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n64retro · 1 year ago
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Turok 3: Shadow of Oblivion Acclaim Studios Austin / Acclaim Nintendo 64 2000
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bangpuddingmuffin · 1 year ago
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Turok 3: Shadow of Oblivion
Turok 3 just wasn't very good. Some of the weapons felt satisfying, but by the end they either lost their luster against tanky enemies or simply didn't have enough ammo to be feasible to use. The cerebral bore, arguably Turok's defining weapon, was fun, but it was too slow to be all that useful in fights with more than one enemy, and if there was just one I had to use the vampire gun to heal.
The (limited?) respawning enemies once again made traversing the levels feel strange, although these are mercifully linear compared to the previous two. The plot was not good, and neither was the writing. I can't recommend this, but if you're really hankering for a retro FPS, there are many worse ones.
Playlist: https://www.youtube.com/playlist?list=PLMOeTsMoezKYp_kjx15doXL8ZAHGztR0T
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numberxxisora · 1 year ago
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Last week, we went to the diamond to try out our first baseball demo.
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movingmusically · 3 months ago
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Hello
Can I request an austin one shot where austin and single and the female lead is not she is In an high profile relationship like tomdaya and they are happy and engaged but she and austin are co starring In a movie together and they fell in love
Author's Note:
I wanted to make sure this was different from What Comes After, and I also struggled at first with how she’d go from being in a happy relationship to wanting to be with Austin instead. The film Endings, Beginnings and how the whole thing was improvised popped into my head and I thought that would be an interesting way to approach it. The film in the story isn’t based on that, just the location and method of filming.
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Unscripted - Part 1
The engagement had been a media frenzy. Photos of the sparkling diamond ring on your finger had gone viral within hours, followed by countless headlines dubbing you and your fiancé Jack “Hollywood’s golden couple.” You were everything the public adored: glamorous but down-to-earth, talented but relatable. Together, you exuded a kind of effortless perfection that made people believe in fairytales.
You were happy. You had to remind yourself of that on mornings like this—when your schedule was packed with back-to-back meetings and the press continued to speculate on your wedding plans. Jack, one of the most sought-after actors of his generation, had always been your biggest supporter. His calming presence was the antidote to your whirlwind career, grounding you when the chaos threatened to overwhelm.
You’d met on the set of a film three years ago, and while your on-screen chemistry had been the talk of the industry, it had been nothing compared to what bloomed off-camera. Your relationship was the stuff publicists dreamed of and the world envied. You’d become a brand, a unit, your names almost synonymous with one another.
Still, there was a slight shift in the air lately, something neither of you had quite acknowledged. He’d begun talking more about slowing down, stepping back from the relentless pace of acting. He wanted to start a family, to settle into something quieter. You wanted that too—someday. But the timing felt like a conversation you both kept avoiding, and the weight of it sat unspoken between you.
Today wasn’t the day for that conversation. Today, you were about to embark on one of the most unconventional projects of your career.
The film was an experiment: no fixed script, only an outline that left room for improvisation, raw emotion, and organic discovery. It was a bold move, one that excited you as much as it terrified you. The director, Celeste, had insisted it would be a transformative experience—one that would strip away the artifice of performance and leave only truth.
Celeste had made a point of assembling the smallest possible team for the first leg of the shoot. You, Austin Butler, and Celeste herself would drive from Los Angeles to Big Sur together, stopping along the way to immerse yourselves in the mood and texture of the story. The idea was to break down barriers, to build the kind of trust and familiarity that would allow for true vulnerability once the cameras started rolling.
You’d only met Austin once before, at a cast dinner weeks ago. He’d been warm and easygoing, with an openness that had immediately put you at ease. You didn’t know much about him beyond the headlines—his recent string of critically acclaimed roles, the quiet but undeniable rise of his career—but there was something about his presence that felt grounding. Celeste had been adamant that his energy would complement yours perfectly on screen.
As you pulled into the studio lot where the road trip would begin, you spotted Celeste and Austin waiting by a beat-up vintage convertible that looked like it had seen better days. Austin leaned against the car, a pair of sunglasses perched on his nose, his long legs stretched out in front of him. He looked effortlessly cool, but not in a way that felt curated. Just… comfortable.
Celeste waved as you stepped out of your car, her sunhat bobbing as she strode over to greet you. “There she is! Ready for the adventure of a lifetime?”
You laughed, adjusting the strap of your bag. “Let’s hope so.”
Austin straightened as you approached, pushing his sunglasses up onto his head. “Hey,” he said, his smile easy. “Good to see you again.”
“Likewise,” you said, feeling a little more at ease than you expected. “Is this our chariot?”
“She’s got personality,” Celeste said proudly, patting the hood of the car. “And that’s what we need for this kind of journey.”
The drive started off quietly, the kind of polite conversation you’d expect on a first meeting. But as the miles passed and the city gave way to open highway, the atmosphere shifted. Celeste played DJ, alternating between playlists she’d curated to set the tone for the film and moments of silence where only the sound of the wind rushing past filled the car.
Austin turned out to be an endless source of anecdotes and trivia, his stories punctuated by moments of genuine curiosity about you and Celeste. He had a way of making you laugh unexpectedly, his wit sharp but never cutting. By the time you stopped at a roadside diner for lunch, you felt like you’d known him much longer than a few hours.
Over plates of pancakes and endless coffee refills, the conversation turned to the film.
“This kind of work requires a lot of trust,” Celeste said, her eyes darting between you and Austin. “Not just with me, but with each other. There are going to be moments where you’ll have to push each other—emotionally, physically—and it won’t work unless you both feel safe.”
Austin nodded, his expression thoughtful. “I think that’s what excites me most about this project. It’s not about hitting marks or memorising lines. It’s about being completely present.”
You found yourself nodding too, though the reality of what Celeste was saying weighed on you. Vulnerability wasn’t something you struggled with as an actor, but the idea of sharing it so intimately with someone you barely knew was daunting.
Back on the road, the conversation flowed more freely. Celeste eventually fell asleep in the backseat, leaving you and Austin to fill the quiet. You talked about music, sharing songs back and forth through the car’s old cassette deck, and debated everything from the best road trip snacks to the most overrated movies of all time.
Somewhere along the winding coastal highway, Austin’s gaze shifted to your hand as you absently fidgeted with your engagement ring. “So,” he began, his tone casual but curious, “is it exciting, planning the wedding?”
You glanced down at your hand, surprised by the question. “We haven’t really started yet,” you admitted with a small shrug. “There’s been so much going on with work and Jack finishing his last project. We’re… taking it slow, I guess.”
“Fair enough,” he said, his smile easy. “Seems like the kind of thing that’d take a lot of energy to get right.”
You let out a soft laugh. “That’s part of it. I’m not exactly the ‘dream wedding’ type, you know? I never had a Pinterest board or anything like that. It feels kind of surreal even thinking about it.”
He nodded, his hands relaxed on the steering wheel. “Well, no rush. You’ve got time to figure it out.”
There was a beat of comfortable silence before you turned the question back to him. “What about you? Anyone special in your life?”
Austin shook his head, his smile turning a little wry. “Not right now. I’m taking a breather.”
“Taking a breather?” you asked, intrigued.
He glanced at you briefly, his expression thoughtful. “Yeah. I was in back-to-back relationships for… what, thirteen years? Both were great, but after the last one, I realised I didn’t really know what it felt like to just be on my own. So, I’m figuring that out.”
“That’s… really self-aware,” you said, genuinely impressed. “Most people just jump from one to the next without thinking about it.”
“Not saying it’s easy,” he admitted, his smile softening. “But it’s been good for me. Gives me time to focus on stuff like this.” He gestured toward the road, the film, the moment itself. “And not rush into anything I’m not ready for.”
You nodded, letting his words settle. There was an honesty to Austin that you appreciated, a lack of pretence that made it easy to talk to him. It was refreshing, especially in an industry that thrived on appearances.
As the conversation drifted back to music and movies, you realised how comfortable you felt. The kind of comfort that didn’t require effort or performance. It was rare, and you didn’t take it lightly.
By the time you reached Big Sur, the three of you were exhausted but buzzing with the energy of what lay ahead. The rugged beauty of the coastline stretched out before you, the waves crashing against the rocks in a rhythm that felt almost hypnotic.
Austin stood beside you as the sun dipped below the horizon, his hands shoved into his jacket pockets. “This place is something else,” he said softly.
“Yeah,” you agreed, the words feeling too small for the moment. “It really is.”
You glanced at him, catching the way the golden light played across his face, softening the sharp angles of his jaw. There was an openness to his expression, a quiet appreciation that mirrored your own.
For the first time since signing on to the project, you let yourself believe Celeste might be right. Maybe this really would be transformative.
The first morning of filming began under the soft grey haze of Big Sur’s marine layer. The cliffside cabin serving as the main location felt like it was perched on the edge of the world, waves crashing dramatically against the rocks below. It was a far cry from the bustling studio sets you were used to. The air smelled of salt and pine, and the quiet was almost unnerving.
You were standing just off-set, holding your coffee like a lifeline, watching as the crew adjusted the camera angles for the first take. It wasn’t a huge team—just Celeste, two camera operators, a sound engineer, and a couple of production assistants. Enough to keep things moving, but without the layers of people usually involved in a project this ambitious.
“Are you as terrified as I am?”
The voice startled you out of your thoughts, and you turned to see Austin standing next to you, his own coffee in hand. His hair was tousled by the breeze, and there was a crooked smile tugging at his lips.
“You’re terrified?” you asked, a little incredulous. “You seemed so relaxed at the table read.”
He chuckled, shaking his head. “That was all an act. Improvised, obviously.” His smile widened when you let out a soft laugh. “But seriously, yeah. No script, no set lines… It’s like jumping out of a plane without a parachute. Hopefully, Celeste packed a trampoline.”
You smiled despite yourself, his honesty oddly comforting. “I guess I’m glad I’m not the only one.”
“We’re in it together,” he said, raising his coffee cup in a mock toast. “Here’s to not making fools of ourselves.”
You clinked your mug against his, the small gesture easing the tension in your chest. It was the first time you’d felt anything close to calm all morning.
The first scene was supposed to be simple. Just the two of you sitting at the weathered dining table in the cabin, talking about the past—your characters’ past, that is. Celeste had walked you through the beats during rehearsal: an old argument resurfacing, layers of unresolved tension starting to show. The scene had been lightly sketched out in the script, but Celeste had made it clear she didn’t want you tied to those lines.
“Use them if they feel natural,” she’d said as the camera operators took their places. “But don’t be afraid to let the conversation go wherever it needs to. If something’s not working, I’ll stop you.”
The first take was stiff. You kept glancing toward Austin, trying to gauge his reactions, while he seemed equally hesitant, fumbling over a line from the script that felt oddly formal in the context of the moment. Celeste stopped you after about three minutes.
“Okay, stop. That feels… forced,” she said, stepping into the scene with her notes in hand. “You’re trying too hard to hit the beats we talked about. Forget the script for now. Focus on the emotional core of the moment. What would your character actually say here?”
You glanced at Austin, who gave a small nod, his expression one of quiet determination. “Let’s try again,” he said, and you nodded in agreement.
The second take felt better. The conversation started naturally, with a few tentative improvisations that pushed the scene into more interesting territory. Celeste let you run with it for a full ten minutes before calling cut.
“Much better,” she said, a satisfied smile on her face. “But I want you to dig deeper. There’s still a sense of… holding back. Go further with the argument. It doesn’t have to be big or loud, but it has to feel real.”
With each take, you found yourself relaxing into the process. The lines blurred between performance and reality, your focus narrowing until it was just you, Austin, and the weight of the moment. By the fourth take, the tension in the scene felt palpable, the words spilling out in a way that felt raw and unfiltered. When Celeste finally called cut, you realised your hands were trembling slightly.
“That was it,” she said, her tone resolute. “That’s what I want. Keep following that instinct.”
Austin glanced at you as you both moved to the side to let the crew reset for the next scene. “That felt… different,” he said, his voice thoughtful. “In a good way.”
“Yeah,” you agreed, still catching your breath. “It’s kind of terrifying how real it gets, though.”
“Terrifying,” he echoed, a small smile playing on his lips. “But also kind of amazing, right?”
You nodded, and for a moment, there was a shared understanding between you, unspoken but undeniable.
The process continued like that for the next few days. Each scene started with the rough framework of the script but quickly evolved into something more fluid, more honest. Celeste encouraged you to let go of the idea of “performance” and instead focus on connection—both with your character and with Austin.
