#actually I think the song can go both ways

[tangents-within-tangents]

Like fr to everyone in the notes talking about headcanons/AUs/"having fun" in the notes: the word you are looking for is REinterpretation. Not to go webster or anything but

-Interpret: explain the meaning of information, words, or actions. (explain, expound, clarify)

-Misinterpret: interpret something or someone wrongly. (misunderstand, misconstrue, mistake)

-Reinterpret: interpret something in a new or different light.

It seems in fandom spaces the word interpretation is often used at times when what they actually mean is reinterpretation (or sometimes just reaction or impression, ex: your opinion of a character is subjective and valid, but that's not the same as an interpretation).

If your "interpretation" is completely divorced from or contradicts the text, it's not an interpretation anymore. It's a reinterpretation. A reimagining. And yeah you can totally have your fun, go off! Just don't act like it IS an interpretation. Because valid interpretations come with supporting evidence, which is the whole point of the og post.

I think this bit from OP's other reblog describes it best:

this is one way it gets messy that fandom is a space for both media analysis and transformative works even though those two things don’t always co-exist comfortably or necessarily serve each other.

This is the crux. Both happen in fandom because both are a form of engaging with a work that you appreciate. But one literally relies upon analyzing what IS presented in the text, and the other upon reinventing and transforming that text (and headcanon sometimes straddles this line in between). So the important thing is recognizing the distinctions and not mixing them up. And it goes both ways:

-“He would never act that way” we know, it’s an intentional recharacterization bc we're exploring something different right now

-“But he's just a poor meow meow” not relevant right now because we're analyzing how the writing actually portrayed him

Textual evidence doesn't matter when we're just having fun and making incorrect quote memes, and headcanons don't matter when we're analyzing thematic content. The distinction helps us to have more productive conversations. And crossing the streams can sometimes take us to harmful or frustrating extremes.

To borrow an example from Rowan Ellis: You relate to a Taylor Swift song and feel seen in your queer identity? That's great, no one can stop you from experiencing the song that way even if Taylor didn't intend it. But if you turn that around and say this is proof that Taylor herself must be secretly queer, or worse that she's somehow queerbaiting? Please stop!

Another example: Someone once pulled the "we're just having fun, you can scroll past" card on me when they were straight up bashing the writing for not going the way they wanted. Please, have your fun, I won't stop you. Write a fix-it au where your blorbo comes back to life. Vive la fanfic! But when you say "the writers should have done [random specific thing] if they wanted me to believe he was truly dead" whilst blatantly misinterpreting the thing the writers did do to confirm it so it can fit into your theories/denial? That's not 'just having fun' anymore, that's flawed/unfair criticism and I'mma push back on it. (I didn't actually, just for the record)

Headcanons by definition are not canon, and I think you'll find most people are totally fine with you having whatever headcanons you want, so long as you don't start claiming that they are canon or that your way is the only way. That's where people have a problem.

But even headcanons that don't contradict canon, that could fit into ambiguous gaps where canon did not confirm or deny the possibility either way, are still headcanons. They aren't presented in the text itself and therefore not useful to analysis and criticism.

And I think this is where the distinction can feel blurry at times. Because some headcanoning is based on evidence from the source material. So some may think it's the same as media analysis, but I'd call it extrapolation rather than interpretation. It uses canon evidence in more of a imaginative/conspiracy theory/inspiration to bounce off type of way. Especially since fanon is often about filling in gaps.

Fanon focuses on the story, and treats it almost as if it and the characters are living. But media analysis relies upon treating it as media. On recognizing it was written by a person who made choices and used literary devices and elements intentionally to convey meaning (even if we can debate on what that meaning is).

Subtext is not just whatever you want to project onto a story. Subtext is an actual literary device. Meaning that is intentionally implied by the author because you shouldn't spell everything out and it's important to let the readers participate. It's what the characters aren't saying but the author is.

Unreliable narrator is also a literally device, that is intentionally crafted and indicated throughout the whole text. It's the author saying something through the character saying the opposite. It's not an excuse to ignore whatever you want to ignore of what the narrator says.

Characters aren't people and they don't actually make any choices. Everything they do, everything they are, was written and crafted by the author.

(In short, when I analyze character arcs or critique writing choices, I'd love for the discussion I get to point out things I may have overlooked or misinterpreted. Not for it to just shove in a bunch of irrelevant headcanons, character personifications, and Watsonian explanations that have nothing to do with my arguments.)

Fanon is very open-world concept (and open multiverse lol), but analysis is about looking at what the author did give you, what they chose to include or not and what it is meant to show us.

Writing is about crafting an iceberg that implies a keel under the water. Therefore analysis is about studying the iceberg to try to interpret that keel. And fanon is about exploring the whole ocean. And transformative work is about idk cutting off chunks and making ice sculptures.

All of them are very cool and fun in their own right but I think we can see how they can definitely clash and get in each other's way.

Not “Only my reading of canon is correct” or “Interpretations are subjective and all valid” but a secret third thing, “More than one interpretation can be valid but there’s a reason your English teacher had you cite quotes and examples in your papers, you have to have a strong argument that your interpretation is actually supported by the text or it is just wrong and I’m fine with telling you it’s wrong, actually.”

[1moreff-creator]

Fool's Table MV - Analysis

I absolutely adore this MV so it's getting an immediate analysis post. I cannot fucking believe what was in it. After playing coy with Mai for so long, we get an entire MV about her and Teruko?!?! The Terumai stocks are through the roof and my adoration is immeasurable. Let's go!!!

I hope I'm able to pick up on at least most of the most important details, I am doing this a bit off the cuff lol. As always, an important disclaimer is that the following is just my interpretation, I could be wrong about some things, and others may have multiple valid interpretations, I’m not claiming that my way of seeing the MV is the only “right” one, yadda yadda, you know this by now.

First, the description:

Together, alone, until the curtains close, I want to dance on the stage with you.

Pretty straightforward. The entire MV is framed on a stage, there's curtains, Mai and Teruko even dance. Just reinforcing the togetherness of Mai and Teruko (and don’t worry, we’ll get to that).

But, wait. Not everyone knows who Mai is, or what we already knew of her relationship with Teruko. That’s understandable, she’s had literally 9 seconds of screen time in the main series, and while it’s widely speculated she’s Unnamed Classmate, that’s not immediately obvious.

If you don’t know anything about her, I'll recommend you read up on the relevant sections of my secrets masterpost, since all you really need is her profile, Mai quotes and maybe her LGI numeral to understand this post. Or, if you're down for a longer read, my only somewhat outdated Mai post.

