#put the circle in the triangle

[numberxxisora]

Last week, we went to the diamond to try out our first baseball demo.

[quibbs126]

These have been my drawings since yesterday, more of the AU of mine

Eventually I realized “wait, I just want to draw Megatron and Optimus in this AU. And it’s my AU, I can just draw what I want”. So that’s why this is just these two

It’s not that I don’t want to expand the AU, and I know I should draw more characters for it, and I probably will at some point. But I had a moment of realization that I can just do what I want, and I’m being indulgent

But yeah, so we got some poses and weapons for Megatron and Optimus, plus a couple little tweaks and enhancements to their designs. I did forget the top line on Megatron’s buster in the top left though. And that axe of Optimus needs some tweaking, and I need to learn how to draw it better. And how people hold axes

But Optimus has his axe here, which is supposed to contrast with Elita’s axe. It hasn’t been drawn either but she’s supposed to have a large double-sided axe, while Optimus has a smaller, only one-sided axe. I’m thinking he shares some of X’s mentality in that he’s not the most fond of fighting the infected bots, and him having a smaller, more utilitarian axe is supposed to reflect that. Also I mean, it’s his typical weapon

Anyways, moving down to the bottom right since it’s also new stuff, I’ve been wondering for a bit on what these guys would look like without their helmets, so that’s what this was. Sketch only because it wasn’t supposed to be at the level of the other three

The page was supposed to be more sketches, but I liked the first one and two so much I fully colored them, and the third followed suit. I used the Syrup pen this time, I think it worked better than the marker in this instance

But back to the head things. With Megatron, I was debating whether I wanted to do cables or his solar panel things. But while attempting the cables, I realized they’d be a pain to draw, so solar panels it is. They too are not drawn well, but it was more to get the idea of them. They fold and such like the ones he has in IDW

Optimus meanwhile I have decided is bald. Well okay, it’s supposed to look more like the thing Cyborg has going on in Teen Titans, it just doesn’t come off as well in sketch form, with also a port for charging in the back

I did this partially because I like the Cyborg look, because it’s funny to me, and also because I genuinely don’t know if X, unlike Rock, has hair or not under his helmet. This is following my assumption that he does not

Also I drew them sleeping with their helmets on before, but this was before I considered if their helmets were removable or not, so ignore that

Oh and one last thing, with these helmet-less designs, I think I've given up on the idea of them having hair. It's just that most characters I can't see having visible hair under their helmets. I think I like the concept, but I just don't know how to give them hair

But also with the two heads, I feel like there’s supposed to be a difference in Megatron’s mechanics compared to other bots. I’m not sure I’ve gotten into it, but I think I’m going with the idea that since he takes some narrative inspiration from Zero, and Zero was built by Dr Wily, thus making him entirely different from the other Reploids, Megatron too has mechanics unique to himself compared to other bots

I’m thinking that in some ways, his body is more rudimentary seeming, such as how he has clunkier looking solar panels (even if that means he doesn’t need external charging sources), or how his arm cannon isn’t retractable, whereas other bots with transforming weapon limbs can retract them at will

I haven’t really gotten around to figuring out why he has different mechanics than the rest of the bots, or why the virus made him docile, or why he’s the source of the virus. I mean it’s most likely because whoever created him built him to be this way, but I don’t know who did. It’s just that I’m taking from Zero and Wily, despite Transformers not really working in that method. I mean, I did say here that Alpha Trion created both Optimus and Elita, but I don't know who fits for creating Megatron

But oh well, things to figure out another time

Moving on to the top left finally, yeah like I think I've said elsewhere, megop's definitely a thing here. It's my AU, I can do what I want

I do still need to work on posing with two characters, but I think it turned out pretty nice

They are both supposed to blush blue, since that's a thing Transformers do, and it was supposed to both be circle blush, but I didn't like how it looked on Megs, so he squiggle blushes now. I have elected that they just have various forms of blushing, between everyone. Optimus has circles, and also his nose blushes slightly too, because I don't know, he doesn't have ears. His antennae are also supposed to be flapping here as well

His gem is also supposed to be shining brighter in that moment, with me deciding their gems get shinier when they're happy, and duller when they're sad or otherwise filled with negative emotions. Because why not?

