#a skirt and a blouse and a shawl
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i love rural india.
i spent vacation at my native
and look i know they're ridiculously conservative.
but, BUT the fucking culture is so beautiful it makes my heart hurt
i got the chance to participate in the pongal thiruvilla and i was so in awe
even though i got back to town a couple days back, im still in my slightly ridiculous hyperfixation over traditional clothes.
because like, usually traditional wear is like, facy and sparkly and honestly quite uncomfortable.
but what about the casual traditional wear? what about simple blouses and lightweight pavadais? what of flowy underskirts and cotton sarees?
what if you take out the pattu from pattu pavadai, and end up with a gorgeous and casual outfit practically meant for frolicking in fields?
what if you replace the mesh davanis and embellished fabric with bold coloured fabric and simple skirts.
INDIA REALLY NEEDS TO START EMBRACING OUR CULTURE, AND STOP ASSOCIATING ETHINIC WEAR WITH DISCOMFORT.
#ehehe <3#desi tag#desiblr#tamil tag#ethinicwear#mini rant#i love this#idk how to tag this#ive worn pavada-davani for a week straight#i cant get enough#its actually quite comfortable#a skirt and a blouse and a shawl#anything is better that jeans#i hate jeans#love skirts#<33
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i just had the most crystal-clear, narratively coherent dream i've had in a while and i NEED to write it down before i forget it. i dreamed that while on a camping trip i discovered a doorway to a world of intelligent, talking, semi-anthropomorphic animals. they walked upright but otherwise looked the same as their mundane counterparts, besides the fact that they wore clothes, and the fact that some of them were considerably larger than a regular member of their species (they all towered over me, however i am quite short irl so i'm used to that).
i made friends there and returned repeatedly over the next few weeks so i could visit with my good friends Elk and Tiger and Wolf and Rabbit (there were a couple others as well but i can't recall them all clearly enough to describe them). we would often sit in Elk's sunny dining room with the windows open while we chatted and had tea, or sometimes we'd take my van (in the dream i had a large van i sometimes camped out of) out of Elk's neighborhood and to a scenic spot in the woods for a picnic. it was lovely - all my new animal friends were good company with distinct and unique personalities.
there were also regular animals inhabiting this world. they were referred to as "cousins" of my intelligent friends, and while i was in the company of my friends, i knew i had nothing to fear even from the wild wolves and bears that roamed the woods. they would simply observe us curiously as they passed by.
after i had been visiting a while, i learned that there was another human who knew about this place. his name was something like Galarian or Galadon or something similar, it's a bit fuzzy. he lived full-time in the animal world, and he was something of a boogeyman to all my friends. he was a scientist who performed horrible experiments on "cousin" animals in the secluded laboratory he'd set up in this world, trying to figure out how to turn them into their "intelligent" versions like Dr. Moreau - so far without success, according to my friends. still, the mention of him sent a visible shiver down Elk's back.
one day, while we were picnicking in the woods, we noticed a "cousin" wolf in the distance running straight at us. my friends observed its movements with concern for a moment, then urged me to pile into the van with them as quickly as possible, leaving behind all our adorable picnic supplies. just as we closed the door behind us, the wolf reached us and slammed into the van so hard it rocked. the wolf was making horrible snarling sounds, muzzle dripping with lathered drool that it smeared across the windows as it circled us, testing every possible entrance and snapping its jaws horribly. my friends and i bunched together inside the crowded van and quivered in fear until the wolf finally gave up. we watched it ragefully destroy our picnic, and then at last it ran off into the wilderness. Tiger advised me to leave the picnic stuff behind - it was contaminated now - and head back into town.
the next part i remember is all of us gathering at Elk's house, talking quietly about the situation. all the lights were kept off, and gray clouds obscured the sunlight that normally streamed in through the front windows, so it was quite dark inside for our somber conversation. my friends told me there was a virus that would make animals go mad, and they were starting to see it appear more and more frequently. they weren't sure if it was the evil scientist's doing, or some kind of natural phenomenon, but either way they told me to be cautious and avoid traveling alone. they weren't sure what the virus would do to a human, but they didn't want to take any chances.
as we were gathered in the dining room, i noticed a Deer wearing a ripped, mussed-looking suit wandering dazedly in front of Elk's house. i pointed him out just as he noticed us through the windows, and then the same mad fire lit in his eyes as he launched himself toward the house. my friends and i immediately jumped to lock the front door and close all the windows we had half-opened to admit the breeze. just like the cousin wolf had, this Deer battered at the windows roaring and snarling, leaving streaks of foamy drool behind, before finally running off in frustration.
there's a big chunk here at the end that's fuzzy, but i do recall going on a mission to find out if the evil scientist knows about the virus or if he even may be the cause. as we observed his laboratory we learned that he actually had a couple of intelligent animals working for him, a Bear and another Tiger (not my friend Tiger, a different one). as we watched, they brought him a vial of what looked like spit and told him it was a "sample", which my friends and i took as evidence that the scientist was only just now learning about the virus and planning to study it. we all deemed this a bad thing and started making plans to raid his laboratory when i woke up.
upon awake reflection, this is clearly just rabies. i should've introduced them to the miracle of vaccination and been the hero who stopped a rabies outbreak in furryland.
#dream#long post#this one was SO vivid and clear and made so much sense even after waking#which is what my dreams always used to be like but in recent years they've deteriorated or stopped altogether#i wonder if it's because i've started reading again...#Elk always wore a lovely warm knitted shawl around his shoulders. he was kind and generous but often serious and quiet in disposition.#Tiger always wore a suit. he was the funniest and could make us all laugh with his stories.#Wolf always wore a vest. he seemed aggressive at first but he was usually actually being playful. he was loyal & always the first to act.#i don't recall Rabbit quite as clearly :(#i think they may have been fond of sweaters if i'm recalling their silhouette in the dark of Elk's house correctly.#i think there was also a Fox? who wore a skirt and blouse? but i don't recall her very clearly either sadly#all of their clothing was sort of 40s-style for some reason
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i gotta try wearing my rectangle headdress with non lolita outfits... i like it a lot but i barely wear skirts these days
#i made it based on a na+h design. it's ivory x black and the ruffle has raw edges it's lovely#technically part of a set but i don't really wear the skirt much even compared to other skirts#i think i should get dressed up all fancy to stay at home sometimes tbh#but yeah i could probably just swap the skirt for high waisted trousers but i'm not sure that feels balanced#i wonder about black jeans + untucked blouse too... since it's a pretty casual piece#but either way it's a large expanse of boring leg (vs lolita's room for textures and colors)#whatever i don't think i'll wear it tonight bc i wanna wear a shawl for the statement piece and it won't coord well
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FROM FAR DISTANT WATERS
PAIRING: Merman!John Price x F!Artist!Reader
SYNOPSIS: There’s something in the water - you're going to figure out what it is, and why it chose to save you.
WORDCOUNT: 16.8k
WARNINGS: Blood, murder, death/near death, assault, injury, gore, mystery, mentions of suicide, angst, protective!John, pining, sickness, etc.
*I do not give others permission to translate and/or re-publish my works on this or any other platform*
The little boat rocks as it slips through the expansive water, a thin hanging of mist in the air. The curtain-like film it leaves makes it nearly impossible to see the dark rocks of the shore a far distance away, and the dip and push of the oars through the chilled waves leaves splashing droplets connecting to your cheeks. You touch the flesh delicately, brushing away the spray as your eyes slide over dark, lapping water—deeper than anything.
In your lap, sitting below the high waist of your skirt, was your sketchbook; the tweed material was all the rage these days, though you never focused much on that. The thick item kept out the chill of the, very, early morning, and that was all you cared about, though, it seemed you lacked the foresight to pack a proper coat. A large woolen shawl sat over your shoulders, hiding the plain white blouse but not its cuffs; not the slight poof of the bottom part of the sleeves.
Your numb fingers fiddle with the pencil in your hands, your open sketchbook filled with page after page of images ranging from the common sea-bird to great ships and shorelines.
“I still have to ask why you feel the need to tag along,” is the voice that breaks the silence, and you blink away from the cloud of condensation from your exhalation. Your ear twitches, but only a small flick of a smile pulls your lips at the older man’s garbled words. “So cold my damn hands are going to fall off. Why am I always the one bloody working the oars?”
Otto Whitworth was a man far into his later years—one who entertained your fascination with the raging waters and the need to immortalize them on paper; that draw to the sights and sounds. Graying, covered now in a large coat and his boots, with the long fishing rod knocking around by your feet, he grumbles more than he speaks sentences, content with only the pipe in his breast pocket and the promise of fresh fish for breakfast.
“Oh, it’s not so bad,” you chuckle, glancing over at his wrinkled face—the glare of dark eyes set into a deep browline that’s more for show of annoyance than genuine emotion. “Gets the blood pumping harder, Mr. Whitworth.” Your vision slides to the shadows of the black rocks, and your pencil finds your palm before the sound of it meeting parchment echoes over the nothingness. “Isn’t it lovely? Listen to the Gannets.”
“Don’t need my blood pumpin’ harder,” the old man grinds out, scoffing. “Gonna make my fuckin’ heart stop, Girl…” Otto sighs, shaking his head as you chuckle. He growls under his breath. “And, no, I’m not listening to the birds—they’ll be trying to steal my fish soon enough. Greedy bastards.”
Your eyes roll in their sockets, pencil shading in the rough shapes of misty rocks, your face cold but still eager for something. There was a type of magic to this place—to Southern England and the small coast town you had settled in nearly a year ago: Redthorpe.
It seemed your talent for the arts was appreciated here, you had a shop to your name and friendly compliments from the locals every time the door was pulled open. People here liked the attention to detail in a place where they had most likely lived for a good ninety percent of their lives.
You tilt your head at the paper as Otto lets the oars drop back into the water, grasping for his fishing rod that you kindly move closer with your foot.
The man takes up the item and sets the line, whipping back the pole and snapping it forward with a wizz and a grunt—a cracking of old bones.
“Now hush,” Otto sighs, settling back.
You send a silent look upward, and at the same time as he does, you say out loud in a soft voice.
“You’ll scare away the fish with all that blabber.”
A heavy glare is leveled at you, but you raise a hand innocently and laugh under your breath.
“I’m as silent as the fish, Mr. Whitworth.”
“Cheeky Bird,” Otto sighs loudly, shifting in his seat until he faces the water, eyes glinting. “You’re too wild for this place, then, eh?”
“For most places,” you breathe, smiling as you study the rocks again before going back to your work. It’s only after there were the wiggling bodies of three fish set into a fisher’s basket that the oars are taken back up and the silent water is again forced back by ripples.
Pencil finding the middle of the spine, you close your sketchbook, the routine is as simple as it always is. Otto will complain about having you at his dock, he’ll begrudgingly invite you in and cook three fish: one for him, the second for his cat, Harriet—older than England itself and missing most teeth; as blind as a bat—and then, finally, you. After that you’re back in your shop finishing up your piece of the misty shoreline, working until the candle burns through both ends and the oil paints are swirling colors as your eyes bug. Bed, and finally, repeat.
A splash of water makes you blink quickly, your head jerking over at the slide of movement from the corner of your vision. Eyes wide, you swear a fin had cut the surface of the water like a knife through butter.
Your body moves closer to the side of the boat immediately, leaning over eagerly.
“Hey!” Otto barks, steadying himself as the vessel shakes back and forth. Your eyes shimmer, a smile overtaking your lips. “Watch yourself—you’ll send me overboard!”
“Did you see that?” Your eyes dart over the water. “I think I saw a fin.”
“You got excited over a fish?” The older man’s voice is unimpressed, hissing in the crackling of age. “Hell, I got three in the basket if you’re that bloody impressed.”
“Shh,” you wave one of your hands, unblinking. “It was bigger than a fish, Otto!”
Your ears twitch to his scoff, his hands grasping the oars harder before he shoves the boat forward. Body looming, the intense pull of adventure dims the longer nothing happens, and after a minute or two of dead mist and water, you hum under your breath like a fool and sit back.
“Lost it,” your numb lips murmur, breath puffing out softly. “Damn.” You shake your head as the wooden dock gets closer, more boats tied and shifting with the waves. “It was strange,” you admit. “Like a deep navy color—with specs of silver along the spine.”
Otto pauses, his hands tight over the oars. He blinks over at you, face for the first time showing an emotion other than annoyance. You barely notice before the sheen of crafted blankness is back.
You smile down the length of the boat, curiosity plain to see. “Do you know of any animal like that around here?”
“No,” Otto grunts out quickly, and your excitement dims sharply, blinking through shock.
Your brows furrow after the silence falls stiffly—the boat had never been uncomfortable to you, the atmosphere quiet, of course, but always easy to charter. Now the air was…muddy. Something had changed as fast as a fish being yanked out of water.
Fingers twitching, you sit back slowly onto the plank, pulling your sketchbook the tiniest bit closer to your abdomen. Face open, Otto continues to row and the entire ride is silent until the boat is docked and tied to the pole by calloused hands. Your digits grasp your shawl and wrap the fabric harder, shifting down to hide your chin into the wool as you shiver.
“...Need help?” You ask, eyes still shifting back to the water like always.
There’s something now that makes your attention drift like the waves themselves—and it wasn’t only the shadows of the rise and fall, it was Otto’s strange behavior. The man wasn’t one to just say one word and nothing more. He could bounce off you like it was a game; you often thought he enjoyed your company just so he could insult someone. Jokingly, of course. It was the companionship he craved, it was why he always let you on his boat in the mornings.
Otto lived alone. You never asked about it.
“Don’t need any help,” he grumbles out, tying off the last knot to the pole and stepping back with a smirk of satisfaction. “M’not in the grave yet, Girl. Been working the boats since I was out my mum’s womb.”
“Feel sorry for her.” Your mutter meets the air as light streaks through the mist. Breathing hot air into your free hand, you rub it over your arm repeatedly and sigh, fingers of the other limb tightening over your book. Absentmindedly, your head turns back to the open water one last time, for one last glimpse of anything you want to commit to memory while you paint—
The fin is back.
“Otto!” Feet swiftly dart to the end of the dock, you stop only an inch away as your skirt whips over. “It’s back! Look!”
A hand grasps your wrist and yanks you away.
Gasping sharply, you stumble until the harsh bark of, “Get back!” echoes across the dock just as it does through your ears.
“Whoa!” You’re quickly let go of, a shadow shielding you from the view of the water as you scramble to make sure your sketchbook won’t slip from your hold. Head jerking to stare in shock at the middle of Otto’s curved spine, your heart stutters in confusion and a bit of hesitation befitting one who was just manhandled. Standing up straight again, your tight face pulls in, the pound of your heart telling you something is wrong.
Glancing past a still frozen Otto, the water is utterly devoid of life again—only ripples to show there had ever really been something there at all.
