#a nuclear bomb is bad enough
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So, like, potions require a witch, wizard, goblin, house-elf, whatever-- a magical person to actually create a viable potion. Even if a muggle got their hands on a recipe and the ingredients and followed each step, they would just end up with gross soup. Not a potion. Because they don't have magic hands or whatever.
And that just makes me to create a muggle chemist oc to ship Snape with, and they would be so frustrated that they can't reproduce the same results Snape gets when he throws random ass shit into a cauldron-- not because of like magic envy, but because it's slapping the scientific method in the face. And they would just be constantly asking Snape to do simple chemistry experiments to see how his "magic" will affect it. Like combining bleach with ammonia. It's supposed to create mustard gas. Except when Snape pours bleach and ammonia in his cauldron it becomes a potion that, when you drink it, flips your organs upside down.
And then our little chemist oc will be like, "Okay, you know what, let's see you split an atom with your 'magic hands.'"
And, anyway, that's how Snape destroys the concept of time.
#forwards and backwards#pro snape#severus snape#snapedom#my cute little oc out here convincing snape to destroy the universe#a nuclear bomb is bad enough#now let's make it magical#magical girl snape and his weapons of mass destruction
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time is a flat circle where we watch a country go to another country and randomly will civilians because "what if they're the enemies haha we totally aren't clearing people out to steal their land" etc and we all go "wow thats fucking messed up, good thing it won't happen again!" and then the exact same thing happens right now and the same people somehow are just incapable of accepting that fact that we are living through history and letting the thing we said wont happen again fucking happen again.
#the same ideologies causing all the pain back then are still causing pain now.#you need to realise any retaliation no matter the initial cause that causes mass civilian death is historically regarded as a bad thing#maybe some natives attack the white people coming into their land? yeah lets genocide them.#vietnamese conflict that america barges in on because it has a huge fucking head about itself?#lets kill all the vietnamese villagers we see because anyone could be the enemy.#oh and if they fight back because theyre enraged about the destruction of their home and murder of their families? proof that we were right.#we should bomb them and kill them and gas them. all for anti communism!#their fault for fighting back!#extremists drive two planes into a building? well we just gotta go can start fucking shooting every arab civilian we see and start a war.#because its obviously their fucking fault.#oh and yeah lets drop a nuclear bomb on japan because theyre not surrendering fast enough. on all those civilians.#oh can the car bombings in northern ireland and stuff? yeah lets just go to a stadium full of people that just wanted to watch football-#-and start shooting.#<--actions that have been repeatedly performed forever and ever#<--and all of them only go down well with insane people who think deporting all immigrants or mandatory school gennital checks a good thing#warfare is fucking stupid and so is colonization. you have too little faith in the common person and too much in power hungry governments#dROOLING AT OIL. VIBRATING AND ROCK HARD FOR THAT SWEET FOREIGN OIL AND LAND. COMPANIES GIDDY WITH THE PROSPECT OF KILLING NATIVES.
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To be fair they NEVER let franchises win anything I swear
They’re snobs !!!!!
Don't get me wrong, I think it deserved Best Picture!!! but I know that's unreasonable to expect of those snobs. </3 Like, sometimes they make exceptions for categories that are less about the main content of the films, most often Best Visual Effects.
I remember last year Black Panther: Wakanda Forever was nominated for Best Original Song (it deserved to WIN). A Best Original Score nomination for A Ballad of Songbirds and Snakes shouldn't be too much to ask for 😭
(You're SO right anon and they need to take a real hard look.)
#I can't lie I saw Barbie and Oppenheimer and very few of other things that were nominated this year (some that were just in one category)#so *maybe* there's something else spectacular I didn't see. MAYBE. (I can bet the Oscar ppl didnt see aBoSaS)#but the message of Ballad of Songbirds and Snakes felt more culturally *relevant* to this moment than either Barbie or Oppenheimer#coming on an election year where the country is extremely divided. lotta dehumanizing of political opponents happening#not to mention some of the things being said by our leaders about the genocide in Palestine are very reminiscient#the way it shows someone as evil as Coriolanus Snow as just a normal guy with good and bad in his life- capable of evil bc of his choices?#it isn't done nearly enough in villain origins and rarely as well as it was in this one (or the book!! the book <3 )#it’s something a lot of ppl need to hear right now if I’m being honest#I also think a Ballad of Songbirds and Snakes has more complex themes if I might be so bold#and I liked barbenheimer!! they were both fine. just not as much so. but the Oscar snobs will never see that#Oppenheimer didn't grapple with the impact of the bomb nearly enough let alone that nuclear testing site#words by seaweed#thanks for the ask anon I fully agree with you!
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MY LOVE
~ Astrology Observations ~
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Having Venus in air sign or house 3H/7H/11H is the best indicator to show that you need lots of communication in your relationships, is a good placement if you like to be more extrovert
Cancer in your big 3 *Sun, Moon, Rising* are empathetic placements, cancer is usually connected so much with the mother nature and feels a deep empathy for everything surrounding
Sagittarius Placements especially in big 3 or big 6 (Sun, Moon, Rising, Mars, Mercury, Venus) is that BITCH. Wild, carefree, savage, all that plate. They're iconic
Can I please say how happy I am when I check (black, poc natives) charts and I see LEO PLACEMENTS???? EMBODY THAT FELINE INSIDE YOU. I love seeing Leo Placements in their chart 100/10.
Leo Venus is top, Leo Mars is fire, Leo Rising is a nuclear bomb. I LOVE THEM. The sun being your ruler makes everything to be perfect
Mars aspecting the Midheaven can bring you faster to the things you want to manifest in your career/job
I love how much Capricorn in big 3 (Sun, Moon, Rising) embodies the dark traits of the sign. Like Capricorn was always seen as a dark sign, I love the lore behind this sign and how much it can influence your life
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When the rhythm make it vibrate
Tell me how much can you take
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Venus aspecting Neptune or Neptune aspecting Moon can often have "love dreams" like dreaming about love, dreaming about a partner, or a relationship
Taurus Moon/Rising/Mercury/3H can have a very sensual voice.. like is so blessed by Venus vocally, I love their soft tone
Jupiter in Scorpio/8H/ at 8° 20° is a deep placement in a sense that it makes to discover your life the fullest, also gives you sexual power
Juno in Aries/1h may love a spouse who can take the lead in their relationship, not in a dominant way but more as a role
Jupiter aspecting Neptune can make you more of a dreamer if you have these aspects in your chart, like you can be a part of a fairytale movie
Mars aspecting the ascendant natives have an inner fire inside them that makes them so ambitious. They wanna achieve big things in life
The dark romance between Moon - Pluto aspects is not described enough on this app. There is something so intense about the natives who have the moon in aspects with a destoryer planet
Something I saw within the sun and moon in the 9H natives is that they love their culture/traditions so much. They may also love to share their culture with others
Moon aspecting the ascendant natives is a sensitive placement in a good way. They can feel the energies around them and are able to protect from the bad ones
Venus in Sagittarius/9H may have a very funny love language. They're more playful in their love relationships. They can appreciate partners who have a good humor
Venus in Capricorn/10H may wanna be seduced first and to hit the rock, they wanna act dominant and all but they still a sensible side
Mercury in Gemini is a placement I rarely see. I'm not gonna lie. Even if Mercury is at home here, still is not seen that much, I love how social they can get, I ended up with one once, and we wouldn't stop talking at all
Even if Virgos are highly critical, we have to appreciate their self - care cus' is always on point.
Mercury aspecting the Sun natives can bring others in a good mood with their energy, somehow they always bring some peace in your life
Scorpio Mars should be classified as a sex king, like always horny, always in a mood for racing in bed, and always prepared ( I said king because Mars is a masculine planet)
Men with a Venus in the 6h/10h are husbands material placement. You won in life if your husband has these
Cancer in the 10H/Moon in the 10H, the career or job you choose can play a big role in your emotional being and development
North Node in the 11H/ at 11° 23° or in Aquarius can get popular in online/wealthy on social media, some kind of influencer
Jupiter in Libra/Jupiter in 7H/Jupiter at 7° 19° have a deep need/focus for partnerships. This energy makes the native to be liked/loved by people
Jupiter aspecting Uranus natives have a knowledge of 'future', somehow they have an idea of how the future will influence the world
Lilith in the 1h/5h/8h/12h makes the native to have a sensual aura. Sensuality may play a big role in their lives
People have said that Lilith in the 6H can be one of the most difficult positions for this placement, and I don't blame them at all. Being the house of mental power and health with Lilith here, everything can go into chaos, but you have the power to manage the chaos 🤍
Air Mercuries/Mercury in the air signs 3H/7H/11h can be influenced more easily by music, feelings + music is what this Mercury has to give
North Node in the 7H/Libra can indicate that you tend to depend on others much more in this life, due to focusing only on yourself in a past life with Aries south node/south node in the 1H
Pluto in 2H may indicate intense experiences with your self - worth and your material resources. Sometimes, you may able to control both
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Melody fire, sweet pasi sewu
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Saturn/Capricorn over the 6H/12H might have a fight with their subconscious sometimes, feeling tired, sleepy, even if you sleep enough your body still loves to sleep/relax
Some astrologers have said that after your saturn return happens, you'll be a new person, you will change, and saturn returns happen to change you
Virgo over the 8H/12H can have lots of phobias. These houses can represent fear to some extent, so it can happen, like snake phobias, spiders, deep sea, insects, and many more
Juno aspecting the Moon can indicate you tend to fall in love with people who can understand your emotional needs
Juno in Gemini natives can end up calling their spouse with nicknames (it can be any nickname)
Juno in Taurus/2H may love when their spouse takes them to a fancy place/restaurant. They can also fall in love with ppl who have the same passion for food like them
~ Not a heart on earth can beat my love ~
💚💚💚💚 On Friday we honor the love, THE day of Venus
#astrology#astro notes#astro observations#astrology observations#astro community#astro blog#astroblog#placements#birth chart#horoscope#ascendant#venus#mylove#tropical#beach#sea#ocean#green
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I have an idea for Leah. Maybe Leah preparing to propose to reader? Like picking out the ring, arranging the plans to do it & what to say. Being super stressed that it goes well.
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The engagement ring is currently sitting in the drawer of Leah’s bedside table. It’s been there for three days. That’s seventy-two hours of her life spent mentally cycling through increasingly absurd ways to ask you to marry her—none of which feel remotely good enough. Yesterday, she briefly considered hiring a flash mob but abandoned the idea when she realised she couldn’t name a single person in her life who would willingly agree to dance in public.
The ring itself is a masterpiece—or, at least, Leah tells herself it is, because the thought of you hating it makes her chest constrict like a bad asthma attack. It’s a gold band, delicate but not fragile, and the diamond is small but impossibly bright, practically nuclear under artificial light. It reminds her of you. Elegant, unassuming, but blindingly brilliant. She spent hours debating between gold and platinum, flipping through online forums and texting Beth for advice, only to be told: Mate, just get what she’ll actually like. Helpful.
She chose gold, naturally, because you once mentioned in passing that platinum felt too cold. You probably don’t even remember saying it, but Leah does. She remembers everything. Like the fact you can’t stand carnations (“soulless flowers”) and that you always eat the crusts off your toast first because it’s more “structurally satisfying.” She’s built this proposal on a foundation of your quirks and preferences. It’s practically a thesis at this point.
Her plan is a dinner reservation at that restaurant—the one with the hand-written menus and waiters who always remember you like your wine dry. She’s already called them to arrange for a quieter table in the corner, away from the clatter of silverware and the prying eyes of other diners. She’s even considered what to wear: a crisp, white shirt with the sleeves rolled to the perfect midpoint of her forearms (which you once confessed makes her look “obnoxiously fit”) and tailored trousers she had altered just last week.
But even with all this planning, Leah feels like she’s holding a ticking bomb. She’s stressed in a way she hasn’t been since that penalty shootout against Brazil. She’s pacing the flat now, her steps echoing faintly on the hardwood floor. “This is ridiculous,” she mutters under her breath. “It’s just a question. Four words. Five if I add a ‘please.’ Six if I say her full name.”
“You alright there?” Beth’s voice crackles through the speakerphone, equal parts curious and entertained. Leah forgot she left her phone on the kitchen counter, still connected to the ongoing call.
“I’m fine,” Leah says, glaring at her phone like it’s personally betrayed her.
“No, you’re not. You’re spiralling”
“I’m not spiralling”
“You’re literally pacing like a dad waiting for news in a hospital drama”
Leah stops pacing. “I just… I want it to be perfect”
“It will be perfect. She loves you, doesn’t she?”
“Yeah, but what if she hates the ring?”
“She won’t”
“What if she says no?”
