#a strange story
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the-gershomite · 12 days ago
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Hellboy Christmas Special -December 1997- Dark Horse Comics
A Strange Story
by Gary Gianni
Christmas
by Geoff Darrow
colors by Dave Stewart
Corpus Monstrum in a Gift for the Wicked
by Gary Gianni
letters by Sean Konot
Further Reading
by Mike Mignola
colors by Dave Stewart
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panelswithoutpeople · 2 months ago
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Illustration for A Strange Story by Gary Gianni
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smokestarrules · 2 years ago
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eyra · 3 months ago
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I don’t usually do discourse on this blog but that last reblog hit the nail on the head. Reader interaction is at an all time low for fic authors and whilst I’m eternally grateful for any and all kudos and comments that I do receive, I feel as if in the past couple of years there’s been this weird migration of comments - they’ve left ao3 and they’re on tiktok instead. So, rather than people leaving comments on my fics, they leave their comments on the videos of people reccing my fics. I see tiktoks about my fics and they’ll have double, triple the number of comments that the fic itself has. It’s so lovely that people are talking about my writing, but it’s just a very strange phenomenon and a very odd feeling when you have a fic that you assume wasn’t overly well received because it has hardly any comments on ao3, but then you see a tiktok full of comments with people saying that it’s their favourite fic.
And I’m going to say something potentially controversial here but not ONCE have I seen a tiktok creator, whose content relies solely on other people’s fics, say anything along the lines of “leave the author a comment if you enjoy the rec.” Literally never ever seen this. And I think that’s a real shame.
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deathworlders-of-e24 · 4 months ago
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We finally did it. We slipped the surly bonds of Earth to step among the stars. It took over two decades of research, billions of dollars of taxpayers money, and almost every country on the planet working in tandem, but after the International Space Coalition was founded it was almost effortless.
Faster than Light travel was accomplished almost on accident. Just the right ratios of radioactive material and an ‘ever so slight’ gravitational anomaly generator was all it took. To keep the population safe from any possible drawbacks, the first launch of the FTL drive, or Warp, was conducted at Tranquility Base on the moon. Either that was minimum safe distance or there wasn’t any, so it was decided to just roll the dice. The Angel was built there, the ship that would go further than any before it. The drive was set for Alpha Centauri, the big red button was pressed, and off they went, 300 crew members, going faster than anyone else in the history of mankind.
After 4 months, 319 ‘people’ came back. The extra 19 individuals wore special thermal suits to keep their body temperatures stable, and each had scaled skin with varying hues of greens and grays, with elongated prehensile tails. Their eyes were almost solid black, save for some red around the edges. Their hands were like a chameleon’s with only 3 fingers each. If it hadn’t been for a heads up from the Angel’s captain, the first words out of the welcoming party mouth would’ve been “they’re lizards!” Honestly the only thing they had in common with us was that they were bipedal.
Apparently the people of the ‘Alpha System’ as we called it, the Quintins, were just as surprised to see us as we were them. 2 ambassadors, 7 scientists, 10 military escorts, and a partridge in a pear tree came with them back to Earth. They just had to see it, after hearing stories of home from the crew aboard The Angel. They had to see how a world so full of dangers, from predators to the sheer deadly climates, could have allowed such a species as humans to exist let alone thrive and advance far enough to get off the ground.
The surprises didn’t stop there either, as if finding out WE ARE NOT ALONE wasn’t a big enough shock to the human race. The Quintins weren’t the only species out there, they were in fact only one people in a collective, a Grand Assembly of Intelligent Lifeforms (it sounded longer in Quin tongue but they brought auto translators) or The GAIL, and the Human race was immediately eligible for probational membership. Developing the WARP capabilities was what sealed it. Faster than Light travel was the first prerequisite for joining the GAIL. The second was a planetary inspection, and since the Quintins were our first contact, who better? It was time to meet the neighbors for the human race.
That was 50 years ago. Now the Human Race were full fledged members of The GAIL, and the International Space Coalition was renamed into simply the Terran Academy, putting out graduates of every field imaginable. We had an entire fleet of WARP enabled ships, spreading human explorers into the depths of space.
The only problem these days were the rumors. 50 years of interaction with alien species had made one thing clear to the rest of the universe at large:
Their planet is completely unstable
Their bodies are unimaginably fragile while simultaneously unbreakable
They claim not to have a hive mind but nobody believes that for a second
They seem to ‘pack bond’ outside their own species
They’ll eat anything (maybe even you)
The Humans make no sense
THE HUMANS ARE DEATHWORLDERS!
AND HERE THEY COME!
