlic-cheddar chips not satisfy?”
“Really? Chips for dessert? And here I was hoping for something sweet.”
You make to leave the kitchen but Sanji reaches forward, pulling you back all too easily, spinning you around and pinning you against the door. His eyes are soft with mirth but as he leans down, you can’t help but shiver at the promise of something more lingering beneath the smoke of his breath.
“Well then, sweetheart, I think I’ve got my dessert picked out already now, don’t I?”
recs r technically closed, but... if you have an opla!sanji one... send it here.
#uhohitsemmy#opla#one piece x you#one piece x reader#one piece live action#opla sanji#one piece netflix#one piece fluff#sanji opla#sanji x reader#sanji x you#vinsmoke sanji#vinsmoke sanji x reader#vinsmoke sanji x you#opla x reader#opla x you#opla fluff#x reader#floofy floof floof#yall when i say we're whipped i rly do mean WHIPPED#also shoutout to my bf for making that menu for dinner cause i kno nothing about european style cooking#least of all french cooking#scheduled post
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>> 𝐒𝐇𝐎𝐆𝐔𝐍𝐀𝐓𝐄 𝐌𝐔𝐒𝐄
>> scaramouche x kitsune reader ( reverse au )
Instead of abandoning kunikuzushi in the original time line, ei decided to keep him and make him inazuma prince as well the shogunate and leader of inazuma in her place while she's meditating. Him and the head shrine maiden seem to have chemistry together
Inspired a fan art of this au, credits to the artist
After his creation, kunikuzushi was soon crowned to be the prince of inazuma as well as the shogunate of the ruler of inazuma in his mother's place while she was meditating in the plane of euthymia.
He was known as a cold, calculative, cruel but also can be caring for his people, he takes his position with seriousness as well as pride being the son of the electro archon.
In front of the citizens of inazuma he is a strict as well as strong leader. He upholds the rules of the inazuma in high regards following his mothers ideal of eternity.
Amongst the electro nations there are powerful clans as well as powerful warriors and individuals lurking in the nation but not one will be on top of the head of the shrine maidens.
The most powerful yōkai of the current era, the leader of the Narukami shrine as well the heir of kitsune lineage your position was second to the electro archon himself. You were also recognized to be the prince muse.
During your childhood you would visit the electro archon and meet him during his early creation, you and him one time intertwined your hands together and a spark emerged from this action. Even tho he was a puppet he could feel the connection and warmth from this action.
No one is allowed to insult you, it's the same equivalent of insulting the prince himself and anyone would ever do this blasphemous act it's an insult to the electro archon and will be immediately stripped from their position or will be struck by lightning.
You were allowed to visit tenshukaku without permission due to your position, as well when you walk by the guards in order to give a small bow towards you.
Sometimes when duties get too hard, he would lay his head on your lap or chest to hear your heart beat, when he finally knew your present or heard your heartbeat he could rest peacefully knowing you will be there.
One of your duties is to exorcist bad spirits and protect inazuma from them. If there was a spirit that is going rogue in the land you personally would go to the area and banish it, he would tag along with you to make sure you're safe no matter what if he has duties, he will put it on hold because your safety is his priorities amongst all.
You and him sometimes would take a walk together and eat together, many locals recognize you but the prince himself going out with you is something new. Even tho he doesn't have the necessary to eat, he usually enjoyed it because it feels nice sharing a meal together with you.
He would brush your tail due to it bringing comfort towards you, your tail is soft and very puffy as well as big ( similar to Tingyun tail from hsr ) the reason it's big is because it is a combination of your other tails into one.
Sometimes when he's doing paperwork, you would shift into your fox form and lay on his lap and he will continue to pet you.
You bring him comfort as well a lap to lay on when he talks about how he dearly misses his mother even tho he is not allowed to enter the plane of euthymia because it would disturb her meditation. You would comforted and ease his worries.
You would be adorned with expensive kimonos and jewelry from him, exquisite hair pins, kimono made from the finest silk and jewelry made from the rarest of diamonds would be given to you by him.
