#a ship does not make or break a show

[hacash]

Honestly - and I freely admit I’m poking the bear here - the finale, and indeed Ted Lasso as a whole, feels like an aspec’s dream. So many shows prioritise romance over everything else, and I am fucking delighted that Ted Lasso never did that.

Rebecca and Ted not together? Keeley, Jamie and Roy love triangle/throuple not resolved? Was Trent ever into Ted? Loose ends are exasperating, sure, but romance was never the point of the show. The point is that the love is there regardless of what form it takes - between Keeley, Jamie and Roy, between Ted and Rebecca, between Nate and Ted, between Beard and Ted, between Trent and the Diamond Dogs, between Nate and the team, between the various Greyhounds, between all these other individuals who’ve been touched by the events at Richmond FC - and that’s always been the freaking point.

[cringelordofchaos]

// for even if I'm far away, I hold you in my heart //⟩ 💙💜

[evebestthinker]

[...] And so, the woman dies. The woman dies so the man can be sad about it. The woman dies so the man can suffer. She dies to give him a destiny. Dies so he can fall to the dark side. Dies so he can lament her death. As he stands there, brimming with grief, brimming with life, the woman lies there in silence. The woman dies for him. We watch it happen. We read about it happening. We come to know it well. - Aoko Matsuda

[total-drama-brainrot]

Alenoah, where Noah cares about Alejandro, more than Alejandro's family did:

Noah: I will now torture you.

Alejandro: Kinky!~

Noah: I think you are brilliant and beautiful.

Alejandro: Wait!

Noah: You deserve to be cared for and loved, despite your mistakes.

Alejandro: No!

Noah: Your feelings and needs are valid, and deserve to be heard.

Alejandro: I need a safeword! 😳

Real.

[beevean]

A theory I've read more than once is that this one frame of Lenore entering Hector's cell for the second time is proof that she is not actually enjoying what she has to do:

The wiki describes it as such: "Lenore has a sad expression when entering the dungeon to visit Hector the second time."

Also this, from a comment I found:

Like for example when she goes to meet Hector the second time, you can see sadness on her face when she is walking alone in the dungeon, but as soon as she approaches Hector she puts on a smile. I.e. may be she already knew she had to use the ring at that point and felt bad about it but didn't want Hector to realize that. A lot of such small animation details really provide a glimpse into what the explicit writing was lacking.

(edit: turns out that they were the same person)

Okay.

First things first: I doubt she has the ring in mind already. It's hard to tell because Lenore pulls it out of her ass with zero foreshadowing whatsoever, but with the way it was framed, the ring was likely a direct response to Striga's idea of buying mercenaries to make Hector unnecessary, which comes later into the story: Lenore even uses the information she eavesdropped from Striga as a way to lie to Hector about her loyalty to the sisters. In theory it makes sense, because Hector needs to be reliable to be allowed to live, but the ring is... a very poor solution the more you think about it, even if you ignore how S4 neutered it, because it only addresses one of the many logistic problems that come with forcing Hector to make an army of Night Creatures, and it's not the dead bodies/living livestock paradox. And going with the story, it's unlikely Lenore was already thinking of raping the ring into Hector: why would the sisters be amazed at her plan if they were the ones suggesting her to speed up things? And if Lenore came up with it, why would she be remorseful at her own idea? Did she have so little faith in her own manipulating skills that she already felt that she had no choice but to use "brute force", after one understandable incident? Then why even bother interrogating him to understand his motivations and needs? Just skip straight to the sexual molestation to make him believe she likes him. As I pointed out, that interrogation was not for the sake of painting herself as particularly caring: she was collecting intel, intel that she wouldn't need if her plan was already tricking Hector into slavery via a magic ring.

Second: that expression honestly doesn't look sad to me. I would be willing to give the interpretation some credit, because she's looking downwards which can be a sign of sadness, but after that one frame, she switches to this expression:

Now she looks mildly pissy, like the idea of talking to Hector is just soooooo annoying, ugh. She even has the sassy cocked eyebrow lmao.

