#a question of loyalty comic

[isthereintruthnobeauty1968]

some excerpts / elements of 'a question of loyalty' that i enjoyed:

the implication (i think!) that spock pays less heed to valeris' flaws because he sees in her the sort of success he could've had as a young man without the complications and setbacks associated with his mixed ancestry:

the explication that valeris' reason for being involved in the conspiracy in VI is straightforward bias against klingons specifically and... really anyone other than vulcans more generally:

saavik pulling a v familiar, daresay illogical maneuver during a crisis:

and this sad little sequence:

[age-of-moonknight]

“Hunter’s Moon,” Vengeance of the Moon Knight, (Vol. 2/2024), #4.

Writer: Jed MacKay; Penciler and Inker: Alessandro Cappuccio; Colorist: Rachelle Rosenberg; Letterer: Cory Petit

[daydreamerdrew]

Bizarre Adventures (1981) #25

[edorazzi]

I almost forgot it was Sunday, eek! 😱

Page 20 of my Miraculous Mentor AU comic A Matter of Trust! In which Adrien comes to terms with the past Ladybug and Chat Noir despising each other, but has questions about Felix's strange loyalty to the Miraculous! 👀💍

Index | Start | Prev | Next

Weekly updates each Sunday! You can also read ahead early on Patreon, and/or buy me a Ko-fi if you'd like to support my work! 💖

[eternallyhauntingthehouseoflove]

Hey there👋👋 could you please do whatever love language of the bamboos are ??

LOVE LANGUAGE OF THE BATBOYS

A/N: terribly sorry I let this request collect dust. My interest in comics fell as life got hectic and whatever the hell. I won't go all Wattpad author on you.

Dick Grayson’s love language is words of affirmation. At the peak of his characterization, he is a man ravenous for praise and attention. A moment of peace, of relief, of sweetness.

Stunted, yet too grown for his own good—simultaneously. He will seek attention, showering you with gifts and compliments in hopes that you reciprocate. Holidays would read like a HallMark movie that would move suburban mothers to tears.

Dick is also the man to send romantic quotes stolen from Pinterest, and the occasional confusing poem of his own hand. His nerves would grind as he read the ‘’seen’’ stamp beneath his text, worried out of his mind that it didn't properly convey his emotions, his love.

“What, no reply yet? If you're that moved, you could always come kiss me.” He'd send the message, playing it off as a joke. But his stomach groaned with the familiar ache, that cold and empty feeling of uncertainty.

What if she doesn't like it? Will she still like me? Would I seem lame if I double texted? Am I bugging her?

The flames of self doubt would spread and eat at his mind until his phone pinged with a,” it's beautiful, babe. A hard read, but the intention was there.” And a flirtatious emoji paired with it.

Thus, the flames of doubt were stomped out, like they never existed. They liked the poem, and he would spend hours rereading it. Marveling and gushing because you liked it. Something he made.

Jason Todd's love language is acts of service. It's a loyalty thing for him.

Gift sharing could be manipulation; soft words could be lies, and he's too self-loathing to believe them anyway. Red Hood swallows his spare time, and his desire for touch swung on a pendulum—one side thirsting for it, the other side uncomfortable.

The thought of returning home to a nice and warm meal would make him melt into a puddle. Or finding his hero suit washed, and his gear cleaned and stored away.

It reignites a flame in his cold eyes, the domesticity calling forth an unclassified emotion that sent goosebumps blazing over his skin like wildfire, calling his arm hairs to attention.

Jason would return the favor. You would awake to find breakfast made, the aroma of bacon and eggs thick in the air, the sweetness of syrup carrying around the house. Scalding tea trickling into a pot, milk and sugar already on the table. Plates washed and set.

Jason would also do laundry and iron clothes. He gets those random bursts of energy (or adrenaline) and cleans the entire house spotless.

Baths would be drawn for you, and if he's feeling lavish, he'll add roses to the bubbles. The finest soaps would lather your skin, scented with the the best smelling perfumes—business was good, and it was a present. His calloused fingers would be overjoyed to massage your scalp (he hoped you'd do his next).

Tim Drake’s love language is quality time. Also, I would like to preface this section by admitting I haven't read much of Tim.

He would help you study. Textbooks adorning the wooden table after hours of quizzing. Coffee steaming in a mug, pens and highlighters scratching at paper. Kisses shared with each right answer.

He'd tease,” Oh, that was a hard one. A trick question.” A smirk, sweet as frosting would tug on his lips, then a warm kiss would swallow yours.” If I were as filthy minded as Jason, maybe I'd crack a joke.”

Tim’s gaze would find you, in the middle of whatever—washing dishes, doing laundry, exercising. They'd burst with amorous passion, like exploding stars, shimmering and twinkling in his irises.

When the sun kisses Gotham goodnight, and the moon assumes it duty, he'd find himself wishing he could be beside you. Not Batman, not Dick, certainly not Damian. That's not proof that he hates his colleagues or that his work is last on the list of priorities. It's just. . . you're higher.

“Hey, love,” he'd speak into the phone, after the voicemail prompted him.” I know you're likely sleep tonight. But I wanted to at least call and tell you to sleep safe and warm. And to save space for me.” A chuckle would roll of his tongue, the wailing of police sirens in the background.

Damian Wayne's love language is also quality time.

Time is precious to him. His mother’s presence was unreliable. He, his father, his siblings tango with dead every silvery night. Each misfortune in his family reminded him of that.

Robin is not what Dick thinks. It's not just bursting into hideouts and knocking the crap out of villains. The peril is real, as well as the potential for failure—and failure in their line of work means death.

Oracle was paralyzed in a second, one wrong move and her nerves were shot. Jason’s life was quite literally put on a clock, killed by time itself. When Damian was an assassin, it merely took seconds to end a life, one of emotion and desires and opinions—gone at the stroke of a blade.

Time matters.

Damian would try to spend all of it with you, doing anything. Attending museums, painting you, listening to your playlists. Finding the child he was depraved of for so long. Being an angsty teenager and loving it.

“This is considered fun?” A dark eyebrow of his would raise teasingly. There you sat, at a sport's game, the roaring crowd trembling the stadium and stabbing his ears. The golden beam of the sun roasting both you, and the overpriced popcorn tossing and gurgling in his stomach.

But, deep down, the liveliness of the crowd intrigued him. Even he'd find himself screaming along with the masses on their feet, yelling out praise or curse words.

Damian's jade irises would slide over to you, the sheer glee decorating your features. A painting. He'd see a masterpiece in you; how that expression would translate onto a canvas.

