#after the reboot movies i mean

[simptasia]

as much as i want trek to let go of the past, keep moving forward and such, i'm still very okay with strange new worlds existing

the thing is,,, that show is full of beautiful people and amazing costume design and they had a fucking musical episode

[iwrotemrtambourineman]

fury road and road warrior are definitely objectively the best mad max movies, but the last fifteen minutes of the first mad max have a je nais se quois about them that does make it stick to you

[nosferatufaggot]

I got season one on DVD. Haven't watched yet. Not to be the G3 hater people don't like, cuz truly I'm not, BUT!!!!!!!!!!!!!!!! I watched the live action movie when it first came out. I frankly really didn't like it other than Frankie. I love the original and didn't like all the changes and I still don't like the changes. So, I was already upset once the movie was over. Then the new show had it's premiere. Frankie wasn't voiced by the actor who played Frankie (and I was under the impression that this would be in the same universe as the movie so I was upset) AND THEN Toralei was posh british. That truly was the tipping point for me.

I really want to give this a fair shot because I know I would 100% love it if not for my already huge love of G1. I'm gonna watch this a few times. I know my first time watching this I'll just be a hater going "BUT THAT'S NOT HOW IT'S SUPPOSED TO GO!" even though my mind and myself understand that this is different from G1. My heart will feel the betrayal and I'm just gonna have to get used to it. I so badly want to like this and I know I will once I jump over that hurdle. I've already seen a few episodes I like aswell.

[ioannemos]

every now and then i glance at fanfic that i know is gonna be really weird just to like. reset my brain a little. there are people out there who not only thought of this, they actually wrote it and then they posted it online for anyone to read. i mean they put their name on it and everything. they allowed comments. God bless em

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[flwrstqr]

PAPER RINGS ★ WHEN YOU SHUT THEM UP WITH A KISS

𓋜 手紙 ❜ 𝗄𝗂𝗌𝗌 𝗆𝖾 𝗈𝗇𝖼𝖾 '𝖼𝖺𝗎𝗌𝖾 𝗒𝗈𝗎 𝗄𝗇𝗈𝗐 𝗂 𝗁𝖺𝖽 𝖺 𝗅𝗈𝗇𝗀 𝗇𝗂𝗀𝗁𝗍

【 𝐀𝐌𝐀𝐑𝐘𝐋𝐋𝐈𝐒 】 𝑙’ boyfriend!enha & fem!rea 8OO established relationship fluff reaction ˊᯅˋ skinship petnames kissing ｡ ｡ CLICK

다니 ⠀⦂ hope flueries enjoy :0 i promise i'll be back to my old posting schedule after i get less busy with exams TT

LEE HEESEUNG

you roll your eyes, but heeseung’s endless teasing finally tips you over the edge — you grab his face and kiss him, shutting him up mid-sentence. he freezes for half a second, then melts into you with a soft little chuckle against your lips, his hands sliding to your waist, thumbs drawing lazy circles against your skin. when you finally pull back, breathless, he’s grinning like an idiot, eyes crinkled, forehead resting against yours. “couldn’t resist me, huh, baby?” he teases, and you swear your heart physically flips. he pulls you closer, arms wrapped around you like he never wants to let go, peppering soft kisses along your cheeks, jaw, anywhere he can reach. “it’s okay, angel. i’m all yours,” he murmurs, so smug yet so impossibly sweet that you can’t even be mad. heeseung’s love for you is written all over him, stupidly, helplessly.

PARK JAY

you’re half-listening to jay’s lecture about how you really need to start dressing warmer, but the way he’s fussing over you, adjusting your scarf and smoothing your jacket, makes your heart ache a little — so you lean in and kiss him, cutting him off mid-sentence. he immediately forgets whatever he was saying, hands pausing on your shoulders before sliding down to hold your waist gently, like muscle memory. when you pull away, he blinks at you, dazed. “you’re unbelievable, princess,” he murmurs, forehead brushing yours. he tucks you even closer to his chest, wrapping you up with his warmth. “guess i’ll just have to keep you warm myself, huh, sweetheart?” he mumbles.

SIM JAKE

you don’t even think — you just surge forward and kiss him, pressing your mouth to his mid-ramble about the dumbest thing, something about his game strategy or whatever nonsense he was so excited about. jake immediately shuts up, the words dying on his tongue as he melts into you, but holding you close like he’s scared you’ll pull away too soon. when you do, he blinks at you, lips pink and pouty. “do it again,” he mumbles, barely above a whisper, eyes flickering to your mouth with such softness it makes your knees weak. “please, baby…” he adds, voice a little whiny, already leaning in like he can’t stand another second apart. you laugh under your breath, but jake’s hands are already tugging you closer, holding you like you’re the only thing keeping him upright. god, he’s so easy to love.

PARK SUNGHOON

he’s still rambling —teasing you about how you can’t go five minutes without touching him — when you finally yank him down by the collar and kiss him hard enough to wipe that smug grin off his face. his hands immediately find your waist, warm and firm, pulling you closer like he’s been waiting for you to snap. sunghoon tastes like mint and trouble, and god, you melt when you feel him grin right into the kiss, so full of himself even now. “someone missed me, huh, baby?” he mutters against your lips, laughter humming in his throat. “not my fault you’re so kissable, baby,” you breathe, and he chuckles, all stupidly handsome and stupidly yours.

KIM SUNOO

you can’t help it — he’s been talking for five minutes straight, waving his hands, cheeks glowing pink as he lists reasons why you should let him pick the movie. you grab his face mid-sentence and kiss him, soft and quick, and for a second he freezes under your touch. then, like a machine rebooting, sunoo just keeps going, voice a little lighter, ears burning. “—and it’s not just because i think you’ll like it, baby, it’s genuinely a cinematic masterpiece,” he insists, as you laugh. “plus, i mean, you kissed me, that’s practically a contract. you trust me. you love me.” he grins like you hadn’t just stolen his breath away two seconds ago.

YANG JUNGWON

jungwon’s mid-lecture about how you’re “so irresponsible, baby, you can’t just eat ice cream for dinner,” when you lean up and kiss him, catching him completely off guard. he goes stiff for half a second, lips warm against yours, before letting out a breathy little laugh, palms instinctively settling on your hips. “yah,” he huffs when you pull away, trying to sound stern, but the way his eyes crinkle at the corners completely betrays him. “you can’t just shut me up like that, pretty girl,” he says, voice all fond and playful, squeezing your sides and pulling you closer at the same time. you nuzzle into his chest, and he rests his chin on your head with a quiet sigh. “you’re lucky you’re cute,” he mumbles, smiling so wide now it physically hurts him to pretend he’s still mad.