The trust between the two of you grew naturally out of that process. You learned to anticipate each other’s rhythms, to pick up on subtle cues and unspoken shifts in energy. There were moments when a scene would veer completely off course, only for Celeste to stop you and push you back toward something that worked. But more often than not, the improvisation led to unexpected moments of brilliance that none of you could have planned.
One evening, after filming wrapped for the day, you found yourself back at the small lodge where the cast and crew were staying during production. It was a cozy, rustic place nestled in the forest, with a communal living area where everyone would gather to unwind after the day’s work. Tonight, the mood was relaxed. Most of the crew had already turned in, and only a handful of people lingered in the lounge, nursing drinks and chatting softly.
You were curled up on one of the couches, a glass of wine in hand, absently listening to the murmur of conversation around you. The day’s scenes hadn’t been particularly intense—just quiet, character-building moments—but they’d left you with the familiar hum of satisfaction that came from creating something real.
Austin wandered in from the kitchen, a beer in hand, and spotted you sitting alone. He hesitated for a moment, then made his way over, dropping into the armchair opposite you with a tired sigh. “How’s the wine?” he asked, nodding toward your glass.
You smiled faintly. “Not bad, actually. Better than I expected for a place this remote.”
He chuckled, stretching his legs out in front of him. “Yeah, I’ll give them credit for that. The beer’s decent too.”
For a while, the two of you sat in companionable silence, the crackle of the fireplace filling the gaps in conversation. You were vaguely aware of the others in the room, but your focus was on the way the tension of the day seemed to ease in Austin’s presence.
“Do you ever feel like you’re still figuring this whole process out?” you asked suddenly, the words spilling out before you could think better of them.
Austin glanced at you, his brow furrowing slightly. “All the time,” he admitted. “Every day feels like… I don’t know, like we’re walking a tightrope without a net. But I think that’s part of what makes it exciting.”
You nodded, his words resonating with you. “I keep waiting for it to click, for it to feel… natural, I guess. But then Celeste tells me to forget what I thought I knew and just trust my instincts, and it throws me all over again.”
“It’s definitely a leap of faith,” he said, a faint smile tugging at the corners of his mouth. “But I think that’s why it’s working. Because we’re not trying to control it too much. We’re just… letting it happen.”
You swirled the wine in your glass, watching the way the firelight reflected in the deep red liquid. “Do you think we’re getting it right?”
Austin didn’t answer immediately. Instead, he leaned forward, resting his elbows on his knees as he studied you. “I think we’re getting something real. And that’s more important than getting it ‘right.’”
His words hung in the air between you, their weight settling into the quiet. You met his gaze, and for a moment, the noise of the room seemed to fade, leaving just the two of you.
Eventually, you broke the silence, a small smile tugging at your lips. “That’s a very diplomatic answer.”
He laughed softly, sitting back in his chair. “What can I say? I aim to please.”
You rolled your eyes, but the tension in your chest eased slightly. Austin had a way of calming you, of making the uncertainty feel less daunting. You didn’t know if it was the way he spoke, or the way he carried himself, or the quiet confidence he seemed to exude even when he admitted he was scared. But whatever it was, you were grateful for it.
As the evening wore on, the room gradually emptied, leaving just a handful of stragglers scattered around. You and Austin stayed where you were, the conversation ebbing and flowing naturally. By the time you finally stood to head to your room, the wine had softened the edges of your thoughts, leaving you feeling lighter than you had in days.
“Goodnight,” Austin said as you gathered your things, his voice warm and familiar.
“Goodnight,” you replied, offering him a small smile before making your way upstairs. As you climbed the narrow staircase, a quiet sense of ease settled over you—one that had felt elusive since the project began. Maybe you didn’t have to have it all figured out yet. Maybe it was enough to just trust the process.
And maybe, just maybe, that trust would be enough to carry you through.
Back in your room, you sat cross-legged on the bed, phone in hand. The day had been long but productive, and the quiet of the cabin now felt almost too still after hours of filming. You scrolled through your messages, landing on the thread with Jack. It had been a couple of days since you’d last spoken properly—his own shooting schedule had him tied up on a set halfway across the world.
Hi, babe, you typed, fingers hovering over the screen as you debated what to say next. Filming’s going well. I miss you. Hope everything’s going smoothly on your end.
You hit send, not expecting a response. It was late here, and he was likely in the middle of his own long day, juggling lines and lighting setups. Still, you felt better having reached out, a small thread tying the two of you together across the distance.
The phone buzzed in your hand almost immediately, and Jack’s name flashed on the screen. He was FaceTiming.
Surprised, you accepted the call, and his face filled the screen, handsome as ever, though he looked a little tired. “Hey,” he greeted, his voice warm despite the faint chaos of background noise. He seemed to be outside, standing near a trailer with crew members milling around behind him.
“Hey,” you said, a smile spreading across your face. “Aren’t you supposed to be on set?”
“I’ve got five minutes before they need me,” he replied, his own smile widening. “Thought I’d check in. How’s it going out there?”
“It’s good,” you said, adjusting your phone as you leaned back against the pillows. “Different, though. The whole improv thing is a lot more intense than I thought it would be, but it’s working. I think.”
“I’m sure it is,” he said, his confidence in you unwavering. “How’s the rest of the cast? Or is it just you and Butler out there, staring moodily into the sunset?”
You laughed. “It’s not that dramatic. The crew’s great, and yeah, Austin’s easy to work with. He’s really good at this whole improv thing—makes it easier to stay in the moment.”
Jack nodded, though something flickered in his expression—a shadow, there and gone before you could read too much into it. “That’s good,” he said simply. “I’m glad it’s going well.”
“And you?” you asked, steering the conversation back to him. “How’s the shoot? Still stuck in endless night scenes?”
He groaned, running a hand through his hair. “You have no idea. I feel like a vampire. But it’s coming together. Just…really missing you right now.”
Your chest tightened at the words, guilt mixing with longing. “I miss you too,” you said softly. “But it’s just a few more weeks, right? Then we’ll have time to actually breathe.”
“Can’t come soon enough,” he said, glancing off-screen as someone called his name. “I’ve gotta go, babe. Just wanted to hear your voice.”
“Go be amazing,” you teased, though the warmth in your tone was genuine. He grinned, blowing a quick kiss to the camera. “Love you.”
“Love you too,” you said, the words lingering in the quiet after the call ended.
Setting the phone down on the nightstand, you stared at it for a moment, the reality of the distance between you settling in. Jack’s support was steady as always, but there was no ignoring how separate your worlds felt right now.
Shaking off the thought, you turned your attention back to the day ahead. You didn’t have time for doubt—not when tomorrow’s scenes would require you to dive even deeper into the dynamic you were building on screen.
The next morning, the set was buzzing with energy. Celeste had planned a particularly long scene—a continuation of a key sequence from the day before that relied heavily on Austin’s and your ability to improvise within the framework of the story. The script was only a guide now, and the pressure to stay in the moment was both exhilarating and daunting.
As the crew set up, Celeste called the two of you over.
“Okay,” she began, her voice calm but focused. “This scene’s going to push both of you a little further. I want it to feel as real as possible—don’t worry about sticking to the lines. If it takes a turn that feels natural, go with it. And if you hit a wall, just stop. We can always reset.”
You nodded, glancing at Austin, who gave you a small, reassuring smile. “Got it,” he said simply, his tone steady.
Celeste’s gaze softened. “You’re both doing great. Trust each other—that’s all I need from you.”
Trust. It was becoming a mantra on this set. You exhaled slowly, letting her words settle as the crew finished the last adjustments.
When the cameras rolled, the two of you eased into the scene. The dialogue started as scripted, a quiet conversation between the characters about what it meant to take risks—professionally, personally, emotionally. But as the minutes stretched on, the lines blurred, the conversation deepening in ways neither of you had planned.
Austin leaned forward, his voice dropping to a near whisper. “What if it’s not enough? What if we try and fail?”
Your response wasn’t in the script, but it came out before you could stop it. “Then we fail. But at least we tried. Isn’t that the point?”
There was a beat of silence, the air between you charged. You could see the flicker of surprise in Austin’s eyes, but he didn’t miss a beat, leaning into the moment. “And if it’s too late to try?”
Your chest tightened, the vulnerability in his voice so raw it almost felt personal. You met his gaze, letting your own character’s doubt and fear seep into your response. “It’s never too late. You just have to decide it’s worth it.”
Celeste called cut, but the echo of the scene lingered as the crew began resetting for the next take. You sat back in your chair, your heart still racing from the intensity of the moment. Across from you, Austin gave you a small nod, his expression unreadable but his eyes warm. It was a subtle acknowledgment of what you’d both just created—a scene that felt alive in a way you hadn’t anticipated.
“Good work,” Celeste said as she passed, her tone approving but distracted as she moved toward the camera operator.
Austin leaned over slightly, his voice low enough that only you could hear. “That was good. Felt…real.”
You nodded, your breath still catching up with you. “Yeah. It did.”
The rest of the day passed in a blur of takes and retakes, each one pushing you both further into the story. By the time the sun dipped below the horizon, painting the sky in shades of orange and pink, the exhaustion was a welcome reminder of the progress you’d made.
Back at the cabin that evening, the cast and crew gathered for dinner—a tradition Celeste had insisted on to foster camaraderie. You found yourself seated between Austin and one of the crew members, the conversation easy and unguarded after the long day.
Austin nudged your arm lightly as dessert was served. “So, what’s your secret for keeping this up every day? Coffee? Adrenaline? Sheer willpower?”
You laughed softly, shaking your head. “A little bit of everything, I think. And maybe the knowledge that I can crash the second this wraps.”
He smiled, his expression softening. “Well, whatever it is, it’s working.”
You thanked him, brushing off the compliment with a light remark, but something about his tone stuck with you long after the meal ended and you retreated to your room. It wasn’t anything overt, just a quiet kind of support that made you feel…seen.
Still, as you climbed into bed that night, you reminded yourself that this was just the nature of the work. Austin was a friend, a co-star, someone who was as committed to the film as you were. The trust between you was growing, and that was all it needed to be.
For now.
The final day of filming in Big Sur dawned with the same misty grey light that had greeted you every morning since arriving. There was a quiet melancholy to the air, as though the landscape itself knew this chapter was coming to a close. The crew moved efficiently, packing up equipment and loading it into the vans parked at the edge of the dirt driveway. Even Celeste seemed less chatty than usual, her focus entirely on ensuring the final takes captured the magic she was chasing.
The day’s scene was intimate but deceptively simple: just you and Austin walking along the rocky shoreline, your characters grappling with the weight of their shared history. Celeste had given only the barest direction, urging you to let the environment inform the dialogue and your movements.
“It’s the last moment before everything changes for them,” she’d said earlier that morning, her hands gesturing as if sculpting the idea in the air. “There’s still hope, but it’s fragile. Let that guide you.”
The ocean wind was brisk, tugging at your hair and stinging your cheeks as the cameras rolled. You let yourself sink into the moment, focusing on the rhythm of the waves and the sound of Austin’s footsteps crunching against the pebbled shore beside you. The words came naturally, unforced, your characters’ conversation weaving between silences that felt heavy with unspoken truths.
When Celeste finally called cut, the satisfaction on her face was clear. “That’s it,” she said simply. “We’ve got it.”
A ripple of applause rose from the small crew, a mix of relief and pride. You exhaled, the tension in your chest easing as you turned to Austin, who offered you a small smile. “Not a bad way to end things,” he said, his voice light but warm.
“Not bad at all,” you agreed, glancing back at the waves one last time before heading toward the cabin to pack.
The next few hours were a whirlwind of logistics. The vans were loaded, the cabin swept clean of any trace of your stay, and Celeste held a brief meeting to discuss the schedule for the next leg of the production. The next location was Mendocino, a small, picturesque seaside village known for its Victorian architecture.
As the convoy of vehicles pulled out onto the winding highway, you found yourself in the passenger seat of Austin’s car once again, Celeste trailing behind in one of the production vans. The road ahead felt different this time, less daunting than it had at the start of the journey. You were still nervous about what lay ahead, but the bond you’d built with Austin—and the trust you were beginning to feel in yourself—made the uncertainty a little easier to bear.
Mendocino came into view just as the sun dipped below the horizon, casting everything in a golden glow. The main street was quiet, lined with a mix of weathered shops and charming cafés, their signs swaying gently in the ocean breeze. The inn where the cast and crew would be staying was perched on a hill overlooking the water, its white clapboard exterior glowing faintly in the fading light.
