#about adventure and doing good for others…. man

[twentyyearstoolate]

A robed figure hunches over the campfire, desperately striking a flint onto the damp tinder, cursing up a storm.

"Rindell?" A rogueish halfling sidles up next to him. She raises an eyebrow quizzically. "What are you doing?"

"I'd think it'd be fairly obvious. I'm trying to light a fire."

"...With a flint?"

"Yes, with a flint?! How else would I do it?"

She waves her arms around, exasperated. "I've seen you light fires with a snap of your fingers! You LITERALLY just set five bandits ablaze with an explosion like two hours ago! Can't you just use magic?"

The robed man looks back at his companion. Finally, he sighs and stands. "Look... you can't tell anyone else in the party about this, alright? Promise?"

"About what?"

"You have to promise."

"...Okay, fine, I promise I won't tell anyone else, about... what, exactly?"

Rain continues to drizzle on the two adventurers as the fire pit sputters and smokes. "Look... I wasn't trying to set them on fire. You remember back in Brightfall, with the mayor's lackeys? I was trying to do it like that, but on a larger scale, like a fireworks show, okay?"

"So... you fucked up your spell?"

"Absolutely not! I studied for decades at the Enrothian Academy! My gestures are perfect, my enunciation is flawless! Something about this place, the... the weave is strange."

She smirks. "You don't sound convinced."

"I'm not. I don't know why it didn't work like it should. They talked about this at the academy, that sometimes things that worked reliably in the past would just... stop. The formula hasn't changed, but for some reason the effects do. I pored over it for five hours, double checking every figure, every syllable. Somehow, it changed. I don't know why. And I don't know why trying to light this godsdamned fire made it start raining."

"Wait, what?"

"Yeah. I can't explain it either, no wizard can. So for the foreseeable future, we're lighting fires with flint and tinder."

"Shouldn't you tell the others?"

"What they don't know won't hurt them. And don't go spilling to them when they get back, you promised, remember? I'm good at improvising, I can get it working in a pinch. Just... don't count on it, okay?"

The rogue shakes her head in confusion and slowly backs away to tend to their own tent. The mage makes a quick gesture, and a yellow duck familiar appears in a cloud of smoke as he sets his finger on the top line of a page. "Alright, Chauncey - Let's go over this one more time..."

Wizards have as much faith in magic as software designers have in software - none at all. A wizard is explaining to the rest of the party why they won't use magic to solve all their problems.

[dark-dragon-8]

A Supernatural × Batman crossover where the Batfam are actual cryptids and the brothers are sent to hunt them, only to find out that these guys are pretty much immortal, god like beings whose only weaknesses are each other, the sun and some weird sentient manifestation of their home city that they seem to care about, and most of them already grew out of the second one, since, apparently, the sun only affects them when they're newborns/newly transformed/changed.

The whole reason they ended up in Gotham in the first place was because of some online rumors saying that there is a demon cult in the city, as well as Blüdhaven [it's true, partially, the Bat clan has had several cults and/or religions painting them as godly beings/saviours of Gotham throughout the years, still do (imagine the colonies from F'ing Demon Bats, only this time the cryptid part of them is actually real)] along with shrines for human sacrifices.

At first they thought the locals sold themselves to a Pagan God in exchange for their safety, that the shrines and "holy grounds" spread throughout the city were for blood and human sacrifices and the creatures were feeding on the souls of their followers or something.

Turns out, that couldn't be further from the truth. Yes there were bloody sacrifices at the shrines, but most of the time those were just grieving kids bringing their dead pets to silence's holy grounds for them to be healed, or taken care of, by the spirit and have their souls at peace. But, again, that was rare, and only occurred at the holy grounds themselves rather than the shrines people attended to daily.

Majority of those shrines were filled with books, art supplies, music boxes with ballerinas and, sometimes, you could even find a few trinkets and computer parts, as well as the occasional plates and plastic boxes filled with home cooked meals, sometimes they even put pots and kettles filled to the brim with savory goods and nice tea. Nobody ever touched the food, not even the poor and desperate, when asked why all the brothers received were looks of horror and hushed whispers about how "The bats don't like thieves" and "They'll stop coming by the shrine, maybe even destroy it if we do that"

Dean didn't like it, neither did Sam, they didn't like how the locals, people who barely even bat an eye when they see a dead body on their way to work, get so scared and terrified as soon as they hear of something that might displease the Bats. They tried asking around, trying to figure out what is it that makes them so scared of their dearly beloved deities, after all, they talk about them like such a wonder, like they're the best thing that ever happened to them. Hell, one of them is named Mercy and was revered for its compassion and understanding of those around them.

They only got their answer when investigating a place called Crime Alley. They locals were all the same, if not even more reserved than their city's counterparts, but there was one person, a young girl who couldn't be older than ten that said she'll be willing to answer their questions in return for some money and stories from their time as hunters. They were reluctant at first, but seeing as they haven't had much of an option, they agreed.

"So, Masey" Dean started

"Missy" she corrected

"Right, sorry, Missy, you said that you could tell us what's up regarding those demons"

"Deities" she said sternly, the man simply nodded "And yes, I can do that, but you'll have to do something for me first"

"And what would that be?"

