#actually mind bogglingly good
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dolotonglo · 2 years ago
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hiiiii sobbing and crying qnd wailing everyolwuerw ive made this post on like three different platforms but i just finished garden story and i actually cant handle how fucking GOOD that game is, its actually my new favorite of all time. anyone that likes indie pixel/rpg/cozy indie games (UTDR FANS IM LOOKING AT YOU) NEEDS to play it. adorable graphics, stellar soundtrack, and heartwarming story. you will not regret it.
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sunderwight · 2 months ago
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"Shen Yuan is careless about his appearance" is an understandable take, but I think it's also inferior to what's actually going on most of the time, which is more like:
Shen Yuan is in fact so preoccupied with appearances that he is extremely meticulous and diligent in keeping up his image, but he's also utterly oblivious to how this factors into attraction (especially queer attraction) and he misses cultural context clues thanks to having transmigrated sometimes, with an end result that sometimes he is carefully and unwittingly making himself up like a thirst trap because he thinks that's what a sophisticated and classy scholar ought to look like.
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buckingham-ashtray · 4 months ago
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Not Them still haunting me even on my hike.
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More than one hundred miles away from home and I am still unable to escape Them. Not even physically.
I can't anymore. THEY WON’T LEAVE ME ALONE.
(watch me lose my absolute shit in the tags💀
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ms-demeanor · 15 days ago
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Hey friend! So while I'm incredibly skeptical, I'm not strictly against alternative medicine, like you are. I saw you mention reiki, and thought you might geek out on this article like I did:
https://web.archive.org/web/20200308195914/https://www.theatlantic.com/magazine/archive/2020/04/reiki-cant-possibly-work-so-why-does-it/606808/
It's called "Reiki Can't Possibly Work. So Why Does It?" and I highly encourage reading the whole thing. It first of all thoroughly debunks a lot of the claims reiki practitioners make but it also details all of the studies that have proven its effectiveness and provides what I find a pretty compelling explanation: that much of modern western medicine is stressful and traumatizing. Of course laying in a quiet room with the lights dimmed while a kind person sits with you and wishes for you to be well is effective. It reduces stress and all of the negative biological processes it triggers, which promotes healing.
The article mentions that for years we didn't understand the mechanism by which acetaminophen worked - we just knew it did. I knew a man who was really into "chakra therapy" in the 90s where he had a set of colored sunglasses that, supposedly, would rebalance one's out-of-whack chakras through light therapy. He found that attending to his throat chakra, yellow, helped him sleep better. Years later, formal studies found that yellow lenses filter blue light and can help regulate circadian rhythms.
When I was really little, my uncle sold magnet therapy products (which claimed to promote circulation?? I think??). I had a huge meltdown at a family reunion and no one could get me to calm down. My uncle put a blanket full of magnets on top of me, and I immediately relaxed. Imagine my surprise hearing that story for the first time as an adult who now uses a weighted blanket for stress.
I agree that people need to be really careful about these practices, about getting scammed, and especially about herbal supplements that can have dangerous interactions. I also think there's an extent to which you can analyze the risks and benefits and say, "Okay, I have no idea why this works but it does and there's no major downsides."
Hey so I get a bit heated in this response but I want you to know that I approached this ask in good faith because I know you and I know that we have a lot of the same values and interests and this touched a nerve that was not at all your fault and once I get past the direct response to the article I think I come off a little less. Um. Like the aggression there is not directed at you, it's directed at the article and at one person mentioned in the article specifically who is part of why my reaction to the article is so not good. But I promise after the last bullet point I come off as less reactive, I think. (I'm also publishing this publicly because I think it may be helpful for people to see how CAM stuff often gets away with a veneer of skepticism-that-isn't-actually-skepticism - the article claims to be skeptical but then makes a ton of assumptions and cites some truly mind-bogglingly bad sources that a lot of people won't recognize as bad if they don't have a hair trigger trained by far too much time on the bad CAM parts of the internet).
I've actually read that article a few time times, and would like to do a quick rundown on why I find it unconvincing:
She doesn't cite any decent studies on reiki; one that she does cite is just a self-reported questionnaire response from 23 people in 2002.
While we don't know the exact mechanism of action for acetaminophen, we do know that it does work - it measurably reduces fever and in double blinded RCTs produces reproduceable results in reducing certain kinds of pain. The Science Based Medicine authors cited in the article who called for an end to studies on reiki did so both because there is no plausible mechanism of action for reiki (specifically as energy work, not as 'being in a room with a patient person who listens to you') and because there is no good evidence that it works. (And they wrote a follow-up to the Atlantic article; I like SBM but it's quite sneery, as are most of their write-ups of reiki). When Kisner asks "why should this be different?" when comparing reiki and acetaminophen, the answer is: because there is not only no plausible way that reiki *could* work, there is not any good evidence we have that it works better than placebo.
"Various non-Western practices have become popular complements to conventional medicine in the past few decades, chief among them yoga, meditation, and acupuncture, all of which have been the subject of rigorous scientific studies that have established and explained their effectiveness." This one sentence needs probably twenty or so links in response, suffice it to say that western medicine has emphatically not established and explained the effectiveness of AT LEAST acupuncture and the casually credulous way Kisner accepts that acupuncture is effective (effective FOR WHAT?) throws some serious doubt on her ability to assess these kinds of things.
The title of the article is "Reiki can't possibly work, so why does it?" and that's probably the Atlantic's fault more than Jordan Kisner's fault, but she doesn't ever demonstrate that it works. She says she got a buzzy feeling after her training, she says that patients at the VA were asking for reiki as treatment for pain and sleep disorders, she says that people remembered "healing touches" from parents and loved ones and that the same mechanism might be what makes reiki 'work.' She says that reiki "has been shown by various studies that pass evidentiary muster to help patients in a variety of ways when used as a complementary practice" and the two studies that she includes that weren't just a questionnaire were 1) a non-blinded study of heart rate variability post heart attack where the reiki arm involved continuous interaction with a trained nurse and the other two arms involved resting quietly or classical music (so relaxation as a result of additional focused attention by attentive medical professionals could account for this? Why was the control for this study not having a med student sit and hold the patient's hand?) and 2) a study of patients who sought out reiki who were surveyed after treatment and noted improvement on one of twenty mental or physical markers (this study is like, GOLD for an example of a bad study; no control, self-selected participants who believe in the efficacy of the intervention, exceptionally broad criteria for a positive result - I find it really really really challenging to grant any credence to someone who confidently cited this as an example of reiki "working")
Near the end of the article she says "At the same time, this recalled the most cutting-edge, Harvard-stamped science I’d read in my research: Ted Kaptchuk’s finding that the placebo effect is a real, measurable, biological healing response to “an act of caring.” - if she read any of Ted Kaptchuk's research she didn't link to it; what she did link to was a 2018 New York Times profile of him and Kathryn Hall, researchers at Harvard's Placebo Studies and the Therapeutic Encounter program. Being any flavor of journalist and citing Ted Kaptchuk as your source for cutting-edge, institutionally-backed science is disqualifying.
I now need to do some yelling about Ted Kaptchuk.
For clarity: I have as much medical training as Kathryn Hall and Ted Kaptchuk, which is to say: None.