[thedemonofcat]

One of my favorite observations from this season of The Witcher is how Jaskier can adapt to different personas depending on the people he interacts with, all while remaining true to his core self.

When it comes to Yennefer, Jaskier becomes the confidant she can fully trust. Despite their limited interactions throughout the season, it is evident that Yennefer confides in him. In one particular scene from season two, Yennefer opens up to Jaskier about losing her magic. Instead of mocking her, Jaskier responds with nothing but empathy and compassion. This proves to Yennefer that she can trust him, even though they may bicker like siblings at times.

For Ciri, Jaskier takes on the role of the fun uncle. Their relationship is built on playful banter, mocking others like Geralt and Yennefer and enjoying card games together. But amid the playfulness, there are also tender moments where Jaskier encourages Ciri and sings her lullabies before bedtime. Their dynamic revolves around bringing smiles to each other's faces.

With Geralt, Jaskier is not only his best friend but also provides a dose of comic relief. Whenever they are together, Jaskier adopts a more goofy and lighthearted persona. This deliberate choice is because Jaskier knows that Geralt tends to brood and he wants to show him that there is still goodness in the world. Even when it seems that their friendship is questioned, Jaskier's quick offense is followed by a joke, indicating his unwavering loyalty and desire to lighten the mood.

In essence, Jaskier's ability to adapt his role based on the needs of the people around him showcases his emotional intelligence and understanding of their unique personalities. Yet, beneath these varying personas, he remains the same loyal and caring friend to each of them.

[azsazz]

Over Ice (Part 7)

Hockey!Rhysand x Reader

Summary: Anon Req: She’s walking around Campus and BOOM right smack dab into Broody McBrooder!! She THEN finds out he’s the tutor for one of her hardest courses (personally Psych would be a good one) and they become super duper close with him and the team!!!

Warnings: Drinking, playing party games.

Word Count: 2,904

(Part 1) (Part 2) (Part 3) (Part 4) (Part 5) (Part 6)

_________________________________________

Playing a game his cousin made up has never ended well. Not when they were younger, and Rhys knows that it certainly isn’t going to end well tonight, especially when there’s alcohol involved.

He doesn’t know why he agreed. Maybe it was because he was thinking more with his cock than his head, the taste of your skin still buzzing across his lips like a spell you put him under. He wants to move closer, doesn’t like how you’re sitting on the other side of the circle from him, with too many people between the both of you and even more who join when Mor announces the game to anyone around who’s listening.

Of course, Amarantha pushes her way into the circle, taking up position right beside him. He stiffens, and it takes effort for Rhys to unhinge his jaw and slug back some of the amber liquid in his cup that Cassian poured him. It’s pretty much just straight alcohol, which might be exactly what he needs to endure this game if his clingy ex stands beside him all night.

Your eyes latched onto his ex the moment she entered the game. Mor made a face, knowing exactly who she is, but didn’t mention it. You wonder if she thinks that there’s a chance, she thinks Rhys and Amarantha have the possibility of rekindling their relationship, and you want to ask her how she feels about the girl, but you don’t want to seem too interested in her cousin and his ex.

It doesn’t stop you from looking, though. Amarantha’s friend flanks her side, creating a further distance between you and Rhys. You’re on completely opposites of the circle, now, and the smug grin on her red painted lip tell you she knows it, too. The stirs the neon pink straw in her cup. It makes her sharp, crimson nails pop. She gives you an innocent shrug when she catches you staring, and you tear your eyes from hers only to settle them on those familiar violet ones that are widened comically as if to tell you, Help me!

You don’t know how to help him. It’s not like you can move to sit between them; that alone would be enough for Mor to question you, and if Rhys’ ex forced you into doing something more to prove that you’re the couple you’re trying to make her think you are, it’ll be game over before it’s even begun, because your loyalties lie with your best friend.

This night has turned into such a shit show it’s all you can do to sit in your spot while Mor explains the rules.

“The name of the game is TD Bottle.” She plants a glass bottle in the center of the circle, and you already don’t like the looks of this. Peering around the circle, you assess the partygoers. If this is a kissing game, you want to know what you’re getting yourself into. There’s Rhys, who you carefully avoid eye contact with because the thought of his lips anywhere near your body again has shivers skittering up your spine. Amarantha, who hasn’t stopped glancing up at Rhys like he is her God. A few of Rhys’ teammates are scattered around the circle—Cassian, Balthazar, James, and even Azriel seems to be sitting in on the game as well, much to your surprise. The girls heavily outweigh the men, and Gwyn looks like a terrified mouse in the presence of a murder of crows.

You catch her bright blue eyes, silently asking if she’s okay. If she wants to leave, you’ll go with her, no questions asked.

She gives you a smile that you assume is supposed to be reassuring, but is anything but. But she stays. You all stay.

“Like, Touch Down?” James asks, brows bent in confusion.

“No, no, it’s like Touchy Dick,” Cassian throws in easily, eliciting laughter from the boys and eye rolls from the girls. But the mixture of anticipation and tension that hangs over the group disperses, and everyone seems to ease into their seats a little.

“That doesn’t even make sense,” Mor wrinkles her nose, pulling a face of disgust.

“Please, tell us what the hell it means before they keep guessing,” Rhys mutters, bringing his cup to his lips for another swig. You watch the way his throat bobs as he swallows, and he raises a mocking brow when he catches your gaze. Shit. Maybe the few drinks you’ve had are starting to take effect, and this game surely isn’t going to help the case.

He winks, and it’s only then that you’re able to rip your gaze from his violet stare, cheeks burning warmly.

The only good thing is that Amarantha catches the interaction and her lips tighten to a razor thin line that makes her look more of like the snake you think she is.

“It stands for Truth, Dare, Bottle,” Mor says. “It’s a combination of truth and dare and spin the bottle.”

“How…” Rhys trails off, trying to find the word.

“Apropos?” You supply. You and Rhysand share conspiring smiles that feel much too intimate for the near-strangers you’re supposed to be in the presence of his cousin.

Mor whines. “That’s not fair, I can’t have one of my best friends and my cousin ganging up on me like this. I won’t stand for it!”

She means it as a joke, but it shocks you and Rhys, realizing that you should not be acting so friendly for only having met on a few occasions. Hell, Mor doesn’t even know that he’s your psychology tutor yet.

You nurse your drink, trying to ignore the knot that’s wound itself back into your stomach. It’s not mixing well with the tequila. You focus all your attention on your friend. “Sorry, continue.”

