#ad screencap set

[auntie-histamine]

since people were such big fans of dan tasting weird lemon candy powder icon set, I figured I'd do another one

the boys experience surströmming, a new icon set for u n ur pals: arin edition

dan edition

[untilyouremember]

Beauty Bunny

Available digitally (included in ComiXology subscription)

[hasarjunadoneanythingwrong]

insane lineup here

[ageless-aislynn]

Now, yesterday, I told you the epic tale of Noble Six and her struggle to get the par score on "The Package" level of Halo: Reach. I still can't make GIFs or capture video but it dawned on me... I can make screencaps from the Theater!

Noble Six, running through the gloom, to get that darn par score!

I always wanted to get those giant AA guns to blow up at the same time. I managed it on this run!

Awwww yeahhhh, Six making her epic parkour sprint-bounce-jump off the statue, aiming for that window to the right. Will she make it???

Six: *believing in herself SO HARD right now*

Score! And also was immediately shot by that blue bolt coming at me from a camouflaged Elite. 😑 But I lived to run on through, avoiding that darn General Elite with the concussion rifle who will be running down that ramp at the back annnnny minute now, only to realize I outsmarted him!

HOLY MOLY, HE DOUBLED BACK THROUGH THAT DOOR AFTER ME! 😱 Seriously, I knew he was shooting at me but I was running for that green button to trigger the cutscene and get me the heck out of there, so I didn't look back. I had no idea he was THAT CLOSE. I don't honestly know how he missed me with that concussion rifle. If he would've lobbed a plasma grenade at me, it would've been Bye Bye Noble Six. 👀 Whew.

And we're now flying the friendly skies with Noble Six and her jetpack, on the way to hijack that Banshee. 😇

Six: Hello, sir, would you like to have your Wraith hijacked today?"

Six: Of course you would! Heh.

Wow, Six is even better than I thought she was, she's looking at a blank wall while she's driving AND shooting the mortar bombs!

SIX IS TOTALLY NOT PANICKING RIGHT NOW, about to jump out of the Wraith and try to get past that Elite who's in between her and the sweet, sweet button of Ending This Level! It's a little hard to see but there's a line going diagonally from left to right across the Elite. I could hear somebody providing cover from the lab but didn't know who it was...

...until now when I could use the Theater camera to look. It was Carter, my beloved!

I'm contractually obligated to use this picture every time I say "Carter, my beloved." Sorry, I don't make the rules. 🤷‍♀️😇😉

In a dramatic ending, Six leaps from the Wraith as the counter is ticking down, failure is imminent if she can't get to the button by the door. So she activates her sprint and... wait, she's wearing the jetpack. Oops.

This is called "Panicked Jetpacking" and was done Entirely On Purpose™

Six must go, her people need her...

Also, note the enemy Wraith mortar bomb coming at the lab. 😱

Six remembers she has to go UNDER that opening to get to the button. It's not on the frickin' roof. 😑 Also note the Elite continuing to shoot at me. 😑😑😑

It's hard to see but that's Carter waiting for me next to those sandbags! I'm doing the most awful, awkward jetpack spluttering hops up this ramp because I continued to forget I don't have sprint. IT WAS AN EMOTIONAL TIME, OKAY? 😭😂

YESSSS, the button that only I, Noble Six, can push! The level ends and I achieved the par score at last!

Achievement accomplished! Noble Six can put her jetpack down and get a good night's rest, now that she has Pushed The Button No One Else Can.

Annnnd yes, you might notice that I have over 1,200 hours on the MCC, now! 😎👍🤷‍♀️😉

And there you have it! 💖💖💖

[radrobotz]

firealpaca keeps fucking up my custom brush like its there but none of the adjustments i did when making it saved so its all fucked 😭

[aria0fgold]

My brain just beamed me thoughts of my childhood anime and the realization that the moment I noticed how much I like Inuyasha's dynamic with Sango a lot more, they would've turned out to be my very first rarepair but alas... It instead became the catalyst of me finally losing my hyperfixation of 10 years on it.

[geniusphilester]

i'm a bit of a balatro nerd, so here's some notes on dan's screencap in his insta story

if you haven't played before, balatro is poker in its most core mechanics, with single-player roguelike (so you lose a lot and build from playing a lot) deck building (what it sounds like, you build your deck) mechanics to make poker Bigger. you can do some weird and wild things with it, but at its base, you're playing flushes and straights and pairs and trying to score chips.

if you want to see it in action, markiplier has a good video that seems like it'll be first in a series.

in balatro, you get a base level of hands per round depending on your deck/add-ons like vouchers or jokers. for checkered deck, which dan is playing, it's 4 hands/3 discards, so you have four hands to try to get enough chips to get to the next round. there are three rounds per ante, and the regular game ends at ante 8. you can also skip rounds to get stuff.

which is the long version of saying: dan has gotten to endless mode, which means he's beat the regular part of the game and is shooting for a ludicrously high score. he has to get 47 billion chips to win this round and get to the next one. for comparison, round 1 in ante 1 on white stake difficulty (which is the one dan's playing in) needs 300 chips to advance.

also for comparison: i have hundreds of hours on this game and i haven't cracked the 100 million chips achievement on steam

he's doing a flush build (which makes sense for checkered deck; it only has hearts and spades, unlike the normal four suits) and his flush is leveled to 24, which is really good/necessary to get this late in the game. he has a lot of money, he used all his discards for the round, and he has a bunch of face cards with modifications on them. it's good strategy just looking at this much, basically

and then all the jokers he has up top make this REALLY impressive. in order from left to right

gluttonous joker: played clubs get +3 multiplier. odd one for checkered deck (no clubs to start with) but a) maybe he added some and b) even if he didn't, it's a negative card, so it's not taking up room that any other joker could use. (for this set of circumstances, base slots for jokers would be five.)

sock and buskin: retrigger all played face cards, which means all the cards dan is playing in this hand will score a second time. two of his face cards have red seals, which means they'd play a third time, one of those red seals is a glass card that'll give him a higher multiplier...i could keep going, but doing a face-card flush build is a good way to score big.

photograph: first played face card gives x2 multiplier when scored. again, another great joker for a face-card build.

blueprint: copies the joker to the right. GREAT card if you have good jokers. it also has holographic, which means it add a +10 multiplier as well.

triboulet: highest tier of joker (legendary) where kings and queens give x2 multiplier when played. but imagine it twice, since he has blueprint as well.

the tribe: x2 multiplier if hand contains a flush. and he's obviously doing a flush build.

to add to all of this, his order is really good because the cards play left to right. times multipliers stack on each other, and since chips get exponential, you need that to really get anywhere.

tl;dr - while some of this is luck (the store doesn't always sell jokers this good at the right time), dan is good at balatro.

