#aang is just vibing and having a good time

[sillyfudgemonkeys]

Interviewer: Avatar Aang, why did you run away from home? Aang: I was told I was the Avatar at like 12, and the pressure got to me so I childishly ran away. :( Ironically that ended up being the right choice, but that's a diff story. Interviewer: Fascinating. Did you take anyone with you? Aang: Of course! My best buddy, ol' pal Appa! :D Appa: Moo Interviewer: Avatar Korra, why did you run away from home? Korra: Well the first time- I don't want to talk about the second time- it was because those jerks wouldn't let me BE THE AVATAR! So I ran away to do my duties! Interviewer: Fascinating. Did you take anyone with you? Korra: Of course! Only the best girl ever, Naga! Naga: Woof

Interviewer: Avatar Kyoshi, why did you run away from home? Kyoshi: After witnessing the death of two of my loved ones. I swore to escape my sifu's control and to get revenge by any means necessary. Interviewer: Fascinating. Did you take anyone with you? Kyoshi: Of course! I took my totally 100%, platonic bestie Rangi! Mmmhmmm just friends, totally, ONLY friends. Haha. No secret longing feelings here, no siree. Rangi: Platonic???? Not by the end of this trip, not if I have anything to say about it!

[aro-aizawa]

I think Mirabel & Izuku would be besties tbh. This is prompted by anything but I thought you might agree

mirabel from encanto? oh ye i can get behind that ahah

[zutarawasrobbed]

ALTA Live Action Season 1 Initial Thoughts (Spoilers)

I just finished the season, and holy shit!

Quick things that need to be addressed/debunked:

“Sokka is no longer sexist”

I dont know what people were talking about when they talked about Sokka’s “sexism” being removed. It’s still there! But not in the overly exaggerated comical way it was in the original.

In fact, it’s more in line with ancient practices of indigenous tribes where men are seen as protectors and providers while women are expected to nurture. It’s not the same “boys are better than girls” narrative in the original.

Additionally, Suki still beats the fuck out of Sokka and humbled him really quick. They’re super cute by the way. And I love Suki’s “I like my men a little stupid” vibe. She’s great.

“Aang doesn’t run away like the original!”

That is not true. He does run away, but not because he’s trying to get away from the temple but instead to get some air because he feels overwhelmed. He’s more like taking a quick break and planning to come back. It’s not exactly the same, but almost. It also is done in a way where his guilt feels more justified.

“Katara doesn’t talk about her mom anymore like the original”

This is true… BECAUSE THEY SHOW INSTEAD OF TELL. I was honestly not prepared to see the death Kya in such graphic detail and how Katara was in the room hiding when it happened. It’s honestly really sad and more heartbreaking.

Plot:

The timeline seems to be ambiguous compared to the original series where it was “end of current year.” In fact, they repeat “three years” a few times, which makes me think if the series get greenlit for more seasons, it would be over a three year period.

Jet is still villainized but given more nuance and not a simple "good v bad" way like the original.

Zuko’s story about how he got his scar has additional lore that makes him come across as even more selfless and compassionate. The additional context of the platoon he advocated for in the war meeting, becoming his current crew, really added to the story.

Eradicated the nepotism baby plot point with Pakku only training Katara when he finds out he used to date her grandma. Instead, Katara proves herself and ends up teaching the other male fighters the techniques she learned from watching other benders use their elements and mimics them.

This season doesn’t have Aang learning any waterbending, but rather facing his trauma and the consequences of his actions. He get roasted by all his past lives. Which is an interesting choice, but I think it works well in how they executed it.

This season seems to actually be Katara focused and her journey of learning waterbending which I honestly loved because it really hits home the element of “water” being the story of an untrained waterbender learning her element. But, I do think Aang could’ve learned a little bending. It felt a little off.

Katara ends up advocating for all waterbending women and ends up leading an army of both men and women during the siege. She’s really bad ass and is given the title of master without being formally trained by Pakku. She made herself a master.

I think the timeline is a little wonky because of how much they had to fit in with the limited episodes they had.

Kuruk is given respect! I loved that.

June actually seems into Iroh which I thought was a funny but cool way to flip the script from the original.

The relationship between Zuko and Iroh is really beautifully executed. I love the depth they added with flashback scenes and their bond prior to the Agni Kai. It also wasn’t as frustrating watching Iroh and Zuko’s dynamic because Iroh communicated with Zuko in a way he could understand with straight answers rather than seeming to actively sabotage him with cryptic puns and shenanigans like the original.

They changed the love triangle with Yue Hahn and Sokka to be very healthy. They gave Yue autonomy and a choice in her relationship- which- again- is much more in line with indigenous cultures. Also, Hahn and Sokka’s relationship is really supportive and full of respect and no ill will.

They way they handled grief and the realities of war with the loss of life was very well done and really drove home the point that this is a war and these are child soldiers.

There’s a lot more but these are my initial thoughts. Will probably post more later.

Shipping:

Kataang is all but removed. Literally DOA. There is no indication of a crust on either side. It’s painted like a sibling relationship, which is like the original, but this time everyone seems to be on the same page. But, I swear the writers had to have read ZK fics because damn.

They canonized a popular Zutara theory/hc about the cave of two lovers and how the crystals would light up once it went completely dark instead of a “kiss” activating the crystal glow.

Speaking of the Cave of two lovers. They keep the Oma and Shu story with red and blue coloring. Making it come across more as foreshadowing than a direct link to the present tunnel story.

Sokka is put in Aang’s place with Katara in the tunnels and turned it into a story about the love of family and sibling bonds. Aang wasn’t even present.

Zuko and Katara share a meaningful look when they first see each other and continue to have a Katara centric scene followed by a Zuko centric scene and vice versa.

The scarf scene. I will not be elaborating further. If you know, you know.

Zuko and Katara fight scene in the North is epic. He still taunts her with almost the exact same dialogue but it’s so sassy- I love the banter.

Suki and Sokka were really cute and the actors had great chemistry. I think Yue and Sokka was really rushed and didn’t really feel anything about them, honestly. But I attribute that to lack of episodes to develop all that plot.

[ladyloveandjustice]

Say what you will about TV Tropes, and I've said a lot, but they blew my mind with this entry on Zuko:

They're so right, he is??? How did I never realize this?? Zuko would bond so much with Fate and Rue and pretty much every antagonist-turned-Precure. They're the same.

(though tbh I don't think most magical girls that have dark magical girls as foes fit the "running away from duty" thing--Nanoha doesn't, Ahiru doesn't (except for ten minutes at the end but Rue's already normal by that point), Precure protagonists don't, even Usagi has developed past running away from her duty by the time Black Lady and Sailor Saturn/Mistress Nine come along.

I think more accurate would be that while a magical girl will have a life outside her duty--she'll have friends, she'll enjoy relaxing, having fun, goofing off and she'll have goals and things she likes to do outside her mission--dark magical girls generally don't have those things, and the only thing they're living for is their mission and/or pleasing their abusive parent. Which is also pretty perfectly Aang and Zuko for season one and a good chunk of Season 2. Capturing the Avatar and earning Ozai's approval is the only thing Zuko thinks about, he repeatedly refuses to have any life outside his mission of hunting Aang, including just relaxing and socializing for five minutes. Meanwhile, Aang has friends, has fun, can socialize and live a full life and think of other things besides being the Avatar).