Hall is a microbiologist with a PhD in Public Health, so she at least a background in science. Kaptchuk is an acupuncturist with a BA in East Asian studies and a doctorate in Chinese medicine - notably NOT a medical degree; he was forced to stop calling himself a doctor and had papers retracted after enough people questioned whether the school he claimed he attended even existed and the documents he presented to claim that he was an "OMD" were conclusively translated and did not have any indication that the granted a medical degree of any kind - Science Based Medicine was involved in investigating this because they've been comprehensively anti-quack forever and Ted Kaptchuk has been a quack forever (after recieving confirmation from the government of Macau that Kaptchuk's alma mater was not a medical degree granting institution SBM STILL gave him the benefit of the doubt and had people translate his documentation for final confirmation).
He is also an author on of one of my most beloathed ever studies, which showed that sham acupuncture, placebo, and albuterol all produced the same effect on patient-reported well-being, coming to the conclusion that patient reports can be unreliable and that "placebo effects can be clinically meaningful and can rival the effects of active medication in patients with asthma." That fucking line, that stupid goddamned line, gets cited in every piece of woo bullshit about how acupuncture or chiropractic or some scam-ass diet all work, I've run into this study while looking through at least twenty bibliographies and it is one of the biggest, reddest flags that whoever is writing the paper you're reading is full up on some bullshit. Because, see, the paper found that "placebo effects can be clinically meaningful and can rival the effects of active medication in patients with asthma" in terms of *patient-reported* markers, but the fucking study found that only albuterol produced an actual effect in lung function. Here's the sentence BEFORE the one that gets cited all the time: "Although albuterol, but not the two placebo interventions, improved FEV1 [forced expiratory volume in one second - the measure for lung function used in the study and used to diagnose asthma] in these patients with asthma, albuterol provided no incremental benefit with respect to the self-reported outcomes." It doesn't matter if the patient *feels* better if they can't actually breathe! It doesn't fucking matter - feeling better but still having poor breathing leaves you more vulnerable to dying of a fucking asthma attack! I hate this goddamned study so fucking much and it's used all the time to claim that placebo can be just as effective as medicine for making people FEEL better but, like, they're still sick even if they feel better! I HAVE HAD PEOPLE CITE THIS STUPID FUCKING STUDY TO ME AS EVIDENCE THAT I DON'T CARE ENOUGH ABOUT TREATING MY FUCKING ASTHMA BECAUSE I DON'T GET ACUPUNCTURE TO TREAT MY FUCKING ASTHMA. If sham acupuncture makes you feel better when you've got the flu but doesn't lower your fever or make you less contagious, you shouldn't act like you don't have a fever or aren't contagious this study makes me INSANE.
Okay done yelling.
I think this look at placebo in the midst of her article about reiki is really interesting because it's very common for CAM practitioners to claim that it's as effective as placebo - which just means that it's not effective. This is a great explanation from The Skeptic on why placebo isn't and can't be what Kaptchuk, Hall, and the like claim. It's also interesting to me that Kisner didn't choose to link to a 2011 New Yorker profile of Kaptchuk that is somewhat less rosy about his placebo studies and includes this absolutely crushing statement: "the placebo effect doesn’t appear to work with Alzheimer’s patients. Trivers suggests that this is because most people who have Alzheimer’s disease are unable to anticipate the future and are therefore unable to prepare for it."
But to the actual point of the ask: I honestly think it's fascinating how much CAM success probably rides on "well did you listen to the patient and pay attention to what was wrong with them and sympathize with them and help them lay out plan that made them feel like they had some agency in this exceptionally frustrating situation (chronic illness, newly diagnosed issue, totally undiagnosed issue) that they're dealing with?"
I know part of why people with chronic illnesses turn to CAM is because they're ignored and dismissed by allopathic practitioners who are largely looking for horses, not zebras - this is one of the reasons that I'm really big on reminding people that (at least in the US) DOs are fully licensed physicians who use a holistic and patient-centered approach so if you are someone with a chronic illness who has had trouble getting diagnosed or had trouble getting doctors to believe you, swapping your MD for a DO as a primary care physician might be really, really helpful to you.
But the flip side of that is that is that I worry deeply about the question of where harm starts; the example with your uncle is really great because you do have a solid instance of something working but for totally the wrong reason (pressure being the mechanism that actually helped, versus magnets being the reason given by the person who did the treatment). Some of this stuff has very little likelihood of causing direct harm, but has the distinct possibility of having indirect harms, which people in the anti-CAM space generally divide into two categories, treatment delay and unnecessary costs (opportunity costs, monetary costs, wasted effort, etc.)
I'm going to step outside of your specific example and look at magnet therapy generally, which really is a spectacular thing to focus on because it honestly doesn't have any direct harms; nobody is allergic to magnets, the kinds of magnets used aren't strong enough to interfere with medical devices, it's even safer than the whole "well herbalism is sometimes just a cup of tea" thing because there are "safe" teas that can do real harm to large populations! But simply being around magnets is not going to hurt anyone (unless they're swallowed; nobody swallow magnets please).
One of the things that I think goes under-discussed when talking about placebo and CAM is that the people trying the alternative solutions desperately WANT the alternative medicine to work (I suspect that this is why the self-selected study of reiki patients has such a significant finding). They are pulling for it; they may be looking at it as a last resort, or they may be hoping that it will work to avoid a treatment that is more frightening, expensive, or inaccessible. I think this actually contributes a lot to the delay of care that we see with CAM.
The absolute worst case harm I can imagine from magnetic therapy is delaying treatment. Let's suppose we've got a diabetic patient with gradually increasing peripheral neuropathy; they have reacted poorly to gabapentin in the past and are looking for something more natural, and they hear from their chiropractor that magnet therapy can be used to treat neuropathy. They buy some compression socks with "magnetic and earthing properties" and sleep in the socks. Whether through the compression controlling some edema or through the simple desire for the socks to work, they feel some relief from the nerve pain they were experiencing and decide that this is a success. The socks work! They continue wearing the socks with occasional pain, but less than before. However, because they are focused on the lack of pain, they don't notice that it's accompanied by increasing numbness. The numbness significantly increases their risk of injury to their feet, which significantly increases their risk of amputation.
It probably sounds like catastrophizing to say "using magnets could lead to amputation" but honestly I don't think it's that far out of the realm of possibility (every time I post on this topic I get flooded with the saddest stories in the world about people whose loved ones died because of delayed treatment for cancer or heart disease).
The second category of harm is cost, which is honestly pretty minimal with magnet therapy, as long as you aren't spending $1049 on a magnetic mat
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or paying a chiropractor to give you magnetic treatments. For some other medically harmless treatments like reiki, cost is the thing that I worry about - while I was looking up information related to the article I found that people are charging anywhere from $60 to $225 a session, and selling multi-session packages for thousands of dollars - and if someone thinks that something works, even if it only works by being in a soothing space where someone cares about you - they'll pay for it.
I'm aware that all of this is also extra complicated because of the cost and lack of access to allopathic medicine - a chiropractor broke my spine because I could pay her $60 per appointment but I couldn't pay $125 to see an MD when I didn't have insurance. People who are sick are going to look for treatment; people who have been denied treatment or dismissed by doctors are going to look for alternative treatments.
