#actual TLDR:

[callmegaith]

Hey! I'm just wondering where you got the idea to start shipping Dale and David? (Cool art btw!) As far as I know they've met thru Birthday but are they related in any other way?

Oh boy. Okay. This is gonna be all over the place.

So birthday, you get the letter from David saying he's sorry and all that. Yeah. Dale and David are connected, we just don't know how yet. Something important to David was for whatever reason in Dale's home.

But really the appeal just comes from what if scenarios. Both Dale and David are victims of their circumstances. David made Dale the person he is. He set him on the path of the lake, doom pretty much. And seeing he was remorseful for that in his letter, I like to imagine a world where David is doing his best to undo the damage he's done....

And so Down the Rabbit Hole is born. (If you haven't read it, I feel like it explores my idea for their dynamic better than my rambly post can. It's a comic series I'm working on exploring Dale and David's relationship during David's own paradox journey)

To me they are like two people chasing each other for opposite reasons. David just wants forgiveness so he can let go of the guilt of what he has done to Dale, and Dale wants peace of mind and an end to the trauma that the events of that day caused him... Or revenge even.

The potential of those two just... Meeting again, talking, and David finally having the chance to clear everything up to Dale can make for something so beautifully tragic. There's a story to be told here, not necessarily romantic. But a good tragic story about healing and moving on which is what I want for both of them more than anything. David has turned his back on the Lake. He has betrayed his gods and ran away unlike the rest of the souls at the bottom of the lake, and Jakob wanted to hunt him down and kill him for that. He's been up to something we don't know since then and that eventually led him to Dale. And I just imagine a world where the two of them become the characters that break the cycle of the Lake.

It's the star crossed trope really. With all the jumping around and changing pasts and futures in this game, the idea of them being doomed in every loop, every universe, every recreation. It's appealing to me. Just two people who are broken, running circles around one another but never being able to reach out to finally break the loop. And so they're stuck, never being able to move on while desperately wanting to. And there's just something so MWAH, chef kiss, about the tragedy of them.

So TLDR??? Makebelieve and doomed yaoi :)

It's really hard to explain and I do it better with art than words. I'm not very good with explaining things so I'm sorry if this made 0 sense. But hope it answered your question well enough or that at least Down the Rabbit Hole gave you a better idea than this xD (tho Down the Rabbit Hole is not a ship comic, it just shows the dynamic and idea I have for them)

Generally, the ideas I have for them aren't specifically romantic. I just like dudes kissing :)

(which I never even drew them doing except for a meme)

So yeah, gay, not gay, I just want the two of them to meet again and reconcile.

[starry-bi-sky]

this just in: danny fenton is just as much of a mask as Brucie Wayne? - another danyal al ghul au

Turns out, being placed in a civilian family who have no knowledge of your background is actually detrimental to the health and development of a child assassin due to lack of proper support! Surrounded by strangers in a foreign city, Danyal Al Ghul does as assassins do best. He hides. Espionage is one of many teachings one learns in the League, and it only takes half a day for Danyal to construct a new persona to hide behind: Daniel Fenton.

By the time dinner rolls around, Danyal al Ghul is safely and securely tucked behind the face of Danny Fenton; brand new adoptive child of the Fenton family who came from overseas. A shy, quiet little boy with a thick accent and curly hair, with brown skin and blue eyes, and an avid interest in the stars. The best fictions are always cobbled together in a little bit of truth, it's some of the only truth he ever lets through. He apologizes in a meek voice for his behavior early, he didn't mean to be rude, and he watches the three of them eat it up with coos.

Lies roll like silk against his lips, he struggles to meet their eyes and offers them his weakest, shyest smile. It's too easy. It's easy to go from there.

Danny Fenton, adoptive son, shy and awkward and unconfident but friendly. Who struggles in his classes and isn't the brightest, but tries his hardest. He makes bad jokes and has a quick tongue and a sarcastic mouth. He wants to be an astronaut. He's got the best aim in school, and is a terrifying dodgeball player. He's one of the least athletic kids in his grade.

It's like playing two truths and a lie, but there's only one truth, and the rest are lies. It's easy to pretend when he knows it's insincere.