"You said you were a hunter, right?" He nodded "And you also said you have some money. So I want you to give me two hundred dollars, cash, and a written story containing at least three of your adventures with your partner. You can't use big fonts, lie or omit any details from the story, it needs to be one hundred percent real and legible and needs to be at least fifty pages, understood?"

Dean was confused, confused and worried. Why would this child need a story about them hunting monsters? And why did she need it to be so long and accurate? Was she trying to sell them out to the Bats or something? Why was this so important?

A million questions flooded his head and looking at Sammy, he could tell the feeling was very much mutual.

"Um Missy" it was Sam talking to her this time "Why would you want a story of us hunting like that? We could tell you about our time together on the field, if you want, but why do you need that written so meticulously?"

The little girl shook her head before he even finished speaking "No, no, I need it written"

"How so?"

"For Passion, of course"

"Passion?"

"Yeah, Passion, the component watching over Crime Alley, it loves reading stories but only when they're worth it. It doesn't like when people give them stories only to please it or for it to give them undeserved attention. It needs to be good and interesting, a story about two hunters will definitely do that"

The two hunters met each other's eyes, both their expressions filled with worry, apprehension and suspicion.

"And why all the other rules? Why does have to be so long and accurate?"

The girl tilted her head, looking at them as though they've said something stupid "Because you're introducing yourself, maybe"

"I can't just tell you guys all there is to know about the Bat without at least one of the components acknowledging you guys and giving me permission to share that information with outsiders"

"And what makes you think it won't just kill us as soon as it realizes what we do for a living?" They might've been desperate, but that doesn't mean they're going to give an essay about their weaknesses and hunting methods to a freaky, probably homicidal spirit on a silver platter

"Because they like people like you, people who put their lives on the line in order to help those around them. Also" she leveled her gaze with Dean's, which was pretty impressive considering she barely reached his hip "Had it wanted you dead, you wouldn't have been able to take two steps inside Crime Alley without having a heart attack, or your head magically disappearing"

The two brothers tensed, the taller's eyes rapidly scanning their surroundings, hands fishing out a weird cellular device, probably an EMF reader or maybe a bottle of holy water, as the shorter failed to keep up his confident facade in front of the (probably) ten year old (because Dean isn't going to be spooked by a kid that hasn't even reached the double digits yet, he's 𝘯𝘰𝘵)

The little girl laughed, completely ignoring their - very justified!!! - panic "Relax, would ya? Passion doesn't kill people unless they feel like it's necessary"

They didn't seem to be very relaxed, she didn't care, she just told them to meet her again on the border of Crime Alley and its neighbor city in a week, before leaving.

Two hours later, Carrie Kelley was skipping into the main living room of Wayne Manor, where several of her siblings played video games and with their father reading the newspaper on the side, the perfect illusion of a normal, happy, completely human family.

She walked up to Bruce, sitting on the arm of his sofa as the last of her illusion magic slipped away

"Did you do it?"

"I offered them the deal, still not sure if they'll end up actually agreeing to it"

"Mn. You did well"

The young teen preened under the praise, thanking her father before going off to boast and scheme with the rest of her siblings, they were up planning contingencies and devising plans until Sundown.

[darkficsyouneveraskedfor]

Sum of All 10

Warnings: non/dubcon, mentions of crime, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: mob!Steve Rogers

Part of the mob drabbles au

Summary: you are given an unexpected assignment.

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

You touch the seam of the skirt as you fidget in the passengers’ seat. The scene is starting to become all too familiar. You feel like some cursed sidekick to this man. Destined to count numbers you’re supposed to forget. 

“You don’t like it?” Rogers asks as he grips the steering wheel tighter. He hasn’t offered much detail about your destination but whatever this is has him on edge. Is he ever not? 

“Huh, no,” you smooth your hands over the dusted rose fabric. “It’s nice.” 

“The lady at the store picked it. I don’t know,” he grumbles. 

You almost want to laugh. Is he that worried about a dress? You admit, you prefer your separates, but it’s really nice. Sleek, elegant, refined. As long as it does the job... 

That thought makes you squirm as you recall your unfortunate shower debacle. It isn’t the greatest start to your day and the night hardly set you up for success but all you can do is get through it. Wherever he’s taking you, whatever he wants you to do. 

He draws up to a large golden gate with pointed orbs at the top of the steep poles. You lean forward to marvel at the mansion. It’s immaculate. Like a modern palace. You let out a ‘woah’. 

“He does like to show off,” Rogers remarks. 

“I mean, it’s pretty but a bit much,” you sit back, trying to play it cool. 

The gate slides to one side at his approach. He’s expected. That jars you. It’s all so mysterious. And scary.  You’re silent as he pulls through. 

“You good? How are you feeling?” He checks as he comes to a stop before a finely curated row of hedges. 

“Hm, oh, good, I’m feeling alright,” you assure him. 

“Mm, let me know if you feel foggy.” He looks at you with concern. You’re starting to feel like a burden. 

“I’m fine, promise. You don’t need to worry.” 

“I can’t have you falling on your face with this one,” he girds. 

“Oh, right, obviously not,” you agree. 

He gives you a long look and gets out. You blink and undo your seat belt. You open the door and give a start as he appears behind it. He grips the top as you get out. He shuts it and gestures you toward the front steps of the house. 