“She won’t”
“What if I say something stupid like, ‘I can’t wait to do your taxes together’?”
There’s a beat of silence, and then Beth’s laughter bursts through the speaker like an explosion. “Honestly, that’s probably exactly what she’d expect from you”
Leah groans, rubbing her hands over her face. “This isn’t funny”
“It’s a little funny”
She ends the call before Beth can continue her unsolicited pep talk and sits down on the sofa, staring at the box in her hand. It’s absurdly light, considering the weight it carries. She snaps it open, then shut. Open, shut. Like the world’s most expensive stress toy.
You walk into the flat a few hours later, shrugging off your coat with a small sigh. Leah, who’s been pretending to read the same page of a book for the past twenty minutes, immediately tenses. The ring box is hidden in her pocket now, a phantom weight pressing against her thigh.
“Hey,” you say, dropping onto the sofa beside her. “You alright? You look… weird”
She blinks at you, heart pounding. “Weird?”
“Yeah. Like you’ve seen a ghost or just remembered you left the oven on”
She laughs nervously, her hand twitching towards her pocket. The words are there—Will you marry me?—but they stick to her throat, stubborn and immovable.
“Leah?” you prompt, looking at her curiously.
And just like that, she panics.
“Do you want takeaway tonight?” she blurts, the words spilling out in a rush. “I’m thinking Thai”
You raise an eyebrow but nod. “Sure. Thai sounds good”
The proposal will have to wait. Again.
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Hi babes! So I’ve had this idea running around my brain for days.
Basically Cooper Howard and the reader knew each other pre-apocalypse (up to you wether it was romantic or platonic) but after the bombs go off, the reader makes it to a vault where she is put in a cryopod for 200 years to see that the rest of her vault is dead from asphyxiation (I definitely didn’t think of this by playing fallout 4). So she escapes and later finds Cooper (she recognises him and then realises it’s him), it’s up to you how it goes from there 🫶🏻.
Anyway, I love your work! Hope you’re doing great! 💗
AN | I love this concept. Enjoy❤️
Pairing | Cooper Howard (The Ghoul) x fem!reader
Warnings | language; mentions of canon typical violence
Word Count | 3.1k
Masterlist | Main
─── ・ 。゚☆: *.☽ .* :☆゚. ───
“You look like you’ve got something on your mind, sugar,” Cooper came up behind you and wrapped his arms around your waist before resting his chin on your shoulder. You made a small sound of content before leaning into him and turning your head to press a kiss to his stubbled cheek.
“I’m just…thinking,” you whispered before turning around so you were facing him. The warm evening breeze swirled around the two of you as you leaned against the porch railing, and looked down the Hollywood hills. He took your face in his hands, brushing his thumb along your cheek.
“You do that a lot,” he teased as you rolled your eyes in amusement, “too much thinking ain’t good for you.”
“Well, between the two of us, one of us has to use a brain cell once in a while,” he scoffed as he gently squeezed your cheeks before pressing a kiss to your lips. When he let go, you wrapped your arms around his neck and pulled him closer, kissing him a few more times, “I love you, you know?”
“I know,” he confirmed with a soft nod, “I love you too, sweetheart. You gonna tell me what you’re thinking about?”
“I suppose,” you sighed lightly, resting your hands on his chest, “do you think that...it seems silly, but do you think that it'll ever happen? The nuclear war. Or do you think it’s all just a big pissing contest?”
“I think,” he took one of your hands and brought it to his lips in order to press a kiss to your knuckles, “that you worry too much too often.”
“I know,” you agreed, “I know I do. I just can't help it sometimes. What if something happens?”
“If anything were to happen, we’d face it together and figure it out,” he promised and while you liked the idea of his sweet words, it didn’t totally alleviate your worries. He’d been trying to convince himself as much as you. It had been a constant in his mind as well. He wasn’t as good of a liar as he believed he was.
“Rest assured Cooper Howard,” you whispered softly, “that I will always find you and be with you. No matter what life brings.”
He pressed his forehead to yours and let out a small sigh. You echoed the sound sweetly before kissing him again, “I promise, Coop.”
“I promise too.”
─── ・ 。゚☆: *.☽ .* :☆゚. ───
“Cooper?” your brow furrowed as you looked at the tall figure standing in front of you. The first time seeing a Ghoul had almost caused you to have a heart attack; you hadn’t been expecting to see someone so…crispy. Being asleep for the last two hundred years hadn’t prepared you for half the things you’d seen in the short time since you’d escaped Vault 111. Like the radroaches - seriously? Weren’t those things bad enough normal? Nature had definitely fucked up with that one.
Some things you could get used to easily, but other things were definitely going to take time. Two hundred years had passed and you hadn’t experienced a single thing. In some ways it felt like you’d been a lamb left to slaughter.
After you’d gotten over your initial shock at the Ghouls, you’d realized, with a heavy heart, that they were just people too. People had suffered unfortunate circumstances but they were still just people…mostly. Realistically you’d been rather lucky when it came down to it. You had a long nap while others suffered.
But you’d recognize him anywhere; you’d memorized every part of him so many years ago. You weren’t sure if you could ever forget him.
But this…this wasn’t who you were expecting to see. Honestly, you didn’t expect to see him ever again, but here he was…alive and breathing. Maybe.
“Cooper,” you took a step closer while he took a step back, his hand brushing along the holster at his side. You held up your hands in a meek attempt to show your innocence; it still made your heart constrict to see his response to you, “i-it’s me.”
“I’m ain’t fallin’ for that one, sweetheart,” he drawled, causing a frown to tug down the corners of your mouth, “I know when I’m hallucinating and I’m not about to go feral.”
“What are you…talking about?” you watched in confusion as he reached into his pocket and grabbed a small vial before downing it in one go. He tossed the bottle to the side, letting it clink off the side of a building, “I don't ... I don’t know what’s going on! I don’t understand anything here, but I know it’s you. I’d know you anywhere.”
He made a sound at the back of his throat as he blinked a few times, still looking at you as if he was trying to decide if he’d already gone feral or whatever it was called. You wondered if he would even possibly shoot you.
“That’s impossible,” he said quietly as he studied you. It was like you were frozen in time - you looked exactly the same as you did two hundred years ago. It wasn’t possible for you to look like that when he looked like…a monster, “you look just like her but you can’t be her.”
“Cooper Howard,” you sighed in exasperation, running a hand through your hair. You’d always done that and he’d seen that look on your face a thousand times before, “I don’t know exactly what happened to me. I-I woke up and I was in one of those weird vaults that they used to talk about and there was no else there. A couple of skeletons and a bunch of these giant cockroaches-”
“Radroaches.”
“Radroaches,” you rolled your eyes and that almost had him let down his guard, “and I got out. I don’t know what year it is and I don’t know what’s happened. I’m just here. And I have no fucking clue what I’m doing or where I’m going or what’s even happening in the world anymore. But I found you. I know it’s you. I told you that I’d always find you.”
He allowed himself to relax as he tried to put the pieces together to see if your story made sense. The worst part of it all was that it made sense. The day the life as he’d always known it stopped, he hadn’t seen you. But he knew that you’d been at the Vault-Tec headquarters that day. It made sense. It made sense.
He hated that. Hated that you were forced to experience this strange new world, and even more that you had been all but abandoned to figure it out for yourself. But he couldn’t deny that there was a palpable feeling running through his entire being at the sight of you. Your smile was just as pretty as he remembered; he thought about it a lot. Thought about you a lot, still to this day, despite the fact that it had been literal centuries.
He’d accepted that you were dead a long time ago. But here you were, a ghost of a life that once was.
You let out a nervous laugh at his silence, feeling like a fool, “are you gonna say anything or am I just going to keep standing here like an idiot?”
“You should turn back around and walk to the nearest vault and pray that they take you in,” was all he managed to choke out as you felt the tears start to sting at the back of your eyes. You opened and closed your mouth a few times, trying to figure out what to possibly even say to him, “you ain’t cut out for his world. You weren’t made for it. You ain’t gonna survive up here on the surface.”
“What the hell is that supposed to mean?” you stomped your foot, an unwitting little habit that you had, “you want me to just walk away?”
“Yeah,” he pulled the brim of his hat lower, voice gruff, “I do.”
“Oh,” you scoffed, trying to hold back all that you were feeling, “and what? You’re cut out for this world?”
“Look at me,” he growled deeply, “I’m a fuckin’ monster made for this world.”
You flinched at the sound of the self hatred in his voice. He wasn’t anything like you’d remembered or expected, but he was still your Cooper.
“You should get going, darlin’.”
You turned on your heel, ready to walk…somewhere. Anywhere other than there, left to be humiliated.
“Tell me one thing,” you turned back to face him, finding that he was still watching you intently, “what year is it?”
“2296.”
Your heart almost stopped for a moment as you tried not to panic.
Over two hundred years since you’d last walked the world. You’d been sleeping for over two hundred years while Cooper had been suffering. You had so many questions, but more than anything your heart hurt for everything that he’d been through.
You offered him a nod before walking away, this time for real, trying to figure out what the actual fuck you were going to do.
Cooper watched you go wordlessly, eyes on you until you were but a small speck in the distance.
“Who was that?” Lucy appeared at his side along with the canine companion they'd named Dogmeat, a curious expression on her face, “did you know her?”
“It was no one,” the sharpness of his voice caught Lucy off guard and she raised her eyebrows in question, “just lost.”
“Okie dokie,” she hitched her backpack higher onto her shoulders, “we should keep going before it gets dark.”
“Yeah,” he agreed with her, finding his heart wasn’t quite in it, “get a move on kid.”
─── ・ 。゚☆: *.☽ .* :☆゚. ───
This was a weird world. Like really weird. There were creatures that you'd encountered that appeared to be descendants of the ones you'd known during your previous life. Roaches definitely weren't supposed to be the size of dogs. Dogs really shouldn't have been up to your shoulders. And that thing that you'd encountered that was maybe a fish? Wild.
It was all so much to get used to and it felt like you were a child all over again. You had met a kind woman that had taken you into her diner (or whatever a diner was these days) and helped to get you back on your feet. The first order of business? Getting rid of the vault suit; not'd noticed an immediate shift in how people treated you once the suit was gone.
The one thing that hadn't changed? Men. Men continued to the worst, leering shamelessly after you. Looks like not even radiation can evolve that out of men.
You still had not clue what you were going to do with your life or anything really, but at least now you had a safe space to learn to adapt and overcome. Now you just had about two hundred years of history to catch up on. Learning about places called the New California Republic and New Vegas definitely told you that something big had happened.
Everything else, you hoped, would fall into place over time. You did, however, have your suspicions that Vault-Tec were nothing but a bunch of liars confirmed. There was that at least. And you'd learned what a Ghoul was - what Cooper was. It didn't sound like it had been a fun reality for him.
At least if you were going to start aging naturally, you wouldn’t have to suffer in this hell forever.
You were helping around the diner one afternoon when the doors swung open to reveal Cooper, along with a young woman and a dog. Funny, you thought to yourself, Cooper had always adored dogs.
The rag dropped from your hand as blinked wordlessly at them. Neither you nor Cooper said anything, silence thick and heavy between the two of you.
“Do you have any pie?” The young woman asked, a nervous chuckle escaping her lips as she looked around, “and maybe some water?”
“S-sure,” you stammered nervously pointing at the table towards the back, “I'll get that pie.”
And just like that, Cooper was back in your life.
─── ・ 。゚☆: *.☽ .* :☆゚. ───
Without Cooper, you weren't quite sure what to do. Honestly, you had been sure what you'd do once you left the vault along, but you figured when you found him that things would fall into place…or make a little more sense anyway. But as you'd made your way through the skeletons that littered the vault, you weren't entirely convinced that this wasn't some sort of fever dream.
And Cooper had turned his back on you.
Only to come back to rescue you.
“What happened?” He asked, his voice dropping softly, almost like he was letting down his guard, “how did you end up in one of those pods?”
“I don't know,” you admitted, wiping your hands on your knees as you looked at him, “I-I remember bits and pieces but not the whole thing.”
He made a small sound of acknowledgment but didn’t say much else. You’d been wracking your brain for weeks now - ever since you’d escaped the vault - about what exactly happened before you took a centuries long nap.
“The last thing I really remember was speaking with that Maclean kid, the one that had recently started working at Vault-Tec. We got into an argument about something and he shoved me around and then…I think he hit me. The next thing I can remember is waking up.”
“Life is funny, ain’t it,” he pinched his brow before looking at you with a pained expression, “Hank Maclean is still alive. The girl I’ve been traveling with…she’s his kid. I think everyone finally found just what kind of a person he is. And it ain’t a good one.”