His favorite activity with you would be admiring the stars or sun on top of tenshukaku as well admiring the fireworks of the festival with his head laying on your shoulder.
He easily gets jealous when a noble man or other yōkai approaches you especially a certain oni who wouldn't stop approaching you and seeking your attention.
He has absolute confidence in your abilities, you're the most powerful yōkai in the current era of inazuma he would always be there to protect you if there's ever a situation of you getting hurt he would personally hunt the thing that dared to hurt you.
If there was ever a battle you and him would stand side by side together, fighting together. Protecting each other.
#genshin fanfic#genshin headcanons#genshin impact#genshin imagines#genshin x reader#genshin wanderer#kunikuzushi#kunikuzushi x reader#wanderer x reader#genshin scaramouche#scaramouche x reader#genshi scara#kitsune#raiden shogun#reverse au#genshin reverse au#genshin fluff
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Took some notes from the Wild Life retrospective episode of the Imp & Skizz podcast featuring Grian because I thought the behind the scenes info was really interesting!
(3:15) The wild cards were all kept totally secret from the players (apart from Grian), with the exception of the superpowers and finale (as they required the players to set keybinds)
(3:45) The players were given files containing the required mods each week, which were named things like "creeper rain" to throw them off
(4:12) Wild cards were a combination of data packs and mods
(4:38) Grian told them not to read the folder name to avoid spoilers (which is kind of impossible), so everyone fully believed there would be creeper rain lol. Grian was saying it in jest but everyone took it seriously and were apologetic about having seen it, to which Grian told them not to worry
(6:58) Grian originally contacted a data pack dev called Brace for help with programming the wild cards. Some, like the shrinking/growing could be achieved with minecraft attributes, but the snails were too janky and unusable. Grian still liked the idea though, so he reached out to mod developers Henkelmax and Breadloaf, who designed the pathfinding/behaviour from scratch
(8:49) They had a debugging mode used to test the pathfinding of the snails, shown in the podcast and in Grian's credits
(10:09) Grian wants most of the credit to go to the development team and artists, as he was mostly in charge of ideas & organization!
(10:39) Grian's only regret with the snails was that they were too fast in session 3, leading to unexpectedly many deaths. They were apparently not so difficult to get away from during testing, but perhaps the testers were more used to them than the players were
(11:44) Grian: "We did develop to the lowest common denominator" ie. prioritizing how players would struggle over how worrying about if players would do too well
(12:56) Oli's voice for the snails was iconic. It cost Impulse a life because he intentionally stayed closer to it to hear the voice lol
(13:42) Danny was in charge of the snail models and animations
(14:11) During testing, the snails just sounded like Oli, which made it feel weird. They pitched up his voice so that it'd be less immediately recognizable
(15:18) The snails' jumping attack was meant to be clearly telegraphed: they would stop, wiggle, make a "ooeee" sound before jumping. Many players had their friendly creatures volume turned very low/off (as cows and other mobs are loud), which made this attack much less obvious for them
(16:57) The growing/shrinking had the least testing done for it, as it was the simplest conceptually and to program. This meant that the falling off of blocks due to the shrinking hitboxes wasn't anticipated
(17:55) Before the 1st session, Grian told them that he didn't think anyone would die to the wild card. Pearl's death made Grian pretty nervous, as he didn't want everyone dying too early in the season
(19:29) 6 lives were given, knowing that many of the death to the wild cards were unexpected/unfair. The intent was for ~3 lives to be allocated for wild cards, and ~3 for PvP.
(21:13) The developers were all fans of the Life Series!