“So, one person spins the bottle,” Mor says, giving the empty glass a swing around the circle. Everyone seems to lean in closer, eager to see who it’s going to land on. You aren’t worried about it landing on you because it’s your roommate, but you’re sure this state of somewhat calm won’t last when it’s someone else spinning the bottle. Especially Rhys.

The bottle stops, it’s mouth pointing to Cassian, who beams like he’s won player of the year. “The person it lands on chooses truth or dare, and we all know how that game goes,” Mor waves her hand, gesturing Cassian to answer.

He waggles his brows. “Dare.”

“I dare you to…take off your shirt,” Mor says, and the girls in the circle whistle and cheer.

“I’m not wearing a shirt,” Cassian responds, gesturing to his bare torso hidden beneath his apron. You can see the tan skin of his broad back, the way his muscles ripple as he moves, and damn, that was a good dare.

A throat clearing draws your attention away from where you’re ogling Cassian’s body. Rhys raises an unimpressed brow, his jaw ticking as he stares you down. Amarantha’s red gaze flickers between you and Cassian, brows knitted together as if you’re some equation she’s trying to figure out.

“Sorry,” you mouth across the circle when Amarantha’s attention is diverted when Mor rolls her eyes and commands Cassian to take off his apron instead.

Rhys rolls his eyes, and you stifle the pang of disappointment at missing Cassian stripping off the top of his apron, now sitting completely shirtless in his spot.

“And now it’s Cassian’s turn to spin,” Mor finishes with a beaming smile. “See? Easy.”

“Super easy,” Cassian agrees, spinning the bottle. It lands on Amarantha’s friend, and his grin turns lethal. “Let’s make this more interesting. Alis, truth or dare?”

She crosses her arms over her chest, a move that Cassian does not mind at all, especially when it pushes her breasts up like that. She lifts her chin, staring him down as she answers, “Dare.”

Cassian ponders for a moment, before he breaks out into a mischievous smile. “I dare you to refill my cup with anything I want until the end of the game.”

Alis grimaces, and you so do not envy her, especially when Cassian immediately hands her his cup and asks her to fill it with ice and whiskey. He jokes, turning toward the circle, “Anyone else want anything?”

On and on the game goes until the bottle lands on Amarantha and she answers a truth about how many guys she’s slept with. Then, she taker her turn and spins the bottle. It lands on Rhysand, just like you knew it would somehow. It fills you with a nausea that you try to drown out with your drink, only to find your cup empty. Huh. You don’t remember downing your entire cup. Maybe you can dare someone to get you a refill when it’s your turn.

“Truth or dare, Rhys?” Amarantha says, sickeningly sweet. She even bats her eyelashes for effect, but Rhys doesn’t even glance her way, much more interested in trying to shatter the glass bottle pointing in his direction with his fiery glare.

“Truth,” he grits, bracing himself for whatever imploring question is going to fall from her lips.

“Do you miss that thing I did with my hands? When I would—”

“No,” he growls, cutting her off. Wherever she was trying to go with that question, it backfires, because Rhys reaches into the circle and spins the bottle with a flick that means business.

“Awe, I wanted to hear what she was going to say,” her friend pouts, though the glance she shares with her friend tells you she already knows.

“Well, Alis, maybe if you ask nicely, she’ll do it to you, too.” Rhys is undeterred by their gaping looks, and a few of his players can’t hold back their snickers. Amarantha and Alis’ cheeks turn red, and you think they might leave the game in the midst of their humiliation, but they stubbornly stay put.

He spins, and the bottle lands on one Cassian again, who seems to really be the only one enjoying the game. Rhys dares him to take a shot of alcohol. Lame, but Rhysand doesn’t want to play, knows that he’s only doing it because you are and he wants to bear witness to your truths and dares.

“(Y/N)? Truth or dare?”

“Um, dare.” You hadn’t meant to choose that option, but you were so distracted by the way that Rhys keeps leaning away from Amarantha every time she tries to slant against him. It yields a fire in your belly at the sight, one so consuming that you don’t realize what you’ve said until it’s too late.

Cassian grins like the cat that got the cream, and you don’t like it one fucking bit.

Rhys looks just as surprised as you do, even more so when Cassian dares you to kiss him. It’s then that he’s able to remove his gaze from you to glare at his roommate, though it does sting when your first reaction to the dare is to frown.

Mor groans, slapping Cassian’s side. “Dude, seriously?”

“Seriously,” he nods in confirmation. He’s clearly not reading the room. “What?” He asks, “Are you going to back out, (Y/N)?”

You shake your head. No, you can’t back out. Not when Amarantha thinks that you and Rhys are already together. She’d absolutely question why the two of you wouldn’t kiss, which would cause questions from Mor to unravel the plan you and Rhys have just agreed to.

“Mor,” you call, all but crawling across the large circle to reach Rhys. He catches on, something sparking in his violet eyes as he leans forward to meet you halfway. “Close your eyes.”

You hear an indignant huff, and then nothing because the pounding of your heart drowns out the noise of the party around you. There’s a question in Rhysand’s eyes and you shake your head softly, watching as he swallows harshly when you show that you’re doing this for the both of your sakes. You are not going to back down.

And then his mouth is on yours, and fucking stars explode.

You lose your surroundings completely: where you are, who you’re with, what fucking day it is. Rhys’s mouth is much softer than you imagined with all of the coarse language you know he spits on the ice.

You can taste the warmth of whiskey on his lips and you want to drown in it. He’s addicting, even more so when shivers rattle down your spine in pleasure when his tongue traces the seam of your mouth.

When you’re about to part your lips for him, a loud, forced cough steals your attention. You pull away and everything slams back into your full-force: the party, the people watching you, cheering for you, and your roommate and best friend, who looks less than impressed with your display of affection with her cousin.

Your heart that’s pounding in your chest because of the feeling of Rhys on your mouth turns into a pounding of guilt. You break Rhys’ heady gaze, quickly finding your spot back in the circle. You have the urge to straighten your shirt and fix your hair, like you’ve been caught doing something much worse than sharing an innocent kiss.

Except, that there was nothing about that kiss that felt innocent at all.

You keep your eyes averted, trying not to squeeze your legs shut to stifle the need for pleasure that aches between them. Fuck.

“(Y/N)?” Cassian sing-songs. Rhys shoots daggers at his friend. He doesn’t give a fuck about the game anymore, more worried about you and how you won’t meet his gaze. That kiss was fucking something, that’s for sure, and he can’t help but to run his tongue across his lips, chasing the taste of you. “It’s your turn.”