By the time you arrived, the supporting cast had already settled in, their cars parked haphazardly in the small lot beside the inn. You recognised a few familiar faces from the table read weeks ago and felt a flicker of relief at the sight of them. The presence of other actors would shift the focus, giving you and Austin a reprieve from the constant intensity of the past few days.
The crew quickly unloaded their gear, and Celeste called a brief meeting in the inn’s lounge to go over the plan for the next few days. She spoke with her usual passion, outlining the scenes that would involve the expanded cast and the emotional beats she hoped to capture in the new location.
“This next section is crucial,” she said, her gaze sweeping the room. “It’s where the story begins to open up, where the world of these characters expands. We’ll still rely heavily on improvisation, but with the added dynamics of new relationships and tensions.”
Her words filled the air with a quiet anticipation, and you found yourself glancing at Austin. He caught your eye, offering a small nod that steadied you in a way you couldn’t quite explain.
As the meeting wrapped up, you retreated to your room to unpack and settle in. The energy in the inn was different from the cabin in Big Sur—livelier, with the hum of voices and laughter carrying down the hallways. You welcomed the change, though a small part of you missed the quiet intimacy of the past week.
Later that evening, as the cast and crew gathered for dinner in the inn’s dining room, you felt the weight of the day finally start to lift. The conversation flowed easily, the newcomers blending seamlessly with the core team from Big Sur. Austin was seated a few chairs down from you, engaged in a lively debate with one of the new actors.
You sipped your wine, the warmth spreading through you as you listened to the chatter around the table. The project still felt daunting in its scope, but the camaraderie in the room gave you hope that you weren’t in this alone.
The next morning, filming began in earnest. The new cast members brought a fresh energy to the set, their performances adding layers of complexity to the story. The scenes were messier, more chaotic, but in a way that felt alive and true to the world Celeste was building.
And through it all, you found yourself leaning on the trust you’d built with Austin. It wasn’t something you’d planned or even fully understood, but it was there—in the way he caught your eye when a scene felt particularly vulnerable, in the unspoken rhythm you’d developed in your performances, in the quiet moments between takes when a shared glance was all it took to steady your nerves.
The Big Sur chapter of the shoot was behind you, but its impact lingered, shaping the work you were creating now. The trust, the vulnerability, the willingness to take risks—it had all started there, on the edge of the world. And as the project moved forward, you couldn’t help but wonder how much further it would take you.
The following days were a whirlwind of energy. The small streets became a playground for improvisation, each corner lending itself to a new layer of the story. Scenes were filmed in cosy cafés, outside weathered storefronts, and on the rocky shoreline that stretched along the edge of town. The added dynamic of the new cast brought a fresh unpredictability to each take, challenging you and Austin to adapt in ways you hadn’t anticipated.
As the days stretched on, the intensity of the shoot ebbed and flowed. The lighthearted moments became just as important as the weighty ones, and the camaraderie among the cast and crew grew stronger. You found yourself laughing more—at Austin’s dry humour, at the impromptu singalongs that broke out between takes, at the way the smallest mishaps turned into inside jokes that bonded everyone together.
One evening, Celeste announced an impromptu break from filming. “We’ve been pushing hard,” she said, her tone unusually light. “Let’s take tomorrow off and recharge. You’ve earned it.”
The news was met with cheers and a ripple of relief. Plans were quickly made—a group hike along the coastal cliffs, a beach bonfire in the evening, and a promise of s’mores and storytelling under the stars.
The day off felt like a gift. The hike was both challenging and exhilarating, the sweeping views of the ocean a reminder of how far removed you were from the noise of the outside world. At the bonfire that evening, the crew gathered in a circle, their laughter mingling with the crackle of the flames. Someone produced a guitar, and soon the night was filled with music, the kind of impromptu concert that felt effortless and magical.
You found yourself sitting next to Austin, his arm draped casually over the back of your chair. He’d been the one to start the music, strumming a few chords before passing the guitar to someone else. Now, he was quiet, his gaze fixed on the firelight dancing across the waves.
“It feels good to just… be,” you said softly, your voice barely carrying over the sound of the waves.
He turned to you, a small smile tugging at his lips. “Yeah. It does.”
The moment felt simple, unguarded. You weren’t thinking about the film, or your schedule, or even the quiet weight of Jack’s absence. For the first time in weeks, you let yourself just exist, surrounded by people who felt like more than co-workers. They felt like a strange, temporary family.
As the night wore on, the circle thinned, and the laughter quieted. Eventually, it was just you and Austin left by the fire, the embers glowing faintly in the dark. You sat in comfortable silence, the kind that didn’t need filling, until he finally spoke.
“You’ve changed since Big Sur,” he said, his voice thoughtful.
You looked at him, surprised. “What do you mean?”
“I don’t know,” he said, running a hand through his hair. “It’s like you’re… lighter. More open. It’s good to see.”
You considered his words, letting them settle. Maybe he was right. The experience so far had pushed you in ways you hadn’t expected, stripping away layers you didn’t even realise you’d been holding onto.
“Maybe I’m just getting used to all this,” you said, gesturing vaguely at the ocean, the crew, the stars above.
“Maybe,” he replied, though something in his tone suggested he thought it was more than that.
The following morning, the light was softer, diffused through the coastal fog that clung to the shoreline. There was a calmness to the air, but the day’s schedule suggested anything but. The scene planned for later carried a weight you’d felt in your chest ever since Celeste outlined it. It wasn’t just another improvisation. This one required peeling back layers you weren’t sure you wanted to expose—not just as your character, but as yourself.
The café where you were set to film was small and unassuming, tucked between a used bookstore and a gift shop that sold seashell wind chimes. Inside, the crew worked quickly to set up, the space buzzing with quiet efficiency. Austin was already seated at one of the corner tables, flipping through a worn paperback he’d found on a nearby shelf. He looked up as you walked in, offering a small smile that immediately steadied your nerves.
“You ready for this one?” he asked, closing the book and setting it aside.
You shrugged, though your heart was already racing. “As ready as I’ll ever be.”
He nodded, not pushing further, and you were grateful for it. The bond you’d built over the past weeks was unspoken but deeply felt, and moments like this reminded you how much you appreciated his presence.
Celeste gathered everyone just before the cameras rolled. Her instructions were clear but minimal, as always. “This is a conversation about loss,” she said, her gaze sweeping over you and Austin. “Don’t worry about the script. Let the emotion lead the way.”
The scene began simply enough, your character and Austin’s sitting at the café table, the low hum of ambient noise filling the space. The conversation started lightly, circling around memories of childhood and fleeting moments of happiness. But as the dialogue naturally shifted toward the weightier topic of loss, something shifted inside you.
You hadn’t planned for it, but the words you spoke felt too close to home. Your character was recounting a deeply personal memory—one of love and grief and guilt—and somewhere along the way, the line between the story and your own reality blurred. The details mirrored something from your past that you rarely allowed yourself to think about, let alone share.
Before you knew it, your voice cracked, and tears welled in your eyes. You tried to push through, to stay in the moment, but the emotions surged uncontrollably. The tears came harder, spilling over as your chest heaved with a sob you hadn’t meant to release.
Austin leaned forward slightly, his voice soft and steady as he responded to your character’s pain. He didn’t break the scene; instead, he anchored it, his words and presence pulling you through even as your emotions overwhelmed you. The camera captured everything—your trembling hands, your tear-streaked face, the rawness you couldn’t hide.
When Celeste finally called cut, the café fell into a stunned silence. You wiped at your face, suddenly self-conscious, and glanced around. The crew looked momentarily frozen, as if unsure whether to celebrate the take or check on you. Celeste stepped in quickly, her voice warm but direct.
“That was incredible,” she said, her eyes filled with genuine awe. “But I need to make sure you’re okay.”
You nodded, your throat too tight to speak, and waved off the concern. “I’m fine,” you managed, though the words felt hollow.
The crew buzzed around, resetting for a few additional takes, but you stayed in the corner, trying to collect yourself. Celeste gave you space, though you could feel her watchful eye on you. Only Austin approached, his steps quiet and deliberate as he pulled a chair beside yours.
“Hey,” he said softly, his tone laced with concern. “Are you really okay?”
You hesitated, the instinct to brush him off warring with the need to be honest. Finally, you exhaled and shook your head. “Not really,” you admitted, your voice barely above a whisper.
He waited, not pushing, just giving you the space to speak if you wanted to. And, somehow, you did.
“The scene…” you began, swallowing hard. “It’s close to something that happened to me. Almost exactly, actually. And I didn’t realise it until we were in it.”
Austin’s expression softened, his brow furrowing with quiet empathy. “I’m sorry,” he said, his voice gentle. “That must’ve been… a lot.”
You nodded, tears pricking at your eyes again. “It was. I don’t really talk about it—not with anyone, not even Jack. It’s just one of those things I’ve kept buried because… I don’t know. It’s easier that way.”
He didn’t say anything for a moment, his gaze steady but kind. “Sometimes things like that don’t stay buried,” he said finally. “And maybe they’re not supposed to.”
His words settled over you like a balm, soothing the raw edges of your emotions. You looked at him, grateful for the understanding in his eyes, for the way he didn’t try to fix or analyse what you were feeling. He was just there, solid and present in a way you hadn’t expected.
“Thank you,” you murmured, your voice still shaky. “For being there in the scene. I don’t think I could’ve gotten through it without you.”
He smiled faintly, the corners of his mouth lifting just enough to ease the tension in your chest. “You didn’t need me. You were incredible.”
You huffed a quiet laugh, the sound bittersweet. “It didn’t feel incredible.” “Trust me,” he said, his voice firm but kind. “It was.”
The rest of the day passed in a blur. The crew wrapped early, satisfied with the raw, unfiltered magic of the scene. Back at the lodge that night, you replayed the moment in your mind, the emotions still lingering but no longer as overwhelming. For the first time in a long while, you felt like you’d let go of something you didn’t even realise you’d been holding onto.
Austin’s words echoed in your mind as you drifted off to sleep: Sometimes things like that don’t stay buried. And maybe they’re not supposed to.
The last few days in Mendocino felt like a bittersweet goodbye. The small town and its windswept coastline had become more than just a location; it was a cocoon where trust was built, boundaries were stretched, and the film began to take on a life of its own. Each scene filmed felt like another step into uncharted territory, the improvisation yielding raw, vulnerable moments that surprised even Celeste.
The final day of filming was marked by a reflective quiet among the cast and crew. Everyone knew the next phase would bring more people, more structure, and the inevitable sense of detachment that came with a bigger production.
Austin caught your eye as the last take wrapped, a flicker of something unspoken passing between you. Over the past weeks, the rhythm of working with him had become second nature. You didn’t need to fill the silence or overanalyse every look. There was trust now—earned and understood—and it had made you both better, freer.
Celeste called everyone together for a brief toast, raising her glass of sparkling water as she stood on the creaky wooden deck overlooking the Pacific. “This leg of the journey has been transformative,” she said, her voice soft but purposeful. “Thank you all for trusting me—and each other. What we’ve captured here is the foundation, and I couldn’t be prouder.”
The group cheered, the clinking of glasses echoing into the cool evening air. You stood with Austin, your glass of wine cradled in your hand as you watched the waves roll against the jagged cliffs below.
“We did good, huh?” Austin said, his tone casual but his smile genuine.
“Yeah,” you agreed, a small smile tugging at your lips. “We did.”
As the sun dipped below the horizon, you felt a pang of something close to loss. The familiarity of this place, of this group, would soon be replaced by the chaos of the next stage of filming. But for now, you let yourself linger in the moment, the salty breeze on your face and the quiet hum of satisfaction in your chest.
*
The energy on set shifted with the arrival of Jack. His presence carried an undeniable charisma, the kind that turned heads and made people gravitate toward him without effort. You’d been looking forward to his visit—it had been months since you’d seen him, and the separation had been harder than you’d anticipated.
He arrived on a crisp, sunny afternoon, stepping out of a black SUV with his signature easy grin. You felt your heart lift as you crossed the gravel drive to meet him, his arms pulling you into a warm hug. “Missed you,” he murmured against your hair, his voice a low rumble that still made your chest flutter.
“Missed you too,” you replied, pulling back just enough to look at him. “How was Europe?”
“Long,” he said with a chuckle. “But I wrapped a few days early, so here I am.” He glanced at you, his smile softening. “I wanted to see you before things get crazy again. The press tour for Legacy starts next week, and I’ll be bouncing between cities for the next month. Who knows when we’ll actually get more than a few hours together?”