Aang really is so magical girl coded when you think about it too. His personality, his vibes, pulled into his destiny when he'd rather just be normal, the way he advocates forgiveness and tries to help even his enemies see the light...elemental powers...he even has animal mascots! It was right there in front of me the whole time.

[breached-containment-script]

Some arguments KA shippers make are valid and true. But that they don't necessarily do anything nearly enough to be valid anti-zutara arguments!

Stuff like, that quick burns probably wouldn't scar (Katara's hands) or that if she had gotten scarred, that Toph's feet should have gotten scarred too. This is valid.

That it's true that when Aang's negative aspects get developed to their final extreme forms in theories and fanfiction, it can feel weird and offputting to people who naturally gravitate towards staying approximately around canon vibes; that some descriptions of behaviour sound too strong to some people which results in pushing them away from zutara as a negative reaction to associated criticisms of Aang. But that also personal headcanon developments (even those with strong foundation in canon) are individual preferences and people are able to choose which headcanons to like, without using disliked ones to paint an entire show interpretation negative.

It'a true that most of Aang's bad behaviour in the show can be attributed to him being just a kid and not being self-aware enough yet. He's not intentionally malicious in most cases. His negative reaction towards Water Tribe culture and food is a depiction of a kid not knowing how to respect something that makes him uncomfortable, even if this kinda clashes with him having already had friends from all over the world. Unfortunatey, canon progression doesn't depict him learning as many lessons as he should nor does it show him outgrowing negative traits even though it should have. THIS is the source of headcanons which appreciate intentionally exploring main character developing in a negative light. His negative traits constantly repeat and have a common stay in his canon character. This is a fact, especially with his claim that he'd be in the Avatar state had it not been blocked, out of frustration that actors on a stage implied Katara doesn't feel the same way about him. This is a very bad thing, we've seen both him and others being afraid of it, it causing massive destruction and Katara having the burden of calming him down. How would she theoretically calm him down in the case he did enter the Avatar state because of this reason? Assuming she didn't have romantic feelings for him (which should always exist as a valid option for any character, to test if they have a healthy interaction) - she could pray he'd accept it and calm down on his own, or be under extreme pressure to lie that she likes him back. Even if she did like him back, having to admit under the threat of a destructive force being unleashed, IS NOT GOOD. Especially as the characters never addressed this later.

Yes, Zuko did a lot of bad things but not only are they overblown by KA-fans and Zuko-antis, they constantly purposefully ignore that he got punished repeatedly, suffered in canon for his actions and kept doing very risky and selfless things to make up for his past, they also forget that time flows FORWARD and that WHEN events happened on a timeline MATTERS. It's not an argument that Zuko burned Suki's village in book 1 when he helped rescue her and others by risking his life in book 3 and she forgave him. One thing is collateral damage in a cartoon filled with cartoon violence, and another when for example Long Feng kills Jet. Viewers should be able to discern the tone difference, because shows (or any creative work) especially with multiple writers, aren't homogenous, and aren't tonally or message-wise completely unified. Don't start your deduction argument from the idea that a show is fully consistent and is absolutely sending a singular message, start an inductive analysis from ideas about what a show's context is, what its goals are, what the tone feels like in each section, did it accomplish what it was aiming for, etc. Likewise Zuko could have been written even better in some areas and with more context!

However him hunting down heroes, knocking out Katara etc. isn't a gotcha argument some people think it is, because Katara knocked him out as well, twice even so badly he didn't wake up for quite some time; and he was struck, rejected, ignored, mocked and criticised by both Iroh, the gaang and Katara especially after he sided with Azula under Ba Sing Se, but then they forgave him as he actively worked to atone, and Katara herself forgave him for what he did. She then risked her life to save him back. The writing is very logical and consistent in this.

[evilcarmona]

Fem!Sokka AU

So, I thought a little about this AU.

(For starters, I don't speak english, so, well.. ehe)

To begin with, she is at least 19-20 years old. I would like to make her older, because I like to draw beautiful adult women, but then the plot will not work. The age of all older ATLA teenagers has been raised. The age of the younger ones does not change.

The story is the same. Initially, Sokka is a man. He probably remained the only boy in the tribe for longer. This may affect Katara, as he has been her parent figure for longer than in the canon. In general, I believe in Sokka's parental vibes.

He's also a little more mature. Responsible, strong. But still a sexist. Father said that he was the only warrior of the tribe. Then he left them and went away with other men for many years. It couldn't end well. On the other hand, living among women affects Sokka more than he thinks.

So, about after Kiyoshi Island, gaang stops at the shrine of a female warrior. This is not Kyoshi, because I don't want Aang to feel that he is indirectly to blame for the situation. In general, Sokka offends the spirit with some kind of sexist comment. The Spirit takes revenge and curses him. Sokka falls into a magic pond. Poof! He's a woman. Aang has talked to the spirit, and the spirit is ready to cast spells on the water in the pond again. But she won't do it for two years. Lol

So, Sokka can only put up with it. Saving the world is more important than a little curse. Somewhere in the background, Zuko is trying to figure out where gaang took this beautiful woman and where they put that beautiful man. Really, where did he go? (Uncle Iroh is very funny)

The fact is that during the journey, Sokka realizes that he actually feels good. He likes it. In addition, he likes to be beautiful and do hairstyles.

Besides, becoming a woman, he feels the injustice of the situation at the north Pole more acutely. Sokka understands that putting someone in a frame because of gender is unfair. He and Yue become friends. Sokka kicks Khann's ass. And he also kills Zhao before the disaster with the Moon happens. Yue deserves to live.

In the future, Sokka thinks a lot. He supports his sister and Toph more than anyone. In fact, he used to have his father's vibes. Now it's the mother's vibes. Vibes of the coolest mom in the world. She can cut off the offenders' heads with a halberd. Literally.

In fact, I have nothing to justify the halberd with. I love halberds as much as I love women in sexy dresses. A lady may have small hobbies)

Okay, maybe Sokka decided to explore more weapons. She loves her boomerang, but does not refuse to develop like a warrior. Halberd is clearly defeating bending, haha. Maybe Sokka will be given some cool nickname on the battlefield. The Moon Witch? Heh

(Somewhere far away, Hakoda and the South Pole fleet are wondering what kind of Moon Witch is this? They will be surprised)

Perhaps before they meet after Ba Sing Se, Hakoda meets someone who has met the gaang before. Someone: You have two wonderful daughters! Hakoda: What?

So Zuko comes to gaang and asks where the boy has gone. The explanation was awkward because Zuko barely had time to accept that he was bi. What does it mean that the two people who make his heart beat faster are one person?

I forgot to tell you! Just because Sokka was bewitched by a spirit doesn't mean that Sokka trusts Aunt Wu! It's a matter of pride, lol

So two years go by, and you know what? Sokka does not ask the spirit to lift the curse. He's fine as it is.