“Right,” you agree, pressing forward to reach for the bottle. You try not to remember the image of you doing the same only moments ago when you were reaching the distance to kiss Rhys, but the memory flashes in your head anyway, your cheeks going red hot.

The bottle spins and spins and your shoulders drop when it lands on Balthazar. You don’t know him all that well, and when he picks truth, you give him something easy.

“Have you ever cheated on a test?” You ask, lamely. All you want to do is get out of this circle, down another drink, and go home. The feeling of Rhysand’s lips still buzzes against yours, and it reverberates between your legs. If you could go home, you could…

“Yeah,” he admits, like it’s something everyone does. He reaches forward and spins the bottle, and freezes when it lands on Gwyn.

Her eyes are as wide as saucers. Her bottom lip is tucked between her teeth as she nervously thinks over her options. You and Mor share a look, both noticing how flighty she looks. Gwyn looks like she might just spring up from the circle and bolt out of here, and you can’t say that you wouldn’t be right behind her. You’re more than ready to be in the privacy of your own room.

“Truth or dare, Gwyn?”

“Dare,” she says softly, barely able to be heard over the music and chatter of the party. Balthazar hears, though, or perhaps he reads her lips because he’s staring at her so intently that you feel like you’re intruding on something.

You wonder what made her choose dare, like doing whatever he comes up with is the lesser of two evils. It’s clear that something is going on between the two of them, but you’ve never heard a peep about either of them knowing each other. Maybe they share a class?

Whatever it is, you’re entirely intrigued.

“I dare you to tell me why you won’t look at me.”

The circle goes deathly silent, which isn’t all that silent at all with the music shaking the walls of the house. But the small circle…when she finally raises her eyes to meet his, it’s like walls have shot up around all of you, like you’re on the field of the colosseum and Gwyn and Balth are the warriors ready to fight for to the death.

You’ve never been surer that you’re intruding on something you shouldn’t be in your entire life. From across the circle, Rhys shoots you a look just as confused as you feel. You shrug, you have no idea what’s going on, and it’s all you can do to watch.

Gwyn doesn’t respond. It’s a stare off between the two of them, with her icy blue eyes glaring at him and him staring right back, brows furrowed in a hurt confusion.

She doesn’t answer. Gwyn climbs to her feet and threads her way into the crowd without a second glance, like Balthazar should know exactly why she finds it difficult to look at him. You can’t help it, you watch his face as soon as Gwyn’s red hair leaves your sight, watching the hurt flash across his eyes before he sits back in his spot in defeat.

“What?” He asks, lamely. “It’s not like I asked her to kiss me or anything.” Balthazar laughs drily, more than done with this game.

And neither do you. Whatever just happened, you’re more concerned about your roommate. You get to your feet, gauge how you feel with the few tequila pineapple juices you’ve had, before you follow after your roommate.

_________________________________________

Over Ice Taglist:

@saltedcoffeescotch @acourtofbatboydreams @mrsjna @velarisdusk @bionic-donut @tenshis-cake @eleganttravelercloud @lilah-asteria @serena05 @bwormie @soph1644 @house-husband-of-castlemurdock @tothestarsandwhateverend @topaz125 @judig92 @se7enteen--black-blog @thecraziestcrayon @cherry-cin @itsinherited @justafictionalnerd @bookishbroadwaybish @405rry @itsinherited @w0nderw0manly

[gremlinscomics]

No comic today y'all, Crow and I are still getting chapter 2 put together, HOWEVER-

Would y'all like some more Big Mama's Assistant content...?

Just a quick intro to who she is at this point in SOOP, read it on AO3 or just continue reading down below, enjoy!

Big Mama's assistant has been given many, many names throughout her life.

A champion, a work of art, Big Mama’s finest masterpiece.

She is everything that is to be expected from someone brought up by the most powerful Yokai in all of the Hidden City. A sharp-witted young woman and the perfect extension of power.

Outsiders may say she’s barely more than a pet, never out of her owner's sight, a product of a flamboyant businesswoman's flights of fancy. 

She’s an echo, who’s voice is nothing more than myth to those around her, whose face is concealed by a well designed muzzle.

Big Mama’s loyal assistant, with not a thought of her own, merely a vessel for a higher power.

The older Yokai at the hotel, the ones that have been there since its beginning, who witnessed her sudden appearance, will deny that she’s simply just Big Mama’s assistant.

To them she is known as Venus DeMilo.

Sole heir to the Nexus and all the glory surrounding it, a child born with a silver spoon in her mouth. They say that her loyalty to Big Mama is nothing new, not something that simply appeared one day. Even from a young age, she was more than willing to obey every order. It’s not uncommon knowledge that she was raised knowing her status was high above those around her, second only to her Mother’s.

She and Big Mama once attended human galas together; Their carefully crafted cloaking brooches allowing them to seamlessly blend with the crowds of New York  elites. Venus was an endless source of bragging, with Big Mama never passing up an opportunity to talk about her dearest daughter's latest achievements or praises.

Even as the years went on and, despite her social appearances becoming fewer and further between, her reputation remained intact.

Venus DeMilo is a loyal daughter who preens at the praise of her elders and puffs out her chest when Big Mama mentions her latest accomplishments.

Venus DeMilo comes from a high pedigree, she’s a debutante. 

But, there’s an air around her, one that sets others on edge. She is something more than just a ward blinded by their admiration for their provider.

She is a soldier who will gladly spill blood if her commander tells her to.

And she does.

Venus grows up in the arena, with millions watching.

She goes from a child to a champion nearly overnight, to the surprise of few and the cheers of many. Her first match for the title of top fighter in the Battle Nexus drew in droves of Yokai, all more than eager to watch a young Venus crush opponents ten times her size under her heel.

In the arena she is untethered, no one there to hold her to the etiquette and rules of high society. She breaks bones, maims without a second thought, competitors beg for mercy when they see their fleeting lives in the reflection of her tessen and she always, always, emerges victorious.

Venus looks up after every match, like clockwork, not towards the roaring crowds who adore her every breath, but at Big Mama's private box high above them; always asking a silent question, waiting almost hesitantly for a few moments, before bowing her head and making her exit; a trail of destruction left in her wake.

Big Mama brags about her creation, her crown jewel, always praising Venus on how close she is to succeeding; Lamenting on how she’s nearly caught up to her reputation.

Over the years, Venus has never wavered, never questioned her place. She loves her mother and her mother loves her, wants what's best for her, and that is enough.

She is content with her role, she is happy to blend into the shadows until Big Mama asks her to step into the spotlight, to show what years of an upbringing under proper conditions can yield.