As you come to the curved stone, a figure emerges from the double doors at the top. Sleek, moving like a snake, sharp eyes narrowed at the man at your side as he smooths back his black tresses. 

“Rogers,” he greets your escort. “He’s waiting.” 

“I know,” Rogers replies. “Laufeyson.” 

The snakish man turns without another word and passes through the doors. Rogers nudges your arm and you follow, keeping pace with him. You clutch your briefcase handle, your only comfort in that moment. 

You continue across the large foyer and around the right side of the stairs. The man leads you to a door hidden behind it that blends right into the wall. The handle is camouflaged. He pulls the door open and waves you on. 

Rogers points you ahead of him. You enter and he’s close behind, brushing close as you come into the study-like room. A blonde man, larger than even the one at your back, sits behind a big white desk. He toys with a little golden hammer, some sort of paper weight as his blue eyes flick up. 

“Ah, there he is,” He drops the ornament with an unexpectedly heavy thunk. “Rogers, finally here!” 

“Odinson,” Rogers greets, a glimmer of warmth in his voice. 

“It has been too long,” the large man stands and strides around the desk. “And you have brought a beautiful woman!” He approaches you and grabs your hand, kissing it with gusto. “Ah, wonderful! I did hate to think of you coming all alone.” 

“She’s here to do the numbers,” Rogers assures. “That’s all.” 

“Of course, of course,” the other man, Odinson, nods as he turns to Rogers. “I was sorry to hear about Margaret.” 

Rogers shifts, “Peggy made a decision.” 

Peggy. That's the second mention of her. Whoever she is. You think you might have a good guess for it.

“Right, right, sour grapes,” he offers a hollow smile and turns his attention back to you. “Ah, but I do lose myself. Thor, my lady, and you?” 

You look between him and Rogers. Your companion shrugs. You introduce yourself. 

“You have come far. You must be tired,” he says to both of you as he extends his arm wide. “We might hold off on business and first break bread. I have missed you, old friend.” 

Thor claps Rogers’ shoulder. He’s the only person who’s ever made the mafioso look small. You watch quietly. You feel like an intruder. 

“Sure, sounds good,” Rogers agrees. 

“Oh, but first, I do forget myself. I will show you to your room. I was unaware of your company,” Thor says. “My woman was preparing just for you.” 

He gestures you back into the hallway. You go first as Rogers waits. He follows and your host comes third. You glance back for direction. 

“Just up the stairs,” Thor explains. 

You obediently proceed along that path, climbing cautiously. You come to the top and admire the golden sconces along the wall. The whole place is ornate and extravagant. 

Thor comes up past you and guides you along to a door. He taps it with his knuckles, “Rogers. I can have another set aside for the... accountant?” 

“I have my CPA,” you say. “Uh, yeah.” 

Thor chuckles and Steve breathes heavily through his nose, “if it’s too much trouble.” 

“No trouble is too much for you,” Thor assures. “I hope we can come to happy agreement. I would hate you to come so far for anything other than that.” 

“Well, it has been a long trip,” Rogers agrees. 

“Let me give her the tour and you can settle in,” Thor insists. “I should show her the pool before my woman sinks her claws in.” 

“You married?” Rogers asks. 

“Working on it,” Thor answers and gently touches your arm. The movement catches Rogers’ eye. “They might amuse each other in your time here.” 

“Hm, maybe,” Rogers crosses his arms. “I’ll get my bag.” 

“You might request some brandy from the maid as well,” Thor snickers. “Take off the edge, Rogers. I’ve never seen you wound so tight.” He slides his arm under yours, “oh, and I didn’t mention, the beard... looks good on you.” Thor turns and points you in the other direction, “come, you will want to see the balcony.” 

[threepandas]

Bad End: Century Demons

The steam engine blasted vapor into the air. Cacophonous chatter from the crowds all around us, pressing like a physical weight. I truely did hate traveling. Granted, there was nothing for it, we were needed. Being their Majesty's Special Task Force and all. But STILL! Awful. Just, awful!

It was the pushing, really. The constant shoving. Flashs of insight into lives I wanted nothing to do with. That individual? Marriage was collapsing. This one? Had debts. The girl who just stepped on my foot, thought she was in love, but honestly? Any adult could tell you how badly it was going to end. He was using her.

Frankly, I wish we could walk. At this point? I would honestly take a flipping DONKEY! But nooooo! What has my husband decided to do? "Let's take the TRAIN, darling! It'll be an ADVENTURE! Save so much TIME!"

He's lucky I married him AT ALL. Fuck. I HAD options! Could have been a Baron's wife. Well-to-do! But NO, I wanted to HELP people. Like a FOOL. Gods, my mother was RIGHT! Cute air-heads WOULD be the death of-!

I finally spot Arthur, the sweet idiot, looking lost by our baggage. Map in hand. Like a confused puppy told to do arithmetic or be scolded, his anxiety is palpable. I gather my skirts and shove. Fuck being polite. Everyone ELSE seems to be fine, being stampeding herd animals. Why not I? Move!

"O-Oh thank goodness! Darling!" Arthur gasps, nearly dropping the map as he reaches for me as I get close. His eye are wide and his expression frazzled. Tone as though someone has been compressing his chest. "There are-! There are so many PATHS! I didn't-! And I-! Oh dear. W-what do we do? Darling, I can't-! It's so-!"