[wilcze-kudly]

I've honestly always loved the scene between Zuko and Katara in the Crystal Caves during the Crossroads of Destiny, even though it's been kinda diluted by shipping discourse.

I love how this scene showcases how far Zuko's story has come, but that it still has a ways to go. It's also a great moment from Katara, showing off her compassion and kindness, despite her rightful anger at Zuko. And this moment of "reaching across the aisle" between two children who were forced into something much bigger and crueler than they could ever be apways makes me quite emotional.

But I'm kinda tired of seeing this scene in just that vacuum, when looking at it in relation to two other scenes makes it so much more interesting.

The first scene we can compare this interaction to is pretty obvious, since it's basically "the other half" of Katara and Zuko's moment. It's Iroh and Aang's conversation in the tunnel.

I adore this scene it's just such a vibe I too would like to walk through a tunnel with a nice old man who gives me good advice (even if said nice old man is a war criminal)

Of course the first obvious parallel between these two converastions is a member of the Gaang (two members who have been most affected by the fire nations actions btw) having a genuine, deep conversation with a banished member of the Fire Nation royal family.

I also think this conversation contrasts Katara and Zuko's conversation very well. It juxtaposes Iroh and Zuko, showing us how far Iroh has come and how far Zuko still has to go.

I think it's very symbolic that Katara and Zuko connect mainly on their pasts, while Iroh and Aang do about the present and future.

Two quotes in this conversation stand out to me particularly.

Iroh: Perfection and power are overrated. I think you were very wise to choose happiness and love.

It not only relates to Aang's current predicament, but it also foreshadows Zuko's dissatisfaction with his life after he returns to the Fire Nation at Azula's side. After Zuko helps "kill" Aang and take over Ba Sing Se, he has acheived what he believed would be his version of perfection, while also getting back the power he was born into. But he is miserable. He's dissatisfied, wracked with guilt and constantly second guessing himself and the world around him. He even says this: During the meeting, I was a perfect prince... the son my father wanted. But I wasn't me.

But Zuko was also unable to fully choose a simple life of peace and happiness in Ba Sing Se, choosing to fight Azula when she attacks him and Iroh. Because he still subconciously was searching for that feeling of power and wasn't ready to allow himself to prioritise things other than his honour. He wanted to fight Azula and prove himself, but he just eneded up allowing himself to be captured by the overwhelming force of the Dai Li.

While Iroh has learnt to see the merit in a simple life and actively rejects the power (for better or for worse) that comes with his status as a member of the royal family.

Iroh: I don't know the answer. Sometimes, life is like this dark tunnel. You can't always see the light at the end of the tunnel, but if you just keep moving, [Aang earthbends the rocks away one last time. Iroh's fire blows out. He smiles.] you will come to a better place.

Of course, this quote could relate to many things, including just the whole story of the show, but it also obviously relates to Zuko's redemption arc. Zuko's story is the epitome of continuing to slowlu crawl through a dark tunnel until you reach a better place. He stagnates and stumbles occasionally, but he keeps goingm and eventually gets there.

He reaches his better place.

It's interesting to see the contrast between Zuko and Katara's interaction and that of Iroh and Aang.

I think the scene in which Aang and Katara split off from Zuko and Iroh.

Aang and Iroh maintain eye contact, and Aang even gives a respectful bow. While Katara tries to make eye contact with Zuko, but he turns his gaze away, as if ashamed of his moment of weakness. Eye contact is very important is ATLA's visual storytelling, as I've spoken before in my post analysing the mutuality of Kataang's gaze.

I believe this scene foreshadows Zuko siding with Azula and Iroh siding with the Gaang at the end of the episode. Iroh and Aang have reached an understanding, and therefore, they are represented as facing each other and parting on good, respectful terms.

While in Katara and Zuko's case, Katara tries to make a similar connection with Zuko, however he rejects that connection. Ultimately this forces Katara to turn her back on him too, which may foreshadow her rightful anger at him in B3.

Ok, so the first interaction I want to metion gives us a bit of insight to Zuko, but what about Katara?

For that we have to go all the way back to B1, to an episode that I don't really see talked about in relation to Katara's story. Jeong Jeong is only the second friendly firebender Katara has encountered in probably her entire life, the first being Shayu, with whom she had very little interaction. Of course, I think this would at least give her pause.

Jeong Jeong and Katara's conversation is very short, but I think it had a great impact on Katara.

Jeong Jeong : You have healing abilities. The great benders of the Water Tribe sometimes have this ability. I've always wished I were blessed like you - free from this burning curse. Katara: But you're a great master. You have powers that I will never know. Jeong Jeong: Water brings healing and life. But fire brings only destruction and pain. It forces those of us burdened with its care to walk a razor's edge between humanity and savagery. Eventually, we are torn apart.

Jeong Jeong is the polar opposite of the firebender archetype Katara had in her head. He's thoughtful, disciplined and very careful with his firebending. Jeong Jeong's hatred of his own firebending also stands as a contrast to Katara considering her waterbending a vital and beautiful part of who she is as a person.

I always found it interesting that outside of Aang, Jeong Jeong was one of the first people in the series to respect Katara as a waterbender and see her potential, as he even connects her abilities to great waterbenders. It's especially a stark difference to how he treated Aang, the literal Avatar.

The way Jeong Jeong talks about firebending also reflects what Katara has seen herself of it.

Yet she pushes back at his self depreciation, showing that she still sees the value of his abilities. This foreshadows Katara's compassion for the people of the Fire Nation, especially when paired with Sokka's distrust of them.

I also think it's quite interesting that healing is often involved in Katara's attempts to connect with Fire Nation people. Her first connection is with Jeong Jeong, then she offers to heal Iroh, later Zuko's scar, she heals people in the village during the Painted Lady incident. Finally, the crowning jewel of this series of events is her healing Zuko after the Agni Kai.

This is especially poignant in the story of her and Zuko's relationship, with Katara offering her healing services to him twice, but being either rejected or interrupted. And finally she does heal him at the very end of the show, after he took lightning for her, symbolising a "bridging the gap", so to speak.

I think Katara and Zuko's conversation ties back to Katara's interaction with Jeong Jeong for a few reasons. Firstly, there's the obvious of Katara having a moment with a firebender with a facial scar. Also Katara's wording when she offers to heal Zuko's scar: instead of saying that she's a healer, she says "I have healing abilities ", which is exactly how Jeong Jeong described her power.

Ans once again, Jeong Jeong is the one to protect Katara and buy her time to escape, ehile Zuko betrays her. This once again just shows how far Zuko has yet to go before B3.

I've always thought that the way ceratain Avatar scenes intertwine with themes and similarities is very fascinating and fun to pick apart.

The scene between Zuko and Katara is profound, but I think it's often viewed in isolation, be it due to people wearing ship goggles or it just standing our more. But I think one of the reasons it's so wonderful is that it interweaves into so many other events of "reaching across the isle", of our protagonists connacting with firebenders. It's not just a good character moment for Zuko and Katara, it's a mark that connection and peace with the Fire Nation is possible, that it can be acheived, that it slowly is being acheived. Every one of these interactions is unique, but they all form a good foundation for B3, when we really get into humanising the Fire Nation civillians.