His words lingered in your mind as you settled into the rhythm of his visit, a mix of gratitude for his effort to be there and the quiet awareness of how fleeting this time together would be.
The next few days were a whirlwind of catching up, showing Jack around the new location, and stealing moments together between filming. He charmed the crew effortlessly, his natural ease winning them over. You couldn’t help but notice how different his presence felt compared to Austin’s—Jack was magnetic in a way that drew everyone in, but with him came the weight of familiarity, expectations, and the life you’d built together.
One evening, as the two of you sat on the porch of the rental house you were staying in, the conversation turned to the wedding. You were curled up in a chair, a blanket draped over your legs, while Jack leaned against the railing, a beer in hand.
“I’ve been thinking about venues,” he said, his tone casual but deliberate. “Something classic. Maybe a grand estate or a cathedral. Lots of space for everyone to celebrate.”
You hesitated, your fingers tightening slightly around the mug of tea in your hands. “That sounds… big,” you said carefully. “I always thought something smaller might feel more personal. Maybe just close friends and family, more like a party than a formal event.”
Jack frowned slightly, though he tried to hide it with a shrug. “I get that, but this is a once-in-a-lifetime thing. Don’t you want it to feel special?”
“I do,” you said, your voice quieter now. “But ‘special’ doesn’t have to mean huge, you know? I’ve just never pictured the big white wedding. Honestly, I never really thought about a wedding at all.”
That admission seemed to catch him off guard. He studied you for a moment, his expression thoughtful. “So you never thought about it? Not even as a kid?”
You shook your head, offering a faint smile. “Not really. It’s not that I didn’t want to get married, I just… didn’t think about it much. And when I did, it was always something simple.”
Jack exhaled, running a hand through his hair. “I guess we’ve got some things to figure out there,” he said, his tone light but tinged with something deeper.
The conversation lingered in the air between you, unresolved but not tense. Still, it left a faint knot in your stomach—a reminder that as much as you loved Jack, there were pieces of your future that didn’t align as seamlessly as you’d hoped.
The next day, as the two of you walked along the beach, the topic shifted to life after the wedding. Jack’s voice was steady, but his words carried a weight that felt impossible to ignore.
“I’ve been thinking about what comes next,” he said, his gaze fixed on the horizon. “I’m ready to slow down, you know? Step back from the crazy pace and focus on… other things. A family.”
You felt your breath hitch, the implications of his words settling heavily in your chest. “You want to start a family right away?”
“Don’t you?” he asked, his tone gentle but expectant. “I mean, I know things are busy right now, but I figured we’d both take a step back after the wedding. Focus on what really matters.”
You hesitated, the words caught in your throat. “I do want that,” you said finally, your voice careful. “Someday. But I don’t know if I’m ready for that yet. There’s still so much I want to do, and—”
“And you’re not sure how it fits with all of this,” he finished for you, his tone more understanding than accusatory.
You nodded, grateful that he didn’t push, but the weight of the conversation lingered as you walked back to the house in silence.
When Jack left a few days later, the goodbye was warm but laced with an unspoken heaviness. He kissed you softly, his hands lingering on your waist as he promised to call the moment he landed. But as you stood in the driveway, watching his car disappear down the road, a hollow ache settled in your chest. You loved him, and you believed he loved you, but it was becoming painfully clear that love alone might not be enough to bridge the growing divide between the futures you both envisioned.
Back in your room, you perched on the edge of the bed, your gaze fixed on the ring glinting on your finger. The life you’d planned with Jack still felt like a dream you desperately wanted to hold onto, but cracks had started to spiderweb through its foundation. For the first time, you wondered if those cracks could ever be repaired—or if they would only deepen with time.
The house felt quieter in his absence, his presence lingering like an echo in rooms that now seemed emptier. The press tour would keep him away for weeks, and while you were no stranger to long stretches apart, this time felt different. The unresolved conversations about the wedding and your future hovered over you like a storm cloud, unrelenting and impossible to ignore.
Still, the demands of the set didn’t leave much room for reflection. The next phase of filming required your full attention, and though your mind kept circling back to Jack, you were determined not to let the weight of it all seep into your performance.
*
Celeste had saved the most intimate scenes for last, knowing that the weeks spent working together would build the trust required to handle them. You’d anticipated this part of the shoot with equal parts excitement and dread, unsure of how vulnerable you’d be willing—or able—to make yourself in front of the camera.
The day of the kiss scene arrived with a kind of nervous energy hanging over the set. You’d spent the morning running through the choreography with Austin and the intimacy coordinator, mapping out the movements and discussing boundaries in meticulous detail. It wasn’t your first on-screen kiss—not by a long shot—but something about this felt different. More charged. Maybe it was the nature of the film, the way Celeste’s process demanded you strip away pretence. Or maybe it was the weeks of building trust with Austin, the quiet understanding that had grown between you.
“Remember, it’s not about the kiss,” Celeste had said during rehearsal, her tone calm but firm. “It’s about everything that leads to it. The hesitation, the unspoken questions, the pull of wanting something but not being sure you can take it. That’s where the tension lives.”
Now, as you stood on set, an apartment with the aftermath of a house party still lingering in the scattered glasses and empty bottles on the kitchen counter, your heart raced in a way you couldn’t entirely attribute to your character. The warm, dim light of the living room lamps cast soft shadows across the space, the hum of the city below faint through the open window. The camera was set up to follow the smallest details—the brush of a hand, the flicker of an eyelash, the moments in between the words.
Austin stood across from you, his hands resting loosely at his sides. His posture was relaxed, but you could see the same tension in his jaw that you felt tightening in your chest. He caught your eye just before the cameras rolled, offering a small, reassuring nod. You nodded back, your breathing steadying as you focused on the moment.
“Quiet on set,” Celeste called, her voice cutting through the soft hum of the crew. “And… action.”
The scene began with silence, your characters standing across from each other in the softly lit room. The dialogue from earlier had already softened into something unspoken, the weight of the moment hanging heavily between you. You shifted slightly, your hand brushing the edge of the couch beside you as if grounding yourself.
Austin’s gaze found yours, hesitant but intent. He stepped closer, the creak of the wooden floor beneath his boots the only sound. His movements were deliberate, careful, as though testing the boundaries of the space between you.
“You don’t have to stay,” you said, your voice barely above a whisper, the line trembling with the vulnerability of your character.
“And if I want to?” Austin replied, his tone low, almost tentative. The words carried layers of meaning, each one pressing closer to the unspoken.
You didn’t answer right away. Instead, you let the silence stretch, your eyes searching his face as though looking for the answer there. His gaze flicked to your lips, just for a second, before meeting your eyes again. The air between you seemed to hum, the tension so palpable you felt it in your fingertips.
Austin raised his hand, the movement slow, giving you every opportunity to react. His fingers brushed lightly against your jaw, the touch so gentle it sent a shiver down your spine. Your breath hitched, but you didn’t pull away. Instead, you tilted your head slightly, leaning into his touch without realising it.
The kiss wasn’t rushed. It wasn’t even immediate. He leaned in slowly, pausing just before your lips could meet, his breath warm against your skin. Your eyes stayed locked on his, the world narrowing to this moment, this connection.
The first brush of his lips was barely there—a tentative question more than a statement. You responded in kind, your movements careful but steady, letting the kiss deepen naturally. It was soft at first, exploratory, but the intensity grew with each passing second. The kiss wasn’t just physical; it carried the weight of everything your characters couldn’t say aloud.
When Celeste called cut, the spell didn’t break immediately. You and Austin stayed close, your forehead almost resting against his as you caught your breath. His hand slipped away from your jaw, and he took a small step back, his expression unreadable but warm.
“That was… incredible,” Celeste said, her voice filled with quiet awe. “Let’s reset for another take, but honestly, I think we might already have it.”
The crew moved efficiently, resetting the camera angles and adjusting the lighting. You stayed where you were, your breathing steadying as the moment settled over you. Austin caught your eye, a small smile tugging at the corner of his mouth.
“You good?” he asked softly, his voice low enough that only you could hear.
You nodded, your own lips curving into a faint smile. “Yeah. You?”
“Yeah,” he said, his gaze holding yours for just a moment longer than necessary.
The second take carried the same weight, the same raw intensity. By the time Celeste called cut again, you felt both exhausted and exhilarated. The intimacy coordinator approached, checking in to make sure you and Austin were comfortable. You reassured her that you were fine, and as the crew began packing up, you found yourself lingering in the quiet space of the set.
Austin was still there, leaning against the edge of the table as he scrolled through his phone. When he looked up and saw you, he tilted his head slightly, his expression soft.
“You did great today,” he said, his tone casual but sincere.
“Thanks,” you replied, tucking a strand of hair behind your ear. “You too.”
He smiled, a quiet sort of understanding passing between you. The boundaries you’d set, the trust you’d built—it had all come together in that moment, creating something neither of you could fully explain but both of you could feel.
As you left the set that evening, the weight of the scene stayed with you, not as a burden but as a reminder of what you were capable of. The vulnerability, the trust, the connection—it had all been real, even if only for those fleeting moments.
The intimacy of the scenes had grown with each passing day. At first, it was subtle: the brush of a hand against a cheek, the lingering closeness of a whispered conversation. But soon, those moments gave way to bolder, unfiltered interactions. The boundaries, though clear and respected, felt fluid in the way Celeste encouraged you and Austin to find the truth of each scene.
By the time the sex scene arrived on the schedule, you felt a complicated mix of emotions. You’d filmed sex scenes before, but this one felt different—not because of the nudity or the vulnerability, but because of the process. There would be no perfectly timed cutaways or carefully constructed edits to obscure the rawness of it. The camera would roll, and you and Austin would simply exist in the moment, guided only by the connection you’d built over weeks of trust.
The scene was set in the dimly lit bedroom of the apartment where your characters were staying—a space that felt intimate without being overtly romantic. The bed was unmade, the lighting soft and golden, casting long shadows across the room. The crew was reduced to the absolute minimum: Celeste, the cinematographer, and the intimacy coordinator, who gave you and Austin a final check-in before stepping back.
“You know the beats,” Celeste said softly, her voice calm and grounding. “But don’t feel confined by them. Let it happen naturally. If something feels right, follow it. If something feels wrong, stop. We’ll work around it.”
You nodded, your heart thundering in your chest as you exchanged a glance with Austin. He looked steady, but there was a flicker of something in his eyes—nerves, maybe, or anticipation.
“Ready?” he asked, his voice low, almost intimate in itself.
You nodded again, swallowing hard. “Yeah. Let’s do it.”
The scene began with you standing by the edge of the bed, your characters mid-conversation, the words laced with a vulnerability that had been building over the course of the story. The tension between you was palpable, unspoken but heavy in the air.
Austin stepped closer, his movements slow, deliberate. His hand reached for yours, his fingers brushing against your palm before curling gently around it. The touch felt tentative at first, but as the moment stretched, it deepened, his thumb tracing small, almost imperceptible circles against your skin.
You could feel the warmth of his body as he stepped even closer, his free hand lifting to brush a strand of hair from your face. The gesture wasn’t scripted, but it felt natural, his fingertips grazing your temple before sliding back to cup your jaw. Your breath hitched, the proximity sending a ripple of tension through you that wasn’t entirely tied to the scene.
When his lips finally met yours, it wasn’t hurried or mechanical. The kiss was soft, exploratory, his mouth moving against yours with a tenderness that felt almost too personal. Your hands found his chest, the fabric of his shirt warm beneath your palms as you leaned into the kiss, your movements hesitant at first but growing bolder as the moment deepened.
His hands moved to your waist, the grip firm but careful as he guided you back toward the bed. The loose structure of the scene came into play here, the choreography giving way to instinct as you let yourself respond to the moment. He kissed you again, harder this time, his hands sliding beneath the hem of your shirt to rest against the bare skin of your back. The warmth of his touch sent a shiver through you, your breath catching as his fingers traced the curve of your spine.
The process of undressing was slow, deliberate, each movement carrying an unspoken question and answer. You pulled his shirt over his head, your fingers brushing against the smooth expanse of his chest as he worked to remove your own. When his hands found the clasp of your bra, you nodded subtly—an unspoken agreement you’d rehearsed before—and he slid the straps from your shoulders, letting the fabric fall away.
His gaze dropped to your bare chest, and his touch was reverent, his fingers trailing lightly along the curve of your breasts. The intimacy coordinator’s presence was a faint reassurance in the back of your mind, but in the moment, all you could focus on was the heat of his skin against yours, the way his thumbs brushed over your nipples with a gentleness that sent a wave of sensation coursing through you.
