#about me / ooc

[rathonk]

dont think about it

[misteria247]

I'm going to throw something and become violently ill

Ford was so on edge, like he was pacing and all tense and then Stanley touched his shoulder. And like immediately Ford relaxes, his posture loses some of the stiffness it had. He stopped pacing, and just let's Stan touch him.

Even when he's losing his fucking mind, hasn't slept in God knows how long, and he's mad at his brother, Stanford still finds comfort in Stanley. Even after everything and all the hurt and miscommunication between them, Stanford still essentially trusts his brother when it really counts. Stan gives Ford comfort and the feeling of safety with just a gentle hand on the shoulder and a concerned "Easy there, let's talk this through." That's all it takes to get Ford to stop everything.

Fuck these two I hate (affectionate) them so much 😭

[hexxedcore]

18+ MDNI

caitlyn, who is shameless in pampering you and spoiling you. you deserve only the best, of course, and with her family luxury it isn’t as though the expenses will be missed by her parents.

caitlyn, who makes sure her purchases are going to good use by making you test out each pair of lacy navy panties she buys with her.

caitlyn, who indulges in a well-deserved form of stress relief in the shape of you after coming home from her new demanding position beside ambessa. who essentially gets pussy drunk after driving you past your fragile limits.

caitlyn, who takes advantage of her family’s spacious mansion to take you just about anywhere and everywhere should the desire arise. tobias still refuses to sit on the common room lounge.

caitlyn, who apologises for each hour she was away by punctuating them in kisses up your thighs before she eats you out. who takes you with the hunger of a starving woman.

[luminique]

kissing harumasa means keeping your hands on his face and never letting them go down to his neck. he’d even hold them there with his own hands, a silent plea to not touch the mark left by the serum.

he didn’t lash out at you the first (and only) time you unintentionally touched it. instead, he pulled away immediately, the fear in his eyes mixed with his shaky breaths as he’s trying to control himself. he could see his own reflection in your worried eyes, seeing hallucinations of him turning into an ethereal. your hands went to hold his, you could feel him quivering as he shook his head at you. he didn’t mean to ruin the mood, he didn’t want to become a monster. he isn’t a monster but this irrational fear was eating him up whole that it even put your relationship on the line.

“i’m sorry, i didn’t realize what i had done,” your voice was clear as always, guiding him back to the current moment. the reflection of him in your eyes returned to normal but you had a regretful look in your gaze. your thumb rubbed over the back of his hand, reminding him that you were still there. “i love you,” you mumbled out to him, so soft, so quiet. that was all he needed to hear. he knew it was an honest mistake and not intentional on your end, maybe he overreacted. he brought your hands up to his mouth, placing soft kisses on your knuckles. the hands that unknowingly triggered his fight or flight mode, were the same hands that caressed him so gently every time. in between his kisses, he’d say his own ‘i love you’ and ‘i’m sorry’s to try and reassure you of his sudden reaction. he wasn’t deserving of your love, you shouldn’t be the victim of his past, but you stay with him regardless. overcoming it all while holding hands, one kiss at a time.

[spitinsideme]

wamted to do vaggie drawing practice, made it into chaggie .. what can i sayb... chaggie took over . go lesbians !! vaggie is too hot charlie cant focus on killing exterminates

[rendevok]

“Take my hand” a comic for NaruMitsu Week 2023

day 1 - lies & secrets - 2 - 3 - 4

[burst-of-iridescent]

if he’s your man then why is he jumping in front of lightning for me after he dumped your ass in prison and forgot about you

[clericfemme]

love these kids so much.... they are all friends.....

[orphiclovers]

The thing about Kim Dokja is that his 'salaryman normal guy' appearance is just as much a false persona as 'monstorous Demon King of Salvation' or 'calm and cool leader of kimcom'.

Despite what he tells us at the beginning (and since when do we take his narration as trustworthy?), he wasn't ever just a normal, boring person, despite his best efforts. He tells us the 'genre of his life' was 'Realism', but if a life could be said to have a genre, his was definitely 'True Crime'.

It's so interesting that even pre-scenarios, he thought of the world in the terms of 'genres' and the people around him as 'characters' (like Yoo Sangah) because of course he would! Even if we discount the way he spends all his time reading and how that shapes how he sees the world, he himself has been a character in his mother's novel and 'a character' is how people see him too. He says he read that novel a thousand times to try and understand his memories until he didn't know what was true anymore. He knows the character Kim Dokja too.

And everyone knew about his past.

Everywhere he went, he was 'the son of a murderer', someone to be gawked at and whispered about.

