#adaptation polls

[adaptations-polls]

Which version of this do you prefer?

[queeringclassiclit]

Which adaptation of Sherlock Holmes is the most queer?

*not including House M.D. because it's not really an adaptation, or any overtly queer pastiches like My Dearest Holmes or The Adventure of the Furtive Festivity because that's not really a fair contest

[mylittleredgirl]

how did you get your tv growing up? (if you had multiple houses or technologies, pick the one you most identify with your formative childhood tv experience)

op's formative tv experience was in a rural area with rabbit ears in the 90s, but before 18 i lived in a place with every one of these except satellite. rotary antenna is its own category because i will never forget the day when a friend's family put one in. the sheer power of turning that knob and seeing a wholeass giant roof antenna turning around and then you can pick up the x-files?? fucking religious experience.

[princesssarisa]

Pride and Prejudice adaptations with a modern setting – e.g. The Lizzie Bennet Diaries, Bride and Prejudice, Pride and Prejudice: A Latter-Day Comedy, Fire Island – seem to almost always save Lydia from Wickham in the end. Either Darcy stops the elopement, or the elopement is replaced with an online sex tape which is taken down. Wickham is either arrested or at least left behind permanently, and Lydia learns a lesson and gets a happy ending. Neither she nor the other characters have to live with her mistake for the rest of their lives the way they do in the original.

I've just been rereading several people's posts on this subject, and about Lydia's portrayal in general, which show some very different opinions about it all.

Of course, part of the issue is that in a modern setting, it's much easier to save Lydia. In most of the modern Western world, a teenage girl running off with a 30-year-old man would result in the man being arrested, not in their needing to get married to save both the girl's reputation and her whole family's. And even if they did get married, divorce is an option.

But I suspect the bigger issue is that Austen's original ending is considered cruel, unfair, and a product of outdated morals.

People view Austen as punishing Lydia for being a "bad girl" by leaving her trapped in a loveless marriage to a worthless man and always living on the edge of poverty, when by modern standards, she's guilty only of teenage foolishness. They accuse Austen of "making an example" of Lydia to teach young female readers how to behave, in contrast to the virtuous, well-behaved Elizabeth and Jane with their happy endings, and they call it anti-feminist.

Not only is Lydia's marriage bleak for her, it slightly mars Elizabeth and Darcy's happy ending too, as well as Jane and Bingley's. It means Wickham will always be a part of their lives, and for Lydia's sake, they're forced to treat him as a family member. Darcy is forced to financially assist his worst enemy – though at least he draws the line by not letting Wickham visit Pemberley – and even Jane and Bingley's patience is worn thin by the long periods of time Wickham and Lydia stay with them.

By modern standards of romantic comedy, this isn't normal. The heroine, the hero, and all their family and friends are expected to live entirely "happily ever after," while the antagonist – especially if he's a womanizer who preys on teenage girls – is expected to be punished, then never heard from again.

But of course, Austen didn't write simple romantic comedy. Her work was social commentary. Lydia's ending arguably isn't a punishment, but simply the only way her story could end without disgracing her or killing her off, and it arguably it serves less to condemn Lydia herself than to condemn the society that lets men like Wickham get away with preying on naïve young girls and forces their victims to marry them or else be disgraced forever. It also condemns the type of bad parenting that leads to Lydia's mistake. Lydia is the product of her upbringing, after all: between Mrs. Bennet's spoiling and Mr. Bennet's neglect, she's never had any decent parental guidance or protection. And our heroines, Elizabeth and Jane, both pity their sister and regret that marriage to Wickham is the only way to save her honor. No sympathetic character ever says she deserves it.

The fact that Lydia is trapped in a bad marriage, and that Wickham does go unpunished and the other characters will always have to tolerate him and even cater to him for Lydia's sake, arguably drives home Austen's social criticism. The fact that it adds bittersweetness to the otherwise blissfully happy ending is arguably part of the point. If we change it just to create a happier ending, or in the name of "feminism" and "justice for Lydia," doesn't that dilute the message?