“You go back to the ocean,” Otto yells, spittle flying from his mouth, fishing boots stomping against the wood as he moves forward a step, pointing. “Go back to the bloody hole you swam out of! There’s nothing for you here! Nothing!”
You watch, struck dumb.
“...Mr. Whitworth?” Your lips mutter out, eyebrows shifting from the waves to the man—utterly confused down to your chilled bones. Who was he talking to?
Perhaps time had caught up to him—was he mistakenly taking the rocks for people? The waves for whispers? All you had seen was a fish’s fin, nothing more, nothing less.
“Otto,” you call again, concerned. You should get the man inside; get him warm and let him cook his breakfast. “Let’s just go.” Your eyes blink lightly, fingers twitching over your book. “Alright…? My eyes must have been playing tricks on me, it’s nothing important.”
His form waddles past you, more in tune to his sea legs than the ones on land, and under his breath, you hear him snarl out a low, “You’ll not take her like you did Eleanor. Mark my words, I’ll be stringing you up by the tail first.”
Withered hand connecting with your shawl’s edge, you’re dragged back with more force than you’d anticipate Otto still having, but you go with him nonetheless.
Looking at the water, there’s nothing to see beyond the stretch of nothingness.
—
You dare to ask when you’re pushing the fish bones over to the side of your plate, slipping some mashed-up scraps to Harriet who lays in your lap purring. The rough scrape of a tongue licks your fingers, and deep gray fur caresses your palm.
“Who were you talking to back there?” Your voice carries over the small hut that Otto calls his own, the sounds of the water meeting the rocks plainly heard seeing as his property was as close to the cliffs as you could get without going over them. “I never took you for someone to believe in spirits.” The joke was a small jab, but even your own amusement was dim in the situation. Your hand puts down the fork and moves to rest along Harriet’s back, lightly petting the old cat as her half-missing tail flicks in satisfaction.
The man’s back over at the sink tightens.
“You watch yourself near the waters, Girl,” Otto grunts, dark eyes glancing over his shoulder. “By God, you watch yourself. There’s things out there—terrible things.”
“What kinds of ‘terrible things,’ Otto?” Your head tilts, sketchbook resting still on the table, your gaze flickering to it. Terrible had a nice ring to it. But something else was swirling in your gut now, a hesitation of a special sort that only comes out with the unknown paths of life.
What could make a man born and bred on the waters so reserved when speaking about them? Your interest had been piqued—your curiosity unsated until you were given a clear answer. You’d only been here a year, that wasn’t enough time to know the secrets of Redthorpe; to be let into those deeper circles.
Otto licks his cracked lips, the wrinkles of his face leaving behind something akin to a scrunched dog’s visage—worn by time and improper care from the damage of the sun. He’d been at work on his boat for decades, and while you took his advice with a grain of salt usually, this time he carried himself differently: you wanted to know why.
He glares with no venom, taking out the scrubbed pan from the soapy water and barking, “What’s it with the younger generation and their bloody pushing? Listen to what I’m telling you and take it as it is, Girl. You don’t go on the water,” he blinks, face grim, “unless I’m the one ferryin’ you through it, eh? That’s the end of it. I’ll say no more.”
Frowning heavily, you sigh under your breath and shake your head. Letting your eyes slip down to Harriet, you scratch under her chin and stare into her milky eyes as she lets out a little chirp.
“So much for answers,” your lips mutter.
But a fire had been lit in your breast now—a low simmering pull like a rope had been tied to your wrist, drawing you closer and closer to the rocky shore, to a boat tied on the dock which you knew was steadily rocking to the deep, dark waves of this isolated place.
To a navy-colored fin in the water, and a shape far larger than any you’d seen before.
Blinking to look out the window of Otto’s home, your eyes find the ocean, and the longing that you’d always had for it grows ten times larger as your sketchbook begs to be filled.
—
It was only fate, you guessed, that you had come to Redthorpe—a tiny, unimportant dot on the map—when the way of life you’d chosen had led you astray. This place was a way to start over. Fix yourself. You’d picked the least-known town in all of Europe, and that was exactly what you wanted.
One trait, though, that could never be squashed from your psyche was the lust for the unknown. It was an obsessive lover; a toxic hand on the back of your neck that dragged you back over and over, until there was only yourself to blame for the repetition of disappointment.
It was the reason you found yourself on the shore two days after you sighted the dark fin that cut the water.
Your lace-up boots were atop a large boulder, shifting as your body turned from left to right, eyes patiently dragging the expanse of nothing. Waves lap only inches below, spraying up to get absorbed into your skirt, shawl whipping with the wind. The breeze is stuck with the sounds of birds, the very beings darting above your head, playing their games with varying cries that sound like throaty groaning.
Bending, your arms wrap your waist, lips flickering. You were cold, limb-numbingly so, but even if you saw nothing today, or tomorrow, the push and pull of the ocean was enough—the call of the birds, the hypnotic sway of water. Calling to you, even if it had no lips to do so.
Taking down a lung-shaking inhale, you chuckle, sketchbook sitting in the small purse around your shoulder.
“What am I doing?” You ask yourself, shaking your head. “It was just a big fish—that old man was just being paranoid, anyways.” Eyes caressing the line where water meets the sky, your smile pulls your chilled cheeks. “There’s nothing out here worth my time. I need to finish my work.”
Leaning back, you rub your hands up and down your biceps, nonetheless enjoying your time despite the burning of something in the back of your head. A knowledge that the fin was nothing documented before? A hope of discovery? A need for adventure? Oh, who can really say—what can be known are only three things:
One, the weather was getting worse, two, the water was getting wilder, and, three, you had forgotten the way the rock you were standing on had shifted when you stepped up to it. Shuffling, your boots connect to the right corner, and your hands extend to keep your balance as you hiss a low breath, purse beginning to slip.
There’s a gruff call from the water.
“Careful, then.”
Your head snaps up to the sound of a man’s voice, and you startle sharply, gasping as your foot slips. A quick cry is all you get out before you’re suddenly plummeting downwards headfirst into the frigid water.
The feeling of liquid is all-consuming as it seeps into your nostrils and ears, all sound muffled entirely beyond the roar of it leaving you so stupendously—a flare, and then nothing. Eyes bugging, limbs slashing through the waves, the chill hits you in the chest with the force of a stone, smashing through your ribs to weigh you down with concrete stuck in your lungs. It was entirely a bodily reaction to gasp.
Through the blue and the bubbles, you start to drown.
Fingers twitching, you claw at nothing as the darkness settles its hands over your panicked eyes, not for a moment thinking about who had called to you in the first place—or who was poking a head out of the water before you’d gone over. Obviously, it was a trick of your senses; no one could survive being out in water like this.
You certainly weren’t going to.
Legs slashing, something is darting in the corner of your eye before your vision fails, but the rapid fear in your heart masks the hand gripping at your shirt’s collar. It hides even the feeling of strong arms until the point where you’re yanked upwards with little effort as one curls your waist. It doesn't hide, however, the way you vomit up water as you’re heaved to the rocky shore moments later.
Choking, you hack up salt that burns your esophagus until your lunch quickly follows—all spilled with little care for your hands caught in the crossfire. Spine arching as if a cat, air can’t come sweeter as it is drawn in rapidly; nearly hyperventilating on the ocean-smooth stones as your clothes are utterly ruined.
Panting, gasping, shivering violently, your head pulls itself weakly upward. It doesn’t take long for your mind to scream at you, and your head snaps behind you in a panic.
But there’s nothing but the raging water and the splash of a large navy-colored tail as big as your entire body disappearing back into the depths.
Your fear can only stay for so long before the threat of a frigid death becomes more and more probable. In your race back up the cliff face to your shop, your purse is completely forgotten, trapped on the top of that shaky rock where it had fallen from your shoulder before the great plunge.
Your shawl is seen floating out to the open water before it’s grasped from below and suddenly plucked—vanishing without a single trace.
—
The fire rages with the inferno of a million suns, and it’s not nearly hot enough. Wrapped in every blanket, sheet, and warm item available, you still can’t stop shivering hours later. A teacup was stuck in your hands, the liquid sloshing over the edges to slip over your quivering fingers and absorb into the cocoon of heat.
Breathing through your shaky lungs, you keep the rim of the cup to your lips, eyes wide and horrified. In the still moments after you’d stripped and tried to stop the onset of sickness that you could already feel coming, there was a flash of realization from your strange and fantastical ordeal.
There had been a man.
The sensation of hands around your waist—the gruff voice that had spooked you so violently. A man. In the water. Every time you blink, you see a shadowed image, a tiny glimpse as you’d turned to the sound of human speech above the shriek of birds.
Short brown hair and narrowed blue eyes set into sockets of pale skin. A bearded face, mustache…square jaw…
“What in God’s name?” You stutter in question over your tea, shaking your head. “That isn’t possible.”
Outside your shop, the wind screams, pushing against your exterior shutters as night sets in. A storm was coming; there’d be no other adventures for you. Sipping your drink, you shiver again, curling in tighter to yourself as wood crackles. The light dances over your easels and side tables, piled high with jars of brushes and pallets—bottles of linseed oil and liquin, labeled with little pieces of hanging paper at the necks.
There are paintings in the tens—in the twenties—hanging on the walls and set to the corners, all blue and gray; misty and clear. The water is a staple in all of them, and the cliffs as well. Perfect imitations of this place, as if you could reach a hand through the canvas and enter a mirrored world. Great ships are in some of them, or little fishing boats, with the birds overhead. Sometimes, it’s only the water itself, and to you, those were perhaps the best of your work.
There was a beauty in the nothingness. A mystery. Who knows what’s under that thin surface? Well…apparently, it wasn’t human.
You swallow down saliva and your lips thin.
The thing in the water wasn’t… unattractive, you had to admit. Beyond the waterlogged hair and dripping beard, a large nose sat—full cheeks with an odd mole over them. The more you thought about the brief flash of a visage, the more you grew to hang onto it, strangely. And that navy tail? It had been incredibly unique.
Spiney, nearly—four thin bones going down on both sides, branching out from the tail starting with the shortest that was perhaps only as long as your hand until the final was as lengthy as your entire arm. There was webbing between each spine to help the thing through the water quickly, it spread to the end of the barb until it sunk back in a ‘U’ movement, before once more arching out again to connect with the next spine. Small gasps in the caudal fin calling to either battles or a natural state of being—for show in it…his?...species.
Could you even assign it a human gender?
You close your eyes tightly in your shop, trying to will the image away from yourself. “What in the hell is going on?” Your voice is scratchy and low.
Yet, the undeniable truth was that the fish-man had saved you. It couldn’t be overlooked. Not by you, who now can sit in front of this very fire because of it. Like a moth to the flame, the surge of cautious confusion is burning your wings.
Deep blue eyes like the ocean. A navy tail. A gruff, hard voice.
You open your eyes and glare into the fireplace.
“What has this place been hiding in the water? And why did it bloody save my life right after it nearly ended it?”
More importantly…you had to think of a way to get your sketchbook back without getting on its bad side.
With a heavy chest, and more than a little fear in your heart, it was resolved to do something about all of this tomorrow. There was no use leaving the shop now. Glancing at the shaking window, you could hear the ocean rampaging over the cliffs; hear the slam of the rain hitting the roof like pounding feet.
But that voice played in your ears like a gramophone's bleated chorus.
You shiver again, not from the cold.
Careful, then.
—
There was no question if you’d gotten sick because of your impromptu bath in the ocean—the evidence was in your salt-covered shirt and the stockings that were still drying on the hearth.
Pressing a handkerchief to your mouth as you cough haggardly. You’re bundled in a nice fur dress coat, walking along the street with a skipping heart, a simple cloche hat over your head to protect you from the elements; dark blue in color.
The irony was not lost this morning when the hue had a striking familiarity to a fish-like tail, but it hadn’t stayed in your hand. A small drizzle slapped the fabric, and you were thankful you had brought the hat and coat along with you on the move from the big city.
You weakly smile and nod to the locals you consider friends—at the very least acquaintances. But before long, you’re at the place you feel you need to be to gain answers, too nervous to go back to the shore immediately.
The library.
Something Otto had said came back to you last night, in the throws of insomnia. The two sentences he’d called out on the docks that day—You’ll not take her like you did Eleanor. Mark my words, I’ll be stringing you up by the tail first.
Eleanor? Who was that and how did it correlate to the beast in the water that wears a man's face? Maybe, the local records would tell you the answer—there had to be something about this person, ‘Eleanor,’ in them, right?
If not, there was only one option left, and that was going down to the shore and getting the results first hand…you’d rather exhaust all of your resources on solid land first.
Slipping into the library with a deep breath and a cough in your throat, you sigh and nod slightly. Time to get to work.
“Oh,” the librarian looks up from her desk, standing as you shuffle over. “Hello, Dear,” she breathes through a chuckle, eyebrows pulling in softly. “My, you look a bit under the weather, don’t you? Would you like me to get some tea going…?”
“No, thank you,” you wave an easy hand. “I’m here on a bit of an errand, actually, and I was wondering if you could help me with something? I need to ask about your records.”
“Records?” The woman’s face shifts to confusion, her body slipping out to stand next to yours, you bring back up your handkerchief and sneeze into it, groaning. “What kind were you thinking, then?”
After you can push away the sheen of sickness to your eyes you take a breath and clear your throat of the stuffiness. “Births and work records? Addresses?” You make a small noise in the back of your mouth. “I guess I don’t know…anything that might help me?”
The librarian chuckles a bit, amused. “How about you tell me what it is you’re looking into, and I’ll try and grab any public knowledge that I can find. We’ll work together, then.”
Weight is loosened from your shoulders and you nod appreciatively. “Deal.”
“Go on then,” she walks over to a shelf on the far side of the room, standing as her fingers run the spines. “Occupation I can start with, Dear?”
“Well…” you pause, shuffling after as your head looks from one sizable book to another. “No, unfortunately. Only a first name.”
“You’re lucky Redthorpe is small,” the woman laughs. “Otherwise I would have told you you’re lacking your senses with only something like that to go off of.”
“Eleanor,” you comment, licking your lips and staring at a spine labeled ‘1890-1900 financial records - Redthorpe’. “E-L-E-A-N-O-R, or at least that’s the common spelling, I believe.”
The librarian’s body is stone-still. Comparable to the immovable rocks of the shore as the waves bash against them; the raging of the wind. When you glance over, confused at the silence that infects the building, you’re reduced to a meek hesitation at the blank eyes that dig into your face.
“...Or…maybe it’s N-O-R-E?”
“I’m sorry, but I can’t help you,” is the hurried answer, and then the woman moves past with fast feet, heels clicking over the hardwood rapidly. “There hasn’t been an Eleanor in Redthrope. You’re mistaken.”