Damn it! I KNEW this would happen! This was an awful idea! Reaching for my husband's face, I cup his cheeks, propriety be damned. Pull him close to press his forhead against mine. Match my breath, dear. Focus, darling, just... focus. Close your eyes. You do not See. Curse crowded places and what they do to us. We should have moved to the countryside years ago.

But no, no Arthur would never leave his Sister. And I'll not leave him behind. Damn it all, why? WHY?

Why did she have to pick the Nobility Route?

It was bad enough, remembering this world "wasn't real". That it had a "plot" for Gods sake. Bad ENOUGH to realize that the monster under the bed very much WERE a real and present threat, that I SHOULD be concerned about. But fool that I am? Did I HAVE to fall in love with the Protagonist's brother? Sweet and foolish? A simple, if air headed man? Apparently!

All I could do, now, was try to protect him. Try and protect myself.

Ignore the nasty, judging looks, being sent our way. Piss off! The lot of you! I took no vows to YOU. Stood in no church! There us exactly ONE person in the train station I care about, and it is NONE of you, so keep your snide opinions to yourself! Breathe, Arthur. There we go, dear.

Pulling back slightly, I check his eyes. They flick and track things unseen. He is still unusually pale. He... he will be rather disappointed. He was excited to try the trains. To him? They are a bold new technology.

Maybe once we get farther from the city. Here, at least, he is drowning.

Then, a change. Sudden and swiftly building. Whatever Paths my husband traced were disappearing, narrowing, even as terror sweeped across his face. Only twice I had ever seen this before. Once, was an earthquake. The largest seen in over 400 years. The other? A bombing just before the royal wedding, we had been still engaged then. But the way he had frozen? Mid-sentence?

It is BURNED into my mind. Just like the horror that followed.

Bellowing, I command everyone to get out. Evacuate.

NOW.

But already... it is too late. Down the line of the train, terrible symbols flash into being. Molten red metal, on the side of the train cars themselves, instants before the BLOW. Unspeakable shrapnel bombs. Made of people and metal and MAGIC. The train cars lifted from the tracks by the knock back, smashing into fleeing crowds, even as the next car goes off. And then the next. And the next.

A writhing chain of death.

Like the dying spasms if a great snake.

My husband is frozen. No. As I drag him down? I realize with horror, worse. Seizing. It has NEVER been this bad! What is HAPPENING?! What Path is he SEEING that could cause such OVERLOAD? Terrified, I watch as thin trails of blood, seep from his eyes, his nose. Oh Gods. Oh GODS! Arthur? ARTHUR!

Love! Stay with me! Please! D-Darling, Please! Focus on my voice! You have to let them GO! Close your EYES, Arthur! Don't look! Please, DON'T LOOK! It's KILLING YOU!

"That's rather the point."

I stop. From on the ground, where I crawl. Dragging my unresponsive husband to safety. My gaze finally whips around to ahead of us. Amongst the chaos... stands a conductor. Pressed uniform clean and hair entirely too long. His eyes... oh Gods, his EYES. I do not need to touch him to know. That? THAT is not a human.

Not anymore.

Shrapnel flies harmlessly over us, but comes no where near him. As though where he stands is Forbidden to touch. All around him, those fleeing? Suffering? Do not notice him. Do not SEE. Yet, on instinct alone... avoid him.

Because, of course they do. B-because that?

That Is A Demon.

We weren't even remotely prepared for this. And even if we WERE. Everything is packed away. Pressed to the floor, all I can do? Is drag my husband close. Feel tear begin to fill my eyes and choke my throat, as I curse the Gods. Damn it. D-Damn it! I drag Arthur under me. A-as though... as though we were just... just resting at home. Cuddling, as we so often do.

I-It will be okay, darling. Come back to me. Arthur... Please...

(We promised to go together...)

"He really is useless, isn't he? Can't protect you. Couldn't warn you. Can't even die, where he's supposed to be. Really, how hard is it? To just get on the damned train? Quite inconsiderate, your worthless lump of a first husband. It really won't be hard, no doubt, to surpass him in every way."

I drag Arthur closer. Cradling his head to me chest. You'll have to go through ME, you fucking monster! It's.. it's a laughable defense. I'm tissue paper. We both are. With out supplies and the proper anti-demonics? H-he's going to SHRED us. But... but! I took a VOW.

Married this man.

I... I love him.

Even if he's not awake. Even if he's trapped in his own gifts by this BASTARD of a Demon. That's.. That's okay. I'm still here. W-We're still together. And I love him. Silly, ridiculous, air-headed fool that he is. My quite scholar. M-My best friend. I glare at the damnable creature before us.

"You really do have such lovely eyes." It notes, tilting it's head. "Does he appreciate them? Somehow, I doubt it. He makes you live in squalor, after all. Dresses you in rags and works you like an animal. You were meant for so much... more. I can feel it."

With a boneless grace he squats, bringing him closer even as I try to drag us away, he reaches out. One hand both perfectly human yet tipped with claws. In the distance, I hear doors being forced open. Commanding voices. Prayers and the glimpses of shining light. The Paladins are here.

Too late... I... I fear it is too late.