Next, we have to ask, what is Fool's Table actually about? I find it helps to talk about the song's overall meaning before diving into any specific lines, so we can better understand them in context.

Fool's Table is a song primarily about societal rules and expectations, and what it means to live within them. You'll see plenty of references to manners, people wearing masks, etc. The song also dwells on the concept that suffering is an inherent part of being human, and how to deal with this fact. The titular Fool's Table refers to life itself; it's framed both as a table, where society would claim manners and cleanliness are important, and described as a stage in various occasions, somewhere to dance and dirty and act on. You'll see what I mean when we get to line by line analysis, which this should be enough to get us started on, I think!

We open on a shot of a table, filled with plenty of different foods. Given this is the "table of life", you can easily interpret this as a representation of the large amount of experiences which life can offer. Before Teruko and Mai appear, the following lyrics play:

I'll deliver the final blow Already, that kid has a pitiful look on their face Everything everywhere is in flames Savages acting "sensitive"

"Everything everywhere is in flames" is pretty straightforward, I think. A very Teruko-like sentiment. This sentiment is possibly why the table that represents life is shown upside down; being "upside down" is a way of showing that everything's wrong with it, and by extension the world. The "final blow" mentioned, in my opinion, is showing this "truth" to the "kid with a pitiful face." Basically, this kid, possibly a stand-in for all children, was already sad, and now you're telling them everything is in shambles because of "savages" who pretend to be more compassionate, "sensitive", than they truly are.

On its surface, this seems like exactly the kind of fatalism that Teruko has held throughout most of her life. However, the next lines actually recontextualize these statements in quite an important way.

Let's let the flowers bloom until the end From the cradle to the grave, there's not enough love! Impatient guests, in a hurry Everyone is wearing the same face

This reveals that the singer actually wants things to get better, "flowers to bloom until the end." Although discontent with the current state of the world, with all these people who have lost their identity ("wearing the same face") due to "being in a hurry" (which you can interpret in a few different ways but it's not all that important for us), they seem to believe there are ways to improve it. And this idea that the singer wishes to go against society and make a better world for themselves is immediately tied to Teruko in the next line.

"You have no manners"

(The color's not actually in the MV just to be clear lol)

So first, sick animation. DRDTDev is awesome.

Anyways, there's the connection. For all that Teruko in current canon doesn't particularly believe her life can get better, she's certainly someone who goes against what is expected of her, here represented by dropping her cutlery and eating with her mouth. That's because Teruko doesn't think acting the way others act is going to help her, so she does her own thing. For example, pushing everyone away after the first trial, when others would want her to be more approachable. And with this idea, we reach Teruko's side of the table.

Now, gather around the pure white table

"The pure white table" is an ironic statement. Remember, the table represents life, so pretending it's "pure white" would imply it's simple and orderly, which the singer obviously doesn't believe. To amplify the irony, the statement is contrasted by the image of Teruko spilling blood all over the "pure white table." The statement is pretty clear: Teruko is a challenge to the orderly nature of society. Not only because she's a disruptive person herself, but because her life of misfortune is in itself a challenge to the idea that everything's perfect and okay, the mask that the other people mentioned before in the song wear.

Dance on spinning dishes, oh no

I actually quite like this line. The imagery of dishes is obviously connected to the table, which represents life, but spinning dishes in particular is a circus trick. Literally calling the world a circus, lmao. And asking you to dance on the dishes once again invites images of disorder and going against expectations.

We've forgotten the right way to breathe

AND THE CROWD GOES WILD!!!!!

Indeed, our favorite mystery girl (and birthday girl!), Mai Akasaki, makes an appearance. Unlike Teruko, Mai's eating with her cutlery, the way society would want her to. And this isn't exactly the first time we've seen Mai be contrasted with Teruko in this kind of vibe, remember?

In the LGI MV, Teruko is described as "someone dearly unloved", while Mai is "someone dearly loved." If you know anything about Mai, you know the idea that she's perfect by all standards, including societal ones, isn't exactly new.

However, it's worth noting that this is only a first impression. We'll see Mai dancing on the table later, and based on that and the whole "document" situation with Xander and Unnamed Classmate in Visiting Graves, we know Mai's perfectly fine with going against the grain and doing what she believes is right, despite what society may think. That said, unlike Teruko, her existence isn't actually a threat to the status quo, as she's:

[Mai Quote - Min]: An average girl with nothing special at all about her.

It's worth noting, though, she seems to be eating flowers instead of food. This can be an early indication of her more rebellious leanings (you eat food, not flowers), but I think it could be meant to serve as further contrast with Teruko. Remember how the foods could represent life experiences? Well, "eating flowers" in that sense could mean that Mai actually had a pretty pleasant life, which is entirely possible as, again, ordinary girl. We know from Charles' Mai quote that she loves her family, from Whit's that she has many friends, and from Visiting Graves that she doesn't have money issues. She could certainly have other issues, mind you, but right now we don't have much indication of it.

Oh also the lyric. "We've forgotten the right way to breathe" is just another way the singer has of expressing dissatisfaction with how others act. It seems like it's explicitly ambiguous whether Mai is one of the people who've forgotten the right way to breathe, or one of the people who hold the singer's opinion, playing into the dichotomy of how Mai is first presented here (eating properly) and how she dances on the table later. By the way, the word "we" actually appears and disappears before Mai shows up on screen, while the camera is still in the middle, so take that as you will.

It's all over once we drown What a luxurious dining table!

To quickly cover the lyrics, "drowning" I imagine is an allegory for death. Remember how the singer was upset others "lived in a hurry"? Yeah that. And the "luxurious" dining table thing is once again sarcastic.

You might have been wondering if I was ever going to talk about the things on the table, and don't worry, I am about to, I was just waiting for this wide shot. In general, I think most of what's on it is decorative, as I struggle to find any metaphors hidden in most of the food. The 12 colored biscuits next to Mai may be representative of the 12 members of the cast who are still alive in the killing game, maybe, but I don't think some of the colors match all that well (where does yellow go? why do we have so little blue?). Could also be the altDRDT cast + mascot, as pointed out by accirax. I don't think it's too important to know what this is, so I'll leave it open-ended.

The candles are a point of interest to me, though. The one on Mai's side is taller, but further from her, while the one on Teruko's side is smaller, but closer to her. There are like a billion ways you can interpret that, but I'm gonna choose to think of them as the two girls' "warmth", if that makes sense. Teruko is keeping it closer to herself, not as willing to open up, and the candle's shorter, so she has less warmth to give. Conversely, Mai is more willing to give Teruko her "warmth", as she's a really nice person from what we know, and that warmth is very intense judging from the length of the candle. Works well enough for me.