“Wait,” you follow, stuttering. “I don’t understand, there has to have been—Otto was talking about her not days ago!”
“You’re mistaken,” is the repeated, firm answer, the librarian’s body swirling to face you again, pointing a finger at you. “Go back to your shop. Mr. Whitworth is old, he sees things that aren’t there. Don’t take what he says to heart—”
“I saw it!” You bark, fed up. Your mind was sick of these games being played, left out of the loop like you hadn’t formed a relationship with the people of this town.
The woman’s mouth locked shut with a clack of teeth, something darting over her expression…fear?
She backs up slowly. “I…I don’t know what you’re talking about, Dear.”
Your lips twist, a threatening sneeze in the back of your nose. “I’m done with the word games! It dragged me out of the water like a sack of flour and tossed me to shore! It saved me!” Her hands are held in front of her as you stalk closer, trying to brush what you’re telling her aside as she struggles to string words.
“It…it wouldn’t do that—that’s not how it acts. You’re just imagining things; you’re under the weather!”
“Who’s Eleanor?” You huff, stubborn as you cross your arms in front of you. “And what in the hell is a man with the tail of a fish doing living just below these cliffs?”
Wide eyes meet glaring ones, and the librarian’s lips move up and down in a panic.
“I…” she begins, feet tapping the floor nervously as the rafters creak above the both of you. “I can’t talk about it. It’s not something to be said out loud—especially so close to the water.”
You bark incredulously, “There’s a bloody monster that lives down in—!”
A hand is snapped over your mouth and you startle, blinking through the twitch of your body.
“Shh!” The librarian panics, shaking her head, with flaring eyes. “Stop it or you’ll end up being dragged down to the ocean floor like Eleanor was!” You tense behind the hold, shoulders pulled in. It’s a quick spit of whispered words like a fast breeze. “Do you want your body showing up on the rocks?! Stay away from it!”
Your heart pounds in your chest, vision darting back and forth before she finally lets you go in a quick jerk of her body. The woman backs up, quivering as her eyes go to the window, nearly panting from fear.
She looks back at you, blinks, and mutters out a quiet, “If you’ve already seen it, it wants you. Don’t go back to the water,” before she rushes into the back room and slams the door shut with the slipping of the lock.
Left standing in the open library, the shelves sit stationary as if sentinels to your raw distress—this had only left you with more questions and a handful of jumbled answers.
“Careful, then.”
You shake your head harshly and pivot to leave the library in a stupor, shoving your chin back down into your coat’s collar as the wind slaps your face once more. The call of the ocean is like a knife to the back of your neck.
—
Call you whatever name in the book, but you wanted your sketchbook back.
No one in town was giving you anything that was of use, and Otto was tighter-lipped than a lockbox. There was only so much you could do—could speculate—before the need for your belongings was too strong to ignore. It took two more days of pacing your shop before it was decided.
Taking up the heavy cast-iron pan above your fireplace, you slip the thing into your coat, shove on your hat with a defiant grunt, and force the front door open. It’s a ten-minute walk to the shore, and all the way there, dread fills you up like soup until you’re bloated with it by the time your boots hit black rocks. Yet, there’s a point where a woman’s courage outweighs the sense of caution, and today was currently that day.
Taking a deep breath to steady your nerves, you grab your skirt and hike it up, placing your boot carefully on the first of the larger stones leading out to where you’d been previously.
“Don’t look at the water,” you mutter quietly as you move, not shuffling forward until you know the rock isn’t going to topple this way or that. “Don’t even think about it.”
But that tail…that face…
With a growl under your breath, you grind your teeth and continue on.
The weather today was much more agreeable, but cold. It was always chilled in Redthorpe—dreary as if the clouds never left far above. You didn’t mind, and in your coat pocket, the reassuring weight of your pan left you much warmer than you’d like to admit.
The heat of protection, so to speak.
“Even a fish-man can die, I’d wager,” you utter, grunting as you ascend a larger rock, palm slapping the wet stone before you heavy upwards, slamming your boot to the top much like a schoolboy as your skirt bunches. “If I hit him hard enough in the skull. I wonder though,” you sneeze, shuddering, “if he even bleeds? If I crack his head open…will blood seep out, or salt water?”
You shiver, and it’s not from the cold. “Fucking hell, you do like making it harder on yourself, don’t you.”
Lightly panting, you brush down your coat on the top of the rock and turn to look at the boulder where you’d fallen previously, blinking. Pausing, your eyes find not only your sketchbook sitting there…but also your shawl.
Struggling for a moment to try and justify your actions, you swiftly look over the surface of the water, seeing the gentle push and pull of waves. No fin. No tail.
You aren’t sure if the feeling in your chest is joy or disappointment.
Licking your lips, you take a large breath before your face turns grim.
“Grab it and run,” your voice echoes in your own head, heart pounding with adrenaline the more steps you take to the boulder, water sloshing at the sides. You had thought perhaps that the rain—the storm—would render all of your lost belongings null, but as you bent and snatched your items to you, shawl hanging from your arm, you were pleasantly surprised. It was all dry; impossibly so.
Amid your shock, your slack jaw, and the weight of your pan in your coat, your shaky fingers open your book with bated breath.
Everything was in pristine condition, if not only slightly curled at the corners due to…your eyebrows pull in, expression struggling to take on the emotion of anything other than pure awe.
“Fingerprints?”
Eyes slipping from one page to the next, flipping them only to see the press and pull of a long gone thumb, shiting the paper to gaze at the back, where a forefinger would have been. A hand laced in water had been turning the pages, just as you do now—and, yet, there wasn’t an inch that was damaged; nothing smeared.
Shoulders loosening from their tensed position, your wide stare is utterly transfixed as your digits rub the material softly, feet shifting.
Lowering your sketchbook, your small huff of amazed laughter, mind running.
He’d been going through your drawings—he’d somehow protected these items from the rain and salt. How? Why? But another question wrapped its hands in your skull.
Did he like them?
Shuffling the book into the crook of your arm, you carefully wrap your shawl over the material to further keep it safe, not able to find your purse, though the only thing it ever held was your sketchbook in the first place; it wasn’t too important.
Rising your head again, you gaze openly outward, lips opening and closing in a small stutter. Was he out there, this strange creature with a strong face and those deep eyes? That navy tail, looking like a beautiful imitation of kelp…was it just under where you now study the waves?
So many questions, so few answers.
You clear your throat, holding your items tighter. There’s magnetism in your blood, and it sits on your tongue like salt.
“Thank you!” Your voice calls high, joining the chorus of birds far above on the cliffs. Eyes skating the rocks, the shore, the ocean, everything. Call you prideful, but perhaps the best way to gain your favor is to know that someone, whatever bit strange and fantastical, had enjoyed your work to the smallest degree.
The way your eyes spark is still embarrassing, though, but it comes naturally after the heat that simmers over your face.
“Truly,” you shout to the wind. “You have no idea how much this means! If you’re listening, I’d like to extend my gratitude…” Your face is beaming, and you can convince yourself that all of your fear over this is gone, even if that would just plainly be untrue. “My artwork is everything to me, I do hope you enjoyed it!”
A creature so easily curious about your skills wouldn’t drag you to the bottom of the ocean…right?
Hell, he’d already had a chance to do that—a perfect one—and yet, here you are. What the Librarian had said had to be false, it made no sense otherwise.
Seeing nothing, and knowing that you were needed back at your shop, you chuckle under your breath and back up swiftly, walking the distance back to the surrounding rocks and slipping off softly. Grunting under your breath, your boots hit the stone, and you carefully begin back-tracking.
“You’re good at it,” you halt in a fraction of a second. “The images. Where’d you learn to do that?”
It’s a long moment before you turn with a cautious tilt to your head, and find the very same visage as you had a glimpse of days ago. You fight a fast inhale, but your straightening spine tells all the story it needs to. Like a fool, you lose the words in your mouth, as if trying to catch a bird of prey with a butterfly net.
A strong face is poking out of the water only a mere five feet away.
Your eyes slip to the soaked beard, the peak of bare shoulders—broad, of course—and the prying orbs that you feel will never leave; he wades there, arms under the dark water only a flash of pale skin before they’re gone again.
“I…” you lick your lips, blinking through the moment of animalistic panic. You were on land, there was nothing to fear. The sight was still something to be remembered, though. “I was self-taught, Sir.”
Blue eyes blink, serious face only made more so by the twitching of his large nose, which water drips from periodically. Droplets stay stuck to his dark lashes, and you’re near bursting with questions.
But silence persists long after your sentence filters out to nothing.
“You pulled me from the water,” you state slowly. “And I don’t even know your name.”
The man looks you up and down, not arrogant, no, but in a way that is comparable to how you did the same to him. Studying you as if your body was strange to him. The realization almost made you laugh—perhaps it was strange to him.
You want to see that tail of his again. Your fingers itch to sketch its likeness and commit it to muscle memory.
“I scared you,” he grumbles, sighing. “It wasn’t my intention to send you over.” Eyes still stay stuck. “My own fault.”
“I won’t deny you there,” you huff, gaze shifting away for a moment before filtering back. A slash of amusement curls in the thing’s eyes, and he hums. “Forgive me,” your breath wafts out over the air, face going what you can assume to be sheepish. It astounds you, though, that the conversation comes easily. “But I haven’t the faintest bloody clue as to what to call you.”
“John,” is the reply. Accent like gravel. He doesn’t waste his breath, seems.
“John?” You lick your lips, legs shuffling over the stone. The name leaves you holding back a loud laugh. “Well, I suppose I could have guessed that, then. I’ve met more than enough ‘Johns’ so far.”
“Funny, are you?” The response, however dry, is tinged with something you can’t name.
“I try,” you nod jokingly, motioning with a hand. “Just didn’t expect a man with a fishtail to act so….human. Certainly not be named like one, either.”
“Hm,” John grunts, blinking slowly. A hand slips above the water, and you watch it flex and drag to itch at the back of his neck, hair over the arm slick to the flesh. Your face heats, and your eyes dip to see the small shadow under the water almost graze the surface, rippling the waves intimately, as if tail and liquid were of the same sound mind.
It wasn’t out of the question to say you longed for a glimpse.
What would it feel like to touch it?
“You live here?” Your voice is hoarse before you clear it quickly. “Right below the cliffs?”
“You’re the woman that goes out in the boat,” John firmly interjects, and you blink, taken aback.
“Yes, that’s me.” You explain, pulling at the lip of your hat to force it down further over your head. “Otto goes fishing in the mornings—I like to sketch the shore. He isn’t the worst company, of course. He’s kind enough to let me along with him.”
But you won’t be kept down. There’s magical curiosity in your chest now.
“Your tail,” you take a step forward, boots being licked by icy water. John’s eyes widen a smidge, not expecting you to actively move closer. His head tilts as if a bird, confusion brimming though he hides it expertly. You imagined he considered you a bit mad. “Forgive me, Sir, but I must know,” your uttered rambles make his hidden lip twitch, a little twist to your expression that shows wonder. “Is it attached to you, or do you slip out of it like a pair of pants? O-or even like wearing a stage costume? Oh, it’s like nothing I’ve ever seen before.”
John can’t find the words for a moment, only able to watch and assess as he always did in times like these. You were…different, he supposed. But he knew that the moment you had shifted your body over the side of that old man’s boat—looking for a glimpse of something unknown. He could see it in your eyes.
The water calls to you. It lives in your veins already, waiting. More salt and seaweed than earth and grass. Sand, rock, gulls, they all cry in the back of your mind, and your fingers itch to catalog them into immortality in a way that John was fascinated over—the skill of parchment and memorization. Mastery over detail.
He doesn't know why he’s speaking to you, truly. He’d done his penance; saved your life. But he knows he doesn’t dislike it, and that in and of itself needed to be understood. John couldn’t leave his analytical brain lacking an answer to a question as big as that—a woman of all things? A human one?
Blue eyes can’t seem to slip from yours, as you await a gruff reply.
“No.” You blink, pulling back a smidge when John’s voice is low and graited. “Go back to your home. It’s late.”
“Hey, wait—!”
But he’s already gone under the waves, and you’re left with a waterlogged boot, a cast iron pan, and the two items that had survived because of a grizzly creature's compassion. Your lungs heave, and the cloud of condensation rises into a gray sky.
You stay there far longer than you’d like to admit.
—
You struggled, slipped, and climbed your way back to that point on the rocks every other day, and yet, there was nothing more to be seen of the man with the tail. You knew he was out there, felt it in your bones, and still…you were left here staring out at far-off boats and half-hopes. Wondering. Waiting.
In the days that passed, you would explore the shore further, going in nooks and deep bends that extended into the cliffs during low tide, cringing away from the slippery fingers of kelp stuck to the walls. Dead fish, mucus-lined snails—you had made the important decision of leaving your sketchbook at home, the pages already filled with the perfect reflection of a man’s face peeking above the water.
Taking off your hat, you huff on a similar day to those others, this time slipping inside a cave with a direct connection to the ocean. There wasn’t any wind in here—and you sigh in relief as your breeze-bitten cheeks can finally get a rest. You didn’t know what you expected to find doing all this fruitless searching, but it didn’t erase the fact that you enjoyed it; looking for a glimpse of something out of the ordinary.
Brushing your hat of sand and other such items, your head swivels softly, a delicate smile on your face as water drips from the rock ceiling, stalactites like broken fingers reaching for the ground. A pool of sorts takes up most of this place, the thing extending to the ocean through a medium-sized opening in the stone.
You turn in a half-circle.
“Beautiful,” your lips murmur, voice echoing.
Walking forward, every so often your body stoops to carefully grasp shells and smoothed shards of colored glass, beaten down by waves and reduced to harmless trinkets. Continuing, you care little about your boots or your coat, only for the pull in your chest that tells you to keep going until your legs are weak and weary—shaking from a day long spent in selfish adventure.
When you find the pile of rings, sitting in soft kelp, you nearly walk right past them until the glint of metal takes you by surprise. Pausing, your pulse warms as your eyes slash to the side, getting sucked in as easily as cookies to a child.
Only hesitating a second, you slowly walk until you’re inches away, seeing different styles and gems like starlight sitting as if unaware of their raw beauty.
“What are you doing in here…?” You ask yourself, your own voice responding from the walls as it bounces.
Picking up one of pure gold, you shift the band to stare openly at an emerald nearly the size of your knuckle set into it. Lips parting, it’s as if your breath is stolen by a quiet thief. But the sudden arrival of splashing snaps you out of your stupor quite quickly.
Dropping the ring immediately back into the pile, your hand jerks to your chest as an increasingly common face shows itself once more from the water.
You clear your throat, face burning as John raises a slow brow, glancing at the stash of rings silently.
“One day you’re going to make me keel over,” your voice berates, pointedly avoiding his blues. So the items were his.