There’s a power behind Venus, a constant brand, reminding her who she owes her success to. It whispers and instructs, never leading her astray.

If it tells her to jump, she jumps, if it tells her to win, she snatches victory up from her competitors' cold, stiff hands.

When it tells her to live up to the statuesque legacy she’s been given, she gladly chips and chisels away every single inadequacy; always just out of perfection's grasp but nearing it more and more with each attempt.

Because she is Venus DeMilo, soon she will be Big Mama’s pièce de résistance.

Soon she won’t just be a champion.

She will be a victor.

[lordofdestructionm]

The not so subtle sentimentality of Mordecai Heller

With the Lackadaisy Short Film  teaser trailer hitting over 800K views one line from Serafine got me thinking about a side of Mordecai that is not often discussed but is crucial to his character and may play a key part in the comics story before the end

Though it is easy for both other characters in the story and readers to see Mordecai as just a cold killer that cares more about stains on his shirt than ending multiple lives in grizzly ways (and that is true for anyone who makes the mistake of getting in the way of him completing his work) a closer look reveals that, while reserved for a short list of people, there is a strong streak of sentimentality hidden behind the buttoned down aloof professional persona he tries so hard to maintain

His Mother and Sisters

Mordecai was dealt a very bad starting hand in life. With his father dying when he and his sisters were still very young, despite his loving and hard working mother doing her best to provide for them, the family lived in poverty in the slums of New York

As a result Mordecai has to start working at a very early age and being naturally gifted with numbers he becomes a book keeper and soon enough gets drawn into running the numbers for gambling and loan sharking gangs.

All of this was done to try and make life better for his mother and his sisters. In a flashback to when he was on the run from the criminals he had been working for after being caught embezzling funds from them, his life is in danger and he needs to get out of town in a hurry and so jumps on a train in either 1920 or 1921.

Despite this he fixates on writing a letter to send to his mother in which he explains the location of his ill gotten savings and urges her to move with his sisters to cleaner better ventilated housing.

Because the money wasn’t primarily for his benefit

Mordecai clearly loved his sisters very much and they could break him out of his reserved bookish demeanor. We can see even as an adult Modecai holds the memory of his childhood with his sisters, impoverished and hard though it clearly was, very close. Close enough that thinking about them are enough to bring out his very small but very genuine smile that could not be further away from his “ice pick look”.

Atlas

The next imporant relationship in his life is with Atlas May. When on that getaway train he soon realized that cut throats from his former employers are already in the carriage waiting for their moment to pounce

Mordecai is 100% certain that he is about to get a bullet to the head and the tunnel will provide the hitmen with the perfect cover as the darkness and noise descends.

Only for a ray of light to suddenly appear

Atlas gave Mordecai the means to survive, not just by literally giving him what he needed to escape his would be murderers, but by employing him and providing a new purpose when he had nowhere else to go and no idea what to do.

Atlas being dead by the time of the main story, by design we know very little about his personality and relationships with others except for what the people who knew him have to say.

But is is very clear that Mordecai felt a deep loyalty to Atlas. It may even be speculated that he became a surrogate father figure for him, having lost his own father so young and having been moulded while working for him from the scared youth in shabby second hand clothes to a dapper professional bookkeeping bootlegger

This loyalty has not ended with Atlas’s death. He is determined to get to the bottom of the mystery of his murder. This is despite the fact it would be a much smarter move by far for the sake of both professionalism and survival to let dead former employers lie and simply carry out his new role with the Marigold gang no questions asked

Instead it is clear the entire reason he has abandoned The Lackadaisy is not, as Mitzi and the rest think, cold self interest but so he can investigate if the rival gang had any role in his mentors death

Even discussing the topic causes his cold passive exterior to crack and makes him look broken and overwhelmed

Viktor  (You knew this was coming)

As anyone who has followed this account will know this is one of my (and many other fans) favourite dynamics in the series

At fist it seems there is little reason for these two to have any kind of bond. Mordecai is pretty much obsessed with good grooming, high quality tailoring, correct grammar, and tends to go on one-sided rambles when perturbed.

 This clashes hard with the surly Slovak who is often unshaven, relatively casual in his attire, speaks a broken English, and hates people chattering or “noise, noise, noise” as he calls it. Indeed the two often bicker and act as if they can’t stand the other

However for whatever reason, in spite of these big differences, the big bruiser mechanic and the fussy nerdy sharp shooter are able to work very well together and soon become key weapons in Atlas’s arsenal

And in spite of their differences there is evidence, that over the course of the roughly six years they were working together before their bosses death, that these two extremely anti-social personalities actually began to form an unlikely rapport

On the one known occasion when Mordecai actually drank strong alcohol, and predictably got hilariously drunk, one of his chosen topics of conversation is his “friend” Viktor and how “great” he is (including a possibly telling comment about his large physique *cough*)

Mordecai also, despite being the type of person who you would assume would just radiate Scrooge energy, makes a point of buying Viktor a Christmas/hanukka present. Though he keeps up appearances by presenting it as another criticism of Viktor’s fashion sense

Tellingly Viktor voluntarily wears the tie for the rest of the day, something only Ivy (someone Viktor treats as a surrogate daughter) is able to get away with as well.

The two also not only work well together in a professional capacity, but seem to truly look out for each others welfare when on the job. Not only does Mordecai save Viktor from being shot while distracted, Viktor then goes out of his way to retrieve Mordecai’s pince-nez from the staircase of a burning building

While a hilarious moment as Mordecai fails to react in the “correct” way to having just survived a bloody shoot out, it also sums up his entire attitude to people, that he separates the world into those who count and those who don’t. The former are a short list

Viktor, along with the others on here, counts for Mordecai

This is made clear at his chat with Mitzi at the lunch meeting.

Mordecai may have kneecapped Viktor when he left the Lackadaisy gang, but from what we know now this was clearly an attempt to get Viktor out of harms way by forcing him to retire from bootlegging, and quite possibly to avoid Marigold putting him in a position where he would have to fight Viktor if he was told to finish off the failing speakeasy. Something he could hardly refuse if he wanted to keep investigating Atlas’s death

Mitzi seems to know Viktor is a chink in Mordecai’s armour, and of course exploits that to the fullest. When she informs him that his theft of the Lackadaisy arsenal put Viktors life in danger Mordecai’s face makes less than neutral expression

As Mitzi keeps twisting that screw Mordecai knows he is in danger of giving something away and with Asa right next to him he needs to restore his barriers.