“He’s still alive,” you breathed out heavily, trying to decide if you were angry with him or…in a twisted way, thankful. You supposed the last two hundred years could have been a lot worse than just sleeping through them. But then again, if you’d been awake and aging, you’d have been long dead by now, “this is all so…weird.”
Silence fell over the two of you for a few bit, as you started at the roaring fire. It was dangerous, or so you’d been told by almost everyone you’d encountered. But somehow with Cooper by yourself, you didn’t feel scared or nervous.
“I looked for you,” he said after a short while as your attention snapped to him, “for a long time. Decades.”
“Really?” your voice cracked on the simple question as he nodded.
“After a while, I realized you were probably dead,” your heart twisted at that, “it was the only logical answer. Unless you’d ended up like me and I would never wish that on you.”
“What happened, Cooper?” you asked softly. You wanted to know but you also didn’t want to push him either. You still had so many questions about this strange new world, “you don’t have to answer if you don’t want to.”
“Your curiosity was one of the things I always loved about you, sweetheart,” he chuckled, almost sounding just as you remembered, “to put it simply, radiation. I got a little bit too much of that radiation and then I became like one of them radroaches, adapting and surviving.”
“Radiation,” you repeated softly, “fuck me. Am I going to-”
“You’ll be fine,” he reassured you, “radiation levels are livable now.”
“Oh,” you swallowed thickly as you gave him a nod, “that’s good…I think.”
“You don’t deserve to have to live in such a world,” he caught your eye and looked at you intently, “in a way I wished you’d never have had to experience it. It would have been easier if you’d just…died that day they dropped the bombs. But in a selfish way, I’m glad you’re here, sweetheart. Still the prettiest face I’ve ever seen.”
You snorted in amusement as your face warmed up, “still the biggest flirt I’ve ever met Cooper Howard. In a selfish way, I’m glad you’re here too.”
“You’re telling me that you’re happy to see his ugly old face?” he asked, his voice turning gruff and bitter, “darlin’, you could be looking at a gulper and it’d be a prettier sight.”
“What’s a gulper?” your mind reeled with possibilities of what in the actual hell a gulper was.
“I…nevermind,” you didn’t need to know about those horrors just yet, “there’s a lot of things that are prettier than I am.”
“Agree to disagree,” you insisted with a soft laugh, “I’m glad you’re here, you know. Even if it sucks and this whole world sucks. I’m glad you’re still here. Selfish or not.”
You stood up and brushed yourself off before walking over to him and plopping onto the ground next to him so you were facing him. You reached for his hand and took it in yours, giving it a squeeze so tender that it almost made him cry. He never thought he’d get to feel such a touch ever again.
“So,” you whispered softly, “what’s next?”
“You’re not ready to run for the hills and hide?” he joked, half serious.
“Nope,” you promised, “besides, what the fuck am I going to do here by myself? I know nothing about anything anymore.”
“Want to help me and the kind find Hank Maclean?” he asked as your eyebrows raised up, “it’s a long story.”
“I’m in,” you promised, “but there’s one thing I want to do first.”
“And what’s that, sugar?”
“This,” you leaned in and took his face in your hands, before gently leaning and kissing him. When you pulled away he looked at you in surprise, “that’s all.”
“C’mere,” he put his hands on your hips and hauled you onto his lap, “you should know better than to start something you can’t finish.”
“Oh, I fully intended to finish,” you grinned, “I’ve missed you, Coop.”
“I’ve missed you every day for a long time,” he sighed, “I’m not letting you go again.”
“Good.”
#cooper howard#cooper howard x you#cooper howard x reader#cooper howard x fem!reader#the ghoul x reader#fallout tv#fallout#walton goggins
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Oppenheimer gets a lot of shit these days for the whole "oh I created this city-destroying bomb but I feel so bad about how it was used" etc etc, and people clowning on him for that, but I wonder how a lot of people on this site who call it a black and white moral choice would react if they were in that same situation, which is to say if their country was at war against the Nazis, and where the big fear was iirc that they were also working on developing the bomb.
Like, okay, nuclear bombs are bad, obviously, but imagine you're some dude in the 40s, you are a scientist rather than a politician or military strategist, you have limited information but your country is in the middle of a catastrophic global war with a massive fascist alliance the like of which the world has never seen. The physics community has just solved the equations and realised that this weapon might be possible, and that it is powerful enough to change the course of warfare forever, and the scientists who had escaped evil fascist alliance are telling you "look, the scientists who discovered this was possible were German, the Nazis are probably working on this and they might be further ahead than we are".
So the government comes to you and says, "we need to try and develop this first, because if not then they will use it to wipe us all out." And you have no reason to believe that's not true, because the science did come from the area of the Evil Fascist Alliance, and your country, your community and friends and loved ones, are already engaged in fighting the catastrophic world-ending war and there have been no holds barred.
I don't know, a lot of people manifest pretty strong principles in hindsight looking at the actual circumstances of the bomb's use by the US military, but given the sort of uses of violence I see advocated here for fighting back against fascists over much lower stakes than "literally World War II" (not judging whether that is correct or not, just observing), I am fairly sure that a large chunk of the people making snarky jokes about Oppenheimer would have built the bomb and handed it over to the US on the spot, perhaps feeling misgivings at the time but feeling it is necessary, then only coming to feel truly bad about it after the fact, following, like... the exact trajectory that I believe Oppenheimer did.
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Because I've seen so many people comment to the effect of "how come if he loves her, he never bothered to learn sign language?" etc and I want to talk about it.
But since it involves the novel, it's behind read more as spoilery.
So yeah, in the novel he does not know sign language. (Who knows if they keep that in the drama.)
But the thing is - I think a lot of wtf reaction from people is because they operate from "but how would he not bother if he wants to woo her/be with her/or just even take care of her well" standpoint.
But that's the thing. The situation is not "he loves her and wants to have a true marriage with her, he just does not know how to woo her or is worried she will only go along because of her mom" or even "he would love to be nicer but he has to be mean/standoffish etc for her protection or to take care of her."
Sae Eon is FUCKED UP. Like FUCKED UP FUCKED UP. He's not really a person, but a whole bunch of traumas in a fancy suit. There is a reason that at the end of the novel he asks her to give him a name because he's literally never had one, or when he tells her that the real him is someone who's always hated all of humanity. The very end is his diffusing a hostage situation on the way to their wedding and he saves a little kid not because he's innately nice but because he knows she'd like it. It's very much a "she's got a leash on a nuclear bomb in human shape" set up in the novel. He will never innately care for other people but she does so he just mirrors that because he cares for her.
So he didn't learn sign language because he had no intention of ever having a relationship with her of any kind - not a marriage, not a friendship, not even any meaningful interaction. Marrying her to save her from that dude (and if I remember correctly in the novel there wasn't even a bad dude for her to be married to) and then putting her in his house to occasionally look at and not touch, like a fancy art piece (or as he put it, a fish tank) to calm all the devils in his head was literally the most interaction he could manage.
In a lot of ways, his situation is vvvv similar to that of LJK in Flower of Evil - down to fake parents with an OG serial killer son who he knows would murder him for a corn chip and having to live with a fake identity in a monster lair - but instead of choosing to become the bestest husband ever to compensate, he just withdrew. It's made clear the moment he was old enough and had enough power, he fled all the way to the other side of the world as a war correspondent into some fictional hellhole of a country because that felt better to him than home. He and HJ were never friends even as kids because he had no bandwidth for that at all - she was his little bit of piece in childhood but even with that he couldn't really have proper human interactions with her (the thing with him giving her a plate in the drama is a drama thing; significantly in the novel, she is the one who gives him her food because she notices his eating issues and feels bad and coaxes him to eat. This is not a kid who has any mental or emotional room to spare for anyone else.)
So basically tl;dr - he didn't learn because he is operating at about 0.2% of normal emotional capacity and ability to interact. He's a bastard and a cold jerk and it's not an act to save her or because he's just awkward. It's because he's very very very very damaged.
Now, a novel is a novel and a drama is a drama so who knows how much of it will be kept. They already softened him up from the novel as is. But at least in the novel, it totally made sense...
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Let me just preface this by saying everyone is allowed to have their own opinions, TOTK is a really fun game, and I'm glad that other people have been able to enjoy the story as well.
...But I'm being dead serious with my complaints about the narrative being 100% imperialist propaganda. And I'm getting really tired of people replying to those posts by saying it can't be imperialist propaganda, because imperialism is bad and the game says that Hyrule is the good guys.
Like, guys. That's not the argument you think it is. Yes, I am aware that the game tells us Ganondorf is a flat, one dimensional character with no ambitions, interests or motivations beyond destroying the entire world for the hell of it, and also it's totally not racist because he's green, not brown like literally every other member of his race. Unfortunately literally all of these things are kind of the entire goddamn problem.
See, the thing is, everyone trying to make these arguments is accepting the game at face value. Hyrule is the perfect and almighty nation chosen by the demigod Zonai, and whose royal family has the right to rule due to their divine heritage. The other races exist to serve the glory of Hyrule, and they're happy to do it. Ganondorf is pure evil and must be stopped at any costs.
But that's not how anything works. The story informing me that Hyrule is the ultimate good that has done nothing wrong is the whole goddamn reason why I don't trust Hyrule at all. There's always more of a reason than that. And the game fucking suggests there was more going on! Ganondorf mentions Rauru has repeatedly 'invited' the Gerudo to become Rauru's subjects, and let's be clear here, it doesn't matter how peaceful those 'invitations' were, when the guy who owns every single magical nuclear missile in the world repeatedly demands you surrender to him, there's always going to be an implied threat of 'do it or get magically nuked'. Just that power difference alone shows us exactly why Ganon would feel threatened enough to invade. It's because Rauru was holding a gun to his head, and Ganon was expected to just trust that he'd never pull the trigger.
And yes, even if it wasn't intentional Hyrule was always threatening to wipe out the other nations, considering the entire royal family walked around openly wearing their magical nukes as cute accessories. If they couldn't be safely hidden away, there wouldn't be four other secret stones sitting untouched in a vault until the last second.
But that's never acknowledged. Of course Hyrule is the only nation with the right to the secret stones; even if other races get to touch them, they can only have them if they swear eternal blind loyalty and servitude to the glory of King Rauru and Princess Zelda. Ganon wanting to have one magical nuclear bomb out of a stockpile of eight of them is proof that he's dangerous and evil. I mean my god, what if he just walked around all day wearing a magical nuke and using its power for his own benefit, that would be terrifying. It's only okay when Hylian royalty does it.
And you can't argue that Ganon betrayed his own people, considering we don't get to know fucking anything about his relationship with his people. He's shows as the leader of the Gerudo, we're told he's a hero to his people, he has soldiers that loyally follow him into battle... and then oh nevermind, they all hate him and will spend eternity trying to atone for sharing a race with him. How did the entire race do a complete 180 in the span of at most a few months? Who cares, what's important is that now they accept they exist to serve Hyrule so they get to be the good guys now and we don't need to know why they were following Ganondorf, or why they stopped following him.
Basically my point is that yeah, I fucking know how the game insists everything went down. That's the entire reason I think it's imperialist propaganda, because the entire story feels like Hylian propaganda to conceal and justify some horrific atrocities that caused all of this. I literally do not believe that I'm getting the story through reliable narrators, especially considering that the only people allowed to actually tell me the story are all the characters that have the most reasons to be heavily biased in favour of Hyrule.
When the game shows me protagonists that have a massive amount of power and control over the entire world, then says the bad guy doesn't like that system just because he's evil, and literally nothing and nobody in the game says anything to oppose that take, I have some questions about what the fuck the story isn't telling me. And I'd really appreciate it if people would stop trying to argue with me just by telling me to stop asking those questions.
#tears of the kingdom spoilers#tears of the kingdom#ganondorf#can you tell that i'm annoyed by these people bcause i'm annoyed#...nothing personal if you are taking the story at face value btw#its just that i'm trying to dig into the story to talk about it#and it's frustrating to have people telling me i'm wrong because i'm analyzing the game#like guys... if someone doing a little bit of analysis is all it takes to dismantle the entire story#then it's not a well written story
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A Palestinian man is asked in an interview by a white woman if he condemns Hamas while his people are being slaughtered in the open, and HE is the one condemned when he yells that it's injustice to insulate that his people deserve to be murdered, because "Hamas chose this."
A black woman is attacked first in a fight and SHE is the bad guy when she strikes back, she is the one whose face is plastered all over social media to be condemned and shamed for "aggression."
Two sisters are appropriately reacting to their oppressors by ripping off posters promoting their propaganda, and THEY are shamed and attacked for their lack of politeness when their people are being killed for existing.
An American democrat watches her colleagues cheer on genocide and ethical cleansing, the murder of children and the rape of women and the slaughter of families, and SHE is the one censored for speaking out in defense of them, despite her grief of losing family members.