Of course that can't be it, so I propose the most obvious interpretation: she's serious and deep in thought. That is because their first encounter ended up disastrously: Hector assaulted Lenore with the intent of threatening her, which pissed her off, and she assaulted Hector by beating him to an inch of his life, which is not the best way to win a pet's trust. So she's most likely thinking the best way to approach him again.

And I'll even praise a small detail: the first time Lenore fed Hector, she made him crawl towards her to eat from her hand. The second time, however, she tosses an apple to his feet. Both gestures are demeaning, but after that incident she seems to be more cautious towards him, and being more careful into manipulating him. I'm honestly surprised that her final solution is stupid as fuck when she can be intelligent when she wants to. real reason she's hector's soulmate: both of them have braincells like christmas tree lights :V

Third: oh, do you want to talk about explicit writing?

These are not freeze frame bonuses. The scene lingers on this expression on Lenore's face as Hector is screaming in pain over the ring she put on him.

So, you're willing to believe Lenore didn't want to use the ring but felt forced to because in one frame she has an expression that mildly looks displeased... but somehow you ignore this blatantly sadistic reaction? This screams, at the very least, "haha, sucker, I've won"; but add to this that Hector is visibly and audibly in pain, shocked and scared at the curse overtaking his body during a vulnerable moment...

This ties well with how she beat Hector to a pulp not just out of self-defense, but because she wanted to feel strong and powerful when surrounded by people who underestimate her - the writing might imply that she was offended that Hector too saw her as vulnerable and stupid, but she was explicitly laughing and mocking him while showing off her strength (a strength she doesn't display when, say, Isaac enters her cage: he easily intimidates her). You might read the implication that Lenore spoke about Hector so disgustingly to the sisters to be taken seriously as a vampire mistress and didn't actually want to dehumanize him, but explicitly, even ignoring the forced pet play that showed she had fun treating him like a dog, she reduced him to a "problem to be solved" when complaining about her woes, and when she could have apologized or explained herself she minimized or doubled down on the harm she caused, never once expressing any remorse or doing anything worthwile to make up for it (like, for example, talking about the ring and how it's a shame Hector is only there because he has no choice because she feels they'd be good friends without it: that would imply guilt).

In fact, going back to the moment when Lenore decides to use the ring, it is far more likely that it was in response to this part of the conversation Lenore has eavesdropped:

Striga: We can possibly push east as far as Lake Balaton before I run out of soldiers, but that exposes our Western border. Morana: Sleep. Striga: We can't do it without Lenore turning the forgemaster, and she's just taking him out for fucking walkies. Morana: She will land him. Striga: It's going to have to be soon.

Considering that it's shown that Lenore highly resents being seen as a stupid animal lover, it's far easier to think that this is when she got pissy and decided to use a quicker method, even if it destroyed all the hard manipulation work she had done.

One frame might paint her as a reluctant villain only trying to make everyone happy and being stuck between a rock and a hard place, but multiple scenes paint her as a vile bully and abuser who enjoys feeling in power and control, whether she uses kindness or harm to achieve her goal.

I'm sorry, subtext can absolutely enrich the understanding of a story or character, but not when it actively contradicts the text.

Do you want my personal example? I'll play the same game of overanalyzing expressions. When Isaac attacks the castle, Lenore goes to rescue Hector first thing, instead of checking on Carmilla. For one moment, she even looks torn on where to go:

I will praise this moment: this shows her concern for him quite nicely and that she believes his safety is the first priority, without having to spell it out - no declataration of love, no "you're too important to me", the action speaks for itself. However, there is also her reaction when Hector severs his finger to get rid of the ring, after he explains that "command and control flows through [him] to Lenore here and to her friends":

It could be simple disgust because, well, there's a severed finger and pools of blood lying near her. But I also see what the commenter saw in that frame in S3: sadness. Defeat. Lenore has lost control of the Night Creatures. She can't do anything to protect Carmilla and the castle. And she has lost control of Hector, who has gone behind her back and is protecting her at the expense of her sisters and home: he may chose to stay with her, but he also gave Isaac all the tools he needs to destroy her life. She's powerless. Everything she has worked for went up in smokes and was pointless. Which, as it was shown and told, greatly bothers her. (this is also why I believe her suicide makes sense for her state of being, an opinion apparently not shared by her fans)

I see all of this encapsulated into that expression that mixes disgust, concern and quiet, horrified realization: and it's also fully backed up by the context.