Demon skin touchs my face and I scream, as I am cast beneath the waves. It is so dark. Oh Gods. OH GODS. IT IS SO DARK. HELP ME. HELP ME! IT HURTS! It HuRtS! HELP M-!

"Shhh, drink deep and sink down, Love. I will be there to catch you. Forget about him. Forget about everything. You are made for so much more. We were meant to be together. Just let go, sweet."

"Just let go..."

[girlfriendsofthegalaxy]

tuesday again 11/12/2024

this one's a bit short. i am now thirty and still unemployed (ten months this week) ://// if you enjoy the tuesdayposts and are not maxed out on your charitable donations for other causes (american healthcare access, healthcare access in other places, war relief, any number of other good causes) i am going to be $300 short for december rent. here is my paypal.

listening

listening to a lot of pete seeger, for my health. there are about one zillion recordings of Old Man Atom, all ever so slightly different. it starts off as a perky gee-whiz-science! tune and continues frog marching the listener along in an increasingly jaunty manner. it's

Then the cartel crowd put on a show To turn back the clock on the UNO To get a corner on atoms and maybe extinguish Every darned atom that can't speak English Down with foreign-born atoms! America for American atoms! I hold this truth to be self-evident That all men may be cremated equal!

it's very depressing to listen to early anti-nuclear protest songs and realize they hold even more true today! song's a bop tho!

-

reading

the feds nabbed someone allegedly related to the semi-dire Snowflake data leaks that have been ongoing throughout the year (Santander Bank, AT&T, Ticket Master, Neiman Marcus, etc).

this guy has been a real thorn in krebs' side for a year or so and participates in some of the worst corners of the internet, which explains the adversarial nature of the writeup. i read through the whole thing going "yeah this guy is Very annoying but why is krebs so mad at him" and then got to the bottom section about other activities. italicized OH moment in real life but bad.

-

watching

continuing noirvember with The Maltese Falcon (1941, dir. Huston).

The Maltese Falcon is a 1941 American film noir in which a San Francisco private detective deals with three unscrupulous adventurers, all seeking a jewel-encrusted falcon statuette.[3] Written and directed by John Huston[3] in his directorial debut, the film was based on the 1930 novel The Maltese Falcon by Dashiell Hammett and is a remake of the 1931 film of the same name.[4][5][6] It stars Humphrey Bogart as private investigator Sam Spade, Mary Astor as his femme fatale client, and as villains Peter Lorre and Sydney Greenstreet.

i have two really snotty thoughts to get out of my brain: the modern letterboxed reviews like "i liked this but the homophobia ruined it" weak. all of you are WEAK.

and

i appreciate the work of the tumblrinas trying to queer this story in a more 2020s friendly way. however. sam spade canonically calls someone a slur for using cologne that he deems too feminine. the noir detective series you want is Philip Marlowe, who is at least homophobic in interesting and less physically violent ways.

anyway! gorgeous gorgeous movie. mary astor goes toe to fucking toe with bogey in every scene. a very frantic and frightened woman who is one jump ahead of the pathway crumbling behind her at all times. but she takes the jump and makes it! every time! except for the most important one!!!

-

playing

having a normal one with 12 hours of powerwash simulator

new genshin update rapidly approacheth. there's a lot happening in this screenshot. accidentally careened right past this npc, with one bullet for the poor low-level slime in the background, floaty blue pet in tow. the npc wanted me to deliver something to her sister who is visible under the big tree in the background. i love early area spaghetti code.

-

making

deep cleaned my house again bc i had people over for my birthday, which was a very lovely and very drunk evening of star wars on in the background while we played trivia. not how i expected to enter my thirties! i am not in the life circumstances i expected to be in my thirties, i do not have the life i expected to have in my thirties, etc. feeling a little maudlin and need to do crafts about it but also all the crafts in my home are not quite right!

[chilipepperconverse]

england 🤝 japan

what if there was a hero born out of tragedy who went thru many faces and stories and friends but the core of who they are and what they believe in remains the same and inspired generation after generation of people to put good out into the world. also explosions

[theklaapologist]

Yeah in another life feyd and paul are married and fucking but also in another life they’re on caladan both of them painfully aware that they have NOTHING in common but still trying to pass the time and have some sort of fun for the sake of their dads as both abulurd and leto were created with the sole purpose of getting on my personal nerves

[guiltycorp]

Great additions, thank you. That is the core of my issues with the route probably, the predetermination... And instead of subverting or playing with it the game just goes 'yep so anything you do is in line with what you must do, you will succeed in fulfilling your destiny either way, good job man' like alright. Does he really care about anything except for his mission? Unclear.

What DO you hold dear my dude... The only thing I disagree with is that the Haruspex feels obliged to hold an inferior position in comparison to the Bachelor - I don't think he does? They definitely have a transactional relationship and the Haruspex keeps responding to the Bachelor's letters by turning up - but only while they have a common goal in creating the panacea (this is why I especially liked an early side quest where Grief is menacing Notkin's bunch and asks Artemy to bring him the Bachelor... and the latter acquiesces for the sake of the children, not to gain something from it... just felt nice, wish we had more of that). Then Daniil has to be like 'maybe the tower is your udurgh!' to keep Artemy coming back to help him out in a mutual exchange bc by then Artemy started going to Aglaya and Oyun instead... Yeah still looking for other people to tell him what to do, but in a vaguely exploitative way. It's difficult to tell who was the first one between them to assume that each favor needed to be beneficial to them both or returned in another way but I suppose it fits the nature of the Town, always trading things back and forth. ...I did love that the Bachelor gets really mad if you don't tell him about your Abattoir adventures at one point pff.