But man, I really wish I'd spent that sixty bucks on half of a doctor's appointment because the chiropractor didn't know about the benign tumor that I had that weakened the structure of that particular bone when she did her adjustment; it also didn't make the pain go away, it made a different pain start and get worse because it turns out I was having debilitating muscle spasms that then had a bone injury added in on top.
(Chiropractic, for the record, goes with chelation therapy and many many many many cases of herbalism where it's NOT just cost or delay; people claim these treatments are harmless and they are not. They can do tremendous harm).
But yeah I'm not going to deny at all that all of this would be a hell of a lot better if people (especially marginalized people) didn't have to jump through hoops to prove to a doctor that something is wrong with them, and didn't have to do so in an appointment that attempts to cram whole person care down into fifteen minutes, and didn't have the possibility of bankrupting you. Interacting with allopathic medicine is a nightmare and I totally understand why people want to look outside of it for treatment.
I've just heard too many horror stories and seen too much predatory CAM to cut much of it any slack.
At the end of the SBM response to the Atlantic article, the author (I can't remember if it's Gorski or Novella) makes the point that reiki is a spiritual practice, and that we've known for a long time that spiritual practices can improve a person's well-being in a number of ways; they can reduce anxiety, they can provide community, they can give people a space to feel and express emotions that they certainly aren't going to be able to process in a doctor's office. Spiritual practices can be wonderful, and we know there are a lot of people who they can help. But they aren't medicine, and attempting to replace medicine with them (which I don't think that most reiki practitioners are trying to do, to be fair, but which Ted Kaptchuk DEFINITELY is in trying to 'harness the power of placebo') is a disservice to people who need an inhaler instead of acupuncture.
Also, and I know this was not your point but I have to bring it up because people ask about it whenever discussions of placebo come up:
The placebo effect is not treatment. The placebo effect, whether achieved through deception or when someone says loud and clear "this is a sugar pill" does not improve an illness, but it may improve how a patient *feels* about an illness. In some cases, this may as well be the same thing - if you're dealing with muscle pain because you're stressed and no matter what you do it doesn't go away because your shoulders are always up around your ears and you're grinding your teeth and you're sleeping poorly, then literally just talking to someone who is in an office and says "this is a sugar pill, go ahead and take it" may make your muscle pain feel better, but it isn't going to reduce your stress and it isn't going to last, and if your muscle pain is because you're feeling angina as a result of a partially blocked artery then it SURE AS FUCK is not going to make you better and may mask symptoms that were a warning sign of a much more serious problem. People who are sick deserve actual treatment, and placebo is not treatment, which is part of why Ted Kaptchuk makes me want to tear my hair out.
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fruitlicense · 2 months ago
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I think I’ve figured out my favorite chemistry for the DC Trinity, as follows:
Superman and Wonder Woman are the kind of friends who treat each other like siblings, but they 100% mean it. They laugh, they hug, they get at least one meal together every week, they occasionally finish each other’s sentences, and when they’re in the same room you can tell they genuinely like each other. They know each other like siblings, too - one won’t know every detail about the other, but they can pull out years-old esoteric stories that no one else had any idea even happened, and they each have a keen sense of who the other is deep down. Clark and Diana know each other’s dreams, fears, and morals, and that trust is visible. The only thing that tells you they’re not actually related is that when they disagree, they argue like well-adjusted adults, without any psychological manipulation or maiming. Sparring is a bonding activity for them, not a way to express anger.
Wonder Woman and Batman have a bond that is entirely platonic but mind-bogglingly deep. They should have the kind of relationship where it’s perfectly normal for them to shower together after a mission and discuss what the Justice League’s next steps should be, but if you point out that it’s kind of weird for them to share a showerhead and a shampoo bottle they’ll act like you’re weird for pointing it out. Bruce is washing blood and concrete dust out of Diana’s hair. There are no sexual or romantic vibes whatsoever. They’re at a level where it’s almost like they’re two halves of the same mind, like if they got into some crazy magic mishap where they were sharing a body it would move like a well-oiled machine. Even when they disagree or argue it seems like a single entity having an internal battle. They have crazy trust, like knowing-every-corner-of-the-other’s-brain trust, to the point that the greatest way to show their affection to each other is allowing each other their secrets. Bruce doesn’t pry past Diana’s hard lines and she knows when to stop pushing him, and those boundaries are honored because literally all the others are gone.
Batman and Superman, however, have inexplicable vibes. At a glance they act like coworkers, or like good friends, but if you look longer than thirty seconds there’s something between them that’s tangible enough to cut - it’s also weirdly horny and literally no one else wants to get involved with it. You could walk into a room where Clark was making coffee and Bruce was doing paperwork and they weren’t talking to or looking at each other and you would feel like you were intruding on their marriage bed. They keep up the same level of professionalism with each other that they do with the rest of the Justice League but they might as well not fucking bother, because somehow it still seems like they’re incapable of not broadcasting that they want each other carnally. They also have a deep level of trust, but it’s not familial or platonic. It’s more like the kind you have with someone you’re so deeply in love with that you can’t fathom not sharing your entire self with them. The world could end in burning flames and they’d survive it without going insane as long as they had each other. No one is actually sure if they’ve ever acted on these feelings, or if they’re even aware that they have them.
All three of them would burn the world down for each other, obviously, so it’s a damn good thing they’re saving it instead.
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qqueenofhades · 6 months ago
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AAAAHHHHHHHH It's TIM! 1000% strong MN girl here and boy it's been real fun to watch Tim (and Peggy! Our amazing lieutenant governor) take a small small Democratic majority and do incredible things. My kid ate two meals at school every day for free. DELIGHTED that he's the VP pick. LET'S GOOOOOOOO!!!!
Listen, I am just ECSTATIC. Ever since I seriously became tuned into the veepstakes, he was my number one pick (I mean, I was not immune to the brief flirtation everyone had with Beshear/Buttigieg/etc), but yes. Walz was my top pick and I was trying desperately not to get my heart too set on him in case it fell through, but he was the obvious best choice of the contenders by a country mile. He has an almost absurdly Midwestern pro-America background (military veteran, public school teacher, football coach from a small rural town, etc) AND he has managed to enact a long list of progressive policies in Minnesota with a very narrow majority in the state legislature. Also, you're going to be seeing a lot of this video, for good reason:
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Also.... let's be real, Shapiro would have been an incredible distraction/drag on the ticket, unfortunately. We don't need to deal with his retrograde views on Gaza and his other baggage, and while he is a very popular governor in Pennsylvania, it's less certain that his appeal would translate to other states. We can argue (or you know, let's not and move on) about whether or not that was fair, but this is just not the year to try to win the most critical high-stakes election ever by pissing off young voters. Shapiro has done plenty of good things and has time to develop his career further, but he would have been a BAD pick for 2024 and I was alarmed at how many Respected Pundits (tm) were pulling for him. Reuters even claimed that picking him would "defang Republican attempts to make Israel-Gaza a wedge issue for Democrats," which is such a mind-bogglingly stupid statement that it makes you wonder how anyone writing it actually got paid for their political insight, but it also explains a lot about mainstream media these days. Picking Shapiro would have been an absolute gift to the Republicans and bad-faith actors and others (plus like, I don't want to have to spend time winning back the young voters who are actually once more engaged in the process!) and would have led to the media eagerly jumping into the feeding frenzy (because they're desperate to have a reason not to cover Trump's increasingly crazy-ass shit) and other Democratic-on-Democratic infighting. And it goes without saying that WE CANNOT AFFORD THAT.