Danyal Al Ghul, grandson to the Demon Head. Deadly, trained assassin. Has spilled blood, has had blood spilt from. Environmentalist, animal activist. He loves the stars. He owns a calligraphy set. A sharp tongue, an even sharper blade. He's clever, quick-witted, he would be top of his grade if he tried harder. He purposely doesn't.

He misses his family. He misses his mother, and he misses his brother. Mother visits a few times a year, so few times that he can count it on both hands. He cherishes every visit, as brief as they are. It helps remind him who he is.

Sam and Tucker are Danny's best friends. They've never met Danyal, but Danyal's met them.

It becomes routine to become Danny Fenton. As familiar and as easy as pulling on a shirt in the morning. Danyal wakes up and is always first to the bathroom in the mornings; stares at himself in the mirror until he can finally see Danny staring back at him. At night, he locks his door and sheds the mask.

Dying throws a wrench in his mask; splits a crack straight through the porcelain. He's able to smooth it over with sandpaper and liquid gold, but it's a little hard keeping his ghost form under wraps. It instinctively wants to shift to show his true self. Danyal can't have that, he's spent four years as Danny Fenton, he'll spend another four as him as well. Even if the feeling of the hazmat suit in his ghost form feels restrictive, like a too-small shirt suctioned to his skin that needs to be peeled off.

He'll live. Er-- well, you know what he means. It's frustrating however, trying to keep his Danny Fenton mask up even as Phantom - fighting in the air is something he needs to get used to, and the sudden propping of powers throws him off. But he is nothing if not adaptive, and he hates that he needs to slow his own skills down in order to keep pretenses up in front of Sam and Tucker.

The first time Danyal summons a sword when he's alone, is one of the few times Danyal gets to grin instead of Danny. He's fighting Skulker, and from an invisible hilt he draws a katana from thin air. It startles them both. Skulker takes a step back at the smile that spreads across his face.

They're both silent as Danyal examines his new sword.

"Do you know what people like me do to people like you, poacher?" Danyal finally asks him, the accent he began to hide a few months in slipping through. He drops all pretense, dragging the flat end of the blade slow and appreciatively against his palm. It's a good make, and when he cuts it through the air, it slices through like butter. He looks up at Skulker with a smile; "are you ready to find out?"

When Sam and Tucker ask about why Skulker seems so skittish around Danny now, Danny shrugs at them and says with a playful smile; "I don't know, I guess I kicked his butt too hard after our last fight." and he watches as Sam rolls her eyes exasperatedly, and Tucker snickers with his own joke.

By the time he reunites with Damian before their 15th birthday, Danyal is buried beneath so many layers of Danny Fenton that his brother will need a shovel to dig him out. He's not sure what he'll find.

[scarycranegame]

EVERYONE SHUT THE FUCK UP AND READ THIS.

THE CURRENT VOTE COUNT IS NOT THE FINAL RESULT.

IT WILL TAKE SEVERAL DAYS TO COUNT ALL OF THE VOTES AND DETERMINE WHO WINS THE ELECTION (POSSIBLY MORE IF A RECOUNT IS NECESSARY).

IT IS VERY LIKELY THAT THE FINAL RESULTS WILL NOT LOOK LIKE THE INITIAL RESULTS.

STOP DOOMPOSTING AND LEARN HOW THIS SHIT WORKS.

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[s0fter-sin]

soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart

sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers

and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure

the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish

soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down

he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill

we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan

he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost

he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them

he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted

he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much

[c6jpg]

Well? Have I convinced you yet?

[fizpup]

valentine, you're a horse ❤️

[non-dys-sys]

It’s never okay to lock a headmate away, never. They could be the worst person in the world, you still shouldn’t lock them away. There’s a difference between keeping headmates away from eachother and taking away someone’s privacy, free will and connections. You are abandoning that headmate, you are telling them that they are not worth helping, that they don’t deserve to get better. If talking it out doesn’t work for them there are other options, I’d recommend giving them their own space to speak their mind without threat of mistreatment for it, for starters. If someone really doesn’t want help don’t force it on them, just let them know it’s always an option and leave it at that. -Ange

[beforetimes]

on the telepathy thing tho—does anyone think there's a world where charles (in the dofp-verse) would actually use it against erik the way erik keeps goading him to try? because i feel erik keeps assuming the worst out of charles and wants charles to prove him right in that assumption but i also think that were they together, it would be a show of erik's trust in charles to offer to let charles take control of him and let himself float to the back of his mind instead of clinging onto that relentless need for control that would leave erik so wound up

[turtleblogatlast]

Man I’ve said it before but for as annoying as Leo can be to Hueso, it’s still abundantly clear that Leo has inadvertently done a lot for the man? Yeah, he’s gotten him into a fair share of hijinks, but at the end of each of those was a long standing problem in Hueso’s life solved just like that.