In this case quite literally using a menu to cover his face to ensure he doesn’t slip up again

It seem to work as Asa laughs of the idea of Mordecai having a heart beneath the cold exterior (something we know is a big mistake)

Even when the attention is off him and the topic of conversation moves on his gaze remains firmly fixed down at the table.

Until Atlas lets slip some crucial information about Atlas’s last days. So much for there being “no heartstrings to tug on”

I am sure the Lackadaisy Animated Movie is going to be amazing and hopefully will only lead to ever more popularity and attention for this amazing world and its characters

[allgremlinart]

The Most Underrated Line In All Of ATLA/TLOK And Its Many Worldbuilding Implications - A Ramble

In S2E7 of TLOK we get this dialogue from Wan and The Aye-Aye Spirit: "There are other Lion Turtles?" "Of course there are - dozens of them!" [timestamp 3:38 in this video]

It's such a quick line it's easy to miss, but there's one thing about it that made a LOT of things click into place for me about the Avatar universe's worldbuilding; the fact that there are (or were) dozens of Lion Turtles. NOT four, with one for each element, like you would assume. Dozens.

What does this mean in terms of the Four Nations? What connections might this have with other previously established lore? Well uhm follow me on this journey. I guess.

Pre-Unifications - A Global Warring States Era?

A warring states era on a wouldn't be nearly as compelling if there were only four Lion Turtles. If this were the case, everything would be perfectly balanced; why would there be disarray, violence, cultural disparity and struggles for power within each elemental group if the world was already perfectly divided into four solid groups? Why would a national identity be in question at all?

But the fact that there are more than one Lion Turtle per element... that means different groups of people being isolated from one another for long periods of time. This means different bodies of identity, regardless of element. Different city states, regional Kings, Queens, fiefdoms, dynastic power struggle, etc etc, before any sort of inherent loyalty the ones element as a national and cultural identity was established.

We know the Avatar world was not always divided into Four Nations. In Chapter 21 of The Rise Of Kyoshi we learn that Guru Laghima - a name you'll recognize from TLOK S3 - was from an era when the Four Nations had not yet been formed. We also know from Zaheer that he lived about 4,000 years before the events of TLOK (for context, thats about 6,000 years after Wan became the first Avatar).

There's further confirmation of this in Smoke And Shadow, where we learn about the first Firelord and the Fire Nation's unification wars.

However there's implications of this even in the original series; it's not some sloppy ret-con from the books and comics, it fits. Think Omashu:

In S2E2 of ATLA we get the story of Oma and Shu - and we learn that they come from "warring villages." Now why exactly would their villages be warring if The Earth Kingdom already existed? Why the need for a power struggle? Why is it not presented as a civil insurrection or civil war, but as a conflict between two distinct groups of people? The answer is that the "Earth Kingdom" as we conceptualize it did not exist. I'd go further and say that we can assume that after Omashu was established it became a powerful regional kingdom, and created strong sphere of cultural influence. Think about it - Bumi is King Of Omashu. King. NOT the Earth King, King Of The Earth Kingdom, but still King Of Omashu.

[Now there's some debate about where Omashu's founding sits on the timeline but to me it HAS to be post-Wan, probably very nearly immediately post-Wan. The line that calls them the "first earthbenders" and that they "learned earthbending from the badger moles" has caused some to question if they fit in with the "Lion Turtles bestowed bending" lore, but to me it fits pretty easily. The Lion Turtles may have bestowed the power but the actual technique was learned from the badger moles and dragons and blah blah blah.]

I also find this line from Jianzhu in The Rise Of Kyoshi very illuminating:

VINDICATION !! And Jianzhu's moaning over the cultural diversity within his country brings me to the second part of this post...

FC Yee And Gene Luen Yang Accidentally (?) Make Avatar's Cultural Mish Mash Make More Sense

Avatar's cultural gumbo of visuals has always been a little hard to parse. If you follow @atlaculture then you know it'd be kind of fruitless to try and apply any one single ethnicity/culture to one nation. A common, and very valid, criticism of Avatar is the pan-asian approach it takes to worldbuilding. I'm not here to defend that lol. I think people who dislike Avatar on that basis are well within their rights to do so, and I also think it's important to enjoy things critically.

HOWEVER, from a worldbuilding perspective, the mish mash becomes easier to swallow when you think of it in terms of multiple groups of people being unified into different nation states over a very long period of time and slowly intertwining their cultures into a single(ish) identity.

Take the Fire Nation for example: in FC Yee's The Shadow Of Kyoshi we learn that the government was much more decentralized and the country was controlled by different clans, like the Saowon and Keosho, who had individual spheres of influence and strong senses of identity. It makes me think about Mai and Ty Lee

They're both Fire Nation nobles and they both live in the Fire Nation capital - but their styles/clothes are completely different. Now, obviously that can be boiled down to personality-based character design but. There's a wide discrepancy between Mai's Edo Japan inspired hair and Ty Lee's Thai inspired performance outfit, and a little retroactive canon about them being part of different but powerful clans .. ? Yeah. That'd be fun, at the very least.

I could go on about this... was there a Water Lion Turtle at the north AND the south? How did the airbenders transition from relatively sedentary life on a Lion Turtle to nomadism? etc etc etc BUT in conclusion: TLOK and the comics have some very fun worldbuilding implications snuck in there !! Which makes up for a lot in my opinion. Personally I'd KILL for an Avatar series set in the warring states/unification period... I think that could be insanely cool...idk. The End. For Now.

[casscainmainly]

Duke Thomas and the Robin Mantle

There's been some minor discussion about whether Duke counts as an 'official' Robin or not. While that discussion is interesting, I actually don't think it's the crux of the Duke and Robin issue. To me, the question is whether or not he should be Robin. And, to me, the answer is definitively yes.

This is purely my opinion, and I haven't read every single Duke comic so it's possible I've misread/missed things. Any Duke fans, absolutely feel free to add or disprove anything here!

The Changing Robin

The first thing to understand is that Robin, as a mantle, has shifted with each person it's been passed to. Tim's Robin doesn't mean the same thing as Jason's Robin, which doesn't mean the same thing as Damian's. A mark of a true Robin is the ability to shift the meaning of Robin by wearing the colours.

Duke absolutely fulfils this criteria. In fact, him and his We Are Robin crew are the biggest shift in the meaning of Robin since its creation.

Cover from We Are Robin #1. The phrase "We're not sidekicks. We're an army!" signals the shift from Robin as individual to Robin as collective; from Robin as tied to the singular Batman to Robin as a wider movement, a socio-political force. The last question, "are you ready?", is vitally important as well. Duke as Robin is meant to be different. He's meant to be non-normative, a groundbreaking turn in what Robin looks and feels like.