[raining-anonymously]

sure is convenient for the deetzes that code 699 - trespassing souls in the afterlife is on the same exact page as code 804 - soul suckers. who organized this book? also, the next page canonizes the grim reaper. okay.

i know this text is completely unreadable but i have painstakingly figured out what it says. my eyes hurt. check the alt text.

i’ve also got another screencap of the sandworm page but that’s over here.

implications under the cut:

contrary to several complains i’ve seen, astrid absolutely had time to find the relevant information in the book. it was never a mystery as to when she had time to read it; we SEE her reading the pages she references.

the reason the contract stopped working was not because it was made on illegal terms, but rather because a specific consequence for what betelgeuse did is voiding all marriages, apparently including engagements. *looks at delores* …this is probably good news for him in the long run.

betelgeuse is quite likely facing consequences for bringing lydia to the netherworld. this potentially includes community service clerical work. he’s gonna hate that.

the afterlife apparently functions on a system where each soul has a set amount of years before they’re allowed to take the train out of there, and more years can be added as punishment. we know thanks to delia and charles that this isn’t true for every ghost, and we know thanks to the maitlands that there’s a loophole (possibly completing unfinished business) that gets you out faster. i think it’s very likely that dying by suicide extends your sentence.

ghosts are usually allowed to haunt their prior residences.

delores can cross between worlds whenever she wants. this fills the “plot hole” of how she got to the church despite not having an official reason like wolf & co, a contract like betelgeuse, or a free ride like delia.

assuming her powers don’t diminish when she reforms, she could totally go to the living world to get revenge on lydia and astrid…

delores got stronger with every soul she consumed.

sandworms are soul suckers’ weakness? girl sandworms are EVERY ghost’s weakness.

soul suckers like causing havoc. this is probably why delores and betelgeuse got along so “well.”

delores. girl. you were not wronged. you murdered him so he murdered you back. you are not a righteous avenger here, i’m afraid.

adam was not joking about this book being poorly constructed. (kudos to the production team for keeping that detail!)

THE GRIM REAPER STROLLS AROUND THE NETHERWORLD AND OCCASIONALLY CUTS GHOSTS IN HALF.

[userpeggycarter]

COLORING + SHARPENING TUTORIAL

someone asked for a coloring tutorial and my sharpening settings, so here it is! there are also a few tips to achieve more HQ gifs. :)

tutorial under the cut!

FOR HIGH-QUALITY GIFS

FILE SIZES

it doesn’t matter what your sharpening settings are if the file you’re using to gif is too low quality, so i tend to look for the best that i can get when downloading stuff. 

usually, movies (+2h) look better if they’re 5GB or more, while an episode (40 min/1h) can look good with even 1GB. the minimum definition i try to find is 1080p, but i gif with 2160p (4k) when available. unfortunately, not every computer can handle 4k, but don’t worry, you can gif with 1080p files just fine if they are big enough. contrary to popular belief, size does matter! which means sometimes a bigger 1080p file is better than a smaller 2160p one, for example.

SCREENCAPPING METHOD

this can too influence the quality of your gifs. as a gifmaker, i’ve tried it all: video frames to layers, directly opening video clips, loading files into stack, and i’ve finally settled down with opening screencaps as an image sequence. with bigger files, it doesn’t matter much what technique you use, but i’ve noticed with smaller files you can do wonders if you screencap (either by loading files into stack or opening as an image sequence) instead of using video clips. for example, this gif’s original video file was only 4GB (so smaller than i’ve usually go for), if you can believe it!

here’s a tutorial for setting up and screencapping with MPV, the media player i use to screencap. again, you can keep using video clips for bigger files, but you’ll find this useful when dealing with dire causes. i don't file loads into stack, though, like the video does. i open as an image sequence (open > screencap folder > select any image > click the image sequence button). just select OK for the speed. this will open your screencaps as a video clip (blue bar) in timeline mode (i'm a timeline gifmaker, i don't know about you). you will need this action pack to convert the clip into frames if you're a frames gifmaker. i suggest you convert them into frames even if you're a timeline gifmaker, just convert them into a timeline again at the end. that way you can delete the screencaps right away, otherwise you will delete the screencaps and get a static image as a "gif".

ATTENTION if you’re a Mac Sonoma user, MPV won’t be an option for you unless you downgrade your system. that is, if you have an Intel chip. if you have M1 Max chip (or even a better one), here’s a fix for MPV you can try while keeping that MacOS, because nowadays MPV is skipping frames in its latest build. or you can use MPlayer instead for less hassle. here are two tutorials for setting and using MPlayer. Windows users are fine, you can use MPV without trouble.

FOR EVEN MORE QUALITY

ADD NOISE

here’s a tutorial for adding noise as a way to achieve more HQ gifs if your original material is too low quality.

REDUCE NOISE WITH CAMERA RAW

instead of adding noise, you can reduce it, especially if your gif is very noisy as it is. 

the path is filter > camera raw > detail > nose reduction. i do this before sharpening, but only my video file isn't great to begin with. because it’s a smart filter, you can reduce or increase its opacity by clicking the bars next to its name in the layers panel.

TOPAZ AI

i use Topaz Photo AI to increase the quality of my screencaps when i need to. it’s paid software, but there are… ways to find it for free, usually on t0rrent websites. if someone’s interested, i can make a tutorial solely about it in the future.

SHARPENING SETTINGS

here are my sharpening settings (filter > sharpen > smart sharpen). i sharpen things twice: 500% 0.4px + 10% 10px. here's an action for it, for more convenience. here's a tutorial on how to use Photoshop actions. for animated stuff, i use this action pack.

COLORING

here’s the gif i'm gonna use as a base. it’s already sharpened like the way i always do it.

LIGHTNING THE SHOTS

half of the secret of a good coloring is good lightning. i always useCurves (layers > new adjustment layer > curves) and Brightness & Contrast (layers > new adjustment layer > brightness & contrast). the settings depend on the scene you’re giffing, but i always try make my gifs bright and with high contrast to make the colors pop.