NISHIMURA RIKI

riki’s teasing you, poking your side, making dumb jokes just to hear you whine, when you finally grab his collar and kiss him. for a second he freezes and then he grins against your mouth, like you just handed him the best challenge of his life. “oh, so we’re doing this now, baby?” he murmurs, voice low and smug, before kissing you back even harder. “what’s wrong? can’t handle me?” he teases, peppering quick, annoying kisses all over your cheeks until you’re shoving at his chest, laughing breathlessly. “should’ve thought twice before starting something you can’t finish, pretty girl,” he says, arms trapping you easily against him like he’s never letting you go.

[gutsfics]

omg yaaaay Ratchet and Clank game on pc now !!

> its Rift Apart

:/

[tawked]

If I'm being honest, I actually prefer the version of Jason Todd who had a whole arc where the trauma of being Robin during one of Batman's dumb and edgy eras drove him a lil nuts and made him violent, reckless, whatever.

It is a central plot point in A Death in the Family, a comic that while I actively believe no one should read because it is cartoonishly racist, some (me) consider pretty important to understanding the circumstances surrounding Jason Todd's death.

This is consistent with his appearances in earlier stories, forming a character arc wherein he becomes increasingly violent and reckless due to the trauma of his early childhood in poverty and the increasing exposure to violence inherent in being Robin, filtered through the strictly anti-Robin lens of writer Jim Starlin.

Batman #411, he has what is obviously a violent trauma response after finding out Two-Face single parentified his mother.

Batman #422, Batman needs to pull him off a pimp after said pimp threatened his bottom bitch.

Batman #424. I posted this once and someone told me with their whole chest they actually for real believed this dude slipped and Todd didn't kill him which is how I realized that there's a whole generation of Batman fans who do not recognize 1970s-80s action movie tropes. An extremely humbling moment for me lol.

Anyway, notice the sequential nature of the issue numbers.

Now, I sincerely do not want to be a bitch here, but I don't know how else to say this.

The reason Jason Todd is not a violent loose cannon in his earliest appearances, even post-Crisis, is that characters later in their arc are not the same as characters at the beginning of their arc.

These two dudes, who yes are the same dude, have very different relationships with the concept of violent revenge. One of them even cut his own head off in a spooky metaphor cave that taught him about how violent revenge means destroying a part of yourself. The other dude just saw his parents gettin weenie roasted and is mad about that. To reiterate my point, they are the same dude.

But in fandom we have this weird thing where we flat reject this concept of Jason by insisting that no, this characterization was just later writers like Marv Wolfman being haters and retroactively character assassinating him through Tim Drake or something.

We insist on who he was at the beginning of his arc as if he should not, could not, would not on a boat, could not, would not, should not with a goat, develop into anything but who he was at that moment. I have never seen anything else like it in comics or in other fandom. Character development that is just so flat rejected and avoided, in a medium where we usually celebrate development because characters are usually set more or less in stone until the next big reboot event.

And look, if I'm being absolutely honest with you, the smooth clean safe not a wildcard roundhouse kick freak version of Todd that fandom has created is so fucking boring to me.

He is, to me, by far the worst version of the character.

To me, Jason Todd was this Robin specifically:

Batman: The Cult.

That's not Dick Grayson. That's not TIm Drake. That's not Damian Wayne, Stephanie Brown, Carrie Kelley, or whatever other version of Robin.

Jason Todd is the "alright you sorry clowns, let's party" Robin. He was written in line with a bunch of action movie and buddy cop tropes. A Death in the Family was straight up a "hand in your badge McKlinsky, you're a loose cannon" arc. And I just feel like the fandom desire to smooth that out of him, whatever the motivation behind it might be, is ultimately in service for a far more boring, more "in line with Dick Grayson and Tim Drake" version of a character who should never have been in line with Dick Grayson or Tim Drake.

[heartfullofleeches]

[Angst]

Childhood Best Friends with a small age gap- two or three years, nothing crazy- but it means everything as they age.

It was hard for them to make friends their age when you first met. They liked things that were too "childish" for their peers - things another child who lived not to far away adored. They'd seen each other on the way to school, but they didn't interact frequently due to their difference in grade.

Until that day-

"Whoa...Cool backpack. You like that show too?"

"Thanks... I'm thinking of getting a new one though... Do you want me to ask my parents if you can have it?"

"What?! It looks fine to me... Why are you getting rid of it?"

"My friends called me a baby... I won't be able to go back to class without everyone laughing at me unless I get a better one."

"That's silly!.... It's on right now... Wanna watch it with me?"

The two were inseparable from then on- School hindered the time they had to see each other each morning, but as soon as it let out - both ran to meet with their new best friend. The elder of the pair was often mocked and teased for their choice, but they could hardly care anymore. They had someone who'd stick by their side to the very end - childish fixations and all.

Years went on and they made new friends. It happens. More obstacles began piling up throughout - chipping away at the few hours they scarcely had to begin with. Studying, Hobbies, balancing days between hanging out with other friend groups and the person who once meant the world. They tried to make things works, but nothing went to plan-

"Is it alright if Y/n comes with us tonight?"

"Y/N? Aren't they're too young to see this movie? We shouldn't be responsible if they have night terrors or something.."

"They aren't that young... Are they?"

They never thought about it before. You were so close in age as kids it never hit them that as you grew that little gap drew a bridge between you - and it was easier to let you go than finding an alternative.

"Hey, Dude! Are we still on for this weekend? I can't believe they're making a reboot after all this time!.."

"Are my messages going through? You haven't responded in a while... I saw you outside school yesterday and yelled your name, but....."

"Did I do something wrong?"

"Hey."

"You're hanging out with them today? Did you forget about my birthday?...."

"You removed me off your list of friends...We're still friends, right?"

"Let me alone. I'm sick of being your babysitter. Go find friends your own age and stay away from mine."

And that was the end of things.

College cames around and their live became relatively tame. Their thoughts drifted to that childhood friend of theirs every now and again, but between school and partying with the new friends they had made - those memories faded to the back of their mind.

An acquaintance asks them to help show some new faces around the campus. One sticks out to them amongst the crowd. It's you. What do they say to you after all these years? You don't look sad to see them. Nor angry. Intact - you look..

Relieved.

Pulling them aside at the end of the tour, you free yourself from the burden that's weighted down on you since they left you.

"I'm sorry."

"It was never my intention to hold you back. Overtime I realized I was just that annoying kid who clung onto you because I thought you were my first and only friend...When you never felt that way about me. I'm sorry for taking that away from you. If our paths cross again, I promise I won't even look at you."

After being abandoned by your best friend- the person you looked up to most, you matured well beyond your years in hopes that would make you like them again. Overtime, you gave up that goal, but others could see how you've changed.