As well, picking Shapiro just because you need to win PA this election cycle is yet another example of why the Electoral College sucks, and the polling averages in PA have been moving solidly blue anyway. You can just park Shapiro there and have him campaign in the state as the sitting popular governor, rather than expose him to the liability of a nationwide campaign where, as noted, all the other stuff would be a drag. If it's true that the establishment was pushing Harris to pick Shapiro and she picked Walz instead, a) GOOD! and b) if anything, this election cycle needs to fucking teach us that we have got to stop going with the Conventional Wisdom Tee Em. Walz was already out there, he was already popular with the public/energizing the grassroots, AND he was the guy who coined the "Weird" attack line that is actually effective and organically popular against the Republicans and drives them batshit. So for Kamala to lean into that and take him as her running mate is... zomgz... smart, and I am not used to the Democrats playing smart and aggressive and not just passive-defensive. I don't understand. Wow.
Anyway, now watch the New York Times (and the others, lbr, but especially the NYT) desperately try to dig up scandalous stories about that time Walz didn't stop at the 4H booth at the county fair, or walked past someone without saying "Ope just gonna sneak by ya first" or some other terrible Midwestern sin, but fuck those guys. I am EXCITED I am ENERGIZED I am THRILLED. This is a GREAT new ticket that came together at incredibly short notice and completely changed the dynamics everywhere, Walz is gonna make JD Vance cry (unsure whether I want to see Harris demolish Trumpster or Midwestern Dad to turn the cranks on Weird Couchfucking Fascist Skidmark more, but both, both, both is good). LET'S GO GET THOSE WEIRD MOTHERFUCKERS, Y'ALL!!
HARRIS/WALZ 2024!
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kaija-rayne-author · 3 days ago
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I need to look to see if there's 'veilguard positive' tags I can block because OMFG. I feel so fucking gaslit every time I see a positive post claiming the crafting was good, the writing was good, the art was good, because, no, objectively, they were not. (I say that as an author, editor, diversity consultant, and media critic, not just a consumer.)
Every writer who worked on VG has either resigned or been laid off. The creative director has been demoted to a much lower position at a different EA company, Busche 'resigned' which in corporate speak means she was probably asked to. The sales numbers are so abysmal they've essentially declared DA a dead IP. (These would be business signals that no, it wasn’t good. Why? Good games sell well. Usually quickly. Especially in AAA markets.)
IF VG had been a good game, those people would still have jobs, and Bioware would be celebrating. Because that's how sales and business works.
The art assets are reused everywhere, the writing is absolutely shite, the racism isn't a bug, it's a feature, the characters are cardboard cut outs (which is an upgrade from paper dolls but not by much), the therapy speak is utterly nauseating, I want to punch Rook regularly, there is so little role playing potential in a supposed role playing game that it's laughable, the plot is honestly mind-bogglingly bad, they bastardized beloved characters so they were barely recognizable facsimiles of themselves, and they shat on the Lore so badly.
Deep breath. When we talk about media, we need to consider things like genre (dragon age is supposed to be dark fantasy, not cozy the world is disnified perfect sim.) Cozy games are great! I love several. Dragon Age was not and never should've tried to be a cozy therapy sim. We need to consider things like 'what did previous entries in the series look and feel like', and we need to stick to that. Some changes are expected and encouraged because things evolve, people leave, and new blood is brought in. Technology improves. What we can't do if we want to retain the committed fans is pull a complete 180 and make something that seems like the vast majority of older DA fans hate with a bloody passion.
It's shit. All of it. Veilguard was not, objectively, a good game. No part of it was objectively good (except perhaps Emmrich's romance, which still feels about 80% complete).
And you know what? It's perfectly fine if you like something shitty. Hell, I utterly love b and c rate fantasy cheese movies. I love Van Helsing for example. And I know it's not good. I just don't care.
But I never slog on in posts trying to convince people it was actually objectively good, because objectively it most certainly is not.
Aiya, just accept that you loved a not great thing. Not everything we consume has to be objectively good for us to love it.
Veilguard might’ve been fine as a mid-rate on quality hack n'slash generic fantasy adventure game.
It is not even remotely an objectively good dragon age game. It failed, spectacularly, on every front.
UGH.
People bitch and moan about people who hated it being awful. But at least most of us use the critical tags so you don't have to read it.
Nah, you know who I've seen being awful the most? The positive crowd who loved it. Have the same decency we have and tag your damned posts as Veilguard positive. So the people who didn't like it don't have to read your stuff either.
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wirewitchviolet · 3 months ago
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I miss games conveying a sense of Bigness
As you know if you watch my twitch streams, I play a lot of games, and games from a lot of eras, and there's a whole bunch of industry trends you pick up on from certain time periods. The one I really feel like talking about was a definite thing from oh... 1998 through... 2010 or thereabouts? Basically the aughts, give or take a couple years. Or if you prefer, the first two Playstations' run and a bit of the third. It was a period where games in general were really committed to feeling Big.
It feels a little weird to say that when major releases are priding themselves on stuff like measuring how much disk space they need in terrabytes and maps that sprawl out everywhere, but that's not what I'm talking about here. Games trying to feel Big is more of an attitude thing, and ironically enough I'd say it fell out of fashion almost immediately when Open Worlds became the new big thing. We hit a point where people actually made the maps for their games super big (even if most of that space was just kinda vast stretches of unremarkable rocks) so there's no more need to fake it, right? But faking it was kinda great.
I was thinking about this a lot playing the Resident Evil 2 remake, and comparing it to the original PSX game. See the original Resident Evil was set in a spooky mansion out in the middle of nowhere, but RE2 was the Bigger Better Sequel. So now we have a zombie outbreak happening in a whole major city, not just this single mansion. And how do we accomplish that? Do we actually model hundreds of buildings and have a big meandering adventure through all of them, or even a good swath? No not at all. Let's compare the actual maps side by side...
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[There WAS a full map of RE2 here it was causing the post button to bug out. Look it up on your own?]
It's a little bigger. There's maybe a dozen more total rooms? But mostly, it's a smoke and mirrors thing. We've still got one big primary location, an animal-filled hike to a side location and back, and an underground science facility, but it feels like we've increased the scope to an entire city. The first playable moments have us out on the streets of the city, objectively in a few quick hallways, but presented as streets packed with dozens of crashed cars, raging fires everywhere, dead bodies littering the streets, and what again feels like innumerable zombies feasting in scattered packs. Once inside, arms of several zombies outside will reach in clawing at you, or later in the game finally breaching through. The remake completely loses that feeling. It feels like there's maybe a dozen zombies out on the streets.
Not to focus on just the one game though. How about GTA3? Remember how even when you're just on the first island, it feels like you're exploring this vast sprawling city?
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Here's a more elevated angle from about the same point. I'm looking at this with noclip.website by the way, it's a really cool little toy.
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The actual map is LAUGHABLY small. But it FEELS huge. They were really careful to avoid straight roads, and place a couple big vision blocking buildings, even if they're basically just a cube or two so that when you're actually on the ground, it always feels like there's so much more around you. Have another side by side, and a rough estimate of what's visible on the ground in the bird's eye.
