#albeit a not very good one

[jonsnowunemploymentera]

And remember kids, the next time someone tells you, "George R. R. Martin wouldn't make Jon Snow the typical fantasy hero because that's cliche".....

Oh yes he would!

One viewer wants to know what character would you play (on the show)? GRRM: If I could magically clap my hands and become a different person, it would be cool to play Jon Snow who's much more of the classic hero. Everybody wants to be the classic hero! ABC Interview, 2014

GRRM: And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Meduza Interview, 2017

In fact he already has ☺️

[mephoj]

late night chat

[james-p-sullivan]

more four sword memes i made this week im so sorry i have a problem

(the problem is i need more four sword memes)

[formerheroeswhoquittoolate]

reread charles soule's daredevil run and I am thinking AGAIN about sam and this fucking line:

"three, mr. murdock. that's the number I came up with. I would have let three of those people die to save my eyes from muse."

and jesus christ. he's like nineteen. he's nineteen years old and he's weighing everything his mother taught him (we look out for ourselves, because who else will?) and everything daredevil taught him (don't die, don't let anyone else die, but at some point you're going to have to choose) and trying to figure out where they intersect.

and he comes up with an answer. the answer is three.

and daredevil? matt murdock? he would give up his eyes to save anyone, ever, in a heartbeat. he exists to sacrifice. he saves others by sacrificing. (it's a very audacious jesus parallel, in some ways, and some authors are more hamfisted about it than others) hell, the whole reason he's blind is because he pushed someone else out of the way of that truck.

matt gave up his eyes to save one person. sam would have let three people die to keep his.

and it's fascinating to me because these characters are basically perfect foils (oops literary analysis sidequest unlocked) like. matt is a hero because his ideals and his virtues will not let him be anything else. he's tried not being daredevil and it makes him feel guilty. he wants to help people because he feels like a piece of shit when he doesn't. but sam? sam saw the shit going on in his community and he built an invisibility suit to fight it. despite his mom trying to convince him that he didn't need to be a hero. he chose it. he chose it over her. and then he went the fuck back and chose it again. stick was like "here's a sword, guard this cave in the middle of nowhere in japan" and sam was like yeah sure. I'll vibe in the wilderness in a tent for an indeterminate amount of time.

he got his eyes back (kind of) and he's still doing this.

[quibbs126]

But also with me looking at all these Pokémon Let’s Go designs, can I just say the game’s designs are absolute bangers? They all look so good, and I feel like they just enhance the original designs

This applies to all the designs by the way, I just happen to have all the Gym Leader designs to demonstrate my point

I know people don’t gel well with Let’s Go because of the different gameplay style, as well as being another Kanto remake, but the designs are so good

I really want a Johto remake now with this art style, I’d love to see the characters get these kinds of redesigns

Not to mention Johto’s at this point the region with the oldest art/designs (I mean that technically applies to Sinnoh as well, since the remakes didn’t update the designs or give the characters new designs, but regardless), I’d say they should get an update too

[mariocki]

A young Christopher Lee guest stars as dastardly Larry Spence - a rising star in the world of journalism, turned blackmailer and then murderer - in The Vise: The Final Column (1.16, ABC, 1955); the episode wasn't seen in the UK until 1963, as part of ITV drama anthology Tension

[mad-hunts]

[yourlocaldisneyvillain]

i'm overwhelmed by the amount of positive comments i got on my latest fic! my heart goes out to all the survivors of sexual abuse, and i'm glad my fic has helped many of you process your own trauma. <3

[saltpepperbeard]

i consider myself to be extremely stede coded, but now rhys came to me in my dream last night and i no longer know what to believe ✌️😔

[monards]

i know hoyo is setting up rhine to have good intent and whatever in her trying to 'save' khaneri'ah or whatever; but i REALLY hope they stay with the cruel persona thats been built up for her. because it would be so wonderful to see a character who had good intent in the beginning just get absolutely corrupted; with the inability to ever go back to that prior state purely because of what had happened. also because there is NO way in her turning back after all that shit

[threewaysdivided]

Hobson Heckled into Historical Haute-Couture

Continuing the Dan Jones & Dragons gala parade with Hobson, the Flower Crowns' oft-harried Halfling Warlock (played by the ever-wholesome Dan Floyd). Is he trying to massage away the realisation that letting his literally-half-brained patron choose his gala attire might have been a mistake? Is Valse giving him a headache over something else entirely? Did he use Detect Magic in a room full of powerful items and accidentally flash-bang himself? Yes.

