#against eachother

[bbms-bb]

to the art club and science club... who is the fruityest (silently waits for the war to come)

GUYS PLEASE THINK OF COOPERATION

[loudlyunladylike]

Gay Freedom Day Parade, San Francisco California (1979): "A DAY WITHOUT LESBIANS IS LIKE A DAY WITHOUT SUNSHINE"

The Dyke Project Protest Party for lesbian/trans solidarity, London, UK (2023): "A DAY WITHOUT TRANS PEOPLE IS LIKE A DAY WITHOUT SUNSHINE"

[pangur-and-grim]

controversial opinion but I do not like having a broken leg!!!!!!!!! it’s not good!!!!!! this is a bad experience!!!! if you were thinking of breaking your leg don’t do it!!!!!!!!

[soapyakships]

it wasn't your fault... i promise you...

[vaggietheangel]

Charlie:*Opens a hotel to get sinners into heaven, reducing the overpopulation issue.*

Blitzo:*Stats a business of killing humans, adding even more sinners to hell.*

Charlie:

[spear-gsun]

Happy 20 years to the Imperishable Night

[biceratops7]

hold- wait a fucking minute...

Beelzebub is acting really freaking weird in this scene.

Ok so I encourage you to rewatch it cause I can't really properly illustrate it in gifs, but they don't sound irritated, or even particularly intimidating. We know Beezlebub to be a very dry person, even in moments they want something and need to manipulate/ convince someone for it. So this abnormally animated and even somewhat friendly demeanor doesn't strike me as part of buttering Crowley up to get him to help them.

This is a weird line. We know Beelzebub isn't like Shax, they've been around a bit more and have a better grasp on things like tone and figurative language. There's almost no way they're unaware that saying this would immediately clue Crowley in to the fact that Heaven and Hell do in fact have communication, so they must want him to know. For whatever reason, it's important to them that Crowley knows they're a reputable source.

And then I remembered where I've heard that tone before.

It's nearly the exact same one Crowley uses to tell Aziraphale that he needs to protect them. It's the kind of tone you use when you need someone to read between the lines and understand more than you can safely tell them. Beelzebub is fully ready to believe Shax when they say Gabriel's in the bookshop, and acknowledge later that Aziraphale was a very fitting and likely candidate to harbor him. They know full well Crowley doesn't want jack shit to do with Hell, and would probably be offended if anything by anyone referring to his "nasty little heart". That is merely a performance to mask what they're really trying to tell him, which is that Aziraphale is in danger.

Without this detail Crowley very well could've turned Gabriel in to Heaven instead of Hell, he certainly doesn't see much difference between the two. Beelzebub is the reason he decisively doesn't, and races home in a panic.

And I think it's genuinely so sweet, this moment of understanding and comradery between them that goes unnoticed, even to Crowley. They drop the shtick and make sure that he knows the book of life is a real threat, and you only need to be merely involved in hiding him to be erased from it. Because to them, there's also the very real possibility that Crowley knows about Gabriel while Aziraphale doesn't, so they're double checking Crowley will not to tell him and instead go straight to them. There’s just something so protective in it.

[rainbowfartblaster]

VIKTORS HAND CARESSING SOOTHINGLY AROUJD JAYCES ARM I JUST DIED

[crunchy-rocc]

guys i would put in a microwave just to watch them spin around in there

[redysetdare]

Some of you people need to stop acting so shitty over aspec stereotypes because it's starting to get to a point that you are just shitting on the people who experiences match the stereotypes and it's hurting a lot more aspects than it's helping.

[bonemeal12]

today seems to be less of stimmy speedster sunday and more like… hmm… uhhh… erm… o..overstimulated vigilante monday… on a sunday?

[la-pheacienne]

George Martin, 2013: "In a very basic level winter is coming for all of us. I think that’s one of the things that art is concerned with: the awareness of our own mortality. “Valar morghulis” – “All men must die”. That shadow lies over our world and will until medical science gives us all immortality… but I don’t think it makes it necessarily a pessimistic world. Not any more pessimistic than the real world we live in. We’re here for a short time and we should be conscious of our own mortality, but the important thing is that love, compassion and empathy with other human beings is still possible. Laughter is still possible! Even laughter in the face of death… The struggle to make the world a better place… We have things like war, murder and rape… horrible things that still exist, but we don’t have to accept them, we can fight the good fight. The fight to eliminate those things.There is darkness in the world, but I don’t think we necessarily need to give way to despair. One of the great things that Tolkien says in Lord of The Rings is “despair is the ultimate crime”. That’s the ultimate failing of Denethor, the Steward of Gondor, that he despairs of ever being able to defeat Sauron. We should not despair. We should not go gentle into that good night".

JRR Tolkien, 1962 : "One reviewer once said, this is a jolly jolly book, all the right boys come home [...]- this isn't true of course, he can't have read the story. [...] Human stories are practically always about one thing, really, aren't they? Death. The inevitability of death. . . . . . (He quotes Simone de Beauvoir) 'There is no such thing as a natural death. Nothing that ever happens to man is natural, since his presence calls the whole world into question. All men must die, but for every man his death is an accident, and even if he knows it he would sense to it an unjustifiable violation.' Well, you may agree with the words or not, but those are the key spring of The Lord Of The Rings".

"Lotr is all rainbows and unicorns and Asoiaf is nihilistic and grimdark". Wrong, and wrong. In all its hope and radiance, lotr often gets very dark, and despite all the death and suffering, the hopeful moments in asoiaf shine bright. The meeting point of these two is this: having hope while in despair, and even better, refusing to give up because you have to go on despite not having any hope left.

[emrys-rusts]

I keep seeing medival arthurian literature pop up on my dash, and I did a little digging because I'm a huge literature, arts and language nerd

I dont know you, and you dont know me, but I really love you guys, wherever you may be

Good for you good for you

I admire the dedication

[topicaltropic]

Senior year sillies w/ terry & taylor. The T team

[finalshockdown]

Your honor, they are brothers.