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RPGs around this time were also having a lot of fun playing with scale comparisons. FF7 is the obvious go-to. The world map is on par with any other in the series, but Big Cities are presented as such, making it very clear that you're just seeing parts of a single district in Midgar, really just the main street in Junon. Dragon Quest 8 had this very bold idea to keep the same visual scale on the world map as in the streets of the towns, with forests made of actual individual trees.
And I'm not even getting into the biggest elephants in the room. Are you old enough to remember how mind-bogglingly sprawling Hyrule Field felt? Maybe a bad example when sequels have kept that focus on selling their worlds as staggeringly Big. Shenmue? Objectively, looking at this map, there's not much there, but damn if I don't feel like this was a real town I lived in for a while 20 years ago. It's the way the detailing gets finer and finer the closer you get to Ryo's bedroom, where you can open every drawer, turn on every light, turn that orange in your hand, you know? I believe that bus you take to the docks has to stop in several other neighborhoods like this one.
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And of course, then there's the one other series, maybe worth mentioning, perhaps.
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Years later I'm still just speechless.
Again though, I don't actually WANT games with worlds as big as some of these feel. There just isn't the time and the money and the ability for a creative team not to burn out to fully realize that in a handcrafted caring way. I want some kind of inverted Plato's Cave, where it feels like there's a vast breathing world out there, but I'm really in a small cozy space watching masters of the craft put on a shadow puppet show.
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the-cat-and-the-birdie · 1 year ago
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Also don't think anyone has said this (thats a joke) but like, art styles aside:
The animation, expressions, movement, everything of ATSV is IMPECCABLE.
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Like insanely, ridiculously, almost mind bogglingly good.
[This is a MEDIUM length post]
The main strength is the Emotion -
In terms of animation, the range of emotions Miguel is capable of expressing is like... crazy good. Gwen's emotions ARE UNSPEAKABLY IMPRESSIVE.
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LIKE...ANIMATING HER FUCKING BREATHING???? AND BLINKS!! AS AN EMOTIONAL CUE. HELLO???!!
And the movie hinges on this - almost every scene has an emotional cue that HAS to hit. Whether is Jess's looks of hesitation or Peter B.'s looks of horror.
And this may seem like the most ridiculous comparison ever made but like...
The Bee Movie and Across the Spider-Verse came out FIFTEEN YEARS APART.
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THE BEE MOVIE...THIS MONSTRASITY that has plagued humankind - was made less than two decades from THIS:
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The fact that we progressed that far as a society (pun intended) in that short of a time will never not baffle me.
I genuinely cannot name any other animated movie that:
Has multiple styles throughout the duration
Can seamlessly change styles without the viewer immediately noticing (like Gwen returning to her universe)
Show two or more animation styles on screen at the same time (and no, Roger Rabbit and Space Jam don't count - that's half live action lol)
Just off the top of my head - ATSV shows up to three styles in one scene: I'm mainly thinking of the scene that shows Hobie (customized - style 1), Peter B. (standard - style 2), and Miguel (a light stylized - style 3).
It can be brought to four if you want to count Miles/Gwen, though their style isn't visible.
I can think of a couple scenes that genuinely blew me away in terms of animation -
One being Rio's 'What-EVER?!' because of the little stance correction and head bob she does, because it's such a natural thing to do. And it adds so much to an already perfect line.
It's something someone would genuinely do IRL without even noticing.
Another I LOVE is Pavitr and Hobie roughhousing.
Like, I can't yell about these five seconds of animation more.
It's SO fluid it looks like Motion-Capture and I left the theatre googling is any Mo-Cap was used in the movie (and from what I can tell - no, it's all original animation).
The way Pavitr falls to the side and bumps them - This not only being a natural reaction to Hobie and his weight, but it also LOOKS natural. So much so you can see it affect Hobie's model too. The movement has kinetic energy on both models -
Which is AMAZING CONSIDERING THEY'RE ANIMATED ON LIKE FOUR DIFFERENT TIMES.
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In this shot alone, there's the guitar, vest, AND Hobie, all of which have their own animation rules. Plus the outline on his guitar AND him. And then there PAVI too, who's running at a higher frame rate, touching and interacting with Hobie.
So much so that Hobie's model nearly wraps himself around Pavi. Pavi's hair is moving, Hobie's guitar is moving, there's movement in the background - and it looks GREAT.
PLUS THE CAMERA IS MOVING AND GOSTLING. IT'S NOT A STATIC SHOT. The models and camera are moving AS IF THEY'RE REAL when they're not.
That's - My..I CAN EVEN COMPUTE THAT.
But by far, I think the range of expression used on Miguel is like... Chef's kiss.
(of course I was gonna trick you into reading another post about Miguel. Uh-huh that's what's about to happen)
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Like... are you kidding me?
NAH DEADASS ARE YOU KIDDING ME?????
The whole later half of the movie hinges on Miguel looking buckwild crazy insane and they NAIL that. And like-
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Oh my god what the actual fuck
?????????????????????????? I........ I have nothing to add. After that picture......Nah... LMAOOO
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(left: actual photo of Moche watching this happen)
But Anyway chile, This movie is like.. genuinely a modern marvel.
If Marvel gave Tim Gunn 4 billion dollars and five years, whatever live-action rendition he would have made would not even compare to ATSV on any conceivable level - that's how good it is so jot that down.
And like...don't even get me started on Hobie..his design..his representation...girl I will start crying in this Arby's do not play with me
I just felt that needed to be said.
you get what I'm saying yall know what I mean iight coo
Here's a picture of Hobie to cleanse your palette.
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Bye.
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raviollies · 3 months ago
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actually no im gonna yap
im trying SO HARD to gaslight myself into liking veilguard but so many narrative choices just make me scratch my head. I AM NOT DONE, I currently gotta go to Weisshaupt.
I'll start with things I like so far:
1. I think the game is really pretty and I like the puzzles :) Antiva is GORGEOUS, I think one of the prettiest areas in the entire series.
2. I really like the Minrathous/Treviso choice. More of that please! some actual drama and consequence!
3. Assan is adorable and I cannot walk past without petting him. I didn't anticipate myself liking Davrin so much since I'm usually drawn to magic babies over warriors, but he's probably my favourite alongside Bellara. I think him having left his clan is very interesting narrative choice (I am totally not biased considering it's very similar to Daee's story)
4. Thank you lord almighty for the wardrobe/mirror system. Godbless.
5. Everytime Lucanis speaks I think of Puss in Boots and that brings me great joy. Whimsy even.
6. When you place Tevinter decor in the lighthouse, they have a Hookah right beside a fresco of Solas killing Mythal and that is mind bogglingly hilarious. I do love that the Shadow dragons know how to unwind. We're turning up after fighting for elf rights.
7. Solas surviving entirely on meat, raisins and honey feels very r/malelivingspace
Things I am Not Liking So Far
1.Minrathous feels utterly toothless. Its described as terrible, den of slavery, conversion therapy through blood magic, treatment of elves being terrible - yet we walk around unimpeded. I expected a similar experience as the Winter Palace, or fights that could be avoided if playing as a human.
LAVELLAN is introduced in the TEVINTER TAVERN, wearing TEVINTER CLOTHING, like it doesn't...make much sense to me? Inquisition set up the cross roads with Morrigan AND the Inquisitior, it feels like it would have made much more sense narratively not just from..."I am the fucking Inquisitor In Fucking Minrathous" but "Solas and the crossroads are a vital connecting point of these characters story."
