"I'm so alone now."
Little Teddy bear so broken, so sad, Felix was the only person that cared
link to the post that is the twin of this one
ramblings under the cut
This one has a lot more room than the other, it was done on purpose. Alt. Cain's not Abel did break Teddy did it not? Teddy is confused, was the reveal nothing but the reminder that no one in his family truly loved him?
Unlike Felix, Teddy does not hold his brother, he only stares. Felix kept all of Teddy in the frame mostly, Teddy has Felix in a spot where you can see parts of his body, legs and arms are mostly cut out.
Applesoft is also removed in all sense, literally being Xed out, Felix's had Teddy's face obscured with the pin. So many opposites of the other drawing, Teddy smiling at Felix, Felix looking directly at the viewer(or perhaps, he is looking at someone we cannot see. Like a father) They are opposites, right? That's all I really wanted to get across with this drawing, them being the same and yet oh so different.
Does Teddy think during his ending, when he leaves school, that they both are just their father? Truly, they both are, his blood, his children, they keep their hands 'clean' just like him too.
Of course here, Felix isn't buried, Felix will always exist, the proper Huxley, the one their father wants. Teddy will protect him, dispose of him later, when Teddy can finally be alone, with the company burning behind him. But for now, let Felix be just like father, let him take the blame, Felix has the emotions, the behavior, the one perfect for when father needs. Teddy, well Teddy has the violence, it just takes a little push for that to happen, in that moment when it happens, Cain will be Abel.
God I want to draw these two be sweet and kind to each other now, but they're fun to break apart, just break them up like geodes or eggs. It's very fun to think of ways to make Teddy worse as a person while trying to keep up that sweet kid facade.
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So, despite some faults, I really enjoyed totk, and on its anniversary I want to say something about it. Other people have said similar things before but it’s really important to me and actually a big part of why the story of totk was meaningful to me, so I want to also say it:
Zelda needed to come back from draconification. The story needed that. It wasn’t lazy and just ignoring “consequences” because (imo) that was the *point*
The point is to feel like there are going to be terrible consequences and then say actually, no. You can come back from this, with the help of other people.
To me at least, that was the theme of the whole story.
If botw was about how the world goes on past loss and grief and starts to heal (how flowers grow in the ruins and the world can be beautiful again, be worth saving, even if it has changed)…then totk was about a more personal kind of healing.
The weight of the world should not be on your shoulders alone…you, alone, should not have to fix everything…you should not have to sacrifice yourself, but when you do, someone will be there to save you from it.
This turned into a really long ramble so:
You (Link) gained so much and now it’s gone. It feels like you’re back to where you started and yet you know you have to do it all again…you were weak and you failed and you’re weaker now…but
You go down to the surface. Monsters swarm across it once again. Other people are fighting them too though. You help, but it’s not just you…
You go to the Rito, the Gorons, the Zora, the Gerudo…just like with the divine beasts, there are friends who help you save each region. But this time, part of them comes along with you when you leave. It’s nice, you realize, the first time one of them protects you from a monster you weren’t prepared for. You’re still weaker than you were before, but someone has your back…
When you go up to the sky you see a strange new dragon there. There’s something about them that feels familiar. You try not to think about it.
You go down to the depths too. It’s terrifying at first. You hate it. You only want to get what you came for and get out of the dark….but slowly, the light grows. You get stronger. The dark feels like a challenge you can face (and someone has your back).
There are spirits down there. You don’t know when they’re from, but some part of you wonders…are these all the people you let die in the Calamity? (You help them find rest from their wandering. The weight on your shoulders feels a little less heavy).
There’s so much gloom. The first few times the sky turns red and hands chase you (a reminder of what you’ve lost, how you failed) you just run. Eventually though, you have to fight. It feels like the (second) worst day of your life again. But you manage to get free of the grasping gloom and stand and fight, as wild and desperate as it is. Beneath the manifestation of your worst fears, there’s another thing to fight, but this time it has a face (a voice in the back of your head says…you know this isn’t all on you and your failure…it’s really Ganon’s fault right?). You get through it.
At every turn in your travels, it seems like something reminds you of Zelda. Her passion, her curiosity, her kindness. You miss her.
At first, the tears you find reassure you. She may be in the past, but she’s safe. She’ll come back somehow…but then you hear the word draconification for the first time. You want to believe she wouldn’t do it but you know her and the fear sits cold inside you. (Zelda is a lot of things. She’s been allowed to be more of them, since she was freed from her hundred year battle, without her father holding her back. But deep down inside her, there’s a vein of self-sacrifice that still runs strong. It’s what saved the world before, after all).