"Isn't that.... Y/n?.."

"Oh, man- It is! You guys were glued at the hip before we became teens."

"They're..kinda cute... Do you still have their number?"

All this time apart, a feeling long forgotten resurged inside them. The need to protect you. You didn't know these people like they did. You shouldn't be going to parties with them, getting to know and befriend them. They'll only hurt you - worse than they had. They never should have said goodbye to you- They should have allowed the feelings they were so scared to have, but had always been there develop and blossom naturally until you both were adults ready to move on to that stage in your friendship.

They know you best. No matter how much you grow as a person, you're still the same.

"That's a cute Keychain, Y/n!"

"Thanks! I've loved this show since I was a kid!"

They'll prove it to you.

[goryhorroor]

horror of 2025

here's the list (hoping i get every movie but mostly will be kinda focusing on the ones i'm either excited for or is super popular)

the wolfman - leigh whannell's take on the classic

final destination: bloodlines - tormented by recurring violent nightmares, stefanie returns home to break the cycle

black phone 2: sequel

sax xi: eleventh installment in the saw franchise

28 years later - it's been three decades since the rage virus escaped a laboratory and some groups have been able to live amongst the infected but when they leave the safety of their island they'll discover dark secrets

m3gan 2.0 - sequel

companion - after being invited to a weeekend trip at her new beau's lakeside estate, iris uncovers a terrible secret

they follow: sequel to it follows

frankenstein: guillermo's del toro's take on the original

the strangers: chapter 2 - sequel

the strangers: chapter 3 - end of a trilogy

scary movie: return to the horror spoof series

sinners - trying to leave their troubled lives behind, twin brothers return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back

untitled jordan peele film - plot tba

poohniverse: monsters assemble - a team of evil childhood cartoon characters i didn't know we needed but i guess we're getting one

vicious - a young woman must spent the night fighting for her existence as she slips down a disturbing rabbit hole contained inside a mysterious gift from a late-night visitor

blade - i mean i hope so but i'm not sure if we're actually getting it this year

the bride - in the 1930s, a lonely frankenstein travels to chicago to seek the aid of dr. euphronius in creating a companion for himself. they murder a young woman and the bride is born

scary stories to tell in the dark 2 - sequel

thanksgiving 2 - sequel

the auditors - nikki, grappling with post-job loss financial strain, inadvertently ignores the fine print of their MDPOPE purchase, and their descent into horror begins with the arrival of the auditors who subject them to torture

grind - a group of college students host a midnight grindhouse film festival. they discover a cursed arthouse horror movie called the creeping chaos. in screening the movie, they unleash absolute mayhem

you take can now - plot tba

scream 7 - plot tba

kraken - marine biologist johanne is doing research on a fish farm in vangshe, a rural community located by the fjord. when she encounters strange occurances along with two brutal deaths, she discovers that a mythical creature rests

the woman in the yard - a mysterious woman who repeatedly appears in a family's front yard, often giving chilling warnings, and leaving residents to question her identity, motive, and potential danger

i know what you did last summer - reboot of classic

fear street: prom queen - prom season at shadyside high is underway, but when an outsider is unexpectedly nominated to the court, and other girls start disappearing, the class of '88 is in for a hell of a prom night

until dawn - live action of the video game

let the evil go west - a railroad worker stumbles upon a fortune teller in distubring circumstances and horrifying visions drive him towards madness

the monkey - when twin brothers hal and bill discover their father's old monkey toy in the attic, a series of gruesome deaths start occurring around them

hell house llc: lineage - fifth installment

screamboat: a late night boat ride turns into a desperate fight for survival in new york city when a mouse becomes a monstrous reality (what the fuck)

body farm - the forester johann only wants to warn his ex-wife sophie of a forensic research facility, but when he gets to the site, fast-growing slime has infested the corpses of the dead and brings them to life

i know exactly how you die - when his slasher-fiction novel manifests in real life, rian burman has to finish his story without getting his protagonist killed

le fanu's carmilla - retelling of the book

devil's work - when a couple, traveling on their vacation, meet a desperate girl seeking for her missing sister, they encounter terror and up as hostages to a twisted family and their son

the seductress from hell - hollywood actress undergoes a horrific transformation after being pushed to the edge by her husband

hyde - modern take on the classic novella by robert louis stevenson

crawlers - in the year 2030, a zombie pandemic decimates the united states population. american surviors rush to mexico where a plateau is believed to be zombie free

the children of the woods - in january 1999, a group of five disappeared after they went into the woods of york, south carolina for a camping trip, their story is being told 25 years later (inspired by blair witch project)

the dreadful - in the backdrop of the war of roses, anne and her mother-in-law morwen who live in solidary, run into a man from their past

presence - a family moves into a suburban house and become convinced they're not alone

victorian psycho - winifred notty arrives at a remote gothic manor, and as she assimilates into life, staff members begin to disappear

heart eyes - when the heart eyes killer strikes seattle, a pair of co workers pulling overtime are mistaken for a couple by the couple-hunting killer. now they must spend their valetine's day running for their lives

peter pan's neverland nightmare - after her brother michael is abducted by "the boy who won't grow up," peter pan, wendy darling goes on a rescue mission

[silver-tangent]

You know… the bait and switch of Scott Pilgrim takes off was needed.

Scott Pilgrim was meant to be a subversion of tropes, and it got picked up by a bunch of nice guys, myself included at one point, who turned it into their anthem.

The original comic was about Everyman Scott Pilgrim having to win a woman by fighting her evil exes, and on the surface that’s what it was. Between the fanbase and the movie, that’s as shallow as anyone goes…

Except that Scott didn’t win her by defeating her evil exes. Scott was troubled and problematic. In the end he wasn’t abusive but he was neglectful and took Ramona for granted to the point that her abusive and manipulative ex managed to convince her to go back to him… mostly out of fear of what would happen to dumb, hapless, Scott.

Scott was an exceptional fighter in his videogame world… he beat like… one of the seven. The rest of the time he was saved by complete dumb luck, by his friends, and by Ramona.

The entire point was slowly realizing how silly the situation was, and how he wasn’t a white knight… he was set up to be a white knight only to knock that idea down and have Ramona and friends help him.

They learned, they grew, they were both toxic and broken people for different reasons, Scott through ignorance and a lack of experience and Ramona through trauma and abusive relationships…

And in the comic… they don’t exactly break up but she ghosts him. Horribly… and he ends up fighting Gideon anyway, and rescuing her… by gaining the Power of Understanding. That’s right, not self-respect. Understanding…

And the last page they decide to try again, but we don’t know what that means… everyone moves on to a better place in their lives, a lot of them move on from Scott and Ramona romantically… and Scott and Ramona get to just… see where this goes…

and that’s a sweet note to end on. Two people who didn’t know how to be healthy partners growing up, and timidly trying it all over, with no confirmation of how it works.