Oh yeah, I'm also not sure what I'm doing about faction symbols here. They don't have them because initially I didn't plan on there being Autobots and Decepticons, but they should probably have symbols, since they are part of an organization. But should it be the same Autobot symbol or should I switch it up? I'm not sure

And I think that's about it? I think I've gotten through everything relevant to this page of stuff

I've been planning on drawing full body refs for individual characters here, I just haven't done so yet, in part because I wanted to figure out Optimus' axe first. But yeah, hopefully I end up doing that, in my head they're all official and proper looking, like I actually made something of effort and not just sketches on a white canvas. We'll just see when I do

Other things I plan on drawing for the AU? I'm not sure entirely, just some ideas, like drawing Alpha Trion so I can figure out his whole deal with Optimus and Elita, and maybe also trying to figure out the Prime situation since I don't want Alpha Trion as one and I think I might just make them all their own things outside of the Thirteen Primes, at least of the ones I choose to use. But that also means trying to figure out his design. I also need to draw Elita more, because while I have some basics of her design, there's details that I've not settled on and need to get around to fixing. And also I should probably try my hands at the Decepticons again. No clue what to do for Shockwave though, since Reploids tend to have human faces

[violetheart77]

[rawstfish]

Okay I did a shape tier list

[bashfulkisser]

Chewing on a chair bc I need to think of more Scaredy Cat stuff to draw before I inevitably go to bed

[partialnoodle]

really want the raid jacket but i’m too stupid to understand 4th and 5th encounter of Salvation’s Edge

i need the dumb downed guides to be even dumber because i cannot grasp this concept at all

[dearestaeneas]

oct 11- gamer rat🎮🐀

he’s playing bioshock

[bruggle]

I'm curious - how do Brook and Zero react to each other when the latter inevitably wakes up?

Oh Zero is very confusion.

He wakes up after fifty years, and sees his best friend now has a kid? A human kid? He honestly doesn't know how to take it.

NOW BROOK ON THE OTHER HAND HAS MUCH MORE OF A CRISIS.

She meets Omega first.

She gets a crush on Omega first.

And they look pretty dang identical.

That being said, Brook more or less just... categorizes Omega as his... younger identical brother. Making it... a lot less awkward.

They all figure it out, though.

[endawna]

cyrodiil has a beef with tevinter & orlais.

[aria0fgold]

I have two sides, Sirius' Heart and Made For You. And a secret third side, A Perfect Match.

[thesunshinebard]

I know there's probably a hardware reason for it, but I would like to lodge a complaint against the remasters of Fatal Frame 4 & 5 about not letting me manually change the controller buttons to my liking and only letting me use presets that I hate

[cherrypikkins]

@dimiclaudeblaigan asked for a tutorial on how to begin drawing. Good news! If you can draw a funky looking stick man, you have already started!

I think that stick people are a great starting point for artists because of the things you can learn from them that will be important later on.

If you are able to draw a circle and a couple of lines, you can easily put together a stick person.

Congratulations! You have started to draw. :)

A stick person is a very minimal artistic representation of a real life person. It is simple yet recognizable, and is widely used in art, media, and signage.

But what can a stick person teach us about drawing people that look more like… well, people? Lets have a look!

By simply adding a few more lines, we can add a pair of eyes and a mouth. Maybe even a little triangle nose! Or half circles for ears. We can now draw a face, which provides a basis for all sorts of expressions.

These simple additions can allow us to explore the wide range of human emotion and individuality.

This may seem like the basics of the basics. But that is what we want! In order to get to the point where we are able to draw complex, elaborate representations of humans and objects, we will need to start with simple shapes like lines and circles and build our understanding from there.

For instance, lets give our stick person some cool new features, such as hands and feet. I chose little squiggly circles to represent hands, and triangles to represent feet.

We can go a step further and modify the body of the stick person to include shoulders, hips, elbows and knees. These parts of the human body are quite complex in real life But here, all we need to do is add a few simple lines and dots to our stick person.

The lines provide some additional structural elements to our stick person's body, which are the shoulders and the hips. The dots indicate the points of articulation - elbows and knees, the places where the arms and legs bend!