CURVES

besides lighting your scene, the Curves adjustment layer has four automatic options that will color-correct it for you. it’s not always perfect and it doesn’t mean you won’t need to do further coloring, but it’s a great start. it’s a lifesaver for most ridiculously yellow scenes. look at the difference! this gif uses the 3rd automatic option (the screenshot below isn't mine btw so that's why the fourth option is the chosen one), from top to bottom. what automatic option you need to choose depends on the gif.

sometimes i like to tweak my Curves layer. not everybody does that, it’s not that necessary and if you’re not careful, it can screw your gif up. to modify your layer by hand, you will need to click and drag points of that straight line in the position you desire. this is the concept behind it:

basically, the lower part of the line handles the shadows, while the upper part handles the highlights of the image. if you pull a highlight point up, the image’s highlights will be brighter. if you pull it down, it will make them darker. same thing for the shadow points. you should play with it to get a grasp of it, that’s what i did when i first started giffing.

BRIGHTNESS & CONTRAST

then i added a bit of brightness and contrast.

CHANNEL MIXER

the scene looked a bit too yellow, so i used the Channel Mixer (layer > new adjustment layer > channel mixer) adjustment layer. here’s a tutorial of how it works. not every scene needs the Channel Mixer layer though, i mostly use it to remove heavy overall tints. in this particular case, the Curves layer got rid of most of the yellow, but i wanted the gif to be just a bit more blue so the Channel Mixer tweaks are very minimal.

SELECTIVE COLOR

now, this adjustment layer i always use: Selective Color (layer > new adjustment layer > selective color). this is THE adjustment layer to me, alongside the Curves one. this is how it works:

ie, you can separately edit a color this way, giving it tints. for this gif, i wanted to make the colors more vibrant. to achieve that, i edited the selected colors this way:

for the reds, i added even more red in them by moving the first slider to the right, making the color more vibrant. for his hat to have a more warm tint, i added yellow to the reds (third slider, moving it to the right). finally, to make the reds stronger, i moved the last slider to the right (more black).

for the yellows, i made them brighter by adding white to them, thus making the tile wall and Paddington more bright as well.

for the cyans and the blues, i just added the maximum (+100) of black that i could.

i wanted for Paddington's nose to be brighter, so i added more white to the whites.

lastly, i added depth to the blacks by increasing their own blackness.

you should always play with the Selective Colors sliders for a bit, before deciding what you want or need. with time, you will automatically know what to change to correct the color grading. it all takes practice!

HUE/SATURATION

i don’t know if you noticed, but there are some green spots on the blue wall behind Paddington. to correct that, i added a Hue/Saturation adjustment layer (layer > new adjustment layer > hue/saturation) and made the saturation of the greens 0%, making that unwanted green disappear from the background.

while the green spots on the wall are specific for this gif, i use hue/saturation a lot to tweak, well, hue and saturation. sometimes someone’s skin is too yellow, i made it redder by tweaking the reds and the yellows, or vice-versa. the hue bar follows the rainbow bar, so the maximum settings (+100 and -100) give the selected color to change its hue to something more red or pink (the rainbow extremities). changing hue can give pretty whacky results, like turning someone’s skin tone to green, so you will need to play with it to get the hang of it. you can also tweak the opacity of your hue/saturation layer to further improve your gif’s coloring. i didn’t do it in this case, the opacity is still 100%. the reds and the blues had their saturation increased to make them pop just a bit more, without affecting the other colors.

COLOR BALANCE

the highlights of the gif still had a green tint to it due to the automatic correction of the Curves layer, so i used Color Balance. this is how it works: instead of giving specific colors some tints, you can give them to the shadows, highlights, and mid-tones. if your shadows are too blue, you counterbalance them with the opposite color, yellow. same thing with the cyan-red and magenta-green pairings. in my case, i added a bit of magenta.

B&W GRADIENT MAP

now, if this gif was a dish, it’s time for the salt and pepper. i always add a Gradient Map (layer > new adjustment layer > gradient map) (black to white gradient) with the Soft Light blending mode, thus giving my shadows more depth without messing with the mid-tones and highlights. it also doesn’t “deep fry” (you know those memes?) the gif too much by adding even more contrast. usually, the opacity of the layer is between 30% to 70%, it all depends on the gif. it always does wonders, though!

COLOR FILTER

finally, i like to add Color Filters (layer > new adjustment layer > color filter) to my gifs. it’s very handy when giving different scenes for the same minimalistic set because it makes them kind of match despite having completely different colors. in this gif’s case, i added a “deep blue” filter, opacity 50% density 25. you can change the density and the opacity of the layer for further editing, again, it all depends on the gif.

VIBRANCE

if i feel like it, i add a vibrance layer (layer > new adjustment layer > vibrance) to make the colors pop. this can ruin your coloring sometimes, especially when regarding skin color, so be careful. i didn't do it in this gif because i felt i didn't need it.

TA-DA! 🥳

AN OTHER EXAMPLE

the color grading of the original scene it’s pretty good as it is, to be honest. let’s see a worse scenario, a VERY yellow one:

no channel mixer this time because the automatic curves option dealt with the yellowness, but you can see it made the gif too green. i needed to correct that with the following adjustment layers:

curves (automatic option) (gif 2) >> same curves layer (tweaks) (gif 3) >> brightness & contrast (gif 4) >> hue/saturation (tweaked cyan+blue+green) >> selective color >> color balance (gif 5) >> b&w gradient map >> (sepia) filter >> vibrance (gif 6)

i added a hue/saturation layer to remove the blues & greens before my selective color layer because i thought that was more urgent than tweaking the tint of all colors. color balance (gif 4) was the real hero here, though, by removing the green tint. the selective color layer was meant to make the red pop more than anything else, because the rest looked pretty good, especially her skin tone (despite the green tint). you can notice that tweaking the curves layer (small gif 3) also helped A LOT with the green problem.

tl;dr 😵‍💫😵‍💫😵‍💫

here's a list of my go-to's while coloring and lightning gifs. it's not a rule, just a guide. there are gifs in which i don't use all these adjustment layers, or use them in a different order. it all depends!

1. curves (automatic option + tweaks) 2. brightness & contrast 3. channel mixer 4. selective color 5. hue/saturation 6. color balance 7. b&w gradient map 8. color filter 9. vibrance

i'll suggest that you study each adjustment layer listed for more info, either with other Tumblr tutorials or YouTube ones. the YouTube ones focus on images, but you can translate what they teach to gif making very easily. you can ask me to further explain any adjustment layer, too! i was brief to keep this short (which i kinda failed lol).

feel free to ask me for clarification or something else about gifmaking wise, i always like to help. ❤️

[creature-wizard]

Signs you might be dealing with a bot or troll trying to interfere with the US presidential election

Default PFP. Not everyone who has a default PFP is a bot or troll, and a few bots/trolls actually do have custom PFPs, but enough bots/trolls have default PFPs that it's always worth looking for additional signs you're dealing with a bot/troll when you see one.