This leads to the message I keep insisting on and which is something that more people need to learn, and the reason I keep eviscerating this character because the writing and the fandom piss me off something fierce: abusers can care about you. They can care about your safety and well being, they can want what (they think) it's best for you. What makes them abusers is that they place more importance on their own need of control. Lenore wanting to save Hector because she pitied him, has grown close to him and eventually finds in him someone who listens to her doesn't at all erase in the slightest all the harm she has caused him: which, I reiterate, includes lying to him and taking advantage of his feelings and need for love to trick him into sex with the objective of placing a slave ring on him, and enjoying his suffering when she won - and when Hector called her out on this, her response was "SHUSH, YOU WERE HAVING FUN".

At the end of the day, she has never stopped behaving like a vampire, a creature whose definition of love is "acting to keep something with you for as long as you can". Even in her most wholesome scenes, like this one or the one where she pleads for more of Carmilla's patience, it's easy to see at the core of it all a need to control the situation and people involved, and reluctance to admit her needless cruelty. This is nuance, not "she's actually good deep down, pls ignore all the sexual abuse because it was for Hector's own good 🥺".

On one hand, it's true that when you do character analyses, you will always be biased, because you come in with your ideas and preconceptions. I am biased too, of course, you can tell. On the other, it's dishonest to cling only onto the most convenient hidden details to look like you have fully understood the text, when you dismiss the most obvious ones that are so obvious you have to actively try to.

[winepresswrath]

feeling a little guilty because i like devil's minion but i'm not a devil's minion girlie and as such i am fully prepared to enjoy the amc take despite it having approximately nothing to do with the original flavour. however i'm going to be furious and broken hearted if they ruin lesmand or nickistat for me on account of the general loustat supremacy vibes. this is entirely irrational and i'm entitled to my favourites but still. free floating guilt because i'm hype for that old man to be so fucking mad and bratty about it.

[veludo-rae]

no hate but people who can’t multiship and people who only ship canon are weak xoxo and post

[heatobrienswife]

.

[daz4i]

unsurprisingly i am once again thinking about nikolai

[demetriandelibinaryboyfriends]

Migu/eli :/

[spiralgender44]

yuri on ice,,,,,,,,,,,

[cybertron-after-dark]

what the FUCK happens in cyberverse

Here's a list just off the top of my head, in no particular order. MASSIVE spoilers ahead.

-Wheeljack keeps making party drugs. This is not only accepted but wholly encouraged by the Autobots. He's made the bot equivalent to cocaine so strong it made grimlock physically unable to stop himself from running around the ship at mach 5. This was the basis for an entire episode. He's also made patches that give you a direct link to the Allspark that he passed out at a party specifically to get everyone as fucked up as physically possible. I cannot overemphasize that Optimus make no effort to stop this until things turn destructive on both occasions.

-Soundwave and Shockwave completely fucking hate each other and have a whole rivalry trying to be a better and more useful follower for Megatron than each other.

-Soundwave is a fucking memelord who will play clown music or dramatic riffs to dunk on people from the soundboard he has built into his hardware.

-theres a sort of liminal dimension referred to as Unspace that you can get stuck in and if you are there for too long you will straight up disintegrate. We see this happen to the entire crew aboard the arc from different timelines several times while the main timeline crew we follow tries to escape this fate, thus dooming dozens of other timelines.

-Cheetor is basically Allspark Jesus, and he's tired of all the fighting, so he tries to have Optimus and Megatron settle their differences once and for all. The chosen method for this was making them both play the Newlywed Game. They were both terrible at it, the MegOp Divorce agenda is alive and well.