(22:43) The shrinking/growing was intentionally pretty simple to ease players/viewers into the concept and build up toward more dramatic wild cards like the snails
(25:38) In the hunger episode, Grian didn't know which foods would be good
(25:58) Grian thinks that "it's unfair that Grian already knows everything" is valid criticism, but that it's important for him to be involved with the ideas. Having someone else do that is like having someone else record his videos: Life Series is his brainchild
(26:35) Well before the season began, while they were still developing the concept, Grian asked the other players for wild card ideas that would meet a few criteria. All of them ended up being unused for one reason or another. Impulse thinks his ideas were very "inside the box" because he was viewing things through what was possible in vanilla Minecraft. His idea was to have a scavenger hunt where the players would search to find a relic. The first person to find it would get a buff. Skizz's idea was for every player to turn into a random passive mob for every given interval of time. They would have to find every other player of the same mob type as them or else the whole group loses a life.
(29:44) The food qualities were weighted by the rarity of the item, so very common blocks like dirt and cobblestone would never give anything good. The other items were randomly selected
(30:23) Regular blocks/items cannot be made edible normally, so they had to circumvent that and custom code a fix for items not stacking correctly
(32:41) While a lot of players do want to win, the main priority is creating entertainment, which prioritizes playing recklessly
(33:20) The food wild card wasn't included in the finale because it would've felt like "too much". There was a higher risk of technical issues since it changed the data values of items, and Grian didn't want someone's last death to be because they ate their sword. In his mind, it was a good and fun wild card, but didn't need to be repeated in the finale. Impulse points out that they all would have collected more rare items by that point, removing the incentive to search for blocks to eat
(33:46) The wild cards in the finale were nerfed from their original sessions. The shrinking/growing had a smaller height range, the snails moved slower, etc.
(36:21) The personalized snail skins were a late addition by Danny, who made 18 skins very quickly
(36:49) Grian did not anticipate the snails becoming as popular with fans as they were. After the session released, they had the idea to release the snail merchandise, which directly funded the rest of the season
(39:20) Grian spent what "felt like every day" testing with the developers. They'd record the sessions on Tuesdays, meet up with the dev team, talk about what need to be done, testing, bugs, etc, edit and upload on Saturday, and would get a few days grace before starting again
(40:01) After the snail session, Grian was worried that the season would be very short due to all the deaths. They were considering toning down the later wild cards but ultimately didn't change them too much
(40:36) The time wild card was carefully balanced. If it had gone even a little faster, many players likely would have died because they wouldn't have time to react to threats like baby zombies or creepers.
(40:57) While sessions normally run for a variable amount of time, session 4 was hardcoded at 2 hours. Grian ended the session ~10 minutes early, just after they hit max speed, because he felt like things were getting dicey
(42:46) When the wild card first activates, it looks a lot like the server had frozen or crashed. Grian told the players before the session started that it would look like the game was broken, but that it isn't broken. Skizz tabbed out anyway and missed the beginning 😔
(43:30) Having the rain start just as the wild card began was a good visual indicator of time slowing down. This was a suggestion from the dev team (probably Brace)
(44:41) Impulse and Grian "cheesed" the end of the session by going branch mining. Grian wanted players to take advantage of the wild cards (eg. mining quickly, helping to kill someone), and not have them just be an annoyance.
(45:30) Keeping the client and server-side time stay in sync was challenging. The sky's motion was changed to be smoother on client-side. The players were also not as fast as the server (around 2x faster), the server was going faster than that, and the time of day was even faster
(46:56) The sounds were pitched up/down based on the speed to add to the effect
(27:46) In testing, if the players were made 7x faster, it would be basically unplayable, which was why it was capped at 2x speed. This made mobs very dangerous, as they were now faster than players and could catch up to you and kill you easily
(49:01) On several occasions, they had to extend the fuse duration of creepers to make them more fair. In the time session, their speed was only increased by ~10%
(49:39) Usually, Grian was the one to test the wild cards and notice when things like creeper speed would be an issue, since he was the one with experience making videos
(50:50) A challenge with balancing wild cards is accounting for the playstyles of so many players: reckless players like Scar and Skizz, "kind and gentle" players like Bigb who would stay off to the sides, and "the sweat squad" (Scott, Impulse) who play very cautiously
(52:48) Trivia Bot was the only wild card that was not planned in advance. Grian was struggling to come up with a wild card for that episode, and wanted to have a wild card available that could give people lives in case many people died to early wild cards without it feeling cheap.