Speaking of Inquisitor, wildly bizarre to me that neither Solas nor Varric comment on you meeting them. Solas has a weird painting of the Inquisitor chair, but you meet the mf face to face and he just does't acknowledge it. I am not a Solavellan player but I felt Really Bad For Them In That Moment.
I think a good moment of comparison is the difference in tone of DAI and DATV...When we find out the orb is elven in DAI, Solas warns us to keep it to ourselves, with Lavellan even remaking that the world will blame us for Corypheus. In DATV, we inform everyone that Elven gods are attacking, and there's no thought or conversation about the impacts of that on Elves in society. The only one to mention it is Davrin way after we've been spilling the beans left and right.
2. I'm not done the story but hey has anyone mentioned we haven't fought a single Fen'Harel agent, what's up with that... I expected to be fighting Elves based on the epilogue in Tresspasser but ?? ???
3. I'm sorry I HATE THEM DISREGARDING THE WELL OF SORROWS IN FAVOUR OF MORRIGAN WHEN SOLAS MAKES A HUGE DEAL OF YOU BEING TIED TO MYTHAL IF YOU DRANK FROM THE WELL. Oh sorry, if it was unimportant then why the fuck did you go on a monologue about how you're "her creature" and connected to her. It felt like a retcon of the importance placed on it in Inquisition and how much of a deal both Solas AND Morrigan make about it. I'm sorry picking a ROMANCE was more important than acknowledging THIS?? ? ??
"But Ravie, they can't account for Inquisitors personality and making them important would piss people off" then just kill them off. If they're set on Morrigan carrying this piece of narrative, I would have written the Inquisitor off the table before the choice becomes relevant. Have them help you in the ritual at the start of the game and die. I feel similarly about Varric, because he feels like the writers stuffed him in the closet to not talk which just...JUST KILL HIM. Its better than being relegated to furniture!!!!
3. Speaking of Morrigan why the hell is so nice. This is not my beautiful mean witch wife. In fact everyone is nice. Even hardened Lucanis has been polite to me.
4. I HAVE A BONE TO PICK WITH ROOK. I profoundly hate starting off friends with Varric (and him getting shelved like what was the point). It ruins a lot of initial RP for character establishment, because it limits how the player character FEELs about the whole thing, your motivations are GIVEN to you. Furthermore, it feels like rook HAS an established character. I don't feel like I got to play my rook, just say things slightly differently based on an already established character. I dont feel like I am roleplaying a custom character, just as Biowares stand in protagonist. Maybe I'm just spoiled by the level of interaction that BG3 provided me.
The opening sequence is bizarre to me, because IF I MAKING THE STORY....I would have had the introductory quests for each of the companions be the first quest based on the faction you select (Shadow dragons with Neve, Mournwatch with Emmerich, Crows with Lucanis etc. etc.) That way you establish your character based on the faction and immediately get a little tutorial on what kind of character you're going to be playing. I would even keep the introductory quests the same with minor dialogue tweaks. The ritual would come after the tutorial prologue mission and then you start with Harding and the companion you got introduced with, since the order you get them...really doesn't matter or impact anything.
5. I think the Venatori and Antaam following Elven Mage Gods is kinda dumb. Sorry. I thought they both looked down on them for being either Elves or Mages/didn't even acknowledge them. What the hell is their goal anyway
My criticisms comes down to...I don't know what themes the game is trying to tackle? The game SAYS things but doesn't actually do anything with these topics. Minrathous HAS a slavery problem but we don't see it. Treviso is ruled by a faction of assassins but it's like a good thing! Elven gods are responsible for everything wrong in the world, but the narrative implications of what that means for modern elves are acknowledged in passing like acknowledging the weather. The game feels hesitant to actually unpack any of these things despite being the one to put them on the table.
Anyway I am going to finish the game and probably play on Daee with a Solavellan Inquisitor to see if that improves my experience by picking a character who is more tailored to the Rook they portray/not having an emotional connection to the Inky, but atm...Man I Had Hopes. Made me feel stupid for getting so hyped up for a conclusion to a story arc for a character THEY SPECIFICALLY LEFT ON A CLIFFHANGER FOR A DECADE. I'll just draw art, lie face down in the ground and imagine a more narratively satisfying conclusion to my Inquisitors story.
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fascinatedscrawls · 2 months ago
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Take a Byte
"Huh." Danny stood up straight and leaned sideways, simultaneously standing on something flat and nothing at all. "Well, that's different."
Floating up (for a given definition of the word) a little he tried reaching out to what he was going to call the 'ceiling', but maybe 'screen' was a better word?
"Different?" The question was a little muffled, the view of Tucker's frown was almost too clear though. And big. "Different how? We've done this before."
"Yeah, but usually only when I'm too busy fighting Technus to look around." Danny pointed out, doing just that. Turning away from the mind bogglingly large view of his friend's face, Danny tried to orient himself. It was difficult to do in a place he knew was 2D even though his eyes insisted there was a third dimension. Viewing Tucker's PDA from the inside was always a bit odd.
Floating upwards, or maybe just to the left? Whatever, he made his way over to the list of application icons cluttering the floor/wall and tried to grab one. He felt the pressure of whatever it was for just a moment before the app - the calculator - opened up. Jolting above it in surprise, Danny reached out and hit the hilariously huge '8' button to see if he could.
"Dude, why do you have your calculator on your main screen?" Danny teased, ignoring Tucker's sigh as zipped down to hit the '0' twice.
"Because I don't like bringing a separate one to math class, which we have nearly every school day. You know that." A finger loomed large and Danny was quick to move to the side as Tucker tapped out of the application, each interaction causing a little zap of electricity between the screen and the PDA's display.
"Fair." He made a mental note to try and avoid that if at all possible. Sure, the arc seemed to start at the floor instead of Tuck's finger, but probably not fun to be near either way. "Can you open a webpage? So far Technus has stayed mostly local, but if he ever gets the bright idea to surf the web to different locations I'd like to have some experience navigating the place."
"Sure." Tucker used the stylus this time, the plastic pen coming down like one of his parent's inventions and zipping here and there as a browser opened below Danny's feet. A webpage opened, then another as Tucker entered in an address.
"Whoa, hang on." Danny flew closer as Tucker hesitated before clicking through a pop-up banner.
"What?"
"It's just," putting one hand on the edge of the banner, Danny trailed off as he looked closer at the bottom side of it, the one hidden from the screen. "Dude, when they say cookies, I didn't know they were literal?"
"They aren't." Tucker asserted confidently. "Or, rather, they are but only in the technological version."
"Hm, are you sure?" Sniffing a little, Danny tried to identify the small package full of delicious looking baked goods hanging from the banner. Chocolate chip definitely, but maybe with a ginger snap thrown in? It smelled spicy.
"Man, no one would know how to code in actual cookies to a webpage, especially not the local news station." He brandished the stylus again only to huff exasperatedly when Danny flew up to wave him off. "Come on, you have to be pulling my leg."
"Are you talking to your PDA again?" Danny could hardly hear Sam's question, but it did a nice job of distracting Tucker.
