#LIKE…PSYCHE YOU GOOD???

[saltpepperbeard]

i consider myself to be extremely stede coded, but now rhys came to me in my dream last night and i no longer know what to believe ✌️😔

[uncanny-tranny]

I recently had to do a project in one of my psych classes, and man, I knew that CBT was used for every little thing, but seeing over and over, "do CBT! CBT is the best for every mental illness!" was so jarring. I'm absolutely biased because of my own experiences, but I just don't think it's as universal a treatment model as it's touted.

If you didn't benefit from CBT, it's not because you're lazy or didn't try hard enough or lacked intelligence or foresight into your own needs. Frankly, it's a therapy model that (I think) shouldn't be the only readily-accessible model and among the only therapy models covered by insurance. Some of us should not be treated in a CBT model and that's okay. It's not a sign of poor character or unreasonable demands, and if you don't think it's a model that works for you, then it's your right to express that!

[dykedvonte]

I don't think any of the post crash Curly conversations have anything Curly would actually say after this point in time. They are not Curly nor his current sentiments

Not even the "I want to go home." Curly can't say what he wants or not. It's all Jimmy's perception of what Curly's desires were and are and Jimmy's himself. It's Jimmy entering the same but warped stagnating headspace Curly was stuck in at the beginning of the game.

An oppressive bright space with all the dead ends and burnouts you could foresee paired with a dark empty void of things that spark but are never quite as bright?

[starry-bi-sky]

danny and officer martinez's relationship in "late at night, when the nightingale sings" in a nutshell:

Martinez: FREAK! GET YOUR FUCKING KID!

Battinson, on the other side of the crime scene: he don't bite

Martinez, with Nightingale firmly attached his arm, visibly biting him: YES HE DO!

*points at them* Danny is the Bugs Bunny to Martinez's Elmer Fudd.

Another Officer: i can't believe you're fighting with an actual twelve year old. Martinez: i swear to god that is not a twelve year old, that is a little hellion that crawled out of batman's shadow one dark and stormy night and decided to dedicate his existence to tormenting me. Officer: Are you really that mad about him putting a sticky note on your back-- Martinez: thats not the point

in danny's defense: the word "freak" is. a mini beserker button for him for.... obvious ghostly reasons, so like, even if its not directed at him, he still very much unappreciates Martinez's insults at Battinson. Danny may or may not be projecting.

he's not going to hurt the guy! not in any serious or permanently disfiguring way at least! But he is going to leave mean sticky notes on the square part of his spine that he can't reach, and stick salt in his 3AM Late Night Crime Scene Coffee, and kick the bottom of his heel while he's walking so he stumbles. And other petty, infuriating things that tally up and boil over, over time.

[mickittotheman]

Pipher, M. (1995). Chapter 1: Saplings in the Storm. In Reviving Ophelia: Saving the Selves of Adolescent Girls (pp. 19–23). Ballantine Books.

Debbie pt. 1

(click here for Mandy pt. 1)

[lurkinginnernarrator]

A flavour of liujiu that I enjoy quite a bit is Liu Qingge's loving style of "I believe you can be better" (As in, I believe that inside you there is goodness, I see the potential in you for goodness etc) coupled with a Shen Jiu who is in or is moved by that love to go "I want to be better"

I enjoy when fic writers also show Shen Jiu going from 'I was born irredeemable and heinous" to "perhaps I can try" to "I am capable of loving someone and my love not hurting them or being selfish"

[pink-glitter-gel-pen]

UNDERRATED shawn and gus moment is at the end of 4x07 high top fade out is when lassiter says to shawn "you are not a cop and you never will be" and shawn clearly has some slightly conflicted feelings about the comment showing on his face, gus says "thank god for that" and fistbumps him

[sage-nebula]

Kristoph Gavin's black psyche-locks have remained unbroken for 17 slutty, slutty years.

[moylis3]

for context/the inspo behind the drawing: Cybill Shepard, who plays Madeleine Spencer aka Shawn`s mom, also played character named Madeline Hayes in the detective comedy show Moonlighting (which psych team knows and loves <3 )

[flowercrowngods]

🤍🌷 @stevesbipanic and @the-winged-doe asked to see ugly unpolished unrefined words, soo—

cw & tags: past major character death, grief, attempted time-travel fix-it(s), eddie&robin besties || potential wip

Eddie takes a long drag of his cigarette, the biting hot smoke hitting the back of his throat and clawing its way into his lungs, going as deep as he allows and leaving a permanent mark that brings neither relief nor calmness tonight. His fingers shake where they’re pressed to his lips, but the rest of him is unmoving where he sits on the front porch of their new trailer. 