-the Quintessons invade Cybertron and stick the entire population into a simulation a la The Matrix, which slowly drains their life force until they die. This kills countless unnamed Cybertronians, both Autobot and Decepticon, as well as Hound, who does not get to appear on screen.

-the Quintessons also catch Starscream, rip his face off, and modify him into an Eldritch tentacle beast with his brain attached to two other aliens, and then appoint that amalgamation as the judge that decides the fate of the universe in regards to whether they exterminate all life within it.

-Shockwave commits suicide for Megatron's approval. He launches his spark straight into the Allspark to taint it specifically as a last desperate fuck you to the autobots.

-Soundwave acquired laserbeak by just kind of grabbing a random bird out of the sky.

-Soundblaster is an ex-decepticon that left out of shame. That shame being Soundwave beating his ass in a beatboxing competition so fuckin hard he couldn't show his face around his faction anymore.

-The autobots keep starscream captive and try to get him to take a therapy session with the Arc's AI, and he starts out willing to actually give it a shot but said AI is kind of Stupid and screamer ends up tricking him into letting him escape through an air vent to go wreak havoc instead.

-Starscream also starts a suicide cult with the other Seekers, gains control of Vector Sigma and the Allspark, has the seekers forfeit their sparks to him, thus resulting in a cosmically powered Starscream. He uses that power to "remake" his followers into scraplets that he refers to as, with nothing but love in his tone, his "children."

-Shockwave and Wheeljack are shown to be ex lab partners. Shockwave has an army of drones that look exactly like his altmode that Wheeljack helped program. They are programmed to be able to break out into a coordinated dance number at any given time. Originally this was just to make Wheeljack laugh. Shockwave kept that function in throughout the entire war and initiates it the second there's a truce and Wheeljack asks to see it again.

-Shockwave kidnaps Wheeljack at one point for Science Under Duress purposes and Wheeljack is too invested in all the sweet fuckin tech Shockwave's been making while they were apart to really care that he's being held against his will, and then proceeds to escape without too much issue because he knows Shockwave well enough to know exactly how to disable everything.

-Bumblebee distracts the Decepticons by running in front of their surveillance cameras and shaking his ass in the most underwhelming way imaginable.

-Grimlock is only stupid when he's in his altmode because it takes a lot of power to sustain and he has to sacrifice some of his higher brain functions to keep it manageable. In robot mode he talks like he went to an Ivy League college and knows what champagne tastes like. He throws upscale parties every chance he gets.

-Grimlock also helped start an anticapitalist revolution with Bumblebee when he found an underground society of insect transformers that had a rigid caste system. This was within moments of finding out that the ultra wealthy were hoarding the limited energon reserves for themselves. Grimlock is a comrade and he does not fuck around.

-Skybyte is here and he sounds like Skeletor.

-Windblade and Slipstream are nemeses and somehow it's even more toxic yuri coded than Arcee and airachnid in tfp.

-speaking of Arcee, she's besties with Grimlock. They at one point have a physical fight over who gets to die to protect the other.

-hot rod and soundwave are forced to share leadership over the team of bots and cons that escaped the quintessons' simulation and it's packed with so much homoerotic tension its unreal.

-Maccadam is some kind of lovecraftian war machine that can unfold himself into a whole armory whenever he feels like it. We have no idea what his whole altmode looks like, all we see are the ominous shadows of the weapons on the walls. He uses this specifically as a threat to keep anyone from fighting in his bar bc he's insistent it remain neutral ground. He also can kinda just. See into the future. And casually drops prophecies that get written off as spoonerisms until they turn out to be relevant.

-Optimus Prime has horrific social anxiety that he can kind of power through when he's in a crisis, but the second things are chill and he has to give a speech at a party or something he simply does not know how to function.

-the entire planet of Velocitron gets taken over by cosmic rust and everyone inhabiting it that couldn't escape in time was killed horrifically.

