#actual TLDR:

[callmegaith]

Hey! I'm just wondering where you got the idea to start shipping Dale and David? (Cool art btw!) As far as I know they've met thru Birthday but are they related in any other way?

Oh boy. Okay. This is gonna be all over the place.

So birthday, you get the letter from David saying he's sorry and all that. Yeah. Dale and David are connected, we just don't know how yet. Something important to David was for whatever reason in Dale's home.

But really the appeal just comes from what if scenarios. Both Dale and David are victims of their circumstances. David made Dale the person he is. He set him on the path of the lake, doom pretty much. And seeing he was remorseful for that in his letter, I like to imagine a world where David is doing his best to undo the damage he's done....

And so Down the Rabbit Hole is born. (If you haven't read it, I feel like it explores my idea for their dynamic better than my rambly post can. It's a comic series I'm working on exploring Dale and David's relationship during David's own paradox journey)

To me they are like two people chasing each other for opposite reasons. David just wants forgiveness so he can let go of the guilt of what he has done to Dale, and Dale wants peace of mind and an end to the trauma that the events of that day caused him... Or revenge even.

The potential of those two just... Meeting again, talking, and David finally having the chance to clear everything up to Dale can make for something so beautifully tragic. There's a story to be told here, not necessarily romantic. But a good tragic story about healing and moving on which is what I want for both of them more than anything. David has turned his back on the Lake. He has betrayed his gods and ran away unlike the rest of the souls at the bottom of the lake, and Jakob wanted to hunt him down and kill him for that. He's been up to something we don't know since then and that eventually led him to Dale. And I just imagine a world where the two of them become the characters that break the cycle of the Lake.

It's the star crossed trope really. With all the jumping around and changing pasts and futures in this game, the idea of them being doomed in every loop, every universe, every recreation. It's appealing to me. Just two people who are broken, running circles around one another but never being able to reach out to finally break the loop. And so they're stuck, never being able to move on while desperately wanting to. And there's just something so MWAH, chef kiss, about the tragedy of them.

So TLDR??? Makebelieve and doomed yaoi :)

It's really hard to explain and I do it better with art than words. I'm not very good with explaining things so I'm sorry if this made 0 sense. But hope it answered your question well enough or that at least Down the Rabbit Hole gave you a better idea than this xD (tho Down the Rabbit Hole is not a ship comic, it just shows the dynamic and idea I have for them)

Generally, the ideas I have for them aren't specifically romantic. I just like dudes kissing :)

(which I never even drew them doing except for a meme)

So yeah, gay, not gay, I just want the two of them to meet again and reconcile.

[corvus-frugilegus]

The real tragedy of the Dellamortes is how inevitable Illario's betrayal was.

Caterina's refusal to really see either of her grandsons for who they are sets all three of them on this path. Lucanis's mother was Caterina's favourite, she was probably the person Caterina had in mind to succeed her. That loss, the loss of so much of Caterina's legacy had to have been devastating. She'd built so much and it was all torn away in a single conflict. All she has left in the wake of it is two young boys and this tenacity that will not allow her to give up on what she's built.

So she puts it all on Lucanis. The son of her favourite (bonus angst if he looks like his mother). She's unable to see this sweet boy who loves wyverns and just had his life ripped apart for who he is. She just see's her legacy. The daughter she lost. She puts it all into him, he's pushed into the role of favourite.

Lucanis responds to this by shoving down the parts of himself she doesn't want to see- his gentle heart, his love of wyverns, the little boy who needs to be loved. If he's good enough, strong enough, the perfect crow, the perfect granson- then and only then will she love him, will he be safe.

And then you have Illario! There isn't as much to go on in the text about his family or what he was like as a boy but there's a few things we can pretty confidently infer. Like Lucanis, Illario violently loses everything he has at a very young age. All he has left are the other two Dellamorte's.

But he isn't the child of Caterina's favourite. She isn't automatically putting all of her legacy on his shoulders the way she does Lucanis. He still gets the training, and what we do see in the wigmaker job and the wake and even in the codex entires in the game is that Illario does become a comptent and capable crow. He has a level of skill that I suspect is broadly expected of house Dellamorte, he was trained by the first talon herself. But the Illario we meet as an adult has this laissez-faire affect and presents himself as a seducer and a bit of a peakcock. He also very overtly refers to himself as Dellamorte-the-lesser and at the end of the wigmaker job when they're discussing the title of first talon you can feel the resentment below the surface.