(This will be an account of various humans and their travels through the known universe. Earth, also known as E24, is a terrifying deathworld. This should be fun)
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evercelle · 1 month ago
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2024 art summary! it sure has been a year
#ever makes art#i bsky tweeted a bit but it feels weird talking there still so ill do my usual rambling into tags here :)c#i burned out super bad in the middle of this year for months where it felt like i couldnt draw anything good no matter how hard i tried#and the harder i tried the worst it felt - to the degree that i legitimately thought i wasnt going to be able to draw anything again#which sounds SO dramatic i know i know. but feelings arent always rational!!! and so many others things were going wrong at the same time#so it was strange putting together this year's art summary and realizing Huh. i did still have paintings to put in every space#that fear/anxiety spiral seems even sillier and more meaningless now that i have distance and proof of how irrational it was...#...but in reflection i'd like to think of it as proof that even when you feel at your worse it's worth it to keep trying...!!#after the Black Hole of Nothing i've been working every day on never ending doujin and xv anthology and orv sketchzine and merch#i can't say that i feel my artistic skills have like. improved or anything... but the passion i feel for the stories i read and#the stories i want to tell is still there!! and the happiness from getting to put form to those feelings large or small is worth it too#anyway......... lotta words to say tho i haven't posted much anymore and socmed is imploding and the world is dark#thank you very much for staying with me another year. i am - as ever - always grateful
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hitlikehammers · 23 days ago
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The One Where Wayne Munson KNOWS BETTER Than to Lend Air to IDLE GOSSIP
(and does it anyway on accident and ends up thinking his 💕boy's boy💕 might be ✖️stepping out) ——(1/3)
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Wayne Munson’s lived his life mostly free from the hubbub of small town gossip. Some was unavoidable in his tiny holler as a boy; more was part and parcel to the service, and plain keeping half-sane in war—anything for a distraction. After all that though, Wayne’d had more’n his fill of even a teaspoon of hearsay, and compared to where he came from? Hawkins, Indiana was small potatoes for keepin’ his nose clear out of it.
Which is all to say he don’t mean to collect any of the latest scuttlebutt on his way just to town after he gets off his shift with the sun barely a glimmer, just past 5 for Leah’s to be open for a better cup-o-joe than the sludge he gets on the floor. All he wants is a hot nightcap because he knows damn well his boy didn’t pick up more grounds before Melvald’s closed last night, and Wayne doesn’t want to see his bed until he’s had a full mug of fair-to-middling coffee.
And honest: he don’t think that’s more than he’s earned to ask.
But it is more than he bargained for signing’ up to, when he sees the only other people in the diner at this hour on a Saturday.
Because the only other people are a girl he don’t know, though he can’t see her real well from the back, which only really means he sees her coffee date full-on and much too well in exchange because they’re leaned in and they’re being all touchy across the table, voices low but not too low—he don’t think they even noticed him come in, let alone come to wait close enough to hear ‘em while he insists on saving the lovely Leah herself the trip to a table when he can damn well carry his own drink, thanks kindly.
“You’re gonna have a coronary if you keep hiding this.”
The girl sounds…she sounds the way Wayne remembers his Mamaw sounding when she was about to hit his Grampy up the head over some harebrained such-and-such. Exasperated, but all from a deep well of unshakable loving.
Which is what perks up Wayne’s attention, and then churns his insides quick right-next, because—
Well. The boy this young lady’s being all over-fond at for his antics is Steve Harrington.
Who, for all that Wayne understands, is meant to be his boy’s boy.
“No, no,” Steve’s shaking his head, tone bowstring-taut; “I’m gonna tell him.” Kid sounds resolved for all of half-a-second before he’s groaning, running hands over his face: “Or, I mean—”
The thunk of the boy’s head to the tabletop clatters the cutlery, and if Wayne weren’t already clued into their conversation, he’d be wholly absolved for dropping eaves given how the noise echoes through the mostly-empty establishment bar-to-door.
“Dingus,” the girl says, and it drips with concern, with affection, with a deep choler that, again, sings loud of married-couple.
Which twists Wayne’s guts all the more to hear.
Because she’s talking to Wayne’s boy’s boy.
“I’m gonna, I promise,” Steve sounds not unlike a man on his way to the gallows, even more when he sighs deep as anything and traces out his lips with his fingers, hands shaky even out the corner of Wayne’s eye for a distance as he hisses low:
“Fuck.”
And Wayne, see, he don’t like borrowing trouble. He meant it about keeping his nose clean of the gossip and the hearsay. So he makes sure he reminds himself good in his own head that he don’t know the facts here, and jumpin’ to conclusions don’t do no favors to nobody.
It don’t do nothing for the way that what he does know, what he sees and hears with his own god-given senses in the now, don’t add up too kindly for the Harrington boy.
Not least because it seems to be adding up poor indeed for Wayne’s boy.
“Do you think he’ll—”
“Steve,” the girl’s voice goes softer, but also frantic almost, as Wayne sees her reach across the way and gather Steve’s hands with a familiarity to the motion that wouldn’t make sense unless…
Unless they’re something special to each other.