The scene between Zuko and Katara is beautiful not only because of what it is, but also because of what it symbolises: the hope of peace.

Ok this was "stating the obvious", once again brought to you by Quill in their pretentious humanistics student hat. I like to vomit words and some of you like to read them! So thank you if you have read them

[late-draft]

Hello! I just saw your posts about the Last Air Keyholder AU and—dear Agni!

Listen, this is beautiful. This is awestriking. This is *chef kiss*. I've always loved the initial sci-fi designs for ATLA, so it's incredible that someone's using them as a base/inspiration for an AU.

Also—your unapologetic, deliberate use of tropes? This is something extremely rare to see in narrative (tropes being intentionally used as a device) and I can't wait to see what shape they take here. Count me in!

I love this AU so far and have so many questions!

What is the vibe for the Fire Nation here? The vibe for the cities, the architecture, the worldbuilding, the culture—things like that. From the brief description we got, some parts of your world reminded me of Neo Tokyo from Akira, but maybe that's not what you're going for.

According to your previous sketch (and my inner romantic); is ZK going to happen in this AU? How do you see a possible relationship between them developing here?

Are you planning on adapting major canon plot points moving forward?

I have, like I said earlier, a lot of questions about this! But I don't want to smother you so this is all I'll ask for now. Can't wait to see what you show us next.

Have a nice day!

Hello! Thank you!! Yess a good usage of tropes is like running into a song you love that you heard many times, and still you crank the volume up! The fandom is like 20 years old, is it possible that not much stuff has been made for the sci-fi idea?

You're absolutely right, I gotta lean onto the king of megacities Neo Tokyo from Akira, but I wouldn't have the aesthetic be completely identical to it. There's mystical aspects in this AU too, and here's my initial attempt to throw together a fast vertical slice.

Light conditions are really important in a setting and in this AU I'd have a lot of the runtime happening during dawn or sunset. There's an aura of orange light floating in but very rarely direct sun rays due to the high buildings. There should however, be lots of traffic lights of all kinds. I'm already immersed in quite a few projects that feature megacities, but each one has a different flavour and I'd be overjoyed if I manage to correctly convey each one. In this ATLA AU, there's no specific time period from IRL that would be used as a reference. All nations are grouped and mixed similar to Republic City from LoK, but this AU is noticeably way more sci-fi than the 1920s LoK. There's a large focus on all kinds of transportation and roads/railways that accompany them. Highrise buildings are specifically Fire Nation in design and ownership (usually). Lower levels have a mix of everything but they do use leftover materials and mostly cement and metal. Ground and below ground levels are brick and a maze of pipes, through which strange disused cables snake. Sometimes they tangle in great masses…

I'm certain important characters from canon will appear, but I'm definitely not gonna follow the canon plotline strictly. Stuff like "Well there was a village being attacked by Hei Bai, so this AU has to have a village being attacked by Hei Bai…" nothing like that. I'm taking way more freedom in this AU to ensure that characters go through specific things that would be very useful to them and which allow the natural usage of respectively fitting tropes. But I'm not treating this AU as exclusively mine and nobody else's, so anyone can give suggestions! (please give suggestions!!)

Katara and Zuko first meet "racing on the opposite sides" of Aang. From starting out as Katara on her bike assisting the Avatar during chases while the banished prince is attempting to capture him, they sort of move into situations where they race each other. Zuko figures out that Katara is a major reason why all of his attempts thus far failed so he tries to change strategies and trip up Katara in whatever non-harmful way he can imagine. He's convinced, he must demonstrate, that her speed on a bike is not unreachable to him on his rollerblades. And if he shows off a couple of tricks along the way, so be it. :)

More stuff coming up

[zvtara-was-never-canon]

Zutarians adultifying Katara and thinking that's "empowerment" (and also outright lying) yet again: https://www.tumblr.com/longing-for-rain/760214836385824768/just-something-i-felt-you-should-know-about-five

The one and only thing I agreed is that at some point Katara is drawn with more, ahem, "developed" body. This started in Book 3, and... I honestly always concidered it to be the bad thing. Not because I'm a prude (although maybe I am), but because I thought the whole deal of main characters were that they are children. They are kids. Of course, a girl at fourteen can have curves - or not have it - the girls are all different, in the end, both of these cases are normal. But Katara is a drawn character, she looks the way the creators want her to look. And the thing that they drew her "pronounced breasts" and "wider hips" never sat right with me, it always irked me. It doesn't look empowering to me, it looks like sexualization, combined with the fact that in Book 3 she is always drawn with partly or completely loose hair, which is not good for battle at all, but looks more aestetically appealing (but that's only my point of view). I prefer her Book 1 and 2 designs any time.

What also irks me is zutarians obsession with "hot, sexy, horny yet naive Katara plus sexy experienced Zuko, the only man who can give her intense sexual pleasure she craves so much" idea. No wonder they cheer when Katara looks older and drool over her "revealing" Fire Nation outfit, it all aligns with their fantasies.

Also, the choise of proof screenshots is hilarious. Three of them are drawn by one studio, the top right one and the final one - by the other. "Wider" or "narrower" eyes are just the result of different drawing styles. For example - the same studio that pictured Katara as "honestly creepy, like a babydoll" draws her in the scenes with Zuko:

https://s3.us-west-1.wasabisys.com/cap-that.com/tv/avatar/109/images/avatar-the-last-airbender1x09_1138.jpg https://s3.us-west-1.wasabisys.com/cap-that.com/tv/avatar/220/images/avatar-the-last-airbender2x20_0904.jpg https://s3.us-west-1.wasabisys.com/cap-that.com/tv/avatar/321/images/avatar3x21_0391.jpg https://www.cap-that.com/avatar/321/index.php?image=avatar3x21_0413.jpg

The necklace scene, the catacombs, the battle against Azula. Same baby face with big eyes. And, dare I mention, in first two seasons her breasts are only slightly hinted at, which doesn't stop zutarians from sexualizing these scenes.

The lenghs they'll go to justify their sexual fantasies... Ew.

I'm gonna be real, Katara wasn't really sexualized by the show. I can only think of two scenes in which I got any kind of fanservice vibe from it (both included her bathing in a waterfall). People are just weird about girls, especially non-white girls, going through puberty, and zutarians in particular want to adultify Katara no matter what to go "See? She's too old for Aang, but not too young for Zuko, even though the age gap is the same!"

Acknowledging "Girls have breasts" is not the same as drawing her in a sexy way, much like not every scene of male characters firebending without shirts on was sexualization. The hair down also doesn't strike me as trying to make her look desirable, just a little bit older - the passage of time is not sexual.

For fucks sake, even a scene like Sokka clearly getting ready to "have fun" with Suki wasn't anything that would be inappropriate for children to see and it's just acknowledging the basic fact of "Sometimes teenagers wanna do more than kiss each other."