Now we can use our stick person to show us an even wider range of human movement, action, and expression.

Our little drawing of a human being is evolving! All it took was adding a few more lines and shapes here and there.

By elongating some of the existing lines and making the head an oval instead of a circle, we can give our stick person proportions that resemble that of a real life human.

By this point, we have managed to add more complexity to our stick person simply by using our ability to draw lines, circles, and other basic shapes!

These basic ideas are the building blocks that will enable us to create more complex shapes.

The next part may be a considerable step up if you are absolutely new to drawing, but I have decided to include it in order to show you how complex objects like the human body can be built from shapes that are a bit more complex than circles and lines.

For example. Two ovals and a rectangle can be combined to create a cylinder.

Six squares can be combined to create a cube, or a box. Here, each square is distorted slightly depending on which way the cube is facing.

Note that the back faces of the cube and the bottom of the cylinder are hidden. These shapes allow us to visualize that which should not normally visible.

A sphere from all perspectives can be represented by a circle. But we can make it more like a sphere by adding lighting and shadow if we so desire.

Cubes, cylinders, and spheres are examples of 'solid shapes' because they consist of 3 dimensions.

Lets see how these solid shapes can be used to compose the human body.

By stacking three cylindrical objects, we can create a torso. Two spheres have been added to form shoulders, while a smaller cylinder forms the neck.

An arm is an alternating sequence of spheres and cylinders connected together. Note that the hand has been simplified for this example.

We can apply these solid shapes to the rest of the body to give us a more recognizable representation of the human form. It doesn't even have to be perfect. And just like that, our stick figure now has a silhouette that is unmistakably a person!

In the above examples, notice that we kept the stick person at the beginning while building up the shapes and solids around it. This is because the stick person serves as a guide for positioning the body and its various parts -> also known as posing.

You can do the same thing to everyday objects! Here, I drew a wine glass by stacking these three dimensional solid shapes.

The cup and its contents are two ovoid shapes that were cut in half. The stem is a very thin cylinder shape. The base is a cylinder with a slightly wider bottom.

Solid shapes help inform us how objects and parts of the human body may appear from different perspectives.

For example, a sphere can be used to demonstrate how the human head appears when looking up or down, turned to the side, or tilted at an angle.

With these examples, I hope I have managed to convinced you that if you can draw a circle and a couple of lines, you can draw a person! You just have to train your eye to recognize the simple shapes within complex objects. Try it with everyday objects as well! Or even your favourite media! A drawing subject can be as simple or as complex as you envision it to be.

Once you have mastered that, there are many aspects of drawing you can explore from here that may require you to seek additional resources or a fellow artist's advice.

Last of all, remember that drawing is an iterative process. Even if you draw something correct the first time, you will need to draw it again and again to get it right all times! And by making small changes like the ones we explored in this tutorial, your drawings will gradually transform!

I hope what I've demonstrated here are enough to provide the basics of how to get started with drawing objects and people, and also to help refresh more experienced artists. :) Hopefully I didn't go too off topic with what was requested, and let me know if there are any more questions I can answer.

Cheers :3

[harfblarf]

standing in the corner blair witch style furiously contemplating what my sona for a 17 year old game (tiny fanbase) (no official ports) (no remaining technical support) (why are the old game guides like $80 on amazon) (rip rare) would look like

[pukefactory]

(Absolutely don’t do this if you aren’t comfortable) ENA (Dream bbq) getting drunk with reader?

•☽────✧˖°˖ FIZZY VALLEY ˖°˖✧────☾•

★ Summary: A Compilation of Headcannons Featuring Drunk Salesperson Ena X Reader

★ Character(s): Salesperson Ena (Ena: Dream BBQ)

★ Genre: Headcanons, SFW

★ Warning(s): Mentions And Descriptions Of Alcohol

★ Image Credits: @JoelG

☆ You should’ve known something was off when Ena invited you to what she called “a high-stakes engagement strategy brainstorm over beverages.” You were picturing coffee. Not tequila. Not her slamming two shot glasses on the bar and declaring, “Let’s reframe the concept of reality, darling.” She drinks like it’s a performance review—firm eye contact, exaggerated praise, and PowerPoint levels of misplaced confidence.