Zionists are not condemned for enjoying the thought of children being killed, for calling Palestinians "animals" or saying Gaza should be "turned into a parking lot", Israeli doctors can get away with demanding that Palestinians, HUMAN BEINGS, should be murdered, that their only remaining hospital should be crushed.
They are not condemned for saying they wanted nuclear weapons unleashed on Gaza, they are not condemned for the imprisonment and torture of children, for desecrating dead Palestinians' corpses and mauling their bodies, for mocking Muslim Palestinians by rubbing their bullets against pig's skin before shooting them, for bombing Palestinian churches, for bombing universities, for shutting electricity from Gaza, cutting Palestinians from food and water, not letting them access to aid, for bombing CANCER hospitals and CHILDRENS HOSPITALS, for turning the sky of Gaza RED from explosions, for killing enough students that the entire school year was canceled, for annihilating families, for attacking Jewish people in Jerusalem, for cutting dead fetuses off dead mothers, for STEALING THEIR SKIN AND ORGANS and using them for their benefit, for forcing CHILDREN to hold a press conference to say that hey, they want to live.
Insinuating that this is about religion is the basis of Zionism. 60 members of Hamas were killed, and 10,500 civilians killed, 4000 of which are children. Over 800 bloodlines erased. Israel says they aim for "damage, not accuracy." Implying this is about Hamas is lies.
When white people in power tell you from their air-conditioned studios this is Israel defending itself, refuse to let Palestinian journalists explain things happening from their point of view, watch those journalists lose their entire families for speaking about what's happening to them, demonize Arabs who rage about injustice, ask Palestinians grieving if they condemn Hamas, know this is propaganda.
You shouldn't need them to tell you they're parroting lies to you. Their lies kill people. Their lies destroy people. Their apologies are insincere and their "sympathy" is limited only to those who look like them. It is unjust. It is cruel.
If I was were to narrate to you every atrocity Israel commited that I am aware of, I would never stop typing.
#and no matter how much people will yell about this#zionists will only listen to other zionists#no matter how brilliant and educated a non-white person#can be#their opinions and thoughts are disregarded#cnn only aired an interview from a nurse working at the Indonesian hospital in gaza because she was white#no matter how many people yell for the world to free Palestinians#how many humans with heart and grace do so#the congress and biden are the ones with power.#listen to people and be patient#we should not quiet down once a ceasefire is called.#we should keep yelling until every man and woman and child and tree and house in Palestine is free#until the birds chirp again without being shot down.#palestine#free palestine
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𝐢'𝐥𝐥 𝐬𝐞𝐞 𝐲𝐨𝐮 𝐨𝐧 𝐭𝐡𝐞 𝐨𝐭𝐡𝐞𝐫 𝐬𝐢𝐝𝐞 - 𝐜𝐢𝐥𝐥𝐢𝐚𝐧!𝐨𝐩𝐩𝐞𝐧𝐡𝐞𝐢𝐦𝐞𝐫
cillian murphy!oppenheimer x reader
DISCLAIMER: this is fanfiction. it isn’t real. Oppenheimer is a real person, however Cillian!Oppenheimer is not. he is a character. if you have something bad to say just keep it in the drafts (:
“let's all go play Nagasaki, we can all get vaporized. hold my hand, let's turn to ash. I'll see you on the other side.” - 137 by Brand New
warnings: spoilers for Oppenheimer, descriptions of nuclear bomb/ explosion, fear
word count: 1316
author's note: I love Cillian so much, and he did so good in Oppy!! I just had to write about it. please keep in mind there are spoilers in this, don't read if you haven't seen the movie. also, there's only like, one other fic on here for Cillian!Oppy which is sad but I'm sure there'll be more soon. (:
masterlist | add yourself to the taglist here
ᴅᴏ ɴᴏᴛ ᴄᴏᴘʏ, ʀᴇᴘʀᴏᴅᴜᴄᴇ, ᴏʀ ᴄʟᴀɪᴍ ᴍʏ ᴡᴏʀᴋ ᴀs ʏᴏᴜʀs ᴏɴ ᴛᴜᴍʙʟʀ, ᴀ���3, ᴡᴀᴛᴛᴘᴀᴅ, ᴏʀ ᴀɴʏ ᴡᴇʙsɪᴛᴇ. ʏᴏᴜ ᴅᴏ ɴᴏᴛ ʜᴀᴠᴇ ᴘᴇʀᴍɪssɪᴏɴ ᴛᴏ ᴜsᴇ ᴍʏ ᴡᴏʀᴋs ɪɴ ᴀɪ ɢᴇɴᴇʀᴀᴛᴏʀs ᴏʀ ᴀɴʏᴛʜɪɴɢ ᴛᴏ ᴅᴏ ᴡɪᴛʜ ᴀʀᴛɪғɪᴄɪᴀʟ ɪɴᴛᴇʟʟɪɢᴇɴᴄᴇ. ʏᴏᴜ ᴍᴀʏ ɴᴏᴛ ᴜsᴇ ᴍʏ ᴡᴏʀᴋs ᴛᴏ sᴇʟʟ ғᴏʀ ᴀs ʏᴏᴜʀ ᴏᴡɴ ᴄʀᴇᴀᴛɪᴏɴ
For the last few nights, Robert has woken up abruptly from his sleep. He’ll sit upright and pant, trying his best to catch his breath. It alarms you every time he does this despite him acting like it didn’t happen. But you know he doesn’t go back to sleep after because you feel him toss and turn until morning. Test day is tomorrow, and you can feel Robert’s nervous energy radiating off him. This was it- this was the epitome of his life’s work, and if it failed, he would be lost. And you’re torn between wanting it not to work for humanity’s sake and wanting it to work for Robert’s.
You have worked alongside your husband for many years despite the pushback from society. But he knows your intelligence and insisted you be involved in the Project. He refused to have anything to do with it unless you assisted him. Lieutenant Groves reluctantly agreed, but he still knew just how capable you were to help with the Project.
You’re very much a housewife outside of work, though. Despite being a knowledgeable person, you still have duties at home. You’re busy folding laundry when Robert exits the bedroom after getting ready for a meeting. It was the last one before tomorrow’s events. Robert doesn’t say much to you before bidding his farewell and heading out. It wasn’t abnormal for him to mumble a goodbye before putting his hat on and leaving without anything else said. He was reserved unless it was necessary to say something. That’s one thing you admired about Robert; he could be cynical and sarcastic yet humble and a man of few words.
You would attend a later meeting that evening, so it’s possible you may not see Robert until bedtime. You aren’t worried about him not kissing your son goodnight or missing dinner. You mostly worry he won’t sleep enough.
Later in bed, you and Robert both lay on your backs, staring at the ceiling wordlessly.
“How are you feeling?” you suddenly ask, breaking the eerie silence.
Robert opens his mouth before shutting it again, shrugging.
You sigh, turning on your side to face him, “I can feel you have nightmares, you know.”
Robert cuts his eyes toward you before giving in and rolling over to face you as well, “I’m sorry.”
“For what?” you furrow your brow, “There’s nothing to be sorry for. What we’re- what you’re doing is incredibly stressful and world-changing. It’s normal to be anxious over it.”
“That’s exactly why I’m anxious.”
“Which part?”
“The world-changing part.”
You’re quiet for a moment before answering, “What do you dream about?”
Robert’s eyes study yours closely, searching for any instance of potential recoil from what he’s about to tell you. He searches even though he knows he won’t find it because Robert knows that you’d never leave him no matter what. Even if his nightmares were incomparable to even the most descriptive horror stories. What’s worse is that Robert knows no one has ever seen the results of a bomb the magnitude of the one he’s created. So it’s up to his imagination. And his imagination is one of grotesque imagery that he hopes won’t come to fruition.
“Death,” Robert says plainly, with a cold look, “Destruction. Everything in my dreams is obliterated by fire and disintegrates into ash, and even the ash turns into nothingness.”
You purse your lips, gently reaching your hand up to touch Robert’s cheek, running your thumb over his cheekbone.
“I don’t fear for me or for us. I fear for our children,” Robert gives a watery laugh, “And the world they’ll have to grow up in knowing that such weaponry exists.”
You tuck Robert’s head into your chest, “You are merely the creator, darling. You have no control over how they use your creation. And I know that worries you, but you cannot do much about it.”
“I know. You’re right. But the fact I’m the one responsible for such a destructive device,” Robert trails off.
“Your creation is for science exploration and nothing more,” you say, “Remember that tomorrow.”
When you awake at two in the morning to prepare for the test, Robert has already gotten up from bed. You figure he didn’t sleep and has already made his way down the street to prepare. You hurriedly get dressed, grab your son, and walk out the front door. You let your neighbor, one of the wives of another scientist, watch over your son while you and Robert are away. A vehicle has been sent to your home, probably by Robert, to retrieve you. The ride is quiet and bumpy. You figure they would take you to the main hall, but they keep driving into the desert. Everyone must already be at Trinity.
Trinity is alight, with people who worked on the project scurrying around to find the perfect spot to watch the explosion. You climb off the vehicle and run to the tent where Robert resides with the others. A relieved smile grows on his face when he sees you walk in.
“I didn’t want to see this without you,” he says, pulling you in for a tight hug.
“Did you sleep at all?” you mutter into his shoulder.
“Unfortunately, no. But sleep can come later,” Robert says, returning to the detonation station.
You cross your arms and walk around aimlessly, watching the scientists scramble to take their places and put sun shades on.
“Ninety minutes,” Robert says from behind you.
You turn around to look at him, a half smile growing on your face, “I’m proud of you.”
“And I’m proud of you, too. Without your suggestions, we may not be here,” Robert plays with a loose strand of your hair.
“I doubt that,” you chuckle, “Your brainpower alone has done the job.”
“I’ll see you on the other side,” Robert says.
After a little under an hour and a half of checking that everything was perfect and prepared, everyone took their places where they wanted to view the test. You’re next to Robert, with goggles on your face that match his. Both of you have ports to get a fantastic view. The countdown begins.
Everyone becomes dead silent as the bomb is detonated. The flash causes you to gasp, your eyes adjusting to the sudden brightness despite the goggles. When the light subsides, you see a mushroom cloud of nothing but fire beginning to rise to the atmosphere. Beside you, Robert grabs hold of your hand and grasps it tightly.
“Now I am become Death, the Destroyer of Worlds,” Robert says with a haunting tone.
You remove your goggles along with everyone else as you squint against the harsh brightness. Before you is the most terrifying, breathtaking thing you’ve ever seen. A firestorm that is capable of mass destruction. A scientific miracle. But before anyone can relax, the sound of air rumbling and rushing toward the tent is heard. The sound of the explosion hits the viewing base violently. The blast wave smacks everyone as they brace themselves against the high wind. Once the hot gust of air subsides and the explosion tapers down, everyone begins to cheer and clap.
“We did it,” Robert says in disbelief before he looks up at you, “We actually did it.”
You nod, smiling at him proudly before engulfing him in a hug.
“I have destroyed the world,” Robert whispers in your ear, and you pull away to see an odd flash of emotion cross his face.
“You haven’t,” you whisper back, as people begin to approach your husband, “But you’ve changed it forever.”
As colleagues surround Robert and move him outside, you remain in the tent for a moment. You replay the mushroom-looking explosion in your head. You begin to ponder what the Manhattan Project’s creation will do for the world. And whether it’s good or bad.
Either way, everyone has been forever changed.
#cillian murphy#j robert oppenheimer#oppenheimer#j robert oppenheimer x reader#j robert oppenheimer x you#cillian murphy x reader#cillian murphy x you#oppenheimer fanfiction#oppenheimer fic#oppenheimer fanfic#cillian murphy fic#cillian murphy fanfic#cillian murphy fanfiction#spoilers#oppenheimer spoilers#oppenheimer 2023#floralcyanide writes
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Crystalline
Eyes meet, you know where this goes Her keys in, they take off their clothes They're soaking, caught in a dream Her skin shines, like crystalline —The Midnight, "Crystalline"
🪧 Summary: On the night Yuji Itadori consumes Sukuna’s Finger, Satoru finds a familiar face at the epicenter of a shocking discovery. Takes place three months after If. 🔞 Rating: Explicit ⚠️ Be Advised: Explicit sexual situations, recreational drug use, descriptions of violence, blood mention. ❤️🔥 Pairing: Satoru x Sundari [🧿👹]
🔏 This is a commissioned fic by the lovely @septembersums. With her permission, I finally get to post this fic so folks can understand how Satoru and his goddess met. September was kind enough to see my vision and bring it to life in her gorgeous writing style as part of my growing Parallax 'verse. She's an absolute joy to work with and talk to and I highly recommend commissioning a fic writer to bring your vision to life! September's AO3 <- Support her work too!