Wayne’s watched Eddie reach out for Steve that way. He’s watch Steve do the same. So it…it just don’t make sense—
“You’re shaking,” the girl says, all kinda pitiful, and Wayne’d seen it before, but now he chances a look again and: oh.
Boy’s a leaf in a cyclone.
“It’s a big deal,” Steve rasps out near under Wayne’s ability to hear it.
But he does hear it.
“You need to just lay it out,” the girl tells him, earnest now and more of that than any irritation, any frustration put-upon or otherwise; “be up front with him.”
And it ain’t fair, yet, even if all the signs are pointing that direction; but Wayne likes Steve. He doesn’t want to think the worst of him. And he doesn’t, really, in his heart, think Steve could do or be the worst, from all he’s learned and seen—Wayne’d had uncharitable thoughts about it he kid, before he knew better, based on hearsay which one more time, he don’t countenance as a rule, and he’d been taught better and quick from the second he saw Steve at his nephew’s bedside, and heard the only thing he’s proud and happy to have dropped in upon uninvited:
You nearly fucking died yourself dragging him out, Steve, what the hell—
That Henderson squirt, scolding Steve something fierce.
So Wayne reminds himself this boy loved his boy enough to risk himself to bring Eddie home. Before they were anything to one another. And Wayne knows damn well they’re both something to each other, now. It don’t make sense that Steve wants to…be up front about a notion with Eddie that could hurt.
But then: care can look a lot of different ways, and can change over time. Ain’t nobody to fault for that. And much as Wayne can’t quite believe the Steve he’s gotten to know these past many-months could swallow hurting his Eddie…
Wayne’s been proven incorrect about people more than enough in his life to know better than to think it’s impossible to be wrong about a man’s heart.
“Oh, I’m sure that’ll go over fucking fantastic,” Steve’s huffing, rolling his eyes—apparently he don’t want to be up front with the person they’re talking about. Wayne tries to remind himself that they’ve not flat out said it’s Eddie yet. Wayne shouldn’t go making assumptions.
“Why not?” the girl’s pressing him. “Be honest, with him,” then her tone does go a little judgemental; “you can’t honestly think he doesn’t suspect—”
“I really don’t think he does,” and it’s a strange thing, because no matter the words themselves, it don’t sound like Steve’s meaning to be deceitful about a thing. Kinda sounds a little like he’s mourning, like he’s just in a kind of pain. “If he did, then at least maybe I’d have some kind of,” he waves his hand in the air, looks frantic, at loose ends all around; “heads-up for where his head’s at.”
And they’re both quiet for a spell, and Wayne looks for Leah in the back, knew she was getting food ready and was happy to wait—for better or worse with the conversation he’s been privy to without permission unspooling at his side—but he’s starting to feel antsy for all that he’s hearing, and the way he can’t quite tamp down associating it all with Eddie, with touchy things Steve might have to tell Eddie—
“Tell him by the end of the weekend.”
And now: think he might have to tell, encouraged so damn strong and single-minded by his lady friend with her hand on his arm.
“That’s fucking tomorrow!”
“End,” she’s narrowing her eyes sharp enough Wayne notices more in the shift of the room than to see it head-on; “of,” and then she’s smacking Steve’s arm to emphasize hard enough it rings out; “the weekend.”
Then Wayne notices how her posture shifts, and she leans closer again, so much affection, and easy with it, and welcome for it, no doubt about it:
“I don’t like seeing you like this,” she says low and earnest; “especially not when the thing you’re like this about is,” and then her tone shifts to something bright, near-on hopeful, even:
“It’s such a good thing, Steve.”
“I mean,” Steve mumbles, kind of miserable really; “of course you think so.”
And Wayne don’t like where his head goes for things the girl who’s watching Steve with such soft eyes might think to be good, might think while she’s touching him so close and —
“He’ll,” and she huffs a touch before going all heartfelt again: “Eddie is going to—”
And the moment his plausible deniability about the subject of the discussion is gone, Wayne gives up waiting for his coffee at the counter and…retreats to the corner by the door, far as he can get from whatever’s said next. He’d leave, honest, but the truth of the matter’s this:
He can’t be expected in good faith to figure out how to bring any of this up with Ed if he don’t have no caffeine in him.
☕ 👀 ☕
✨ part ii >>>
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For @thefreakandthehair, who requested 'Whatever our souls are made of, his and mine are the same.' at my HOBBIT-STYLE BIRTHDAY MONTH PROMPT FEST—and since this is almost a YEAR LATE, could I possibly offer it as a normal-amounts-of-late birthday gift, more than as an egregiously-and-unforgivably-late prompt fill for you?