For Illario it's not about the power and the prestige that comes from the title of first talon. It's not even about having the title itself. It's about FINALLY earning Caterina's love and respect. Things he undoubtly never felt as a boy.

How could he? When he's a child the only two people he has left in the world have this special bond that he never gets to be a part of. His only caretaker has a clear favourite and she shows it. He's lived his whole life in Lucanis's shadow, and a shadow that Lucanis never wanted to cast! Which if anything just adds insult to injury for Illario.

Lucanis has everything Illario wants and he doesn't even want it.

I imagine as a boy Illario tries SO HARD to win her love, her favour, he'll do anything to feel like he's loved and wanted and valued. And when after YEARS it doesn't work even though Lucanis clearly doesn't want the role he's been forced into? Illario gets resentful, he gets angry, he starts acting up. He becomes the suave peacock, the grandson who fucks up sometimes- probably not because he's bad at being a crow but because at least Caterina's ire is attention. It's a scrap of love.

Illario and Lucanis love each other. They're brothers. Illario resents Lucanis for being loved and favoured. Lucanis wants nothing more than to give it all to Illario. Illario doesn't want that he wants Caterina to love him on his own merit. At the same time (pre-inner demons) Lucanis will never actually give the title up because it means he's loved, he's valued, he matters.

The title of first talon has been synonymous with emotional safety and love for these two for their entire lives, and it's twisted them up so badly.

The real irony of it all is that this whole time Illario is so much more like the person Caterina wants Lucanis to be. Her heir, the Dellamorte best suited to be the next first talon has been right there infront of her all along, but she's so caught up in grief and legacy she misses it. She never really see's either of her grandsons for who they are.

I actually suspect that when it all comes to light, even though she's furious with him, Caterina finally starts to see what she's been overlooking in Illario all along. And Lucanis who's started to heal... well I think she's starting to see him too, and the truth of who he is is something she'll struggle to face.

When the day finally comes that Lucanis tells her he doesn't want the job, when him and Illario both accept that their lives have meaning outside of Caterina's opinion of them, is the day that the Dellamorte's can maybe start to really see each other.

[starry-bi-sky]

this just in: danny fenton is just as much of a mask as Brucie Wayne? - another danyal al ghul au

Turns out, being placed in a civilian family who have no knowledge of your background is actually detrimental to the health and development of a child assassin due to lack of proper support! Surrounded by strangers in a foreign city, Danyal Al Ghul does as assassins do best. He hides. Espionage is one of many teachings one learns in the League, and it only takes half a day for Danyal to construct a new persona to hide behind: Daniel Fenton.

By the time dinner rolls around, Danyal al Ghul is safely and securely tucked behind the face of Danny Fenton; brand new adoptive child of the Fenton family who came from overseas. A shy, quiet little boy with a thick accent and curly hair, with brown skin and blue eyes, and an avid interest in the stars. The best fictions are always cobbled together in a little bit of truth, it's some of the only truth he ever lets through. He apologizes in a meek voice for his behavior early, he didn't mean to be rude, and he watches the three of them eat it up with coos.

Lies roll like silk against his lips, he struggles to meet their eyes and offers them his weakest, shyest smile. It's too easy. It's easy to go from there.

Danny Fenton, adoptive son, shy and awkward and unconfident but friendly. Who struggles in his classes and isn't the brightest, but tries his hardest. He makes bad jokes and has a quick tongue and a sarcastic mouth. He wants to be an astronaut. He's got the best aim in school, and is a terrifying dodgeball player. He's one of the least athletic kids in his grade.

It's like playing two truths and a lie, but there's only one truth, and the rest are lies. It's easy to pretend when he knows it's insincere.

Danyal Al Ghul, grandson to the Demon Head. Deadly, trained assassin. Has spilled blood, has had blood spilt from. Environmentalist, animal activist. He loves the stars. He owns a calligraphy set. A sharp tongue, an even sharper blade. He's clever, quick-witted, he would be top of his grade if he tried harder. He purposely doesn't.