Movie? Movie came out before book 6, audiences didn’t like the ending where Scott chases after Ramona (differently from the books like he literally chases after her) so Scott earns the power of self respect, and gets back with Knives…

And intended or not, it just sets up this idea that Ramona was the bad guy. Ramona, the abuse victim, was friend-zoning Scott; the nice guy…

And for a decade, the fandom has kinda devolved into that mentality; Scott Pilgrim is the savior of the nice guys. Ramona is the unobtainable girl. Knives is the victim…

O’Malley’s original point, that relationships are hard and trauma is hard, and nobody can do it alone… lost.

To the point that we are so deep in this nice guy culture that making a sequel disguised as a reboot (will not spoil more) was necessary. He had to make the point more obvious, that the story was always about Ramona working through her relationship trauma… Scott was the house husband. He was always meant to be.

Everyone I see complaining about the twist… does not get the point of the comics… and I’ve been bitching about the movie for more than a decade so I’m sorry… it’s not a *bad* movie… but it’s clear most of the fanbase only watched the movie. And it’s clear most of the people complaining are Gideon in denial… no… Future Scott in denial… which is in fact the point.

[tamamoarts]

Ever since watching Randomalistic's 2 hour analysis on Wreck It Ralph and Turbo, I've since fallen in love with the movie, and the horrid grey goblin all over again. So I present to you, a Wreck It Ralph OC I spat out in like a day. Circuit! He's a brand new Turbo from a remastered version of his game and everyone side-eyes him for obvious reasons (he's literally just hanging out)

More detailed story idea under the cut!!!

About a year after Turbo's final defeat and the liberation of Sugar Rush, the arcade gets a brand new addition to the family: and a chillingly familiar one at that! The rights to TurboTime was bought by a more modern company, which results in a reboot of the franchise: SUPER TURBO CIRCUIT! Featuring a reworked version of Turbo and a few other characters to play as! This Turbo is a brand new person, and has absolutely no clue about the horrible tale behind his own name in the arcade. So obviously, you can imagine his surprise when everyone gasps in horror upon seeing him in the metro station. Despite his namesake, he's actually a pretty decent guy- I mean, at least better than the OLD Turbo was. Like, besides his base personality of being cocky and competitive of course. [Like, he'd never think of torturing a kid for 15 years.] He manages to at least get most others to TOLERATE his presence, but the stigma around him haunts his mind like a GHOST. It actually chips away at him really bad, so he starts going by Circuit instead of Turbo to help differentiate himself. Things play out pretty well... until ONE dark night in the arcade, there's a large spark in the wires near the metro... and something enters Super Turbo Circuit. Ever since then, STC's machine has been acting... strangely. And Circuit hasn't been feeling like himself. But surely, those yellow eyes he has now MUST be a mere graphical glitch.

TLDR: the Turbo is haunted

[cei1ne]

—What the Bakusquad does for you on Valentine’s day, aka the most romantic holiday!

:..｡o○Summary: Heacanons and Scenarios about Bakusquad members and what they do for you on Valentine’s Day and how they act

:♡.•♬✧⁽⁽ଘPairing: Bakugou Katsuki ; Kirishima Eijirou ; Denki Kaminari ; Sero Hanta

✧༺༻✧Tags: Fluff ; Cute ; Dating ; In love ; Tsundere ; Loving ; Acts of Service; Words of affirmation; Giving gifts

·˚ ༘₊· ͟͟͞͞꒰➳Wordcount: 11k

⡈⡠*✩A/N: Happy late Valentine’s guys! I was super sick the past few days so this is a little sloppy but I hope you guys will still enjoy it! Love you and hope you enjoyed the holiday! And btw I am half-asleep so I’m sorry if it’s sloppy again, I tried my best. Don’t be afraid to give your opinions in the chat I want feedback xx!

Part 2!

«───── « ⋅ʚ♡ɞ⋅ » ─────»

—Headcanons of how the Bakusquad members would act on Valentine’s Day!

Bakugou Katsuki

1. Lowkey but Thoughtful: He acts like he doesn’t care about Valentine’s Day but secretly puts in effort. His gift isn’t flashy—it’s something deeply personal that proves he pays attention to you.

2. Homemade Meal: He refuses to deal with crowded restaurants, so he cooks you an insane homemade dinner instead (and it’s amazing).

3. Actions Over Words: He’s still terrible at expressing feelings, but his actions scream love. He’ll pull you close while watching a movie, hold your hand tightly when walking, or brush hair from your face when you’re not paying attention.

4. Jealousy Shows: If someone flirts with you, expect him to glare daggers and throw an arm around you, making it very clear who you belong to.

5. Soft Moment Before Bed: When the day is over, he lets his guard down just a bit, murmuring something gruff but affectionate like, “Tch… had a good time, I guess. Don’t get used to it, idiot.”

Kirishima Eijiro

1. Big Romantic Gesture: He’s the type to go all out—roses, a big date plan, maybe even fireworks if he can pull it off. He wants to make you feel special.

2. Handmade Gift: He’s great with his hands, so he’ll craft something for you—maybe a custom bracelet, a carved wooden keepsake, or a cute love note hidden in a heart-shaped rock.

3. Adventurous Date: He doesn’t want to do the typical dinner thing—he might take you rock climbing, ice skating, or even on a surprise trip to the beach just to be different.

4. Physical Affection Overload: Expect him to be extra cuddly, with bear hugs, forehead kisses, and randomly lifting you off the ground.

5. Endless Compliments: He can’t stop telling you how amazing you look and how lucky he is to have you—he genuinely means every word.

Denki Kaminari

1. Goofy but Sweet Gift: He tries to find the coolest or funniest Valentine’s gift—maybe matching heart-shaped sunglasses, a mixtape of love songs (including meme songs), or a plushie that says something ridiculous when squeezed.

2. Surprise Flash Mob (or Attempted One): He definitely tries to put on some grand, embarrassing performance, whether it’s a public serenade or a TikTok-worthy dance.

3. Gets Super Nervous: He’s confident until the actual date starts, then suddenly starts panicking about whether you’re enjoying yourself.

4. Accidentally Short-Circuits: If you kiss him or say something super sweet, there’s a good chance his brain fries for a second. You might have to reboot him.

5. Late-Night Stargazing: After all the chaos, he genuinely enjoys a peaceful moment just lying down together, looking at the stars, and talking about random things.

Sero Hanta

1. Laid-Back But Sweet: He’s not the type to go overboard, but he does make sure you feel special—whether it’s with a handwritten letter, your favorite snacks, or a playlist of songs that remind him of you.