☆ Once Ena’s a few drinks in, her Salesperson side becomes so aggressively charming it’s like being smothered in coupon codes. “If you subscribe to this partnership now, I’ll offer you unlimited emotional support and complimentary hand-holding,” she hums, voice like cherry soda and half-suppressed giggles. You try to hide your flustered expression. She sees it. She logs it as “high conversion potential.”

☆ Her Meanie side doesn’t come out often at first—until she tries to order fries, but the kitchen’s closed. Suddenly she’s slamming her forehead on the bar, sobbing, “I AM THE TRAGIC EMBODIMENT OF CORPORATE WASTE—WHERE’S MY SALTED PRODUCTIVITY?!” You offer her a peanut. She throws the bowl at a breathing taxidermy moose.

☆ “Here’s your performance feedback,” she slurs, twirling a swizzle stick like a laser pointer, “You’re hot. You show initiative. You opened a door for me once. I will die for you.” You tell her that’s not how feedback works. She pulls out a clipboard from her suspenders and tries to make you sign a form titled “Love Contract (Beta).”

☆ She draws gimmicks on napkins. Terrible ones. Drunk ideas like “emotionally sentient office chairs” and “a pyramid scheme where everyone sells little hats.” You try to say “maybe we shouldn’t do this.” She claps a hand on your back like a frat bro and shouts, “WRONG ATTITUDE, PARTNER. THINK BIGGER.” Then she draws a diagram that’s just the word “VIBES” in a circle.

☆ She stares at you for a full minute, eyes glassy, voice flat: “Are you in the mood for shared assets and mutual annihilation, or should I put on my mask again and pretend not to like you?” You blink. She blinks. Her red side winks. You are either about to get kissed or yelled at. Or both. Probably both.

☆ The bar has one of those ancient karaoke machines. She picks a glitchy jazz remix of the Windows 95 startup sound. Halfway through she forgets the words (there are no words) and starts yelling improvised business jargon in rhythm. “Synergize my dividends, baby! Let’s OUTSOURCE THE PAIN!” Someone in the back cheers. You cry.

☆ Her Salesperson side leans over the counter, cheeks flushed, voice soft and too sincere: “Do you think people like me more when I smile? I’ve been smiling all night. It hurts now. But I—I want to be liked. I want you to like me. For me. Even if I mess up the pitch.” And her Meanie side chimes in: “GØD, I hate being real.”

☆ You’re not sure what triggered it—maybe someone said “quarterly”—but suddenly she’s sobbing into your shoulder like a malfunctioning LinkedIn ad. “I DIDN’T ASK TO BE A PRODUCT OF CAPITALISM! I just wanted to sell fruit. Or stickers! Or happiness! But now I’m selling ME!” You rub her back. She hiccups and asks if you’d still like her if she was “just a weird triangle girl with debt.”

☆ The bar’s quiet now. Her hat’s fallen off. You’re holding her upright and she’s murmuring nonsense like, “Let’s invest in each other’s feelings… diversify the pain into smaller dividends… I’ll build a company out of your laugh…” Then, barely audible: “You’re my best client. Don’t ever unsubscribe.” You smile. You don’t say anything. You just let her rest.

[oceantornadoo]

ch7 something borrowed something blue (mafia!price x simon's sister!reader)

tw: oral sex both ways

masterlist | next

John Price thrives on routine. His days are filled with meetings and bloodshed, negotiations and betrayal. Routine keeps him sane.

Unfortunately, that resolution crumbled the moment he gained a wife. It’s getting harder and harder to leave in the morning, to ignore the fluttering of your eyelashes as you feign sleep. That’s what he blames for this break in routine.

The morning after, he stays for ten minutes instead of five. Counts the ticks of the old clock in the corner of his room as he memorizes the scent of your skin. You always end up with your head in the crook of his neck, legs tangled around his torso. He’s never been much of a back sleeper, but now it’s the last thing he cares about. It’s the sound of your breathing, the plushness of your skin, the brush of your chest against his. When he eventually gets up, he doesn’t look at the bed until he’s ready. If he glanced back at your eyes in half-slits, shifting closer to his pillow to soak up the remaining warmth he left in the bed, he would never leave the room. 