No one has ever seen him as 'just an average guy' because Underground Killer haunted him every step of the way. Reporters. At school. Even years later at the company he and Yoo Sangah worked at, the rumours of his past had spread (Yoo Sangah was one of the few people who didn't know).

The lack of privacy and stigma that has followed him everywhere is part of why he resents his mother for writing that novel.

Pre-scenarios, he is less similar to you and me than to the families of 'famous serial killers' that get podcasts and documentaries and books written about them and who's private lives are torn apart by media. I'm not naming names, but you already know them.

[anxi04]

a list of ways steph has used to stop tim from going super villain mode

tim, who currently has a random wannabe rogue two seconds away from death: get out of here spoiler i have it covered.

steph, not thinking much: this is kinda… cringe of you RR. like even more cringe than naming yourself red robin

tim, staring at steph cause the fucking AUDACITY: excuse me?!

bob, can see the light at the end of the tunnel: am i already in hell

———

steph, decided there’s not enough Chaos: tim when you become a rogue can you be the catwoman to my batman

tim, who is having a Very Bad Day and contemplating rogue status: ew gross never *throws up*

———

steph, has decided she is the only one actively stopping tim’s villain arc and found the best way to prevent it: what would you even make your villain name?

tim, drawing up a costume for a totally hypothetical villain arc: re-

steph: not red x right? you’re gonna be original with the name?

tim: …maybe i’d go with j-

steph: and you’d never lean into the whole joker junior thing cause that’s dumb

tim:

steph: and you HAVE to change your name cause no one’s gonna take a villain named after a restaurant seriously

tim, deleting the costume design: …i’d let the media name me.

———

tim, contemplating jokers murder: i-

steph, sprinting out of nowhere and throwing a snickers bar directly into his throat wrapper and all: hey rr.

tim, choking:

joker, thought he was about to turn a bat EVIL evil: what.

———

tim, thinking of joining ra’s:

steph: so why does ra’s have a crush on you

tim: motherfucking what.

ra’s, very much only wants tim as an heir(child): what.

tim, about to throw up: never mind.

ra’s, about to cry:

———

steph, sensing tim about to go off the deep end: wanna steal the batmobile and see how fast it goes

tim, very much distracted with that idea and forgetting the vicious plan he had before: can we attach rockets to it

[humans-are-tasty]

[sweetmapple]

Mostly Hiring manager, but HR manager and PR manager too

[tojisun]

(this is def inspired by htgawm s4e7 but) simon is totally the type to propose to you in a way that is quite mundane, if not a little unexpected.

thinking about simon taking you out for lunch by the cafe close to your work; you ordered a light lunch, paired it with iced coffee, and simon scrunches his nose in mortification but backs off with a chuckle when you tell him he can’t say shit after ordering steak and paired it with a cup of tea.

and you’re within the moment of recounting your morning, waving your hands around in excitement as you tell him about completing a project given to you by your supervisor, when simon just gets hit with this realization. this feeling that pulses within his heart—“you. i want to spend the rest of my life with you.”

so, while you’re lost in your story, simon plucks out the discarded straw wrap you tore off for your drink, and hides his hands underneath the table. he twists the paper, makes soft tears to cut it shorter, and pinches the ends so they stick together as best as they can. it’s sloppy but it’s a circle, small enough to fit around your finger.

“so,” you begin, sipping on your coffee. “what’cha hiding under there?”

simon shoots you a cheeky smile. “oh but you’ve seen it, haven’t you, lovie?”

you groan, chucking a balled-up tissue paper his way. “y’r gross.”

“that’s not what you were crying last night,” he playfully snarks back with a quirked up brow. your cheeks burn and you duck down to hide from his knowing gaze, trying desperately to tamp down the laugh that is making your lips twitch.

simon chuckles, shaking his head softly, trying to pretend that his heart isn’t quite literally lodged in his throat right now, before coughing lightly to capture your attention again. you give it to him readily with a small and confused smile dancing on your lips, and your eyes crinkled in the way that makes him swoon.

“si?” you ask, a little worried now that he just sits on in his silence. “are you okay?”

“yeah,” simon replies, a little breathless. “more than ‘okay’, actually. i’m-” he pauses, clearing his throat, his fingers still playing with the straw wrapping.

you watch as he breathes in deeply before his posture straightens and then he is pulling his hand out from under the table. you blink your eyes down to his hand where, pinched between his fingers, is the straw wrapping twisted and pinched to look like a small ring.

“this is a placeholder for the real one, s’just that i’ve always wanted to ask you when the timing is right but every time i’m with you always seemed to be the right time so…”

simon’s eyes are unwavering—they are pools of gentle storms—but you notice the way his hand trembles, taken by tremors that would have made you worry if his words had not seized your beating heart and cradled it with such tenderness that you feel like weeping.