Finally, the most important part of the table, the cake. Obviously the centerpiece, it has both flowers and a red liquid, which I assume we're meant to see as blood. Notably, the side facing Teruko has the blood on top and the flowers below, possibly representing the way Teruko, at least in CH2, shows off her harsher side to the world while hiding more delicate and complicated feelings. Meanwhile, Mai's side has the blood being covered by the flowers, as if implying that Mai's kindness and love hide a fiercer soul underneath. Given the whole "she was probably staging some kind of revolution against Hope's Peak with Xander based on Visiting Graves" thing, I'd say that's a pretty accurate description of her character. Not to say she's intentionally hiding an evil side or anything, just that her real feelings are more complicated than what her seemingly perfect exterior suggest.

I haven't talked about the flowers because they're drawn the same as the flowers on Mai's tattoo, the Bonus Episode text boxes, and the "flowers of an unknown species" of the LGI MV. If you know the common interpretations, you'll know the two popular options for what they are is white camellias or white mai flowers. White camellias represent purity and honor like other white flowers, though they also specifically represent adoration and respect and are popular funeral flowers in Japan; while Mai flowers represent "prosperity, happiness in the new year, as well as resilience against storms and challenges", and the yellow variation of the flowers is connected to a legend about a girl who died protecting her father and village from a snake monster. Oh yeah Mai's probably dead by the time the killing game starts. 'Cuz, you know.

See that arrow pointing to Mai's portrait when her numeral XI shows up alongside the word God?

Yeah it's not very subtle. Mai's God, Mai's dead. There are other interpretations for this, mind you, but there's also other reasons to believe she's dead, so.

Trash is trash, trash will act like trash Fools are fools, fools will act like fools That's the ironclad rule of society And there's no room to complain

You get the lyrics by now, right? I don't have to point out that this is once again talking about rigid societal rules and expectations? Good!

Everyone everywhere is a nuisance The noisy crowd from earlier

For now, let's dance in the palm of their hands

Yay more pretty animation! :D

Here, the singer once again insults society at large, but also says that "for now, let's dance in the palm of their hands." As in, they're not fully ready to complete go against society yet, and will engage with its expectations for a while longer.

However, we're actually left with a pretty important question: what the fuck is the apple? Apples are usually representative of the “forbidden fruit”, a temptation or desire which goes against what is accepted. So, perhaps Mai is doing as the lyric on screen says; by discarding the apple, she’s discarding that which is forbidden by society and “dancing in the palm of their hand.”

That’s certainly an understandable interpretation, but I don’t find it fully convincing, because it just… doesn’t fit Mai.

[Mai Quote - Xander]: She couldn’t stand to do nothing.

Not only because of the whole “rebelling against Hope’s Peak” thing, but because later in this very MV, she’s seen dancing on the table with Teruko, going against societal expectations.

Additionally, it doesn’t explain what giving the apple to the dog would represent. Dogs can’t go against human societal norms, as far as I know. So, that’s another point that would need to be explained in that interpretation.

But maybe the doggy can help us? Maybe we can get to another interpretation through it, because I feel like I’ve seen it somewhere before-

Oh for the love of- Can this stop being the most plot relevant execution of all time???????? I don't want to think about it anymore!!!!!! /silly

Yes, the presence of a black dog/wolf is an explicit callback to Min’s execution. This would draw a connection between the apple and Min. On the surface, there are a few other ways we can connect them, as apples have a lot of associations with a bunch of things. In pop culture, apples are a common gift students give their teachers, and Min is a Student who wished to be a teacher. Allow me to ignore that this could also connect to the About Page Text and altDRDT Teacher real quick, since this connection is very minor and very cherry picked and only works because of the dog that doesn’t have ties to those two things.

However, it does bring even more issues with the interpretation I previously mentioned. Because, to put it bluntly, Min is the exact opposite of going against societal norms. Her recap foil is the Rebel, she’s under the orders of XF-Ture Tech, you know the drill.

Is it possible, then, that the meaning of the apple is the opposite as well? That eating the apple represents accepting society’s rules? It may seem weird with the associations to forbidden-ness I mentioned earlier, but if you go back and look at the Lone Apple scenes again, this idea gets a bit stronger.

The apple is full when the singer talks about the ironclad rules of society, as if implying that the apple is the ironclad rule. Then, right before we hear the singer talk about dancing in the palm of the hand of the “noisy crowd”, the apple is seen eaten, as if eating it is directly connected to dancing in their palm and following the rules. This would be consistent with the apple’s connection to Min, as Min herself is representative of following societal expectations as discussed earlier.

But then, why would it be “forbidden”? Well, I propose that we’ve been thinking about it wrong. The apple isn’t forbidden from society’s perspective, but from Teruko’s perspective.

Theory: An “Unfortunate” Point of View

The idea is that the MV doesn’t show things from a neutral perspective, but rather, from Teruko’s perspective, specifically. I’ll discuss why I believe this in more detail in a bit, but for now, I’ll ask you to bear with me.

This is the final piece of the puzzle for my take on the apple. Since the world has been unkind to Teruko, playing along with the rules of the world would make you an enemy in her eyes. She has been opposed to them from the very start of this MV, after all. Thus, the act of accepting the “ironclad rules”, eating the apple and “dancing in the noisy crowd’s palm”, would be seen by Teruko as eating a forbidden fruit. Therefore, the MV presents it as such, since I believe it’s shown from her perspective.

However, Mai discards the apple, which in this case is consistent with her dancing on the table later. She’s forgoing society’s rules and “throwing them to the wolves.”

Am I cooking? Am I burning down the kitchen? I have no idea! But that’s what makes it fun! This whole thing is obviously very up to interpretation, and there’s not really such a thing as a right or wrong one, really. I’m very open to hearing other interpretations on this thing.

Btw while we’re here, the wolf thing could also be connected to Elliot’s death, since he likely got killed by dogs as well (long story). In that case, the apple could represent knowledge, as in, the “forbidden” knowledge of Elliot’s existence and death. But… that’s kinda really disconnected from the rest of the MV and I don’t know how to relate it to the other lines the apple is seen alongside. So, throwing it out there, but I don’t think there’s a connection there.

Finally, I don’t think Mai’s the mastermind. Yes, I know that her throwing something to a wolf could be an allegory to her executing Min. But as stated earlier, it’s likely she’s already dead, and it’s kinda hard to mastermind a killing game from beyond the grave. You could connect it, in a more roundabout way, to theories that Mai’s death caused the killing game, but I don’t think it can really go further than that.