It’s quiet out here. It’s always quiet in Hawkins these days, the city a fucking ghosttown. 

And he knows it’s not because of the one they lost. He knows it’s not because of him. But still the emptiness is stark and the silence oppressivem more so than it ever has been. 

Everyone still looks for him, months later. Dustin still begins to speak, cutting himself off mid-sentence, and Robin still stands with enough space to either side, like she expects him to just show up and invade her space like the home he made for himself in there. 

And somewhere among all that is Eddie. With his very own history. Or, non-history, as it turns out. But history and non-history leave wounds alike, and the memories feel just as real. A small mercy, at the end of the day, for them to feel real when they’re all he has left anymore. 

He takes another drag, not quite exhaling before he obliterates the cigarette and fishes for a new one before the butt even hits the ground. 

Fumbling with the lighter in his pocket, he only gets as far as placing the butt between his lips before a hand snakes into his field of vision to snag it from his mouth. 

“Hey,” he complains halfheartedly but makes no attempt at getting it back, watching instead as Robin comes up to sit beside him, grimacing at the stink of tobacco that must be heavy around him. 

“You’re disgusting,” she says with no real heat behind her words.

Eddie shrugs, because yeah, sure. He’s been called worse things. Robin’s called him worse things. This is her being nice. Her complaininig about his incessant smoking is nothing new. What is new is what she does next, placing the cigarette between her own lips and reaching for the light he’s been holding in a loose grip since she arrived. 

She starts coughing immediately, pulling a face at the disgusting feeling of smoke in her lungs and tobacco on her tongue. But she keeps going. Eddie can only watch in surprise and mild horror. 

“These things’ll kill you,” he says then in an echo of her usual sentiment, aware that he sounds as bewildered as he feels. 

“Well,” Robin says, aiming for casual, but quickly interrupted by a wheeze and a cough that’s almost adorable. “Let them try.” 

Eddie huffs, a pale little smile lingering on his lips as he leans back against the stairs behind him, resting his weight on his forearm to watch her. There is something captivating about her. Eddie always wonders what it is, wants to study her forever. 

Maybe it’s only the lingering traces of Everything Steve Harrington that clings to her every breath, her every move, her every fucking cell, with how much he was a part of her and she of him. Maybe it’s their shared grief that has made Eddie fall a bit in love with her and with the way the moonlight catches in her hair and in the smoke wafting from her cigarette. 

But somehow he refuses to believe that all he loves about her is merely the memory of Steve. 

Robin, in turn, is kind enough to let him stare. Kind enough to let him find out what it is between them. If this friendship is more than a misguided projection of grief and mourning and trauma; more than co-dependence and the obsessive will to keep this one person in your life. This one person who understands. 

After a while of Robin just holding the cigarette between her fingers, becuase no matter how strong her will to self destruct, she never quite got it right with the smoking, Eddie snatches it back before it goes to waste completely. As if pulled in by a string attached to his hollowed out chest, Robin leans back and into him in one smooth motion. It’s too calculated, though, and Eddie can feel how much she sags once she doesn’t have to hold herself up anymore. 

He’ll hold her. It’s fine. She gets to rest if she wants to. God knows she needs it. 

The night is warm for mid-September, but still Robin shakes against him. Eddie holds her closer. 

Silence settles over them, and it’s not an easy one. Silence is never easy anymore, especially with them. He feels so deeply hollow that even the silence echoes in there, creating an ever-present, uncomfortable thrumming of apprehension and anxiety within him. A certain sense of doom, one that can’t quite decide if it’s only an echo itself. 

“I wanna stop time,” Robin says at last, the cigarette long dead between Eddie’s fingers, but he somehow can’t bring himself to flick it away. “I don’t want tomorrow.” 

I don’t ever want a new day. I don’t ever want another tomorrow. I just want Steve. 

They ring in his head still, another echo that only hollows him out further every time it reaches him — Robin, overcome with hysterical grief, screaming and crying, curled up on that hospital floor, her cries quieting down and making Eddie wish she would be loud again, because the quiet was what killed him. The quiet, the whispered words, the declarations that tomorrow could go fuck itself if it came without Steve made him wish, irrationally, desperately, that their roles were reversed. That he could have died and Steve could have lived, and Robin would never have to wish tomorrow never came. 