At night, though, he succumbs to his weakness. He creates a new routine.

It’s the start of a new week after the getting-off confession. John had business in Glasgow over the weekend, lonely and cold in his hotel bed, but now he’s back.

“So Laswell sent me the contract. I definitely have enough to pay in full, but I’m thinking of paying half and then doing installments for the rest so I can have enough for immediate repairs. What do you-John?” John’s nodding along to your rant, disappearing under the covers to the place he’s been thinking about all weekend. The blanket’s a bit heavy, limiting his breathing, but it’s worth it for the sight of your clothed cunt, waiting for him.

“Keep talkin’, sweetheart.” Instead of following his orders, you peel back the cover until his head peeks out. “What are you doing?” He rubs circles into your thighs, reveling in their softness. John moves upwards, teasing the fabric of your pajama shorts. “You miss me this weekend?” He murmurs, not sure if he’s talking to his wife or her cunt. Both seem happy to see him, if that’s any consolation.

“No, I actually got the best sleep of my- hey!” He shoves his face into the triangle of your lap, sniffing with wonder. “Fuck, I missed ya.” You’re silent at his admission, but your hand finds a hold in his hair. “You did?” It’s soft and unsure, forcing him to rip his focus away from your pussy. “I did.” You bite your lip adorably. You tug him forward, gripping his scalp hard, until his face is in front of yours. 

“Maybe next time, you take me with you.” Absolutely not. He was meeting with a new prospective manufacturer, shady and dangerous. He was not putting you in any sort of danger. John shakes his head, heart clenching as your face falls. “Not the kind of place fer you, baby. Gonna let me eat you out now?” You nod, but your face is still hard with repressed emotion. He kisses your forehead, trailing down to your cheek, then nose. “Give us a kiss then.” It’s the first time you’ve ever kissed him first, the notion sending blood straight to his cock. The kiss is short and sweet. Can’t believe how quickly you’ve gotten him under your spell. Two bloody weeks. He pulls away, a final kiss laid to your jaw. “Keep talkin’. Don’t mind me.”

The new routine continues for weeks. He gets you off a different way every night, from fingers to tongue to plain old grinding. And then he goes to sleep with you tucked to his side, taking care of himself in the morning. John needs you to be the one to ask to fuck, to reciprocate. The alternative leaves a bitter taste in his mouth. Plus, every time he gets you off, you fall asleep immediately, like it’s the only way you’ll go to bed. It’s terribly endearing.

A month in, he starts noticing changes. The furniture in the sitting room, for one. They used to be 18th century relics, designed to make sure a guest didn’t overstay their welcome. Except now they’re eclectic, blue and green against the cream walls. The couches look comfortable, like you could spend a whole day there. The paintings change as well, from Rembrandt to Monet and Picasso. The impressionist works, blues and greens and yellows, work well with the new furniture, making his flat seem like a home. When he asks you, all you do is shrug and say something smart about updating his old man apartment. He leaves bite marks on your thighs that night. 

It’s a beautiful Friday night when John gets home early, around 9. He usually gets text updates from Terrance, your commandeered security guard that Price assigned to you full time, about your movements. You’ll usually get home at 7, but nothing yet. Two hours late. He calls Terrance and gets his voicemail. Highly unusual. Calmly, he presses on your contact's name, and it goes to voicemail. Three times.

Fingers shaking, he calls Kyle.

“Sir?”

“Where is she?”

“Who?”

“My fuckin’ wife, Garrick.”

“Isn’t she with Terrance?” “No one’s answerin’ their goddamn phone.” Gaz sighs on the other end, like this is an inconvenience and not his wife they’re talking about. Keys click, then a mouse, before Gaz answers. “They’re at the bookstore. Been there since this mornin’, sir.” John drags a hand down his face, then grabs the keys to the car he barely uses. 