Gather around the pure white table Dance on spinning dishes, oh no We've forgotten the right way to breathe Let’s continue until we drown

Same lyrics as before, except for the change of “let’s continue until we drown.” It fits with Teruko lying on the table, not really doing anything. See, I believe this moment represents one where Teruko has given up on actively fighting, and is just deciding to go along with the flawed society she lives in. If I compared her eating with her hands earlier with her attitude at the start of CH2, this could be compared to her attitude when MonoTV told her she’d get executed but before Levi jumped in. That is, resigned and just letting things happen. This bouncing between harsh and “socially condemned” methods of self-preservation and resignation to her fate is a common thing for Teruko, I find.

Go ahead, enjoy the sour and sweet as you please Forever uncertain, I’ve held onto this poison Let it make my cells dance With those sharp-edged words! Our pain, we couldn’t choose any of it Look, it’s spinning round and round On the dining table of “life”

Yeah remember that thing about Teruko resigning herself to her fate and bad luck? “Our pain, we couldn’t choose any of it” is pretty in line with that. Teruko’s just accepted that bad things will happen, the world’s terrible and her existence is suffering. Hence, “enjoy the sour and sweet as you please” while she’s lying on the table; she’s a meal ready to be consumed by those who hurt her at their whims.

And who do I mean by “those who hurt her”? Well, if you didn’t catch it, the type of knife and its placement is a clear echo of Xander stabbing Teruko. Now, judging by several of her statements through the series, Xander isn’t the only person who’s ever hurt her, but he does work as a stand-in. Someone Teruko trusted has stabbed her in the… I’d say back but it was really the stomach, and she thinks this is what will always happen if she opens herself to hoping things will be better. She wants to, to some extent (“forever uncertain”), but she knows it will still hurt her eventually (the poison “making her cells dance”).

Well, except.

Here Mai is, pointing a knife away from Teruko. Defending her, possibly. This is the same knife she held at the start, the one which seemed to suggest Mai was playing by the rules of society. Except, she’s now taken those things, and is now using it to point at whoever may want to “eat” Teruko. That could represent a couple of things, but the most straightforward idea for me is that several of the things that make Mai a standup member of society are also just good traits for a friendship, such as her kindness and compassion.

Now, the next section has a lot of repeated images, so I’m just going to describe what shows up with each lyric.

[Mai pointing knife from uninjured Teruko] Now, gather around the pure white table Dance on spinning dishes, oh no [Teruko stabbed, alone] We’ve forgotten the right way to breathe [Mai holding knife, Teruko hidden] It’s all over once we drown (What luxurious dining table!)

(Btw you can know if Teruko is injured or not by facial expression, if you were wondering how I could tell)

Chorus, we know the lyrics. However, I’d like to point out that the line “we’ve forgotten the right way to breathe” is shown with Teruko injured and no Mai, possibly implying that being alone is “the wrong way to breathe” as it gets Teruko injured. That’s my favorite interpretation for that, anyways. Also ominous showing Mai front and center when talking about drowning as an allegory for death, but frankly? This is the first “dead” allegation she’s caught this entire video, and seeing how she managed to catch, like, three in the two seconds her numeral shows up in LGI alone, I’m actually quite proud of her! She may not be beating the allegations, but at least she's not getting one per scene!

Now, play a pure black elegy Let’s dance on the palm of your hand, oh no How does it feel to be devoured by the prey you once mocked?

Let’s start by focusing on what’s happening with Teruko in in the background, because it’s quite sweet. Not only does she start smiling and crying in joy, her stomach is covered in Mai’s signature flowers. This is pretty clear; Mai’s kindness has “fixed” the injuries other people had caused Teruko, her flowers covering up the Xander related injury that serves as a stand-in for all the betrayals Teruko’s endured over the years.

Admittedly, such heartwarming visuals are a bit of a contrast to the line “play a pure black elegy”, which if you don’t know is a “poem of serious reflection, usually a lament for the dead”, and the whole “devoured by the prey you once mocked” thing. However, that’s presumably because Mai is still very much holding a knife up to someone, so we can get away with some darker stuff.

I choose to interpret these lines as these two effectively talking to the status quo of Teruko’s life, if that makes sense. With Mai’s help, Teruko’s finally regained the courage to fight against her fate and stand up again, looking to “devour” the vague enemy of her luck whom she was always the prey to. The elegy, then, is aimed at this vague enemy, who they seek to defeat and “kill.” Does that make sense?

And this is the final link I need to explain my aforementioned “this MV is from Teruko’s perspective” theory. Because, you see, I believe this entire MV shows a story, and there’s an arc about Mai and Teruko’s friendship which can be followed. I believe this MV represents the process of Teruko befriending Mai, from Teruko’s perspective.

Think about it. It starts with Teruko and Mai literally opposed to one another, and Mai effectively being shown as one of the people who “wears the same face” as the others, given she’s following proper table manners. She’s nothing special, just someone else who will betray Teruko eventually, hence Teruko’s almost angry expression on that table. Someone who will bite that “forbidden fruit” that is the ironclad rule of the world. Trash will be trash, fools will be fools, and Teruko will be unlucky and get betrayed.

But then, Mai rejects the apple. And when she grabs the knife again, she points it away from Teruko, even when Teruko was lying on the table and ready to get hurt again. This is also, by the way, the first time Mai opens her eyes in the MV; the first time Teruko and her see eye to eye (per se). Because Mai always trusted Teruko, always wanted to be her friend, and only now is that good faith being returned. Well, I assume she never had any bad intentions, anyways.

Look, from how Mai is usually presented, she may as well be perfect in my books. If I catch her burning an orphanage, I’d probably assume the orphans deserved it. This is hyperbole, of course, but only barely.

And so, Mai has officially broken through Teruko’s bad luck and allowed her to “devour” that horrid fate which had always been pushing her down, allowing them to finally dance together in the end, smiling all the while.

Now, obviously, this makes 15000 assumptions as to how Mai and Teruko actually met, what their relationship was like, etc. There are a million things I may have just gotten horribly wrong. But as always, we know too little about Mai to make any good theories without a lot of assumptions. And with the little we do know, this interpretation makes sense in my mind, so it’s the one I’m currently going with!

Go ahead, enjoy the sour and sweet as you please Forever certain, we’ve been waiting for love Let these cells dance With that completely decayed mind! Nothing will be taken from us Our pain and everything is spinning On the dining table of “life” What a luxurious fool’s table!