If you want to see the characters be sexualized, look at the Fire Nation teens, especially Ty Lee and Zuko - and I'm okay with that because they're not real teens. They're lines in a piece of paper. No minor is being exploited or put in an inappropriate situation, and considering Nickelodeon has a history of sexualizing REAL children in the live action shows, I just don't care that Avatar let Ty Lee wear a bikini or made Zuko attract a bunch of girls by dramatically taking off his shirt at the beach. They're not being harmed, just like no real child was harmed when Ozai disfigured his own son.

These characters age matters when it comes to understanding their reasonings and the ocasional "immature/naive" reaction, and nothing else. And once again, the show didn't really do anything too crazy.

[bluespiritshonour]

Somethings I noticed:

Katara, Suki and Azula are the only ones who haven't ever expressed any sort of misogynistic sentiment.

Aang would come a close second with minor mishaps here and there.

First, the girls:

Ty Lee, while fighting the Kyoshi Warriors: you're not prettier than we are.

Girl, where did that come from?

Mai has several instances of this when she says the Kyoshi Warriors’ uniforms are too girly (I don't mind her not liking how colourful they are; that's totally different) and later lowkey slut-shaming Ty Lee. And while she's rightfully unimpressed with Zuko's seashell (she's right Zuko, step-up your game) she could easily have countered his “Don't girls like these stuff?” the way Suki did with Sokka’s ideas about gendered generalisation. Also, you must have noticed that Mai's feminine too. She's just dark feminine to Ty Lee's light feminine.

Toph: she has absorbed a lot of toxic masculinity that's for sure. She isn't feminine, she light-heartedly teases Katara for being feminine and Aang too. She does give off the “one of the guys” vibes. You know which ones I'm talking about. “Are we going to watch two little girls fighting?” and later mocking Aang for his passivity.

But it is to be noted that Toph manages to do this without being racist to Aang. She's the one who mocks him the most about his pacifist beliefs (which are cultural to him) and she's kinda misogynistic the way she goes about it. But she's never racist to him. (I guess she is in the comics but fuck the comics). Even when Aang was really really nasty to her when Appa was stolen and she had every right to be mad at him—she wasn't. Given her age and her sheltered upbringing Toph's surprisingly mature. But I digress. Among the comics, I love the Lost Adventures only—and I love the spa day Katara and Toph have both in those comics and in the show. It feels like Toph's healing from that internalised misogyny? My reading of it is that just like girls in real world, Toph derides femininity because it has always been a chain to her. Her parents forced her to confirm so she hates it. But being friends with Katara probably let her heal that part of her. She's still not as feminine as Katara and mind you, nor should she be—let some girls never want to be feminine—it’s fine. But she learns to not to act out of a place of hurt.

Sokka: Sokka's misogyny was literally a plot point and he overcomes it. Also he and Aang have actually done drag and not been mocked for it. It's rare to see in media. The only other example I can think of is Good Omens.

His misogyny also feels kinda surface level (as opposed to Zuko in whom it's less obvious but seems more deeply ingrained).

Also. Zuko never did drag. Shame on him.

Aang: is the least misogynistic of the boys. The only instances I can think of are either kinda vague: when he tells Sokka that “It's nice dress!” It's kinda ambiguous if his tone was mocking or complimentary but it upsets Sokka nonetheless. And when he's upset at being played by a woman in Ember Island Players. The first time I watched it I felt it was OOC. But he was also kind of justified as it was racism and misogyny combined on behalf of the Fire Nation in portraying him that way.

Phew. These were purely my own opinions simply by the virtue of gender expression meaning different things to different people. I might say Mai is actually quite feminine while Toph isn't... But what even is considered masculine or feminine?

I love Katara and Toph's spa day because Toph learns that being girly wouldn't kill her—but she also doesn't suddenly become Ty Lee levels of feminine either. Some women just don't wanna be feminine. Oftentimes it's because femininity is derided by society itself—and that's something that one needs to heal from, like Toph did with Katara’s friendship—but everytime I've seen a story like that, the girl, upon realising that femininity isn't a bad thing is suddenly hyper-feminine.

Like, can we have them heal from internalised misogyny and still not wanna be feminine—even though they don't consider it bad or embarassing or fickle anymore?

Toph and Katara’s spa days do it perfectly.

When those girls mock Toph and Katara tells her she's pretty, I can't tell you much I loved it. The same feelings toward Suki’s “I am a warrior, but I'm a girl too.”

[bythepen98]

Zutara ❤

This was honestly supposed to be a quick one but I got too invested bc this is my first fa of this ship :')

Context:

Consider this an au where Aang never had a crush on Katara and the tension instead revolved around her and Zuko throughout the series. A spark at first sight so to speak. Fate would step in several times where they'd somehow end up separating from their groups and find each other in the same vicinity. They're both temperamental, so they'd naturally start fighting and exchanging barbs but would always hold back from truly hurting each other. There was disdain but also slight curiosity there. However, it would mostly go ignored, spitefully so in Katara's end after the catacombs debacle, until Zuko realises that he messed up and goes back to fix things.

Note: He never paired back up with Mai during this period bc my boy may have been in denial but he knew enough not to lead anyone on just for the sake of normalcy, especially when he was feeling all types of conflicted. On that note, he still got pushed to spend some together with Jin back in Ba Sing Se but firmly and point blank told her that it was not a date --

bc all he could think about were fiery blue eyes

--but didn't mind going together as friends.

He would definitely be more awkward around Katara once he joins the team and Katara would be just as vicious bc the betrayal, while painful in canon, would probably be more devastating here since personal unresolved feelings (that have been building up since their many accidental meet ups) are involved. He'd still do his best to help her out while also trying not to be an eyesore by watching longingly from a distance. The rest of the Gaang just finds this a bit sad but also hilarious.

Like canon, things get better after Zuko and Katara went on their lifechanging bonding trip to find Kya's killer but instead of the one sided awkward/hostility, they were now both awkward and would shyly but somehow seamlessly move as a unit while they worked around the site, especially when it came time to make meals for everyone.

Fleeting touches, eyes locking for a few seconds before looking away, sitting in closer proximity around the campfire, Zuko silently placing flowers in places where Katara would easily find it and Katara reciprocating by making little snacks and giving it to him every now and then, particularly after his training sessions with Aang. If they sometimes held hands while they sat in silence after a long, hard day, then that's no one's business but their own.

Idk. I feel like it's a good kind of irony that they're both so passionate people who used to fight each other on sight but have this slow and sweet exploratory type of romance that would mostly go unacknowledged (out loud, though both knew the feeling was mutual) until after the war. Fits the vibe I had for them while drawing this so it was fun.