Then there's the fact that by the standards of Austen's era, Lydia's ending is remarkably happy. She doesn't die, or end up abandoned and forced into sex work or a life of seclusion. Nor, despite Mr. Collins' recommendation, does her family cut ties with her: the ending reveals that Jane and Elizabeth regularly welcome her into their homes, and Elizabeth "frequently" sends her money. Other authors would have punished her much more severely.

But of course, that was a different time. While in Austen's original context, Lydia's fate might seem fairly happy and lenient, by modern standards it seems more cruel. And since most of the modern retellings that change her fate are screen adaptations, not books, maybe the difference in art form further justifies the change. I'm thinking of that post I recently reblogged, which argued that some of Austen's more "merciless" plot points would seem darker on film than in print, and therefore tend to be softened in adaptations.

So how should a modernized adaptation handle Lydia's ending? Is it better and more progressive when they save her from Wickham? Or for the sake of social commentary and retaining Austen's sharp edges, should the writers follow the book and find a way (not necessarily marriage to Wickham, but some modern equivalent) for her mistake to leave her trapped in a less-than-happy life, and add a slight bittersweet note to the other characters' endings too?

I think a case can be made for both choices and I'd like to know other people's viewpoints.

[jakeperalta]

(this isn't a question about the best p&p adaptation ever, it is simply which you prefer OUT OF THESE TWO OPTIONS since they are the two most commonly talked about and compared!!)

[fairytale-poll]

BEST MODERN FAIRYTALE ADAPTATION! ROUND 3, MATCH 4 OUT OF 4!

Princess Tutu (2002 - 2003) is based off the Ugly Duckling and Swan Lake; Ponyo (2008) is based off the Little Mermaid.

Propaganda Under the Cut:

Princess Tutu (2002 - 2003):

This show is PHENOMENAL. Starts as a fairy tale show, slowly starts to discuss fate vs free will and the archetypes that fairy tale characters have to play and what would happen if they could fight the narrative. Also has one of the most perfect endings to Duck's arc that any protagonist could ever have.

Princess Tutu ftw, let's be honest here

Ponyo (2008):

Ponyo loves ham! She won the Little Merpoll bracket and so deserves to win this one too

[laurajameskinney]

comic fans only please

not gonna define "comic fan" but lets just say that if you arent seeking out/engaging with comics Anyways then this poll probably isnt for you, sorry!

reblog for sample size etc etc

[rookinthecrownest]

Bedtime Stories for a Demon, Night 1: The Sleeping Princess (Lucanis x Rook Fanfic)

“Lucanis?”

Some assassin, he thinks bitterly, as Rook’s soft voice breaks him out of his reverie. She finds him sitting at the dining room table, staring at the fire with a cup of now cold coffee in his hands. He didn’t hear her come in.

Caterina would’ve given him at least ten lashes with her cane for letting someone sneak up on him like that.

His mind, lately, was a restless sea. Waves of him and Spite crash over each other, fighting to rise above the din. Fighting for control. And like the moon pushes and pulls the tides at night, Spite’s influence becomes harder to ignore in the waning hours of the evening. Sometimes it was hard to pay attention to anything but Spite rattling the bars of the prison that was Lucanis’ mind.

On most nights he finds himself alone in the pantry, or the dining room, with only a flickering fire and the demon in his head for company. Until a few moments ago that is.

“Rook” he manages a pleasant, tired smile while turning towards her. “You’re up late”

She shrugs and pulls up a chair beside him, now rimmed in the warm orange glow of the fire. “Thought you might want some company – you know, after the whole…” she gestures vaguely in his direction, and he doesn’t need any further elaboration.

He remembers feeling tired, so tired after their last mission. A bone-weariness that only came with the kind of world-ending threats they were becoming entirely too accustomed to handling. Three cups of his strongest brew hadn’t been enough to curb the knife’s edge of sleep deprivation. He remembers sitting upright in his cot and closing his eyes for just a moment.  Then, he was in the basement hallway with the Vir’Evas Eluvian, surrounded by Harding, Rook - and the terrible realization that Spite had taken him for a walk.