Look, by this point, you’ve heard what this scene is all about. Mai and Teruko finally both throw away the rules of society and dance upon the table together, not caring what they destroy or messy up in the process. They’re more certain now, because they’ve found the love they were looking for, and feel like nothing will go wrong because “nothing will be taken from us.” The pain’s still there, but they’ll face it together! What a wonderfully hopeful ending! Ignore that Mai's probably dead please.

And since this part’s pretty easy, it gives me time to appreciate the yuri!

You see, this may be something I’ve only ever brought up once, but Teru-Min-Mai is my favorite DRDT ship, and it has been for a while. And while I can’t find any excuse to talk about Min for longer than I already have (a tragedy, I know), I can spare some time to spread the Terumai side of the Agenda, at least! I’ve seen a few people start thinking about shipping it too because of this MV, so let me make a sales pitch. Ehem.

-Opposing themes: You’ve heard of the “dearly unloved” and “dearly loved” thing from the portraits, but did you know red and green are complimentary colors?

-Looking for each other: I mean, just look at what can show up on Mai’s page.

[Mai Quote - Teruko]: Some years ago, she was searching for someone named 'Teruko Tawaki.'

Come on. Why’re you so interested in looking for her if not to kiss her on the lips?

-Matching phone charms: We see that Teruko’s monopad has a phone charm in 2-1, which she shares with Unnamed Classmate. Btw, Mai’s profile states she likes phone charms :)

-Matching tattoos?: Mai’s iconic flower tattoo is on her left arm, and Teruko’s left arm has always been conspicuously hidden from us. But from the jacket off reference, it seems there is something important there. And from the only time we’ve ever had even a glimpse of it, it seems like she may be hiding the same tattoo as Mai.

-Dream sequences: Teruko literally dreams of Mai in her 1-6 dream sequence. And her dialogue there couldn’t hold more fondness if it tried.

It's strange I would remember her now, of all times. What was her name again? It's on the tip of my tongue, but I can't remember. Xander always reminded me of that girl. Perhaps that's why I'm thinking about her now. They looked similar, with that same red hair and smile. And... they both wanted to help, didn't they?

-Teruko’s favorite color is red “by association”: Considering Xander stabbed her, I think the association comes from someone else. Imagine loving someone so much they change your favorite color wow.

-Apocalyptic levels of doomed: We’re DRDT fans, we enjoy our yuri when it’s doomed. And the second anniversary art makes the doomed-ness pretty clear.

(I have to remake this collage there's like three pixels on it total lol)

The code translates to “It’s all your fault.” Combined with Mai likely being dead, you can put two and two together that Teruko might blame herself for Mai's demise, or at least she would if she had all her memories. This is doomed as can be.

-This entire MV: Like come on.

Anyways, ship Terumai. Or don’t, I really don’t care about shipping much and you can do what you want forever. This is just so newer fans aren’t hopelessly confused on why these two are together in this MV and seem to be about two seconds from proposing to each other; the basis for them being really good friends, if nothing else, has always been there.

Anyways, the video ends with a curtain closing, because we’ve been interpreting life as a stage to dance upon, so it’s a natural way to close things out. If you wanted a sadder reading, you could take the idea that Teruko ends up seeing her relationship with Mai as a play, an act that would always end eventually, because it was too good to last when taking her luck into account. The yuri is even more doomed than we expected, I fear.

-

And that should be it! What a wonderful MV this was! It’s nice to really get insight into what Teruko and Mai’s relationship looked like, sort of, and I know I’ll personally savor some of these frames forever. Loved it. Happy 5th anniversary everyone, and happy birthday Mai! Thanks for reading! See ya’!

[amfstargirl]

Details of half return

The narrative starts with y/n going back to their old house, where they start with reminiscing about memories from their old home. They admire every mark they left in their home when they were a kid not knowing that was the last time they were gonna live and make memories there. It's also a perfect situation where you can relate to Adrianne Lenker's lyrics, specifically in which she says, “standing in the yard, dressed like a kid,” which indicates a moment of nostalgia. To me, this song is highly associated with missing the innocence, youth, childhood, or simply who you were in the past.

 If you're wondering why the reader goes to their old house, it's because it's a way of letting go for them. As they have said in the story that it was a way of letting go and mourning that version of them. Because you can never really let go if you're not mourning/did not mourn even the slightest.They saw it as a necessary step in the process of growing and becoming a new person.

In the old house scene, you can see the memory of the reader, where they see the life they want in the lives of others, making them yearn for that. The space between two windows, reader and their neighbor, indicates or symbolizes their current life (reader's window), while the other mirrors the life they long for (neighbor's window), like a window to their desired reality. So watching the Barbie movies/shows through their neighbor was them actually watching the life they wish for. 

Also, the puppy she found on a random day while she was alone. The puppy is a symbolic object of the reader. As you saw in the first scene where they both first met, it was said that the puppy was just crying for its mother and father, hoping, waiting. (That's eerily familiar, don't you think?) And! The reader named the puppy “Amara,” which, if I'm not mistaken, means forever loved, which she is. Amara was a mirror of y/n's soul. And y/n treated them the way they have always wanted to be treated. 

But Amara is not a mirror to the current reader's soul. Do you get it? Because Amara was the symbol of the past version of them, which means they were the beacon of youth Y/N once had. Amara staying and waiting within the walls of where they both grew up just connects to y/n’s journey of letting go. That is why when the reader saw her, whispered gently to her and reassured her that it was okay, that she could rest now. representing readers' way of saying goodbye to the old y/n and letting them rest. The scarred innocent of their younger self is now free from the heavy pain of the things they went through. 

The scene where the reader “made up” with their mother and the fact that their mother admitted she never hated them that much but couldn't confirm that she didn't entirely hate them is SO important. It was a moment where their mother finally acknowledged her faults and apologized bitterly but with sincerity. She was very honest in that scene, as she knew that was what you needed and wanted. No sugar-coated words, only the truth. Also the fact that they made up, but it was also going to be the last time they would see each other!! Because the reader cut them off on good terms, and that was the final step in making peace with everything that was part of their past. 

Also, if yall were wondering how the reader “moved on” with the Bat family, it was actually the first ever step they took in making peace with their past. As their way of doing it was just accepting. Accepting that they will never see them as family, and they will never be interested in them in any way. (Guess who got clowned.)

And Alfred, who was driven by his own selfish desires. Now we all know that it was Alfred who took care of the reader the moment they got to the manor, so naturally it would be Alfred who first spiraled into yanderism. I like the idea of Alfred; despite wanting what's best for the reader and what makes her happy, he is still a yandere. And that means he still has traits of a yandere, which is what made him come up with a heavily detailed plan. 