At the end of the first issue, a disguised Alfred (who started We Are Robin) thinks the following:

Alfred infuses the phrase "of color" with two meanings: the Robin colours, and People of Colour. By explicitly linking Robin to POC, the comic is suggesting that not only can kids of colour be Robin, but that they should be Robin. Robins of Colour are the "future of this city," and Duke is the vanguard of this future. It's no coincidence that the Robin before (Damian) and the one after (Maps) are both POC. Duke, however, is the Robin that gives the mantle an explicit direction towards diversity: him and WAR use Robin as a social movement, and in doing so transform the colours of Robin into a symbol for the diversity in Gotham and the world.

Robin as Collective

Duke doesn't change Robin alone. The point of We Are Robin is that Robin is a collective, and it's important that Duke doesn't start WAR (as much as people like to say he did). By joining late, the comic demonstrates that Duke is part of a bigger movement.

The Robin community represents POC solidarity, the necessity and ability of the oppressed to band together. Lee Bermejo ends We Are Robin's final issue with "stress on the word "we"" - Duke's arc, in one sense, is learning to rely and work with others (he initially mistrusts basically everyone). The WAR community is essential to both Duke's character development and his tenure as Robin.

So to have this page, affirming his loyalty and love for them, to be followed immediately by them being written out is... something.

Duke appears next in Batman: Rebirth, where Bruce gives him the yellow suit and tells him he's not looking for a Robin. As soon as he stops being Robin, the community around him quite literally falls apart. Izzy sticks around for a bit but fades into obscurity, Riko and Dax turn evil, Dre ends up in Arkham - all of these fates are antithetical to these characters and genuinely tragic.

Batman: The Secret Files: The Signal is possibly the worst Duke story in existence, but it's important to understanding why Robin!Duke mattered. Riko calls Signal 'Bat-Signal', highlighting his sudden reduction to a Batman acolyte. His friends turning on him shows how, by losing Robin, he also lost the community formed by WAR. In every way, his transition into the Signal was saturated by loss.

Robin Doesn't Need A Batman

Bruce giving Duke the Signal suit is borderline insulting. He already had an identity predicated on the fact that he didn't need Batman.

From Batman (2011) #45, Batman: Rebirth, and Night of the Monster Men. "Robin doesn't need a Batman" is an inversion of Tim's 'Batman needs a Robin' - in many ways, Duke is the opposite of Tim, who's rich, White, and whose Robin is the most focused on helping Batman. If Tim is the ideal Robin-as-partner, Duke is the ideal Robin-as-individual. His idea of Robin is not, and has never been, associated with Batman.

People who say Duke isn't an official Robin since he was never Batman's partner miss the point. He is Robin because he was never Batman's partner. That's what Robin means to him - a mantle free from Bruce and all authority.

"Batman is on the gargoyle. Robin... Robin is on the street." Robin is the person on the ground, who lives and belongs to the people. When Duke becomes Signal, this ground aspect - as well as his separation from Batman - is gone.

In this cover from Batman & The Signal, they gave him a Bat symbol and put him on a gargoyle. They erased every single part of his Robin philosophy.

The Original Robin

Post-We Are Robin, Bruce becomes the Batfam member Duke interacts with the most. Besides the insult of Bruce withholding Robin, this fact also strips away one of my favourite aspects about early Duke - he was tied to the Batfamily through the Robins (especially Damian and Dick), not by Batman.

It's Dick, the original Robin, who chooses him.

Dick recognises that him and Duke have a lot in common. He tells Duke in Robin War that he's "got it," and that he's a natural leader - Dick knows Duke has what it takes to be Robin, and explicitly endorses him.

Not only that, but when Dick sends Duke to jail (along with the other Robins, official and unofficial), he tells Duke that he "take[s] care of [his] family". He basically inducts Duke into the family then and there!

Dick's endorsement of Duke makes it more interesting that Bruce doesn't make him Robin. Despite Duke's disillusionment at the end of Robin War (dispelled soon after in WAR), the events in RW confirm that Duke can and should be Robin. Bruce not making Duke Robin is defying both Duke's potential and Dick's right to choose Robins.

Robin as Family

On the rooftop in Robin War, Dick tells Duke that Robin is about family. This is the fundamental connection between them both: Robin acts as the link to the families they've lost and gained.

For Dick, Robin keeps John and Mary Grayson alive, while also symbolising his connection to Bruce. For Duke, Robin is the intersection of three families: the heroic legacy of his parents, the tight-knit community of We Are Robin, and the newfound friendship of the Batfamily.

In Batman (2011) #45, Duke tries to give his friend Daryl a Robin badge. He says, "you and me, we came up together. We're fam[ily]." Even before Dick, Duke associated Robin with family, and Daryl implies in the next issue that Duke became Robin because of his parents' inclination to help. Signal, of course, also comes from his mom; but unlike Robin, Signal isn't a legacy mantle. As Robin, he constantly inducted people like Daryl, Riko, Damian, etc. into his family. As Signal, his circle shrinks immeasurably, until it's really only the Batfamily and the Outsiders if we're being generous. (Daryl also turns evil - a really unfortunate pattern for Duke side characters).

Lark and Conclusion

I'm going to end with this panel from Batman & The Signal #1, which is emblematic of the way DC has treated Duke and Robin as a whole. Bruce tells Duke that Lark is "too soft" a name. DC was probably debating between Lark and Signal, but it's telling what they went with. How is Lark too soft, exactly? How is it any softer than Robin?

By overtly dismissing the bird-like name, Bruce - and DC editorial, or whoever decided this - is definitively moving Duke away from Robin. And it's a shame. In Duke's transition from Robin to Signal, he has next to no agency. Bruce tells him he's not Robin, Bruce gives him the suit, Bruce tells him not to be Lark, Bruce gives him another suit. It's a stark contrast from his induction into Robin - though Alfred arranged it, he gave Duke a choice. Duke chooses Robin.

Duke being disallowed the Robin mantle is, to me, on par with DC stripping Cass of the Bat symbol during the New 52. The racism behind both these decisions cannot be overstated - both Cass and Duke redefined their mantles, and their mantles defined them. At least Cass' mistake has been corrected, and lots of writers and fans acknowledge how horrible that period was. For Duke, he was never given a real chance. And it's unlikely he ever will be.