Perhaps it was his brutal training at the hands of his grandmother, perhaps it was his own stubbornness, but he hated to make them worry. Especially Rook, who already carried the weight of the world on her small shoulders and the voice of an Elven god in her head. Dealing with a sleepwalking abomination was probably the last thing she needed to be worried about.

“I’m fine” he lies, and stares down at his coffee. His grip on the handle of his mug tightens. Rook’s bright green eyes flicker down to his hands, and he knows she doesn’t believe his words any more than he does. “As I said before – Spite is my burden to bear. Please, go get some sleep, Rook”

Her face falls just a little at that.

“Would if I could” she starts, “You won’t sleep, I can’t sleep – I figure we might as well be night owls together. But if I’m bothering you, I’ll go”

He doesn’t know her well enough yet to catch if she is lying about not being able to sleep – but he imagines she has plenty of her own worries big enough to keep her up at night.

When he doesn’t answer, Rook moves to get out of her chair.

Lucanis quickly waves her back down into her seat.

“No, no, no bother at all” He raises his cup to her in a cheer, “I’ll be glad for the company”

He swirls the cold coffee in his cup, before looking back up at Rook.

“Coffee? I’m going to make a fresh pot” he asks, rising from his place. Rook gives an appreciative nod, the corners of her eyes crinkling with another smile.

“I’d love some, thanks”

Rook is silent until his return from the kitchen, with a cup of freshly made coffee – real coffee, in each hand. None of that instant boiled bean water that Neve had a habit of making.

As he hands her the cup, he notices something in her lap that wasn’t there before. A small journal. Its bindings were tattered and frayed, the colour had faded from what he presumed was a bright crimson to a more muted shade of red, and the pages were yellowed with time.

“What is that?” he asks, taking his place in front of the fire once more.

Rook sets the steaming cup of coffee aside on the table, so she can begin flipping through its worn pages. A musty, acrid smell like old mothballs hangs in the air, and for a brief moment, he’s a boy in the Dellamorte estate’s library running wild between tall, marble bookshelves seeking mischief and knowledge in equal measure.

“My father’s old journal” Rook thumbs through the pages more carefully now, and her voice grows soft.

“He was a Bard in his youth. Toured all over Thedas with his troupe. As he went, he wrote down stories from across the continent” She leans her chin against her hand and smiles fondly at the little book in her hand. “Never imagined he’d be collecting bedtime stories for a future daughter”

There was a softness in her voice that he was not accustomed to hearing, tinged with the barest echo of grief. This is the first time in the few weeks they had known each other that Rook mentioned any kind of family. He notes her use of past tense and decides not to pry, much as he finds himself growing ever curious about his new companion.

Companions.

Rook looks down at the book again before meeting his eyes. They were almost pleading.

“I thought... maybe you’d like to hear one. You know, to help pass the time?”

He thinks of refusing, of telling her she needs to rest, that there is little sense in them both being sleep deprived because of Spite. There is something in her eyes that stops him from turning her down. An emotion he cannot quite name but feels akin to longing. Not quite sadness, not quite nostalgia – somewhere in between.

He quickly comes to the realization that this may be as much for her, as it is for him. Lucanis remembers the comfort that reading old stories brought him. He can picture, in striking detail, the book on Wyvern physiology he stole from the Dellamorte library as a child. He knows the contents of each page by heart, because he can still hear Illario's grumbling about wanting him to shut up about Wyverns echoing through his distant memories. He would read it by candlelight until late in the evening, ready to extinguish the flame and hide the book under his pillow at a moment’s notice if Caterina came by.

He decides that if he can help her by simply listening to a story, he will. Rook spends most of her free time trying to fix everyone else’s problems. Always flitting to and from each room in the Lighthouse like a hummingbird, fretting over the team. The Crows were already indebted to her efforts against the Antaam, and she made it a point to help him with both Spite and tracking down Zara. With all that in consideration, he feels it would be a rather poor show to refuse. That and another feeling he didn’t have a name for, keeps him from rejecting her company tonight.

“Alright” He sighs and takes a sip of his coffee before leaning back in his chair. “Let’s hear it”

Lucanis ignores the skipped beat in his chest as she beams widely.

She claps her hands together and straightens in her chair. “Wonderful!”