[strangeaxel]

you appear to draw isaac and gerard as being very physically close. cuddly even (:3c), and i want to learn more about this specific aspect because its so cute.. were they always like that? did they have to build up a lot of trust in each other first? how do they see and engage with touch? are/were they ever touch starved?

Drawing a made for the ask lalalala

First of all, thanks for the question! <3

In Gerard's case he used to touch Isaac's hands for example or shoulders to basically indicate he was safe with him and also try to communicate he wanted something more than a friendship with him when they were starting to know each other. I feel like even tho Gerard doesn't consider he's romantic himself in a traditional way i feel he actually is-- (Like when Susana Gimenez asked Charly Garcia if he was romantic and he said yes and Susana asked him "really? You like a dinner, with roses and candles??" And he said "i said im romantic, not stupid" lmao) He calls bitch pet names and cute things even tho she's always abusive towards him, he still tries, so imagine how much freedom could he have with someone like Isaac, a guy that has an anxious attachedment style. I feel he is the way he is in the game as a way of self defense, a way for him to cope with all the shit he has to go through all the time xD so he can't show much emotion or tries to hide it with humor, but in Isaac's world, this paradise isn't so bad, it's more,,, realistic. He doesn't have the constant need to hide his needs in a relationship like he used to (Well, only in private since ... its the 90s-2000s, duh). Gerard started to be more expressive with his physical touch towards Isaac as went time on, cuz of isaac's delusions of people being infected or sinful (this last one mostly because of his alters, for example, Demon) and also so Isaac could have time to process his own feelings, being someone who tries/tried to be a devoted christian this relationship felt wrong in all senses, it took him some time to accept he indeed liked him. Isaac isn't someone who would be nagging you on the streets is he saw you in, for example, a gay relationship, he's ignorant mostly, he doesn't have evil intentions (he also uses this ignorant/innocent view as a way to cope with his own emotions towards man).

While in Isaac's case, once he accepted it/half accepted it started to do your typical couple stuff, only in private, he gets mad when Gerard holds his hand on public and even tho this bothers Gerard a little bit he just can't complain, he understands but also well... his wife was much worst than this. Isaac feels safe cuddling with him, he feels like nothing wrong can happend when he's around (even tho Gerard's bad luck follows him everywhere lol), sometimes when he's having strong episodes because of his delusion it feels like he and him are the only non infected. Isaac has BPD so touch and words mean a lot to him even tho he isn't the best showing his love in a conventional way + he's non verbal for most of the time, it's like they both have two different types of autism lol

I think that's all i have to say about this at least for now, i'm still working on the ship but these types of questions really help me to understand and think of ways to improve it, thanks a lot for the question once again, i'm glad people are interested in knowing about my au/ship.

The song i used as lyrics for the drawing (i love this Tribute so much, please go check it out):

[lunaatthezoo]

Ok @yellowmusings 👉👈

~ they are the only couple on time to ANYTHING. And every time they just look at each other and shake their heads like we should expect this by now.

~ azriel gets elain her own dagger for their first solstice together. It's incredibly elain-coded like think:

And she LOVES it and has all these cutesy thigh holsters that she uses to wear it at all times.

~ tattoos: Elain has a Truth-Teller tattoo down the side of her thigh. Azriel has jasmine climbing over his chest intermingling with his Illyrian tattoos.

~ Tea: they have so much tea in their house. Tea for every occasion. A whole shelf for decaf. A whole shelf for caff. They know exactly how each other takes their tea and are meticulous about preparing it perfectly for each other.

~ Rosehall: Elain and Azriel's mother strike up a quick friendship in the gardens of Rosehall. they go to visit her several times a month, and Azriel usually just sits and smiles faintly at his two greatest loves chatting and working in the garden together.

~ Home: Rhys gifts them the Townhouse and Elain immediately Elain-ifies it. Flowers and potted plants everywhere. Cass complains every time he's there because of his allergies but Az defends Elain to the death, telling Cass to suck it up.

~ They cut each other's hair, and Az is actually really good at it. He always takes way longer than he has to because he loves having his hands in her hair. He also meticulously washes her hair with his bare hands prior to cuts.

~ When they go Court of Nightmares events, Az makes it very fucking clear that Elain is his. As if he wasn't already terrifying enough at the CoN, you should see him with his wife on his arm. People avert their eyes because they're afraid of him tearing them out their faces if they look at her. They waltz. All the time.

~ Azriel sings to Elain when she can't sleep or when she's having a hard time. His mother used to ask him to sing to her for the one hour he was permitted to he with her each week as a boy, and he sings that song to Elain. No one else besides Elain and his mother have ever heard him sing, but he sings like a gods damn angel.

~ Elain loves flying with Azriel. He finds all the most beautiful places in the world to take her flying, just to see the wonder on her face. Elain loves feeling the wind on her face and hearing the song of the wind.

~ they both really like the Dawn Court and often go spend time there to get away from everything every once in a while. They love the NC and it is their home, but they go to Dawn for peace and quiet sometimes. Azriel and Thesan's Peregryn mate are good friends.

~ They send little messages to each other through Azriel's shadows, and it's so cute. His shadows are also always keeping track of Elain's whereabouts and safety.

~ they start hosting family dinners at the townhouse and elain always cooks the most disturbingly elaborate feasts for them. Azriel always gets sick of the company and kicks everyone out so he can have his wife to himself as the night grows late.

~ Elain wears a cobalt wedding ring made from a piece of Azriel's siphon. Azriel wears a band with a rose quartz gem embedded in it (this is not my original idea!! Many others have used this i am just 😍😍)

~ they have a private little wedding with just the IC, Azriel's mother, and Nuala and Cerridwen present. And it's the most beautiful softest thing anyone has ever witnessed and everyone cries their fucking eyes out.

once Elain and Azriel are together how do you think they’ll interact in front of the others? Are they into pda? Do they talk more? Are they funnier? Do they play sneaky pranks? Are they sappy? Does she get bolder? I can’t decide what I think on it and I’m sooo curious.

I love this question. This is what I think about most of my waking hours I'm not even JOKING. Here are some of my elriel endgame headcanons. Many inspired by other creators like @merakimoonglade @moonfalles @murkyrealms @jasmineandcedar @nikachansstuff @tswaney17 and so many other wonderful people on here.