-cosmos is a girl and she hangs out with a dude named Meteorfire who is, for all intents and purposes, just robot Steve Irwin.

-Astrotrain keeps closing doors in people's faces for the funny

-Megatron is killed by a version of himself from an alternate universe that went nuts and starting creating a master race of perfect Decepticons to inhabit Cybertron. Said perfect Decepticons were carbon copies of idw Tarn in all but personality.

-Acidstorm is canonically genderfluid and keeps switching between male and female seeker frames whenever they feel like it

-Kup, who had not been in the show at all until this point, decides to show up and narrate an entire episode like hes giving a political speech.

And, the infamous one we all know and love

-Megatron is a twitch streamer and he livestreams Starscream's fucking funeral. The chat has custom Decepticon emotes.

[shapelytimber]

⭐ Besties on break ⭐

It's up as a print on my inprint ! :))

Kiki 4 bouba type ship

Loved imagining Uhura's space btw !!!! I had so much fun with the background ! Does it make sense ? Not really- but the vibes are here (I kept unconsciously adding tribbles kfkfk had to stop myself at six otherwise I would have just filled the scene with them)

[COMMISSION] - [PRINTS]

Process and rambling below vvv

The fact that quiji, back in 2022, showed me like 2 episodes before we watched the first movie.... And that I didn't hate it (still think the beginning is way too slow, especially for someone not really familiar with the characters, and the uniforms are *horrible*), should have been a sign that this fucking show would eventually consume my brain fklfof

Anyway this summer we watched more of the show and also watched up to the fourth movie ! And omfg the fourth one in particular rewrote my brain ckfkkf the Nimoy vision is incredible, the blorbos in silly situations after a pretty angsty movie, their flop era in a space clio 2, the whales- also thank god the marine biologist and old ass Kirk didn't have a romance (I'm choosing to interpret her as french, so that the little kiss on the cheek at the end is just a normal bise, the normal way to say goodbye to someone you now concider your friend <3 and not a hint of romantic interest toward this man who is 1) already married to Spock and 2) could be her dad)

I am now normal about this show I promise ! :)))))

[timmydraker]

Tim’s parents demand a meeting with Bruce and their son himself to discuss the future of their company and Tim’s place in it. Everyone knows they probably want to get in on Bruce’s wealth and business so they might be able to go from millionaires to billionaires like Bruce.

To everyone’s surprise, Tim accepts and says he’ll do it as long as Bruce will stay with him the entire time.

Obviously Dick refuses not to and Damian insist as the ‘true heir’, which makes Jason want to as well just cause he’s not being left out. Duke promises to stay out of it and keep the girls busy so Tim doesn’t feel cornered or smothered in worry.

So, Bruce and his three sons sit on the meeting with Bruce doing most do the talking and Tim sitting on a chair with his brothers all keeping eyes on him.

Jack and Janet try to give pleasantries to their son but he just stared at them, a blank look that even Bruce can’t decipher if only because he’s never seen it before.

Jack does most of the talking, explaining that Tim still has a set aside amount of many and place in the company but that it’s only there because he’s kept the family name. They explain that they would be happy for Tim to take the Wayne name as long as their son gives up his legal place in the company and hands over his personal funds they gifted him willingly.

They subtly explain that they want him to continue to work with the as he works with WE extremely well, and that they could possibly become partners.

Tim would still be the co-CEO of WE as well as COF for Drake Industries but he must… ‘donate’ money to them regularly as a show of good partner ship.

Bruce is furious that they just want money and haven’t acknowledged their son or the fact that he just turned eighteen, but he remains calm and after almost twenty minutes of talking Dick cuts them all off.

“Perhaps-we could ask Tim himself what he thinks of this offer.”

The growing tension both settles and raises as everyone turns to Tim who is sitting like a statue.

He looks like he could be dissociating but there’s a distinct presence in his eyes like he doesn’t want to miss a single word or second.

Jack sits back and gives Tim a stern look, “Well, son? What do you say?”