(If you're a real honest-go-goodness Tumblr blogger and you have a default PFP, then I strongly recommend you change it because many people will block you on sight.)

Default colors/layout. Again, bots and trolls don't usually put a lot of effort into customizing their blogs. Some of them fiddle around with the basic settings, but they're very unlikely to upload custom graphics and put too much effort into customizing the colors. Same as above, not everyone who has a default blog theme is a bot or troll, but enough of them do that it's worth looking for other signs of suspicious activity.

Soundbitey content. Bots/trolls don't really engage with the content of the posts they interact with. They post very generic soundbitey responses, like "You have Trump Derangement Syndrome. See a therapist," "Fuck you, I'm not voting for Genocide Joe/Kamala the Cop," "America is run by lobbies. Voting is a scam," or "Republicans and Democrats both hate us, that's why I'm voting third party." Basically, if it sounds like a regurgitated line, you may be dealing with a bot or a troll.

Lack of personal content. Bot/troll blogs may have only one post, or might just have a bunch of reblogs with nothing of substances added to them. I'm going to point out here that I've also been seeing blogs do this with pro-Biden/pro-Harris content, so I'm not sure that all of these blogs are necessarily trying to interfere with the election, or if they're trying to get attention so they can try and advertise something else down the line. Some of these blogs also post or like porn, so I suspect a lot of them are actually pornbots trying to capitalize on politics.

Here's some examples of replies from bot/troll accounts:

whodathydro is a great example of an extremely obvious bot/troll. When we go to their blog, we can see that it hasn't been customized in any way, and there's not even a single post on it.

I've also got screencaps of one-post blogs over here that you can check out. (The first one has actually gussied up their blog a little, but it clearly hasn't been used in any way an genuine blogger would use their blog - no personal content, no engagement, nothing.)

So yeah, there ya go; if you see blogs like this they are probably trolls or bots; happy reporting and blocking!

[sinful-mind-joyful-thoughts]

𝐋𝐢𝐟𝐞𝟑𝟔𝟎 | 2

part 1 - Tinder

screencaps and gifs: Pinterest

Pairing: dark!Joel Miller x Fem!reader

Warnings/tags: MDNI 18+, DEAD DOVE DO NOT EAT, NON CON, DUB CON, Drinking, food, flirting, DRUGGING, KIDNAPPING, talks of true crime, Degradation, Praise, Humiliation, fear, panic, anxiety, spiting, oral M, cum play, Blowjob, throat fucking, threats, Physical Violence, Bondage (rope), THIS IS A WORK OF FICTION, YOU ARE RESPONSIBLE FOR THE CONTENT YOU CONSUME

Summary: A Tinder date goes very, very wrong, but you always consider yourself prepared for such situations. or so you think

WC: 2.8K

For notifications follow - @sinful-mind-joyful-fics

A/n: I tried to step out of my comfort zone a little with this. It's based on a post I saw while doom-scrolling on this app from @blondwhowrites. She had this amazing post about wanting to see more readers who fight and don't stop. They don't lose hope, they go into survival mode, and I just hope I do this idea somewhat justice. AND IT GETS JUICY in this part....

The pounding in your head was relentless, each beat echoing like a drum inside your skull. As your vision slowly cleared, the dim light seared your eyes, intensifying the headache. You lay on a small, dirty mattress, the only things in sight were two small windows letting in weak slivers of daylight, a door, and a set of stairs leading down. You were still in your dress and heels from the night before, the fabric now wrinkled and uncomfortable against your skin.

Panic surged through you, your mind racing. You forced yourself to breathe, reminding yourself that you knew how to handle this. Jess had your location; if you were missing for more than a day, she would report it.

“Stay calm,” you whispered to yourself, your voice trembling. 

You took a deep breath, focusing on the small details around you. The room was sparse, but there had to be something you could use. You scanned the area methodically, trying to ignore the fear clawing at your throat.

Your phone. You needed your phone. You patted your dress, but there were no pockets. Joel must have taken it. You closed your eyes, fighting the wave of despair. Jess had your location. She’d check Life360 and see something was wrong.

“Think,” you told yourself, trying to stay rational. Joel had been careful, but he must have made a mistake. You just had to find it.

You stood up slowly, your head spinning slightly as you did. The tightness of your dress and the ache in your feet from the heels added to your discomfort. You staggered to the door, pressing your ear against the wood. Silence. You tried the handle, but it was locked.

The stairs then. You moved cautiously, your heels making faint clicking sounds on the cold floor. You reached the top of the stairs, glancing down. The faint light from below suggested another room, but you had no idea what awaited you.

Taking another deep breath, you started to descend. Each step felt like an eternity, the fear of making noise almost paralyzing you. When you reached the bottom, you paused, listening. Nothing. You tried the handle, but it was locked. Frustration bubbled up, but you pushed it down. You couldn’t afford to lose control.

Returning to the main room, you approached the other door. You turned the handle cautiously and pushed it open, revealing a small bathroom. It was just as dingy as the main room, with cracked tiles and a grimy mirror. There was nothing here that could help you escape.

Desperation creeping in, you began searching the shelves and every nook and cranny. Dusty and neglected, they offered little hope. Finally, on one of the shelves, you found an old can of beans. It wasn’t much, but it was something. You hid it carefully in the folds of the mattress, just in case.

“Okay,” you muttered to yourself, trying to stay calm. “Think. What next?”

Your mind raced as you reviewed everything you knew about the room. The small windows were too high and narrow to climb through. The locked door at the top of the stairs was your best bet, but you needed a way to get through it.

You took another deep breath, forcing yourself to stay calm. Jess had your location. She would check in on you. You had to hold on to that hope.

Footsteps echoed from below, growing louder. Joel was coming. You quickly lay back down on the mattress, feigning unconsciousness, your heart pounding.

The door creaked open, and Joel’s shadow fell over you. You kept your breathing steady, hoping he wouldn’t notice the slight tremor in your hands.

“Just checking on you,” he murmured, his voice soft. “We’ll talk more when you wake up.”

You heard the door close, and his footsteps recede. You opened your eyes, staring up at the ceiling. You had to find a way out. Jess was counting on you. You were counting on you.

“Stay strong,” you whispered to yourself. “Stay smart.”