More Flower Crowns Gala Outfits: Morenthal | Gelnek

As always, design talk under the cut:

But before that, a short story: I've been following Dan's content on Youtube for... oh jeez, that sure is almost a decade now, both on his current New Frame Plus/Playframe channels and back when he was the primary founder and narrator for EC. His old games education videos helped me get one of my earliest jobs in project work and introduced me to a bunch of media production concepts (like scope management) that would go on to inform some of my own storytelling analysis posts. It was a startling little moment of artistic ouroboros to realise I was mentally running through key points from Dan's own Pose Design 101 video as I was drawing his DnD character. Never expected things to come full-circle like that, but if you're seeing this, Dan: here's to you 🫡 If you're not Dan and haven't already, do go check out his stuff - it's all super well-produced, informative, funny and he's just an overall stand-up guy.

Now: onto the tiny little nerd and his passé party attire

This was a really fun costuming challenge, with a bunch of interesting curveballs thrown in the mix. Unlike the rest of the Flower Crowns, Hobson didn't choose his own party outfit: it was picked out by his patron after Valse kibbitzed him into giving up and letting a heroism-obsessed Fey call the shots. Dan cited Valse as having the fashion sense of Stede Bonnet-as-depicted-in-OFMD, briefing a vaguely 19th century-style outfit that had frilled sleeves and 'would have looked gaudy even when it was in fashion a century earlier'.

Actually dating his outfit was the first challenge. D&D settings are kind of an anachronistic uchronia, with classic swords-and-sorcery fantasy campaigns potentially pulling inspiration points from anywhere across the Arthurian era up to pre-war modernity. Which leads to the question: how do you make something seem dated in a setting where most everything looks vaguely ye-olde-fantasy? The other challenge was that, IRL, the 19th century (i.e Victorian era) was when menswear started taking on a lot of the shapes that would eventually become modern suit and top-'n'-tails fashion. Since Trilby was already going to be wearing classic top-'n'-tails formalwear, I decided to set Hobson's style earlier in the 1800s-1820s and pull in some 18th century Stede Bonnet flourishes to visually set them apart. This article provided some great reference images, and once I hit on the figured silk waistcoat I knew I had a potential starting point.

Colour-wise, I stuck with the burgundy-and-gold palette the Dans gave Hobson in his official gala stream art, since those looked good together and matched up with Dan J's tendency to draw Hobson wearing greens/earth-tones and Valse in reds/jewel-tones. The combination is a lot more colourful and richly saturated than is typical for this style of Victorian-adjacent clothes, which felt appropriate for Valse's gaudy tastes.

Fabric-wise, I figured a fun way to gaudy things up even further would be to lean into the silks and satins that were fashionable at the time, but make all of his outfit shimmery rather than just a single feature piece. As a bonus, silk and satin clothes tend be hot, inelastic and have horribly itchy seams if worn unlined, which felt like exactly the kind of thing Valse's all-form-no-function sensibilities would inflict upon the small, long-suffering fellow. Both these fabrics also have a habit of behaving hideously and ripping themselves apart when worn wet, which makes this a great outfit to, say, accidentally fight an Aboleth in. Poor Hobson.

Some other details, just for fun: 1. Hobson's sketch layers include a drawing of his un-removable cursed left bracer. He's pulled the frilly, puffy sleeve over it but you might spot hints of the shape and the gem if you squint. 2. The reference waistcoat I used had floral embroidery on it. Had this actually been a Hobson outfit, I would have converted them to his garland flower (Forget-Me-Nots), but since it was a Valse pick I decided to make them Senaliesse chrysanthemums; a flower given out to friends of the Feywild's Summer Court as a sign of protection and favour. (It also adds extra layers to Pocket mistaking Hobson for a denizen of the Fey, which is fun).

Close crop on the details because I'm very happy with how they turned out:

[n3ongold3n]

[juniperhillpatient]

had to make a separate playlist from the project playlist specifically for songs about Everett, Emma & Chase… (in somewhat chronological order!)

[kindred-spirit-93]

pov: ur me trying to get shit done but the 100k+ word angst hurt/ no comfort major character death oneshot is directing itself in the back of ur mind and stop please god no more i cant handle the feels oh

and back to work it is!

[sskk-manifesto]

What a good episode. Maaaaaan

[oh-gh0st]