Danny flew to the little banner as Tucker tried defending himself against Sam's teasing and flipped a few options before accepting the necessary cookies. When the final button was pressed a little bag of cookies (just the chocolate chip ones, it looked like) dropped from the banner into his hand. Opening it up, he inspected one (yep, looked like a cookie) before taking a bite.
"Uh, whatcha got there Danny?" Sam asked filling the ceiling with her suspicious look, Tucker clearly having turned it her way to 'prove' he was talking to Danny.
"A cookie!" The words were a bit hard to get out around the mouthful, but he was sure the one he held up to showcase got the message across.
"What?" Tucker appeared again in a blur. "Danny, where did you get those from?"
"The webpage." Sometimes Tucker asked the dumbest questions. "I told you they were real."
"Cookies aren't - they don't - it doesn't work like that!"
Sam took the PDA from Tucker when it was clear he was having a crisis. She left him to his mumbles and instead asked, "Are they good? Do you know if they're vegan?"
"They're alright," Danny put another one in his mouth to try and pin down why they weren't great as he read the back of the package. "A bit stale, I guess. And, uh, no idea on the vegan part - this just says they're made from 'top quality ones and zeroes'."
"There's advertising on the webpage cookies?"
They both ignored Tucker's baffled question as Sam thought his response over, a frown forming before she asked, "Wait, aren't you just ones and zeroes when you're in there?"
"Theoretically. That's what Tucker believes at least."
Her frown turned a bit disgusted.
"Does that make eating the cookies cannibalism?"
That made Danny hesitate. He held the cookie he was about to eat out in front of him and inspected it for a beat, then remembered every other time they discussed cannibalism recently and popped it in his mouth anyway.
"Can't be worse than needing to drink ecto, right?"
Sam scrunched her nose up, but clearly remembered how she didn't win that fight, especially after Frostbite brought out the 'medically necessary' parts. The PDA was snatched back before she could respond and Tucker's face was even closer than before, his eye nearly the size of Danny.
"Danny! You don't know what's in those! I didn't see which ones you allowed, what if they have trackers in there?!"
There weren't, Danny made sure of that, but seeing Tucker all worked up was kind of funny so he just shrugged.
"Would that mean they could track him outside of your PDA though?"
"That's it, I'm pulling you out." Tucker started the process and Danny responded by shoving the last of the cookies he was holding in his mouth. "Danny! Stop that! No!"
Chewing faster (and nearly choking in his haste) Danny managed to swallow them down before being hurled back into reality, the switch from 2D to 3D making him stumble right into Tucker's hands, where his friend shook him by the shoulders frantically.
"Spit them out!"
"Keep that up and I might hurl them at you, but in the least pleasant way possible." All the shaking was making him a bit sick.
"Why would you do that?" Tucker let go of him to put a hand to his hat. "Who knows what they translated to here!"
Smacking his lips a little, Danny brushed a few crumbs from his hands then reached in his pocket to retrieve the package and the final cookie he kept inside it, still chocolatey if a bit crumbly. "Looks to me like they're still cookies."
"Hm," Sam grabbed it and inspected the packaging for herself. "Do you think this makes them vegan and cruelty free or does being a cookie from a corporate webpage cancel that last part out?"
Danny hummed as Tucker snagged the package to freak out over, before offering, "I could try to grab one from a non-profit next time?"
"No," Tucker cut in. "Stop taking food from strange websites! Jazz will have my head!"
"Spoilsport."
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tyrantisterror · 2 months ago
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Say TT, what would be your top 10 T-rexes from media?
Ooo, tough one. I don't know if I can even rank them - I think I'll just share ten I love.
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We'll start with the queen, the goddess, my inspiration, the T.rex(es) from Jurassic Park (and its sequels). An elegant design with so many iconic features, from the angry eyebrows to the overbite and of course the iconic roar. The franchise itself stops treating the T.rex with respect from the third movie on, but that doesn't stop it from being its flagship creature.
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As villainous rexes go, I don't think any have surpassed that bastard Sharp Tooth, who channels the raw horror of the most fearsome fighting animal in the fossil record.
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Every single moment of the T.rexes in Prehistoric Planet filled me with delight and childlike wonder - yes, even when one got chased away my quetzalcoatluses. It was just nice to see a dino documentary where T.rex doesn't die for once, and seeing rexes be tender and social was also something I deeply crave but rarely get to see in dinosaur media.
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For dino documentaries that break my heart, the Walking With Dinosaurs rex reigns supreme. I know it's not a particularly accurate reconstruction (and in fact kind of mind bogglingly weird if you look at the details closely - what is going on with the area where her skull meets her neck?), but the story they tell with the rexes here is so tragic that it's burned into my mind. There's the one scene of a rex howling alone in the forest in search of a mate, where the narration notes that it's unlikely anyone will answer the call, that's just lodged into my memory as the ultimate illustration of romance-based loneliness. I feel that rex, man. I feel that howl into the empty woods.
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I know it's not a "good" movie, but fuck it, I love The Last Dinosaur. I love the suitamation, I love how the T.rex is presented as this borderline supernatural threat in the vein of Moby Dick, I love that it actually gives us a T.rex vs. Triceratops fight (an odd rarity in dinosaur media despite it being a matchup that 1. happened a LOT in reality and 2. pits two of the most popular and fearsome dinosaurs against each other - "T.rex vs. Triceratops" is, like, someone who's so hot that no one ever asks them out because they think they have no chance).
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There's a Japanese kid's movie about a girl who's trying to reconnect with her estranged paleontologist mother and ends up adopting a baby T.rex, and it's very cute and deeply emotional and has scenes of a baby T.rex in a Christmas cape and Santa hat evading the Feds because that's just what you have to do when you're a weird animal companion to a child. It love it. It's called Rex: A Dinosaur Story and I watch it illegally every year because there's no US release of it.
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You Are Umasou is another Japanese piece of paleomedia aimed at children with a deeply emotional story about strained parent-child relationships that involves a T.rex - several T.rexes, actual, one of which invents the art of kickboxing to style over his opponents - and l also used to watch it illegally, but luckily Discotek Media released a blu-ray collection of it and its sequels (called "The Heart and Yummie Collection" in an atttempt to translate the pun of the original title that only kinda works), so now I can just watch it whenever, to my delight.
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Fang from Primal is one of the most well-rounded T.rex characters in media and I love her so much, even if I can't watch the first episode of that show ever again. It's a shame that show never got a second season, I would have loved to see more of Fang's adventures in a prehistoric world full of dinosaurs and monsters. A damn shame that they didn't continue it - they certainly wouldn't have made the show be about ancient human civilizations with almost no monsters and a weird scene where a woman sleeps with a caveman covered in third degree burns.
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Speaking of tyrannosaurs who get a great deal of characterization and team up with cavemen to fight dinosaurs and monsters in a fantastical prehistoric world, none have ever done it better than the original Devil Dinosaur. He lost all of that characterization and, like, any agency at all really when Jack Kirby stopped writing him, sadly, but at least he had a fun team up with Godzilla before he was reduced to a mindless brute and/or glorified pet in subsequent Marvel stories.
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Finally we end with Gon, the star of the manga of the same name, a tiny little T.rex (well, arguments could be made he's more of a generic theropod, but he's been called a T.rex enough for me to count him here) whose anthology series tells some of the most dramatic, emotional stories about animals surviving in the harshness of nature without a single line of dialogue. Gon's stories range from the humorous to the downright tragic, and you can always tell what this little dinosaurs is thinking and feeling without him saying a goddamn word. Also he personally beat the shit out of every single fighter in Tekken, which basically makes him as powerful as twenty Gokus.