“So, what tale will you tell tonight?”

“Have you ever heard the old Tevene story about the Sleeping Princess?” she asks excitedly, crossing her legs in her chair like an impatient child about to be served dessert. She’s practically oscillating with excitement in her seat.

Lucanis smiles at that.

“No, I can’t say I have”

“It’s one of my favourites” she gushes, picking up the journal again and flipping to the correct page. Ringlets of rich brown hair sweep over her shoulder as she does so, and he decides to focus on his coffee instead, before he’s caught staring.

“Aha” her brow furrows as she quickly scans the contents of the journal. “Alright, here we go”

Rook sets the journal aside once more and takes a quick sip of her coffee. He doesn’t miss the way she savours the brew. He knew she enjoyed coffee from their meeting at Café Pietra with Illario, but it was nice to know she appreciated his coffee as much as theirs.

He raises an eyebrow when Rook starts cracking her knuckles – and her neck, then readies her hands in the same pose he’s seen her use for magic.

“What are you doing?”

“You’ll see” she grins conspiratorially.

“If you’re about to throw a fireball at me – “

“Relax, relax” Rook shakes her head, and whispers “Magic has more uses than fighting”

He can feel Spite stirring in the dark recess of his mind and does his best to ignore it.

Rook’s delicate hands begin glowing with blue light, and to his astonishment, a moment later she conjures a fully realized image of a castle, floating in the space between them. He can see the spires, turrets, and even the wrought-iron gates in clear, astonishing detail. Lucanis leans forward to inspect the castle as it rotates in mid-air, giving him views of every side. Even the masonry and statues have an immaculate degree of realism. It was almost as if she had taken a real castle and shrunk it down.

“How …?” He is not usually one to be rendered speechless, but it was not every day he is exposed to new types of magic - and when he was, historically, that hasn't always been a good thing for him. Spite rumbling under his skin reminds him of that.

“I learned to do it back in my Circle days. It was my thesis work – the use of the Fade to create projections of objects from one’s minds” her pride in her castle falls when she continues to explain, “The senior enchanters thought it a waste of effort and I barely passed my final year – they couldn’t see a use for it past getting their children to sleep. I suppose if magic can’t be used to some terrible, destructive end, it gets relegated to a novice’s thesis statement to be buried in the Circle’s archives and never touched again”

“It’s incredible Rook” he breathes. The words leave his mouth before he can stop them. He’s not sure if it’s the warmth of the fire, or something else, but he swears a faint tinge of red creeps from her neck up to her ears.

He desperately wants to reach out and touch the castle, but keeps his hands firmly on his coffee cup, worried he may ruin her concentration.

Rook’s eyes crinkle with her smile, wide and genuine. He’s never seen her smile like that, and it feels utterly disarming.

He brings his coffee cup to his lips again, about to take a sip.

“Thank you, Lucanis” Her voice is sweeter than the coffee on his lips.

“You’re welcome” is all he manages to choke out, leaning away from the castle to give himself some distance to regain control of his faculties.

Rook clears her throat, “I ahh, guess I should get on with the story, hmm?”

Lucanis nods and takes another sip of coffee, feeling the warmth spread through him but he is not entirely certain it’s from the coffee alone.

“I would say you’re burning moonlight, but given where we are …”

He smiles when Rook chuckles at his terrible attempt at humour, and he appreciates it even if it is forced on her end, but it feels genuine enough. Everything about Rook was genuine.

Her focus returns to the castle in front of them.

“Once upon a time, in a land far away, there was a small kingdom”

She waves her hands in a fluid motion and the solitary castle morphs into a bird’s eye view of that same castle perched on top of a hill, overlooking a small village.

“And in that kingdom, there lived a King and a Queen, much beloved by their people.”

The castle and village disappear. They are now replaced with two figures sitting on matching thrones upon a simple dais. In the thrones sit a man and a woman, each with a crown decorating their foreheads.

“The King and Queen longed desperately for a child of their own and had tried for many years to make it so. ‘Would that we had a child!’, the King cried, and yet, their child remained a dream.”

As she said those words, the mouth of the king moved in tandem.