She did it. She really did it. She’s gone from you (from Hyrule) forever, and it’s all your fault. If only you hadn’t failed so utterly in the battle (you can hardly even call it that) under the castle. If only you’d caught her. If only you hadn’t let the sword break. You should have protected her you should have been better it’s all your fault and now she has to live with the consequences, forever. Everything really is on you, you should have been better.
(Zelda POV: you couldn’t call upon Hylia’s power in time, you were too content to let it wither and fade away from you, ready to be free of it. You shouldn’t have. He got hurt, the sword got hurt, it’s your fault…Sonia and Rauru help you channel it again, Sonia helps you learn how to turn back time…but you don’t save her. She dies because you couldn’t save her. Rauru dies not long after. There is no one left to guide you, once again. You could spend years trying to figure it out on your own. But you did that last time. It didn’t work. Self-sacrifice, stepping in front of someone you love, that worked. (You do what you can, to call upon the sages, to help Link in the future, first). And then you swallow the stone. You’ve come a long way, in the past five years, allowing yourself to exist. But in the end, self-sacrifice worked last time. It’ll work this time too.)
You (Link) go down beneath the castle. You were supposed to bring the sages but you didn’t. It’s nice, for someone to have your back. But no one else should get hurt to fix your mistakes.
They follow you anyway. They fight with you, against the hordes, against the greatest enemies you defeated together, along the way. They’ll have your back, even if you don’t think you deserve it.
You fight Ganondorf, and then the demon king, in the hardest battle of your life. You think it’s over and then the demon king decides it’s better to lose himself completely than let you win. You’re exhausted and afraid of yet another battle, but up there in the sky, when you’re falling, the Light Dragon catches you (you wonder why she changed her path to catch you, you wonder if there’s still something of Zelda left in there to save). With her help, you win.
And then you’re in some other realm. The spirits of Sonia and Rauru are there. You remember how the two of them and Zelda channeled such incredible power together. You think about Recall. Turning something back to the memory of what it was before, like Sonia said. You stand with them and you allow yourself to hope. Maybe the Light Dragon can remember the form she took so long ago, the person that she was.
And then you’re falling, and Zelda is falling, but this time you catch her. You catch her. She’s back home with you, finally, finally.
And maybe, one mistake doesn’t have to be the end of the world. You don’t have to be perfect. Sometimes, someone else can stand with you, and it’ll all turn out alright. (You can put the weight of the world on your shoulders, you can sacrifice yourself, but someone will be there to catch you, someone will be there to pull you back to yourself, when all is said and done).
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I kind of hinted at it in previous posts but I’m kind of fascinated and very amused by how Peri is low-key a daddy’s boy in New Wish.
For those asking, the things that make me call Peri a daddy’s boy are 1. Cosmo being the more cuddly parents and taking the situation more seriously than Wanda when it comes to their son, 2. Peri taking a lot after Cosmo personality-wise, and 3. looking back Peri seems to have more patience towards Cosmo than he does Wanda, though I definitely think that last point is a bit of a stretch and not something the writers actually intended.
Giving examples for these three elements under the cut (1k words):
1. Cosmo being the more cuddly parent:
- In “Lost and Founder’s Day” he cries about missing his son
- in “Battle of the Dimmsonian” when reuniting with Peri he’s the first to speak and gushes about him
- Same in “Lost in Fairy World” with him taking pictures and being the first to gush about Peri, calling him his and Wanda’s baby boy later on too and also the small hug when talking about the tracking devices
- Again in “Operation Birthday Takeback” he throws himself at Peri at the beginning (granted I see this more as Wanda respecting her son’s boundaries) and then is more openly gushy when Peri agrees to give them a tour (and I still adore this moment, those three are so goddamn cute!!!)