(53:33) Trivia seemed a little boring on its face, so presentation was essential
(54:34) This one made Grian the most stressed due to all the moving parts involved in making it (coding and pathfinding mostly by Henkelmax, visuals by Hoffen, audio/music, questions)
(55:08) Trivia Bot's design was based on Grumbot and Mettaton from Undertale. Hoffen drew concept art shown in the video
(58:32) They show Trivia Bot's custom animation for becoming a snail and it's really cool
(59:12) The music was the most stressful part of the project. Grian spent 2-3 days looking through Epidemic Sounds for a Trivia Bot theme song and couldn't find anything good. He commissioned Zera @hopepetal for a theme song, which is played in the podcast. However, Grian realized he needed a full audio package, so he commissioned Oli late in development, who created the final soundtrack and many audio variations
(1:01:38) Grian wants to send appreciation for everyone who worked on the project, even if their work ultimately went unused
(1:02:58) Skizz was happy to give back however he could by staying on standby in the final episode as a zombie, as the players were able to "reap all the benefits" of the hard work of the development team
(1:05:21) Grian didn't know any of the trivia questions beforehand, which were done by fans of the series. The goal was for ~50% of the questions to be answered correctly, which was approximately met
(1:07:11) Players couldn't get questions about themselves because it would be too easy. This would encourage players to leave their bot, allowing other players to mess with them
(1:07:57) Grian felt a little left out from the discovery element of the wild cards, and decided to mess with Scar by hiding his bot. He wasn't expecting Scar to die from it, and could tell that he was genuinely a little upset by it. Grian felt bad about it, which led to a genuine in-game alliance between them
(1:12:32) Grian was very close to letting Trivia Bot give lives as rewards, but decided it would feel too cheap
(1:14:38) Mob swap was slightly toned down, with more camels and sniffers spawning
(1:15:07) Evokers didn't drop totems anymore. Instead, there was a minuscule chance a warden or wither would spawn, which would drop a totem if killed. Grian was a little disappointed that the warden got cheesed in the end
(1:17:45) Having the mobs start passive and turn hostile was mostly for the presentation, building anticipation, and so players could predict where mobs would spawn and react accordingly, making things feel less unfair
(1:20:32) There was no superpower made for Skizz (or Mumbo presumably)
(1:20:38) The superpowers were another late addition. There was a large design doc where Grian created all the powers, which were handed over to Henkelmax and completed over 4 days
(1:21:42) Grian avoided superpowers involving strength, that could cause someone to die easily. Most of the powers were social or movement-based, which couldn't be used for offence as easily
(1:22:25) Some powers were randomly assigned, others weren't. Impulse's was random. Cleo's, Bigb's, Lizzie's, Grian's were assigned.
(1:24:25) Grian gave himself the mimic because it could easily backfire (like in Grian's fall damage death), and because it would've been confusing for a player who wasn't aware of the other powers. They likely would've spent the episode just figuring out how everything worked and not actually using the power to its best ability
Lots of discussion about the superpowers and how they interacted in the episode itself, go watch if you're interested :)
(1:33:38) Talk on how the series "standard" rules evolved since 3rd Life. There was no keep inventory, and no restrictions on enchanting levels or potions, which created slow or unbalanced fights
(1:36:23) 3rd Life was designed to be an experimental series, which made Grian eager to improve it. For example, some people just weren't dying in 3L, leading to the boogeyman in LL, and so on
(1:37:17) The goal with the seasons isn't to one-up the previous one, but to create a different experience every time, which keeps things engaging for the creators
(1:38:31) At the end of each session, Grian would ask the group if they had fun and how they felt about the wild cards. According the Skizz, the answer was "a resounding yes"
(1:39:08) Grian had moments throughout the season where he personally felt like things didn't go well for him, and was anxious for the rest of the group's episodes. Things worked out while editing the raw footage, though. His issues were never with the wild cards themselves, but his own actions (traps not working, spending too long branch mining), but would always find funny moments in his footage
(1:43:41) Everyone in the Life Series cast genuinely likes and genuinely respects everybody else in the group. This allows them to make the show and get mad at each other, because they know it's all just in-character
(1:44:50) It'd be hard to top Wild Life in spectacle, and Grian doesn't want to start an arms race with himself. The next season could potentially be closer to 3rd Life, but Grian's not sure yet. For Grian, Wild Life was the most enjoyable
(1:45:20) Grian: "As long as people keep enjoying [the Life Series] then I'd love to keep doing it"
(1:49:35) With the finale, Grian knew how the wild cards played out the previous sessions and was able to adjust them
(1:49:56) Grian's goal was to create safe chaos where everyone knew what was happening and wouldn't die to them, which didn't go entirely to plan. The snails were 60% of their original speed and people still died
(1:51:03) Grian made a precise timeline of when each wild card would start/stop, it wasn't randomized.