He can’t imagine the amount of concentration it must be taking to accomplish telling a story, maintaining an illusion, and making an illusion talk. He continues to sit there in awe, with only his training keeping his jaw from hanging on the floor.

The corner of her lips pull down into a slight frown.

“The Queen would not accept the words of her physician, who told her bearing a child was not possible for her, for there was a sickness in her womb that would prevent it”

The image morphed into the Queen hunched over on the floor, on all fours, sobbing. It looks so real he is convinced he could hear her agonized cries.

Now, the Queen has traded her crown for a traveller's cloak. She floats aimlessly in the air between them, the cloak billowing on an invisible wind.

“The Queen, unbeknownst to the King, set off to seek the knowledge of a Spirit from the Fade. When she eventually finds one,” Rook pauses and waves her left hand to bring forth the image of an amorphous spirit in front of the Queen. “She wastes no time asking the Spirit if it could help her conceive a child”

The spirit continues to float above the figure of the queen, who is now on her knees looking up at it, hands clasped as if in prayer.

“The Spirit asks if she is prepared to do anything to have a child. The Queen fervently answers that she would give up anything – do anything for an heir.” The figure of the Queen bows down to the Spirit in deference. “Satisfied, the Spirit gives her knowledge of a ritual that could provide her with a child. It would take several mages and the sacrifice of an innocent, but that was the only way to cure the sickness from her womb and carry a child. ‘Do this, and your child will grow in grace and beauty. Hair spun in gold, lips as red as the rose. She will walk with spring time wherever she goes. Her song will put nightingales and larks to shame’”

Blood magic. Figures this story comes from Tevinter.

“But be warned” The Spirit holds up a hand, “Should the Princess ever prick her finger on the spindle of a spinning wheel and draw blood, she will die”

The figure of the Queen hurriedly nods, before disappearing into nothing.

“The Queen quickly returns to the kingdom and enlists the help of her council of Magi”

The figure of the Queen returns to its original appearance. She is now surrounded by seven cloaked figures, each carrying a stave in their hands. The form of a young woman is chained, on her knees, in the middle of them all.

“They had their sacrifice, and the knowledge on how to perform the ritual” Her voice is quiet, almost strained.

The figures appear to be chanting now. The faint blue glow of the form of the young woman slowly turns red, with some concentration on Rook’s part. A moment later, the form is swallowed by red light and disappears. Veins of red climb like vines and weave their way into the figure of the Queen, settling on her stomach, before fading from sight.

Rook’s frown deepens and her brows draw closely together. The figures of the King and Queen morph into an embrace. And quickly after, they are sitting on their thrones, side-by-side, with the Queen’s belly swollen with child.

“The King had no idea about the ritual. He was ecstatic, of course, at the prospect of finally having a child” Rook said. “And so he didn’t question it when the Queen asked that every spinning wheel in the kingdom be burned to ensure her safety”

The pair disappear, and now, a large pile of spinning wheels, burning with blue flames, takes their place.

It disappears soon after, and the image of a baby is conjured in its place. She is sleeping soundly in an intricately carved wooden cot.

“The Princess, who they called Rosaea, was perfect. And just as the Spirit had said, she would indeed grow in grace and beauty” The form of the baby changes to that of a young woman, with long, flowing hair and a beautiful face. “She was loved by all her people, for she had a kind heart. She lived happily with her parents and was adorned of gifts from her people, the nobility, and suitors alike. But things would not stay that way for long.”

The image of the princess disappears. The scene shifts to the King, Queen, and the Princess together at the gates of the Kingdom.

“Urgent business with another Kingdom called the King and Queen away, and so the Princess was left to wander the castle by herself”

Rook waves a hand and the Princess walks alone, before coming to the form of an old woman hunched over a spinning wheel.

The princesses mouth moves in tandem with Rook’s words.

“You there, madam” The princess says, pointing to the wheel. “What is it that you are doing?’ She asks, for she had never seen a spinning wheel before”

The figure of the old woman turns towards the princess and beckons her closer, “I am spinning, dear girl’, it answers” The figure of the princess moves closer to the spinning wheel. She leans over it, and asks, “What is that thing that twists around so briskly?”