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xalandrix · 2 months ago
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HP Rec Fest 2024 - Day 11
An underrated fic
luckily i was asked a similar question somewhat recently in a different venue, so i know exactly which fic that i adore has the most mind-bogglingly low kudos: The Noble and Most Ancient House of Noir by @rainstormradish! Radish is fucking brilliant and has created the most pitch-perfect film noir parody of a "low stakes, high drama" Christmas mystery. it's so well done and SO FUNNY. out of all the authors out there, Radish has come the closest to making me actually choke from laughing, and she did it with this fic. Harry as a washed up private investigator is just too good, and it's a Christmas fic! check it out!
(thanks to @hprecfest for the prompt!)
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fadelbison · 1 year ago
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The 25th hour and the kindness Boston unwittingly pays forward to Sand
The 25th hour is such a neat yet complex concept. The fact that Sand's episode is called 'The Extra Hour' and that this extremely rigid, disciplined man's 25th hour is Ray is at once heartwarming and gut wrenching. I've seen multiple people discuss what the 25th hour is and most interpretations were to my surprise very positive! In fact, when I think back to my reaction to the start of the episode I thought it was delightful! What a delightfully irrational way for Sand to think of Ray's role in his life, for a delightfully irrational man who really needs a little bit of magic and fairy tale in his life. And yet by the end no matter how you slice it, the only thing about the 25th hour that stays absolute till the end is that it's not real. There's no such thing as a 25th hour. Whatever was happening between them was happening entirely within the 24 hours of their lives and neither were able admit to it. There is a separate meta to be written about how there are elements of healing in their relationship - definitely for Ray and maybe even for Sand who benefits from being near someone who prescribes to whatever the opposite of his 'The Grind and Hustle' lifestyle is. But there are two sides to every coin and the side that Sand had completely blinded himself to even thought it was all right there - long before Boston showed up - is that Ray is an addict. And the way Ray chases the pleasure impulse of Sand's company is - more than just a little mildly concerning. Both times that they engage in anything sexual is Sand giving and Ray receiving, but more importantly Ray talking Sand into it - not in any way that is even remotely close to coercive but doesn't it niggle at the back of your head a little - just how good Ray is at getting Sand to do things for him? I could let the list run from protecting him, cooking for him, driving him, putting on his helmet for him, dressing him, taking him to concerts all such wonderful beautiful, heartwarming, wounded inner child healing things and yet...there are patterns. 'Thank you for saving my life' once is beautiful, sexy, gut wrenchingly vulnerable. But twice?
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The guy did have a bottle so it could have been dangerous and his target could have been Ray's head but he also could have smashed it on a table to scare him, on his back, heck he could have been going for Sand too. Doesn't Ray have a tendency to slightly embellish situations to make himself more sympathetic?
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My boy Sand has literally been on the receiving end of it adjfkldshjf. Further, when Sand is aiming to bash the guy's head in turn Ray makes zero moves to stop him. Sand could get into a lot of trouble for intervening here and injuring a random customer while he's not bar security and P'Yo and her boyfriend are the only ones actually concerned about Sand here.
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Ray is so turned on by his man going all psycho to protect him (understandable) that his only thought is to fuck him (also very very understandable) but he's just gotten so good at asking for it
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Incredibly, incredibly good
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And he knows how much Sand eats it up
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He knows it turns Sand on, uses it repeatedly in the context of sex. In fact it's the only way we've watched him initiate sex this episode
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And worst of all, in the times that Sand doesn't quite take the bait Ray knows how to frame it so that it somehow still becomes Sand's idea, Sand's initiative:
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And this scene is so mind bogglingly sexy that I was legit SCREAMING because Ray is being SO sneaky and he's an addict and you can see it from a mile away and imagine being Sand and horny and turned on by how much people need you and then having the cutest puppy of a man constantly wagging his tail at you and needing you and being so generous about how much he appreciates you and constantly telling you how big and strong you are and how you're such a great protector like help this man he is so entirely caught in the web that Ray is spinning. I was so into it but I was also like alarm bells ringing like 'Fire! Fire! Fire!' Sand this is exactly the fire that you were once conscious of playing with but he's totally been blinded to it - how could he not be??? Ray is an addict but he's also a creature made entirely of love, what defenses can Sand possibly have against Ray's innocence and sincerity? This has already gotten so long that I need to stop here or my mind will explode but there's more to be said here about how that scene where Boston outs Ray's crush plays out and Ray's complete inability to reach out and comfort Sand. What I can end this part with is that - Sand really, really needed to hear it. Boston's whole 'Sand deserves to know' thing might have been the shittiest cover to his real motivations of just totally fucking up Ray's life but he's not wrong about this. Boston is not wrong about the farce of Sand and Ray's relationship that he so mercilessly calls out. The 25th hour isn't real and Sand knows it. The show is very heavy handed about it and it fits so goddamn well with my Sand and Mew don't exist on the same paradigm of Ray's life idea that I have been peddling since Ep2
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savyir-genesizz-the-wizard · 9 months ago
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POLITICIAN FROM AN ANOTHER TIMELINE - "Actually, mister Harrier, I *can* *shred on the keyboard, disco style*"
EMPATHY [Challenging: Success] - This man can't lie. Also he wouldn't, if he could. He likes *shredding on the keyboard, disco style*.
INTERFACING [Medium: Success] - And he has been told that he's *incredible* at it. He has very long fingers, is a bit of a social shut-in, has a great memory. He's like, mind bogglingly good.
PHYSICIAL INSTRUMENT [Medium: Success] - Past brain injury made him neurologically disabled. But he still has it.
RHETORIC [Formidable: Success] - He must have miscalculated something *terribly* at some point of his life.
SHIVERS [Impossible: Success] - Tomorrow it *will* rain.
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My oc, Azya Zaavim, in Disco Elysium 🪩
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elitadream · 1 year ago
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What made Bowser hate Mario in the first place? What were his reasons for hating the red plumber? Like what got him to the point that he wants to make him suffer and everything? :o
On surface level, Bowser despises Mario because the man is both infuriatingly stubborn and an insultingly good opponent.
Deep down, however, he can't stand how this makes him feel.
He would never admit it, not in a million years, but Mario's goodness of heart is something that he's incessantly perplexed and troubled by. The man is an enigma that he doesn't understand, a puzzle that he just can't put together. In Bowser's view, everything is about power, and anything that directly contradicts that simply doesn't make sense. For someone to do all that Mario does and still be so mind-bogglingly humble and compassionate has him feeling completely stumped (self-conscious, even), and he hates it. He hates it viciously.
So he responds to that confusion and bitterness the only way he knows how: through aggression and contempt. Burying his insecurity beneath layers upon layers of scorn and sadistic glee, if only to distract himself from what he knows is actually envy.
Because Mario has something that he cannot take or possess. A spark, an undefinable truth that makes him shine and sets him apart from everyone else.
By simply existing, Mario fundamentally challenges this feeling of control and superiority that Bowser is so fiercely attached to; hence why the Koopa King wants to get rid of him in particular.
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