“A thief as well as an artist?” John asks after a moment, tilting his skull as his body drifts closer to the rocky side of the pool. The next sentence is no question, only a statement. “You’ve been looking for me.”
You take a long breath, sighing, before you shove your hat into your coat’s pocket, glaring lightly. “You left so abruptly, I never got to ask my questions. Quite rude of you to keep a lady waiting, John.”
As you say his name, he glances over, but not before his sizable hands slap to the side of the rock and he hoists himself up with a single push of his forearms. The man grunts, lips pulling, before you’re left breathless.
Eyes stuck on the upper half of his body, the water dripping down the hair-layered bulge of visible muscle, your wide vision skates from one point to another, flesh on fire the more you stay mute. But the tail—that was something you could never describe.
The beginning was all you could see; scales of dark navy and a spread of muddled silver-like dots, nearly impossible to make out except at this distance. They began at the top of where hips should be, the scales, smaller and blending into the skin easily, only becoming larger the more the tail extended down; the appendage was far larger than legs would be, that you can tell easily. You can’t see all of it, as perhaps a little less than half still sits swaying in the water…but even this was enough for now.
This moment would be stuck in your sketchbook for all of eternity.
It’s only after your jaw is slackened that you realize John has been watching you the entire time.
Forcing it shut with a tiny clack of teeth, you try to regain any composure you can. The being’s beard curls in a smirk, cheek pushing to show the lines near his eyes.
“If someone’s avoiding you, Sunshine,” he grunts out, voice low. From the corner of his eye, he watches as his hand rises to itch at his beard. “They usually don’t want to have a conversation.”
“I think it’s fair,” you huff. “You can’t just disappear when I have so many unanswered questions.”
John blinks, attention not moving for even a second. Your own is less than firm, fighting to not dart down to openly study every dip and bend of his bones. He was so…stoic. Gruff. But there were moments of amusement—even annoyed interest.
“I don’t have time to fuckin’ entertain others,” he thins his lips.
Your arms crossed, face dripping into seriousness. “And what else is so much more important, then?” You raise a brow. “Scaring other women into the water?”
He huffs under his breath. “It was an accident—wouldn’t have happened if you weren’t so jumpy, eh?”
“It’s not like I expect to see fishmen pop out of the water,” you defend.
“Mer-man, Love,” he licks his lips, sighing, as his eyes shift to glance at the opening of the cave. Your face bleeds into a slight expression of satisfaction, arms over your chest tightening as your feet rock back on their heels.
“Well,” you chuckle. “Now we’re getting somewhere.”
An emotionless glare is all you receive.
It was no surprise that you ended up blurting out inquiry after inquiry—what does having a tail feel like? How do you breathe underwater, or do you only hold your breath like a human? Do you have gills somewhere, or lungs? What other creatures are out there like you?
You have no idea what time it ends up being, and you have no intention of stopping soon. It’s a pleasant surprise, then, that John answers all of your quick words with full answers; giving slow, but not condescending explanations.
A few times there had been tiny chuckles, and the little conversations amounted to you sitting on a rock right near the water, only feet away from where the tail drifts in the waves; John’s hands keeping his upper half straight as his palms meet slippery stone.
“And the rings?” You breathlessly wonder, attention darting to the pile. “Do you find them out there? Keep them?”
John tilts his head in an affirmation. “Shipwrecks. There’ll be hundreds of them—I’m not one to keep many belongings, but the bloody things were nicely made.” He sighs. “Seemed a waste to leave them down there.”
You huff a sound of amusement. “I see. Fascinating.”
In the small pause, your eyes once more study the cave, seeing little breaks in the walls where cubby-like indents are. In them, your focus drifts from one glimmering object to another, all previously missed by you when you’d first entered.
You blink. “You live here?”
“Affirmative,” John stares. His body shifts, tail flickering as your focus snaps back to it, almost lost in the way the ends so nimbly slice the water. Like wispy fabric. Your eyes soften like molten metal. You look back at him and find his eyes already locked to yours.
Breath caught in your throat, you chuckle meekly to dispel your embarrassment. John’s face minutely relaxes, stern brow loosening.
“And…” you lick your lips, knowing it was time to leave. The sun no longer shines through the crack in the rock. “If I were to come back, would I be able to find you here?”
There’s a flash of that same indecipherable emotion as before over his bushy face.
The man was anything but small—everything to the swell of his tail; body hair for, what you assume, is to keep out the constant chill of the water. You’d never imagined that you’d find it all so attractive down to the navy scales that shimmered above the push of his side. That healthy layer of meat was eliciting far more of a physical reaction than you’d care to admit to anyone, let alone a priest of any religion during a confession.
Perhaps that fall into the water really had killed you.
“I’ll be here,” John responds lowly, gravel in his throat.
Swallowing down saliva, you push back the ravenous smile that threatens you.
“...Okay.”
—
And this affair became such a constant, that most of the people in town had begun asking about you as you snuck to the waters. Otto was largely concerned, but would not say anything more for some unseen fear—nor the Librarian, who avoided your eyes any chance she got.
Dragged to the ocean floor. Body on the rocks.
The sheen of discovery could be a powerful vice, and for those first two months, you never asked John about the woman named Eleanor or who she might be—what correlation she had to beasts of the water. Then again, you didn’t have to ask. He managed to get around to it himself.
Your eyes blankly stare at the page of your sketchbook, the merman’s rough shape chicken-scratched with small lines into the parchment, and your pencil stays still to it, immobile. From across the cave, John’s face tightens as his eyelids narrow. You’d been quiet today, he had noticed. Usually so bright with your words, the walls had barely echoed with the symphony of your speech, and, more importantly, John’s ears hadn’t twitched to it.
He had become fond of your company, he admitted to himself. A strange human woman with her fur coat and hat, the little sketchbook that held such wonderful imitations of life. John was anything but dull—he knew you drew him, and he entertained the activity. In fact, the thought at one point or another may have made the brute of a man blush a bit. So, when you were as still as the stone you sat on, he had concerns.
He liked it when you spoke, even if it was only a tease. And the tightness of his chest when you don’t look his way is enough to leave his tail twitching in confusion as it sits in the water.
“You’re quiet today,” he starts, frowning.
Your fingers jerk, sending a line over your paper as you blink, looking up as your heart skips a beat. Glancing at John’s face, the thoughts inside of your head slip until you can understand what he said.
“I’m sorry,” you sigh, and the man’s face pulls. “You can speak if you want. I'm just a little distracted.”
“I didn’t mean it like that, Love, yeah?” John grunts, hands shifting over the stone. He looks you up and down, tail sitting still below him. “What happened?”
“Nothing happened,” your lips mumble, and you shake your head. “It’s one of my questions again.” You pause, closing your book. “A difficult one.”
John’s lips flicker. “Well, we’ve been at this for ages. Can’t see how this one is more difficult than the others.” He nods softly, voice a low and somewhat smooth mutter. “Go on.”
“I don’t know if I can,” you huff, standing and placing your sketchbook in the driest part of the cave before walking closer. Bending right in front of John, your face is tight. The man likes it like this—having you closer. He can feel the heat roll off you, and his eyes flutter even when nothing on his face gives away the pull he senses in his chest.
John hums and swallows stiffly.
“Why not?” His head tilts, and he clears his throat to get rid of the raspy scrape of his vocals. “Something going on up there?”
Up there.
The Merman had asked about Redthorpe, as well as the rest of the people who lived there. The atmosphere, the way of life. Your meetings were more of an exchange of information and stolen glances than anything else, the other none the wiser to this magnetic attraction. It was a delicate thing, knowing that there was something more and yet unable to fully express the way it makes you feel. Neither of you knows what to call it.
“More so in here,” you smile tinily, pointing at your head as your cheeks grow hot.
“Then speak to me,” John frowns, trying a low smirk. “Think we both know I’m a good listener then, Love. There’s time,” he glances at the entrance. “Won’t be near dark for a few more hours—don’t want you climbing at night.”
“Awe,” you breathe, beaming suddenly with that glint back in your eyes. John hides the sagging of his shoulders, only offering a hum under his breath as he looks over at you. His kelp-like fins twitch, and he wonders what it would feel like to have you touch them. It was obvious you wanted to.
Not yet.
“Hurry up, Sunshine,” John grinds out, that accent all the more sandy.
There’s a small grunt and a shuffle, and, soon, a warm body is plotting itself next to his own, arm touching his, and a pair of bare feet slipping into the pool. Blue eyes widen in surprise, head darting to where your form rests so simply—so near the crook of his shoulder that he could reach over and draw you to him if he so wanted.
Your feet shift as the hem of your skirt gets soggy with water, and John barks out a firm, “You’re going to get cold.”
“It’s not as cold here as it is out there,” you shrug to him, smiling with a side-eye. “Besides, I’m right next to you—you’ll keep me warm, won’t you, John?”
“Fucking hell,” he puffs out, shaking his head as he rips it forward once more, clenching his jaw. Your scent seeps into his nose, and when your leg slips along the side of his scales under the water, he all but goes a blank-faced scarlet.
You hide a chuckle, shivering at the chill but more so at the unimaginably smooth sensation of John’s tail over your flesh. Your legs move through the water to cross at the ankles, your right hand resting to directly touch John’s left. With every pump of your blood, his own mirrors.
Yet, your mood sobers, and the joy leaks.
“There’s a woman that no one speaks about in Redthrope,” you begin, and John settles to listen, brows furrowing in concentration as your skin sits so well next to his own. “Eleanor.”
The man pauses abruptly, and you keep talking.
“And for some reason,” you sigh out a low breath, turning to look at John and his still face; emotionless. “Everyone seems to blame you for whatever happened to her. I don’t know if she’s missing, or…”
Your words trail off, insinuation clear.
Not noticing any chance on John’s face, you lightly bump him with your elbow, expression going concerned. “Hey, are you alright?” Your opposite hand raises, moving out between the two of you. “I didn’t mean to insinuate anything, I would just really appreciate anything you might know about it.” Eyes imploring, your heart pours itself. “I don’t think you’d do something like that.”
John blinks slowly, finally opening his mouth. “What makes you say that?”
“If you were some murderous creature,” you shrug, “I don’t think you would have tried to pull me out of the ocean in the first place.” Lashes caressing your cheeks, you smile. “Am I wrong?”
“No,” the man huffs, quirking a brow. “No, you’re not wrong.”
“Knew it,” you whisper, eyes crinkling as you side-eye him.
John chuckles, half rolling his eyes as he leans to your ear as he grumbles. “Gettin’ cheeky, are you?”
If you were a bird, you’d be preening your feathers, eyelids narrowed. “Perhaps, John.”
It is a wonder, then, that the two of you don’t lock lips that very instant—long fins curling around legs and shoulders stuck together, pinkies unconsciously sitting atop the others as if pieces of parchment. Blue eyes shift smoothly to your lips, but before you can register that they have, John’s head is already moving back and his spine is straight.
The man flattens his lips, tilting his skull.
“I knew of a woman named Eleanor—she would come down with her husband, Noah, and they would walk along the shore. Got close to this place a few times.” Dark brows tighten. “Found her body in the water after a storm about two years ago; brought it back to the rocks so someone could retrieve it.” Your face loosens as the information settles in. John makes a noise in his chest. “Interesting that I’d be roped into it, but it’s understandable. Always someone to blame, eh?”
“I don’t blame you,” you whisper. “That must have been horrible.”
Blue slips over to you silently, and it’s a long moment before John only hums under his breath, blinking away softly.
“Scared me when you fell in.” Listening, your heart clenches in your ribs. To think about what must have been going through his head at that instant was sad to you, and even worse so when you know he would have blamed himself if you might have ended up seriously hurt.
“Well,” you lean into him, face on fire, “it was a good thing you were there to drag me out, then. A little water never hurt anyone, so long as a handsome merman is there to take them back to shore.”
John huffs out a laugh. “Handsome?”
“Oh, very,” you joke. “The tail is a bonus.” Your expression lightens, eyes glinting. “Since when did you know that navy is my favorite color?”
The feeling of the cold water is only a back-drop to the way John’s fins twitch against your bare legs intimately, and you chuckle as the beard can only hide so much red skin.
“Bugger off,” he grunts.
You’ve never heard a smile so clearly before in your life.
—
Your paintings were selling far better than they ever had, and you had to thank the new muse of them for that fact.
John’s appearance in your work had started small—a glimpse of a fin, the presence of a shadow in the water—and had steadily grown. Now, hidden like a present, there was the image of some fishtailed man somewhere in all of them, a steady injection of magic into the veins of cerulean blue and ivory black. It showed you that fewer people knew about John than you had previously thought.
Initially, you had imagined that everyone knew and the reason you didn’t was because you were relatively new here, but no. Most had been enamored by your work when they found the ‘strange fish-man’ in one, pointing and chucking to themselves, talking about how adorable it was. No one was shocked, no one sent looks.
By the end of the week, you had been convinced that it had been narrowed down to Otto and the Librarian—
The bell of your shop dings.
Looking up from your easel, you smile and stand automatically, thinking about closing soon so you can go and see John. Nowadays, even the thought of him makes your blood pump heavy.
“How can I help you today, Sir?” Your brushes find the side table you had set up, locking eyes with a tall, thin man in his late thirties. He wears a suit, and in his breast pocket, there’s the gleam of a gold chain attached to a pocket watch.
“I’m here to ask about a detail in your paintings, Miss.” He’s well-spoken as well, and you’re shocked to know you haven't met him yet if he lived in Redthorpe—he doesn’t seem familiar at all.
“Of course,” you nod, perplexed. “I’m sorry, I think I missed your name.”
“Noah Moore,” is the even response. Noah is already walking around, bending to look into some of your work which hangs on the wall. “My neighbor brought home one of your pieces; I found I liked it very much. Had even considered commissioning.”
Noah? You blink slowly, watching. Wasn’t that Eleanor’s husband?
“Thank you,” your lips move, thinning. “That’s very high praise, Mr. Moore.”
“This creature,” Noah stands, and dark eyes set on you. For some reason, the hair along your arms stands on end. “The man with a fish tail. Have you seen him?”
Your instant reaction is to lie, and that in and of itself is a telltale sign that something is wrong. Noah makes the alarm in the back of your head go off for no reason other than the way he’s trying to pry with that unblinking gaze of his. The rich apparel; the attitude. He isn’t right.
“Seen him?” Chuckles echo off the walls. “Who? The beast? No, Sir, that…thing…is just something I made up.” You wave a hand, but back up a step, trying to create distance. Your hip lightly bumps the side table, and your materials jerk. Gasping under your breath, your head snaps down, catching your brush before it can fall. “Oh my, clumsy me.” you laugh stiffly. “Apologies, Sir, but that’s the truth. I wanted to create something that all of Redthrope might enjoy; a local legend of sorts, see.”