You let your hands wander lower, finding the waistband of his jeans and hesitating for only a moment before undoing the button. The modesty covers waited in the background, the last barrier you’d discussed and agreed upon, but everything else was stripped away. When you were finally both undressed, the covers placed discreetly between you, the vulnerability of the moment hit you with full force.
The bed creaked softly as he lowered you onto the mattress, his weight shifting above you as his hands explored your body with a mix of hesitancy and confidence. Your breathing grew shallow, your heart pounding as his lips trailed down your neck, the heat of his mouth searing against your skin. Every touch, every movement felt amplified, the boundaries between performance and reality blurring in a way that left you breathless.
When his hips moved against yours, the thin barrier of the modesty cover did little to mask the intimacy of the moment. His movements were slow, deliberate, the friction sparking a heat between you that felt almost unbearable. You arched beneath him, your hands finding his shoulders, his back, your nails digging in slightly as you let yourself be fully present in the scene.
The cameras captured everything—the subtle arch of your back, the way your fingers gripped his skin, the quiet, unguarded sounds that escaped your lips. It was raw, unfiltered, and unlike anything you’d ever filmed before. The combination of the style of filming and Austin’s ability to stay so present made it feel achingly real in a way that left you shaken.
When Celeste finally called cut, the silence that followed was heavy, almost tangible. You stayed still for a moment, your chest heaving as you tried to process the intensity of what had just happened. Austin was the first to move, pulling back slightly as his gaze flickered to yours, then quickly away.
His expression wasn’t unreadable this time—it was hesitant, almost bashful, a faint flush creeping up his neck. You realised with a start that he wasn’t entirely unaffected by the scene either. The realisation sent a rush of warmth to your cheeks, and you quickly averted your eyes, suddenly hyperaware of your breathing, your skin, the lingering heat between you.
The intimacy coordinator approached with robes, her voice warm and reassuring as she handed them to you both. You snatched yours with a quiet “Thanks,” your hands fumbling slightly as you wrapped the fabric around yourself. Austin did the same, his movements quick and a little stiff, as if he didn’t quite know what to do with himself.
For a moment, neither of you spoke, the atmosphere tinged with an awkwardness that felt almost surreal after the vulnerability of the scene. You found yourself avoiding his gaze, your fingers twisting in the knot of the robe’s belt as you tried to find something—anything—to say.
“That was…” you began, but the words trailed off, your voice too soft to carry any real weight.
Austin glanced at you then, a faint, sheepish smile tugging at the corner of his lips. “Yeah,” he said, his voice quiet and a little hoarse. “That was… something.”
You nodded quickly, your own awkward laugh escaping before you could stop it. “Definitely… something.”
The crew began resetting the room for additional takes, their movements brisk and efficient, but the two of you stayed rooted in place, neither willing to break the fragile silence. When Austin finally spoke again, his voice was even softer.
“You okay?”
You nodded, finally meeting his gaze, though the heat in your cheeks hadn’t subsided. “Yeah. Just… weird, I guess.”
He let out a quiet laugh, rubbing the back of his neck. “Yeah. Weird’s a good word for it.”
The shyness between you was almost endearing, a stark contrast to the raw intimacy you’d just shared. It made everything feel a little more human, a little more real. And though you weren’t sure what to make of the lingering tension, for now, you were grateful for the brief reprieve the moment of lightness provided.
The following days on set were a blur of moments that felt too real to call acting. You couldn’t pinpoint when exactly it started, but something had shifted in the way you felt around Austin. It wasn’t obvious—just a flicker of awareness that hadn’t been there before. The way your pulse quickened when his eyes met yours across the room, the faint flutter in your chest when he said your name, the heat that crept up your neck whenever his hand brushed yours during a scene.
It wasn’t just the intimacy of the performances, though that certainly played a part. The improvisation had forced you to trust each other in a way you hadn’t experienced with anyone else on set before. Every word, every movement, every glance felt like a tightrope walk without a net, and Austin had become the person you leaned on to keep your balance. That kind of connection didn’t just fade when the cameras stopped rolling.
You hated the way it made you feel—giddy, flustered, like a teenager with a crush. You hated the way your mind replayed certain moments, unbidden: the way he’d held your gaze in that last take, his voice low and steady, grounding you in a moment that had felt too raw to fake. And most of all, you hated the guilt that followed. The way it gnawed at you every time you thought of Jack.
Jack, who had been nothing but supportive, who loved you unconditionally, who was planning a future with you. The life you’d built together suddenly felt like a fragile thing, teetering on the edge of something you didn’t want to name. You told yourself it was just the nature of the work—that spending so much time in emotionally charged, vulnerable scenes would mess with anyone’s head. It didn’t mean anything. It couldn’t.
And yet.
It was a quiet moment on set when you felt the weight of it most acutely. You were seated in a corner of the room, flipping through your outline for the next scene. Austin was across from you, stretching out on one of the couches with a paperback in his hands. The rest of the crew milled about, setting up for the next shot, but the noise felt distant, like background static. You couldn’t stop stealing glances at him, your gaze darting away whenever he shifted, terrified he might notice.
Your phone buzzed in your lap, pulling you out of your thoughts. Jack’s name lit up the screen, and your stomach twisted with a mix of relief and dread. You quickly opened the message.
Hope the shoot’s going well. Miss you. Call me tonight if you can.
You stared at the words, your chest tightening. Guilt surged through you, sharp and unrelenting. You missed him too. Of course you did. But the thought of talking to him now, with your emotions tangled and frayed, felt overwhelming.
“Everything okay?”
Austin’s voice startled you, and you looked up to find him watching you, his book forgotten in his lap. There was a softness to his expression, an unspoken understanding that made your heart ache.
“Yeah,” you said quickly, forcing a smile. “Just tired. It’s been a long week.”
He nodded, his gaze lingering for a moment before he looked away. “Tell me about it,” he said lightly, though the concern in his voice hadn’t entirely disappeared.
You focused on your script, but the words blurred together, your mind racing. Every time you convinced yourself it was just the work, that your feelings were nothing more than a side effect of the intense, intimate nature of the project, something like this would happen. A look, a word, a shared silence that felt too heavy, too meaningful. And no matter how hard you tried to push it down, the feelings refused to go away.
That evening, back at your apartment, the guilt finally caught up with you. Jack called as promised, and you forced yourself to answer, plastering on a smile you hoped would carry through your voice.
“Hey,” you said, curling up on the couch with your knees tucked under you. “How’s the tour going?”
“Busy,” he said, his voice warm but tired. “You know how these things are. City to city, interview after interview. I swear I’ve answered the same question about fifty times.”
You laughed softly, the sound hollow in your own ears. “You’re good at it, though. It’s part of your charm.”
“Flattery will get you everywhere,” he teased, but there was an edge of weariness to his tone. “How about you? How’s filming?”
“It’s… intense,” you admitted, your fingers tracing the edge of a throw pillow. “But it’s going well. Celeste is amazing, and the whole process has been… different. Challenging, in a good way.”
“And Austin?” Jack asked, his voice casual, but the question caught you off guard.
“What about him?” you asked, your tone a little too quick, too defensive.
Jack chuckled lightly. “Nothing, just wondering how it’s been working with him. You mentioned he’s good at the improv thing.”
“He is,” you said, forcing your voice to even out. “He’s great to work with. Makes it easy to stay in the moment.”
“Good,” Jack said, his tone light but distant. “I’m glad it’s going well.”
The conversation drifted after that, settling into the usual rhythm of updates and reassurances. But when the call ended, you felt more drained than before. The weight of your guilt pressed down on you, heavier than ever. You curled up on the couch, staring at the darkened screen of your phone, and told yourself—for the hundredth time—that this was just a phase. Just the stress of the shoot messing with your head.
But deep down, you knew it wasn’t that simple. Something had changed, and no matter how hard you tried to ignore it, the truth was becoming impossible to deny.
The final days of filming were laced with a quiet melancholy, a sense of something extraordinary coming to an end. The cast and crew worked with the same focus and dedication as always, but the undercurrent of finality gave each moment a bittersweet weight. You found yourself caught in a strange mix of relief and sadness. Relief, because once the project wrapped, you’d finally have the distance you needed to sort through your feelings. Sadness, because some part of you knew this experience—this strange, raw connection you’d built with Austin—was unlike anything you’d have again.
The last scene on the schedule was appropriately intimate: a quiet moment of reconciliation between your characters after weeks of tension and conflict. It wasn’t physical, but the emotional vulnerability required was almost harder. Celeste’s direction had been characteristically minimal, leaving room for the improvisation that had defined the project.
The scene unfolded in the dimly lit living room of the set, the air heavy with everything left unsaid. Austin sat across from you on the worn couch, his character’s regret etched in every line of his body. You could feel the weight of his gaze as he spoke, his words quiet but charged.
“You were right,” he said, his voice thick with emotion. “I was scared. I still am. But I don’t want to lose you.”
The line wasn’t in the script, but it hit like a punch to the chest. You drew a shaky breath, your character’s hesitance blending with your own.
“Sometimes, I don’t think love is enough,” you replied, your voice barely above a whisper. “What if we break each other trying to make this work?”
Austin’s expression softened, the raw vulnerability in his eyes making it almost impossible to stay in character.
“Then we break,” he said simply. “But at least we’ll know we tried.”
The words lingered in the charged silence, neither of you moving until Celeste’s voice finally cut through. “And cut. Beautiful. That’s a wrap.”
The room erupted into applause, but you couldn’t move, your breath still catching in your throat. Austin leaned back slightly, his gaze meeting yours for a moment longer before he broke into a small, exhausted smile.
“Good work,” he said, his tone casual but warm.
“Yeah,” you managed, forcing yourself to smile back. “You too.”
As the crew began packing up, the reality of it all hit you. This was it. The end.
The cast and crew dinner was a lively, bittersweet affair. The small coastal restaurant buzzed with energy, everyone basking in the afterglow of finishing something truly unique. Plates of food and bottles of wine covered the long tables, laughter echoing through the space as stories from the shoot were shared like prized memories. It felt like a celebration and a farewell all at once.
You sat near the centre of the table, caught between conversations but not fully in any of them. Your mind wandered to the last few weeks—the long days on set, the improvisations that had pushed you to your emotional limits, the quiet moments when it was just you and Austin navigating a scene together. You glanced down the table at him now, watching as he laughed at something one of the camera operators said, his expression relaxed, his guard down in a way you hadn’t seen much before.
It was hard to explain the pull you felt toward him, the quiet gravity that had developed between you over the course of the shoot. You told yourself it was just the nature of the work—the intensity of the project, the vulnerability it demanded. But as the night went on, you found it harder to ignore how deeply that connection had embedded itself into your thoughts.
When the noise inside became too much, you excused yourself and slipped outside. The cool night air greeted you, a stark contrast to the warmth and chatter inside. You leaned against the wooden railing, staring up at the stars scattered across the sky. The weight of everything—the project, the goodbyes, the unspoken feelings you didn’t know how to handle—settled heavily in your chest.
The sound of footsteps behind you made you turn. Austin stepped into view, a cigarette dangling loosely between his fingers, his jacket slung over his shoulder. He nodded to you as he approached, his steps unhurried.
“Thought I’d find you out here,” he said, his voice low and familiar.
You offered a small smile, turning back to the sky. “Needed some air. It’s loud in there.”
He lit his cigarette, the orange glow briefly illuminating his face before he exhaled a thin stream of smoke. He leaned against the railing beside you, quiet for a moment before he spoke again. “Feels strange, doesn’t it? Knowing it’s over.”
You nodded, the truth of his words sinking in. “Yeah. It does. I keep thinking about everything we did, every scene we shot. It’s hard to believe it’s finished.”
Austin turned slightly to look at you, his expression thoughtful. “Do you think it’ll ever feel finished? Like, even when it’s out there and people are watching it… do you think we’ll feel like we’re done with it?”
You hesitated, his question catching you off guard. “I don’t know,” you admitted. “I think this kind of project stays with you. It’s not like anything I’ve done before. It’s more… personal.”
He nodded slowly, taking another drag of his cigarette. “Yeah. Personal’s a good word for it. I don’t think I’ve ever been this exposed in a role before. It’s like… we weren’t just playing these characters. We were putting parts of ourselves into them.”
You glanced at him, his words resonating deeply. “Exactly. And it’s scary, right? Like, people are going to see pieces of us we probably didn’t even mean to share.”