“Garrick, this is the last time you take more than three seconds t’ know where she is. I want a full team on ‘er at all times. I won’t hesitate t’ assign someone else as my Head of Security, someone who isn’t lettin’ their judgement take over their goddamn job. Copy?” He hasn’t dressed down one of his men, especially Kyle, but he’s tired of the man’s judgement on this marriage. What’s done is done. “Yessir.” John hangs up, too miffed to say goodbye. He’s got a wife to find.

-

Your bookstore is coming along well. It’s been over a month since you’ve been married, a month of John’s fingers and tongue loosening you in more ways than one. You swear you’ve developed stronger thigh muscles, simply from the orgasms he coaxes from you night after night. And then he just goes to sleep. You’ve felt his cock in fleeting touches, brushing against your thigh or hard in his lap as you grind on him. He never takes it out, never drags your hand in that grueling way men do with shady eyes and slimy smirks. Every night, he asks you if you hate him, and every night, your lie convinces him less and less. 

And every night, you think of how adamant he was against you joining him. His insistence that it “wasn’t the kind of place for you.” Your old problem with him has faded, a mess of childhood fears rolled into new ones. In its place are your insecurities, the word bastard floating through your head every time you think of his rejection. The clause in the marriage contract. It rolls together into a simple thought: he doesn’t trust you. That’s why he’s barely let you in on his business, content to stick with late night chats and orgasms. It should be fine, it should be what you wanted, but instead you feel a hollow hole in your heart where the word ‘friends’ lives. Even friends should share their secrets. 

But back to the bookstore. Your new baby. This first month was full of cleaning, dusting out odd corners and greasing creaky door hinges. You listed a hiring notice on online job boards, looking for an assistant to help with the grunt work. Which landed you Phil, a wonderful addition to the team. He was around your age, an American with sandy blond hair. Handsome in a basic way, something you noted and never thought of again. Terrance ran a background check on him, something you gladly consented to, and insisted on helping you interview him. It took a week of recon, but he was officially your new assistant as of two weeks ago. An amazing help around the store, handy with tools. You’d told Phil that you were the daughter of a lord, a minor lie to explain the bodyguard. He shrugged it off, the ex-pat seemingly used to the oddities of London.

Now that the space had been cleared, it was finally time to paint. Terrance insisted that he couldn’t help too much, his main duty too important, but with the help of Phil, you convinced him to paint the walls with you. You all left your phones in the half-fixed office, donning plastic sheets to protect from paint splatter. Your business plan, formed from your downtime during the day and shaped by your late-night conversations with John, was to have a store section and a community section. The community section would be at the front, with a beautiful light blue accent wall, perfect for book influencers. It would be surrounded by comfy couches and warm lighting, complete with a cafe space you intended to build out. Your idea reminded you of the library waiting hours away, with its own fireplace and furniture. You decided to recreate that cozy feeling and bring it to the public.

Farther into the building there would be bigger shelves for rows and rows of books, organized by type. The color scheme was influenced by the one in your home, as you decided to hand paint metal shelves light blues, greens, and yellows. Most would be bought, but you were planning a book drive far out for people to donate old books and get discounts on new ones. It’s an idea you had wanted to do in Manchester but never got around to.

Now that the front of the store was cleared out and bare, it was time to paint. The hours fly by as you paint the light blue wall while Phil and Terrance work on a cream wall on the other side. When you blink, the sun is already down, and your watch is flashing 10PM at you.

“Guys it’s almost ten! I think we ought to lay down the brushes for tonight.” Phil opened his mouth to respond but is cut off by a harsh pounding at the locked front door. It was supposed to be clear, but there was newspaper on all of your windows to prevent the glass from getting paint on it. Frowning, you moved to open the door, but Terrance stopped you with his arm out, his other hand reaching for his gun. “Go into the office, ma’am.” You followed his command reluctantly, Phil following on your heels as you went into the back office. It didn’t have any windows, so it was a space you did not want to be in for a while. Phil looked nervous, running his hand through his hair and tapping his foot on the ground.

“I’m sure it’s fine, Phil. Probably one of the neighbors complaining about our music.” You insisted on a jam session as you painted, blasting music from a speaker you stole from the Castle. “Shady things happen in London no matter what time, boss.” You shrug, picking up your phone to quell your nerves. A glance at your notifications explains everything.

Oh no.