Your eyes had siphoned back with a dread in your heart. The man mutely stares, a deep frown pulling his lips. As if the conversation had never happened, after a long stretch of tension, Noah smiles widely.
“Ah,” he huffs, “of course. It was silly of me to ask.” Dark eyes are emotionless, and the pull of his eyelids is not there. Spine so tight it could snap in half, and your fingers curl around the brush before you place it down stiffly. “Though,” Mr. Moore clicks his tongue, taking one step closer.
Your eyes widen, but you say nothing. Your mind flashes to John, and there’s a longing for the ocean so strong, it seems a good idea to you, to rush out the door right now and sprint for it; hurl yourself to the waves, if need be. He’d find you—you know he would.
“Though,” Noah continues, tilting his head. “There is a striking resemblance to a creature I recall seeing from the cliffs, the day my wife’s body was found at the rocks.”
Backing up another step, your muscles ache with how you hold them like a shield to your organs.
“As far as I know, only two others were searching at my side that day. And in it I am certain,” he hums, “you weren’t even here.”
Otto and the librarian, you think quickly, mind a mess of information and fear. It’s why they’re so spooked. They think John actually killed Eleanor and left her—they saw him bring her body to shore.
It’s a lack of foresight on your part, that the next bark is more of a reaction to the panic than proper knowledge, cracking under pressure.
“John would never kill an innocent woman!”
It’s as if a switch goes off, and, suddenly, there’s a ruthless hand grabbing at your throat. Yelping, you stagger back and snap your fingers to Noah’s wrist, clawing until there’s blood under your nails; air is sucked in with a wheeze. In the back of your head, there’s wild screaming, and you can’t tell if it’s the pounding of your blood or the internal sensation of primal fear.
Raging eyes shove themselves right in front of yours, faces so close you can feel Noah’s hot breath moving over your burning face. You try to cough but find you can’t as one of your hands struggles to slap to the side table—searching fruitlessly.
“John?” Noah sneers, holding tighter. “The thing has a name?”
Your easel clatters to the ground, back being shoved right into it. Mouth opening and closing, the cut of oxygen reduces your mind to acting purely off instinct—breaking down like glass to fracture to only one thing: survival.
“It was perfect,” Mr. Moore growls, eyes ablaze. “I had it all planned out, only to be ruined by a freak of nature at the last moment!”
Your nails gouge the wood, dragging, searching, slapping. Anything—anything at all to help as your boots scrape from under you. You can’t even comprehend the words being said; all of it is a blur as blackness peels the side of your vision.
Tears splatter down your cheeks.
“Two years, and then you had to come along and fucking speak to it! What did it tell you? Eh? What did it see that night?”
Your hand curls the glass bottle where you store your brushes and without another thought, you slam the side of it to Noah’s head.
Shouting, the man releases you in an instant, glass leaving long lines of blood splattering out to sprinkle your face as it shatters, collapsing into itself. Connecting to the ground, your hacking can only take place for under two seconds before your boots scramble for purchase, stumbling and flailing at least once; lungs gasping.
Shoulder connecting with the side of the door frame as you bang it open, an enraged scream follows you into the rainy afternoon, the rumble of deadly thunder far overhead.
Running, you don’t know how to stop, and it’s even harder to catch your breath by the time you’re down to the rocks, looking over your shoulder as if Noah would be right behind you. He wasn’t—but the fear was enough to keep you going until you were bathed in sweat and barely strong enough to fall into the entrance of John’s cave, fingers cut up and raw from grappling over stone.
There’s a quick call of your name from across the enclosed space, but your ears are ringing too loud to hear—whipping around to stare at the entrance as you struggle back on your hands, legs shaking.
“Love!”
Your eyes slash to the side, and through the quivering of your lashes, through the blur of tears, you lock onto the desperate slash of grayish-blue that’s a near-perfect reflection of the ocean itself. Painting, the realization comes a moment too late, as pale fingers touch your cheek and you flinch back with a deep pain in your neck.
Pulsing veins echo along your entire body, but there, at the point of where hands had wrapped your flesh, it burned with a horrible fire that made thin noise escape your lips.
“Hey,” John breathes, having dragged himself at a moment’s notice across the floor of the cave. “Hey,” he repeats slower, eyes slashing you up and down for any sign of injury.
His hand is outstretched, but he doesn’t try to touch you again seeing how you’d jerked away. The man’s heart had stopped at that—his concern shooting up similar to how he felt when you’d raced through the entrance as if a fire was on your heels. A near panic at the fear on your face, leaving his body on high alert; eyes skating the surrounding quickly.
But the splatters of blood on your face were something to reduce him to an enraged beast.
“What is going on,” he tries to keep the rough anger from his tone, attempting to leave it soft and smooth. There’s only so much he can do, though, as you shake and pant.
Your body gradually slows itself, attention seeping back to allow you to take control of your limbs. The first thing you see clearly is John’s outstretched hand, and, then, the clench of his jaw—the eyes that follow every teardrop down the flesh of your cheek.
Openly gazing, when John sees you’re back, his blues slip to a softened caress.
“Love,” he mutters, face tight.
You shove yourself into his arms and let off a sob that echoes louder than any laughter could. Curling into his chest, water seeps into your shirt, but the all-expansive hand that keeps you close is worth every clothesline you would have to hang.
“Shh,” John breathes, knowing that he’d get an explanation when he calmed you down, even if his mind was breaking itself to try and understand. “I’m right here, Sunshine. Breathe, then…I’m right here, yeah?”
His nose pushes itself into your scalp as your head hides away, quivering body curled like a cat around a fish—no air between the two of you, chests running across the others. So little space, and yet this breathlessness was one you could welcome time and time again.
John watches, eyes always open as he glares into your hair, grip tightening the longer you cry; a feeling so potent brimming in his chest, he would be a fool to ignore it.
You were more precious to him than any ring, than any trinket he could stash away and forget about. The way his heart bent to yours was stronger than any storm.
Breathing down your scent, John sighed, kissed the top of your head, and lightly rocked you back and forth.
He’d wait as long as it took.
—
When it became apparent you couldn’t speak beyond broken little coughs and wheezes, John was quick to bring you to the water of the pool.
Now, perhaps hours later, you sit with the burn and fatigue of crying eyes, sniffling as you shove away the stain of red on your cheeks.
“Careful,” John lightly comments, grasping your hand and pulling it away. His own replaces it, wet from the water he now wades in to help. “Let me get it, eh?”
Your eyes stay stuck to his nose as fingers push away the crimson of blood easily, firm but still utterly delicate.
“I’m not glass,” you croak, one hand near your throat.
Blue eyes blink at you. “Never said you were,” he grunts, frowning, and you see his Adam’s Apple bob. “Don’t like seeing you with blood on your face, Love.”
Like it had never happened, the fingers return, and a moment later, he grumbles out, “And stop talking—you’ll make it worse.”
You hadn’t explained, not yet, but by the utter rage you see John trying to hide from you, you know he understands how you might have gotten the swelling now present on your neck. His heart had been visibly pumping the entire time you’d been here; you could hear it when he was holding you, a relentless, thump-thump-bump, thump-thump-bump in your ear.
The brunette had been clenching his jaw more as well, grunting as if a boar after every sentence, a nervous habit, perhaps. He was trying to mask it for you, but you weren’t blind.
John pauses his cleaning, glancing at your throat.
He studies your face after he hums under his breath, having to dart his gaze away for a moment.
“...Can I?” You pause, swallowing as the burn persists.
Nodding after a minute of slow contemplation, cold hands shift to press carefully—not tightening, not holding you there—resting to give relief. You only tense a little, but as the seconds draw, John watches you sag forward with a large sigh through your nose.
He lets a small sliver of calm enter him.
“Easy,” John whispers, blinking. He keeps the chill of his hands at your neck, fins shifting the water to keep him still. “When you’re ready, explain it to me, eh?” His head tilts, voice a low tease. “Glass or not.”
Your lips twitch, and the way your eyes melt could only be compared to safety. You open your lips, and John mutters lowly as your fingers brush over his own, “Quietly, now. Can hear just fine—don’t push yourself.”
Blue flickers to your touch, fingertips trailing his knuckles as the man grunts, attention fluttering back.
All you say is one name.
“Noah.”
There’s a moment of confusion on John’s face, skin wrinkling, before the understanding settles swiftly—he wasn’t a fool. From there, his expression changes ten times over; that rage, then fear for you, confusion, and stubbornness. It’s of little surprise to you that a man so loyal was reduced to a dog.
A dog with scales, that is.
Your body is still running hot—your heart still pumping, though the adrenaline has left with all of its stimulation. You’re tired, yes, that much is obvious. But you want John to hold you again.
When you shift your body, the man’s eyes widen, and he blinks quickly in shock as your legs then slip into the waves inch by inch.
A noise exits the back of his throat, and John’s mouth moves in serious question. “What are you doing? Fucking hell, would you just stay still and let me have a look at you—”
Arms grapple around his waist, and a warm head burrows into his neck.
You rest against him, body suspended in the water of the deep pool, a merman’s tail swishing to shove you the tiniest bit closer unconsciously. John’s chest bounces with every emotion, but all he does is stop you from sinking by holding you. Your eyes close at the dig of his hands, and, letting the water move the both of you, the smooth scales along your legs feel as if the finest silk. A thumb caressing up and down your spine; breath at the top of your head.
You both say nothing, and it’s a long while before either of you takes any action to leave.
—
When your words could be strung together and not broken every other sentence, you explained all of it, and the hunch you’d strung together in the meantime.
You fiddle with one of John’s rings—the emerald one—as you glance up and speak softly, voice still delicate. The pain still blossomed, but some things needed to be explained.
“I think he killed his wife.”
By the way John stops massaging the flesh of your neck, letting you rest your head in the crook of where his tail begins and skin ends, you knew he already pieced that together a while ago. Your clothes were still heavy with water, and a puddle had formed around the both of you on the rocks.
“Hm,” is all John says, fixing the position of his lips as he looks away.
He shakes his head, growling out, “You’re not going back up there. Not while he’s still walking the streets.”
You frown, but John glares without any venom. “It wasn’t a question, Love.”
“What will you do,” you whisper, voice hoarse. A brow quirks. “Run after me, John?”
The man stares, not taking it as lightly as you. “If I have to.”
Your breath hitches, hands resting numbly over the ring as John’s fingers once again continue their touching—as if he can rub away the swelling; the damage of the veins.
“You don’t have legs,” you utter, having to pause in the middle of the sentence to breathe deeply.
“I’ll crawl,” he grunts.
“The rocks are sharp.”
His face is immobile. “Then I’ll bleed.”
Your mind memorized the stubbornness of his expression—the pull of the crow’s feet beside his eyes. There wasn’t an ounce of a joke in John’s eyes; no lie. Watching him, your face is loose with wonder, and water drips from your temple to connect with those dark navy scales, glinting with the light from the outside sun growing low.
The ring in your hands is frozen, stopping its turning as your pulse soars.
John licks the corner of his mouth, glancing at the item of gold and green.
“Keep it,” he mutters, tilting his head to the ring. “More of a use to you.”
Larger fingers capture yours, and in one deft motion, the elegant item is slipped onto your digit, sitting comfortably as if made just for you.
John shrugs. “The rest of ‘em, too, if you want the damn things.” His blues card over the view of your hand, and imagines fingers filled with every bit of gold and silver obtainable to him, brought up from the ocean just to sit pretty atop your flesh. Necklaces, bracelets, belts, and accessories; the things he’d seen from far distant waters.
Oh, but they’d pale in comparison to how you would wear them.
A muse to a song. A painter to a portrait.
A women to the water.
He’d seen your latest sketches—you’d brought them down to him here—and when you were exploring this cave, he had taken a peak. Unlike him, yes, but there was a pull to it, that parchment bound by leather. He’d not seen anything like it, and as he had watched you work on occasion, he was entranced as he’d listened to you explain it. You’d told him that you could even manipulate color, and that had left his eyes widening in awe.
You were incredible, and when he saw his own likeness littering page after page, John had been unable to take his eyes off of you. A silent appreciation—a voiceless devotion. He’d never been…captured like this, so to speak. A mirror image. Details he didn’t even know himself, and yet there they were.
Beauty marks across his cheeks and nose, the scars that littered his flesh that he’d all but forgotten about, the list was endless.
But he looks at you now, and he can understand why there’s a draw to immortalize the mortal.
His fingers stay at yours, and they brush skin as they dip along your hand, falling to your wrist. You stare up into his eyes, he stares down into yours. There’s little air to be taken in between the two of you.
“John,” you utter, blue gaze stuck to your lips.
He hums, tilting his head, his body looming over yours like a shadow. By the time his face is so near to yours, you don’t want to fight it, you don’t want to think about the strangeness of this predicament you’ve found yourself in—a creature living in the cliffs, handsome and half-inhuman.
When smooth lips brush over yours, and your eyelashes begin to flutter, the shouts from outside break whatever spell had just started weaving itself.
Head snapping up, John’s body tenses as you push upward quickly. Attention slashing to the cave entrance, it’s not long before you realize what’s going on with a sharp breath and a leap to your pulse.
The smash of something connecting to rocks echoes like a feral killing song. Yells. Yowls.
“John,” you say hurriedly, flinching from the pain in your throat. Your eyes dart to his tension-ridden form, his arms wrapping above your body. “You need to run,” you choke out. “Go! Quickly!”
You only get a glance, and the clench of his jaw is as stubborn as it always is. Your brain already knows it’s fruitless. He won’t leave you here alone.
“They’ll kill you!” Your hands push at his chest, finger grasping at the bristle of hair to try and shove at an iron will.
“Stay under me,” John mutters, voice low and nothing more than a chilled order. Yet, even he knows there’s little that he’d be able to do. His eyes flashed to every trinket and bauble he had collected, the new ones he’d yet to show to you, but there was few in the way of weapons. A dagger or two from a trench, a sword from under a ship—a spearhead. All too far away and rusted for it to even matter.
There was a sharp feeling in John’s chest. A need. An oath that he gave to himself the moment he’d seen the way your little stick could breathe his image onto a sheet made of fibers.
He was to watch over you whenever you were in his sights, and that had extended itself to gliding through the water as he watched you climb and grunt your way to his cave; a careful eye that he had no need to tell you about. That was just how he was.
“John!” You try to bark again, growing desperate.
Yet, it was already too late, and the merman hadn’t shifted even an inch before Noah, Otto, and the Librarian burst through the entrance like bats from hell. They hold all manner of weapons, though the more you blink in a panic, the less afraid of them you seem, at the very least, the older man and the woman.
Otto held a cut-up and dented club, nothing more than something you’d keep for a home invasion beside the bed—the Librarian, a heavy book that seemed to contain every bit of information available to the world, so large it strained in her hands. Noah, though, was a different story.
He had a sharp, long knife and eyes that could cut flesh by themselves.