Hours passed as you combed through every inch of the small room, searching for any flaw, any potential escape route. The old can of beans hidden in the folds of the mattress was your only find. It was growing darker, and your hope felt as dim as the room around you. The sting of despair lingered, but you fought it off, knowing you had to stay strong.

The only light came from the windows, now dark with the encroaching night. You noticed a string hanging from the ceiling, where a light bulb should have been. It dangled uselessly, a stark reminder of your isolation.

The silence was interrupted by the sound of footsteps below. Joel was coming back. You quickly resumed your position on the mattress, trying to appear exhausted and disoriented. The door creaked open, and Joel entered, carrying a tray of food.

“Thought you might be hungry,” he said, setting the tray down on a small table.

You forced a weak smile, sitting up slowly. “Thanks.”

Joel watched you with an unsettling intensity as you picked at the food. You needed to keep him talking, to gather more information. “Joel, why are you doing this?”

He smiled, a chillingly calm expression. “I just want us to get to know each other better. Away from all the distractions.”

“By locking me up?” you challenged, your voice trembling.

“You’ll understand in time,” he said, ignoring your question. “Are you feeling better?”

You nodded, though your mind was racing. “I’m just a bit dizzy still.”

“Good,” he replied, his eyes never leaving yours. “Get some rest. We’ll talk more tomorrow.”

As he turned to leave, you mustered the courage to ask, “What if I need something? There’s no light in here.”

Joel paused, glancing at the dangling string. “I’ll see what I can do about that.”

The door closed behind him, and you were alone again. You waited, listening to his footsteps fade away before you sprang into action. You grabbed the can of beans from its hiding spot and approached the string. It was a flimsy hope, but perhaps it could be used in some way.

The night stretched on, each minute feeling like an hour. But you remained vigilant, your true crime instincts sharpening with every passing moment. You would find a way out. You had to.

Eventually, exhaustion overpowered your fear. Clutching the can of beans tightly, you lay down on the mattress, forcing yourself to rest. Your eyes grew heavy, and despite your best efforts, sleep claimed you.

You awoke to the feeling of hands on your wrists. Panic shot through you as you realized Joel was there, his grip firm and unyielding. You tried to pull away, but your limbs felt sluggish, uncooperative.

"Shh," Joel murmured, his voice unsettlingly calm. "Just a precaution."

You glanced around frantically, your heart racing. Joel was binding your wrists together with a length of rope. The realization hit you like a cold wave: you were trapped, and he was making sure you couldn’t escape.

“What are you doing?” you demanded, your voice shaking.

“Making sure you don’t hurt yourself,” Joel replied, his tone eerily soothing. “You seemed restless in your sleep.”

“I won’t try anything,” you pleaded, struggling against the bonds. “Just let me go.”

Joel’s eyes met yours, and you saw a flicker of something dark in his gaze. “I can’t do that. Not yet.”

You fought harder, but Joel’s grip was strong. He finished tying your wrists and then moved to your ankles, securing them with the same methodical care. Fear bubbled up inside you, threatening to spill over.

“Please, Joel,” you begged, your voice breaking. “You don’t have to do this.”

Joel stepped inside, holding a light bulb in his hand. He dangled it in front of you, a cruel smile playing on his lips. “I brought you something,” he said, his voice dripping with mock kindness. “But you’ll have to earn it.”

You glared at him, your anger simmering beneath the surface. “What do you want from me?”

Joel knelt down beside you, his gaze intense. “I want your cooperation,” he said softly. “You need to show me that I can trust you. That you’re willing to play by my rules.”

“What rules?” you demanded, your voice trembling with a mixture of fear and defiance.

He leaned closer, his face inches from yours. “Simple ones. Behave. Don’t try to escape. And, most importantly, tell me everything I want to know.”

Your heart pounded in your chest as you realized what he was asking. He wanted information—about you, your life, your vulnerabilities. He wanted control.

“Why should I trust you?” you spat, trying to keep your voice steady.

Joel’s smile widened. “Because if you don’t, things will get much worse for you. But if you cooperate, I’ll make sure you’re comfortable. Like giving you this light bulb, for example.”

You swallowed hard, the enormity of your situation crashing down on you. You had to play along, at least for now. You had to buy yourself time.

“Okay,” you said, your voice barely above a whisper. “What do you want to know?”

“It’s not what I want to know per se, it’s what I want you to do in this moment,” Joel said, his voice chillingly calm.

You stared at him, fear and defiance battling for control. “What do you mean?”

Joel’s smile widened, and he reached out to brush a strand of hair from your face. His touch was gentle, almost tender, but it sent a shiver of revulsion down your spine. “I want you to relax,” he said, his fingers trailing down to play with the ends of your hair. “I want you to be... cooperative.”

You jerked your head away, trying to pull back from his touch. “Get away from me,” you spat, your voice trembling with anger and fear.

Joel’s grip tightened, and he yanked you closer, his eyes darkening. “You don’t have a choice,” he hissed, his voice low and menacing. “It’s this or death. Do you understand?”

Your heart pounded in your chest, terror flooding your veins. You struggled against him, but his strength was overwhelming. “I won’t do anything for you,” you said, your voice barely more than a whisper.

Joel’s expression hardened, and he pushed you back onto the mattress, pinning you down with a frightening ease. “You will,” he said, his face inches from yours. “You will, or I will make your life a living hell. Do you understand me?”

You fought back, trying to twist away from him, but he held you fast. Panic surged through you, and you bit back a scream. “Please, don’t do this,” you pleaded, tears welling in your eyes. “Just let me go.”

Joel’s grip tightened, and he leaned in closer, his breath hot against your face. “You have no idea how much worse things can get,” he whispered, his tone icy. “You will do what I say, or you will suffer.”

Tears streamed down your face as you realized the hopelessness of your situation. You were trapped, and there was no way out. Jess had your location, but would it be enough? Would she find you in time?

Joel released you slightly, still keeping a firm grip on your wrists. “Now,” he said, his voice softer but no less menacing, “are you going to be a good girl and cooperate, or do I need to show you what happens when you disobey?”

You swallowed hard, the weight of his threat crushing your spirit. “Okay,” you whispered, your voice breaking. “I’ll cooperate.”

Joel’s smile returned, and he released your wrists and undid the binding, sitting back on his heels. “Good,” he said, his tone almost cheerful. “That’s a good start. Now, let’s get you a bit more comfortable.”

He stood up and walked to the door, leaving you trembling on the mattress. You watched him, your mind racing with thoughts of escape, but the reality of your situation kept you paralyzed with fear.