'Whatever,' As for the address, Daniil is a doctor and a bachelor, so that's what Artemy keeps calling him, only alternating the language he's doing it in. Some manner of oynon, oynon Dankovsky, the Bachelor. There are npcs who address Artemy himself as 'oynon' so it applies to them both (although I could swear there was a dialogue where he was explaining that he doesn't count as one before taking on his father's inheritance fully and yet I couldn't find it so hm maybe mixed it up with smth else.. either way he def became one after inheriting yep). Also, there was this line of dialogue towards officer Longin (in Russian it's about the tu-vous difference but either way it reads as a refusal to submit to non-Kin social structure, same way he bristles against Olgimskys' attempts to bring him to heel).

So I feel like not switching to first-name basis is more about his colder personality? It's not that he distrusts Daniil, one of the first things he says about him is that he could immediately tell that the Bachelor is an extremely honest kind of person, but hmm... His friendship with Rubin seems much better off even despite their initial misunderstanding and he switches to calling the Inquisitor by her first name almost immediately, so my interpretation is just that he always operated under the assumption that Daniil's goals would diverge from his own sooner or later (again that predetermination streak), and that was already enough for him to stay on guard despite the supposed 'friendship'. A lot of his later game dialogue options after knowing where the Bachelor stands are straight up mean, not very friendly or submissive if you ask me.

He talks with the same derisive forwardness in the Bachelor's route when it comes to Aglaya, somehow he just doesn't seem to relate to him at all (even though I think he should have, what with Oyun jerking him around in similar enough ways). So if anything it is the Bachelor in Haruspex route who is doing his best to ingratiate himself at least a little, just like Capella said... @the-invisible-foe but mentioning the Bachelor in unrelated journal notes is interesting, I didn't even pay attention to that but yeah, that's something at least!

how to get into your man's head by sending him letters daily 101 ...eh honestly there are also so many moments when one of them starts getting upset about being perceived as dumb by the other too now that I think about it... it def feels like a case of fragile male ego for the haruspex for sure at least, just kinda a need to prove himself to this educated capital man while also establishing that his way is fundamentally 'better'... trying to impress each other and then getting mad about it, idk yeah there's something there maybe, and p2 also explored that sort of thing...

Okay finished the Haruspex route of Pathologic Classic! I need to play Clara's route to see the whole picture but I'm already fascinated by the differences between P1 and P2 in terms of characterization. I think I like Pathologic 2 even more now considering how they improved on Artemy's route, I am sorry to say I didn't like it at all in classic... This is all just my personal impression after first playthrough ofc. Ramblings about both Artemy and Daniil ↓ I think what bothered me about Haruspex was mostly just his attitude and his messiah plot. Once the first day is out of the way it's all smooth sailing for him, a bit too much so?? The only personal conflict he has is figuring out his father's exact wishes for him and choosing a sacrifice. Killing anyone is treated as fair or something that needed to happen and the Haruspex is always shrugging it off... And either option, Aglaya & the Town or Polyhedron... It just doesn't seem like he is that attached to either? So it doesn't feel like he is sacrificing much personally? Like sure he wants to save the Town because of his messianic qualities, but that's again more about fulfilling his 'role' rather than genuinely wanting to save lives, or at least it read that way to me. I'm sure it's meant to be both and P2 makes this far more apparent, but in P1 it elicited a rather squinty reaction from me. Plus well yeah, getting rid of Polyhedron is pretty much just ¯\_(ツ)_/¯, like yep he sure didn't care about that thing lmao so getting rid of it isn't such a difficult choice at all. The suggestion that the Polyhedron could be his Udurgh is kind of useless because the Town and Earth are far better candidates and fit with Kin beliefs better, which in this game Artemy pretty much doesn't doubt at all.  Maybe this is why the Bachelor is so present in his route? Daniil did say he'd commit suicide if he lost, maybe we'd want to think twice about pushing him towards it... But again! Does it seem like this guy cares ahhh haha... The dialogue option that is actually engaging with what Daniil said is pretty much there to make it clear to the player what the Utopian ending is and what it would be like.

Ngl at first I thought he was meant to be the 'sacrifice' until they said it's a woman. Every time Artemy learned something about the Bachelor's motivations he'd write down in his diary like '...if it matters' since the player can always choose what ending to go with I guess. I also find it curious that he can say that they are friends but still always writing only 'the Bachelor' in his diaries while Daniil switched to 'Artemy' and 'Burakh' during the final stretch. The one-sided yaoi................ 🤔 At least Artemy doesn't get mad at him for ordering to set the mythic bull on fire, I guess their friendship did mean something to him after all at that point. Also when Capella tells him that he should ask the Bachelor for help with getting into the Polyhedron since the Bachelor 'fawns upon you a lot anyway' the Haruspex just goes 'oh yeah! ok' fjdghdjg... Now that I think about it I DID like the Haruspex route for what it did with the Bachelor hahah, his dialogues and letters are just so good sometimes. Like wow, I felt this.