Half of Mr. Moore’s face was sliced up, cuts leaking blood to the ground—skin hanging and an eye completely poked with glass; shards in its gentle makeup.
You swallow saliva and stutter through a shaking breath, and John’s glare could burn cities as he feels it reverberating against him.
“There!” Noah shouts, balking closer. “See! I knew it was here—seducing the next woman to take to the ocean!”
Your wide eyes try to take it all in, hands slapping the ground sending droplets of collected water flying. John’s face hones in, digging in like how the glass from your brush container had into Noah’s visage, and, somehow, you think that dead stare can cause more damage. Grasping the merman’s waist, you attempt and silently urge him to go.
“Girl!” Otto calls quickly, eyes darting from you to John and back. Even if you could yell, you’re not sure you would. You wouldn’t even know what to say. “Get away from it!”
“I’d put that down,” John grunts to Noah, disregarding the old man and the librarian entirely. He clenches his jaw. “‘Fore you end up hurting yourself. Leave.”
“Otto,” you start, glancing at the woman beside your friend who looked like she was about to pass out when John had started to speak. The man in question’s face pulls, wrinkles thinning. “You have to listen to me, please, it’s not how Mr. Moore told you—”
“It speaks!” Noah barks, pointing his knife harder at John. “Freak of nature, it already has its hold on her.”
“Oh my,” the Librarian gasps. “Noah, it’s horrible—look at the tail.”
Your eyes flare with rage as John doesn’t react.
“Hey!” You shout, but instantly slap your free hand to your throat, coughing raggedly until your spine hunches. The merman brings you closer, but you’re already pushing until you’re on your feet, stumbling for a moment as John gives you a sharp look.
“You watch your bloody mouth,” you grid out, glaring, whipping your hands to get rid of the water droplets. Noah licks his lips as John grabs onto the back of your knee, fingers resting firmly. Sending a look down to him, your shoulders loosen at the expression he levels. You can almost hear the words.
Steady. Keep your head on.
Though, a slash of silent pride made your heart stutter a small bit.
Your eyes glint. “Drop your weapons,” your sentence is crackling but nonetheless sharp. “Leave. John is innocent—he told me all of it.” You turn to Otto. “Mr. Moore attacked me in my shop, I smashed a glass container into his head so he would release me.” Otto tenses, club getting strangled by his fingers.
“Noah killed Eleanor,” you breathe, John’s grip pulling a bit tighter as if sensing something you have yet to see. Noah shifts quickly, boots squeaking along the rock as he growls.
“Absurd—!”
“He pushed her over the rocks and blamed John when he saw him bringing back her body,” you interrupt as fast as you can, pain bouncing off your throat. “You all saw it on the shore, the lie was simple enough for a man like him. Saying she drowned to a creature.”
It didn’t surprise you that John was quiet, that he was studying more the stance of men instead of talking or trying to defend himself. While he could be hard-headed and stiff, he was never dull—he never missed ques. So when Noah launched himself at you, Otto and the Librarian more confused and concerned than anything, there was only a heavy push on the back of your knee that left you buckling with a gasp, and then the explosion of water as John sent you both quickly to the water.
Hands whipping to snare around the merman’s shoulders, you’re only able to get a quick breath in before you’re completely enveloped in water, with John’s hand setting itself over your mouth just in case. The sudden rush is comparable to a heavy wind, yet far more cold and nearly like a slap to the back of your spine.
You both disappear into the deep with a spray, Noah’s muffled yells of terror seen far above near the surface, arms captured by the Librarian and Otto—held at his sides. There’s a flash of those dark eyes, horrible things, and then John’s fins hide the rest as they slash through the water.
When you both resurface, retreating far back near the watery entrance of the cave, John keeps you firmly behind him, your arms around his waist as you gasp for air. He keeps his head slightly turned to the side—always having you in the corner of his vision. Above the spread of his shoulders, you peek softly, legs suspended below.
“Lier!” Noah screams, face contorted. “She’s lying!”
You look at Otto and see the grim way he’s already looking back, struggling to keep the younger individual from breaking free. He was sensical, but stubborn in his ways. Otto had a choice just as the librarian did—believe a woman who’d been here a year or someone they’d known nearly their entire lives.
“Noah,” Otto grunts, gritting his teeth. “Breathe, boy! Stop spitting, let her speak—”
The knife in Noah’s hands slashes the air, and suddenly there’s a yell from the librarian and a spray of blood.
“Otto!” You scream, fingers flinching.
The old man stumbles, hoarsely crying out as he grasps at his neck. Your eyes widen, mouth ajar as John pushes his hand into your head, shoving it into the back of his hair as he watches blankly, eyes glinting with a deadly hate.
“Don’t move,” he utters quickly, sternly, to you as your breath breaks, mouth slack to stare at nothing. Scales skate your legs, great kelp-like fins curling your ankle. “Keep still. Focus on my words, Love.” Under his breath is a tight, “Fuck!”
John speaks above the gargling—the spillage of blood to stone. He mutters through the screams of the Librarian as Noah slips trying to run to the entrance, scrambling with bulging eyes.
“Don’t look,” John says to you lowly, shifting his body as he keeps your face hidden away and let him hold you like a corpse to the earth. The sounds…oh, the sounds were horrible.
But the man holding you tries very hard to hide them.
Your body quivers violently as the slam of a body hits the ground, the frantic calling of the woman still here with the both of you; the loud calls from the fleeing murder outside the walls.
“That’s it,” John’s fast lips are on the top of your head, muttering and trying to make his voice as even as possible. “That’s it, then. Doing good, don’t move until I say so, alright?”
When you don’t answer, only shoving your visage deeper into his neck, his spine-breaking-hold squeezes once, and his pounding heart bounces opposite yours. You don’t have to say you know him to understand that he’s only holding onto a thread of good manners, and that was certainly only for our own sake.
Otto was dead.
John leads you out, the gold and emerald of your ring glinting in the moonlight as he holds your body to his, the powerful make of his tail doing the work as it shines in the water. He leaves you outside, where the still running form of Noah is visible, yet the only person noticing is John himself. Your hands are so shaky that it would be impossible to hold your sketchbook, let alone a pencil.
John takes one of them as Mr. Moore gets too close to the shoreline, slipping and getting his foot caught in between two stones. He panics, yelling loudly, as water is lapping up to his knee.
“Hey, hey, you hear me?” John asks, uncaring to the man, as he sets you down softly on a flat rock shelf. Fingers move to sit at your chin, and, through tight sniffles, you make delicate eye contact. He blinks, trying a tight smile—a flash nothing more. “There she is. Good...I need you to listen one last time, yeah? Just like before; don’t look until I say so.” Your face creases lightly, blinking through a haze of senses and horror. Otto was dead.
The man that brought you out on his boat—the man that cooked you fish and acted as if a guardian to you. His cat, who would take care of her? It seemed a silly thought given the circumstances, but you can’t stop your mind from running. The house, the boat, the cat. The blood.
“There’s nothing out here that can hurt you,” John grunts, grasping your hands and holding them, letting calluses and scars speak. “So long as I’m here, I won’t let it.”
He nearly growls out the words. In one movement, he puts your hand to his heart, and your brain latches onto the rhythm as your own rampages in your ears.
Noah is still screaming, but now it’s for help.
John’s voice lowers as he utters, “Hey,” the man licks his lips, eyes dancing to the side every once and a while. You stare, swallowing down bile. He says as fluidly as possible, keeping constant locked gazes.
“Stay here. I won’t be long.”
Fingers glide down your neck again, feeling that swelling, and just as you register the kiss that’s leveled to your hand, to that gifted ring, John’s already away; his tail slipping over your flesh, fins gripping, writhing with their film.
Yet, you have no trouble following his advice.
The rising screams from Mr. Moore are numb to you, and the following wave of water that swallows him is only accented by the hand that grapples for his neck.
John always seemed the one for revenge.
—
With the Librarian's newfound cooperation, the story became simple.
Mr. Moore, distraught over the death of his wife, had finally lost it all when down on the beach with Otto, yourself, and the local Librarian—attacking and killing the old man in response to being so near to where he and his wife always traveled to. Afterward, he’d walked into the sea and had taken his own life.
The authorities weren’t going to dispute it.
You sold Otto's house a week after his death, seeing as he’d named you the sole inheritor of his estate and belongings. There was no need for two properties, and sitting in that small place was akin to torture. After all, he’d been doing what he thought was right, and dying for a lie is nothing short of cruel to those left behind who knew the truth.
Harriet stays in the shop with you, where she’ll probably live out the rest of her nine lives peacefully. She’s quite fond of the fireplace.
Most days, people find you near the water, and it’s something that wasn’t going to change even after Noah’s body was found in the rocks—freakishly close to where Eleanor’s had been. Some were calling it poetic and you’d have to agree…but for different reasons.
“You shouldn’t be giving me all of these,” you huff months later, sitting on the rock looking out over the water. A large collection of John’s trinkets is piled high in a wrapping of seaweed, shining bright as you mess with your pencil, leaning to stare at him.
John’s lips flicker into a smirk. He hums, content to watch you, from where he rests not an inch away. You lean into him, sighing, as the innumerable glinting rings on your fingers shimmer.
“Want to,” he grumbles.
Rolling your eyes, you look back down to your book, three of four replicas of the man’s scale pattern sitting, shaded and duplicated—lifelike. His tail sways with the water, half of it lost below.
Your hands reach for them now, the scales closest to you, and you lightly poke and prod as John grunts above you, silent but willing in a way that speaks volumes. He’d let no one else touch him like this for the rest of his life—the softness of your fingers and the care on your face more precious than gold. You revered that tail of his; as if it gave over magic like a wishing well.
Shivering, John’s breath hitches as your exploring moves, pushing lightly at where the top of his hips would be.
Your talent was fascinating to him, just as you were. If you wanted to ‘paint’ him, he’d allow you to do all the studies needed. Not only to give you a distraction….but because he can’t bear to be away from you anymore. It makes him nervous, and that in itself is an incredible feat.
“Where do you come from, John,” your question moves the air, and the man moves to pull your jacket higher up your body to stave off the chill. You glance at him, smiling, before your attention returns to your drawings. Sketching more, John resets his lips and tries not to stare at your face. It was getting harder to deny that pull.
That near kiss.
“No answer, Love.” You stare as he quirks a lip, voice lowering. “I won’t be going back to distant waters anytime soon.”
John glances down at your sketchbook, seeing every scratch and bend of care. The both of you were strange creatures, perhaps. Unique—made for one another despite the obvious.
He nods his head to it softly. The water laps at your boots from below, but you care little before John shifts your feet carefully further up with a push from his tail. You chuckle at him breathily, face heating.
“Getting water on you, Love,” he breathes. “New painting soon?” John asks when the silence settles once more, with you shifting your legs to sit under you. He still isn’t sure what painting entails, but you had told him that you would show him soon, so he knows to be patient. But yearning for anything regarding you is ingrained into his mind now—instinct.
“Mhm,” you smile softly, sending a look at your paper and the images. A huff escapes your mouth. “I think I’ll make this one a portrait.”
John blinks, tilting his head slightly. “Portrait? Why’s that?”
Your lips find his, moving back up in an instant.
For a second, the man’s surprised eyes pull back; only lowering as he hums moments later, fingers curling up under your chin as he sags. Lids flutter closed, and his tail twitches lightly.
“I have a subject that’s caught my eye.” You mutter into his flesh when you pull back, face burning as deep blues sear your mind, turning it into mush. Your skin tingles as chilled digits trail your chin, dripping water down your healed throat.
John watches, lips parted, as you continue on.
“And I’d be a fool if I let him swim off.”
The both of you were going to be perfectly fine.
TAGS:
@sheviro-blog, @ivebeentrashsince2001, @mrshesh, @berryjuicyy, @romantic-homicide, @kmi-02, @neelehksttr, @littlemisstrouble, @copperchromewriting, @coelhho-brannco, @pumpkinwitchcrusade, @fictional-men-have-my-heart, @sleepyqueerenergy, @cumikering, @everything-was-dark, @marmie-noir, @anna-banana27, @iamcautiouslyoptimistic, @irenelunarsworld, @rvjaa, @sarcanti, @aeneanc, @not-so-closeted-lesbian, @mutuallimbenclosure, @emily-who-killed-a-man, @gildedpoenies, @glitterypirateduck, @writeforfandoms, @kohsk3nico, @peteymcskeet, @caramlizedtomatoes, @yoursweetobsession, @quesowakanda, @chthonian-spectre, @so-no-feint, @ray-rook, @extracrunchymilk, @doggydale, @frazie99, @develised, @1-800-no-users-left, @nuncubus, @aldis-nuts, @clear-your-mind-and-dream, @noonanaz, @cosmicpro, @stinkaton, @waves-against-a-cliff, @idocarealot
#cod#cod x reader#cod x you#call of duty#x female reader#call of duty x you#cod mw22#mw2#mw2 2022#john price cod#john price#captain john price#captain price#cod mw2#cod john price#john price call of duty#john price x reader#john price x you#captain john price x you#x fem!reader#cod price#price x reader#john price x female reader#captain price x you#captain price x reader#cod x female reader
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Little mouse no. 01 🐭🌼
I made her twice to compare watercolor papers, gonna post the second iteration tomorrow :-)
[ID start: watercolor drawing of a grey mouse standing on two legs and holding a wild flower in front of her that is very large compared to her, the mouse is wearing folksy clothes, a white blouse, a dark pink floral skirt, apron and a patterned shawl on her shoulders. end of ID]
#cottagecore#cozycore#mori kei#natural kei#mouse#anthropomorphic#watercolor illustration#illustration#watercolor#traditonal art#character design#this one is for sale actually and the second one as well but I think I'm gonna make#a spearate sales post for that hmm#described
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My Collection of Beauty Standard Inspo 💗
#PrettyHeiressDiaries
video vixens ❤︎︎
video vixens are the quintessential sexy girl that you either wanted to be or wanted to get. they’re almost always hyper girly and there’s a natural beauty to them that’s less prominent as of late. they ooze effortless sex appeal. not to mention the mystery they held. i mean they literally were just there to look good, be pursued, and look good some more. they weren’t talking, let alone telling their business.
thin brows
frosty lip gloss
jet black or honey blonde long hair
millennium/logomania designer pieces
very blingy detailz
revealing cuts + sexy silhouettes
vintage glam black women ❤︎︎
appearing effortlessly beautiful while giving high maintenance class. these women are EXPEN$IVE! striking personalities and body language that commanded respect and attracted the best treatments only. a very overt glamorous brand of femininity.
voluminous hair and curls
opulent accessories
fur coats + shawls
metallic, shimmery eyes
pendant jewelry
ultrafeminine bougie women ❤︎︎
women like kimora lee simmons, mariah carey, and nicki minaj (and fictional characters like hilary banks, dionne davenport and toni childs) all carry themselves with a super girly aura. they don’t mind the “diva” or “gold digger” label; embrace it even. they love pink and being the most sparkly in the room and are often very successful and headstrong!
pink, pink, pink
tweed, tartan, + plaid
natural glam makeup
silk presses and sew ins
blouses + skirts
crop tops, tube tops, + turtlenecks
iconic early 90s supermodels ❤︎︎
the golden age of fashion. these women walked in the most influential fashion shows for me; chanel ss95, chanel fw92, azzedine alaia fw91, versace 92, lanvin a/w 91. the epitome of untouchable glamour. the circle of the most beautiful, most hardworking women ever.
silk, tulle, chiffon
statement pieces
designer purses
houndstooth and cheetah prints
form-fitting silhouettes
an amazing strut
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Pineapple lace traditional baro't saya (blouse and skirt) the first picture, the dark red one, was purchased by an American woman in the philippines. The first ensemble is incomplete, as it needs a pañuelo (shawl) and tapis (a secondary skirt? Usually worn around a longer skirt.) to complete the filipiniana look.... for my own personal research as I love traditional philippine clothes, especially ones that are not white / beige as is commonly seen in most philippine media. I think both articles of clothing are in American universities.