He’s not entirely sure if she remembers the words, too. If she even said them in this world. 

So he takes a deep breath, breathes away memories and non-histories, feels the heavy weight of his guitar pick hanging around his neck, resting on the scarred flesh of his chest, and tries not to think of the one string left on his acoustic guitar. Tries not to think of his one last attempt. One last try. 

“I know,” he tells her. “Me neither.” 

He peers over her head, lifting his left wrist to check his watch. Ten minutes until midnight. Ten minutes until Steve’s birthday. 

“It’s not tomorrow yet,” he tries lamely, and Robin huffs — the sound wet and bitter and hopeless, making Eddie’s eyes sting. 

“It’s always fucking tomorrow,” she rasps, her voice flat and wavering, and Eddie knows her well enough to know she’s about to cry. And she knows him well enough to do it. 

“I know,” he says again, and reaches for his necklace through his shirt. One more attempt. One more try. One more chance. His eyes burn. 

She turns to him after taking a moment to compose herself, peering up at him through her lashes. 

“Tell me again?” 

His heart falls, the tense apprehension vanishing from the air, bur quickly replaced by something a lot more heavy. Something that looks and smells and feels like grief. 

They both know he’ll do anything she asks. He can’t really bear saying not to her. And not about this, anyway — she’s the only one who knows. 

She’s the one who should have had the chance. 

“Which part?” he asks, holding a new cigarette out for her to light it. She does, and the both follow the flame of the lighter Robin always keeps in her pocket these days. 

She leans forward and takes a drag. Eddie lets her. 

“All of them.“

Eddie sighs, pain welling up inside him, and he closes his eyes against the night sky. “Robbie,” he pleads, but he doesn’t finish his plea. He’ll do it. He’ll do anything she asks. 

But before he starts recounting the tales of how he almost saved Steve Harrington, he finds himself saying something he never thought he’d tell her. 

“There’s one more.” The words hang in the air, and Robin doesn’t react. Has no idea what’s coming; what he’s about to tell her. The guitar pick is heavy on the necklace around his throat. “There’s one more try. One more chance. I’m… I have one more—“ 

He can’t even finish the sentence. Can’t bring himself to say it, lest it all be jinxed forever. He doesn’t want to hope. Wants to carry this weight for all eternity and never think about all those times he failed to save someone he was never meant to save at all. People like Eddie, they’re not made to save anyone. Hell, they can’t even save themselves. 

Steve was supposed to be the one doing the saving. 

And he did. God, he fucking did. But he was never supposed to— 

Cold fingers wrap around his own as Robin fits their hands together. 

“I hate you a little bit for telling me.” 

Eddie nods, trying to focus on the cold hand and the nicotine in his lungs, trying not to let panic and grief and guilt and the heavy weight of one more chance win. “I know.” 

“Hey, Eddie?” Robin says after a while, the silence stretching on, and it’s almost midnight now. “Can you— Would you do something for me?” 

He turns his head, flicking the butt of his cigarette out into the darkness beyond them. “What’s that?” 

“Don’t— Don’t try to, to save him. Don’t— Just… Just maybe, could you celebrate his birthday with him? Make sure he knows he’s… God, make sure he knows he’s loved? Last year, no one really made time on his birthday and we just moved it backwards but God, could you— It’s almost midnight, and—“ 

“Robbie,” Eddie interrupts her, his voice hoarse and wavering, his eyes burning with tears as he tugs her close and holds her to his chest. “You should go. Don’t you wanna…” 

But she’s shaking her head against him with a vehemence that can hardly be misunderstood. 

“No,” she cries, and it’s more of a sob than anything. “I think if I ever saw him again, I’d… I don’t know what I’d do. Burn the whole fucking world to the ground for him or some shit, I can’t— I’d probably just cry all the time and that wouldn’t be helpful, really.” There’s a weak, wet laugh that bubbles out of both of them, and Eddie’s wiping at Robin’s face, drying the tears and making way for new ones to fall. 

“I’d light a fire for you,” Eddie says, the same weak smile on his lips that Robin meets him with now. “Nineteen fucking fires, you hear me?” 

She laughs again, then buries her face in his neck in a way that never quite fit. In a way that Eddie always knew was supposed to be someone else’s neck. 

But he’s not here anymore. And Eddie can’t get him back. No matter how much he aches for it, no matter how much he learned over and over and over again how easy it is to love Steve Harrington and how hard, how fucking impossible it is to lose him. Over and over and over again. 