[sokkabaddiebender2021]

ok y’all i finally finished the neflix live action avatar and…….don’t hate me……..but i enjoyed it 😭 my standards for entertainment is honestly on whether or not it entertained me, so honestly i question my standards.

first off, the visuals and score was absolutely amazing. the fight scenes were well choreographed, and the bending, which i was super nervous about, looked actually amazing.

i think we can all agree the writing and dialogue was pretty choppy at times, and the delivery could be better at times. but i also think (most) of the energy of the original characters was captured well. katara honestly got done the dirtiest because why was she so…….not passionate??? i’m hoping later on she gets more so because that’s a key trait of katara. i was very disappointed with that :/

what they did to suki too……..i liked her being a little awkward and such because it makes sense but i felt like too much of her character was dedicated to her having a crush on sokka. like where is her attitude, her ferocity?

i think aang was played very well by gordon cormier, especially considering this is a child actor we are taking about. his line delivery isn’t going to be great and yes he is a real boy so he can’t be as cartoony as some would hope but i think he was absolutely adorable.

surprise surprise, i loved dallas liu as zuko. i think there were some pretty whack line deliveries but he really captured the anger and cringeyness of zuko well. his martial arts were also also incredible, his fight scenes were my favorite to watch. the scene with him crying quietly on the bed when ozai banishing him shattered me, his subtle acting is underrated honestly.

i have my beef with ian ousley as sokka mostly because of the controversy and such, but i can’t lie he did play sokka well. yet again, as for the last characters, some line deliveries were iffy but he was still a very believable sokka.

so for the writing, i have LOTS OF OPINIONS. there were things they cut that definitely upset me, and that was just because of their lowkey questionable pacing. as much as i hate the slimeball, i missed a lot of the interesting parts of zhao’s story that they cut like his agni kai, jeuong jeuong (aang’s fear of fire??), zuko SAVING him. i feel like they had something interesting there with building a fake alliance with him and zuko, and they didn’t build more off it. [edit] that so, the dude who played zhao had me losing my shit. his line delivery was hilarious and i just love that zhao just gives that manager no one likes/that one creepy math teacher in high school vibes (only combination i could think of y’all).

the additions to zuko’s story was something i absolutely loved. i found myself actually getting very emotional with a lot of the flashbacks, and the 41st division being his crew 🥹🥹 but then i find myself being upset that we were shown other flashbacks so early (like the death of katara’s mother??).

i actually hate the hate azula’s actress is getting. she’s playing a 14 year old……like a 14 year old?? she wasn’t even in season 1 in the og so ofc she’s gonna not be the same, i’m hoping this means they’re building up her up to her fierceness in season 2.

one last critique PLEASE GET A WIG BUDGET GOOD LORD THOSE WIGS WERE BAAAAD. and also a lot of their costumes looked fake or like plastic this was actually my least favorite part 😭

overall, not as horrible as people make it out to be, i had a good time but obviously the og will always be the higher quality product. i’m just glad the young actors seemed to really be passionate for the project :)

[yourhighness6]

NATLA Episode 1 Debrief (by yours truly)

Hello my lovlies! There are so many opinions swirling around right now in the fandom and I wanted to give my own opinions a quick (this is not going to be quick but whatever) post of their own. I'm probably going to do this with all of the episodes, just an fyi

First of all, Sozin can fuck all the way off. I don't think I really have to explain that one but goddammit they really made me hate him (and I love to hate the villain)

I LOVE the detail of seeing the flames reflected in his eyes whenever he kills someone, as a symbol of fire's natural brutality consuming him from within. Kudos to whoever added that detail because it is absolutely perfect. I look forward to seeing more of this monster in future flashbacks.

The firebending itself was absolutely brutal. Watching the cartoon, you don't really think about how painful and horrific being burned alive is, and the live action explored that element in a way the previous show could not.

I know this is controversial, but actually really like how they devoted a good ten minutes to establishing some background with the Air Nomads before we dove in. In my opinion, it gave more depth to the Air Nomads besides just what we see through Aang's eyes, which I think helps the viewer connect with him more and sympathize in ways the cartoon didn't. One detail from this part that was absolutely heartbreaking was the Comet Festival.

Something about the way a time of joy was turned into a time of pain and misery was absolutely awful (this was the first time I cried [I cried three times]). The fact that all of the Air Nomads were in one place kind of filled in why there was no evidence of the FN ever having been to the Western Air Temple in s3 of the cartoon. It also adds another layer of awfulness to the whole thing. I can't really put into words why I feel that way, it's just a sort of vibe.

I also liked the way they established Aang's character flaws right off the bat:

The episode was named after him, so it only makes sense to show all aspects of his character almost immediately. This also gives me hope that they might address these flaws later a little more than the cartoon did.

Super glad they included a female Airbender on the counsel (or whatever that was). She was also fighting later and she looked super badass.

Now, onto the Water Tribe.

I can't express how glad I am that they included both boys and girls in Sokka's little warrior pack. People have talked about this before, but the gender roles in the SWT didn't make a lot of sense. Perfect little detail to fill a plot hole.

I am also over the moon that they decided to expand on the differences between the Water Tribe sibling's outlooks on the world. Katara was raised as both a beacon of hope and a liability, whereas Sokka was raised as a warrior and a protector. It gives insight into their characters and also symbolizes the way the war shaped them. The pressure within a society to adapt to the times even as traditional values are abandoned and culture is devastated is something that the original show laid the groundwork for, so I really hope we see the live action build on it further. There's also this:

Gives the perfect insight into the ways their parents leaving affected them both differently and expands on their different mindsets. 10/10 for the sibling dynamic.

I'm not sure if I liked the changes to this scene. Katara was characterized pretty well, in my opinion, and it does make sense with the "toning down" of Sokka's sexism that she didn't explode on him, but it's still an iconic moment I would have liked to see translated to the live action. I also found the fact that Appa wasn't included at all just plain weird. He should have been there, and even if he was established differently later, again, I'm not sure I liked the way Aang was introduced to the siblings. (At least they didn't include any romantic Kat@ang moments. Platonic besties for the win)

Zuko's introduction was just kind of... there, in my opinion, but I did love the detail of the icons on the shelf glowing. There were several homages made to Zuko's search for the avatar that I really appreciated, from the early establishment of his antagonism towards Lieutenant Jee to his pages of research, which I really appreciated. There were also several moments that implied that Zuko had a more spiritual journey throughout his banishment to find the avatar, which was partially a little bit of worldbuilding and partially a play into the idea that he will legitimately try everything possible to find the avatar that was another nice detail. Sadly, Dallas didn't really make a huge impression on me. This might be because of lack of screentime or the fact that this is THE Zuko, but I was kind of expecting more. Still, I don't think it was an irredeemable portrayal by any means, and I look forward to seeing more.

This is sort of random, but I just need to say that I'm glad they included more evidence of Katara's PTSD. It was already pretty established in the cartoon that she did have PTSD, but the live action allows exploration of that in a more mature way, which I appreciate. It made the kat@ang conversation hit that much harder, and gives more depth to Katara's character.

The fight at the gates was also just perfect. Zuko acting on impulse out of a need to prove himself:

Katara's speech and Sokka's change of heart:

And this line:

Sokka kind of fell flat to me a bit in this episode, and I feel like Katara was the MVP in all of their interactions, but I loved this line. I just have a feeling he really needed to hear this.

There's also this moment that I thought was really significant where it looked like Zuko was actually going to kill Sokka:

My heart legit stopped at this part. Like, I knew it made no logical sense for it to happen, but I still got scared for a moment. I know it was just another one of those moments to show how Zuko's anger gets the best of him, ect, ect. but this was overkill. I don't think they took it too far by any means, but it was still just so unexpected.