⛩️ AO3 𑁍 FFN 𑁍 Fic Masterlist 𑁍 Parallax OCs 𑁍 Sonder OCs 𑁍 HCs & Meta ⛩️
Satoru is getting bored.
As much as he loves shopping, and he does love shopping, even Satoru has a limit when it comes to how long he can wander between food stalls browsing the options. Although boredom might not be the best word for it. Restlessness, maybe.
He’s been idling away the hours while he waits for Megumi to call with news that he’s secured another of Sukuna’s fingers. It’s a difficult job for a first year, considering how cursed spirits tend to flock to the cursed fingers, but Satoru is fairly confident Megumi can handle it.
If not, Satoru will just teleport there as soon as he senses danger. Simple, easy. In theory, it shouldn’t go wrong. That idea does little to quieten down the sense of unease settling into Satoru. There’s something in the air tonight, something that tastes like intuition, something that feels off.
Satoru attempts to shake the unnatural anxiety by purchasing some more kikufuku. Sweets usually help when he gets a bad feeling like this, which is a decidedly rare occurrence. Even with his impulsive spending, the feeling persists, and it gets stronger. He considers teleporting himself straight to Sendai to see what’s causing it but ultimately decides against it. He’ll know if something happens.
A shiver runs down his spine while he’s standing in front of a food truck that sells crepes, and he knows that his intuition was right. In an instant, he’s standing at the peak of a skyscraper, looking over the city. The wind whips at his loose-fitting clothes and his hair, as he pulls his blindfold down to get a good look at the situation at hand.
What he sees makes no sense whatsoever. It raises the fine hair at the back of his neck, makes the skin of his arms prickle with goosebumps.
Gaze cast towards Sendai, he sees something there— a ripple of cursed energy that looks like Sukuna, but much smaller and less destructive than one would expect of a freshly incarnated Sukuna. It’s a threat, whatever it is, and there’s no question about that, but it’s nothing compared to the other surge of cursed energy in the distance.
Sendai is a blip on his radar in comparison to the potential nuclear explosion of cursed energy he sees building in Tokyo.
A massive, ever-swelling fog of cursed energy covers an entire block, settling over the street like a storm cloud. The longer he looks at it, the bigger it grows.
It makes little sense, considering that he knows something significant just happened to one of the cursed fingers in Sendai, but it looks like Sukuna himself just appeared in Tokyo. A fully formed Sukuna with all of his power, decidedly unlike the tiny hints of it he catches when he’s near the fingers.
This is the real fucking thing— full-fledged, entirely unregulated, a ticking time bomb of a person who will detonate and kill hundreds of people if they aren’t contained and controlled quickly.
“How the fuck is Sukuna in two places at once?” Satoru hisses to himself. Not even Satoru could manage something like that.
Two threats, two people that he needs to keep away from the higher-ups and whoever else might be looking for an incarnated Sukuna. One, however, is a much bigger problem than the other.
A hypnotic bassline thrums in Sundari's ears, a familiar feeling that she normally loves. Right now, though, it’s too much. Something within her is changing, shifting, pulsating— growing. It feels like she’ll be torn apart by the surge of strength within herself, as she stumbles away from the dancefloor filled with gyrating bodies and into the bathroom.
Her breaths are labored, pulse racing, as she nearly doubles over against the wall. She’s drunk, sure, and she’s taken a few party drugs just to keep the night going, but she doesn’t feel right. Something’s fucking wrong, but she doesn’t feel bad. No, she feels good. She feels strong, a lot more so than usual.
The bathroom is empty right now, which is a shocker at a rave like this, but she’s thankful for it. Nobody needs to see her like this— panting, as the power within her claws and grips at her insides. It just grows, and grows, and grows. With a rough rasp, she stumbles over to the sink to look at herself in the mirror.
It might be the drugs talking, but something about her face doesn’t look right. She blinks a few times at the shifting, moving image reflected back at her.
The scars underneath her eyes aren’t scars anymore. They’re eyeballs. Four of them. She squints at herself, leaning closer to get a better look.
She should not have four fucking eyes right now.
Sundari has tried a lot of shit, but nothing that’s ever warped her perception like this. The extra eyes blink in tandem with her own, and she can somehow see through them. It’s disorienting, the shift in perspective, but her vision is only getting better as she acclimates to it.
“The fuck?” She mumbles, gripping onto the sink for balance.
The porcelain shatters under her grip, and water floods into the bathroom. She’s always been strong— a good fighter, a damn good fighter. She even makes money off of it on the side, but she shouldn’t be that strong. She needs to get the hell out of here before she breaks something else, or worse. She can’t imagine what would happen if she bumped into someone right now with her newfound superhuman strength.
She leaves the bathroom in a rush, stumbling at first as she ascends the dark stairwell that leads out of the underground rave and back into the streets of Tokyo. With every step, she miraculously seems to be sobering up. The metal door leading outside warps when she shoves it open. Fuck.
The cool night air feels better than it did inside. She inhales deeply, sighing audibly as she leans against the brick wall behind her.
“Huh. You’re not Sukuna,” a familiar voice drawls from her left.
She whips her head around to see who’s talking to her when she’s having the worst trip of her life, only to see a face she knows all too well. The wickedly pretty boy she hunted in the club a few months ago, not someone she expected to see tonight. He’s leaning against the wall next to her with his arms crossed, eyeing her warily.
“Nah— Sundari, but I thought you knew that,” she snaps back, a little annoyed to see him again right now of all times. “What are you doing here?”
“I do know that, but I didn’t expect to see you here either,” he argues, arms still crossed. “I should’ve known those seals on your back were for something big, but I didn’t think it was this big. Sukuna’s daughter, huh?”
“The fuck are you talking about?” She asks, temper flaring.
Maybe it’s the newfound strength she’s gaining, but this cryptic, confusing conversation is wearing on at her nerves. Something fucking big is happening to her— the last thing she needs right now is a weird conversation with a guy she fucked a few months ago.
“Come with me to my place, and I’ll explain it all,” he offers casually. “It’s a lot safer there than it is here for you. Lots of people are going to want to get their hands on you with all the power you���re gaining right now, and I promise you— I’m the one you want to end up with.”
“You don’t know anything about me. Why would I go anywhere with you?” She snaps, pushing off of the wall with a little too much strength behind it.
The brick crumbles, leaving a sizable crater.
Satoru looks between the crater and her eyes, as if that proves his point.
“You really want to deal with this without any information about what’s happening? What happens when you shove past a stranger on the street and break half of their bones? Or use your technique by accident and kill off a whole city block?”
She hisses out a couple curses, weighing her options. Her decision is only really made when a fractal of a memory slams into her subconscious, and she relives it like a dream she’s forgotten.
The Godslayer, they called her. A monstrosity falling apart underneath her four hands, as she rips it to shreds. Worship, and her mother’s avoidance.
“Fuck,” she hisses. What the fuck was that?
As far as options go, it’s looking slim right now. She could either trust this guy, or she could do exactly what he said when this keeps happening, and she can’t control her own strength. She doesn’t want to hurt people— not innocent people— not if she can help it.
“What’s it gonna be, Sundari?” He pressures her.
“Fine, fuck, let’s go,” she says.
He reaches out a hand to her, and she takes it begrudgingly.
Missing pieces of Sundari’s life start to come together within the next few days. Satoru explains some things to her, like Sukuna, and how she must be his daughter or something similar to have inherited this power from him. Nadja always kept her father a secret from her, a piece of the past that she never wanted to unearth.
The memories come back in waves, usually when she sleeps. Little bits and pieces that don’t make sense when separated but start to form a clearer picture when she puts them together. She’s a lot older than she thought she was, given that she was worshiped at some point a very, very long time ago. For a number of years that she can’t begin to quantify, Sundari’s power has been sealed away, locked inside of her and restricted, as she’d lived her life like a normal person.
Satoru explains that Sukuna was recently incarnated somewhere else, and the seal was broken, which explains why she was suddenly able to break sinks, walls, and doors with her bare hands. The four eyes are hard to get used to, but at least the extra arms haven’t shown up yet.
Now, she’s here in Satoru’s house, being fiercely guarded day and night like some sort of prisoner. Apparently, she’s in grave danger right now, as if shit wasn’t weird enough without that added layer of stress. Satoru’s the strongest sorcerer, which he told her very arrogantly, and his entire job is killing curses like her father, and possibly like her.
It’s been tense. Sundari isn’t naive enough to think that she’s entirely safe with Satoru, seeing as he wants to kill her dad because he’s too powerful. Where does that leave Sundari at the end of this? She hates being guarded and coddled like a child, like she’s something that needs to be contained and controlled, rather than a person.
She’s fucking stressed, and she can’t sleep without these dreams of her long-forgotten past haunting her. She doesn’t necessarily blame Satoru for needing to kill Sukuna— he’s chaos incarnate, he’ll kill thousands of people if he isn’t stopped.
Somewhere deep inside of herself, Sundari is afraid. She’s afraid that Sukuna’s innate violence is lurking beneath her skin, waiting to come out when she doesn’t expect it. Afraid that if she’s left to her own devices, if she gets angry or upset, she’ll become like him. Her memories and Satoru’s stories do enough to remind her of what her father has done, of what she’s capable of if she doesn’t control herself.
But she can control herself. She’s not a loose cannon waiting to be muzzled. Satoru might not see it yet, but she can.
She doesn’t dare mention her feelings to Satoru. Not yet at least. He’s been nice to her while she’s staying here, he didn’t even make a fuss about it when she accidentally broke a door of its hinges trying to open it, but how much can she trust him? Not enough to reveal her deepest, darkest fears, that’s for fucking sure.
It takes Sundari a week to gain full control of her own strength. Like an astronaut that’s just come back from Mars, it takes her a while to settle into herself and feel comfortable with her own body’s limitations again. She knows not to push too hard on doors or rip the handles off of the sink.
Muscle memory from the distant past is kicking in to help her contain her technique. At first, her cursed energy was a serious problem that was only contained by the seals Satoru has around his house. Now, she’s maintaining it herself so well that even Satoru was shocked to see it.
The issue now is the weird tension between the two of them. Satoru’s helpful, but she can see the hunger in his eyes when he takes off the blindfold. She feels it within herself, too, now that she can focus on it without worrying so much about her own strength. Something unfinished and unspoken, leftover from the last time they were together. It was a good night, he was a good fuck, and that was supposed to be the end of it.
Now, they’re living together, and despite the domesticity of that, she still can’t trust him. So, like any reasonable person, she comes up with an idea of how their get over the uncanny tension, or at least make it bearable.
“Do you have any weed around here?” She asks, as they’re sitting on the couch together, silently watching some movie she’s not paying attention to.
Satoru turns his head slowly to look at her, intrigue written on his features. God, he’s pretty. A little too fucking pretty— it makes sense that he’s as powerful as her, given that he looks like that.
“I could get some,” he answers nonchalantly.
Sundari smiles, and maybe they’ll work out their differences after all. Even now, she struggles to be wary of him, he’s so smooth with his words. He matches her wit with ease and returns it just the same. They’re too similar— a little arrogant, both of them, but she doesn’t see it as a bad thing. She sees it as a challenge.
Satoru does come back with some weed a few minutes later, and she struggles to watch him roll a joint— he’s good at everything, apparently, but not that.
“God, you’re bad at that. Let me do it,” she says, frowning as she takes the half-rolled, uneven thing out of his hands.
“I was getting there,” he pouts, rolling his eyes.
“You really weren’t,” she teases, which draws a smirk out of him. He likes it when she talks back, she’s realized.
Satoru watches with a catlike grin, as she fixes it for him. Her eyes lock with his as she runs her tongue over the smooth paper, before flattening it down to make a perfectly cylindrical joint. His eyes flicker between her lips and her own when she presses it between her lips and leans toward him, waiting for a light.
He lights it, and she feels a thousand times better as soon as she inhales. Something to calm the nerves a little bit, it helps a lot, and he has money and connections enough to get some good shit.
Maybe it’s a little too good, actually. They’re both on the moon talking about nothing, passing it between each other and laughing at each other’s jokes. He’s funny, she thinks, as she’s looking at him. The nerve of him to be hot and funny. He’s trying to explain his technique to her, but she’s lost before he gets half of it out.
“Bet I could take you,” she says, relaxing with her head in her palm, as she sits a little closer to him than she realizes.
“In a fight?” He asks, teasing and a little flirtatious.
She grins. “Yeah, in a fight.”
“Bet you couldn’t,” he argues.
She’s not one to lose fights, and she tells him about it. The Yakuza pays her good money to fight in underground rings, and they wouldn’t hedge their bets on her if she lost. Satoru counters it by telling her that he’s never lost a fight— maybe for a second or two, but he always comes out on top.