You burst from the office, phone already returning one of your many missed calls. That’s when you ran into your husband, face hitting his hard chest with a harsh oof. “Christ, sweetheart, gave me a near heart attack.” John steadied your shoulders with his large hands, anchoring you in his grip. His brow was furrowed, eyes crinkling in worry as he scanned you up and down like he was looking for injuries. “You didn’t answer-” “Everything good out here?” Fuck. Phil.

“Who are you?” It was a tone you’d never heard come out of John’s mouth. You imagined it was his mafia man voice, gruff and short like he had a better place to be. John shoves you behind him, reaching for his gun. You rolled your eyes, hand covering his to stop a potential shoot-out. 

“John, he’s my-” “Assistant, sir. Good to put a name to the face, I’ve heard a lot about you.” You could practically hear Phil winking, laying on the Southern charm. You wrestled out of John’s grip, stepping out from behind his back. Phil’s hand was out for a handshake, but John hadn’t taken it, scanning the man up and down with suspicious eyes. “Funny, ‘cause I’ve never heard about you.” John tore his gaze away to catch yours, eyes slanted in anger. “I don’t have to tell you everything, John. I’ve got my own life, you know.” He looked almost hurt at your words, which couldn’t be true. Sure, you were fucking, but it’s not like this was a normal marriage. You knew he wouldn’t have wanted Phil working with you, just on the basis of him being a man. You didn’t want to be micromanaged by your own husband, so you simply hadn’t got around to telling him. 

“C’mere.” John tugged you towards the office, his grip hard. You could hear Terrance telling Phil to go home and wait for an update. Probably for the best. You imagined Terrance following him out, then debriefing with John’s driver about how much of an asshole their boss was.

“Why didn’t ya tell me?” John asked, arms crossed and face red. He’d shut the office door but remained standing since there wasn’t any furniture yet. “Because I knew you’d get like this.” You spit out, crossing your arms to mirror his. “Fuckin’ concerned fer the security of my wife? Tha’s a bad reaction?” You took a step back from him, crossing your arms tighter so you could pinch your waist, a reminder to stay strong.

“Controlling and caveman. This is my place of work, John, and you’ve embarrassed me in front of my coworker.” He doesn’t meet your eye, staring at the door so hard it might burst into flames. He looks like a predator ready to pounce, muscles trembling from restraint. “Ya don’t realize how many enemies I have. Every person needs t’ be checked.” Did he think you were stupid? “I had Terrance check him out. I know you don’t want me around your work, but I’m not an idiot, John.”

His rejection of your offer to travel with him weeks ago had stung more than you cared to admit. He clearly didn’t trust you, only seeing you as someone to fuck around with. You didn’t realize how far that lack of trust went.

“He should’ve reported it to Gaz.” John mutters. “He did. I know that for a fact.” John ran a hand through his hair, then dipped down to tug at his tie. “He didn’t fuckin’ tell me. Christ, he’s worse than I thought.” You wanted to ask what that meant, but you bit your lip instead. He obviously didn’t want to tell you.

“Look, I know I’m a bastard and you had that goddamn clause in the contract, but you can trust me. I’m not running around behind your back.” That got John’s gaze to snap back to you, eyebrows raised in disbelief. “Tha’s wha’ ya think this is about?” You nod, suddenly unsure. “Sweetheart, that was Gaz’s idea. T’ see if you’d argue. I intended for you to ask fer another cheatin’ clause fer me, but ya didn’t so I let it go. ‘S nothin’ like tha’. Plus, I didn’t know ya then. I know ya now.” Oh.

“So you trust me?” What about the trip? You wanted to ask, but you figure that would show your hand too much. John nods slowly, uncrossing his hands to put them on his hips. “Don’t care tha’ yer a bastard. ‘M not fuckin’ anyone else, either. I’m just concerned fer yer safety.” He takes a few steps towards you, gauging your reaction to see if you step back. You don’t, uncrossing your arms and praying they don’t shake. He grabs your hands in his own, blue eyes swimming with openness. There are so many things you want to ask him about: your childhood, his father, the future. They all fall to the wayside when he leans down to kiss you, a gentle brush of his lips against yours. “If I didn’t trust ya, ya wouldn’t sleep in my bed.” He kisses your forehead, then cheek, before pulling back. “I need ya t’ believe me.” He demands it seriously. A sudden rush of affection hits your heart. He looks so truthful, so concerned, and you want to show him that same care back.