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Caroline, 50
“I’m wearing my grandmother’s wool YSL jacket, probably from the 70s. I wore this jacket to my rehearsal dinner 20 years ago, and my daughter has starting wearing it too. The sweater is Pringle of Scotland for Marshall Field’s – Field’s was a Chicago-based department store that got swallowed up by Macy’s. The sweater is my mother’s and is from 1956. She says the thing teens did was pick out your sweater style/color and then go to the embroidery department at Field’s to choose what embellishment you wanted. This has beaded strawberries around the shawl collar and cuffs. The skirt is from Anthropology, shoes are one of my favorite pairs of Onitsukas – they recently closed their US shops which is a loss. I love color & I have been inspired by my grandmother’s style most of my life. I was 17 when she died and always thought she was so fabulous and stylish; usually in high-waisted wide-legged “slacks�� and a beautiful blouse. I don’t think she’d ever wear this particular combo, but she’d get a kick out of her clothes still being worn and enjoyed.”
Oct 20, 2023 ∙ Chelsea
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Writing Notes: Fashion History
for your next poem/story (pt. 1/2)
1850-1879
The Civil War began in 1861 and ended in 1865, heavily impacting the lives of those living during the time period. In fashion, the rise of the sewing machine allowed more decorative effects to be used in dress, and new aniline dyes paved the way for brighter shades of dress.
This time is known as the Crinoline Period because cage crinoline made of whalebone or steel hoops replaced heavy layers of petticoats, and were commonly worn under dresses by women of the time.
One trend that hit its peak in the 1870s was the bustle, an item women secured under the back portion of their skirts to add volume.
In terms of silhouette, a narrow waist with a fitted bodice and full skirts was the recurrent style. Popular sleeve styles included pagoda sleeves, gathered bishop sleeves, and the coat sleeve.
During the day, high necklines were appropriate, but women often wore lower necklines in the evening.
Wraps and shawls were commonly worn, and accessories such as parasols, gloves, snoods, and bonnets were highly desired.
1870-1900
The years 1870-1900 include what is known as the Bustle period, in which the popular silhouette shifted from full skirts to a more fitted look characterized by fullness in the back.
Throughout the Bustle period of the 1870s and 1880s, a variety of padded devices were utilized to create back fullness, as the bustle took on different forms.
The bustle of the first stage (1870-1878) was achieved through manipulation of drapery and the use of decorative details such as flounces and bows at the back.
From (1878-1883) fullness dropped to below the hips and decorative effects of the skirt became focused low as a result.
Long trains and heavy fabrics also helped to emphasize the focus on the rear.
The latter part of the decade (1884-1890) saw the bustle at its largest. Often referred to as the shelf bustle, it was rigid and took on the appearance of an almost horizontal projection. At this time, skirts shortened to several inches above the floor and rarely had trains, with the exception of some evening dresses.
Additionally, they include the 1890's, which are often referred to as the Gay Nineties or La Belle Epoque. Times were good, Paris was the center of high fashion, and for those who could afford it, dress was lavish and highly decorative.
The corset continued to be worn, aligning with the fashionable silhouette of a full bust and hips with a narrow waist.
Dress ensembles typically consisted of two pieces -- a bodice and matching skirt.
The one-piece princess dress, worn by some during the latter part of the period, was an exception. Bodices were often fitted, with the cuirass bodice style emerging from around 1878-1883.
Sleeves were close-fitting and ended at either three quarters or at the wrist.
Evening dresses were differentiated by their lavish trimmings, level of ornamentation, trained skirts, and short sleeves. Weighted silk offered greater body and was a popular choice for dresses beginning in the 1870s.
Full sleeves were at their largest in 1895, before they gradually decreased in size towards the turn of the century.
By the 1890s, sleeve with fullness were only seen with small puffs at the shoulders.
Tailor-made costumes consisted of wool or serge skirts worn with a shirtwaist blouse. and were considered ideal for traveling.
Shirtwaist blouses were often accessorized by cravats and jabots. The variety of outerwear for women increased during the late nineteenth century and was dominated by coats, jackets, and wraps.
Accessories of the period included small hats, gloves, muffs, decorative fans, and parasols.
1900s
The first decade of the twentieth century is often referred to as “La Belle Époque” - French for "the beautiful age." During this time, Paris reigned as the capital of art and fashion, extravagance and opulence was in, and French couture became all the rage.
Edward VII became King of England with the death of Queen Victoria in 1901, ushering in the “Edwardian Era.”
Additionally, Henry Ford's Model-T was introduced in 1908.
Art Nouveau influenced fashion and ornamentation with the popularity of curvy shapes, floral prints, and ornamentation.
And with the introduction of Ford's Model-T, "motoring garments", such as duster coats and goggles, became essential for automobile riding.
The dominant silhouette of the period was the S-bend hourglass shape, which was achieved through the use of long bell or trumpet skirts that swept the ground, and the “monobosom” fullness of the front bodice.
Voluminous sleeves were another popular feature of turn-of-the-century fashion. Women still wore tightly-boned corsets, along with layers of petticoats. Two-piece ensembles were introduced, consisting of a skirt and a shirtwaist blouse. Garments often featured necklines with high standing collars for daytime and exceptionally low décolleté necklines for evening wear.
Lingerie dresses — flowing white gowns with lace detailing — were a popular choice for outdoor hot weather. Pale colors and un-patterned fabrics adorned with lace or embroidery were favored in this style. Shoes and boots exhibited pointed toes, and parasols were a must-have accessory for outdoors. Elaborate, often large hats decorated with bird feathers enjoyed heightened popularity.
1910s
The War Years (1914-1918) resulted in simpler styles, with moderation in fabric usage as well as the use of darker hues. As a result, garments of this period often have a more utilitarian and masculine appearence.
The “teens,” as the 1910s are often referred to, saw sweeping changes in fashion due to the work of French designer Paul Poiret, who was largely inspired by both the exoticism and color of the Far East and the Ballet Russes. “Orientalism” in fashion became all the rage and was seen in kimono-shaped coats, capes, saturated colors, and exotic embellishments.
Popular trends included the “peg-top” silhouette with hip fullness, Paul Poiret’s narrow-at-ankle “hobble skirt”, and Mariano Fortuny’s “Delphos gown” which featured his secret pleating technique.
Tunic dresses were also introduced, and featured a short skirt layered over a longer one. Necessitated by the new shapes in fashion, the hourglass S-bend silhouette transitioned into a more column-like, tubular form with a higher waistline. Brassieres replaced tight corsets and accommodated the soft, unfitted tea gown, a popular choice for afternoon hosting. The wide-brim hat continued to be a fashionable accessory and shoes began to replace boots.
1920s
The year 1920 marked the beginning of Prohibition, as well as the end of the Suffrage Movement, with women gaining the right to vote.
King Tutankhamen’s tomb was discovered in 1922, further fueling the taste for the exotic, and creating an obsession with all things Egyptian.
The Harlem Renaissance ushered in the Jazz Age; sleeveless dresses with shorter hemlines and sequin, bead, and fringe embellishment enhanced and enabled the fast-paced dance movements of the Charleston and Fox Trot.
The "Roaring Twenties" were years of major change for both fashion and society.
Besides major cultural events inspiring change, fashion was also influenced by Art Deco through the use of straight lines and geometric forms in both silhouette and decoration. The twenties silhouette was straight and tubular, and dresses deemphasized female curves, breasts, and hips.
Chemise dresses hung straight from the body and helped created this fashionable linear silhouette. The “flapper,” with her bobbed-hair and boyish silhouette, became the epitome of the fashionable look of the period. Hemlines rose, revealing more of the female leg for the first time in dress history, and shifting the focus to shoes for the first time.
During the period, Gabrielle “Coco” Chanel popularized costume jewelry — as well as wool jersey suits.
The cloche, a bell-shaped hat, was “the” hat to have.
Small beaded purses and long beaded necklaces were popular accessories.
1930s
The defining event of the 1930s was the Great Depression.
The stock market crash of 1929 and the ensuing depression created a need for less expensive garments without elaborate ornamentation. Designers of the period therefore relied on seam lines and darts as major forms of embellishment. Clothing that was cheaper and diversified was critical, thus creating the need for ready-to-wear fashion.
The overwhelming popularity of the movies in the 1930s helped perpetuate the ideals of “Hollywood glamour.” Women began looking to screen stars for inspiration in fashion, hairstyles, makeup, and even demeanor. The movies, and the glamorous lifestyle they portrayed, were a way for the public to escape the harsh realities of the Depression.
Designers such as Elsa Schiaparelli incorporated concepts of Surrealist Art into fashion designs, offering fantastical creations that also provided a flight from reality.
The 1930s also saw the birth of American sportswear and two-piece bathing suits for women. The decade saw a continuation of the linear shape of the 1920s, but with a leaner, longer, more feminine silhouette. The waistline returned to its natural position and hemlines dropped. Evening fabrics tended to be pale or white solids of silk or satin, and the backless evening gown was introduced at this time.
French designer Madeleine Vionnet created the “Bias Cut”, which produced a “liquid” clinging effect on the body. Hats of all varieties were widely worn, and a right-angle tilt was a common way hats were styled. Shoes featured low heels and rounded toes. Costume jewelry and fur added the final touch of fashionable glamor.
1940s
World War II began in 1939, ushering in a new conservatism in fashion. Fashion designers were forced to close their houses in Paris, and “practicality” became the new buzzword in fashion, with a focus on producing sensible styles and “utility garments” which required a minimum quantity of fabric.
In the United States, the L-85 Limiting Order aimed to freeze the war-time silhouette and stop rapid seasonal changes in styles in order to conserve fabric use. Tailored suits and military-influenced styles were seen in items such as belts, breast pockets, high necklines, and small collars. Both clothing and hair were influenced by the war.
For women who worked in factories, superfluous decoration and long hair posed safety threats. Hairstyles and makeup became an integral way to achieve personal style, since clothing and accessories were rationed.
Hollywood stars such as Veronica Lake, Rita Hayworth, and Bette Davis were significant influencers of fashion. American designers began developing sportswear collections, spurred by the necessity of the war-time focus on the ideals of simplicity and utility.
Casual separates, shirtwaist dresses, slim skirts with patch pockets, and halter and square necklines became popular. Women could also be seen wearing trousers, although it was mainly for utilitarian purposes, not everyday wear.
The 1940s silhouette was tailored and narrow, with a nipped-in waistline and squared shoulders achieved through the use of shoulder pads. Hemlines rose to just below the knee. In light of rationed fashion, hats allowed an individual fashion statement, and small styles such as veiled pillboxes and berets, often worn at a right angle, were most popular. Shoes were usually chunky with rounded toes and featured either low-heeled or wedge soles.
Leg makeup was also introduced and offered women a remedy to the rationing of nylon stockings.
More Notes: On Fashion ⚜ Writing Notes & References
#writing notes#fashion history#writeblr#worldbuilding#spilled ink#dark academia#writing reference#fashion#literature#writers on tumblr#writing prompt#poetry#poets on tumblr#creative writing#writing inspo#writing inspiration#writing ideas#fiction#writing resources
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Doyle Legacy 1890s - 1900s LOOKBOOK
Helena Doyle Harrington 1890s - 1900s
Babies first Lookbook!😀
Helena's upbringing was marked by poverty, stemming from the loss of her mother. This hardship led her to turn to prostitution for survival. However, her future husband Eddy, rescued her from a dangerous encounter with a violent client, allowing her to leave that life behind.
Together, they transformed an abandoned hunting shed into a functioning farm for their family.
Known affectionately as "Dove," Which is a pet name given to her since she worked as a painted lady. The color red became symbol for Helena since she adopted it as her signature, using the color to accentuate her vibrant hair and attract clientele during her time in the sex work industry.
Even after transitioning from a sex worker to a devoted wife I kept that color in mind each time she got an updated wardrobe.
The Harringtons lived poorly which is also why some of Helena's outfits seem out of date for time, she utilized her knowledge of previous decades sewing patterns to make clothes for herself.
I used up every outfit slot in CAS and I'd rather not overwhelm myself so instead I chose my favorites to share!
CC LISTED BELOW THE CUT
Thank you creators who put a lot of time and effort into making content then allowing all of us to enjoy it in our games as well! :)
If anything turns out to be credited incorrectly don't be afraid to contact me and I will correct it!