This is not a knock against the Signal identity or any writers. However, it genuinely saddens me to think that all of this story potential - Duke's redefinition of Robin, his relationship to Dick, his connection to We Are Robin, and above all his ability to choose who he wants to be - has been neglected and cast aside. Even if they never acknowledge his role as Robin, I hope future stories centre him once again, because it's what he deserves.

[isthereintruthnobeauty1968]

saavik: to be honest the way i've observed her speaking to myself and your peers suggests that she's racist

spock: 😕 but i like her

[aveloka-draws]

In that one comic-thingy about the Lamb welcoming Kallamar into the cult, I noticed that Saleos had a loyalty necklace. As far as I recall, that necklace definitely has some mind/behavior influencing capabilities, so it makes me wonder…

What would Saleos be acting like had the Lamb not given him one? It prevents dissension, so… that, maybe? Actually, how did he even get the necklace in the first place?

Questions questions.

All in all, I love your art and can’t wait to see more! Very curious about the Lamb and his ascension. It’s influencing him quite a lot, from what I can tell.

Adios!

I think the necklace would affect more someone whos already loyal, like driving them insanely devoted.

Lamb gave one to Saleos so he wouldn't attack the others in the camp. As far as his thoughts they are still his own.

And thank you! Lamb's doing good. Or so they say.

[monstersandgirls-webcomic]

Have Lili and Sera seen each other without any clothing? Not by surprise like Lili did with Powers, but consciously aware and consenting?

I'm not asking this question to be perverted. I'm genuinely curious since even after their marriage, my understanding is that Sera remains a virgin while sex is Lili's job. I know Sera struggles with physical intimacy, so I probably answered my own question: No, she can't handle the sight of her wife without any clothing.

If you don't want to answer, I can respect that. How common is divorce in Heaven or Hell?

They haven't. originally Lili was going to be completely naked in the creampie comic but censoring her was a pain, so i went with lingerie. I ended up deciding that if i wanted them to see each other naked i'd save it for a future comic where they really discuss it, because it would also involve confronting Sera's struggles with being intimate and Lili trying to ask for more things from her wife instead of constantly compromising for her.

Also divorce in Heaven is unheard of, if you're ever married its eternal. No angel has ever had a divorce (closest is like. killing their spouse lol). In Hell, divorce also isn't common. not because of some idealogical thing but because marriage isnt that common in general. demons dont believe in loyalty or eternal love, so most of them do not get married or stay monogamous. its really something more common with fallen angels and higher ranked demons. like asmodeus and lilith are married.

[cheemscakecat]

If Emesis Blue really is a Dream, I love the fact that BLU Medic sees RED the way he does.

Think about it, BLU Medic is a Catholic who knows he’s mentally ill and is trying his best to keep it under control. RED Medic is a megalomaniac who likes the challenge of playing god and made a deal with the devil.

And beyond that, BLU has other personalities that he doesn’t understand [who freak him out] and hallucinates them from time to time.

That’s the actual reason he didn’t attack RED immediately, he thought it was one of them from afar. It has to be trippy and difficult to deal with that guy IRL in battle with the personality issue.

And even if BLU doesn’t know it, if he thinks his other personalities are demons or something, they still act like people. Angry, revengeful people, but not monsters. This picture is such a good representation of the difference between the two. RED is feral and messing with powers he shouldn’t…. For fun. Fixing respawn failures is not “for fun” it’s meant to save mercenary lives. So RED would be Monstrous.

He’s still red hued even in this blue room, skin and hair too, like a demon. And given he joined Classic team in hunting his own crew and BLU mercs, it makes sense that he’s literally two-faced.

Something else that’s interesting is that BLU Medic’s eyes are only ever black/brown as the funeral version, and he has hallucinations that make that personality look demonic.

But again, funeral Medic acts like a human person that’s 100% done with BLU Corp and their lies, not a cryptid. He’s not actually evil like Ludwig thinks.

But RED Medic is criminally insane in ways that transcend other Gravel War mercs, and that’s disturbing to someone like BLU.

O no he crumchy

He just put Scout’s body in a coffin as respectfully as he could given the circumstances. RED Medic brought their team’s sniper back to life and there’s no way BLU hasn’t heard about it post-comics. He didn’t want RED touching Scout, even if it could bring him back. He doesn’t trust that maniac, and that’s 100% valid. Why?

BLU team doesn’t know RED personally. What they’re like at their base, living with each other. They don’t know that RED Medic was infiltrating Classic, not truly joining them. They don’t know what he was doing in the early 40s or how close he is with RED Heavy. And here’s the proof:

BLU Medic doesn’t know that this is BLU Heavy; he knows that he’s at RED base, and wouldn’t have a reason to believe that this isn’t RED Heavy. Especially after what happened to Scout. So from his perspective, RED finally pushed nature too far and it blew up in his face. Resulting in RED Heavy loosing his mind and attacking.

That’s also why he hesitates to run away from the big Hoovy; he might be in hearty agreement with defeating RED Medic and leave BLU alone. But that’s not the case, and so the context changes from “this guy no longer serves RED” to “this guy has lost the plot altogether, he’s just attacking anybody’.

We, the tf2 fans know that this isn’t how RED Heavy acts; he actually didn’t question Medic’s loyalty in comic 6 and was ride or die, so if anything he’d still be docile to RED. But nobody on BLU team knows that.

And BLU’s doctor believes that something terrible will happen to RED if he doesn’t stop messing with the powers that be, even though he has no idea about the demonic deal.

[barrenclan]

Omg yes we were right that answer did save the cats, but not the clan. Does that mean the clan, the family, the loyalty, trust, friendships shattered? Does that mean that there's literally no more cooperative system? Like, if a company disbands, everything about it dissapears, but the people who worked there. Is this the same thing? No more "Barrenclan" as a group with a hirearchy, rules and trust? No Redstar? No medicine cat? No nothing? Just a band of loners sticking togheter, because that's all they knew?

Or just some cats with useless titles that mean nothing anymore, because of the sheer pain they just went through?

Or "Barrenclan is dead", as in all of the cats were so deeply affected you could consider them "dead"? Barrenclan still exists, still functions as it should, but in this context, Barrenclan repeesents the cats individually, not an imaginary group with made up rules and hirearchy.

I was very pleased with how many people correctly guessed that the title was metaphorical, that not everyone would die, and that Pinepaw's answer would be exactly the kind of thing that Deepdark would like. It means people were picking up what I was putting down!

What does it mean for BarrenClan to be dead? How do you continue to live after you thought you were absolutely going to die? The twist is that these sorts of questions are exactly what this comic is about.

Everybody lived except for the ones who died, and they're dead forever and you'll never get to see them again!