I also noticed they removed the zukka parallel of the two of them getting ready for battle at the same time, which I really disliked. It plays more into the warrior mindset for the both of them, and even though we had that established in other ways, I would have still liked to see it.

Aang's sacrifice is the same, but I appreciated his little conversation with Iroh. When Iroh showed up, I half expected him to just let Aang go, but I guess that wouldn't really be in character for season 1 Iroh. Either way, that was some good stuff.

The framing also sort of reminds me of the season 3 conversation between Zuko and Iroh when Iroh is in prison back in the FN. Both shots give the impression that it is not actually the one behind bars who is in prison. This makes me think that they might give Iroh more of an arc in season 1, which I would kind of like to see, but at the same time, I'm not sure about. I think it was important in the cartoon that Iroh had already completed his journey and was doing his best to guide Zuko through a similar one.

I am disappointed that they removed the fight scene between Zuko and Aang inside the ship, but there was another huge moment this allowed for that I REALLY LOVED:

I LOVE that they let Katara have her hero moment I LOVE that they let her discover her bending a bit more in this episode I LOVE that Aang helped her I LOVE IT ALL. Katara gaining more confidence in her abilities is the season 1 Katara arc I want to see and they legit made me fangirl over this moment so much I squealed. There's also something about her blocking a fire blast from Zuko after being powerless to stop him from killing/seriously hurting her brother in the earlier fight that's just... chefs kiss. (also maybe establishing that ZK yin and yang concept early... I'm reading way too much into this but the way Katara's arms are positioned kind of looks like the yin symbol a little bit...)

And finally, we have the air temple scene. The whole thing was so incredibly sad, and I actually didn't mind that it was part of the first episode. It makes everything go full circle, in my opinion.

I also thought that Gyatso's voice instead of Katara's being the one to calm Aang down was a really good choice. Aang coming to terms with his death should be about his memories with his past mentor, not about Katara comforting him. I loved the hug though. Perfectly devastating:

Also, the last parallel at the end was just SO perfect:

Something about how tradgedies in their lives forced them both to become dedicated and adapt to a new world beyond their control. Aang and Zuko parallels always wonderful.

Overall, I really enjoyed it! I would give this episode an 8.5/10. Not perfect, but definitely not bad. It surpassed my expectations and I'm so excited to see more!

[lookingforsneha]

Bellatrix and Azula have the same vibe and backstory, I literally cannot.

Like, both had a disowned sibling, both were raised as weapons for the beliefs of their families, both were perhaps the strongest of their families, the preferred "heir"? Both went insane at some point of their lives because of the pressure put on them by their families to be perfect.

Sirius and Zuko have such similar vibes too. Early on, Sirius feels like he's a disappointment to his family, so does Zuko. They both are angry and hurt deep down, and sometimes insufferable jerks at first. Both want to prove their worth to their family. Both change sides, realising the flaws in their parent's ideologies after seeing/going out into the world. Both have a lovable uncle who guided them/helped them get out of the toxic family- with Zuko it was physically and mentally getting him out of it all, with Sirius, his uncle Alphard helped, at the very least, financially? Like I've read stuff where he's sometimes very involved, and other times he's passed, leaving Sirius with a good inheritance. Both have a strong friendship with the sunshine character of the show that helps them grow and understand themselves better (for Zuko, it's Aang going with him and helping him understand have to firebend without anger. For Sirius, it's James always being an amazing support system.)

Anyway, younger Bellatrix and Sirius have the such a similar dynamic to Azula and Zuko, and ugh, they were all just kids put through hell.

Anyway, reading All the young dudes- Sirius' perspective is literally gonna bring me to sob. I don't know why I do this to myself. Everytime.

[oneatlatime]

The Earth King

As always, commentary off.

No. Sokka. No. Stop. This is your stupidest idea yet. I want to LEAVE Ba Sing Se.

Sokka. Listen to your sister. And your other sister.

Toph embodying my will manifested on screen.

What makes you think the Earth King is going to listen to four teens and their fluffy dog? When I put it that way, this is Scooby Doo. Scooby Doo plus Momo. Does that make Momo Scrappy Doo?

We're going back to Ba Sing Se. Great. Yay. I'm so excited.

It is rapidly becoming apparent that Sokka has lost his mind.

Surface to air rocks is funny. I'll give it to them, that's good.

This fight scene music is fantastic.

Aang took a level in badass at some point without my noticing.

I know these hats are inspired by real historical hats, and so I really shouldn't make fun, but these look like the lovechild of a toilet brush and a feather duster.

This fight is majority Toph and Katara. RIP the egos of these several hundred Earth Kingdom soldiers.

Please ensure your fluffy little butt is securely stored in the overhead bins before takeoff.

There's no way these guys are still alive. This is what was done to Jet, doubled. They dead.

The girl who doesn't even want to be here is doing all the work. Typical.

My congratulations to Toph, Katara, and Aang for demolishing an army without breaking a sweat. If only season 1 Katara could see you guys now.

I said in my previous write up that Zuko doing something good always comes back to bite him. I didn't mean it this literally. Did he have to take the jug out with him, or was that for the drama?

Good job guys!

Soka steals my job and points out the fulfillment of the Beat Up Sokka quota.

His earthiness has an interesting set of priorities.

So... is this episode just going to be talking?

He brainwashed your friend? Did you miss that he killed him too?

I said in my last write up that Long Feng was Avatar's first competent villain, but the tone he takes with the Earth King is so unsubtle that I'm thinking of rescinding that claim. Unless the King is so dumb that subtlety isn't required?

Toothprints. Sokka the idea guy coming in clutch. Too bad his brain wasn't engaged at the start of the episode.

Appa is a herbivore. Confirmed. Although he should have fangs for aesthetic reasons. Fanged Appa would be metal.

This king is a confusing mixture of endearing and infuriating.

No mere fever will prevent me from doing mundane actions in the most dramatic way possible!

Way back in the 90s there was a print ad for Chevy trucks that I remember seeing in magazines. It had a shirtless guy in jeans sitting on the bed of his truck in a field, pouring a bucket of water over himself. It was kind of at sunset and had a very late summer vibe. I had completely forgotten about it until I saw Zuko's bucket shenanigans in this scene, at which point I was abruptly -ABRUPTLY- reminded of how much time little me spent staring at that ad.

OH MY GOD. The King doesn't know about trains!!! BLASPHEMY.

Huh. So the King isn't stupid, he's just horrifically naive.

Positive attitude Sokka is kind of frightening. I do not like.

If I told this King that I had a bunch of puppies in my windowless van, he would totally fall for it. So much about the Earth Kingdom suddenly makes sense.

That one guard is having a doozy of a day.

Did the King just show a smidge of self-awareness? Wasn't expecting that.

Who is this? I have no idea who this is. I didn't realise how integral the scar was to the character's design. Give it back.

Yikes. A bunch of shmymbolism. I suck epically at decoding shmymbolism unless it's really spoon fed to me, so I'm not even going to try to understand this dream beyond 'poor guy has a really bad fever.'