(1:54:16) All the superpowers were randomized, with Bdubs' power being removed from circulation because it didn't have much use in a finale setting
(1:56:10) It was important for Grian that in the final moments, the wild cards were removed, so there were no interruptions. The timing worked out well because there were a few people left and it ended within ~10 minutes (this implies that the change wasn't based on # of players alive, as people had speculated based on Gem's death)
(1:58:48) The players all randomly switched to zombie skins throughout the session to mess with people on NameMC. Well-played :)
#og post#wildlife#grian#impulse#impulsesv#skizz#skizzleman#imp & skizz#mc meta#wild life smp#wlsmp#life series#trafficblr#traffic smp#<- dunno which life series tags are most commonly used but i hope i got all the major ones#long post#“i should write down the behind the scenes!” i thought. “it'll be quick!” i thought :')#as someone who did had some critiques about the structure of the season#i found it really insightful to hear about the design decisions from a behind the scenes perspective#digging into why it was made the way it was and what exactly about it worked/didn't work honestly helps me to appreciate#it more for what it was!#and it helped to truly understand and appreciate all the work that went into it#i probably included more details than needed but i just thought they were all really fascinating#like trivia bot being designed to have the option to give lives in case the early sessions were too deadly!#i was also surprised that the snail merch wasn't planned ahead of time#and i also tried to keep all the credits grian listed bc i think it's important!#i would recommend watching the full podcast ep! i didn't include a lot of imp & skizz's commentary since i was focusing on the technical &#behind the scenes details but they had lots of great insight
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this video made me laugh, and i wanted to post it on tumblr with some kind of caption, so here's the caption:
i think it's interesting how transient ownership over things has become in "meme" and content creation spheres. im thinking now about this video in particular. im thinking about how i downloaded it off of a tweet reacting to another post. they probably downloaded it from someone else, who got it from someone else, who got it from someone who decided to put a simple edit on a youtube video to have it speed up gradually as it progresses. that youtube video, before that, was made by someone who used this character someone else made-- a character whose identity is ubiquitous enough for it to be expected that the audience just know who they are and what they're from. along the way, as this piece of digital textile has been passed around, ripped from its original tapestry and defaced again and again to fit the intent of the current owner's message, there's been no credit given to any additive measures that brought this post into being, nor is much expected. there is a noticeable difference in meme spaces where the same level of "credit the artist" is not necessarily expected for these edits which i would consider natural descendants of the animutations of the early oughts (through the youtube poop genus, of course). i find it fascinating that these-- speaking objectively-- complex and abstract messages that take measurable effort to learn how to create, are taken for granted. they simply exist as tokens within a human ecosystem, like seashells or coins. these things just float from person to person, and everybody has just sorta grown to expect it because there's so many of them being made every single day, and so many of them are being more and more blatantly derivative. including this! this post is incredibly derivative! it's derivative of all those people who hadn't been credited because they didn't credit each other, and likely wouldn't be terribly cross with me that i didn't go out of my way to credit them. i think that's fascinating.
alternative caption:
logging into a business meeting but i forgot to turn off my vtuber software
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So there is a new type of bot and scam going around on Tumblr.