✨permanent tag list: OPEN (lmk if you want to be added/removed): @askitwithflours @awkwardgravity1 @bookworm0690 @bumblebeecuttlefishes @captain--low @depressed-freak13 @dragoon-ze-great @dreamercec @dreamwatch @estrellami-1 @finntheehumaneater @goodolefashionedloverboi @grtwdsmwhr @hiei-harringtonmunson @hbyrde36 @imhereforthelolzdontyellatme @live-laugh-love-dietrich @mensch-anthropos-human @nerdyglassescheeseychick @notaqueenakhaleesi @pearynice @perseus-notjackson @pretend-theres-a-name-here @pukner @ravenfrog @sadisticaltarts @samsoble @sanctumdemunson @shrimply-a-menace @slashify @stealthysteveharrington @swimmingbirdrunningrock @theheadlessphilosopher @theintrovertedintrovert @themoonagainstmers @theohohmoment @tillystealeaves @tinyloonyteacups @tinyplanet95 @warlordess @wheneverfeasible @wordynerdygurl @wxrmland @yourmom-isgay @1-tehe-1
NOTE: it's important to me that you know that Wayne's accept belongs to nowhere, and is just the voice of someone I knew as a kid, who also sounded like a little of everywhere and then again nowhere. so if you think some turn of phrase doesn't fit what you think you're reading in terms of dialect? it's just that this way of stringing words together is—with intention—its own amalgam of places and times
divider credit here and here
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mammalsofaction · 7 months ago
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Something incredibly annoying when dealing with non-pnf stans when discussing with PnF is discussion of Candace being accidentally gaslit by her mother. In that they assume everyone is in on the fact to make Candace feel like she's crazy. NOBODY ELSE is doing that. In fact, nobody BUT Candace seems to understand the whole brunt of the situation.
The backyard gang are not "bullying" Candace or keeping her from telling her mom. In fact, they tell Linda about it themselves MULTIPLE TIMES. They talk about it off handedly a bunch of times too. Theyre just also 10, and Linda thinks it's part of the "games". She thinks theyre being imaginative. Theyre NOT. The backyard gang is NOT lying to her, and they are NOT perpetuating the assumption that Candace is crazy. Linda just doesnt believe them. The backyard gang doesn't KNOW this. THEY ALL THINK LINDA KNOWS.
LAWRENCE is not perpetuating the idea that Candace is crazy. He ALSO thinks Linda knows. HE HAS SEEN the backyard projects a bunch of times, and HE TELLS Linda about them TOO. However, and this is important, he only ever sees the cute, relaxed and sweet projects, and never the potentially dangerous or fatal ones, so he thinks Candace is being anxious and overprotective. Which she is, but that's a separate issue. LAWRENCE is not lying. HE thinks Linda knows.
JEREMY has seen the projects and parties. He talks about them at length, and how cool Phineas and Ferb are! He's never lied. He thinks Linda knows.
STACY has seen the projects and parties. She FREQUENTLY vouches for Candace. But shes Candace's best friend, so of course Linda doesnt believe her.
EVERYBODY EITHER THINKS LINDA ALREADY KNOWS, OR HAVE CLOSE ATTACHMENTS TO CANDACE SO LINDA DOESNT BELIEVE THEM ANYWAY.
Linda isnt doing it on purpose. NOBODY is lying.
DO i think Linda should believe her daughter now and then? And should Lawrence stick up for her more? Of course I do. But it's not malicious. Just....a bit neglectful. But Candace's assumption that everyone is against her is largely perpetuated in her own head and anxieties and miseries. She ISN'T alone. People ARE on her side, and she has more allies than she thinks. There are MULTIPLE episodes where Phineas and Ferb try to bust THEMSELVES (AKA attempt to show Linda their project with her own eyes) when she simply asks them to. A lot of people think she's really cool, and caring, and her brothers think shes unironically, absolutely AWESOME. Which has been the point of many episodes, AS WELL AS Candace against the Universe.
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im-tired-404 · 6 months ago
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Me when I see a piece of media about something I’m hyperfixated on:
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bixels · 8 months ago
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I just saw one of your fave games is What remains of Edith Finch and I’m so happy! I feel like its a lesser known game but i loved playing through it. I’m so happy to know more than just my small friend group know about this game!
Sorry this isn’t a question. Also want to say that you’re art is amazing and the development of the designs is so interesting to see. Also the way you draw intimate scenes have so much emotion to them. I love the Aj and rarity kissing comic so much, you can just feel their love for each other ;w;
Thank you so much!
I highly, highly, highly recommend What Remains of Edith Finch to anyone interested in narrative game experiences/"walking simulators." It's one of those games that was handcrafted with nothing but love. Every room you explore is just... real. The way the light flows in and makes the colors of the living room, the kitchen, the bedrooms glow. Playing the game is like walking through your childhood home as an adult and seeing how the dust clings to everything you once touched. Also genius-level gameplay mechanics, ones that can make you completely empathetic with the character you're embodying or feel completely complacent in their tragedy. It's really not fair to call it a walking simulator because it's so much more and so much smarter than that.Everyone talks about the fish one.