Has anyone seen the Spencer Tracy movie Father of the Bride? There's a bit where he has a dream that the floor on the way to the altar does pretty much exactly this. Hungry floors must be a common dream experience.

Pretty.

If the King is really this completely ignorant of the war, who's been directing the army?

It's pretty neat that Sokka is the spokesperson of Team Avatar, and that no one disputes that.

Aang says "there's a comet coming this summer," but I heard "comic" and I know they made tie in comics for the show, so I was like "ooh a crossover episode!"

"You're already vulnerable. The Fire Nation won't stop until the Southern Water Tribe falls. You can either sit back and wait for that to happen, or take the offensive, and give yourself a fighting chance." -Sokka's dad speaking to the men of the Southern Water Tribe, while his son listens perhaps a bit too closely.

If the King really was completely in the dark about the war, how does he even know who the General is? Did Long Feng have the power to keep the General from mentioning the war?

"Your majesty I'm General How, head of the Council of Five." "What's that?" "It's in charge of your army." "Right. And what's the army up to these days?" ... " ...I planted a lovely tomato garden this year."

I love that earthbenders don't wear shoes, and that it's culturally normal. Makes an intriguing visual contrast to their fancy duds.

I have GOT to know what Mushi the teamaker's secret file says.

Toph can't read guys.

Sokka, Katara, I get it. You miss home too. But how would anyone at all from your tribe know to send a message for you to Ba Sing Se? Last time you all touched base, you were headed to the Northern Water Tribe. And those guys sent you off to Omashu, not Ba Sing Se.

Nitpick time! Katara starts reading the text of this letter out loud before she unrolls it.

Katara's voice acting while she's reading the letter is sweet. She's so excited.

Iroh. Priorities. Tea can wait.

"Huh? What's happening?" "You huffed a bit too much cave slime under Lake Laogai. Just ride it out."

This vase is lit like a main character.

"You're going through a metamorphosis my nephew." Iroh, he's a bit too old for that talk. Hang on I just realised that Zuko went through puberty on that ship. I bet that was rough.

I don't trust this. This news is all too good.

Aang referring to them all as "the family" hurts a little bit.

It is unbearably sweet to let Sokka go see their dad while Katara helps the Earth Kingdom plan, but Katara sucks at planning. Then again, the Earth Kingdom sucks in general, so maybe having a sucky planner will be a net improvement?

Either way it's good little sister content.

But there are six Kyoshi warriors. I counted in Appa's Lost Days.

Oh they didn't

Attack hug!

Airbender Zuko is a very effective jumpscare. Don't blame him for freaking out.

You know it's bad when finding the scar intact comes as a relief.

Nope. Don't trust it.

Fuck this guy.

Long Feng even eats rocks maliciously.

Fuck these guys.

Oh they did. Fuck these guys.

Final Thoughts

And just like that, it all went to shit. Or it will.

I was braced to be annoyed by how conveniently quickly the Earth King got with the program, but it actually fits well into the rest of the episode. Instead of a thing that goes improbably well, it's the one thing that goes right in episode filled with set up for everything falling apart. That bothers me less.

This episode was actually fun. At least until the end. It was mostly talking and Zuko on a bad trip. But it was win after win for everyone but my Ba Sing Se hating self, and it's always good to see your favourites having a good day. But! I have a glimmer of hope! So long as Sokka and Aang aren't completely written out until they return to Ba Sing Se, at some point I'll get some episodes outside of the city. And I have Appa back, so things aren't too bad in the grand scheme of things. I wonder that Appa wasn't upset at having all his people back for five minutes then having them split up again.

I do not like positive thinking Sokka, and I especially don't like that I have no idea where he came from. That point wasn't set up at all. I want my baby cynic back.

If letting Appa go was enough to trigger Zuko's morality crisis to the point of physical illness, why didn't letting Aang go in The Blue Spirit, or choosing to chase after Iroh rather than the Gaang in The Winter Solstice Part 1, cause a similar illness? What is different about this time?

Toph was once again the voice of reason in this episode, or rather my personal audience insert. Although it did surprise me how excited she was to see her mom. I thought that sending bounty hunters after their own daughter was kind of unforgivable, but either Toph doesn't know, or she's a more forgiving person than I am.

I realise now that this should have occurred to me when I watched Appa's Lost Days, but what idiot didn't take the Danger Ladies into custody when the Drill was stopped? btw I keep calling them the PowerPuff Girls in my head.

This episode was simultaneously a finale to a lot of threads and an introduction to a lot more. It was a chance to breathe between crossing the finish line of the 'find Appa' quest and starting the 'season finale' quest. It was also structured backwards. The big fight was like six minutes in. The 'what are we doing this episode?' was one of the last scenes. But it still works. I'll be interested to see what I think of this one when I rewatch it. It was such an info dump that I wonder if my opinion of it will be different once I watch it with all of the relevant facts known to me already. Either I'll appreciate the episode's other parts like the comedy, or I'll be bored. We'll see.

Two episodes left this season! I don't think I'll be getting to those before next year. See you all in 2024! (time needs to slow way down)

[blluespirit]

It’s time for episode 4 thoughts

Here are my thoughts from Eps 1-3 😌

things I have enjoyed!!

the interactions between iroh and aang in the prison were good. i’m glad they didn’t just spell out his backstory immediately and left some suspense there.

Zuko in his breaking and entering era so true. i love it when he is sneaky 😌

I’m happy they got to include the minstrels singing the secret tunnel! I was wondering how/if they’d do it

I actually am enjoying the new Sokka characterisation, I don’t hate it at all.

I love Jet. I love his character. You can understand where he’s coming from but Katara’s speech to him sums it up nicely

Jet: Look at the power you have. That’s because of me. Katara: That wasn’t you. That was me.

She was iconic for that. she’s becoming the warrior we know and love

Also Gordon is perfect i love him he is Aang 😌

OMA AND SHU LESBIANS LETS GOOO

I’m pleasantly surprised how they have gone not with the Kataang route. I was never a fan with how they handled it in the og so i was hoping they’d either scrap it or develop it better!!

Zuko and Iroh flashbacks destroyed me. i am on the FLOOR. I will never be okay again.

So happy they included Zuko having fucking… insane strength (SMASHING METAL CHAINS WITH HIS FOOT). love it.

Zuko with everyone: 😡😤; Zuko with Iroh: 🥺😌

Constantly giving Zuko situations were he can either help Iroh or pursue Aang and him choosing Iroh every time. yeah exactly.

things that that I’m not a fan of or am unsure about:

Bumi. Sorry I just didn’t like him at all. i didn’t like the challenges either. idk why i just didn’t vibe with it. this one is just a personal opinion!

Not necessarily a bad thing but I’m just not sure if having all these Ozai scenes was the best choice ?????? I feel like if they wanted to make him feel more terrifying then you can build up to it? Like all the characters are laid out right away. I’m just not sure!!!!

Also I love Katara but something feels Off. I have no idea tho if I’m off base with this so I’d love to know your thoughts

OVERALL: Still enjoying it 😌 I think they’ve done a good job thus far and am very much entertained