No sooner had she said the words and taken the spindle into her hand, there is a flash of red light, and the figure of the princess is on the floor. Not dead, but sleeping, for he can see the rise and fall of her chest.

The old woman first morphs into the spirit from before, the one that spoke with the Queen, and then it changes again into a twisted creature - all horns, claws, and jagged edges. One he was all too familiar with. A demon.

“The Spirit the Queen had spoken with was no Spirit at all, it was a Terror demon in disguise.” Rook explains, waving her hand through the illusion of the girl and the demon towering over her, erasing it from existence.

It is at this moment that Lucanis realizes he’s forgotten to breathe. He draws a deep breath, and leans forward, resting his forearms on his legs. His coffee sits abandoned on the table, as does Rook’s. Spite is practically vibrating behind his eyes.

“Well, go on” he gestures at her.

Rook grins, evidently satisfied with her work. “Impatient, are we?”

Lucanis smirks, “Spite wants to know how it ends”

“And you’re not the least bit curious?” She crosses her arms in front of her chest, looking at him doubtfully.

He distracts himself with a sip of coffee, miraculously still somewhat warm. “I might be”

Rook chuckles and shakes her head, mirroring him by bringing her own coffee to her lips. She licks her lips and sighs, and he tries to look anywhere but her mouth. For a moment, he finds himself preoccupied with his own shoes.

“Sorry, I was feeling a bit parched there. On with the story” She rings out her hands and brings them back into position. That familiar blue glow envelops them again. He feels its safe to meet her gaze again.

“The Terror Demon’s ritual didn’t just affect the Princess, it affected the whole Kingdom. One by one, everyone fell into a deep slumber, just like the princess”

He watches intently as the castle courtyard morphs into view between them. Figures of soldiers and servants alike start falling asleep in place, dropping like wilting flowers. The courtyard disappears and returns to another view of the entire kingdom. Large, twisted brambles begin enveloping it,He eererere forming an impenetrable wall of thorns encasing everything in sight.

“The King and Queen returned to find their Kingdom gone. They tried rallying support from other kingdoms, but none could breach the Demon’s brambles”

Figures of soldiers and magi alike lobbing magic and arrows and spears at the wall sprang to life. Each volley as useless as the last. She pauses as the image fades, and nothing takes its place.

“And?” Lucanis asks leaning onto his forearms even more.

“And I’m getting there” Rook laughs, flourishing her fingers like she’s conducting an invisible orchestra.

“The Demon’s spell kept the kingdom in a state of eternal slumber. It fed on their fears and nightmares in the Fade while they slept. On the outside, a hundred years had passed, and the King and Queen were long dead. But everyone inside the Kingdom still remained as they were when they were put to sleep”

Two elaborate tombs flickered to life, before fading a moment later.

“Another hundred years passes before a wandering adventurer, pure of heart and mind, and possessing the soul of a true hero, would come to the ruins of the Kingdom, still surrounded by the wall of thorns”

She conjures the image of a handsome-faced young man, in simple chain mail, riding atop a horse.

“But this adventurer was special, you see” Rook whispered and leaned in closer.

Smells like lavender and rosewater, Spite chimes.

“For he had a Spirit of Valor on his side. And the Spirit would see the Terror Demon banished back to the Fade forever”

The figure draws his sword, glowing a bright golden yellow, and pierces the wall of thorns with ease. He continues to cut through the wall and makes his way to the castle.

“There was a great battle between the Demon and the Hero, but the Hero prevails with the help of the Spirit of Valor”

The demon is pierced by the golden sword, and cries out a soundless scream, before disappearing. Now, the entire view of the kingdom is back. The brambles recede like a tide, and one by one, little figures of soldiers and servants begin waking up.

Curiously, when the image fades back to the figure of the princess, she still lies sleeping.

“Why didn’t the princess wake up?” Lucanis asks, his brows drawing together in confusion.

“The Nightmare Demon’s hold on the Princess is stronger than any of the other inhabitants of the Kingdom” Rook explains, shifting in her seat. "It was banished back to the Fade, but not defeated in its entirety. Terror is one of the strongest emotions there is, after all"

The princess and the hero fade from view, and this time, nothing takes their place.