You lower to your knees. John steps back, unsure. “Sweetheart, ya don’t have to.” You shake your head, beckoning him to come near. “I want to.”

John tugs off the blazer he’s wearing, folding it into a light pillow. He squats down on his haunches, eyes on yours. A warm hand brushes your knees, urging you up so he can slip the blazer under them. He then stands; blue eyes dark as he brushes your cheek with his thumb. “Go’on, baby. Take whatever you want.”

You reach for his black belt, unfastening it with trembling hands. It unclips with ease, and John’s hands, hairy and veiny and strong, cloud your vision as he unfurls it from his belt loops. You continue downwards, undoing the midnight black of his button. You unzip slowly, licking your lips in anticipation. His fingers brush back the creases on your forehead, trailing down to brush the shell of your ear. “Feel ok?” You nod at his question, cupping him through his boxers. John releases a sharp exhale, a heady sense of power coming over you. You work the pants down fully to give you room, petting him this way and that.

Finally, you peel down the dark fabric of his boxers. He’s hairy but well-maintained, similar to his fuzzy torso you’ve felt in bed. His cock is thick and heavy, wet with precum as it slaps against his upper thigh. You tuck his boxers down to give you room, then start exploring. Kitten licks to the base of him, his hair tickling your nose. Your hand joins you to squeeze his balls, eliciting a sharp groan. John tugs on your hair, more out of instinct than control. “You feel ok?” You throw his words back at him, a cheshire smile growing as he moans again.

“Christ, those fuckin’ hands.” He responds. You move to start stroking, licking him from base to tip. He tastes like salt and musk, but clean with the scent of pine. It’s the most addicting scent on earth. After he’s wet and leaking, you steady yourself with a hand on his upper thigh and the other on your husband’s cock.

You finally take him in your mouth, tongue swirling around his tip. You hum and his grip on your hair tightens. “‘M gonna fuck yer mouth sometime.” You let go of him with a pop, leaning backwards. “Not tonight?” He shakes his head, reaching down to pump his cock in your absence. “I’m a few strokes from cummin’, sweetheart. You look too goddamn good on yer knees.” That earns a grin from you and a renewed sense of vigor.

You suck him hard this time, your hand making up the length you can’t cover. You work yourself into an easy rhythm, up and down as he cradles your face. It’s much softer than you’ve ever experienced from a man, careful and protective. He wasn’t kidding about how close he is, harsh pants emitting faster and faster from his chest. “Where d’ya want me, baby?” You don’t respond, keeping him in your mouth. All you do is blink sweetly, willing your eyes to look bigger than usual. “Fuckin’ perfect, my wife.” That sends a jolt to your heart, and you have to stop yourself from accidentally biting down. Instead of responding, you stroke faster and faster. His abs tense, and you pull back just slightly, letting him coat your tongue and lips. It’s salty but not bitter, a marker of how fucking healthy he is. You lick your lips, swallowing thickly. His thumb brushes off a bit from your nose, pushing his thumb into your mouth. You suck hard, like you did the night he first fingered you. He continues cleaning you up, careful and quiet in his movements. John tucks himself back into his pants and offers you a hand to help you off the floor.

“Your knees sore?” He whispers. You shake your head, suddenly feeling exposed despite not having taken your clothes off. “C’mere.” He tugs you into his arms, tucking you under his chin. “We good?” He asks. You want to say no, want to ask him all the questions swirling around in your head, but all you do is nod and hold him closer.

-

In the car, John’s hand on your thigh, your phone vibrates. It’s Phil.

Everything ok?

Yep! Marital problems, all good.

Your husband is intense.

He’s a sweetheart for me, all that matters 🙂

Good to know. See you tomorrow.

His tone is odd, but you shove that thought from your mind. John squeezes your hand, and you tuck your phone away, content to focus on your husband. Phil is the farthest thought from your mind.

-

um. smut. now they're like friends with problems? idk enemies got boring.

-

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