He misses his family. He misses his mother, and he misses his brother. Mother visits a few times a year, so few times that he can count it on both hands. He cherishes every visit, as brief as they are. It helps remind him who he is.

Sam and Tucker are Danny's best friends. They've never met Danyal, but Danyal's met them.

It becomes routine to become Danny Fenton. As familiar and as easy as pulling on a shirt in the morning. Danyal wakes up and is always first to the bathroom in the mornings; stares at himself in the mirror until he can finally see Danny staring back at him. At night, he locks his door and sheds the mask.

Dying throws a wrench in his mask; splits a crack straight through the porcelain. He's able to smooth it over with sandpaper and liquid gold, but it's a little hard keeping his ghost form under wraps. It instinctively wants to shift to show his true self. Danyal can't have that, he's spent four years as Danny Fenton, he'll spend another four as him as well. Even if the feeling of the hazmat suit in his ghost form feels restrictive, like a too-small shirt suctioned to his skin that needs to be peeled off.

He'll live. Er-- well, you know what he means. It's frustrating however, trying to keep his Danny Fenton mask up even as Phantom - fighting in the air is something he needs to get used to, and the sudden propping of powers throws him off. But he is nothing if not adaptive, and he hates that he needs to slow his own skills down in order to keep pretenses up in front of Sam and Tucker.

The first time Danyal summons a sword when he's alone, is one of the few times Danyal gets to grin instead of Danny. He's fighting Skulker, and from an invisible hilt he draws a katana from thin air. It startles them both. Skulker takes a step back at the smile that spreads across his face.

They're both silent as Danyal examines his new sword.

"Do you know what people like me do to people like you, poacher?" Danyal finally asks him, the accent he began to hide a few months in slipping through. He drops all pretense, dragging the flat end of the blade slow and appreciatively against his palm. It's a good make, and when he cuts it through the air, it slices through like butter. He looks up at Skulker with a smile; "are you ready to find out?"

When Sam and Tucker ask about why Skulker seems so skittish around Danny now, Danny shrugs at them and says with a playful smile; "I don't know, I guess I kicked his butt too hard after our last fight." and he watches as Sam rolls her eyes exasperatedly, and Tucker snickers with his own joke.

By the time he reunites with Damian before their 15th birthday, Danyal is buried beneath so many layers of Danny Fenton that his brother will need a shovel to dig him out. He's not sure what he'll find.

[scarycranegame]

EVERYONE SHUT THE FUCK UP AND READ THIS.

THE CURRENT VOTE COUNT IS NOT THE FINAL RESULT.

IT WILL TAKE SEVERAL DAYS TO COUNT ALL OF THE VOTES AND DETERMINE WHO WINS THE ELECTION (POSSIBLY MORE IF A RECOUNT IS NECESSARY).

IT IS VERY LIKELY THAT THE FINAL RESULTS WILL NOT LOOK LIKE THE INITIAL RESULTS.

STOP DOOMPOSTING AND LEARN HOW THIS SHIT WORKS.

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[mersei47]

I think these gonna be my last doodle of 2024. see you all next year

[s0fter-sin]

soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart

sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers

and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure

the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish

soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down

he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill

we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan

he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost

he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them

he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted

he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much

[sketchalicious]

geeked about the update

[c6jpg]

Well? Have I convinced you yet?

[fizpup]

valentine, you're a horse ❤️

[chimerical-daydreams]

i like how everytime king and loop are close to one another, the king is negatively affected or feeling negative in one way or another

i honestly kinda feel bad

soon enough they'll react to loop's presence similarly to how canon sif would react to the idea of telling others about the loops

It really isn't as bad as it looks, at first glance.

A lot of the more actively antagonistic and downright mean actions from Loop come pretty early on their journey, but they mellow out as time goes on and they have more of their family around (and, slowly, learn to enjoy Sunshine's company, as much as they hate to admit it).

King, too, isn't just passively taking all of this for nothing; I subscribe to the headcanon that, to the people of the Forgotten Island, stars are much like angels: servants of the greater power that come to guide and aid those in need. If all of this had come from anyone else, King would have bailed on the first week. But since it's from a star, well, they have to know what they're doing, right?