2. Unique Date Idea: He avoids cliché fancy dinners. Instead, he might take you to a drive-in movie, set up a rooftop picnic, or go roller skating together.

3. Jokes to Hide Nervousness: He’ll make dumb jokes the entire time to cover up how much he actually wants the date to be perfect.

4. Cuddles Over Everything: He loves just being close to you—whether it’s throwing an arm around your shoulders, resting his head on yours, or pulling you into a cozy blanket fort.

5. Cute but Teasing: He’ll absolutely playfully tease you all day—“Whoa, you’re really into me, huh?”—but the second you tease him back, he gets all flustered.

«───── « ⋅ʚ♡ɞ⋅ » ─────»

—Scenarios of how they would plan out the Valentine’s Day!

_________________________________

Bakugou Katsuki

Valentine’s Day wasn’t really Bakugou’s thing.

He hated the commercial nonsense, the heart-shaped decorations everywhere, and the way couples acted extra just because it was February 14th. The idea of being forced to be romantic just because of a stupid holiday pissed him off.

But… then there was you.

And somehow, you made all that crap seem a little less annoying. Period were the best

Which was why, despite all his complaining, he found himself standing in the kitchen, sleeves rolled up, a deep scowl on his face as he meticulously chopped vegetables for a homemade dinner.

He could’ve easily taken you to a restaurant—hell, he had the money to rent out the nicest one in town if he really wanted to. But that wasn’t his style. Too many people, too much noise, and the last thing he needed was a bunch of extras gawking at him while he was trying to have a date.

No, he wanted tonight to be personal. Just the two of you.

The smell of seared meat filled the air as he worked, his movements sharp and precise. He was making your favorite dish—not that he’d ever admit he remembered the exact way you liked it. But he did. Of course, he did.

As he flipped something sizzling in the pan, he glanced at the clock. You’d be here soon.

His heart did a weird little thump.

He ignored it.

_________________________________

When you arrived, you were met with the surprising sight of Bakugou—apron on, standing in the middle of a very put-together candlelit dinner. The table was set, the food smelled amazing, and if you didn’t know him better, you’d think he’d actually been excited to do this.

“Wow,” you breathed, looking around. “Did you—?”

“Yeah, yeah, don’t make a big deal out of it,” he grumbled, rubbing the back of his neck. “It’s just dinner. Sit down before it gets cold, dumbass.” We all know damn well—

You smiled, sitting across from him. The first bite was heaven. “Katsuki… this is amazing.”

He scoffed, but you didn’t miss the way his ears turned pink. “’Course it is. What, you think I’d cook you some half-assed shit?”

Dinner went on like that—him pretending not to care while absolutely caring. He made sure your glass was always full, that you had enough food, that you weren’t too cold. It was subtle, but every action screamed I love you louder than any cheesy Valentine’s card ever could.

Then, of course, came the small mishap.

You reached across the table to grab something, and your sleeve brushed a candle. Within seconds—

“Shit!” Bakugou was up in an instant, grabbing your wrist and patting out the tiny flame before it could do anything. His hands, warm and calloused, lingered just a second longer than necessary.

“You good?” he asked, his red eyes scanning yours, full of concern he wouldn’t dare voice.

You nodded, biting back a smile. “Guess dinner really was fire.”

He groaned. “I swear to god—” I can see the grey hair coming early

_________________________________

After dinner, you both ended up on the couch, watching a movie—not that either of you was paying much attention. Your head rested against his shoulder, his arm draped lazily around you, fingers absentmindedly tracing patterns on your arm.

Then, without a word, he reached into his pocket and pulled something out, shoving it into your hands.

A small box.

You blinked. “What’s this?”

“Just open it, idiot.”

Inside was a delicate, simple bracelet. It wasn’t flashy, but it was you—elegant yet strong, the kind of thing you could wear every day. And on the inside, barely noticeable, was a tiny engraving.

Dumbass.

You laughed, eyes watering. “Did you… engrave an insult on my Valentine’s gift?”

His face was burning. “Tch. Just thought it’d remind you who you belong to.”

You turned to him, eyes soft. “Katsuki…”

His jaw clenched, like he was physically holding back the words he wanted to say. But then, finally, in a voice so quiet you almost missed it, he muttered—

“Yeah, yeah. You know I love you, right?”

You grinned, leaning up to kiss his cheek. “I know.”

His grip on you tightened. “Good. ’Cause I ain’t ever letting you forget it.” MY SHAYLASSS

Kirishima Eijirou

Kirishima went all out for Valentine’s Day.

None of that “lowkey” nonsense YEAH BAKUGOU—he wanted today to be special. For you.

Which was why you were currently blindfolded, his hands gently guiding you forward. “Almost there, babe,” he said, voice full of excitement.

You laughed. “Eiji, if I trip and die, I’m haunting you forever.”

“Not happening! I’d totally catch you before that!”

Finally, he stopped, hands resting on your shoulders. “Alright, ready?”

You nodded, and he removed the blindfold.

Your breath caught.

In front of you was a beautiful setup—soft blankets, pillows, and fairy lights twinkling under the night sky. A picnic spread was laid out, complete with your favorite foods. The best part? You were on a rooftop, away from the crowds, just the two of you.

“Happy Valentine’s Day, babe!” Kirishima beamed. “I wanted to do something different.”

Your heart swelled. “Eiji, this is amazing! I’m overjoyed! You’re the best!”

_________________________________

As you two settled into the blanket fort, the stars above providing a soft glow, Kirishima could hardly keep his excitement in check. “Wait, I’ve got one more thing for you!”

He disappeared for a moment and then came back with a small, carefully wrapped box. His face was red as he handed it to you. “Open it,” he said, voice trembling a little.

You hesitated only a moment before ripping off the wrapping paper. Inside was a custom-made bracelet—a piece of raw, polished stone, shining under the dim light. It was rugged and strong, much like him, but also delicate in its own way.

“I thought you might like something that’s… you know, us,” he said, his voice rough but full of tenderness. “I wanted to give you something that represents how I feel about you.”

You held it up to the light, the stone glinting in the soft glow of the fairy lights. “Eiji… I love it.”

A grin spread across his face. “It’s not much, but it’s a promise.”

“A promise?” you asked, looking up at him curiously.

“Yeah. A promise that I’m always gonna be here for you, no matter what.” His voice was steady, but his eyes were full of sincerity.

You took his hand, gently pulling him into a soft kiss. “You’re everything to me, Eiji.”

He smiled, leaning his forehead against yours. “And you’re everything to me, babe. Let’s make this day one to remember.”

_________________________________

As the night deepened, you and Kirishima stayed on the rooftop, watching the stars slowly appear in the sky. The city around you buzzed with life, but up here, it was just the two of you, away from everything else. For a brief moment, it was like the world outside didn’t exist.