Joel returned a moment later, holding the light bulb. He approached the dangling string and screwed the bulb into the socket. The room was suddenly bathed in harsh light, revealing the true extent of its dinginess.

“There,” Joel said, turning to face you. “That’s better, isn’t it?” He walked over to you, his presence looming ominously. “Now say thank you or I’ll leave you in the dark with the mice.”

You stayed on the mattress, savoring the small distance between you. “Thank-” Joel cut you off.

“No, no. Thank me properly,” he said, a sick grin spreading across his face. You wanted to smack it off, to fight back, but you knew it would only make things worse. “Crawl to me,” he commanded.

The words made your cheeks flush with humiliation. Your mind raced. If you wanted to escape, you needed to gain his trust. But was his trust worth your dignity? You hesitated, the internal conflict paralyzing you.

Joel's grin faded slightly, his eyes narrowing. “Do it,” he growled, a dangerous edge to his voice. “Or I’ll make sure you regret it.”

You took a deep breath, forcing down the surge of anger and humiliation. “I can’t crawl with my legs bound,” you said, your voice dripping with sarcasm. “Unless you want me to flop around like a fish.”

Joel’s eyes flashed with annoyance, but he knelt down and untied your ankles. “There,” he said, standing back up. “Now, crawl.”

Tears pricked your eyes as you slowly shifted onto your hands and knees. The dirty floor scraped against your skin, and every inch you moved felt like a mile. You could feel Joel’s gaze burning into you, his satisfaction palpable.

You reached him, your head bowed, heart pounding in your chest. “Thank you,” you whispered, your voice barely audible.

Joel chuckled, a dark, humorless sound. “Good girl,” he said, reaching down to stroke your hair. You flinched at his touch, but forced yourself to stay still. “See? That wasn’t so hard, was it?”

You bit back the bile rising in your throat, refusing to give him the satisfaction of seeing you break down. “What do you want from me?” you asked, your voice shaking.

Joel moved his hands to his belt, his eyes darkening with sinister intent. "I think you know what I want you and those pretty little lips to do," he whispered, his hand caressing your face. He finished unbuckling his belt, and as his pants fell to the floor with a thud, you flinched involuntarily. "Pull down my boxers," he ordered, taunting you as if you were a child.

You swallowed your pride, your mind racing with strategies to fight back. As you lowered his boxers, he taunted you further, waving his length near your face. Instinctively, you reached out with your hand, but he grabbed your hair roughly, yanking your head back. "I didn’t ask for your hands," he spat, his voice laced with venom. "I asked you to suck my dick."

Before you could react, he spat on you, his warm saliva trickling down your face. You opened your mouth to protest, but he shoved his length into your mouth forcefully, leaving you no time to prepare. The size of him stretched your mouth painfully, making you feel as if you might rip apart.

"This can’t be over soon enough," you thought, struggling against the overwhelming violation. But to your horror, you felt a strange sensation growing between your legs. His cock was hard, the taste of his precum salty on your tongue.

“Look at me,” he demanded. You resisted, focusing instead on his messy brown hair. You felt a wave of disgust at yourself for even noticing such a detail. This wasn’t the man you met on Tinder; this was a psychopath.

He gripped your head with both hands, forcing himself deeper into your throat. "That's it," he groaned, thrusting shallowly. The sound of your gagging and choking filled the room. "I don’t care if you fucking choke to death. Your throat feels like heaven."

As he continued, your mind raced for a plan. You took breaths through your nose, waiting for the perfect moment to make him pay for his actions. Just as you prepared to bite down, he thrust deeply one last time, and you felt a hot, steamy rope of his cum hit the back of your throat, its salty taste overwhelming.

Joel roughly pushed you away, pulling up his pants as you fell back, coughing and choking, your throat raw and dry. He walked over, fixing his belt. “See, it wasn’t that hard now, was it?” he sneered.

Before you could respond, he left the room, the only comfort in the dark basement now the solitary light bulb. You lay there, trembling with rage and humiliation, vowing silently that you would find a way to escape and make him pay for every moment of torment.

[mikelogan]

gif tutorial

i was asked to make a tutorial for this set i made, so let's get right into it!

first things first, i downloaded the music videos from youtube in 1080p using 4k video downloader. unfortunately, the quality of youtube videos always seems... not great, to put it simply. plus these music videos are from the 90s, so they've been upscaled to 1080p after the fact. all of this works against us, but i've definitely worked with videos of lesser quality than these, so at least there's that!

when i gif, i import video frames to layers rather than screencapping. this comes down to personal preference. after everything has loaded, i group all my layers together and set the frame delay to 0.05. i then cropped my gif to 540x500.

the next step in my process is sharpening. i did play around with my settings a bit given the quality of the footage and the dimensions of the gif. i compared both @hellboys low-quality video gif tutorial to my regular sharpening action and my vivid sharpening action and in this case, i preferred my normal vivid sharpening action. i used this tutorial to create the action for myself, and you can find other sharpening tutorials here. this action converts my frames to video timeline and applies sharpening.

once my gif is sharpened and i'm in timeline, i begin coloring. i wanted to simplify the amount of colors used in these gifs, again because of the video quality -- i knew it wasn't going to have the crispness i would normally like for my gifs. here are my coloring adjustment layers and their settings (not pictured: my first layer is a brightness/contrast layer set to screen) (explanation in alt text):

all of these layers and their settings will vary depending on your footage and its coloring (and obviously, feel free to make the gradient map whatever colors you like if you aren't going for this exact look).

pretty basic coloring, especially with just slapping a gradient map on top (my beloved), but at this point, i still didn't like the quality of the gif, so i added a couple textures/overlays.

i put the left one down first and set the blending mode to soft light and the opacity to 8%. depending on what look you're going for, you could increase or decrease the opacity or play around with different blending modes. i like using this texture with lower quality footage because even when it's sized up a bit, it adds some crispness and makes things feel more defined. for the second texture, i set it to overlay and 75% opacity. we love and respect film grain in this house.

now for the typography! sometimes i really enjoy typography and other times it's the bane of my existence for the sole reason of just how many fonts i have installed. anyway, here are the settings i used for this set:

make sure the color of your font is white and then set the blending mode to either difference or exclusion. i can almost never see a difference between the two, but for this set, i used exclusion. below are the blending options (double click on your text layer to bring up this menu or right click and select blending options).

now we have to add the warp effect. with your text tool still selected, click this icon at the top of your screen:

from the dropdown menu, select twist. these were my settings, but feel free to play around with different warp options and their settings. the ones i use most often are flag, fish, and twist.