Tim speaks in the same voice Bruce has heard him talk to clients he doesn’t like, “I’ll accept, I’ll even give my earnings from the company.” Just as Jack and Janet begin to look smug and his family members look shocked he adds, “on one condition.”

Janet looks at him like he’s the most vile creature ever and covers it with a forced smile as Alfred pours more tea for her as a means to appease the clearly nasty woman.

Everyone waits for Tim to state his condition but none of them are ready for when he looks his parents each in the eye and says in the calmest, most level voice the most shocking sentence nace they have ever heard from both Tim and Red Robin:

“I want you to kill yourselves.”

.

..

…

No one speaks.

Jason and Dick look genuinely afraid, Damian looks taken aback though not nearly as shocked as Bruce is with his jaw hanging low.

Alfred for the first time in his life serving the Waynes spills tea and looks at Tim in a way that shows he is genuinely aghast.

Janet and Jack are frozen looking at their son like he’s a different person, which is funny as that implies they knew he was before.

Tim doesn’t smile or gloat, he does nothing to suggest his words were one big joke or last ‘fuck you’ to them.

He sits still and patient, waiting for an answer.

Janet opens her mouth several times to speak but never gets any words out though Jack manages to get over his shock and fury crosses his face. He opens his mouth, most likely to yell or berate his son but Tim beats him to it.

“It’s your choice. I’ve said all I want, so kill yourself or leave.”

Tim picks up his own tea and watches as Jack and Janet storm out of Wayne Manner.

Silence prevails for a while with none of the family talking until Damian breaks the silence, “Holy shit.”

[corkinavoid]

DPxDC Multiverse Police (pt. 2)

"You said you're going to ask questions, then can we ask questions?" Superman really tries to be polite here because, first, he was raised by Kents and, second, Jazz and the whole interdimensional police thing looks non-hostile. At least now.

The redhead nods, "Sure, ask away, I'll answer everything I can." Then, she notices Batman reaching to touch the green shield and makes a soft, warning noise, "Ah, sorry, please don't touch it. I can show how it works later, but it's not meant to keep you out. It's to keep everything else in."

Batman reluctantly puts his head down and turns to her.

"Elaborate."

The sci-fi ship in the air makes a loud hissing sound, like compressed air being released, and the bottom part of it slides open. Jazz nods in the direction of the now open ship.

"You know what they say, it's better to see it once than to hear it ten times."

There are three humanoid figures standing in there. All of them are mostly monochrome, black and white clothes, starkling white hair. They look like one adult and two children, but it's one of the kids who raises his hands to his mouth and yells so loud everyone in three miles radius is able to hear him:

"Step away from the shield, please, shit's about to get real!"

None of the heroes move, but Jazz does take a few steps away. Wonder Woman, after a moment of hesitation, follows her example.

A mechanical voice comes from the ship itself, "Countdown to the breach. Five... Four..."

On 'three,' all three of the monochrome figures step out from the ship. But, before any of the heroes have time to worry, they all float in the air, undeterred by gravity, and the ship door closes behind them.

The countdown reaches 'one'. And in the next moment, it looks like the hell breaks loose.

Countless giant vines shoot out from the portal up, reaching for the ship. True to what the red hoverboarder said, they are very much toothy, every vine splitting in two and attempting to bite the ship like some twisted idea of scissors.

None of them reach it.

The oldest of three kids claps his hands, and a wall of raging fire descends on the vines, throwing them off. In the next moment, the trio falls apart, flying through the lovecraftian mess of carnivorous plants with practiced ease, the younger ones using what looks like icicles and little storms.

"Who are they?" Batman asks Jazz, following the youngest one's - the only girl among the three - movements as she creates a strong gust of wind with a wave of her hand. None of the vines or attacks get past the shield, though.