“Really? Last time I saw you, you didn’t end up on top at all,” she teases him, remembering the way she made him beg to fuck her.
“That was an ambush,” he says. “You just caught me off guard. Won’t happen again, trust me.”
“Yeah? We’ll see about that, Satoru. I’m disappointed you didn’t actually knock my IUD loose if you’re that strong.”
“We can always try again.”
Satoru is a fucking flirt, a huge one, and she’s starting to like it. Maybe it’s a little Stockholm Syndrome, because they’ve been living together for weeks now, but she’s starting to actually like him. Before, they could’ve fucked again and went their separate ways, and that would be all there is to it.
But now…
Now, she doesn’t know. It’s just so easy to fall into a routine with him, to forget the situation and enjoy hanging out with him, despite the looming threat that he might try to kill her someday if she ever loses control.
There’s chemistry between the two of them, chemistry that’s growing and changing with every day that they spend together. She’s never been one to fall in love or get attached for long, always too ready to move onto the next thing to get caught up in feelings.
But all of these little moments between them during their time together are adding up, piling on top of each other, until whatever it is between them feels like more. His hand on the small of her back when he passes by her, a gentle touch here and there when she starts to spiral, even a hug one time.
He says “Morning, beautiful” when she’s just rolled out of bed, curls sticking up in every direction and a sour look on her face. Always with a sarcastic drawl and a shit-eating grin on his face.
She usually just rolls her eyes about it, but maybe she likes it a little. And he’s funny— the fucking nerve of him to look like that and be funny. She’s never met a man that can make her laugh like he does.
The way he looks at her now— it’s more than fleeting affection. His gaze is lovestruck. She never thought the icy blue color of his eyes could look so warm. She misses him when he’s gone, and he always gives her the biggest grin when he comes back. Mutual attraction has blossomed and thickened. It’s been weeks of this now, and they’re unlikely friends.
They give each other shit when neither of them can seem to say something nice, but when she looks at him, her insides feel tight, like she can’t breathe. She can tell he feels it, too, by the way that he always wants to be close to her. He’ll make any excuse to sit next to her, to put his arm around the back of the couch when they’re smoking together, which has become a little bit of a ritual now. It makes it easier to forget their circumstances and just talk, which they somehow end up doing for hours.
He always says how much he likes her curls, how much he likes the look on her face when she gets a wicked idea, her smart mouth and her attitude. He likes the way she dances, likes the way her body moves when she’s drunk, and the music is loud.
She sees the way he looks at her, sees the way he takes care of her when she’s struggling with the memories that won’t leave her alone. They’re coming back thicker now, heavier than they were before. She feels haunted by it all, haunted by the life that she’s lived in complete ignorance to what she really is.
More than anything, she’s haunted by her father. Sukuna, the worst human-turned-curse that has ever existed, at least in Japan. Why did her mother fall for him? For a fucking monster? And where does that leave Sundari?
She knows herself; she knows that she can be destructive, she can be cruel. There’s an ache inside of her that longs for violence, an itch that she used to scratch with cage-fights and beating the living fuck out of men who abused sex workers, in her past life. She knows now that even if her causes were righteous and good, she enjoyed it.
The blood, the violence, the chance to unleash the demon within herself that she knows is there. It’s just beneath her skin.
In a moment of self-collapse, she tells Satoru the truth.
“I never wanted to be his daughter,” she says, curled in on herself in her vulnerability, knees pressed to her chest. “I do my fucking best to not be destructive like he is, but everyone— your higher-ups, whoever the fuck else, they’ll only ever see me for these.”
She gestures to the thick bands of black ink around her wrists.
“I’ll never be free from people who want to control me for it. I can’t even fucking hide them like he can,” she mutters, frustrated and angry. “And even if I like you, I can’t stay here forever, so what do we do when this is over?”
“You could work with me,” Satoru offers quietly from where he sits beside her.
He doesn’t invade her space; he knows that she wouldn’t want him to right now. Instead, he sits with her, and he listens. Patiently, quietly— he doesn’t talk over her, he doesn’t give her solutions unless she asks for them. He’s kind to her, gentle with her when he can tell that she needs it.
She has no fucking clue what to do with that.
“And everyone we work with will only ever see me as a monster,” she answers, shaking her head.
“Maybe, but you don’t have to prove them right,” he says. “You’re nothing like him, Sundari. I’ve talked to him, I’ve seen him. You’re less destructive than you think you are, and you make an effort to be good, to do the right thing. That’s what matters, that’s what makes the two of you so different. He wants violence, you want to control yourself and do the right thing.”
“Does it matter? Will anyone other than you ever believe me?”
She looks at the tattoos and despises them, wishes she could scrub them from her skin. This isn’t what she’s ever wanted to be. It wasn’t ever her choice, but the world will treat her like it was.
“They will if you prove them wrong,” he says.
A moment of silence lapses between the two of them, as they sit together in the living room, quiet and ruminating. Sundari’s frustration feels like fire in her veins. Even now, she’s struggling to contain everything within her. Her body isn’t big enough to fit all of this power inside it without an outlet.
“What if we tested it out?” She asks, looking up at him, an idea on the tip of her tongue. “Just a little fight between the two of us— let me see if I can control it without breaking everything and losing control.”
Satoru’s lips curve up into a hint of a smile. “I’ve been waiting for you to ask that.”
She realizes that she’s falling for him in that moment, that all of this forced cohabitation has become something more to her, something that tastes like love on her tongue, even when she can’t bring herself to say it.
Instead, she says, “Okay. Just don’t cry about it too much when I win.”
“Ha, I could say the same to you,” he answers, and she knows his words taste like love, too.
It’s a friendly fight, Satoru reminds himself, as Sundari lunges for him again. She’s fast— faster than he imagined she would be, and she’s good. Resilient, too. She doesn’t wear down easily— her cursed energy is still thrumming through the air after half an hour of hand-to-hand combat.
Her fighting style is unique, foreign to Satoru. She wasn’t trained in Japan, that much is clear, based on the way that she moves. The hand signs that she uses when she activates her technique against his are ones he’s never seen before.
It wears him down to keep up with her unfamiliar movements. If he were anyone else, he’d have lost this fight half an hour ago due to the way she continues to periodically drain his cursed energy.
But Satoru isn’t just anybody. His reserves are infinite, and he can tell that she’s realizing that, based on the scowl she’s sporting.
“C’mon, Sundari— stop holding back,” he taunts her, after barely dodging one of her well-timed punches. She’s strong.
And she looks fucking good with a thin sheen of sweat on her skin, whipping around to dodge when he teleports behind her and aims a blow to the middle of her back. She almost blocks it, but he’s quicker than even her eyes can track. It lands, a punch straight to the chest, which sends her flying backwards into a tree.
That should be the end of it, he thinks, when she gets back up with a wild, feral smile on her face. A little bit of blood trickles down from her lip, and for some god-forsaken reason, his pants feel a little tighter. She lunges for him again, and again. It’s a miss, but she manages to put him on the defensive again. He lifts up into the air to avoid a kick, and she drags him back down, which he counters with an elbow.
“Stop fucking running if you think I’m holding back,” she taunts him in turn, before he sends her flying off out of view for a split second.
He thinks that surely another hit like that will make her surrender. God, they’ve been at it all morning. His pulse is racing— he’s never fought anyone as strong as she is. It’s a fucking rush. The blood in his body doesn’t know if it should focus on his brain or his dick. Sundari fights like a warrior, like a goddess.
She emerges from the tree line with two extra arms extending from her shoulder blades. She rolls them out, unphased at the changes to her body. There’s an extra mouth on her exposed stomach with sharp teeth, grinning at him with the same expression as the one on her face.
His blood is definitely headed to his dick. That is a goddess. A vengeful, wild goddess. Her curls have come undone, fanning out around her beautifully, while she practically glows with cursed energy. Satoru has wanted her for weeks now, he’s wanted her since he first saw her again, but right now? Satoru needs her.
He needs to see his goddess sprawled out beneath him, hot and sweaty and snapping at him with her sharp teeth, crying out for more as he fucks her. He wants to feel all four of her arms on him, pulling him in closer, he wants the extra mouth to lick him while his tongue is down her throat.
She’s on him before he can blink, and this time— he doesn’t hold back.
The blows shared between them are so rapid, neither has time to think. The sounds of skin meeting skin with dull thuds and their heavy, panting breaths are the only noises to be heard. He can barely regenerate his cursed energy at the same speed that she withers it away, and he realizes distantly that he might have never felt as alive before.
One failed movement, and he’s on top of her. His own goddess is hissing out curses underneath him, struggling against his strength as he pins her down to the dewy, wet grass beneath them.
“Yield,” he demands, voice low and breathless.
“Fuck you,” she spits back, locking her legs around his waist to try and flip him. He doesn’t budge, not this time. There’s only one thing on his mind.
“Yield, Sundari,” he says again, this time with a coaxing warmth.
All four of her eyes are wide, pupils dilated to the point that her garnet eyes look black. She still struggles against him, but she’s slowing down, realizing how close they are. Very close, at that. Satoru’s on top of her with her legs wrapped tightly around his waist, pressed against her at every intimate junction with his fingers fastened around two of her wrists.
Her other arms have receded back into her, given the position they’re in and the shift of the mood.
“I said fuck you,” she repeats herself, quieter this time, as her eyes flit between his own and his lips. “I’m not yielding.”
“You sure?” He murmurs, as his nose brushes hers. “You look like it. You look like you want to.”
That reignites some of her flame, but she pours it into a different approach this time. Always one to move first, she leans up to crash her lips into his. Satoru returns it with even more ferocity, tongue sweeping between her teeth as he presses her down into the grass, groaning against her lips.
It’s frantic, feverish, the way that she’s tugging at his clothes, and he’s tugging at hers. His cock throbs against the confines of his briefs, as he’s yanking her athletic shorts down her legs and moving his attention to her neck. She nearly growls when he sinks his teeth into her skin, sucking a bruise into the side of her neck.
She meant it when she said she wasn’t submitting to him, he realizes, as she flips them over with the practiced ease of a fighter, situating herself on top of him. Her hand slips underneath his shirt, desperate for touch and seeking more, more, more of it.
“Ready to start begging again, Satoru? You did it so well last time,” She purrs, grinning wickedly, as she scrapes her teeth against his collarbone, eager to slip lower.
“Ha, in your fucking dreams,” he says, before slamming her onto her back.
She gasps, but he knows she can take it. He’s been fighting with her for an hour and tossed her into more than a few tree trunks, she can handle it. If the wide-eyed look on her face is any indication, she likes it. One hand around her throat, he slips the other down her body and between her thighs to feel her wetness. And god, she’s soaking.
Circling her clit with his fingertips, he smiles down at her and knows that he looks just as feral as she does. She writhes underneath him, back arching.
“You got me once, baby. I’ll give you that,” he admits breathlessly, slipping two fingers inside to draw out a strangled moan. “But this time, you’re gonna fucking beg for it. You’re going to tell me how bad you want me to fuck you, and I’ll think about it if you ask nice enough.”
“You—You’re a fucking dick,” she says, but it’s hard to talk when she’s moaning. “Not begging, not doing it.”
“Yeah?”
He knows how she likes it; he remembers her body well. Her pussy sucks in his fingers greedily, as he wraps a hand around her throat and squeezes.
“You look so fucking pretty like this,” he murmurs reverently, honestly. “You’re such a brat too, but you’re gonna take it so good for me, aren’t you? Telling me what a fucking dick I am, while you’re this wet for me?”
“Fuck you,” she says, but it’s a whine more than anything.
She’s getting close, he can tell. The adrenaline still pumping through her veins makes it easier to get close without him having to work for it. He’ll edge her time and time again until she’s a mess, slick and wet and crying for him. He traces the tattoos along her chest with his fingertips when he finally releases her throat, rolling one of her nipples between his fingers. Her walls constrict around his fingers, but he retreats before she can cum.
One, two, three times. He brings her to the edge until she’s all but snapping at him, hissing out curses and whines.
“Say please, Sundari,” he murmurs, low and taunting. “Say please, and I’ll make you cum. I’ll make you cum so hard— I know you want it, you’re so wet for me.”
“Fuck— Fuck,” she mewls, rocking her hips against his fingers, as if he’ll let her cum. “Please— Please? Please, Satoru,” she finally relents.
“Good fucking girl,” he praises, leaning down to kiss her, as he finally lets her stumble over the edge. “So fucking good for me,” he coos against her lips, as she spasms beneath him, whining and humping his fingers through her orgasm.
The shockwaves of it barely have time to end before he’s slipping his cock into her warmth, hissing out a breath at the way she sucks him in. So wet, and so tight. He can’t help himself, can’t wait a second for her to adjust to his length, he sets a brutal pace in fucking her.