The theme of death and memory and storytelling and the burden of invisible trauma and self-fulfilling prophecies is so affecting too. The ending made me cry.
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queer-cartoons-quotes · 2 months ago
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I know that most of the reinterpretations of Hades and Persephone are quite bad, not to mention quite sexist, but sometimes... sometimes they get it right
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openthefobwatch · 2 months ago
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"The doctor should be asexual and aromantic" not in a 'the doctor should never be in a relationship' way but in a 'the doctor's feelings for rose go so far beyond the traditional human structures for relationships that they cannot begin to be defined in those terms' way
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nllick · 9 months ago
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Had to do this with a few of my favorite games
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Here's the original
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lilybug-02 · 3 months ago
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Me: Ahh I feel so embarrassed as an adult wanting to write children's stories and messages.
Also Me: Girl, who do you think writes children's stories????
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random-autie-fangirl · 1 year ago
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The holy quartet of video game narrators which are actually living beings (...and also kinda suck)
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hitlikehammers · 21 days ago
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💫FINALLY✨ The One Where Wayne Munson Has to Carefully Try Not To Eavesdrop 100% COMMIT TO THE EAVESDROPPING When 💕HIS NEPHEW'S BOYFRIEND💕 Comes By To FACE THE MUSIC Reveal What That Coffee Date ☕ Was REALLY All About
(well: at least Wayne's just a willful fool about all this, rather than a witless one) ——(3/3)
<<< part two
~or~
<<< back to the beginning
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Wayne’s the one who lets Steve in the next morning.
It’s his day off, and he only managed to get to bed for a couple hours anyway, so he’s just shaking off sleep when the knock comes.
And of course Steve’s as polite as ever, takes his shoes off like the upper crust kid he’ll always be but not with any of the snootiness Wayne’d expected in the beginning, just an ingrained—and eventually, grew to be downright upsetting—need to not be obtrusive, to step on no possible toes. Wayne’d been wishing for a while he’d go ahead and stomp on whatever toes he’d like to, save that today—
Today’s-Steve looks about ready to blow a gasket, and goddamn but Wayne hurts for him. He hurts more for his own boy, if what he fears despite his own good sense is what’s about to happen. But at the very same time he can’t wholly ignore the equal truth that Steve?
Steve’s grown to be his boy, too.
Wayne offers a cup from the coffee he’s about to brew but Steve turns him down with a tight smile, barely even worth being called such, which is telling for itself and more for rejecting the coffee—Steve only really does that when something’s wrong.
But Steve’s barely got to craning his neck around to look for Eddie when the man himself pops out from his room, all dimples and the kind of joy you can feel fill a room. Wayne aches for how it might be lookin’ to get dimmed, sniffed out at worst, if things are about to go sideways.
But Steve, who’s looked like he was ‘bout to be ill since he came in, takes a full breath and sheds the slightest sliver of the tension in him, just for meeting Eddie’s eyes across the way, and then Eddie’s closing the gap, arms out wide and grabbing Steve in tight and Steve’s grabbing right back, and they look for all intents like they’re trying real hard to pull so close they’ll break bones and mesh into one person, and Wayne tries to find comfort in the way people don’t do that sorta thing if they’re lookin’ to hurt one another.
They might well do that sorta thing as a kind of goodbye, though.
Eddie’s pulling them to the couch as Wayne stews over the thoughts he’s got, all at odds with each other and his own gut feeling too at that, because he’s up against the evidence he has against it turning out alright, versus the way he does believe he knows Steve to be a good man; the coffee’s burbling and draws his attention as a kindness until he hears voices from the living room:
“Eds,” and Steve’s leaning in to Eddie on the sofa and Wayne has to strain to hear and that alone should be enough to stop him. To make the more’n obvious point that he’s in the mess he’s in at all because he didn’t keep his ears to himself.
He don’t know if it makes it better or worse, that he’s not a witless fool, just a wilful one, to hold still where he’s got the dishes in hand to dry in the kitchen, so he can have a clean cup for his coffee. When he should move to the porch, have a smoke, take a walk.
“I gotta talk to you,” and Steve sounds grave with it, and Wayne tenses—he wants so bad to be wrong, because he can’t believe that Steve would do the things all the little clues add up to so easy. Not that sweet boy beat around by circumstance beneath the surface; and not done to his boy, neither.
Because Steve looks at his Eddie not so different from the moony cow-eyes his nephew don’t even try to tame.
But it’s…he sounds like there’s a death in the family he’s come to convey. He sounds like the world’s maybe ending.
Wayne don’t know if he holds his breath just to hear better, or because everything feels fragile. Maybe both things at once.