In particular, Hueso’s exile from the Hidden City and his feud with his brother are both solved through Leo’s intervention, and it’s also sweet that both of these issues’ respective episodes end with Hueso happy.

[miguel-owhora]

thinking about price taking you in as a stray and letting you join 141. at first, god, you're aggressive and defensive, baring your teeth at them and snapping if they get too close. unlike the other squads, they don't judge you, they don't get angry with bow much you react. they're patient and willing to work with you, because they were once like you.

you react with violence and aggression, with a type of reaction that only former fighting dogs have, because that's what you were taught. ghost doesn't speak much with you and instead fills the silence with his presence. he'll stand in front of doorways and block you from leaving, forcing you to get used to his presence, holding eye contact even as you glare at him and snap his way, because no, [name], this isn't how we do things here. i was once like you. you'll come around to see that we only bite at our enemies, not our family. he's forcing your instincts to calm down, forcing your mind to rewire itself and to recognize that he's not a threat. only does he leave when you don't react when he moves a little too fast.

soap follows you and chatters away with you, and every growl and snap and flash of your eyes is just met with him blabbering away. it's his way of bonding with you, of also forcing you to get used to him. it throws you off when he just laughs when you snarl his direction and speaks his scottish tongue, his accent thick and heavy and leaving you confused. he's friendly and bubbly, if a bastard, and goes quiet when you don't glare his way whenever he speaks a little too fast and a little too loud.

gaz is a mixture of both. sometimes he won't say anything, he'll force his way into your proximity and hold eye contact when you try to scare him away. or he'll let his voice be soothing and calm, and make conversation with you, even if you don't respond. sometimes he'll be repairing something or cleaning his weapons, and he'll make light conversation. he notices you're calmer when his voice is quiet and even, and how you focus on his hands. not fearfully, but more grounded. he makes note of this.

price is the only one who gets physical with you. he first notes how you react to certain things, how you flinch and snarl and lash out. then, he forced you to deal with them. he'll struggle with you and wrangle, unflinching even when you bite his forearms and kick at him. he's a captain for a reason. you might've been his most challenging one yet but nothing he can't break.

and break you does he. not maliciously, no, but rather, he breaks you out of your old mindset. a once fearful soldier burdened and haunted by his past, willingly seeks out his teammates.

you cling onto ghost and invade his personal space, forcing your way onto him and sleeping on his chest like an oversized cat whilst he scratches at your scalp. or blabbering with soap and having conversations and jokes that don't make sense to anyone, teasing ghost together until he throws you two a dirty look. or spending some quality time with gaz and sparring with him or even just having lunch together, mingling together on the couch like slime, content to be in each other's presence m, whether if you're talking or just quiet.

and price, oh price. you seek him out the most. he's your favorite. you're his favorite, especially when you pull his pants down and nurse his thick cock into your mouth. the captain isn't harsh with it, he's gentle and patient, gently scratching your scalp as a low groan slips out of his mouth, your mouth warm and wet. trained by the best, you're a pro at taking his cock, at licking at the vein trailing up his cock and making it jolt. oh how he smells so delicious.

[starry-bi-sky]

Who is the more well-adjusted twin; Damian, or Danyal? Why, it's Damian, of course!

And I have an explanation for this! But first I wanna preface this that this is just me like, rambling about this thought I have and it's not an attack on the trope as a whole. I love the Danyal Al Ghul au which is why i'm so deeply passionate about it, because I think it has a lot of potential to be explored. It's no secret that I've mentioned before that I think Danny's psychological development tends to get overlooked and underutilized in DAG aus, and the impact that growing up in an assassin league often goes ignored. This is just me further expanding on that.