They take recent popular image posts (mostly art) along with their description and all their tags, but then add a strange "...(Read More)" link at the end of the description (the three dots included!), plus a suspicious link attached to the reposted image/drawing. No credit to the original artist is given.
If you see a post like this, usually from a user with the standard Tumblr avatar but not always, report the user as spam/bot. If you recognize the reposted art, tell the original artist so they can report it too with a DMCA, to have the art taken down.
And no matter what, don't click the link attached to the image or the "...(Read More)" link.
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after listening to an among us song i was given the drive to reboot this au so ,
originated from a doodle that spiraled , SPREAD THE INFLUENCE is an au where ragatha is the ( unwilling ) host of a parasite called ' the influence ' which is a virus that only wants to spread and survive . she wasn't compliant about it at the beginning which was ' fixed ' with an itty bitty bit of psychological torment !
also yes i know the abbreviation is unfortunate and i do not care it's funny
even though ragatha's still our usual sweet little optimist , there is this persistent feeling of wrongness . too positive . too affectionate . it's like all of her humanity has been scooped out and you're left with the mask she made for others in the circus .
which is how the virus spread in the circus - they preyed on vulnerabilities which was what their host is perfect for . striking when the victim puts their guards down , making them submit under the guise that their problems will be fixed ... unfortunately it's a monkey's paw situation .
of course , that's only for this particular instance of the influencer ! something to note is that the virus takes a lot from the host's personality , so t.i's mellow and passive , only resorting to violence whenever necessary . t.i's not really an opposite ragatha she's more like a Dark , Fucked Up Version of ragatha the amazing digital circus . she cares a lot for everyone she considers a part of her hive , but it took a lot of manipulation and gaslighting for them to get infected .
caine is left uninfected because " i would do that if my goal is to destroy this place ! " t.i's ultimate fear has always been dying . it'll do everything to not die , to the point it's trying to spread out of the circus ( <- honestly take this info with a grain of salt i wrote this before i fully developed the story ) . unfortunately there's this jester who's resisting the virus with pure lesbian rage and is trying to stop her .
now rags would eventually get de-influenced and the circus will no longer be infected , but we will talk about the extremely rocky journey of recovering from knowing you harmed everyone you cared about Later
was this ' the influence ' that amanda ( ragatha's va ) keeps referencing ? sighs ... yeah . ( feels so surreal that i can say i have their seal of approval for this )
why ragatha ? in story , how is she not the perfect host ? metatextually , this is an au of an au - this came from a blog about ragatha getting a virus that is inconveniencing her life . i simply thought of an idea of ' hey what if the virus took over her body ' one day . then this abomination was born . i would reveal the why and how she got infected ... eventually .........
is she still afraid of centipedes ? is it a ragatha if she doesn't have a fear of centipedes
does pomni still use a taser ? yeah
could i use / be inspired by the influence for my au ? i did not invent the concept of Computer Viruses so feel free to be inspired by it , no credit needed . for t.i as a character specifically , please credit me !
are there ships ? just pomni x ragatha
is suggestive content of t.i ok ? just don't send them to me , tag it as #tw suggestive or #suggestive so i could filter it out
is nsfw content of t.i ok ? my tiny artist hands are powerless against the unstoppable force that is the internet so my answer will not matter . that being said , i recommend that they're not put in the main au tag so people won't unexpectedly come across it . and no i do not want to see it please do not send them to me
could i draw fanart / write fanfic of this au ? 100% yes you could either mention me or tag it under #tadc influence au
does this au have an ask blog ? nah just a normal blog lol
READ THE COMIC ... I GUESS ... !!
the main story
oh boy a prologue
#tadc#the amazing digital circus#tadc influence au#tadc ragatha#pomni tadc#tadc caine#tadc jax#tadc kinger#tadc gangle#tadc zooble#[ ooc ]#canon t.i content . everyone cheers#buttonblossom#tw scopophobia
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