"My siblings," the girl answers, pointing her hand at the oldest one, "That's Dan. He's the most violent. One time, he destroyed our original world, but that timeline doesn't exist anymore." She then points to the girl, "That's Dani, the youngest. She rarely joins the crew lately. And she is actually a clone, but at this point, most of us have been cloned once or twice, so it's not a big deal anymore." She then points her finger to the last one, a boy that flies past them quicker than a lightning, freezing everything he touches, "And this is Danny. He is the most powerful one. Technically, he could have just ended the fight with one Wail, but kids like to have fun. Also, they don't get to show off their elemental powers a lot, so they are mostly being dramatic for you."

She says all this so easily, just like a matter of fact, and it is at this moment that the members of JL realize the sheer power of whoever these people are. When she casually told them she bested Superman, it could have been written as a coincidence, a joke. But this?

Dan growls as one of the vines scratches his shoulder. He bleeds green, but it's only for a second before both the wound and the suit knit themselves back together. This is not just a simple accelerated healing, it almost looks like a miracle.

"Oi, brats, I'm done with show off, get out of the way!" He yells at the other two, and Danny and Dani quickly follow the order, flying closer to him and behind his back.

"Cover your ears," Jazz tells the heroes around her, and puts her helmet back on, as Dan takes a deep breath and screams.

It hurts even those who follow Jazz's advice. Batman feels like his eardrums are about to be shattered for the lack of better word. But the vines like the sonic attack even less - most of them subdue and pull back inside the portal, and the rest is dissipating like they are being burned from the inside out.

And then, just like it began, the scream - the wail - stops. The silence feels deafening after the end of it, but slowly, the sounds return, and the JL watches Danny flying down to the center of the portal. He puts his hands on the surface of it, and for a long moment, nothing happens.

And then the Pit starts closing up.

Or, no, it is Danny who absorbs it, the green flowing up through his hands, his veins that start glowing the same green. His eyes become the same toxic color, with no whites and no irises, just glowing green all over, and his hair shimmers like stars.

A few minutes later, the portal is gone, like it never even existed, and Danny plants his feet on the ground and stretches, like one would do after a good rest.

"Oof, that was nice!" He turns to the other two, who are still up in the air, "Do you want some?"

Dan flips him off before going back to the ship, but Dani floats down to him and extends her hands out.

"Sure. I like getting it from you better than from the portal itself anyway. Gives it a sparkling taste, like Sprite," she chuckles. Danny takes her hands in his, and the green glow slowly makes its way through their joined palms, now flowing through the girl’s body.

"What are they?" Flash whispers, horrified, but Jazz hears it nonetheless and turns her head to him, taking her helmet off once again.

"That is not a very appropriate question," she chastises and smiles at their faces, "But it's okay, I get it. They are ghosts. Or ectoplasmic entities, or halfas, or highly liminal beings. Or, if you want a very simplified version, they are dead kids who are enjoying their afterlife a little too much."

"Dead?" Batman zeros on the word, snapping his eyes at the girl. She smiles, and for the first time, it doesn't look human. Her teeth are too sharp, her grin too wide, and her eyes are suddenly not just teal, but neon bright and glowing, with vertical irises.

"Most of us are dead in one way or another. And I do not mean it in a metaphorical sense."

-------------------

What I'm thinking is they have a whole system going on. Amity Park generally resides in the Realms, but from time to time, they decide they want to go on a vacation, as a whole town, and they pop into existence on one of the Earths. They don't really care for the universe or dimension they end up in, as long as it is more or less peaceful (as in, no active wars going on right where they pop up), has sunlight and nice weather.

The GIW is taking care of legal things - imagine US government reaction when a whole ass town just boom, starts existing in a place where nothing existed before? So GIW does all the paperwork and discussions. Also, they are doing their basic research on the dimension they end up in, for science purposes.

I'm thinking Vlad is still a mayor of Amity. And sometimes, when a particular dimension is rather annoying, he straight up possesses the authorities because he hates official talks and couldn't care less for morals if he tried for a week. The GIW scolds him, but don't really say no. It's not a good solution to the problem, but hey, it works.