“There has to be more than that” He throws his hands up and shakes his head, before taking another sip of coffee. He nearly spits it out. It’s gone cold. Again. Yet for all his love of caffeinated beverages, the thought of getting up to make another cup doesn’t even cross his mind.

She laughs again, her green eyes twinkling with mirth, “I’m getting there.” She repeats.

“You’re doing this on purpose” He points to her, frowning.

“I have to build suspense somehow!”

Rook raises her hands again, and the figures of the princess and the hero return to view.

“The Hero couldn’t help but be struck by the Princesses’ beauty. He could do nothing else but admire her sleeping form. And he was overcome with the desire to kiss her, for he knew it was love at first sight. He had no way of knowing if it would work – maybe it was his own heart, or maybe it was the Spirit of Valor whispering in his ear, but needed to know if a kiss could wake her from her slumber”

The figure of the prince moves closer to the princess, and hunches over her sleeping form. It leans in and presses a gentle, chaste kiss to her lips.

Both the princess and the hero were soon engulfed in a warm, golden glow. The figure of the princess wakes, and the hero takes her into his arms.

“The princess wakes to find herself in the arms of her rescuer. She and the Hero fall in love. They re-establish the kingdom and ruled together as King and Queen, living happily ever after”

And with a final flick of her wrist, the embracing figures vanish into the ether.

“The End” She says, with a satisfied smirk and a small bow at the waists.

Lucanis leans back in his seat, unable to stop himself from smiling. “That’s it? Everything is fixed with a kiss?”

Rook shrugs innocently, “Aren’t most things?”

He has no time to process that, or the way she’s looking at him while she says it.

“Besides, it wasn’t just a kiss. It was true love’s kiss. Love can be a powerful form of magic in its own right. Just as powerful as Terror - if not more so”

Lucanis frowns. He wishes he could believe that.

“In stories, perhaps” he mutters, swirling the cold coffee around in its cup.

Rook yawns and runs a hand through her wild curls.

“Perhaps” She stands and takes the journal in her hands. She offers him another sweet smile before turning to leave, “Never hurts to believe, though”

As she makes for the dining hall door, Lucanis stands from his chair.

“Rook?” He calls out after her.

She stops and turns, “Yeah?”

“Thank you … for this” he gestures to the fireplace. “For tonight.”

Rook nods, “You’re welcome. I’m glad you liked my story”

“Would you come again tomorrow night?” He asks, entirely too quickly. Convinced he sounds like a lovesick puppy, he wants to kick himself in the shin. Thankfully, he has Spite to do that to his head.

Rooks brows lift in surprise, like she wasn’t expecting him to ask. They quickly settle into a kind expression, one he finds he wants to burn into his memory until its all he can see.

“Yeah, of course” She gives him a small wave, “I’ll see you tomorrow night”

Lucanis returns the wave and returns to the kitchen to brew a fresh pot of coffee.

Meanwhile, Rook leaves the dining hall barely able to keep herself upright.

Being inside the Fade made it much easier for her to draw on her magic, but she’s never used that level of detail and sustained it for so long to tell a story.

Sleep would come easier that night for her from the mana depletion alone.

But Lucanis would stay awake replaying her story in his head over and over again. He would think of how the warm glow of the fireplace cast streaks of orange and gold into her wild curls. How her eyes practically sparkle and the softness of her voice when she tells a story.

But in all the loops of Rook and her story that play in his mind, it escapes his notice that a possessed man is the hero of her tale.

[adaptations-polls]

Which version of this do you prefer?

[talk-danmei-to-me]

Went back to finish off the MDZS extras and not to start a fan war or anything, but I do not think Lan Wangji is very good at sex.

In the Lan Clan of Gusu, foreplay is prohibited, lube is forbidden.

R.I.P Wei Wuxian's hole 🪦

[queeringclassiclit]

John Watson

from the Sherlock Holmes series by Arthur Conan Doyle (1887-1927)

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Please reblog for a larger sample size.