“What’s up, Stevie?” Eddie speaks so low, so sweet like he cherishes so damn much. “Are you okay, is everything—”
“Everything’s fine,” and Steve, hell: he sounds just the same, like there’s love coming out his ears. “Good, even, great, possibly,” but that sounds stilted, or maybe anxious, and Wayne don’t quite know what to make of it; “if you…”
And even Wayne can hear the labor in the breathe Steve’s taking, so he ain’t surprised when Eddie goes in all gentle and half whispers to his boy:
“Hey, Stevie.”
And Wayne don’t look, he’s pouring his coffee now, can’t take the chance of burnin’ himself and risk missing out hours for it, ‘course that’s why.
He don’t look, but he hears exactly what Ed’s words do to Steve when the reply comes out with the kind of relief you can feel with a weight in it, for what it sloughs off and makes light again:
“Hey.”
He can catch the way Eddie rubs hands up Steve’s arms, back and forth and back, foreheads leaned in together, and they sit there long enough for Wayne to lean in comfortable enough against the counter and test the heat of his drink.
“Whatcha got to talk to me about?” And it’s Eddie who broaches the elephant in the room, the soured thing at the base of Wayne’s throat churning for the past day and change. Wayne expects Steve to hold off, tiptoe a little.
He doesn’t, though; not even a little.
“I got the job.”
And that…that ain’t what Wayne was fearing at all, is it.
“Steve,” and Eddie does sound like it’s a good thing, a great thing, truly he does; “baby, that’s amazing!” And then the springs of the couch are creaking and Steve’s making a punched-out sorta sound that means only one thing: Eddie’s tackled him whole-body to the other side of the sofa.
“Fuck I’m so proud of you, sweetheart, holy shit,” Ed’s sayin’ a little breathy, punctuated by loud wet kissy sounds that Wayne usually takes as his cue to skedaddle but…he needs a minute to reconcile what he’d been thinking without believing it could be true, and the reality that it seems he’d been right deep-down about who Steve Harrington was.
“Wait, wait, wait,” Steve’s protesting through laughter, but once they both seem to catch back their breaths he likewise leans back to something serious, and Wayne sees into the living room how Eddie’s stretched on top of Steve, with Steve reaching up and holding him by the cheeks:
“I won’t take it if you,” and Steve’s clearin’ his throat, something Wayne’s noticed is like a squaring of shoulders, whether that part’s there at the same time or not; “I won’t take it, not if it means,” and it’s a painful thing the way Steve swallows, the click of it somethin’ Wayne can hear all the way in to kitchen:
“I won’t take it, and not be with you.”
And that…that Wayne don’t quite get, and he feels wrong-footed for more than just listening in, as if that weren’t enough on its own, plus the cause of the problems he’d been wrestling to start, but then: “What?”
Ed seems just as puzzled, which makes Wayne feel a little less bamboozled, but still not…still not settled with whatever’s causin’ any of it, because now that Wayne’s got real context, he thinks back a-ways, to how Steve had mentioned a promotion, but was then looking at something better all around, regional-sort of stuff; now that he’s got context, he thinks back to the morning-last, and tries to pick apart what he’d heard without an invitation, if it weren’t about the lady friend. Steve had still been so worried, with the banging of the head on the table—and how could he think Eddie’d be anything but as thrilled as he clearly is right now for his boy? Wayne’s never seen Eddie as proud of anyone or anything, so much as he is for Steve just breathing in the world at all—and damn it all if the sentiment hasn’t rubbed off a little, and sure Wayne knows Steve’s history’s made him gun-shy to celebrate the bright spots but…
“It’s in Indy,” Steve’s spelling out, and Wayne remembers that being tossed about, and well: regional. That’d make sense.
“And you,” Steve pauses, and the breath he takes in next is a shaky-echoing thing; “for now you’re here, but not for long, because you want to go and try doing music, right, and that means New York or L.A. or somewhere big, not the armpit of fucking Indiana, and—”
“Breathe, Stevie,” Eddie cuts in quick, adoring; coaches with such patience, the care in it—the love in it a tangible thing; “in, and out,” and all of a sudden from nowhere, save from everywhere and every moment leading into this—
Suddenly Wayne blinks, and out the clear blue he’s witnessing the man Eddie’s grown into.
Talk about bein’ proud.
“One more,” Eddie coaxes a gentle, and Steve listens, Wayne hears as he gulps in the air carefully and deep, sees them move in the corner of his eye as Eddie sits up proper now and folds forward into Steve’s chest where he muffles what he says, less for hiding and more maybe to press it firm into Steve’s chest so it can’t be denied, because it’ll be on the inside and settled there sure:
“Fuck, I love you.”
And Wayne has that feelin’ again like he ain’t supposed to be party to the particular degree of intimacy in the moment; maybe he lets the plates on the counter clank a little more’n necessary to remind them casually that they ain’t alone.