“So fucking good,” he growls against her lips, biting her lower one until he can taste her blood. “That’s it— fucking take it, take all of it.”
He maneuvers her over onto all fours, pressing a hand down to the apex of her spine to force her into a severe arch, as she moans incoherently beneath him. The sound of his hips flush against her ass makes him bite his lip, muscles tensing and flexing involuntarily as he tries to hold back from finishing inside her. She’s about to cum, he can tell, but not without permission.
“Beg for it, tell me how much you fucking want it,” he demands, moving to cover her body with his own, murmuring in her ear. “Know you want it; know you want me to fill up your pussy— don’t you?”
“Yes— yes— please,” she whines, and Satoru’s ego swells to new heights upon seeing this goddess falling apart underneath him.
“That’s it, just like that— don’t stop— tell me how much you fucking need it,” he rasps against the shell of her ear, tugging her earlobe between his teeth.
And she does— she begs beautifully, knees buckling as she trembles through another orgasm. Satoru chases her down to the ground, slamming himself into her over and over again until his entire body seizes up with pleasure. He bites down hard on her shoulder when he comes, filling her up with every drop of his cum.
The two of them stay like that for a while to catch their breath, still half-clothed and panting against each other in the crater they just fucked into the earth.
“Still a dick,” she reminds him, which draws a chuckle out of him.
“You yielded, didn’t you?” He says arrogantly, kissing the nape of her neck as he pulls off of her.
“You’re hearing things,” she says, sitting up to readjust her top. “I never surrendered to you, and I never will. At least, not in a fight.” She winks at him, and he smiles back at her.
Fuck, he’s pretty sure he’s in love with her.
Later that night after a shower and some food, Sundari sleeps in Satoru’s bed for the first time. It feels natural, after all they’ve done. They fucked again after that— inside, this time, rather than outside in the wet grass. Neither of them broached the topic of feelings, but they both know it’s there. Something intangible but real settling between the two of them.
After such a long day, she falls asleep almost immediately, only to be plagued by dreams again.
This one, however, is different from the rest.
She’s standing in her hometown, far from Japan and Satoru and everything else. Back in her old life, where she was The Godslayer, dressed in the trappings of a demigoddess worshiped by her people. This isn’t uncommon in her dreams, but she has an unexpected visitor in this one.
A monk, it seems. His hair is black and long, silky as he moves toward her with a deceptively serene smile on his face. Stitches sit on his forehead, which draws her attention and makes her wary.
“Sundari,” he says. “I’ve been waiting a long time to meet you. Gojo Satoru has made it exceedingly difficult to reach you in the past few months.”
Immediately, she’s suspicious. Whoever this monk is, she doesn’t like the energy he emanates. She doesn’t like the look on his face— so calm, so unbothered, he must be hiding something.
“And what do you want?” She asks, straight to the point.
He wouldn’t be here if he didn’t want something from her. Satoru warned her that the higher-ups of the jujutsu society might not be the only people that are looking for her. This monk strikes familiarity somewhere within her, as if she’s seen him before but can’t remember it for some reason.
“Still as blunt as ever, I see,” he says, sitting next to her. “I have a proposition for you.”
“Of course you do.”
“Sukuna has returned, as has your power,” he says. “Do you know why you were sealed?”
She grits her teeth, unwilling to answer. He knows something that she doesn’t, but she’s not naive enough to be tempted by whatever he’s offering until she knows what he wants in exchange for it.
“I’ll take that as a no,” he says in her silence. “There are so many mysteries surrounding you, most of which are unknown even to you. Your father, who he is and how you came to be. The seals on your back, an entire life lived that you can only remember bits and pieces of.”
She thinks of her mother in that moment. Nadja would know, she’s certain. The monk has piqued her curiosity— of course she wants to know who she was before her memories disappeared, and of course she wants to know about her father, even if she’d never admit it aloud.
If she had to ask anyone, it would be her mom.
Seemingly reading her mind, the monk laughs. “Nadja thinks of you as a child, even after all these years. She’d never tell you anything.”
“And I’m guessing you can,” she says, annoyed at this long-winded speech.
“Correct,” he agrees. “I can reveal it all to you, shed light on every shadow in your life. I’ve watched you closely since you were born, Sundari. I even helped to put those seals on your back after you slaughtered that town.”
Sundari’s eyes grow wide, horrified at the implication.
“What do you want?” She demands again.
“I want your cooperation in the coming days,” he offers nonchalantly. “Sukuna will regain his full power sooner rather than later, and he’ll fight alongside me in an… event that I’m planning. You could meet him for yourself, let him tell you about his relationship with Nadja, and I could fill in all of those blank spots that you can’t stop obsessing over.”
“So, you want to have control over me when you do something big and fucked up in the future,” she says with an eyeroll. “Got it.”
She seemingly cannot stop running into people that want to control her or collar her. Even Satoru isn’t immune to that. As much as she likes to live in the fantasy of their relationship, she knows that his goal at the end of this is to contain her. In that way, he’s not so different to the monk.
“I want to work with you,” he corrects her. “In exchange, you’ll know everything, including your father. I know you’re not interested now, you think you have other options, so I’ll give you time. When you realize that I’m the only source for uncovering the mysteries your mother keeps from you, I’ll find you. Until then, Sundari.”
He presses a hand to her shoulder, a way of saying goodbye, and she wakes with a sharp gasp, bolting upright in the bed.
Satoru is awake in an instant, eyeing her warily in the darkness.
“Nightmare?” He asks groggily.
For a moment, she considers keeping it to herself, just in case. Deep inside, she knows that even if Satoru likes her— even if he loves her— his ultimate goal is not so different to the monk. He wants to control her; he wants her freedom. She’s given it to him by agreeing to stay here willingly for so long, why should she offer up more of herself to someone who will use her like a pawn?
They all do. That’s all she is to them. Whether it’s the monk, or Satoru, or the higher-ups, or her mother— they want to own her, to contain her. They want her collared and docile, so that she doesn’t self-destruct and take the world down with her, like Sukuna.
“What do you want out of this?” She asks, defensive and guarded.
Satoru sits up, shaking his head at her. “What do you mean?”
“What do you want from this? From me? What’s your goal?”
“To protect you,” he says. “I’ve told you that from the beginning—”
“No— you know I don’t need protecting. What is it? Is it just control?”
No one has ever protected Sundari, nor have they ever needed to. She’s been on her own, and she’s been fine that way. If anything, she’s always been the protector, the savior, the one who helps when things go to shit, and someone needs muscle to deal with it.
“Control?” He asks, huffing out a laugh. “Is that what you think this is?”
“What should I think? Why else would you keep me here?”
He scoffs. “I don’t know what you saw in that dream, but the past month you’ve been here, the only thing I’ve done is protect you. The higher-ups want you dead, god knows who else wants you dead— I keep them away from you,” he says, unwavering. “I just want to keep you safe, to make sure that no one wants to use you for their own gain.”
“So that you can use me instead, right? At the end of this? I’m powerful, so you need to contain me, collar me, make sure I don’t fuck you over—”
“Sundari,” he says sharply, cutting her off. “Do you think I could control you, even if I wanted to? If you wanted to leave here right now and go be a force of fucking nature, do you think I could stop you?”
She stares at him, unsure of her answer. Could he?
“You’re not a pawn to me, you are not something I need to keep under my thumb,” he continues. “You’re an equal to me,” he admits softly. “In every way, I see you as an equal, and the only thing I’ve ever wanted is to keep you away from people who won’t see you that way.”
“Why?” She murmurs, uncharacteristically soft and fragile.
“I love you,” he says. “I— I don’t know if it’s too soon, or— fuck, I don’t know, but I do. I love you, love the way you laugh, love your bad attitude, love the way you fuss and fight with me. I want to be with you— I don’t want to take your freedom, I want to work alongside you, just– I want to be near you,” he murmurs.
“You love me?” She mumbles, leaning closer.
“I love you,” he repeats, placing a hand on her cheek. His eyes scan along her face for any reaction. “That’s all there is. I don’t care what you are, or what other people think you are, I just want to keep you safe.”
Maybe she can believe him, if only for right now. The monk’s offer is still on the table, still a temptation that she’ll have to grapple with, but this is real. She’s never been looked after before like this, she’s never had anyone feel the need to protect her, to keep her safe. She’s always been strong— when has there ever been the need for it?
But Satoru is strong, too, and she understands the way he feels. She wants to protect him, too, whatever the cost may be. If anything happened to him, she’d lose her fucking mind, she’d destroy everything in her path.
“Okay— Okay. I’ll work with you,” she murmurs, pressing her forehead to his. A little grin creeps up on her face. “Under the condition that I want strong opponents— I want to fight people that are worth it.”
“Done,” he says, smiling back at her. “Are you okay?”
“Yeah,” she breathes. “I— I love you. It might be too soon, but–”
He kisses her before she can say another word, and for the time-being, they’re happy.
Writing © 2024 @septembersums and posted with permission. Sundari Hikmat © 2024 @osunism. Do NOT copy, translate, plagiarize, repost anywhere without permission [reblogging original posts is okay]. This includes my masterlist and fic format as well as feeding my writing to an AI garbage machine. I only upload on Tumblr, AO3, and FFN. Title and footer banners by me. Dividers and support by @cafekitsune.
☕️ Member of the @pixelcafe-network.
#jujutsu kaisen#jjk#jjk fanfic#jjk x oc#ch: gojo satoru#oc: sundari hikmat#otp: ah! his goddess#呪術廻戦#jujutsu kaisen fanfic#muse writes#jjk x black oc#commissioned fic#september fic#satoru gojo#gojo satoru#gojo smut#jjk gojo#五条悟#fic: crystalline#series: parallax#fic rec#muse recs#tumblr exclusive#guest writer#i want to do more co-creation collabs with other writers#trading ocs in our writing styles etc#septembersummer
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Tsar Bomba*
Johnny Soap MacTavish x Reader
A/N: This is just angst. I wrote it quite some time ago, but I guess it's time I post it. I'm not sure if I really like it, but at least it has a cool name lol. It may or may not have a part 2. The ending I have in mind is not happy, either way. Other than that, I guess the only TWs are mention of past trauma, mentions of a narcissistic father, past narcissistic abuse, and just Johnny fucking up. If I missed anything, please let me know and I'll add it.
*Tsar Bomba: Soviet thermonuclear bomb that was detonated in a test over Novaya Zemlya island in the Arctic Ocean on October 30, 1961. The largest nuclear weapon ever set off, it produced the most powerful human-made explosion ever recorded. (Amy Tikkanen, Encyclopaedia Britannica, 2024)
Soap is an asshole. A complete and utter idiot, with zero regards for other people and their feelings. A stupid pile of scottish-
“Aren’t you gonna go after’er?”
When Ghost is giving you relationship advice, you know it’s bad. Not like Johnny didn’t know that before Simon asked one of the most useless questions he’s heard. Which is to say something, because even he's asking himself that same question.
Am I not gonna run after her?
Of course, the question doesn’t come alone. It implies many others, each of them a punch to the guts.
Should I? Does she want me to? Would it change anything? Do I deserve to drag this any longer? Why would she want me to be with her? Is she even capable of forgiving me? Am I? How could I do it? Why am I so stubborn? Why couldn’t I just do as she said just this once?
Truth be told, most of the questions are accusations. Guilt. Johnny doesn’t fight them. On the contrary, he sides with the feeling in an absurd display of a split personality. One part of him punches, kicks and bites (sadly, in his head he doesn’t carry any guns… Which is, now that he thinks about it, okay, because he deserves a very long suffering); and the other bares the weakest parts of him: neck, belly, the way he’s always known he doesn’t deserve the love he needs… Both versions of him have red cheeks and wet eyelashes.
For the first time since he’s met you- but not the first in his life- Soap thinks he should die. The same way he knows any object he lets go of will fall to the ground, he should die. It’s the next logical step: he let go of you- more like threw your heart to the floor, the thought makes him flinch-, so now it comes the end. You ran out the door, and now…
Now you’re coming right back.
You’re stomping in his direction. You’re blushing, dark red cheeks and nose that he usually finds beautiful, but that right now look awful. Because it’s rage red, hurt red, indignation red;and it’s all directed to him. All provoked by him. Stupid, idiotic him. Asshole him.
Maybe it’ll help you, to yell exactly that at Soap. Even better, you’ll do it in front of Simon. His closest friend, his coworker, his superior… He deserves the humiliation. You deserve to inflict it. You deserve everything.
You stop where it’ll be clear you’re yelling at him, but not close enough for him to touch you- he wouldn’t dare, either way. Except you don’t yell. You just take a deep breath and clench your fists.