“will you marry me?”

[zuzu-draws]

Trolling aside, i think there is some great importance as to why Gege chose this specific manner of panelling for the Yuji-Sukuna confrontation in JJK 264. We can't help but think that Gege's trying to show us some sort of a parallel between Gojo and Sukuna in this situation.

In JJK, there's this interesting notion of one's decision to go "North" or "South" as explained by Nanami during Gojo's death Flashback:

And we all know, that chapter of Gojo's death is titled as "Go South", which highly implies that Gojo chose to stay as who he was, as opposed to starting as something completely anew.

Now the interesting point in the Yuuji-Sukuna confrontation is that apparently...

....the destination for the supposed train within Yuuji's domain...is "North".

Which means that Yuuji's taking Sukuna towards the North.......

They're heading towards the North.....do you guys understand what that means?? For BOTH of them??? Q C Q

[thefloatingstone]

Trying to figure out how to make squid boy emote because every time I've drawn him so far he looks very stern and it just didn't sit right with me. Also the more I played the more I noticed how his expressions change.

Anyway this is what I got so far. I plan to do more because hoo boy is it tricky to pull certain emotions out of him.

[farshootergotme]

I get emotional thinking about how his family would react to Bruce's change if he ever started working on himself, on improving his behavior. But the one I think about the most is Dick Grayson.

Alfred is the one who was there from the very beginning, but Dick Grayson is who arrived and made the biggest impact. He's the first kid who Bruce took in, the one who approached this man and became his first partner to fight by his side out in the night.

Dick was able to pull Bruce out of the darkness that consumed him. No matter how many times Bruce went back, Dick's presence was a constant reminder that there's not only shadows. That if Bruce pushes back, fights so he won't be dragged down, he will find light.

However, it was a cycle. Dick would get him out, but Bruce would go back, sooner or later. And repeat. And Dick realized this and knew he couldn't let that be his whole life. But despite the distance, it still affects Dick knowing he can't find a definite solution for Bruce.

So, seeing Bruce actually change, get better and seeing that last...it would lift the heaviest weight on Dick's shoulders, who's felt responsible for Bruce's emotions since the day he became Robin.

It's been implied to him that Bruce needs him, that he's who keeps him from falling. And Dick, despite not always feeling like he is enough, carries with that responsibility because, deep down, he also feels like he owes it to Bruce, who Dick has needed (still needs) present in his life, too.

Bruce getting better would be like being able to breath again, but it would be so suffocating too.

Dick would happy for Bruce, for the man who raised him. He'd be relieved that the hurt will stop, for both his father and those he's continuously pushed away. But then he'll be anxious, will it really last? How long until he can be sure? And he'll be scared, does he still need him, now? Does a Batman who's gotten help still need Dick Grayson Robin? Nightwing? And lurking in the back of his mind, there'd be anger. Why now? Why after all those years? Why not before? Was Dick not enough reason to change? Was he never worth this? And shame will drown those thoughts. It's selfish, to think that way. He should be happy. He wants to be happy. He is happy. But he is also mad. He's sad and he mourns the child who never saw this side of Bruce. And most of all, he loves. He loves Bruce too much to hate him for it. No matter how angry, no matter how hurt, he loves his father and he's grateful for him, for his efforts. And all he can do is smile and congratulate him because that's everything he feels he has the right to say.

And when all is said and done, Bruce will come to him and Dick will have to face the worst part of this change;

Apologies.

If Bruce has truly changed, then he would know there's more things than he can count with his fingers that he has to apologize to his son for. And out of everything else, this is what Dick Grayson fears the most.

Dick can take it, he can hear Bruce out, but he can't unpack all the pain he's been accumulating in front of his dad. He can't bring himself to say 'I forgive you' out loud despite having convinced himself long ago that it's alright.

Bruce doesn't didn't do apologies. Things happened and then went back to normal and Dick was okay with that. He forgave him, he did. So, Bruce doesn't need to apologize, he doesn't have to make him say it out loud. He can't tell him, but he's forgiven him long ago. Even if it hurt, even if he was still resentful sometimes, even if he wanted to yell at him for it, Dick could push it all down and forgive him. Bruce shouldn't apologize, shouldn't bring it up again because Dick isn't strong enough to keep it all bottled up if Bruce starts acknowledging it, if he confirms that Dick wasn't crazy for feeling wronged and hurt.

He can take it, but he really can't.

Just thinking about it drives me crazy because, out of everyone, Dick Grayson might be the kid who's been waiting for this the longest, and who thought he'd already given up the idea of his father finding a lasting happiness that would bring permanent change in him. And it would be just so overwhelming.