But discretion’s not what follows, more like the wet slip of mouths against each other and oh, well then: if the boys don’t seem to view Wayne’s presence in the next room as a deterrent then Wayne’s just gonna keep at feelin’ embarrassed, rather’n guilty to boot.
“Steve,” and Ed’s voice goes warm and low and Wayne tries to not feel bad for hearing, more focuses on bein’ happy, and grateful, for this thing his boy found in maybe the most unlikely of places, through the hardest round out of hell he could have met: he gets a thing here that Wayne wasn’t sure he still believed could even be, not with so much hate in the world as there is.
“Me and the boys, we’re good, but we’re not,” and Eddie huffs, a light thing that feels gentle and almost joyful, like he’s celebratin’ a thing that’s not inside the same words he speaks at all:
“We’re not that good.”
“Bullshit,” Steve’s quick to counter, like it means more than it reads on the label somehow, too, and still it’s said with his whole throat, at that: and at that, Wayne can’t help but grin a little himself.
He knew he wasn’t wrong about the heart of Steve Harrington. About how much this young man loves his boy.
“Steve,” and Wayne watches, don’t even make a secret of it now: watches over the lip of his mug because he’d only dared to hope for this kinda thing idly, and always feeling foolish for it, for his Eddie to find something even a smidgen close to what he’s got here; what they’ve got here as Ed reaches and tips Steve chin just a touch.
“I don’t want to waste years trying to fit a mold even by being a freak, trying to sell my brand of weird and hoping people get it,” Eddie tells him, clear-eyed like Wayne’s not sure he’s ever heard him. “I don’t want to put that much of my life into a maybe,” and then he’s tracing Steve’s jaw with a tenderness he was never taught, so it’s just something natural and pure inside him, brought out just so by this one man in his arms as he whispers so soft-hearted and with more love than feels possible even just to watch:
“Not when I’ve got what my whole heart wants most.”
And Wayne sees Steve’s jaw work under Eddie’s touch as he asks so low, and far too timid for a man Wayne’s seen live up to the monster-slaying he’s heard tell of.
“More than music?”
And it’s asked like he could never believe it; like he couldn’t expect it.
But Eddie’s back to the clear-eyed sureness, then. He has no doubts.
“More than fame,” is what he answers, flipping hands through Steve’s hair as he leans just to whisper:
“You’re the music,” and Wayne watches Steve still, his face scrunch like it does when he thinks he feels too much; “my music,” and Steve would be embarrassed to know Wayne hears the tiny little whimper that he gives when Eddie presses a kiss to the space between his eyebrows, and there’s part of him that’s embarrassed for himself in it, to have heard what’s not his, but if he’s honest he’s still stuck in that gratitude, that relief for this way it’s all shaken out, not to mention how Wayne’s little family that he never intended to start’s now feeling complete where he didn’t think there was anything left to add, to grow.
“And I have music with you as much as anywhere,” Eddie’s explaining with a wobbly little grin; “plus with you, even the music’s sweeter.”
Then he’s cupping Steve cheeks again and pressing forehead into forehead so that Wayne can only hear the barest whisper:
“Lead the way, baby, and I’ll follow with fucking bells on.”
And Steve, he’s quiet, leans back into the cushions a little and Wayne watches unabashed about it now as Steve studies Eddie, takes him in less like he’s weighing anything and more like he’s committing to memory a moment worth knowing everything about in full, and then he’s the one framing Eddie’s face in his hands and asking with a certainty he didn’t have before, and that fits him so much better:
“Move in with me? Leave here, and leave all the shit they say and the way they look at you and how they fucking treat you,” Steve damn near growls and Wayne feels all the more why he trusts Steve Harrington, and should never have even considered doubting, no matter if the mere suggestion was something he knew was pressing up against his better judgement from the start, because this is the man who loves his boy enough to take on the world, and tear it to shreds when the need rears its ugly head.
“Come with me?”
And that’s maybe a little more of the hesitance, and again, it sounds wrong as a rule, but Eddie’s quick as anything:
“It’ll take me less than a hour to pack.”
And he’s on his feet in a second and Wayne has to bite back a snort because that’ll give him away more’n anything else, but Steve’s pulling Eddie back to the sofa again in a heartbeat:
“Not that fast,” he laughs, a breathy little chuckle that’s got so much more to it even to Wayne’s ears, that’s disbelief and a little wondering joy and everything this boy deserves and has done his whole goddamn life, and heaven help his parents if Wayne ever sees them again face to face for all they ever did to make their son feel less; “got a couple months, I’ll drive up for training while the other guy’s wrapping up, then,” and he shrugs, Wayne hears it shuffle against the upholstery, then he sees Steve looking up from guarded lashes, just that little bit of uncertainty left—
“Then,” Eddie prods, meets him in that moment of waffling, of fear in trusting to feel all that they do, so visible you don’t even have to search it out. It just shines through, couldn’t deny it if you tried, and sure as hell not for how giddy, how overfull Eddie sounds then with…promise.