Helena Details: Teeth | Lipstick | Eyelashes | Eyeshadow | Non-Default Eyes | Eyebrows | Skintone ( Soft Rose Skin ) | Lip Preset ( N3 ) | Eye Preset ( 3 ) | Body Preset ( 4 )
The Painted Lady: Dress | Dress Fringe Acc | Hair | Boots | Torn Stockings
Soiled Dove Work Uniform: Hair | Bodice | Skirt | Boots | Torn Stockings
Everyday: Hair | Top | Wool Socks | Boots
Housework: Apron | Hair | Top | Skirt | Hair | Dirt Overlay | Wool Socks
Going Out: Dress | Hair | Hat | Gloves ( Basegame )
Wedding: Gloves | Hair | Veil | Dress | Heels
Formal: Dress | Hair | Heels | Hat
Party: Dress (The Eloise Dress)| Heels | Hat
Underwear: Outfit is BelleBoudoirSet by GildedGhosts(orig link is broken) | Stockings are Basegame
Sleepwear: Nightgown | Hair
Swimming: Bathing Dress | Shoes | Hair | Tights
Hot Weather: Lace Shawl | Boater Hat | Bodice & Skirt | Boots | Hair | Dirt Overlay
Hot Weather: Hair | Dress & Apron | Boots
Fall Everyday: Hair | Boots | Hair | Wool Socks | Fingerless gloves | Blouse | Skirt
Chilly Weather: Hair | Sweater Dress | Boots | Wool Socks
Winter: Headscarf | Boots | Wool Socks | Shawl & Apron | Scarf | Gloves | Hair
CC Creators:
@dzifasims @magic-bot @vintagesimstress @the-melancholy-maiden @kedluu @twisted-cat @remussirion @sentate @northernsiberiawinds @evoxyr @obscurus-sims @chere-indolente @linzlu @saurussims @uxji @simlotus @stamsim @gilded-ghosts @simstomaggie @dancemachinetrait @twentiethcenturysims @waxesnostalgic @peebsplays @rustys-cc @eirflower @dallasgirl79 @acanthus-sims @happylifesims @satterlly @dissiasims @historicalsimslife @zurkdesign @clumsyalienn @mlyssimblr
#I made my first lookbook AAAAAA#this took SO MUCH LONGER than I expected#I wanna do my beloved Eddy next but I need a break yessshhh I felt the punishment for making so many outfitsgksdbgs#PathsLookBooks#my sims#doyle legacy#Helena Doyle#helena harrington#lookbook#ts4cc#ts4#ts4 lookbook#1880#1890#1900#1910#1890 lookbook#1900 lookbook#edwardian#victorian#decades challenge#decades legacy#decade challenge#ts4 historical#cas#decades lookbook#historical lookbook#oc
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𝑾𝒆𝒍𝒄𝒐𝒎𝒆 𝒕𝒐 𝑴𝒂𝒓𝒊𝒂'𝒔 𝑩𝒐𝒖𝒕𝒊𝒒𝒖𝒆°❀⋆.ೃ࿔*:・
☾⋆⁺₊🎧✩°。
Hello lovelies! Welcome to my boutique you can make your purchase of the items that are under the cut (You can always add your own prompts). I write romance, dark, angst and smut so feel free to let me know which genre you want to see me write. I also write for poly!drivers and really love it. Feel free to send me a message to talk about anything, I'm always here to listen. I write for the following fandoms. My requests are open
Formula 1 | Percy Jackson | Stranger Things
♡₊˚ 🦢・₊ ♪ ✧
𝑪𝒍𝒐𝒕𝒉𝒊𝒏𝒈 𝒊𝒕𝒆𝒎𝒔: ˙✧˖°📷 ༘ ⋆。˚
Bathrobe: You're literally perfect
Bikini: Sexy, sexy little slut
Blazer: Can you feel how how much you turn me on
Blouse: I wish I never met you
Bomber jacket: How could you say that
Cardigan: I could do this all day, all night
Cargo pants: You're not telling anyone what happens here
Crop top: I'll make tonight special
Corset: Oh you don't think it'll fit? Nice try but i will make it fit
Denim jeans: Your ass looks extra nice today
Flowy skirt: I wonder how your father would feel if he knew what was going on between us.
Graphic tee: Will you marry me?
Halter top: I will love you till the day I die
Hoodie: I wouldn't be able to live with myself if I didn't tell you
Jacket: You're the best thing that has ever happened to me
Jumpsuit: Swallow it. I should not see even a drop and that pretty tongue of yours
Maxi skirt: I'm drunk ok, so what?
Mesh top: Why do you care so much
Midi skirt: How can you show off so much of your body like that? Your body is mine and only I get the see it and touch it
Leggings: How did I get so lucky
Off-shoulder top: Wait till we get home
Overalls: If you were a good little whore for me you wouldn't have to face this
Pencil skirt: You're so fucking stupid
Polo: I frankly don't give a fuck
Puff sleeve: That's sucka good fucking girl
Romper: You are going to regret what you just did
Shirt: Your moans are my favourite sound
Shorts: I'm not responsible for anything that happens after this
Sweater: It's time to put that mouth to good use
Sweatpants: You make my head spin
Tank top: I can't get enough of you
Trench coat: You really think you can escape from me
Tube top: You squeeze me so well
Tunic: Jealous? So what if I am jealous
Turtleneck: I'm going to mark you up so everyone knows you're mine
V-neck sweater: You are so hot it makes me hard just looking at you
Custom-wear: Any particular prompt phrase
𝑨𝒄𝒄𝒆𝒔𝒔𝒐𝒓𝒊𝒔𝒆 𝒘𝒊𝒕𝒉: ༘ 𝜗𝜚⋆。˚.ᐟ
Bracelet: Forbidden love
Earring: Soulmates
Necklace: Fake dating
Barrette: Bet
Scarf: Friends to lovers
Sunglasses: Arranged marriage
Watch: Strangers to lovers
Sun hat: Enemies to lovers
Baseball cap: Love triangle
Scrunchie: Unrequited
Headband: Secret relationship
Beret: Friends with benefits
Gloves: Rough sex
Cufflinks: Jealousy
Brooch: Soft sex
Bandana: Breeding
Belt: Spanking
Tie: Choking
Ear cuffs: Possessive/ obsessive
Clutch: Punishment
Shawl: Filming
Leg warmer: Degradation
Sashes: Drunk sex
Fedora: High sex
Beanie: Public sex/ semi-public
Face mask: insecure reader
Bucket hat: Mirror sex
#f1#f1 x reader#formula 1#formula one#f1 angst#f1 smut#percy jackson x you#percy jackson smut#percy jackson x reader#percy jackon and the olympians#lando norris x reader#lando norris#lando norris x you#stranger things fic#luke castellan smut#luke castellan x reader#annabeth chase x reader#annabeth x reader#annabeth pjo#steve harrington x fem#steve harrington x reader#eddie munson x reader#eddie munson smut#eddie munson x you#eddie munson fanfic#eddie munson imagine#steve harrington x you#robin buckley x y/n#charles leclerc#charles leclerc smut
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did I post about this before. whenever I have chores I really need to do but don't want to do I put on my ren faire outfit (long skirt, blouse, shawl, kerchief, belt, accessories) and pretend I'm a weary barmaid cleaning up after an inn full of boisterous but kind adventurers
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[Hanfu · 漢服]Chinese【Late Tang Dynasty-Five Dynasties & Ten Kingdoms Period(907-979)】Traditional Clothing Hanfu Reference to Dunhuang Silk Painting
【Historical Reference Artifacts】:
1.China Five Dynasties Silk Painting:
Name: 《药师琉璃光如来》 Medium: Color on silk Artist: Anonymous Dimension: 72.5 x 55.5 cm Location: The British Museum
2.China Northern Song Dynasty Silk Painting:《释迦说法图》(around 951-1000)
【History Note】
During the late Tang Dynasty and the Five Dynasties, the attire of aristocratic women continued the extravagant and gorgeous style of the mid-Tang Dynasty. The size of shirts and skirts further increased, and high buns and large-sleeved shirts and skirts were popular, showing an aesthetic trend from wide and puffy to slender.
With such changes in fashion, slender, gorgeous and elegant blouses and long skirts have become the attire for women at that time to attend formal occasions. Paired with a grand and square bun with a single hairpin, slender and flexible flower hairpins on both sides, and a delicate and gorgeous gold comb in the front of the bun, the overall look is more solemn, elegant, gorgeous and brilliant.
The comb worn in this outfit was restored from the gold comb with Jile Feitian pattern unearthed in Sanyuan Road, Yangzhou. It is huge in size and exquisite in craftsmanship, which fully demonstrates the superb level of gold jewelry production at that time. It is still shining brightly after more than a thousand years.
The woman wears a blue printed shirt with a long skirt, and a large-sleeved shawl made of "Crimson Dabao Xianghua Ling/大宝相花绫" on the outside, with a silk wrapped around her shoulders. This is the typical attire of female donor of Dunhuang silk paintings at that time, and is full of the rhythm of the late Tang Dynasty and the Five Dynasties beauty standard.
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📸Recreation Work:@裝束复原
🔗Weibo :https://weibo.com/1656910125/N4Gil06QV
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#chinese hanfu#late tang dynasty#five dynasties and ten kingdoms#hanfu#hanfu accessories#hanfu_challenge#chinese traditional clothing#china#chinese#hanfu history#chinese fashion history#historical fashion#hanfu art#hanfu girl#漢服#汉服#中華風#chinese fashion#historical hairstyle#裝束复原
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Le Petit écho de la mode, no. 32, vol. 18, 9 août 1896, Paris. 10. Costumes cyclistes. Ville de Paris / Bibliothèque Forney
(1.) Costume en cheviotte parchemin et soie marron. — Jupe pantalon très large, petit corsage figaro avec col revers, ouvert sur une chemisette lingerie. Manche froncée du haut.
(1.) Suit in parchment cheviotte and brown silk. — Very wide trouser skirt, small figaro bodice with lapel collar, open over a lingerie blouse. Gathered sleeve at the top.
Matériaux: 4m,50 tissu en 1m,40 de large.
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(2.) Costume en corkcrew bleu. — Culotte cloche, corsage blouse croisé de côté, avec ceinture de cuir blanc, col lingerie et cravate de soie. Manche d'une seule pièce boutonnée au bas. Chapeau melon.
(2.) Blue corkcrew suit. — Bell-bottomed breeches, blouse bodice crossed at the side, with white leather belt, lingerie collar and silk tie. One-piece sleeve buttoned at the bottom. Bowler hat.
Matériaux: 4m,50 tissu en 1m,40 de large.
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(3.) Chapeau canotier, fond toile ciré, orné ruban et plumes couteaux.
(3.) Boater hat, oilcloth base, decorated with ribbon and knife feathers.
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(4.) Costume en corkcrew cigare. — Jupe plissée ornée de piqùres. Corsage blouse à bsaque retenue par une ceinture cuir jaune, col rabattu et cravate. Manche unie, casquette de jockey.
(4.) Cigar corkcrew suit. — Pleated skirt decorated with stitching. Blouse bodice with a basque held by a yellow leather belt, turned-down collar and tie. Plain sleeve, jockey cap.
Matériaux: 6 mètres tissu en 1m,40 de large.
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(5.) Costume en fantaisie noir. — Jupe courts coupée en cloche. Corsage figaro en piqué blanc, avec col châle, double rangée de boutons, manche d'une seule pièce, canotier garni mousseline blanche et ailes noirs.
(5.) Fancy black suit. — Short skirt cut into a bell. Figaro bodice in white pique, with shawl collar, double row of buttons, one-piece sleeve, boater trimmed with white muslin and black wings.
Matériaux: 3m,50 tissu en 1m,30 pour jupe, 3 mètres de piqué.
#Le Petit écho de la mode#19th century#1890s#1896#on this day#August 9#periodical#fashion#fashion plate#bicycle#description#Forney#dress#gigot#suit
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Ok friends, at long last I'm finally--finally--getting this post together. Apologies in advance for this one being a bit of a ramble, this poor doll has a lot of backstory, and I'm going to try to keep this as brief as possible but you know how it is when ADHD brain tries to relay a linear narrative XD And when you add brain fog to that...it's a bit of a mess. Anyway. I'm trying. Feel free to skip the text and just look at my crochet pix ;p
(Overly detailed explanation of why I made things plus lots of photos)
So. Over the past several weeks I've done a LOT of work to get my girl Iona (Pullip Nomado) back to a semblance of her former glory. Io is pretty well established as my favorite doll. She was my very first Pullip--I've had her over twenty years now--and for a long time she was basically my mascot in the doll community. People used to send me gifts specifically for her (including but not limited to the necklace she's wearing and the hair currently on her head). But the years have not been especially kind to either of us, and when I brought her out of storage it was clear she's beginning to feel her age. I was dismayed to find her suffering from an advanced case of the neck melt that plagues type 2 Pullips, which required a good bit of repair and modification to ensure she got to keep her original body (for a minute there it looked like she might have to become a Rainbow High hybrid).
Once I managed to salvage that situation, I decided Io was long overdue for a full refresh to return her to a semblance of her former glory. I gave her a brand new scalp plate with her signature hair twists still intact (thanks to a generous friend who sent me extras several years ago); replaced the hooks on her earings with new wires that put less stress on her piercings; dug her original boots out of storage; and most importantly (THE ACTUAL POINT OF THIS POST) I set to work crocheting several new pieces for her wardrobe! So far this includes a maxi skirt, hair scarf, and shawl. These are all garments I wear in my day-to-day life, so if you notice them recurring in my handmade doll clothing, that's why ;p As I get older I find myself more inclined to dress my dolls in pieces more in line with my own personal aesthetic, rather than aspirational styles that I admire, but would never wear.
I am so happy with how these have turned out, the skirt especially. I made it using KnitPicks Curio #10 crochet thread in Comfrey, a shade which beautifully compliments several of the blouses I've collected for Io over the years. The shawl was made with Lion Brand BonBons yarn, and the hair scarf is Lizbeth #10 crochet cotton from Handy Hands (I don't remember which colorway at the moment).
The patterns for the skirt and shawl were adapted from ones for full size garments I've made for myself in the past; I can talk more about the specifics of that and what modifications I made in another post if anyone is interested. The hair scarf is just a granny stitch triangle with a very lazy border and some ties added.
(**Sigh** pining for the days when Mattel still had quality standards...)
And at long last we've reached the end! Apologies again for the length of this one, if you can believe it I *did* edit out a significant amount, but it still ended up novella-length XD I hope you enjoy Io's new looks, as I've had a great deal of fun working on these pieces, and plan to continue making more for her and other dolls in the near future. I also have several Rainbow High dolls with complete or near-complete crochet outfits I want to share, so be on the lookout for that post sometime soon as well.
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Harper's Bazaar October 1990
Irene Pfeiffer wears a cobalt wool suit (Corisia). Fitted jacket, short skirt. Underneath, an acid green satin crepe blouse (Abraham) with a black lace collar (Hurel) and a black, white and red wool and cashmere shawl (Corisia). The ensemble and accessories, by Emanuel Ungaro Couture Hair, Madeleine Cofano for Bruno Dessange; makeup, Rob Van Dorssen.
Irene Pfeiffer porte un tailleur en laine cobalt (Corisia). Veste ajustée, jupe courte. Dessous, un chemisier en crêpe de satin vert acide (Abraham) avec un col en dentelle noire (Hurel) et un châle en laine et cachemire noir, blanc et rouge (Corisia). L'ensemble ainsi que les accessoires, par Emanuel Ungaro Couture Coiffure, Madeleine Cofano pour Bruno Dessange ; maquillage, Rob Van Dorssen.
Photo Torkil Gudnason
#harper's bazaar#october 1990#fashion 90s#fall/winter#automne/hiver#haute couture#emanuel ungaro#irene pfeiffer#torkil gudnason#corisia wool#hurel lace#madeleine cofano#bruno dessange#rob van dorssen#abraham fabric#vintage fashion#vintage magazine
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