Kirishima had an arm around you as you leaned against his shoulder, listening to the sounds of the night. It was peaceful, comforting. His presence alone made everything feel right.

“I can’t believe you did all this,” you said quietly, tracing the silver necklace around your neck. “I’ve never had a Valentine’s Day like this before.”

He chuckled softly, his hand resting on the small of your back. “I don’t do things by halves. You’re worth it.”

You smiled up at him, your eyes full of love. “You’re more than enough, Eiji.”

There was a pause, and for a moment, neither of you spoke. It was like the world was holding its breath, waiting for something. And then, softly, Kirishima said, “I love you.”

You nodded, a gentle tear slipping from your eye. “I love you too, Eiji.”

The night stretched on, the two of you in your own little world, no need for words. You felt like you could stay there forever, wrapped in his warmth, knowing that no matter what, you would always have each other.

And with that, you both made a silent promise to keep this love strong, just like the stone that lay around your neck—the symbol of a bond that would never break.

Denki Kaminari

Denki had never been good with romantic holidays. It wasn’t that he didn’t want to do something special for you—it was just that he had absolutely no idea how to pull it off.

He tried to plan the perfect Valentine’s Day, but everything kept going wrong. He bought chocolates… but they were melting. He got you a bouquet of flowers… but the store sold him the wilting ones.

It was a disaster.

He sat at his desk, surrounded by half-eaten chocolates and dead flowers, a full-on panic attack settling in. What if he messed this up? What if you didn’t like anything he did?

Before he could spiral too much, his phone buzzed.

“Denki, you okay? What’s going on?”

It was from you. You could tell he was freaking out, and that made his heart soften just a little. He hated that you could read him so easily, but also, it made him feel closer to you.

He quickly typed back, “I’m fine. Just trying to make today perfect for you, that’s all.”

A few minutes later, he received another text from you. “You’re already perfect to me. Don’t stress, okay? Let’s just have fun tonight.”

Denki stared at the message, his heart doing a little flip. How could you be so calm when he felt like he was about to short-circuit?

_________________________________

When you arrived at his apartment, you were greeted with an explosion of color—streamers, balloons, and lights everywhere. The room looked like it was in the middle of a party, and Denki, dressed in his most ridiculous, sparkly “Valentine’s Day” shirt, greeted you with the biggest, goofiest grin you’d ever seen.

“Ta-da!” he shouted, throwing his arms up dramatically.

You couldn’t help but laugh. “Kaminari, what… is this?”

“I wanted to do something fun! A Valentine’s Day party for two!” he said, holding up two tiny glasses of… something that looked suspiciously like pink lemonade with glitter.

You took the glass, smirking. “You’ve been a busy guy, huh?”

“Only the best for my best girl!” he said, striking an exaggerated pose.

After a bit of awkward dancing, Denki tried to serenade you with a cheesy love song. It wasn’t the best rendition, and at one point, he forgot the lyrics and had to ad-lib, but it made you laugh so hard you nearly cried.

But there was something real in the way he looked at you, his eyes softening when he held out his hand for you to dance.

“Okay, maybe I’m not the best singer,” he admitted, pulling you close. “But I want you to know that I’m serious about us. I know I can be a bit of a mess, but I care about you so much.”

You smiled, letting him pull you into a slow dance, your bodies moving in sync as you rested your head against his chest. “You’re perfect, Denki. I love you.”

He froze for a moment, his heart stopping in shock. Then, with a goofy grin, he spun you around. “I love you, too!”

_________________________________

The night had settled into a comfortable rhythm. The arcade date, the neon-lit laughter, and the chaos of Denki’s very extra Valentine’s Day surprise had left your cheeks sore from smiling. Now, the two of you sat side by side on the floor of your apartment, a mess of candy wrappers, discarded game tickets, and plushies from the arcade scattered around you.

Denki stretched his arms over his head, letting out a dramatic sigh. “Man, I think I really outdid myself this year. I mean, come on, best Valentine’s Day ever, right?”

You raised an eyebrow, smirking. “Confident, are we?”

He grinned, wiggling his fingers playfully. “Babe, you literally have proof of my greatness. Look at all these prizes I won you.” He gestured at the pile of plushies he had proudly collected throughout the night. “That’s love in stuffed animal form.”

You laughed, picking up one of the plushies—a tiny Pikachu that he had fought to win from the claw machine. “I’ll admit, I was impressed by this one. But the real highlight of the night was watching you almost get kicked out for trying to ‘hack’ the basketball game with your Quirk.”

Denki pouted. “Hey, listen. That machine was rigged. I was just leveling the playing field.”

“Uh-huh. Tell that to the manager who threatened to ban you.”

He scoffed. “Joke’s on him—I’ll just wear sunglasses and come back in disguise.”

You shook your head, leaning against him. “You’re such an idiot.”

Denki’s arm snaked around your shoulders, pulling you closer. “Yeah, but I’m your idiot.”

You smiled, tilting your head up to look at him. “That’s true. And I wouldn’t trade you for the world.”

For once, Denki didn’t have a joke ready. His usual cocky smirk softened, and he just stared at you for a long moment, his golden eyes warm and full of something deeper than his usual playful charm.

“You know, I’m not always the best with words,” he started, his voice quieter now. “I joke around a lot, and I know sometimes people think I don’t take things seriously. But I do take this seriously. Us.” We love a serious and romantic man

Your heart skipped a beat as he reached into his jacket pocket and pulled out something small—a delicate, silver ring, thin and simple, with a tiny lightning bolt engraved on the inside.

Your breath caught in your throat. “Kaminari…”

He rubbed the back of his neck, looking almost nervous for the first time that night. “It’s not, like, an engagement ring or anything—I mean, unless you want it to be someday, then heck yeah—but right now, it’s just a promise. A promise that no matter how stupid I act, no matter how many dumb jokes I make, I’m always gonna be here. For you.”

You stared at the ring, your heart swelling with so much love you thought it might burst. Slowly, you took it from his hands, slipping it onto your finger. It fit perfectly.

“You’re such a dork,” you whispered, your eyes glistening.

He grinned. “Yeah, but I’m a dork who loves you.”

You launched yourself at him, wrapping your arms around his neck and pulling him into a deep, lingering kiss. He melted into you instantly, his hands coming up to cradle your face, his touch warm and electrifying all at once.

When you finally pulled away, you rested your forehead against his. “I love you too, Denki. More than words.”

He beamed, his cheeks flushed. “Well, that’s good. Because I plan on making every single Valentine’s Day better than the last. So, y’know. You’re stuck with me.”