And to live without him. This one fucking time they all get. It’s not fair. 

And now Robin is asking him to go back one more time and make sure that Steve knows— That he knows. 

Somehow the thought of that feels nobler than any attempt to save him, to bring him back; to rewrite history from a lonely boy’s perspective and hope that no one else is reading along. 

It feels right, too. Fundamentally and suddenly, and with such an intensity that Eddie knows the decision has been made the second he started telling her. 

Still he hesitates. Robin’s sobs have calmed down, and Eddie’s hand finds its way into her hair. 

“Do you really mean it?” 

She nods.

He nods, too, but slower. Like he’s trying to sway himself. Which way, he doesn’t know. 

“Make him happy.” 

“Okay,” he decides after a while, feeling hollow and desperate, but feeling purpose burning underneath his skin again. “One last time.” 

He unwinds his arms from around her and heads inside to grab his acoustic guitar. The last remaining string, badly untuned because he never dared to touch it, stares back at him in both mockery and invitation. A dare. A chance. A promise. 

Outside, Robin is waiting for him, looking anxious. Eddie wants to hug her. He doesn’t, only tightens his grip around the guitar’s neck. 

“Listen, Eddie, if this is goodbye or something—“ 

“It’s a birthday party, Robsie,” he interrupts her, aiming for light, aiming for brave. “I’m coming back right here.” 

“I know,” she rushes to say, taking a step toward him and wringing her hands. It’s endearing. It’s genuine. Eddie really is a little in love with her. “But, y’know, you don’t mess with time, and I don’t know what all you already changed before and I don’t wanna know but… If this is goodbye, if something happens, I just wanna tell you that I’m gonna miss you. And that I think you’re really cool. And that Steve’s— he’s really missing out, okay. Okay?” 

Eddie breathes, taking in her words and letting them soak into his body, his every last fibre. 

“Okay,” he smiles. “Thank you. You’re… I’m kind of in love with you, Robin Buckley. So there had better be no change in the universe, ‘cause that would really suck.” 

They smile at each other, Eddie with his guitar and Robin with her lighter, and somehow this feels like a deja-vu. The antithesis to a moment forever burned into his memory.

Make him pay. 

Make him happy. 

Eddie tugs on his necklace and plays the string before he can think about it too hard; before he can decide otherwise. 

Distantly, he hears the church bells announcing midnight as the world around him fades. 

🤍 permanent tag list gang: @skiddit @inklessletter @aringofsalt @hellion-child @cryptic-cryptid @hotluncheddie @gutterflower77 @auroraplume @steddieonbigboy @n0-1-important @stevesjockstrap @puppy-steve @izzy2210 @itsall-taken @mangoinacan13 @madigoround @pukner @i-amthepizzaman @swimmingbirdrunningrock @hammity-hammer @stevesbipanic @bitchysunflower @estrellami-1 @goodolefashionedloverboi @awkwardgravity1 @devondespresso @bookworm0690 (lmk if you want on or off, for this story or permanently)

[themyscirah]

Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.

Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now

Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.

Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!

Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.

[alxastrx]

When you're one of the most selfish mc who only saves people because it's part of a job you never wanted and did not get to chose or you would've died, who took your co-workers' morals and ideals because you didn't have any and desperately wanted to fit in somewhere, be it with the heroes or the villains, who's activelly haunted by one the most tragic past to have been created and suffer from a psychosis so bad (dare I say schizophrenia) that even your enemies acknowledged that you are mentally ill and objectively flawed in your judgement, never hesitated to try to kill anyone and has the most egoistic reason to be a good person but the fandom still thinks you're just a kind crybaby "I don't know what a gun is" homosexual twink.

[dustykneed]

Hello! Random whipper snipper! Share a WIP of your work!

ooh, with pleasure. six the musical araleyn fanart? in the year 2k24? more likely than you think xDD

i realize this looks finished, but technically i'm still deciding whether to add a background or not lol. still, for the sake of sharing a proper WIP, here's a line or two from an araleyn brainworm WIP that i started reworking yesterday (mild tw for religious guilt and period-typical internalized homophobia from aragon's pov):

She remembers sharing her bed with Anne at Henry's behest, remembers the nights of tossing and turning and trying not to think about Anne asleep next to her-- remembers waking up to dark hair spilling across her pillow and the press of blood-warm bosoms against her own, softer than sin, as hot as the Devil, remembers lying still as death, mouthing prayers into the heat of Anne's neck like an act of penance.