“Terrifying,” he agreed, a faint smile tugging at his lips. “But also kind of… freeing? Like, we left something real behind. Something people will feel.”
You looked back at the stars, his words settling over you like a weight and a comfort all at once. “It feels bigger than us,” you said softly. “Like it doesn’t belong to just us anymore.”
Austin nodded, the silence between you charged with understanding. “We made something special,” he said, his voice quieter now. “I’ve never worked on anything like this before. And I don’t think I ever will again.”
You turned to face him, the sincerity in his voice making your chest tighten. “Me neither,” you admitted. “It’s… one of those things you’ll always carry with you, I think.”
For a moment, neither of you spoke, the quiet stretching between you as the sounds of the ocean filled the space. You wanted to say more, to tell him how much his presence had meant to you during the shoot, how he’d made it possible for you to go places emotionally you never thought you could. But the words felt too heavy, too dangerous to voice.
Austin stubbed out his cigarette on the railing, his movements slow and deliberate. “I’m going to miss this,” he said finally, his gaze fixed on the horizon.
“Me too,” you said softly, the words feeling inadequate for the depth of what you meant.
When he turned to look at you, his expression was open, unguarded. There was something in his eyes—something raw and unspoken—that made your breath catch. But before it could shift into something more, he smiled, a quiet, bittersweet expression that somehow made your chest ache even more.
“Goodnight,” he said, his voice warm but laced with finality.
“Goodnight,” you murmured, watching as he stepped back inside.
You stayed out there for a while, the night air cooling your flushed cheeks as you tried to make sense of everything swirling inside you. The project was over, and soon you’d be back to your life with Jack. The distance would help, you told yourself. It would give you the space you needed to bury whatever this was.
But as you stood there under the stars, the memory of Austin’s voice, his presence, lingered like a faint imprint on your skin. You pressed your hands to the railing, closing your eyes against the sharp pang of guilt that rose in your chest.
Back in your room that night, you stared at the ceiling, the events of the evening playing on a loop in your mind. Austin’s words, his presence, the way he made you feel—it was all too much.
But this was the end. Filming was over, and you had a life to return to. Jack. Your engagement. The future you’d been planning together.
You closed your eyes, taking a deep breath. The feelings you’d developed for Austin—whatever they were—had no place in your life.
Distance would fix this. It had to.
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mariacallous · 4 months ago
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For people who make video games, 2024 was a year of holding on for dear life. At the annual Game Developers Conference in March, “Survive till ’25” was this year’s incantation, summoned to keep morale on pace. Others resorted to full-on screams, as layoffs in the industry charted record highs and developers found themselves under attack online for conspiratorial nonsense.
In 2023, more than 10,000 developers lost their jobs; one-third of game-makers surveyed at the beginning of this year reported they’d been affected by layoffs in some way. While there were wins for labor organizers at big studios like Activision Blizzard, and collective action around fighting for protection from the encroachment of AI on employment, the industry’s collective brain drain continued in 2024 as workers lost jobs en masse. Six months in, this year’s layoff tally had already surpassed that of 2023. According to Matthew Ball, an adviser and producer in the games and TV space, 2024’s job-loss count will wind up being about 40 percent higher than the previous year’s.
"The explanation is complex and wide-ranging for the same reason the layoffs are so deep and continuous, and sit alongside many studio closures and even more canceled games,” Ball says.
As the industry faltered, games suffered. High-profile releases like Suicide Squad: Kill the Justice League were commercial failures. While there were many reasons for this, online right-wing groups reduced it to a single mantra: “go woke, go broke.” By their logic, if a game does poorly and has even a whiff of diversity—be it regarding gender, sexuality, or race—that disappointing performance is the fault of diversity, equity, and inclusion (DEI).
Although there have been incredible games released this year—Balatro, Final Fantasy VII Rebirth, Metaphor: ReFantazio, Astro Bot, Black Myth: Wukong—they just couldn’t distract from the troubles faced by the people making them. They couldn’t make up for the fact that the meta-narrative of video games in 2024 was bleak.
Ball says that the blame for all of this can’t be pinned to a single thing, like capitalism, mismanagement, Covid-19, or even interest rates. It also involves development costs, how studios are staffed, consumers’ spending habits, and game pricing. “This storm is so brutal,” he says, “because it is all of these things at once, and none have really alleviated since the layoffs began.”
For indie developers, specifically, the threat to their existence has been substantial. Dozens of small studios shuttered in 2024, though it’s difficult to get a full picture of how many indie studios the industry lost, as they’re more likely to shut down quietly and without much fanfare—or before many players even know they exist.
With dwindling opportunities to get funding from investors and little cash to go around, developers sought alternative methods to fund their games in the past year. Some took bankrolling into their own hands. Among Us creator Innersloth launched an initiative to give fellow developers backing to finish projects. Others, like Tales of Kenzera: Zau developer Surgent Studios, made their plans public in early development in hopes of attracting investments—all while fending off racist attacks from the anti-DEI crowd, making the challenges they’re facing twofold.
Even studios owned by tech juggernauts weren’t immune to the industry’s contraction. Microsoft shuttered Arkane Austin and Tango Gameworks; Sony shut down Firewalk. The latter’s shuttering wasn't wholly surprising. Its big 2024 release, Concord, was largely considered a flop. But having a hit didn't give any studios a safety net. Near-universal acclaim for Tango's Hi-Fi Rush didn't stop Microsoft’s ax. (It did, though, give Tango just enough juice to be revived by a new buyer.)
In other words, it’s been a dismal year for morale. When developers gathered in Los Angeles in June for Summer Game Fest, developer New Blood Interactive bought out a billboard solely to memorialize their fellow developers who’d lost jobs: “We love you. We miss you. We hate money.”
This year may have been the 10th anniversary of Gamergate—the 2014 online hate movement that shaped the internet harassment tactics apparent today—but online, conversations felt like a trip back in time. Conservative ideologues bemoaned the inclusion of characters who did not fit the cookie-cutter image of a white, cis, hetero man. They complained that DEI was being forced upon them. (It wasn’t.)
In March, harassment toward a small consultancy company called Sweet Baby Inc. reached new heights as bad actors organized through Discords, Steam forums, and other online spaces. Branding themselves as Gamergate 2.0, online mobs harassed developers using tweets, DMs, YouTube videos, and Twitch streams. They targeted anyone with any connection to Sweet Baby and other consultancies—a fairly wide net, as consultants are often brought on to advise on accuracy, sensitivity, and more. Their mission was fighting against “wokeification.” The realities of the economic issues impacting games they love had no place in their tactics; the specter of diversity had more pull than analysts and experts.
Games with Black leads and characters were derided as forced. Female characters deemed unattractive or masculine were suffering from “DEI chin.” Dragon Age: The Veilguard, was criticized by far-right trolls for its customization options, which allow players to create characters with top surgery scars or play with a nonbinary companion. After reviews were released, conspiracists latched onto clichéd phrases or other language as proof that studio BioWare was instructing reviewers how to talk about their game.
Even not-yet-released titles faced bombardment. Compulsion Games’ South of Midnight, about a young Black woman in the Deep South, drew ire from the anti-DEI crowds on platforms like X, where they’ve photoshopped the heroine to make her looks less “repulsive” and put forth conspiracy theories about Sweet Baby’s influence on the game’s development.
But pressure to remain apolitical—a curious agenda for an entertainment form that marries the artistic preferences of narrative and imaginary worlds with agency granted to players who inhabit them—did not come just from a vocal minority. Following the release of Black Myth: Wukong, some streamers were given instructions to avoid talking about Covid-19 or “feminist propaganda.” The guidelines had the opposite effect, encouraging streamers to lead with the code words they’d been barred from: a push against standards meant to actually censor players.
Looking ahead to 2025, Ball says he hears more pessimism generally, but “it just sucks to contemplate, let alone predict.” If there is one plus, he says, it’s that there is “a lot more hiring happening than is generally believed. Downside is, it’s not nearly compensating overall, especially at indies.”
As 2024 comes to a close, the industry is operating—from the outside—with a business-as-usual mindset. In early December, developers gathered in Los Angeles to celebrate at The Game Awards. On stage, host Geoff Keighley made a small speech, amid game announcements, accolades, and a performance from Snoop Dogg.
“The sad reality is that over the past few years the gaming industry has suffered significant and unprecedented industrywide layoffs,” Keighley said. “Those affect the games we get to play and, even more important, the people who make the games we love. We can debate and certainly disagree with the reasons why, and honestly as a show we kind of struggle with how to address these topics in a constructive way.”
Keighley used the segment to introduce TGA’s first “game changer” award, a nod to an individual who has positively impacted the industry. Then the show continued, with headline-dominating announcements about major projects like The Witcher 4 and the next title from The Last of Us developer Naughty Dog.
Amid all of this is the specter of AI. There’s still little insight on how much AI will continue to grow and how future games might use it, but it’s a rising concern as rank-and-file workers are laid off. No one knows when, or if, the industry will bounce back with sustainable jobs and compensation. Yes, there will be games to play. It’s harder to say how many people will be able to make them.
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rickchung · 18 days ago
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The Studio (prods. Seth Rogen & Evan Goldberg) x SXSW 2025.
Apple's sendup of the bankrupt Hollywood studio system in the tradition of The Player is a searing and hilarious contemporary portrait of the cutthroat business of filmmaking. Largely inspired by the writing and producing duo's experiences, the series employs its A-list cameos and absurd premises to satire the delicate balance of making award-winning, acclaimed movies and profitable franchises with broad appeal that rake in the box office. Rogen, as the cinephile studio head out of his depth, bumbles through his dream job in meetings and pitches to the amusement of his underlings. It somehow manages to be a nostalgic, romantic look into the harsh realities of studio moviemaking told through a series of continuous long takes.
Premiered at the 2025 South by Southwest Film & TV Festival (Austin, Texas).
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seasurfacefullofclouds1 · 4 months ago
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His fans blaming Olivia Wilde can’t gaslight movie producers, who have a long list of better actors in their 20’s and 30’s to cast. Harry got a gold ticket and he fucked it up.
this made me giggleeee bc i was thinking this recently with all of the actors on actors interviews coming out (plus i was just reading an article on “hollywood’s new leading men” - https://www.thecut.com/article/harris-dickinson-babygirl-paul-mescal-josh-oconnor-leading-men-hollywood.html ).
austin butler, paul mescal, josh o connor, drew starkey, harris dickinson in particular… all of them are attractive actors around harry’s age, getting roles back to back that he might have gotten if he had any acting talent at all. i would be sooo humiliated if the news that i was being replaced by nicholas hoult, a man five years my senior, that started acting when he was three years old, was met with such universal celebration. 💀
people generally want to see new faces in film & tv, especially in highly anticipated projects. they typically want to give actors the chance to develop and hone their skills, rather than prefer to see a man we’ve been seeing on our screens for years replace you right before shooting. hoult is not even particularly well liked and his talent is not particularly acclaimed, but he is at least reliable and can act his way out of a paper bag.
https://fandomwire.com/why-was-harry-styles-cast-in-first-place-we-cant-complain-about-one-direction-star-losing-his-role-in-nosferatu-to-nicholas-hoult/
like… this ⬆️ is so embarrassing 😭😭
The remake of 1922’s Nosferatu has been heavily anticipated for many reasons. The film is set to provide a new version of the classic for a completely different audience, continuing the legacy of the iconic silent film. There are many excellent things about the upcoming film, with it being directed by The Lighthouse director, Robert Eggers, as well as its cast consisting of talents like Willem Dafoe, Emma Corrin, and Bill Skarsgård.
Amid all the beauty and excitement of the film, many seemed to have forgotten that Harry Styles’ name was once connected to the project. In March 2022, Variety reported that the singer was no longer a part of the project after scheduling conflicts caused him to pull out.
Not only was he supposed to be a part of the upcoming film, but his role was important enough that Anya Taylor-Joy would have been cast if he had still been connected to the film. Additionally, it was later reported by Deadline that the role that Styles was supposed to play was filled by Nicholas Hoult.
Fans Are Glad At The Change
When the updates were being given about Harry Styles’ involvement in Nosferatu, no one batted an eye, with conversations of Don’t Worry Darling still going on. However, with two years having passed, fans cannot help but look back at how bizarre the entire situation was.