this last step is completely optional, but it's an effect i use in most of my sets with typography. duplicate your text layer (select the layer and ctrl+j), turn off the layer effects (click the eye icon next to effects), and set the blending mode to normal. right click on the layer and select rasterize type. right click on the layer icon itself and choose select pixels.

at this point, you should see the moving black and white dotted line showing that only your text is selected. then go to edit > stroke. here are the settings i almost exclusively use.

this is what your text should look like now:

using ctrl+T, move the layer off the canvas so you can't see any of the text anymore. you should be left with only your outline. click anywhere on your canvas to de-select the text we just moved. use ctrl+T again as well as your arrow keys to nudge the outline over to the left 2px and up 2px. this is personal preference as far as the positioning, but i almost never move it any other way. you can leave it like this, which i sometimes do, or you can set the blending mode to soft light like i did for a more subtle effect.

and that's it! rinse and repeat for each gif in your set or use a different warp effect on each gif to switch it up! if you have any questions about this tutorial or would like me to make one for anything else, please feel free to ask any time!

[tiktowafel]

1-b social media pfps

monoma: photo he once managed to take of bakugo tripping over something. yes he gets threats over it, no he will not change it ever

setsuna: changes hers frequently, most of the time it's her newest cool selfie. sometimes the chosen pictures feature one or more of her geckos

tsuburaba: also changes his pfp all the time but in his case it's a dumb blurry selfie on monday, random cursed image on thursday and a dumb blurry picture of something else (sometimes also featuring his hand doing a thumbs up) on sunday

yui: just a solid color (im thinking peach or pastel pink) and it's been that way since forever

honenuki: somewhat poor quality picture of his cat that he finds endearing. it's also been that for a really long time. worth noting that his cat is incredibly ugly

shishida: it's not the exact same picture that's on his school ID but it could as well be

rin: originally he had no pfp and just went with the default. tsuburaba really hated that for some reason and kept pestering him to change it so eventually he added a hat to it bc he didn't know what picture to choose (tsub was pleased)

kinoko: fairly recent mirror selfie with a pink overlay and a bunch of cute effects added. her phone covers her face in the picture and the focus is on her frilly dress

reiko: pretty #aesthetic black and white portrait of herself taken by someone else

ibara: either a selfie taken from an awkward angle, boomer-uncle-on-facebook-style, or a bible quote image with a sunset background taken from the internet (too small to read)

tetsutetsu: cropped picture of himself with his friends taken in rather poor lighting. it is more on less centered on him but someone who doesn't know him could still have trouble telling which person is supposed to be him.

kendo: epic motorcycle pic (not her own </3)

kaibara: a nature photo he took once and liked a lot. he originally intended to change it every time he took a new favorite but ended up getting used to the first one he ever set his pfp as and hasnt changed it since

pony: cycles between selfies, picrews loosely based on herself, random pretty photos she takes (usually of the sky) and screencaps of her anime faves

awase: old photo of his dog, may he rest in peace

manga: goku

kuroiro: either a picture of himself wearing his favorite outfit with his face cropped off, or just solid black. can't decide

kamakiri: stick bug :)

shoda: slightly old pic of himself taken by someone else, zoomed out so it shows about half of his body. outfit and surroundings are nothing extraordinary but the picture has an inexplicably cool aura.

bondo: photo of a pretty flower. he's also never changed it

[arabellas]

about the tutorial: just one about dark scenes in general would be great :)

sure :) here's a tutorial on how I work with dark scenes:

before we start, it's important to mention that working with dark scenes is so much easier when your video/ screencaps are high quality. I personally refuse to gif dark scenes unless I have 4k quality footage lol.

my general coloring tutorial is here in case you want check it out!

alright, let's start! after resizing and sharpening my gif, here's what we're working with:

STEP 1: levels. I use the pipette tool to select the lightest and the darkest parts of my gif, it's a great guide that helps to neutralize the overpowering color:

in this case, the lightest part is the little white dot in the corner of his eye and the darkest one is around his hair (if there are many dark shadows in my gif, I just click on a few darkest looking spots and see how it adjusts the coloring and lighting of the gif and just pick the one I think looks the best). basically, this layer is a good guide on how to make the overall look more natural if there is one obvious dominant color and we want to get rid of it (for example, my gif has quite a lot of blues, but it's not too crazy, so I won't need to adjust that much):

and this is what we've got just after using the levels adjustment:

the gif is lighter and the blue was reduced a little bit, the scene now has more green and red undertones. sometimes I mess with the settings myself if I don't like the way it looks, but in this case I'm pretty happy with the automatic adjustments and I didn't even have to do that much!

STEP 2: curves. I do the same thing that I did with the levels, using the pipette tool to select the lightest and the darkest parts and also pull the rgb curve to the middle to brighten my gif even more:

and here's the result after setting the curves layer opacity to 37%:

STEP 3: brightness and exposure layers. next up, I just want to brighten the character a little bit more, but not the background, so I'm adding a brightness/contrast layer and an exposure layer, here are my settings:

but since it adjusts the whole gif and I don't want that, I select the mask on my brightness layer and pick the eraser tool. I erase the part of my gif that I don't want to be affected by this adjustment, I colored that part bright pink so it's obvious:

and then I do the same with the exposure layer.

in my gif the character is not moving that much, so it looks pretty natural when I brighten just him. here's where we're at:

STEP 4: selective color and gradient map. I'm happy with how bright it is, but I do want to deepen the shadows here and just mess with the coloring itself, so next up I'm gonna use a couple more layers.

here are my settings for selective color layer, opacity set to around 40%:

and here are my settings for a gradient map to deepen the shadows:

and here's the result:

ADDITIONAL STEP: I sometimes like to add another layer and just put some soft color gradient to one side of the gif.

in this case I used a soft blue color, set to lighten, 62%:

I'm not very good at tutorials and I put this together pretty quickly, but hopefully this was somewhat helpful, let me know if you have any questions! <3

[sunkissedlouis]

Hi! I don't know if you already have a tutorial but would you mind sharing your gif making process? Thank you!

hiiii anon!

thank you for sending this in :) it's my first time getting a tutorial request hehe i tried to explain each step i do as best as i can.

i'll put the gif making process and tutorial under the cut bc it's image + text heavy

before starting, i'd just like to share what i use in creating gifs:

i'm on mac (i used to do them on windows... the ps steps are the same if you're using one)

i'm currently using photoshop 2022

i use 9xbuddy or video downloadhelper extension on firefox mainly for downloading videos

best quality to download for hq gifs is ideally 1080p and above. (although you can get away with 720p for smaller gif sizes)

i use mplayer-osx extended to get the screencaps/frames for my gifs (if i'm not doing the import option in photoshop)

for this tutorial, i'm using the latam highlights video from louis' ig reels to make today's gif. on to the tutorial / process!

please click the screenshots i've included below and zoom in on the texts on them to see them clearly (apologies for the quality!)