You laced your fingers with his, glancing down at the small silver ring that now rested on your hand. “I think I can live with that.”

And as the night stretched on, filled with laughter, soft kisses, and the comfortable warmth of being wrapped in each other’s arms, you knew one thing for certain—Denki Kaminari would never stop lighting up your life, and you wouldn’t have it any other way.

Sero Hanta

When you walked into his apartment, you were met with a comfy, casual setting—candles, soft music, and a cozy homemade dinner laid out on the coffee table which was burnt. There was no extravagant setup, just a simple moment between the two of you.

“Hey, babe,” Sero greeted you with his trademark grin, his arms opening wide. “You ready for a chill night?”

You raised an eyebrow, smirking. “Chill night? I don’t know… I was expecting a little more flair from you.”

Sero just shrugged, leaning against the back of the couch. “Hey, I didn’t want to overdo it. I figured we could just hang out, eat, and relax. You down for that?”

You smiled, immediately feeling comfortable. “Sounds perfect.”

_________________________________

After dinner, you sat together on the couch, enjoying the quiet. Sero was doing that thing where he would gently pull you closer, his hand resting on your thigh as he smiled lazily at you. He loved moments like this—easy, laid-back, where you could just enjoy each other’s company.

Then, he suddenly reached into his bag, pulling out a small box. “I got you something,” he said casually, handing it to you.

Inside the box was a delicate necklace, simple but beautiful. It was silver with a small heart-shaped charm that had your initials engraved on it.

“You know, I thought about getting you something big, flashy, like flowers or chocolates,” Sero began, a nervous smile tugging at his lips. “But I figured… I wanted to give you something you could keep with you. Something that would remind you of me.”

You felt a warmth in your chest. “Hanta… it’s perfect. I love it.”

His grin widened. “Good, ‘cause it’s a reminder that I’m always thinking about you.”

You leaned forward, giving him a soft kiss.

He teased, pulling you closer for another kiss.

_________________________________

The soft glow of the streetlights outside your window painted long shadows across the walls of your apartment. The warmth of Sero’s laughter still lingered in the air, wrapping around you like a comforting embrace. After the incredible night he had planned—you found yourselves curled up on the couch, tangled in each other’s arms under a thick, cozy blanket.

“You know,” you murmured, resting your head against his chest, “I think this might be my favorite Valentine’s Day ever.”

Sero chuckled, his fingers absentmindedly tracing small circles on your back. “Oh yeah? Even with the burnt cookies and the—what was it? Oh, right—highly questionable pasta?”

You playfully nudged him. “I don’t care about the food. I care about this—being with you.”

His teasing smirk softened, and he gently tipped your chin up so that your eyes met his. “Good. ‘Cause that’s all I wanted today to be about. Just us.” AWWWW

There was something unspoken in his gaze, something deeper than just his usual lighthearted charm. For all of Sero’s jokes and laid-back attitude, you knew how much he truly cared. He showed it in the small things—how he always made sure you laughed on bad days, how he remembered the little details about you that no one else did, how he made even the most ordinary moments feel like an adventure.

And right now, he was looking at you like you were his entire world.

You swallowed, your heart swelling. “You’re amazing, Hanta. You know that?”

A slow, lopsided grin spread across his face. “Oh, I definitely know that.”

You rolled your eyes. “Ugh, why do I even bother?”

“Because you love me,” he teased, shifting so that he was lying on top of you, pinning you under his weight. He grinned down at you, his dark eyes twinkling with mischief. “And admit it—you love my stupid jokes.”

You huffed dramatically, pretending to consider it. “Mmm… debatable.”

Sero gasped, clutching his chest as if you had stabbed him. “Wow. After everything I’ve done for you tonight? The rooftop movie? The candlelit disaster dinner? This is how you repay me?”

You laughed, wrapping your arms around his neck and pulling him down closer. “Fine, fine. I love you, and I love your stupid jokes.”

His expression softened at the sincerity in your voice. He leaned down, pressing a slow, lingering kiss to your lips. “Good,” he murmured, his forehead resting against yours. “Because I love you too. And I plan on making every Valentine’s Day just as chaotic and ridiculous as this one.”

You grinned. “That’s a promise, right?”

“Cross my heart,” he whispered.

And as you lay there, wrapped in each other’s warmth, the world outside faded away. Nothing else mattered—not the burnt food, not the cheesy rom-coms, not even the chaos of the day.

All that mattered was that, for the rest of your lives, you’d always have each other.

And maybe, just maybe, you wouldn’t mind being tangled in his love forever.

[izzythehutt]

Most complaints about the storytelling decisions regarding the teens in Cobra Kai boil down to not understanding that the younger characters are all supporting their adult counterparts, acting as a foil to or echoing some theme from the original films through their relationships with their OG franchise counterparts. Do they have arcs of their own? Of course. But at the end of the day, Miguel, Robby, Sam and Tory's storylines will all be written to give maximum dramatic payoff for Johnny, Daniel and (to a lesser extent) Kreese's character arcs, because they were the original characters the entire show was built around.

This is why "who deserves to win the final tournament fight?" is so pointless. Ask yourself not whether Robby or Miguel is a "better fighter" who "deserves to win", but how their stories will best serve Johnny's, because I guarantee that's why they made the writing choices they did.

Miguel is an obvious 21st century version of Daniel (to Johnny's Miyagi), with a classic coming of age and underdog sports movie arc. Johnny's vocation in life (a fact frequently repeated by the show itself) is to teach martial arts, and Miguel is his principle protege. Miguel's "big win" being a tournament fight makes sense, as karate itself is a totem for his relationship with Johnny. Robby, meanwhile, functions far more as a parallel to Johnny himself, and his arc has been (thematically) about not becoming the worst version of the man his father became. Since the entire show is built around the idea that Johnny's toxic mentor derailed his sense of self-worth/adult life by physically attacking him after he lost a tournament, Robby losing the final fight and realizing that's okay is not mean or proof that the writers hate him, but in fact...an obvious choice for his character.

I can guarantee that Sam's final arc will be tied to her relationship with her father, and the strength and wisdom he's given her. Tory (through her relationship with Kreese) also functions as a kind of girl reboot Johnny, and one of her core functions on the show is to be proof of Kreese's spark of redeemability. I have no doubt she'll be used for that purpose before the end of the show.

[restinslices]

Can you please do making out headcanons with the earth realm men pls 🙏

I feel like this is shorter than usual but I am actually in agony😀. My insides? Doing the Cupid Shuffle. My head? Pounding. My eyes? Burning. So much so I’m not rereading this or looking for gifs. You’re getting silly little pictures of these lovable idiots😭. Also I’m broke. I’m finna start charging y’all $50 per word (joking. Not about my agony tho)

Johnny Cage

Johnny gives me the vibe that he loves making out 

I already feel like he loves physical touch, so kissing is definitely something he enjoys 

Idk why but he gives me waist grabber vibes 

I feel like making out would happen very often with this man. He's very cheeky and once again, loves physical touch. 