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Do you ever stop to think about the male actors who were in Dunkirk with Harry, some of whom have gone on to chew up the scene on stage or screen. Jack Lowden has done Slow Horses and married Saoirse Ronan, Barry Keoghan, Cilian Murphy, Tom Hardy. Actors have chosen interesting roles to expand their craft, and none slept with their directors 💀💀💀
Austin Butler who took the role in Elvis. Nicholas Hoult who built on his role in The Menu. Timmy Chalamet doing blockbusters and Oscar bait. There’s tough competition for leading men and they need to have it all— looks, talent, and personality. Studios can’t rely on a bunch of Harries showing up to their big money Oscar contenders or potential billion dollar films.
So much happened to cinema between 2021 and 2025 and it’s crazy how so much acting talent is exploding.
(But also can we have some diversity 💀💀💀)
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November 21st, 1975 - Queen Story!
'A Night At The Opera' released in the UK
🔸“Bohemian Rhapsody was totally insane, we never stopped laughing. It was basically a joke, but a successful joke.”
- Roy Thomas Baker, Producer
Queen's fourth and probably best known album, was recorded in England between August and November 1975. Such was the complexity of the compositions that no less than six different studios were employed, with the band members often recording various parts simultaneously in order to work most efficiently and get through it all. The sessions were long and gruelling and spanned four long months. Once again the band produced the album with trusted collaborators, Roy Thomas Baker and Mike Stone, and what emerged was a genuine triumph on all levels, meticulously pieced together to make the best possible album. A Night At The Opera would propel Queen on to the world stage on a mammoth scale and establish them as a major international force. Though it was never in any doubt within the band, it proved that Seven Seas Of Rhye and Killer Queen were not fleeting hits from another glam-type British wannabe band; Queen were here to stay and Bohemian Rhapsody and A Night At The Opera would confirm it for those in any doubt.
It is a matter of public record that a very great deal hinged upon the success or failure of this album. Had it failed, it is entirely feasible the band would not have survived and Queen may well have ended there and then. Despite having two top ten albums under their belt, and significant international hits with Seven Seas and Killer Queen, and sell-out shows all around Britain, the band was in serious financial difficulty by the start of 1975. Recording and relentless touring for three solid years had still not yielded anything like what the band were due, and, to add insult to injury, Roger, John, Brian and Freddie were still struggling to get by on the minimal wage from Trident, to whom they were signed. Enter the story at this point, Jim Beach, the lawyer who would eventually negotiate Queen's release from Trident's grasp and from the deal that had so far afforded such little reward for the band. It would be some years before the band formerly parted company with Trident. Eventually Queen were extricated from their deal and left to make A Night At The Opera without distraction or financial pressure. So, with a clean slate and blank canvas on which to create, the much relieved Queen, along with stalwarts Roy Thomas Baker and Mike Stone, committed the next quarter of a year to the meticulous and all-consuming craft of honing the album that Brian would later refer to as ‘Queen's Sgt Peppers’.
The album cover was given a simple but lavish treatment, with Freddie's original crest design updated and coloured and placed centre of the album cover. The LP gatefold complimented the style, with the lyrics printed over two sides of the inside cover, and for the first time the inner sleeve was in colour and featured live photos from Queen’s most recent tour.
A Night At The Opera is a wonderfully rich and diverse gathering of carefully constructed and, some might say, unlikely compositions from all four band members. Every track is strong and every moment from beginning to end is beautifully recorded. The late lamented Mike Stone (engineer), who sadly passed away in 2002, once again played an integral part in achieving the sound of this album. Opera spans all kinds of musical styles and genres and veers off at tangents as unlikely the album title itself.
Aside from the well known material, also on this album is to be found Freddie's exquisite Love Of My Life, rumoured to have been inspired by his long time girlfriend of the time Mary Austin.
A Night At The Opera was finally finished in early November of 1975 and released to worldwide critical acclaim later that month on the 21st. It very quickly became Queen's first No 1 album, and also their first to achieve Platinum sales status. It went top 5 in the USA and achieved Gold status there, helped in no small part by extensive tours of North America and Canada earlier in the year.
Singles from this album: Bohemian Rhapsody / You’re My Best Friend / Death On Two Legs (on Queen’s First EP)
(source: queenonline.com)
Pic: 'A Night At The Opera' – EMI - HOLLAND (2005) ~ 30th Anniversary Edition
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lboogie1906 · 10 months ago
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Chloe Elizabeth Bailey (July 1, 1998) known mononymously as Chlöe, is a singer-songwriter, record producer, and actress. She rose to prominence alongside her sister Halle Bailey as Chloe x Halle; the duo released two studio albums, with their second, Ungodly Hour(2020), being met with widespread acclaim upon release. In 2021, Bailey released her debut solo single “Have Mercy”, which was certified platinum in the US. Her debut album, In Pieces, was released in 2023, to positive reviews from critics.
She starred in Grown-ish (2018–22) and Swarm (2023). She won a NAACP Image Award for her lead role in Praise This.
She was raised in Mableton, Georgia, with her sister Halle Bailey and younger brother Branson Bailey moved to Los Angeles in mid-2012. While in Georgia, she played minor acting roles in films, including The Fighting Temptations and Let It Shine. Their dad began teaching them how to write songs at the ages of ten and eight.
They launched a YouTube channel at the ages of 13 and 11 respectively, with a cover of Beyoncé’s “Best Thing I Never Had”. The duo made their talk show debut when they appeared on The Ellen Show. She made a cameo appearance in Austin & Ally performing the song “Unstoppable”. She joined the cast of The Exorcism. She starred in Jane.
She performed “Have Mercy” at the main show of the 2021 MTV Video Music Awards. At the 53rd NAACP Image Awards, she was nominated in three categories, including Outstanding Female Artist and Outstanding Soul/R&B Song for “Have Mercy”.
She co-starred in the scripted podcast, Electric Easy. She released “Treat Me” with an accompanying music video as her second solo single. She sang the national anthem during Game 3 at the 2022 World Series.
She announced her debut solo album, titled In Pieces, which was released on March 31, 2023. She released the lead single from the album, “Pray It Away” and the second single, “How Does It Feel”. #africanhistory365 #africanexcellence
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audiofuzz · 19 days ago
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As he gears up for the next leg of his No Name Tour, Jack White has announced a special limited-edition 7-inch release featuring “Archbishop Harold Holmes” backed with “Archbishop Harold Holmes (Live) – Recorded at The Blind Pig – Ann Arbor, MI – 9/1/24.” The release will be available globally on black vinyl and exclusively at Third Man Records storefronts on tri-color vinyl starting Friday, April 11. A standout from the GRAMMY® Award-nominated album No Name, “Archbishop Harold Holmes” is paired with a rare live rendition captured during White’s surprise performance at Ann Arbor’s iconic venue, The Blind Pig, this past September. Following sold-out shows across North America, Europe, the UK, and Japan, the No Name Tour picks back up this Thursday, April 3, in St. Louis, MO, at The Factory. For full tour information, visit jackwhiteiii.com/tour-dates. No Name is available now via Third Man Records. The critically acclaimed album earned a 2025 GRAMMY® nomination for “Best Rock Album,” marking White’s 34th solo nomination and 46th overall, with 16 wins to date. Staying true to his DIY ethos, White recorded the album at Third Man Studio throughout 2023 and 2024, pressed it at Third Man Pressing, and released it via Third Man Records. Fans may remember the album’s unconventional debut, when unmarked white-label vinyl copies were quietly slipped into customer bags at Third Man storefronts last summer. JACK WHITE – NO NAME TOUR 2025 APRIL 3 – St. Louis, MO – The Factory 4 – Kansas City, MO – Uptown Theater 5 – Omaha, NE – Steelhouse Omaha 7 – Saint Paul, MN – Palace Theatre 8 – Saint Paul, MN – Palace Theatre 10 – Chicago, IL – The Salt Shed 11 – Chicago, IL – The Salt Shed 12 – Detroit, MI – The Masonic Temple Theatre 13 – Detroit, MI – The Masonic Temple Theatre 15 – Grand Rapids, MI – GLC Live at 20 Monroe 16 – Cleveland, OH – Agora Theatre 18 – Nashville, TN – The Pinnacle 19 – Nashville, TN – The Pinnacle MAY 4 – Austin, TX – ACL Live at the Moody Theater 5 – Austin, TX – ACL Live at the Moody Theater 6 – Dallas, TX – South Side Ballroom 8 – Denver, CO – Mission Ballroom 9 – Denver, CO – Mission Ballroom 10 – Salt Lake City, UT – The Union Event Center 12 – Los Angeles, CA – Hollywood Palladium 13 – Los Angeles, CA – Hollywood Palladium 15 – Santa Barbara, CA – Santa Barbara Bowl 16 – Oakland, CA – Fox Theater 17 – San Francisco, CA – The Masonic 19 – Seattle, WA – The Paramount Theatre 20 – Seattle, WA – The Paramount Theatre 22 – Vancouver, BC – Commodore Ballroom 23 – Vancouver, BC – Commodore Ballroom 24 – Troutdale, OR – Edgefield Concerts on the Lawn 26 – Sacramento, CA – Channel 24 27 – Sacramento, CA – Channel 24 AUGUST 3 – Portland, ME – Back Cove Music & Arts Festival † SEPTEMBER 11–14 – Louisville, KY – Bourbon & Beyond † † Festival Appearance Read the full article
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moonfuzzblog · 1 month ago
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Sister Envy - Swallowed By The Ground single out now
Immediate and hazy guitar effects make 'Sister Envy''s brand new single 'Swallowed By The Ground' captivate and intrigue. The youung band met at college in North Wales, and are a excellent fast-emerging Alternative Psychedelic rock quartet and have spent time honing their sound on stage and in the studio, which certainly can be heard on their latest material.
‘Swallowed By The Ground’ is an awe-inspiring rocketship of soaring space rock, replete with nimble chiming guitars, underpinned by nagging basslines and cycling drums, leading the charge is an unmissable vocal from frontman Kameron Jolliffe, introspective lyrics uncover a relationship falling apart, exploding into an unforgettable chorus, combining elements of the epic gaze sound of early Verve or My Vitriol with echoes of the sound of bands like Smashing Pumpkins and Nirvana,  Sister Envy are carving their own distinct place in our hearts.
It’s Sister Envy’s third single and the follow-up to ‘Tide’ and debut release ‘Mourning Sickness’ both have been very well received, gaining the attention of publications like Louder than War, So Young Magazine, and God Is In The TV and many more, winning airplay and the approval of John Kennedy on Radio X after an acclaimed debut set at Focus Wales festival last year and playlisted on BBC Radio Wales Welsh Mix.
Kameron Jolliffe says: “I had the main riff lying around for a while, and didn't really touch it, though I really liked it. We started jamming it in a rehearsal and the song pretty much wrote itself, it quickly became one of our favourite songs to play together.”
Sister Envy hail from the North Wales coast, a place of mystery, harshness, and beauty, a place where opportunity is blocked for younger people yet dreams can break through. It’s here that Sister Envy met at college, this fast-emerging Alternative Psychedelic rock quartet and have spent time honing their sound on stage and in the studio.
Their new single was recorded in Liverpool at the famous Motor Museum Studio with Ben Harper. Mixed in France by Welsh legend Owain Ginsberg and mastered in Austin Texas by American producer Erik Wofford (The Black Angels).  Over the course of 2025, Sister Envy will invite you into their fascinating world over a series of releases and shows. Gradually revealing the different faces of their tapestry of sound and fledgling experience.
Kameron Jolliffe says: “I had the main riff lying around for a while, and didn't really touch it, though I really liked it. We started jamming it in a rehearsal and the song pretty much wrote itself, it quickly became one of our favourite songs to play together.”
Their new single was recorded in Liverpool at the famous Motor Museum Studio with Ben Harper. Mixed in France by Welsh legend Owain Ginsberg and mastered in Austin Texas by American producer Erik Wofford (The Black Angels). Sister Envy hail from the North Wales coast, a place of mystery, harshness, and beauty, a place where opportunity is blocked for younger people yet dreams can break through. It’s here that Sister Envy met at college, this fast-emerging Alternative Psychedelic rock quartet and have spent time honing their sound on stage and in the studio.
Produced by Owain Ginsberg Mixed by Owain Ginsberg Mastered by Erik Wofford Engineered by Ben Harper
All songs written by Kameron Jolliffe Lyrics by Kameron Jolliffe Music by Sister Envy
Sister Envy are :- Kameron Jolliffe - Vocals & Guitar Matty Waring - Guitar Callum Jones -Bass Ryan Roberts - Drums
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jayhawksofficial · 40 years ago
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Tomorrow The Green Grass 30th Birthday
February 14, 2025 was the 30th anniversary of Tomorrow the Green Grass, the 4th Jayhawks album and their 2nd for American Recordings.