Meanwhile, Fentons are doing ectoplasmic research. They scan the dimension for troubles, basically, looking for natural portals and ghosts causing ruckus. Jazz is almost always the one who does the talking to the heroes native to the dimension - she is the one who has the most patience and social skills. Jack is in charge of transportation and Maddie is the head of biological, ecto-biological and other species research. Tucker is the tech specialist, of course - he is the sole reason why Amity has wi-fi wherever they go. Val and her father are, kind of, protectors? Security? But for the whole town, yeah. They do have GIW agents as subordinates.

Dani is not always living in Amity, she travels the Realms most of the time, but she joins when something interesting happens. Dan is, like, on an eternal probation period, GIW and Fentons keep an eye on him, but he is one of the heavy hitters for when shit goes down.

Danny is living his best life, he is mainly the protector spirit of Amity, but he also gets to protect all the dimensions from ghosts! He helps anyone and everyone - one day he is working with Val on defenses for their main ship they use to travel inside dimensions, and the next day he is joining Maddie in her studies of new species found.

Oh, I forgot Sam. She is probably the one responsible for the magic stuff - mostly everyone else focuses on scientific aspects, but she is the one to research on occult things.

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[maelancoli]

Adding Tension After the Ship Happens

i feel a lot of slow burn ships lose steam after the characters finally get together, whether it's just from sleeping together or them actually engaging in a relationship, so here are some ideas for how to maintain steam.

their problems are not solved now that they've crossed the thresh hold

first things first, the plot itself i'm sure has other details than just their relationship. even the most fluffy of fluff has other things going on than kisses and giggles. don't abandon these details once the relationship truly begins. and if there was any kind of unresolved tension point or previously mentioned ex/trauma/insecurity/fear bring it back! bring things back around that might put a strain on a new, tender relationship. this can either make them have problems or be a way to develop their bonds and *show* it in action. any of these foreshadowing/resurrected points can be added in edits if you didn't start out with them or with retconning if you're writing rp/fanfic. all the writers do it. we see it in tv everyday it's ok if u gotta pull a rabbit from a hat.

their relationship will not be suddenly smooth and solid as if they have been married 20 years

okay they kissed/fucked/agreed to be together. now what? what circumstances kept them from getting there sooner? are those circumstances still present and how will they deal with it as a team? you also don't have to have characters officially together once they've done something physical. there is still discussion to be had and boundaries/expectations to establish. those conversations could be interesting to explore. and, even more-so, this is the perfect point for plot to happen and keep them from being able to have those conversations when they should. you can add angst, you can add miscommunication, you can add anything that tickles your fancy. especially a perfect time to have an ex return to cause some tension and uncertainty if they haven't made it official. they don't know what they are yet and that uncertainty is a delicious point to write it and really give the characters a hard time

utilize the main plot's tension

again, if you're writing more than just a contemporary fluffy romance, the romance should enrich the main plot. the romance as a subplot should be a component which merges with the main storyline and does not take away from it. if you don't want to milk the will-they-won't-they anymore than you already have it's time to build the relationship up in the midst of OUTSIDE conflict. let them disagree about how to resolve problems. let them butt heads. let them be scared and do and say stupid shit because they're scared. let them be worried or angry or frustrated and have to figure out how to balance their newfound vulnerability with who they are and were before that point. let them hurt each other a little so they can come back together stronger.

utilize the characters around them

if it is a plot which is mainly romance filled, then think about the tension from the lives around them. think about their loved ones and how their own issues could influence the plot points the characters have to face together. this could be a time for them to be introduced to loved ones. you could throw in a group trip with silly mishaps and shenanigans. you could even have loved ones try to break them up or doubt the love interest. navigating new relationships while also dealing with friends and family can be a source of plot and tension in and of itself. this can be a point to let love interests reassure each other and prove their salt. it can help them grow closer. it can be the heroic moment for one of them to stick up for the other or prove they're there for them no matter what.

overall if you're struggling with what to do after the slow burn feels like it's sizzling out it's time to zoom out. make sure you are not losing the whole picture of their environment or steamrolling past the real development of new relationships.