~ Touching ALL the time. Not inappropriate PDA, but just touching to know that they are there together. Azriel keeps touching Elain because he can't believe he's allowed to, and can't believe how lucky he is. Little butt pats when he walks by, kisses on the forehead and shoulder, hands tangled in hair while they're sitting, little squeeze of the waist. A hand on the thigh. A kiss on the knuckles. Elain can't resist touching Azriel either because she can't believe this is her life now. They always need to reassure themselves that this is real.

~ I think they have the potential to be the funniest couple, in a quiet, subtle way. They have both demonstrated so much subtle humor, with Elain's gifts, with Azriel's interactions with other characters. And they both notice things most others don't. I think they would do hilarious things to get out of social obligations that they don't want to deal with or when the family is being too obnoxious, taking advantage of their powers. They're gonna exchange meaningful looks and Elain will pretend she's having a vision or Azriel will pretend his shadows are telling him something and they'll just bounce hahaha.

~ I think they will both still be quiet, because it's who they are as people. But if it comes to defending each other's choices or honor, they are going to speak. Up.

~ I think the inner circle will be shocked and moved at seeing Azriel happy for the first time. He'll be pulling Elain into his lap, laughing deeply, gazing at her lovingly and tucking hair behind her ear. It's going to be a new, content side to him that they've never seen before. They won't really know what to do with it and Cass will probably use humor like telling him it's unnatural or gross to see him so happy lol.

~ I think they will spend SO MUCH time in bed. Yes canoodling but also just being there together. Imagine. When they wake up in the morning, they will spend so long cuddling, kissing, snuggling, just being there together. Az will bring Elain tea in bed. When Elain gets up early to garden, she'll be so quiet to not disturb Az's sleep because she knows this is the first time he's gotten peaceful rest in all his centuries.

~ I think Elain is already bold but I think with Az in her corner she will grow further in her self confidence and become more involved in what the court is doing.

~ I think Azriel will be the most deranged, feral, protective partner out of all the brothers. Just full obsession. Breaking fingers just for looking at his girl wrong. Ripping out hearts if they touch her. And Elain will just be like oh thank you ☺️🌸

~ I think their love languages will be acts of service and physical touch. They will ALWAYS be doing things for each other.

~ Elain is going to FUSS over Azriel and he's going to be like 😳 about it. She's going to give Rhys a talking to if he overworks her husband. She's going to make him see Madja for every nick and scrape he gets. She's going to force him to nap if he looks tired (and with her laying there stroking his hair, he will.)

~ Az is going to be absolutely positively undeniably whipped. Whatever his girl wants, she gets. She says jump he says I'm already in the air. She mentions a flower ONE time and the next day he's procured the rare seeds. His new title will be Azriel, professional Elain simp of the night court

~ Azriel will take Elain's last name. Because he is bastard born, he doesn't have a family name. So he becomes Azriel Archeron and is SO PROUD of it. He uses is last name whenever he can.

~ I think they will adopt children. Especially given Azriel's history, I think it would be very healing to give children homes who might otherwise feel unwanted or alone. And since Sarah is adopted I just think it would be a beautiful thread. Elain is so caring and nurturing she would be completely on board and SPOIL those children.

~ they're going to have crazy fucking feral animal sex (also, switches.) I'm talking extreme dirty talk, bite marks, handprints, knife play, strap ons, they're kinky. If I know ONE thing about Azriel Archeron, it's that he's a panty ripper.

~ Elain is obsessed with Azriel's hands. Azriel is obsessed with Elain's neck. They are both obsessed with each other's hair.

~ Azriel's pet names for Elain include: beautiful, love, angel, sweetheart. Elain always calls Azriel by his name because she thinks it's so beautiful, but sometimes she calls him "my love"

~ they are both PATHETIC about how much they miss each other when Az is away on missions. To the point where other people are like OK WE GET IT GOOD LORD.

I could literally just keep going. And going. And going. I have SAGAS of HCs in my mind. But I hope these scratch some itches 🥹

Thank u for the question, this gave me life.

[vestaclinicpod]

Audio Drama Sunday - 2nd February ✨

I feel like I’ve had such an audio drama-filled week, it’s been so nice 🥺

🦋 @remnantspod (26) Hoooo boy. Listening to this one before work was certainly a Choice!! I found the exploration of how disability affects people around you in ways you can’t control and may feel guilt about something really valuable to explore. My wife had a big operation and needed a wheelchair for a while last year and it was something that came up for us, but I’ve never seen it explored in audio drama! 

And, of course, we hit again this idea of unfulfilled potential - the typewriter  that was never used. The scenes with Sir and the Apprentice were very interesting…The idea of it being safe to give the apprentice information because he ‘won’t last’ made me wince. Also I’m back on my angel Peter BS, I think Sir is actually meant to be judging ‘the apprentice’. The Apprentice seemed not to fear the ‘dust’ when he’s seen it. But I don’t know how to feel about something that can make Sir beg… 

🎃 Waiting For October by @monkeymanproductions (4) hello, I am here to give my life for Frederick! 😻 I really loved the train gremlins, for some reason they really reminded me of the film Labyrinth but I don’t know why! Poor Karo, every part of this trip is bringing up so much for her. 

🧋 @hinaypod (33-34) I’ve listened to so much Hi Nay this week as the episodes were split into parts. I finally hit the bit where Murphy has to make an awful decision, but I’m yet to see the consequences! The fear death books make for some incredibly spooky tales! Hearing the house-sitter story from both perspectives was particularly chilling! I think these episodes have highlighted how much they need Mari around!! Also, I definitely missed the part where Laura and CJ got together officially! Good for u, girls!! ALSO, the idea that The Benefactor actually tried to split the power equally and is/was only going after people who tried to hoard power is verrrry interesting. In my head, he’s been set up as the Big Bad but it seems like there’s more to it than that! 

🍾 @ameliapodcast (43-46) what a great start to the season! I’m a little bit terrified by Kozlowski, and a little bit in love with him. I don’t know what is happening to my dear Interviewer, but I need a solution fast!! 

🌨️ @thewhitevault (17) Ohhh Dragana!!! She has been affected!! I had no doubt that she would be able to get them out of Goshawk safely. . . but now I do! And ugh, the scene where you hear the woman’s voice go repeat the cry for help at a different door is just awful! I love seeing the grípralviðr in action! It’s been so interesting to get a proper look behind the curtain at how the families operate through the eyes of someone who it’s all kind-of new to as well! 

🌵 @desertskiespodcast (12) Songs? Sung ✅ Astral Plane? Saved ✅ Tears? SHED!!! I was having a lovely old time listening to this episode until the new little passenger turned on the old lacrimal hosepipe. I’ve absolutely loved this season and I’ve only heard good things about what’s to come! 