Very cool, if i was Artemy I'd totally abandon my weird murderous calling for this. Tangentially related... P2 had one moment that I remember from my last replay when Rubin, if kept alive, falls into a deep deserved sleep in his home, and Artemy just starts emotionally monologuing at him.

Like, P1 Artemy would never, but also it goes to show that he's still very much a repressed man here too, buying into toxic masculinity ideals who can't just talk to his friends about his feelings directly... The same character, but more complex. I want to make it clear that I DO like him and his motivations in P2 actually, and his personal conflict being more about the future of the Kin makes that game much more powerful to me than what his classic route was. I heard that initially he was planned to be far more violent and dark, so maybe he could have been sort of a villain protagonist and this was changed later and this is why it feels a bit bland? Hmm... Idk this is fun to me because meanwhile the Bachelor didn't feel that different to me in both games lmao. A highly stressed educated guy who is just trying to prevent the spread of epidemic the 'right' way and then clinging to the only chance he has left to preserve both his ideals and his life. He is a bit less polite in P2 at first (while still very much helping by warding off Rubin) but then rather quickly becomes more cordial to Artemy and vice versa (and wow it sure is nice when Artemy can actually be polite and friendly..). And the moment when he explains some of his personal deal to Artemy feels rather similar in both iterations mood-wise.

I liked his route in P1 a lot, surprisingly so, and I now understand why so many people liked him before P2 came out and afterwards too... There's just something very real about how he is the intelligent Capital doctor but with an extraordinary dream to combat death itself, possibly given to him by the Powers That Be due to these children trying to cope with people dying around them. And instead of favoring him for it they hate him! They leave him with nothing but this final chance to fix things, even if that means destroying everything and rebuilding anew. Daniil's desperation feels very real and thus more compelling, plus like... I mean it's pretty much confirmed that it's not just the Polyhedron and that the soil itself is 'rotten' (literally in the meta real world and through blood beneath the earth in the Town itself) and the decease could return again, sooo his ending doesn't look that bad comparatively. I also appreciated how Maria (or uhh was it Nina talking through her here as well?) explained how their Utopia doesn't actually mean a 'perfect' place, more so just an impossible dream.

The Bachelor doesn't mind this at all, a detail I loved.

...Hmm that said maybe P1 makes it a little too easy for him to kinda ignore the Kin issue, he is only mad about their circumstances when it comes to Vlad choosing to doom thousands of the Kin workers inside the Termitary (which is just his doctor ethics). I mean it is realistic for him to ignore the implications of representing the imperialist side, he does mention his father was a military man too at some point I think... Still, he is very quick to accept the Kin's unique beliefs as something that has obvious merit, trusting the Haruspex with that side of things in both of their routes, and he doesn't make much of a distinction between them and regular Town people when it comes to patient treatment. If anything it's probably a sign of how the writers weren't thinking that hard about this worldbuilding aspect at the time... even if I appreciated them showing the downsides of the Kin's society, I think those were done better than in P2 purely because it was a bit more realistic (I am talking about sexism mostly, such as selling their own daughters and not respecting their autonomy, plus the mention of Kin politics and different ruling clans rather than the hive mind situation implied in P2). Like, it is more obvious in P1 that wholeheartedly embracing the Kin's return to tradition isn't such a good solution for them either, but one that will likely happen anyway with Artemy and Taya as their new leaders. And it could get trickier in Pathologic 3 I think, especially since most of us really appreciated the portrayal of colonization in P2 and would expect it getting addressed again in future games of other character routes, but we'll see I guess! Either way I look forward to that game a lot now.

[sysig]

When you weren’t looking (Patreon)

[variousqueerthings]

I note that I don't, and I never, was much of a fan of doctor-and-rose as romance, but that I -- rather than get annoyed at the romantic-coded scenes -- had a tendency to simply read them from a totally different perspective, and really maybe should have been a sign of sooomething different about me, that I continuously felt that the doctor's concepts of connection must be so alien, that to call it romance would be to diminish the actual Thing that they had, which was presented as such onscreen (to my mind then, now I realise what was happening, but I prefer what I had going on), which is basically that the doctor was a shell of a person, hurtling towards destruction (he would have died without rose in ep1), desperately lonely and sad and traumatised, and she retaught nine -- and by extension ten -- how to love the universe, at the same time as nine and ten taught her the same. (I think about the scene in father's day, where while they're arguing, rose says that she knows how sad he is, and he'll just hang around the tardis waiting for her -- she knew!)