IMPORT YOUR FRAMES. once you've downloaded your video, open photoshop and click FILE > IMPORT > VIDEO FRAMES TO LAYERS

SELECT THE PART YOU WANT TO GIF. the shorter, the better because you want to keep it crisp and keep the file under 10mb when you save it after all the layers. here are the settings i use:

toggle the smaller arrows under the bar to select the parts you want to gif. once you have your frames loaded, it should show you a timeline table at the bottom and their corresponding layers on the right side. (if you can't see the timeline, go to WINDOW > click TIMELINE)

3. DELETE EXTRA LAYERS, CROP PARTS YOU WANT TO FOCUS ON, AND RESIZE.

after cropping the parts of the gifs, resize them according to the tumblr sizing to prevent your gifs from looking blurry once you upload them. you can use this size guide for your reference :) the gif's height can be any size as far as i know. go to IMAGE > IMAGE SIZE > INPUT THE SIZE. for this gif, we'll do 540 x 540

4. CHANGE GIF SPEED and CONVERT TO SMART OBJECT

once you've selected all frames

set the delay to 0.07. this is usually the natural, normal speed for gifs on here. it depends on the number of frames you have but i usually do .07 or .05 (sometimes .08 haha)

with all your timeline frames still selected, then select all the layers on the right side. go to SELECT > ALL LAYERS

then convert them to smart object so we can edit all the layers all at once. go to LAYER > SMART OBJECTS > CONVERT TO SMART OBJECT

5. SHARPEN (one of my fave parts!)

this is the basic one that most users use:

STEP 1: go to FILTER > SHARPEN > SMART SHARPEN

radius usually goes from 0.3-0.4

STEP 2: Repeat STEP 1, but this time change the settings to:

you can stop here but i like my gifs crispier and to have more texture! i use the sharpening settings from this tutorial or these sharpening action packs from user brainwasheds. i highly recommend these! i mix and match the settings when i'm not happy with how they look on my gifs. but for this gif we'll use the sharpening settings from this tutorial.

in addition to the settings from that tutorial, i also added FILTER > OTHER > HIGH PASS at 3.4 radius, then set the opacity to 60-80

then lastly add FILTER > ADD NOISE > NOISE at gaussian setting with 1.5 amount, then set opacity to 20-30

6. BRIGHTENING, COLORING, BALANCING, ADDING TEXTURE

now for the fun part!

STEP 1: BRIGHTEN UP THE GIF this is my go-to way to increase the brightness. go to LAYER > NEW ADJUSTMENT LAYER > BRIGHTNESS / CONTRAST then change its blending mode from NORMAL to SCREEN

you now have a very bright, highly saturated gif but we'll fix that lol

STEP 2: ADD CONTRAST BY FIXING THE BLACKS AND WHITES add a new adjustment layer > LEVELS

i usually play around with these. middle and black arrows add shadows and contrast while the white arrows add highlights/brightness to the gifs.

these are my settings! these are not definite bc it varies depending on what you're working on, so adjust them accordingly. next, add another adjustment layer > CURVES

i usually zoom in to locate the darkest / black area using the black dropper. then once that's done, do the same and locate the brightest/white area. this adds further contrast to your gif that wasn't done in the previous step.

STEP 3: COLORING (my fave part!!!) add a new adjustment layer > SELECTIVE COLOR this is the part where i like to neutralize the skin color when it gets too yellow or red, make the colors pop, and sometimes change them too. louis' skin was looking too red heavy, so i wanted to reduce that! i start with balancing out the skin color with REDS & YELLOWS.

these are my settings for this gif! adjust them and observe the changes it makes on the person's skin. if you know color theory, it's helpful to see how it affects the colors on your gifs. putting the arrows more on the left side, adds more 'cool' tones, whilst putting the arrows to the right side, adds more 'warm' tones.

i like to deepen the blacks on my gifs further so, go to selective color's BLACKS and on the black scale, add more to the right! for this one, i added +10

add a new SELECTIVE COLOR adjustment layer. for this one, we'll make the surrounding colors pop more!

for these settings, i made the leaves more vivid while the teal(?) wall, i adjusted them made it more blue.

next, add a new adjustment layer > COLOR BALANCE this is where you can make further adjustments on the overall colors of your gif. you can also change the color tone of your gifs here if you want to make it more 'cool' tone or 'warm' tone looking.

earlier's color theory applies here as well!

6.5. OPTIONAL STEP: ADD TEXTURE/OVERLAYS after the last step, you can save your gif as is but again, i like adding textures to my gifs so we'll add one. i use the textures/overlays that i got from here :)

i like to use film, grainy textures! add the texture you want on top of all the layers.

then change the blending mode to LIGHTEN or SCREEN. adjust the opacity to 20-40%. for this gif i used screen with 40%.

7. EXPORT AND SAVE YOUR GIF time to save your gif! click FILE > EXPORT > SAVE FOR WEB

this is my default setting for my gifs. i also tick the interlaced option sometimes.

here's the finished gif:

there you go anon! :) if you have any more questions, just lmk or you can directly dm me off-anon if you want.

i also get inspo, guides, and other tutorials over at @usergif

[spacemagictea]

Eyes of the Hex, cuz I am bored and I really like looking at eyes. Feel free to use as reference.

I have all the Gemini skins so if you need a reference of anything, DM me, if I got a moment I'll get you sorted with a reference.

Max settings all, scene: Drifter's Camp. Default colors. One pic in sunlight, one pic off sunlight, one in the cave.

Arthur:

(this man has so much sad dog energy)

Aoi:

(so pretty and dual colored too!)

Amir:

(DE please fix his eyebrows, also the shifts in color between light and shadow are mesmerizing)

EDIT:

Added a 3-light setup to Amir and only Amir cuz he's my special boy but I also felt the light screencap didn't capture his eyes well enough. <3

Eleanor:

(spooky but pretty)

Lettie:

(her hairstyle casts a shadow lol)

Quincy:

(he got some nice eyes ngl)