I can’t tell you how excited I am for the return of @hellofromthehallowoods this week. Get me back to those black pines, please! I have missed you so much 🖤

[mairon-goth-minion]

“boys beware” by Mad Tsai but it’s Evan talking about Barty

[poorly-drawn-mdzs]

Master manipulator vs Master manipulator

 [First] Prev <–-> Next

[thejawsofmax]

Klance-coded Pierce the Veil songs !!

— i only did 7 songs but i might make a big post with a few songs from each album that make me think of klance (also please be nice to me, this makes more sense in my head and im bad at describing stuff!!!!!)

Caraphernila

“and baby honestly it’s harder breathing next to you”

i think of it as keith and lance’s envy towards each other. they both feel overshadowed by the other without knowing how much they are admired by them

“hold my heart, it’s beating for you anyway”

holding his heart is letting him feel all of his love and emotions, even if it gets crushed. i think this is how keith and lance’s relationship works. lance is literally one of the only people that makes keith feel seen, being able to understand his emotions with barely any words (i think about the scene where everyone just looks over at lance and waits for him to go comfort keith. and lance does so, not even knowing that everyone was expecting him to do it)

“So what if I can't forget you? I'll burn your name into my throat, I'll be the fire that'll catch you”

i think about this as post canon klance. they have left such a big impact on each other’s lives, and then they just go their separate ways??? like no keith is definitely still thinking about lance who’s down on earth. he doesn’t want to forget him and probably never will

Million Dollar Houses (The Painter)

“would you ever try to leave me for somebody who deserves you most”

i think keith would still have some sort of lingering fear that he isn’t enough for lance, despite not actually dating him. so lance “leaving” him for allura in season 8. this can also play on lance’s insecurities, especially when in comparison to keith

“but, baby no, sometimes things don’t work out the way we planned”

OKAY THIS ONE IS DUMB and like kinda generic but it makes me think of how they were doomed by the writers LMAO

“maybe we’re meant to lose the ones we love but i’ll fight for you till then”

both keith and lance have lost a lot during the series’s events but they keep pushing further (especially with the help of each other)

Flawless Execution

“i’ll scar you with my flawless execution every time”

i think about this a lot with black paladin keith + red paladin lance. they are both learning to step up, wanting to prove themselves worthy of their positions.

“i’m not obsessed, far worse, i’m fine” “i didn’t mean to burden you with love in my condition”

this describes someone who’s love is so intense that it’s overwhelming. this is very klance to me because of how deeply connected they are to each other without even knowing it. keith being the person who gives lance the reassurance he needs, and lance being the person who is able to either push keith to do something or pull him back to rationalize his thoughts. THEY CANT LOVE LIKE NORMAL PEOPLE because they are stupid and i hate them

“you and i are blood and wine”

shows how different they are. they’re complete opposites but still somehow complete each other

First Punch

“i’ve got so much to give, but i would kill just to feel less invisible. and you got so much to learn about gravity, so live it up baby don’t look down”

this one is more about lance and his insecurities of being a paladin. although he desperately wanted to use the black lion, (s3 in the ep where they were seeing who the black lion would respond to, lance really hoped it would be him, even sitting in the lion longer than the other paladins did, just hoping it would work) he supported keith and pushed him into stepping into his new role.

the rest of the song is a lot more aggressive and i don’t think it fits keith and lance’s feelings towards each other. like even early season klance doesn’t have the same hatred as in the song but the bridge will always be lance to me

Dive In

“now i wanna be the tattoo ink that swims down through the needle in your skin”

PEAK ROMANCE‼️ i don’t have a lot of reason for this one but being tattoo ink in someone’s skin is like being with someone forever. it makes me think of the permanent scarring there were left with by the end of the series (keith’s face scar after returning to voltron and lance’s altean marks in the finale)

I Don’t Care If You’re Contagious

“And I don't care if you're sick. I don't care if you're contagious. I would kiss you even if you were dead”

this is not really based on any canon content. keith and lance are so deeply intertwined with each other without even knowing it. platonic or romantic, they care about each other. and i have very much think this insane devotion in this song feels like klance core

“I'm gonna tear out the thread one by one from your skin. Till your bones feel embarrassed from all the attention. Kiss me while I drive”

PEAK ROMANCE‼️‼️ this song just generally makes me think of ships i like because this song is full of love and devotion i love it

Even When I’m Not With You

“Even when I'm not with you, I'm still with you”

this always makes me think of when keith and lance get separated. especially when keith leaves voltron, he’s still with lance (especially bc i like to think about keith leaving lance with his red lion, giving lance a little piece of him). this can so be post-canon klance because i know they are still thinking about each other even though they’re off doing their own things

“Even when I think I hate you, I still love you”

even despite any fighting, bickering, and disputes, keith and lance always care about each other, wanting them to be able to work together as a team. especially with black paladin keith!!! lance is always trying to make things work because he’s passionate about voltron’s success (and by further extension, wanting keith to be a good leader)

“Look how far we've come. Think I've finally won”

vic fuentes “think i’ve finally won” is in reference to being able to settle down with his wife. and so like i think about this as klance. by the end of the series, they both got their ending (i don’t like lance’s ending i fear) but they actually are “winning” when they are together

notes: IM SORRY A LOT OF THESE ARE POORLY EXPLAINED :(( but i heart klance and ptv so much

my secret useless talent is that i can make any pierce the veil song be about klance

[neon--nightmare]

forest fire by ajj is SUCH a loveball fresh song to me bro

[uhbasicallyjustmilex]

fire and the thud came on my spotify shuffle while me and my sister were listening to music this afternoon, and at the end of it she turns to me and goes “who was that? the lyrics sound like the kind of thing you’d write” and honestly i think it’s one of my favourite unintentional compliments i’ve ever received

[bmpmp3]

the really beautiful landscape/skyscape animation in makoto shinkai's works tends to be the big thing i see focused on and that is understandable and deserved like the weather and lighting effects are unREAL but i do think we should also appreciate how absolute insane the plotlines of his original movies get. at least two movies with in universe catastrophes with major ecological implications. the guns and explosions. theres that one movie i havent seen yet with the guy who turns into a chair (?)

[powerfulkicks]

fucccccckkkkkk i really need to write that octet video essay that's been percolating in my head for years

[statementlou]

x

[oddly-informed-raven]

Listening to Girl in Red's i wanna be your girlfriend on repeat in my room alone rn. No reason. Just for funsies.

[deathisamotherofbeauty]

.