I could see him grabbing his partner and pulling them aside even when he absolutely should not. Like on set or something 

Johnny can't take shit seriously. Making out wouldn't change this about him. 

Mid make out session he'd mention some make out scene he had in a movie, then gets surprised it kills the mood 

The type to think of some funny shit and start laughing while his tongue is in their mouth. Enough is enough Cage

Also an ass grabber, even if you ain't got nothing back there. He's grabbing onto smth 

It's very easy to move to something further with him 

Calls you a tease if you don't have sex after 

Kenshi Takahashi 

I don't think making out is something often that happens with him, but it's not rare

Unlike Johnny, he initiates it at appropriate times 

Both a face and waist grabber 

If you're sitting, he's the type to pull you onto him 

Idk how his sight works. Idk if it's only when he's fighting or he can always see now, but there was a time when he couldn't see at all, so I think now he takes passes just to look at you. He can also be very touchy for that reason. it's like memorizing you 

If I said he was a lip biter will y'all cheer or boo me?

 There's no rush with him. He actually savors and enjoys the moment with you 

Whether or not it goes further doesn't bother him 

Doesn't enjoy sneaky sessions in public because that means he has way less time with you 

He's romantic but not as romantic as Liu Kang 

Kung Lao

Him and Johnny are some assholes so I feel like they'd do similar stuff 

They both like physical touch, they both grab onto you, they both tease 

Kung Lao may tease more though. You know his ego. Making someone squirm makes him feel better 

Let's his hands wander wherever 

If you have any sensitive spots, his hands are there immediately 

Smirks while kissing because he can feel your reaction. The new timeline did not change how cocky he is 

 Doesn't mind making out in public. His shame is very little

He pulls away sometimes just to see you pull him back in

Gets a kick out of how needy you are for him 

Teasing is such a big thing with him but you tease him and he has to be factory rebooted

I think he'd want it to go further but if you're like “nah” he's not gonna flip a table. He might whine a bit though 

Raiden

Doesn't happen often 

I know y'all want me to slut everyone out but I don't think he's a slut. I'M SORRY 

Him, Liu Kang and Kenshi are romantics to me

Majority of the time it'd probably be you initiating it 

Face grabber 

He'd stop multiple times to make sure you're comfortable doing this still 

Public making out is not happening with him. I'm sorry. He's just not comfortable. Try it and he's gonna pretend he heard a noise and walk away 

Idk why but I feel like either him or Liu Kang are the type to whisper how pretty you are so imma put it down for both of them 

Shorter make out sessions than the other guys 

His hands don't move around as much. He's content with keeping them in one place 

I just feel like he's really sweet and intimate. He's not in a rush, he's not grabbing at you and tryna hurry to sex, he's just taking his time and enjoying the feeling of you against him 

Does not care about having sex afterwards and if it doesn't happen, he doesn't complain 

Liu Kang

Happens every once in awhile 

A romantic through and through. Do y'all see how he treats Kitana?

He is a face grabber but majority of the time he rests his hands on your lower back 

Prefers to take things slower like Raiden. Can he even get old and die? I don't think so. There's legit no rush 

Like I said for Raiden, he whispers how pretty you are and how lucky he is to have you in between kisses 

I can see him doing some corny shit like spinning you around. This man has been lonely for so long. He's not worried about being a cornball

Like Raiden I know y'all want me to slut him out but I don't sense slut. I'm sorry! If anything, he's a romantic slut. He cares way more about romance than tooting it up, yk?

Only in private places or when you're alone. He's supposed to look professional around others 

Not concerned about having sex after at all

Johnny thinks of dumb shit and laughs but I think Liu Kang would smile and laugh just because you're near 

Just a nice soft man

I have another request that imma post tomorrow or the day after just to spread shit out. Also why did I just find out people ship Kenshi and Mileena- isn’t she a lesbian?

Anyway if you see any errors, no you do not. Now I’m finna go suffer while listening to a video in a dark room ‘cause looking at a screen is killing me slowly.

[jq37]

Who Is Allison Moore?: A Disney's Wish Mystery

OK, this is a little off the rails and random but this has been driving me crazy since I looked into it last night.

So, Disney's 100th Anniversary movie Wish is coming out soon and people have had a lot of hot takes about it so I wanted to do some digging. As part of that, I looked at the writers and two people have a "Screenplay by" credit: Jennifer Lee and Allison Moore.

Jennifer Lee, of course, wrote Frozen--their biggest princess hit in the modern era so that makes total sense to me. If you're coming out with a new princess movie for the big centennial of course you'd tap her. But I'd never heard of Allison, and when you look at her name on Wikipedia:

No blue link. So I headed to IMDB to check out her credits, figuring maybe she was some hot new talent recently promoted from within who did storyboards on some recent projects like Moana or something. But when I went to her IMDB page, this is what I found (after a brief mix-up with a Dexter's Lab actress):

Her Producer credits come up first and...huh. That's a lot of adult live action TV projects. Well, maybe her Writing credits are where this starts to make sense:

What? That can't be right, can it? The only vaguely Disney-esque thing on that credit list is Beauty and the Beast and, to be clear, that is a CW reboot of a 1987 procedural with the logline, "A beautiful detective falls in love with an ex-soldier who goes into hiding from the secret government organization that turned him into a mechanically charged beast." And she wrote two episodes on it.

And look at Disney's official page about Wish!

Everyone else on this page has credits that make sense--Frozen, Frozen 2, Raya, Encanto. And the two credits they list for Allison?

Night Sky and Manhunt.

Night Sky, an Amazon Prime show that she wrote one episode for and was cancelled after one season. And Manhunt--and show about hunting the UNABOMBER--that ran for two seasons and that she wrote two episodes for. Those are her two credits that they put up there next to Frozen and Encanto.

I have been scouring the internet trying to figure out who this woman is and how she got this job and I have come up *empty*. This is the big 100th anniversary movie! Why would they have one of the two screenplay writers be someone who seemingly has never done something like this before??? Like, I understand that not having done something before doesn't mean you can't do a good job, but it usually means you don't get the keys to the biggest most anticipated projects in the company's history!

They presumably could have gotten anyone they wanted for this and they picked this person and I have zero clue why and it's driving me crazy. If anyone has ANY information that could illuminate this at ALL--an interview, a social media post, gossip from your cousin who's a gofer at Disney--please let me know because I feel like I'm going full Pepe Silvia over this.

12/26 Edit: A SMALL UPDATE IS HERE!