- At the end of “Dig a Little Deeper” when Peri snaps back at Dev, Cosmo joins in to back up his son
- Cosmo spends the whole show hiding behind Wanda when scared and/or stressed out yet in “Best of Luck” he straight up starts a fight, all because Irep was insulting Peri; and while he does also stand up against Vicky in “Operation Birthday Takeback”, 1. He was doing so with Wanda, 2. Vicky was playing the nice act so they didn’t feel in immediate danger and 3. Cosmo brings up Timmy in this scene, Timmy being basically his adopted son so it’s still a show of his paternal instincts
- Oh yeah and at the end of “Best of Luck” Cosmo visibly hugs tighter, tho it’s worth noting Wanda is the one hugging tighter at the beginning of “Lost In Fairy World” (goes against my argument but I like being throughout)
- In “Battle of Big Wand” Wanda tends to Peri by standing next to him and rubbing his back while Cosmo straight up holds him in his arms. Also Cosmo does it for longer than Wanda. Also also when Wanda tries to talk Dev into helping them and starts insulting him a little, Cosmo catches it and calls her out through gritted teeth, taking the situation more seriously than her
2. Peri is a lot like Cosmo:
- The persona he puts on when trying to look professional has been compared by many to Cosmo’s personality in the “Oh Yeah” shorts. Also I stumbled across what’s apparently a tweet of one of the creators confirming that the voice actor took inspiration on either “Oh Yeah” shorts Cosmo or early seasons Cosmo for the voice
- I’ve also seen comments on a “everytime Peri talks” youtube compilation pointing out how his voice is a lot higher-pitched past his introduction scene, comparing it to Cosmo’s voice gradually getting higher-pitched as the og show went on
- Wasn’t sure where to put it but in “Battle of the Dimmsonian” Peri makes a comment about Cosmo having the heebie-jeebies, showing his dad easily comes to his mind (at least when he knows he’s around)
- In “Battle of the Dimmsonian” the potato wish suggestion; like between the body language and things Peri says, this is pure Cosmo right here (and for some reason I find it very funny)
- In a similar but opposite way, at the end of “Lost in Fairy World” when the fairies hug their kids, Cosmo’s nervous comment about the kids being alive is similar to how Peri acts when stressed out
- There’s a few moments of Peri having a similar expression to Cosmo, those being them eating candies at the beginning of “Lost in Fairy World”, while Wanda is talking after teleporting to Jorgen’s office in that same episode, still in that episode them hugging the godkids at the end, the beginning of “Operation Birthday Takeback” right as Peri escapes Cosmo’s hug, and them waiting for Wanda for a hug at the end of the finale. Granted in “Operation Birthday Takeback” Wanda and Peri have a similar expression when the “computer” lights up after Cosmo danced on it (right before Cosmo hides behind Wanda)
- Peri’s a bit of a cowards, constantly cowering whenever Dev raises his voice (which kills me everytime bc Peri wtf?! You’re a magical godlike creature! Why are you scared of that ten years old child?! And why being so visibly intimidated at the slightest raise of voice?! Who hurt you?!) and as said before Cosmo has a tendency to hide behind Wanda, so yeah he gets it from his dad; and no I’m not including his reaction to Vicky as proof of being scared easily bc there was clearly some trauma here that caused his reaction
- Because I like being throughout, it is worth noting Peri took his mom’s braincells (literally in this show) and flair for the dramatic; but for the most part other than that he seems to take after Cosmo
Also if you imagine that Blonda and Big Daddy changed their names (bc from my understanding Blonda wasn’t always blonde and there’s no way someone named their kid “Big Daddy”) he also took the tendency to get a new name from Wanda’s side of the family
3. Peri is more patient with Cosmo:
Now this one I’m incredibly unsure about as it could just be coincidences but yeah you have some moments in which Peri seems more annoyed with Wanda than Cosmo. For example at the beginning of “Lost in Fairy World”, he tries to escape the camera and looks annoyed when Cosmo gushes about him but doesn’t outright says anything. But when Wanda does the same, he pushes her away and audibly calls her out.
Likewise later on when his parents interrupt him, Peri has a sarcastic laugh with Cosmo but looks more angry with Wanda. Then there’s also “Operation Birthday Takeback” with him trying to escape Cosmo’s hug at the beginning but again not vocally expressing his annoyance, but later on when Wanda makes a cringy comment to the godkids (the “welcome to your dad’s spooky lair”) Peri whines about it.
Now again, those are like three small examples and I don’t think it actually means anything, but since I’m talking about Peri potentially being closer to his dad might as well point this out.
And when I say it doesn’t mean anything, an example from “Lost in Fairy World” I didn’t mention is when Cosmo and Wanda tell Dev he can’t go to Fairy World. Peri doesn’t say anything when Cosmo talks but interrupts when Wanda does. But in that case, I think Peri would have done the same thing to Cosmo had Wanda been the first to talk, it’s more of a coincidence that Wanda was the second to talk here and as a result the one Peri shut down. Hell you could say the same thing about the later scene of them interrupting him, maybe he seems angrier at Wanda because it’s the second time he gets interrupted. So yeah, don’t take that part too seriously.
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