Further into their adventure, though, this compliance out of religious respect is replaced by a sort of recognition; this star, divine as they may look, is deeply and undeniably human. They spite and grieve as anyone else, their actions are no more influenced by the Universe than his own. They're just another person, and a very hurt one at that.

And to hopefully make up for all the negative situations I put these two through, here's some post-actually communicating with each other and finally getting along drawings <3

[non-dys-sys]

It’s never okay to lock a headmate away, never. They could be the worst person in the world, you still shouldn’t lock them away. There’s a difference between keeping headmates away from eachother and taking away someone’s privacy, free will and connections. You are abandoning that headmate, you are telling them that they are not worth helping, that they don’t deserve to get better. If talking it out doesn’t work for them there are other options, I’d recommend giving them their own space to speak their mind without threat of mistreatment for it, for starters. If someone really doesn’t want help don’t force it on them, just let them know it’s always an option and leave it at that. -Ange

[starry-bi-sky]

im on my hadestown bullshit again but im also still on my SVSSS bullshit too so au where Shen Yuan gets transmigrated into a nameless NPC sometime after Bingge merges the realms and becomes the demonic emperor over like, basically everyone. And Shen Yuan manages to become an immortal cultivator and has a few years to himself to explore the world he's in, conveniently avoiding Bingge the whole time. Until eventually Shen Yuan joins what is essentially a traveling theater group.

They all love the strange stories he tells, ones he claimed he learned from far away places, and eventually ask him to write one as a play so that they can share it with the world. He does one better and writes a musical and slightly xianxia-izes Hadestown so it fits with the times better.

Eventually they learn everything, the music is st up, their lines learned, and the group rents out some kind of low-class stage for a night in a town that's neither too big nor too small. One that Bingge is conveniently passing through.

The actor for Orpheus falls 'sick' the opening night, and Shen Yuan gets convinced into taking the role by his. He has the prettiest voice, and he knows Orpheus' lines and character the best! Shen Yuan agrees.

Bingge attends that night too, and sits in the far back, in a seat where nobody can see him that well.

There is nothing to prepare him for the Tale of Orpheus and Eurydice.

Not the actor, who looks distressingly, uncannily similar to Shen Qingqiu, from the sharp curve of his jaw to the sound of his voice. It's Shen Yuan's saving grace that he has just enough differences that Bingge doesn't fly to his feet immediately.

Not the character Orpheus either. Who shares a distressingly similar worldview to the one Bingge once had a long, long time ago. A young man, a boy really, with so much hope for the world around him to near the point of naivety. Who believes that there is still good in the world and the people around him.

There's nothing to prepare him for Epic III. A song the lone Orpheus sings to convince Hades to let him and Eurydice go, one that rends Bingge of his flesh and leaves him feeling raw and wanting.

Suddenly he's no longer watching the stage; he's on it, standing in Hades' place, jaded and bitter and cold and reigning over all. Having become cruel like Shen Qingqiu once was. He stands in Hades' place, tall and imposing and powerful.

And there is a shadow of the past sitting at his feet. A boy in love with the world looking up at him, stripping him down to his soul, and asking him where he's been. Bingge stands in Hades' place, and just like that, becomes a man again.

[beforetimes]

on the telepathy thing tho—does anyone think there's a world where charles (in the dofp-verse) would actually use it against erik the way erik keeps goading him to try? because i feel erik keeps assuming the worst out of charles and wants charles to prove him right in that assumption but i also think that were they together, it would be a show of erik's trust in charles to offer to let charles take control of him and let himself float to the back of his mind instead of clinging onto that relentless need for control that would leave erik so wound up

[turtleblogatlast]

Man I’ve said it before but for as annoying as Leo can be to Hueso, it’s still abundantly clear that Leo has inadvertently done a lot for the man? Yeah, he’s gotten him into a fair share of hijinks, but at the end of each of those was a long standing problem in Hueso’s life solved just like that.

In particular, Hueso’s exile from the Hidden City and his feud with his brother are both solved through Leo’s intervention, and it’s also sweet that both of these issues’ respective episodes end with Hueso happy.