Here are some TTGG-related digs from the Jayhawks Archive.
More from The Jayhawks Archive HERE
Post on Tomorrow the Green Grass releases HERE
The official announcement for the 4th Jayhawks album was made around Thanksgiving 1994.
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This is a rare photo from the 1994 sessions in LA for the then unnamed Tomorrow the Green Grass album, with producer George Drakoulias at the helm. Dig Perly's outfit! If anyone has a better photo of this, the Jayhawks Archive needs it stat. ([email protected]).
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Pre-production ("pre-pro") list from January 1994. "Pre-production" refers to the process that precedes the actual recording of an album. It generally involves writing, rehearsing and recording demos - an often critical first step towards achieving the best results in the studio once the meter and the clock start running. There are many familiar titles here destined for TTGG, but also several songs that didn't make the cut for the album that ended up as future b-sides and reissue bonus tracks, a handful of songs from the fabled "Mystery Demos" sessions (including "Turn Your Pretty Name Around," recut 14 years later for the Olson/Louris album Ready For the Flood) and some that remain in the can.
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In January 1994 The Jayhawks decamped to LA to begin recording sessions for their new, yet unnamed album. They were recording at Sound City Studios in the Van Nuys neighborhood in the San Fernando Valley. On January 17, the Northridge earthquake struck LA, resulting in many deaths and massive destruction. It was the costliest earthquake disaster in US history.
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Here are a few examples from an abandoned cover art concept using a photo from the important Memphis photographer William Eggleston (of Big Star Radio City album cover fame). The second one appeared in the booklet for the 2011 Tomorrow the Green Grass 2CD Legacy Edition reissue.
More alternate TTGG cover designs HERE
Read more about Jayhawks album cover art HERE
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The new Jayhawks lineup became public news in January 1995, one month before TTGG's release. Olson would leave before the end of the year; the remaining members comprise the current lineup of the band.
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Uncredited publicity photo circa 1994 with the new 5 piece Jayhawks lineup. Grass definitely seems to be a theme.
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One of many unique press photos of the band from the time, this one debuting the new lineup in a hometown newspaper the day of the album's release.
The Jayhawks explore a new direction in their music with "Tomorrow the Green Grass," which debuts today.
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These days, Tomorrow the Green Grass is almost universally acclaimed as not only a great Jayhawks album, but also a landmark release in the history of the "Americana" genre. Some of the initial reviews, however, didn't share that lofty opinion. "Tomorrow is good, but it never comes close to being great." Ouch.
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The Jayhawks hit the ground running to support Tomorrow the Green Grass on the road. In fact, the TTGG tour actually started a few days before the Valentine's Day release date with some shows in the midwest. They kicked off March with a national TV appearance, performing "Blue" on the David Letterman Show, played showcase sets at South By Southwest in Austin, TX (as did Golden Smog) and finished the month off with a handful of European dates. They flew back to the states without returning home and on April Fool's Day 1995 immediately started a 5 week tour supporting Tom Petty & The Heartbreakers, announced with this press release.
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The record company created this interesting 11x17, poster-sized promotional item for Tomorrow the Green Grass with a bio on one side and the album lyrics on the flip. It was printed on thick, textured stock to give it a suitable old-timey feel. The bio is very well done, providing an extensive band history that dives in pretty deep, mixed in with lots of background about the new album. There are plenty of quotes from the band members as well as this gem of a quote from Johnny Cash, who was a label mate of The Jayhawks at the time.
As for the originals, Johnny Cash (THE JAYHAWKS opened several fall shows for him) has said, “I’m very impressed – they’ve got at least four hits on the album.” Anybody want to argue with The Man in Black?
Full text HERE
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1001albumslist · 3 months ago
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Day 14
Album: D by White Denim
Have I listened before? no
Familiarity with the artist: never heard of them
Background Knowledge:
fourth full-length studio album by the Texan band White Denim, released on May 24th, 2011
the album was critically acclaimed, with critics praising the band's "intertwining jazzy guitar noodling, prog scales, and rock riffs" as well as how they sublimely mixed "psychedelia, hardblues, boogie, prog rock and fusion riffs like inspired kids weaned on 64GB iPods and 64-ounce Slurpees" in a way that "often recalls late-Sixties Grateful Dead, when their songs still had garage-rock drive but were exploding every which way."
Interesting Info:
for this album, White Denim expanded from a trio to a four-piece band by adding a second guitarist, and also recorded in a more sophisticated studio than their previous albums
the band credited newcomer Austin Jenkins for having "brought a lightness and sense of humor back to the group"
Listened on: Apple Music
Listening Notes:
guitars sound kind of country inspired 
the singer almost sounds like the guy from Fleet Foxes???
i feel like this is the modern “folk rock” sound before the term got bastardized by bands like Mumford & Sons
sounds like some Afro-Carribean influences in here as well?
lots of existential questions in the lyrics of “River to Consider”
the build to the climax of "River to Consider" and then the transition into “Drug” is awesome
“keys” is the most pop-y song on the album but it's fun
Favorite Tracks: "Street Joy", "Anvil Everything", "River to Consider", "Keys"
Final Review: this was another album that surprised me with how much I liked it! I had never heard of this band before, but I found a lot to love here and I'll definitely be diving into more of their discography at some point. it is interesting that critics seem to consider them more psychedelic/prog rock though...i do hear the psychedelia on some songs (mostly "River to Consider) but honestly I hear more country and folk influences...but maybe that's just because they're from Texas lol. all and all though, i'm really glad i discovered this band and this album!
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shellstahh1817 · 3 months ago
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I’m think the likes of Lady Gaga and Ariana Grande have shown that it is possible for musicians to transition into critically acclaimed roles but, it comes at a cost which is they need to put the music and touring on hold. I think (at the moment) Harry’s aim focus is music and touring and I think he wants to pick up acting on the side (hence why he signed onto dwd during Covid) but I think his lack of dedication is why he’s not been casted in anything else since. We already know he has dropped out of Nosfaraous to focus on music so why would studios hire him over someone upcoming or the likes of Austin/Paul/Jacob etc? Ariana literally dropped her tour and put all her energy into wicked (bear in mind she hadn’t acted since Sam and cat) and is front runner for best supporting actress. It can be done but I don’t think he wants it
I agree with this, it’s that he couldn’t, it’s that he likely wouldn’t
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ear-worthy · 5 months ago
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Announcing On Air Fest First Wave Lineup And Major Expansion For 2025
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On Air Fest is one of podcasting's signature events. This year, the lineup includes SNL’s James Austin Johnson and the Jokermen, Latino USA’s Maria Hinojosa, Hyperfixed's Alex Goldman, Design Matters’ Debbie Millman, Modern Love Host Anna Martin, Radiolab Creator Jad Abumrad, The Kid Mero, J(enna) Wortham, Ronald Young Jr, and exclusive programming with NASA, WNYC, WBUR, Talkhouse, Radiotopia/PRX and more to be revealed soon.
Plus, for the first time, On Air Fest Brooklyn will feature 6+ locations including Festival HQ at Wythe Hotel, an interactive Experience Hall at XXV, a party space at 74Wythe, Music & Storytelling events and National Sawdust & more. Early Bird Tickets (35% off) On Sale Now
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This year's programming will dive deep into the worlds of creativity and innovation, exploring new storytelling formats, technology, audio art, the expanding world of creators, AI, sonic branding, the intersection of social and sound, and how audio is changing industries and culture.
Rooted in sound & storytelling and expanding out through voice, visuals and multi-sensory experiences, we are set to feature: main stages with visuals, live tapings, intimate listening and screening experiences, an experience hall that will allow attendees to interact with sound and art, big ideas, performances, poetry, brand activations, music, trends & forecasting, sound meditation and mindfulness and the world’s first ever ASM(bar) for listening to the inside of your cocktail.
On Air Fest 2025 First Wave Lineup Includes: SNL’s James Austin Johnson and the Jokermen in conversation about NYC’s music history, The Kid Mero hosting his Victory Light podcast live, Alex Goldman of Hyperfixed (and Reply All), Debbie Millman of Design Matters celebrating the show’s 20th anniversary, Modern Love host Anna Martin, Radiolab creator Jad Abumrad interviewing acclaimed composer and co-founder & Artistic Director of National Sawdust, Paola Prestini, the high celebrated ESPN documentary series 30for30 Podcasts, Brian Reed of KCRW’s Question Everything (and S-Town), Latino USA host Maria Hinojosa, iHeart’s Stuff They Don’t Want You to Know in a rare live immersive audio performance, New York Times staff writer, podcast host and sound healer J(enna) Wortham, filmmaker/radio producer Bianca Gaiver, Anna Sussman (Snap Judgment), Stars and Stars with Isa, Ronald Young Jr. in a live version of Lemonada Media and BBC’s Pop Culture Debate Club!, a live special with Blank Check powered by Patreon, Max Cutler and creators from PAVE Studios, podcast producer Ngofeen Mputubwele, and Radiolab Senior Producer Simon Adler (talk and performance). And exclusive programming from NASA, WNYC, WBUR, Talkhouse and Radiotopia/PRX and more. Finally, KCRW and On Air Fest will present: KCRWWW, a pop up radio lounge live streaming music, talks, and sonic experiments from the festival. Featuring KCRW's newly appointed Music Director, Alejandro Cohen, plus musicians, artists, poets, performers, and more, the pop-up will be free and open to the public via a dedicated microsite underscoring On Air Fest and KCRW’s commitment to accessible public programming that fuels music discovery, culture, and connection. 
According to event organizers, more news to come.  
Technical Advisor: Pushpa Khanal
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mariacallous · 10 months ago
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Last week, while Summer Game Fest attendees shuffled between game reveals and demos in Los Angeles, an unusual digital billboard captured the attention of millions of people online and off. “Gone but not forgotten,” it read, listing shuttered studios like Arkane Austin, Tango Gameworks, and Volition, “+ everyone laid off, downsized, & ‘made redundant.’ Thank you for great games.” When the sign flashed to its second message to downtown LA, it was equally direct: “We love you. We miss you. We hate money.”
The message was signed “your friends at New Blood,” and as soon as Game File reporter Stephen Totilo posted a video of the billboard to X on Thursday, it went viral, eventually racking up more than 3 million views and making headlines on gaming news sites. New Blood Interactive cofounder Dave Oshry, who paid for the viral ad, says he wanted people in the gaming industry to “see it and go ‘Hell yeah, good shout’ and pour one out for those studios and just remember the games they made.” But what he ultimately did was troll an industry that’s squeezing developers right as its bigwigs were headed to LA to show off their glitzy new releases.
It’s been a particularly brutal year for developers at studios big and small. Indies continue to close or go on “hiatus,” a more hopeful move that implies they’ll one day return. Big-name studios have been laying off developers in the hundreds. Microsoft in particular is responsible for the most recent closures on that billboard list, Arkane Austin and Tango Gameworks.
Originally, Oshry told Totilo, he wanted to post the names of all of the recently shuttered studios, but there simply wasn’t enough room on the billboard. Still, his action resonated with the developers who have lost their jobs this year, and the others who are looking to support them.
Oshry says he’s received many messages from people formerly of those studios, so “mission accomplished.” He declined to provide specifics on how much the billboard cost, simply telling WIRED via X DM that the price was “$xx,xxx.” “It cost a lot but not that much,” he adds.
Whatever the cost, it was likely far less than the money game studios were ponying up to participate in Summer Game Fest, where showing a one-minute trailer can reportedly cost $250,000. Over the Game Fest weekend, companies from Microsoft to Blumhouse got major buzz debuting early looks at games like Doom: The Dark Ages and Sleep Awake, but a lot of the chatter also went to Oshry's stunt.
Oshry told Game File that the original messages he brainstormed with his New Blood colleagues were much more direct than what they actually posted. “People started suggesting: ‘You should take shots at the execs,” Oshry said. “Put a picture of Phil Spencer up there and be like, ‘Hey man, what the fuck?’”
Spencer, Microsoft Gaming’s CEO, spoke to IGN over the weekend about the company’s decision to close studios like Tango Gameworks—a controversial move considering the developer made the widely acclaimed Hi-Fi Rush. "In the end, I've said over and over, I have to run a sustainable business inside the company and grow, and that means sometimes I have to make hard decisions that frankly are not decisions I love, but decisions that somebody needs to go make,” Spencer said.
For anyone looking to show support for the developers impacted by this year’s cuts, Oshry’s answer is simple: “Hire those developers and follow their projects.”
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