and then on top of that with sarah-jane (which, I never watched the classics as a kid, so I didn't have that context for her beyond what the episode presented) it felt like that was sort of confirmed and made even more canon through this idea that the doctor is constantly mourning the inevitable deaths of their companions and would rather simply leave them behind at some point than watch that happen (and they've seen that happen before, although dying for a cause versus just... dying, because you die, while they don't, they just continue on and on, always seeking connection, always knowing that time will take them away, that's a whole other thing)

and then of course there's ten's... I would call it "sex appeal" because it's david tennant and with his performance there's immediately a bit of a focus on oh he's quite pretty and he faints/is knocked unconscious in both of his first episodes, and a lot more flirting, and the people want to see sparks or what have you... but the doctor as portrayed and written is still... not coming at it that way. yes yes girl in the fireplace but also, once again, doesn't work for me, because I find it soooo much more interesting that the doctor would imprint on A Life - and a life that they admire -- and speedrun the exact thing that they're most afraid of with their companions... that she ages and dies and it's the one thing that the doctor simply cannot stop

meanwhile rose is quite young and swept up in this whole massive adventure and very much reads the doctor not as an alien (frequently surprised by their alien-ness) and gets jealous of sarah-jane as if she's an ex, and renette as if she's... a replacement? but really it's more that the doctor met her at the point when she was about to accept her life as it was. not an exciting life, not a bad life, but always having to ignore the idea that there must be more to it than this. and the idea that she might be unceremoniously dumped back in that after seeing just how This the this could be, of course that's terrifying. and of course she's simultaneously taken with the dashing doctor and the jetset life, and worried she could be replaced, because to her the doctor saved her at 19 years old. in some ways the doctor created her (considering who she becomes after dooms day)

contrasted to martha who initially has a similar kind of experience, but the doctor doesn't meet her at the space she's in with them -- ten is leaning on her, like they did with rose, but not giving anything back unless kicking and screaming and traumatising her whole family. martha's trajectory is so so tragic, because she barely gets a taste of the splendor versus the horrors and the latter marks her for life. but she also knows to walk away from those overwhelming feelings, rather than give into them, she knows they'll never be rewarded and she also grows beyond wanting to be a crutch for the doctor (the fact that she then ends up as a soldier, well... ouch)

and then of course donna, who never has those fucking awe-feelings to begin with and whose connection with the doctor is explicitly de-romanticised but never placed on a lesser pedestal as if there's a hierarchy of alloromanticism. topples those pillars, never sees the doctor as anything but what the doctor is. good old donna. (sobs.) (but also... cautious hope for the specials.) (but also sobs.)

my point being. just don't buy alloromantic doctor, they're a near-immortal alien. it's such a dull simplistic way of reading their relationships to other beings. other point being. all those women who were making heart-eyes at ten, wish they'd met thirteen and had a... "yeah, this still works for me," moment. their horizons, too, are broadened by seeing More. (that or they realise they were never actually "in love" but just thought ten was a sexy skinny little snack and it blinded them.) (although jodie whittaker, too, is a snack.)

and lastly lastly ofc, is that if the doctor has a longterm (by doctor time measurement) intense relationship with anyone, whatever that might be called, it's the tardis. and that relationship is also so alien it cannot be quantified by human words for concepts

[morningmask27]

I'm going to be bitching about Star for a while now. I'll tag them all with #asc spoilers, but really what the fuck was this book?

[larabar]

Sonic the Hedgehog and why he's impossible to write Perfectly

(including me i could not get him right if my life depended on it)

is this me giving up on trying to find the perfect way to write him? Maybe

i've been making lots and lots of notes on a bunch of his characterizations and the differences between them, including what makes any of them Better than the others and it's been .inconclusive

but i think ive found the problem. i can't accurately describe him as a character in general in one sentence without getting too specific or listing stuff like 'fast'

and i think that's one of the only things that stays consistent between all the different media he's in

one of my favorite examples of all this is sonic's lack of a solid theme. he has themes, yes. but they change with every game and tend to be the main theme Of the game. not just sonic. so he doesn't really have one of his own like most other characters.

just gonna plug this video again. it talks about sonic leitmotifs and character themes and how they're used to define each character and it's really cool check it out :]

all this comes with a blessing and a curse. there's always someone who will like one characterization and someone else who will Absolutely Despise it. and honestly that's just sonic's thing. especially with sonic media as a whole

there are definitely ways to mess up sonic's character. it's been done many times. but that's when the writers completely dismiss sonic's core values (but let's be honest even those are flexible and everyone still does them differently)

so. if someone has the golden formula to writing sonic please please please i am on my hands and knees i need to know how it's done

but until i figure it out. im just gonna stick to this. ->

TLDR: sonic is so complex and so simple at the same time and i cannot find any one way to describe him. there are infinite ways to write him and it's honestly better to just not worry about getting it perfect and have fun with it :]

[nobodybetterlookatme]

I've been working more events lately and I keep getting paired with one specific medic and some of my other coworkers told me that it's bc he's an asshole and everyone else hates working with him and apparently all his attempts at being a jerk to me have flown right over my head and I've therefore had no complaints so that's why my supervisor keeps partnering us up 😂😭

[itissadbutitsmy-artblog]

i feel like i go overboard when i shade but also h.

[astranauticus]

i'm not even done with the new rwd episode but. spoilers ahead

anyway funny thing. i wasn't like, super on board with the professionals when i was first binging through the first 3 seasons and especially once we got to season 3 i tunnel visioned on VR-LA and MR-SN super hard (as is probably extremely obvious from my art) but like. 4.5?? the exchange they had??? the fucking breakup scene???? yeah. yeah i get it now. i have no idea why or what changed but i have now Gotten It at the worst possible timing. what the hell

[morrigan-sims]

I was playing with looks for Rook for during his time with Wolf the other day, and LOOK AT HIM!! My poor, tortured boy...