[lesbiancosmicowl]

going from this to pushing her away again... god. she must be so fucking terrified All The Time. i mean, she was already terrified of losing her in the first place, so she pushed away and ran and pushed away again. and then This happens and she comes to two realizations: 'oh no... i love her' and 'oh no... i love her.' and that just triggers that confirmation bias- 'i can't do this again. i pushed away for a reason. i did not want to get involved because i was terrified of something like this happening and now its happened and it's a good thing i pushed you away, right? because i was right, you did get hurt. and you're unconscious and im sorry i pushed you away, i shouldn't have pushed you away. but now you're awake so nevermind, actually, pushing you away was the right thing to do.' and how fucking exhausting must that be, to constantly deny the love and affection of someone who Gets her, to run away anytime that person gets Too Close, to just feel so afraid and lonely and just so so sad all the time...

[harzilla]

Ortho Shroud and Love.

I feel like a lot of people miss out on the opportunity to really deep dive into Ortho's psychology. I'd like to see a story that focuses on Ortho figuring out what love is. Like not him just downloading the definition or watching a bunch of cheesy romance movies. But him genuinely trying to actually understand what LOVE is.

Let him think and contemplate his relationship with Idia. He understands why he was built, but perhaps he gets to a point where he truly starts to think more on it. When did his programming stop just him taking care of his brother and when did it come to be actual affection?(I actually need to read through book 7 so yeah....)

Can you program love or can a robot learn to love? Can he love if his robotic parts are granted a soul? Is he still just a robot if he has a soul?

Him learning about how his family loves him. Not for being a replacement but for being HIM.

Deep dive into him learning how the others perceive him as more then just a robot. How he's not just "a robot, or Idia's brother" he's Ortho. Their Ortho. Ortho their friend. Feeling he finally understands what a friend actually is. He has actual friends! His friends.

Let him actually ponder on the nature of romantic love and whether or not it's something he can learn. Would his programming eventually allow him to mature mentally? Can he be programmed to mentally mature? Can zeros and ones act like the chemicals in a human's brain? Would it eventually allow him to really "feel" any kind of "this person is more special then the others?" like he understands that he loves Idia as a brother. But for the first time maybe Ortho finds somebody who he wants attention from.

Maybe he begins to wonder why he wants to take something his brother has. He's usually happy if somebody is giving Idia positive attention but it's the first time he finds that he wants it for himself. He's never felt that way towards anybody. Maybe he thinks at first it's because he sees them in a familia way, but then he noticed how it doesn't feel the same as with them. He doesn't feel the way he does for Idia.

He searches through his memory banks but nothing seems to really match and he's certain it's not a programming flaw, Idia is very meticulous with his diagnostics. So why does he "feel off?" Why does he "feel off" more often whenever this person is around?

And then maybe one day he's in club and they're watching romance movies and of course the film club is doing an analysis about them and it's during this that Ortho thinks.

"Was what I felt love?"

And now you've got Ortho doing a deep dive of different kind of romances and maybe he's trying to figure out why exactly the characters are falling in love. What is it that drew one character to another? Why do these two happy together but yet they refuse to say they're together?"

Just him trying to actually understand how romance between people work. Him watching movies, reading romance stories, him just researching. He spends his time analyzing genres, archetypes, popular tropes based on different demographics. Historical couples that were happy vs those who did poorly. Different books and articles that talk about successful relationships vs. ones that fail. Reviewing anything he has on his parent's relationship. They seem to be happy together. The info he finds would say they're behavior could be romantic. All this time he's trying to understand.

"What is love? What is love that can be considered romantic? Can he love somebody? Can he love them enough that he is IN love with them?"

"Can he love somebody in a way that isn't platonic?"

"Can a robot fall in love?"

"Can he fall in love?

Give me more stories about Ortho exploring his nature as a robot and him evolving feelings as a realized being.

[maya-caffrey]

can we bring back procedurals? or at least just proper shows like how TV used to be? 5 to 15 seasons, a generous amount of episodes per season, 45 minutes: the sweet spot between too long and too short, pilot episodes that are wildly different from the rest of the show, filler episodes that overall contribute nothing but are extremely fun because that is what god intended, random musical episode, crossovers, waiting an entire week in anticipation to see what happens next, like, this was the PEAK of television, where did we go wrong