Ain’t no other word for it.
Ain’t no other thing Steve could latch to like he does, wholehearted and unfettered where before he was still fighting old chains.
Not no more.
“There’s a record store that needs a new manager,” Steve starts off; “a tattoo shop that’s taking apprentices, and they also need someone to watch the books,” and it’s a list, he’s listing opportunities, he’s counting out the promise; “a music store, like for instruments and stuff, that needs someone who can work but also maybe teach, because they want to start giving lessons, apparently people keep asking for them, and then there’s—”
Steve’s cut clear off, and Wayne don’t have to be in the room to know it’s for being kissed within an inch of his life.
“I love you,” Eddie’s saying again because it’s more’n a given, but it’s sounding like it’s shaping into something a little different, a little deeper, somehow a something that’s more.
“I love you so much, Steve Harrington,” and Eddie’s voice is rough with it, and Wayne ain’t gonna lie to himself that his eyes sting to hear it, even if no one can see and hold him to bein’ honest about it.
“You looked for jobs for me?” Eddie asks small, the first thing here that’s maybe overwhelmed him good and true, and in the best of all ways.
“Yeah?” Steve says it like it’s obvious, then goes back bashful nearly:
“For if you said yes.”
And then the springs of the couch are doin’ the heavy lifting again as Steve huffs and Eddie pounces.
“I fucking,” and there a pause that sounds a lot like more kissin’, which tracks along right, yeah: “I fuckin’ love you.”
And Steve chuckles, and Wayne just shakes his head, smiles down at his coffee while Eddie’s tone sobers, while he asks a little small:
“You thought there was a chance in hell that I’d say no?”
“I,” and Steve sounds chagrined, in that way that Wayne’s come to recognize means there’s an old hurt he’s covering, but one that might have a shot at makin’ a scab finally to close for good. “Robin thought I was being dumb, but I,” and he blows out a long breath, and Wayne glances to watch Eddie rub up and down Steve’s arms, waiting and being right there and oh, true as anything.
That’s the man his boy’s grown into.
“People don’t really,” Steve says slow, but measured, like he’s planning every letter out to land just so: ”people haven’t…stuck around, y’know?”
And Wayne can’t help but look to see how Eddie’s hands stop at Steve’s wrists, grounding and holding and keeping, sort of, or not sort of: absolutely that without room to misinterpret or think any bit less; same as Wayne won’t try to pretend away the bitterness at the back of his own throat that a boy as good as the one he’s learned Steve Harrington to be could think that of himself not just in passing, but as a preordained thing, an inflexible rule for always.
Makes him sick; makes him angrier than he tries to ever be these days, but good goddamn if this don’t warrant it.
“So asking someone to come with, to not just not leave but to chose to go, with m—”
And Steve’s saying things, and Eddie lets him but only to a point, and Wayne doesn’t see how he stops him, but he knows full well he’d stop still in the middle of a sound himself if the tone that comes out his boy were leveled his way: unshakable. Granite-strong, diamond-hard.
“Listen to me,” and oh, but for all the way it lands intense, the love in it’s a thing to behold and marvel at just to hear; he feels like it could undo a man to be under the gaze that tone comes alone with it, like Steve has to be sitting just now: “listen to me so fucking close right now.”
And maybe Wayne leans in, too, whether it’s meant for him or not:
“I will choose, with my whole goddamn chest, with every piece of me there is in the whole fucking world,” Eddie says, puts emphasis and feeling on each and every word; “to go anywhere, if it’s with you.”
And it’s silent for a minute, but then Wayne only just hears the sound of mouths parting and sharp intakes of breath ringing through the sill and Eddie hisses, a little hoarse, a little broken, entirely with all that he is, just like he said:
“Always.”
Then the couch goes about protestin’ again, but it’s Eddie who Wayne makes out for groaning on impact, and it makes sense that it’s Steve’s voice now breathing harsh through the vow of what comes next:
“Love you,” and there’s the kissing again; “love you so goddamn much.”
And Wayne figures he’s had more’n enough of overhearing what’s not quite his to hear, but here’s the thing.
These boys are gonna be at this for a bit, he reckons, and the coffee’s already half-gone and lukewarm besides. They’ve got money to be a little indulgent with these days, courtesy of Uncle Sam, plus Mary at the plant said the rhododendrons actually like coffee anyway.
So he figures he can justify brewing another pot, if for no other reason than to start the day off better than he’d been expecting by one helluva country mile and then some.
♥️
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For @thefreakandthehair, who requested 'Whatever our souls are made of, his and mine are the same.' at my HOBBIT-STYLE BIRTHDAY MONTH PROMPT FEST
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