Now lets set the stage! This is specifically for Danny who is adopted by the Fentons later down in life. Lets go twin au. At 10 years old, Damian goes to the Wayne Family, Danny is adopted by the Fentons (regardless of their affiliation with the League). By 14 years old, who ends up the better adjusted, more socially aware, spiritually in-tune with themselves, sibling? Why, Damian is! Why is that?

Because he has the actual support he needs compared to Danny. And I'm not talking about good or bad parents Fentons, because either way my opinion doesn't change. Damian would end up the better off twin, because, frankly, his family knows his background. They know he grew up in the League, they know what the League's teachings are, and they know he's a born and raised assassin. Knowing this, they can then help tackle and dismantle the teachings and lessons he has been given and ingrained into by the League. They may be a dysfunctional family, but they're functional enough to at least actively help deprogram all of the League's teachings that have been ingrained in Damian throughout his childhood.

Can't say the same for Danny.

Lets say Fentons here don't know his background -- and even if they do, the results may just stay the same if they play their cards wrong, -- Danny's now just been thrown into the deep end of a pool and is essentially being told sink or swim. Regardless of how he got there -- undercover, faked death, etc -- he has no proper support. He knows the League is meant to be secret, he's not gonna speak on it for various reasons. Whether it be some still lingering loyalty, fear of harm, or whatever. Whatever the reason is, he does not have a proper support system in the Fentons, no matter how nice they are. They can only tackle the surface level stuff and whatever Danny allows them to see -- if Danny ever lets them see it at all. For what do assassins do when they don't want to be caught? They hide. Sometimes in plain sight.

"But Jazz--" Jazz is a child. She is 2 years older than Danyal and no better at giving him a proper support system than the two adult Fenton parents, even with parentification. We don't know when she got into psychology or how long she'd been studying it by the time Danny's 14. We just know she's really into it. Even then, Jazz is not a licensed or reliable therapist, or even an experienced or implied good therapist, and should not be used as one either. It's a disservice to her character to reduce her down to 'supporting female emotional crutch'. Besides, therapy only works on people who want to get better. Danny, who'd be hiding who he really is, has very little incentive to want to, or to even think something is wrong with his way of thinking, even with exposure to the outside world.

When people's beliefs are outright challenged, they tend to double down on them, and Jazz canonically has a habit of psychoanalyzing her family and declaring what she thinks is the problem -- regardless of whether or not she's right about it. Jazz would get into psychology, try and psychoanalyze Danny, and all it would do is cause him to clam up, shut into himself further, and throw up even more walls so that she can't figure out that he has been lying this whole time. It would do more harm than good, and would actively hinder any progress he'd make in trying to open up to them. Roads and good intentions and all that.

That being said, I think Danny's development and dismantling of the League's teachings would be slower than Damian's. Much slower. Because he would be the one having to pick apart everything and figure out what is right, what is wrong, what he wants to keep, and what he wants to toss. Everything he unlearns would be stuff he has to unlearn himself. If he even gets to that point at all -- depending on his experiences, he very well could not change at all, or change very little. The League acts as a purge for humanity, meant to reign in their hubris and retain balance, they just also happen to be assassins for hire. Danny's time spent in Amity Park could as well strengthen his belief in their teachings just as much as it could weaken it, especially if it goes as canon and he gets bullied.

Regardless, being tossed to a civilian family as someone who is very much not a civilian, without any support, would be actively detrimental to Danny's overall mental health and development. Especially to strangers like the Fentons. Damian was closed off and standoffish even with blood family, and it took him time to open up to them -- Danny, with the Fentons, would be even more so. He doesn't know them, he doesn't trust them, he has no rhyme or reason to open up to them, and since the Fentons don't actually know him, they can't help him the way he needs. Once "Danny Fenton" is made, he has even less reason to open up. So long as Danyal allows it, they will only ever know Danny, and they'll never know Danyal.

TL:DR the Fentons aren't the better family option just because they're civilians, and actually that makes them the worser option between the two because they can't give Danny the proper support he needs. You can lead a horse to water, but you can't make it drink.

[blueskittlesart]

deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao

not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad

[nthflower]

Cuno should join Hardie boys in the future not RCM btw my unpopular hot take opinion thingie.

[tea-cat-arts]

I simply think this fandom doesn't give Wei Wuxian enough credit for the various ways in which he saved Lan Wangji