“I fucking told you, Soap.”, your voice is shaking, and so are you. And him, now that you didn’t call him Johnny, “I told you to not do that. I told you why I… Why he… I told you!”
You had told him. Twice. He even had asked about it the second time. “I don’t have a relationship with him. I haven’t spoken to him since I was in high school. I moved away as soon as I could, and I’m happy I did. He’s not in my life anymore”. You were so proud when you said that, that there wasn’t a place in your life for your father.
You give Simon a quick glance, and the man stares back at you. He’s not going to pretend he hasn’t been present for the whole interaction. He’s not going to pretend he isn’t listening to you. It clearly makes you uncomfortable, but Johnny is willing to let you know that Ghost will probably kick his ass after this- maybe it’ll help a little with the awkwardness.
Your voice sounds more like a growl when you keep talking.
“I said I never want to see him again! Why would you do that?! Why did you…! He knows where I live! He went to my fucking job, MacTavish!”
Your lips trembles. You’re breaking a little, and he doesn’t know what it is. Pain? Fury? Frustration? Betrayal? Fear? Whatever it is, you make it disappear with another deep breath.
Johnny is terrified. One deep breath and your whole face relaxed. Your eyes don’t look like they’re about to flood your cheeks anymore. It’s a mask that says nothing. You’ve closed off.
It’s a stab to his spine. He knows you used to do this. You used to cry in the bathroom, quietly, and come out like nothing happened. You used to not be able to let him know how you felt. It took you years to cry in front of him for the first time. To trust him. To learn that he was safe.
And he violated your trust.
“This is over. We are over. I warned you! You knew not to do this, the only thing I… I don’t… If you wanted to do it you should have said so, that way I wouldn’t have wasted… You had no fucking right, Soap! I fucking told you I hate him. He went to my apartment! He was there! Why would you…? You had no right!”
He opens his mouth. Doesn’t know what to say, though. Or, actually, he doesn’t know what he can say. Sorry? Not nearly enough. Not even a fraction of what he feels, and even less than a portion of what you deserve. Soap knows the only thing that would fix this, he can’t do: not having done it in the first place. Not tracking your father down. Not asking him to meet up. Not thinking he wasn’t that bad. Not telling him how good you’re doing, despite how proud Johnny was of you. He should have never asked him for his blessing to marry you.
But you don’t want to hear his silence any longer.
“Don’t! I don’t want to see you ever again. I hope you’re happy. You know him now, congratulations! Now you know everything. I bet he was so fucking nice with you. I bet he said he was so proud of me, even if I never treated him right, didn’t he?”
No, Soap is every opposite of happy. Yes, he said that. Yes, at the time he thought your father was nice. He wants to stab himself in the heart for thinking that. He knows that man was an awful parent to you- hell, he wasn’t even a parent.
But that was his mistake, wasn’t it? For Johnny MacTavish, family is the most important thing. Without family, nothing else is worth it. And seeing you celebrate birthdays and holidays only with friends, knowing your family was out there, far from you… He didn’t want that to happen in your wedding, too.
Key words: he and wedding. First mistake: it wasn’t about him. Fucking selfish asshole. Second mistake (this one was more of an idiotic fantasy that he didn’t deserve): wedding. Yes, maybe his father had asked his mother’s dad for her hand before proposing. And? Those were Johnny’s parents. Why in hell would you want him to ask someone else if it was okay for you to marry him?
“He does that! I’m not crazy... He’s- he's nice to other people! He’s manipulating you. And I’m not going to have that narcissistic bastard in my life. You and him can stay the fuck away from me! Even if you didn’t love me, there was no need to do it.”
Don’t love you? Soap wants to cry- his body is just frozen in place. He is a miserable person. All he does is love you. How did he manage to make you think otherwise? To make you feel otherwise? How did he dare do the only thing- the worst thing…?
Your head snaps violently in Simon’s direction, and Soap can almost see him bracing himself for what’s about to come. Which is an unnaturally calm and controlled voice.
“I’m sorry you had to see this, Simon. And I’m so sorry you have a friend who doesn’t understand boundaries or respect, at the very fucking least. I’ll put his stuff in a bag, and I’ll leave it with the doorman, in case you want to go get it for him. I’m sorry you got involved in this, I… I’m so sorry.”
There you are, apologizing again. Johnny was working on that with you. He had been for the past couple of years. But you’re doing it again, even though it is not your fault. It never is, and you’re always sorry, and he wishes he was dirt so at least you could step on him without feeling guilty. And he wants to rip his own heart out and hand it to you. He wants to use his stupid nails to scratch his stupid chest open, his stupid hands to break his fucking ribs and any other bone he can find in the way. He wants to crack his head open against the wall. He wants… It doesn’t matter what he wants.
Because you’re leaving.
You’re leaving, and you’re not crying. You’re so hurt that all the effort you did to open up, all these years working on learning how to be vulnerable, just disappeared. You’re back to the place you were when he met you. Except it’s worse now.
He made a mess. Johnny fucked you up.
For the millionth time today, he wants to die.
#fanfiction#cod#simon ghost riley#lennadanvers#task force 141#john soap mactavish x reader#john mactavish x reader#john soap mactavish#soap mactavish#soap#soap cod#soap x reader#angst#no happy ending#angst no comfort#angsty
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another tally on the “things about jack that have been almost erased by the baby au” is how genuinely fucked up and weird and scary and violent and horrifying he is. the body horror of his existence is so. Palpable.
he looks human, but he still fundamentally is not human, and the thing that separates him from being human or belonging or being normal and loved and accepted without strings attached is his own bloodline. his own family, his own father. the blood that runs through his veins is the blood of the devil and he wasn’t fed it like Sam. the anger and rage and capacity for violence inside him isn’t an ancient curse like it was for Dean. It’s just who he is. It’s his neurology. Jack enters a guilt/grief-induced psychosis so bad he starts hallucinating his own dead evil father who proceeds to say “I’m in your head, your DNA,” and goes on about how Jack’s place with the only chosen family he ever cared for is that of their little pet monster who’s only kept around to kill things for them. And this is his subconscious, remember, these are all Jack’s own thoughts being given a hallucinatory voice.
When jack is first born he doesn’t even register that he’s not a full human. It’s not until he catches dean telling the sheriff that he’s a Nephil and gets stabbed all the way through his entire heart to the hilt of the angel blade and survives, that he realizes he’s Not Normal. Jack stabs himself 18 times with “grim determination,” dedicated to making a wound stay open in his body, but nothing happens. He doesn’t know what any of this is, but he knows it’s dangerous and he’s seen firsthand what he can do, because he sent the sheriff careening backwards into glass when he didn’t mean to do anything more than push her away. He tells Dean he will hurt someone again [whether he means to or not]. And he tells Sam, using his powers is like breathing; it’s a subconscious, physical, neurological part of his system that he cannot (currently) consciously control or stop.
He’s literally a living weapon. These powers of his that hurt people are akin to breathing. His violence and his evil is deep seated and runs through his heart and bleeds out of him. But he can’t bleed the evil out. He can’t escape what he was born into or what keeps him alive. He can’t even live without this nuclear power that ostensibly others him from everyone forever. He’s foaming at the mouth and seizing and fainting and bleeding and going into total systemic failure and subsequently dying as a human because he just isn’t human and he can’t live as one even if he wants to, even if that is a part of him it still isn’t the only part of him. The other half that makes him untrustworthy and violent and angry and dangerous and nuclear and evil and feared and hated is the one part he is left dying without.
His body dies a first time because it couldn’t live without its own hereditary disease, he died as a human and goes to human heaven and sees and rekindles with his human mother, the part of him that he wants to be and loves but can’t exist as. He’s brought back but now he’s a time bomb, a nuclear reactor internally melting down. he’s a weapon, but he’s alive because he was born as a weapon, and neither of these things were his choice.
and then a second time his body dies because he was only registered as a threat with no humanity. his eyes are burned out of his skull and instead of heaven with his mother, instead of humanity, he wakes up in the pitch black abyss where other nonhumans go when they die, then he’s brought back and he’s a weapon for the third time. He’s a living bomb, a collapsing black hole, and he has to eat human hearts ripped straight from the chest to keep his bomb body alive and ready for detonation, ready for collapse. He’s so far from human, further than he ever wanted to be, further enough to make his deep rooted fear a reality that he’s too suicidal to bother rebuking. Why rebuke the truth? The absolute truth that the devil, the evil of all things is in his blood and he is evil and he was a born weapon whose body exists to destroy and kill and not even his own love or will can stop it.
He is a gun that doesn’t want to be a gun and hates that his body is made to shoot and kill, but he has no choice in being anything else but a gun. He cannot ever be good, he was never good to begin with, he was just malfunctioning, glitching, experiencing an error and virus and flaw that he wishes was his entire programming. His eyes glow yellow like the corrupted Star Wars Sith and Rosemary’s Baby and a whole slew of evil things that are evil and meant to be rejected. When he gets angry, people stare at him as if he’s a cornered animal, because that’s what he is to them. To both sides of the equation, he is an animal. A foreign creature, a thing, he’s not human enough to be human and he’s not angelic enough to be an Angel. He’s some weird mixture that nobody can understand or accept. He’s unpredictable and violent and wild and born that way and only in his subsequent domestication, only in the extension of personhood and humanity can he be deemed worth loving. He’s like a dog, detrimentally loyal, old yeller going rabid while saving his family and having to be shot in an act of mercy. Barking and biting at people who might hurt his loved ones and killing them as an act of love. Sam wanted Nick to burn so Jack burns Nick and that’s why Jack says they would be grateful. He did what Sam wanted. Same for the other biblical killings. He’s the cat sinking its fangs into rodents and birds. Leaving the punctured corpses on the doormat as a gift, I did this for you because I love you, don’t you love me too?
I haven’t eaten well in the past two days does this click click anyone’s boom. Saliva
#spn#supernatural#spn meta#spn analysis#jack kline#jack spn#jack supernatural#animal motifs#dog motif#cat motif#sam winchester#dean winchester#castiel#team free will 2.0#tfw2.0#spn 14x17#spn season 15#spn 13x01#grips you by the shoulder sdoes this make a modicum of sense#I don’t have any more good tags I think#wincest dni btw. this is Not for you#kelly kline#spn lucifer#euggh. it’s almost 4am I’m hungry sorry#goodnight#jack meta#to find later#<-BECAUSE I KEEP FUCKING LOSING IT
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So I finally got around to reading the Gideon the Ninth/Locked Tomb series, which is awesome, and I have a number of observations, but let’s start with this:
HERE BE SPOILERS!! Big ones. Up through Nona the Ninth.
I’ve seen John Gaius’s villain arc summed up as “he got mad and destroyed the solar system because they didn’t use his plan to save Earth/humanity.” But the actual story, as I understand it, is way more relatable than that.
I mean, here’s what I understood to have happened: First, he’s involved in a plan to save humanity from extinction. Said plan struggles to get funding and resources, until eventually it is put on hold. (And he develops superpowers.) Eventually, the Powers That Be reveal the replacement plan to save humanity from extinction, and it has...big, obvious holes in it. Just does not pass the sniff test. JG points this out, but nobody pays any attention. (Meanwhile, he starts attracting more attention for his superpowers. However, this does not result in any attention for his central message, i.e., “The newly-revised plan to save humanity from extinction is shady as fuck.”)
So he goes about collecting evidence for the shadiness of the New Plan. Just reams of evidence showing that there is no possible way that there could possibly be enough FTL ships built in time to save more than a tiny fraction of the population. He tries showing this evidence to world leaders. He tries showing it to the general public. (Meanwhile, the powers-that-be have started getting scared of his superpowers; in response he explodes some cows.) He comes right out and says, “Hey, this small group of extremely rich people are conning the entire world into building & paying for a lifeboat that is only ever going to be big enough for them, and that’s super fucked-up.”
But the people with seats in the lifeboat say, “That’s the guy who exploded those cows that one time, and cows have feelings.”
And everybody falls for it. Nobody can be persuaded to care that 99.9% of humanity is going to be left to die, but there is plenty of outrage available for that herd of cows he exploded. Every time he tries to show his evidence--large amounts of hard and extremely convincing evidence--that there is no second wave of lifeboats (much less any more after that), all anyone wants to talk about is the cows.
He keeps on attempting to Reveal The Truth up until the lifeboats are on the launching pads and the countdown is starting. Then, and only then, he goes, “OK, so apparently you only listen to cartoonishly evil supervillains, I can work with that” and starts cackling evilly and waving a nuclear bomb around.
But the powers-that-be somehow guess that at this point he’s only posing as a cartoonishly evil supervillain at this point, so it doesn’t work, and finally, when it becomes clear that it’s now too late for any rational means of persuasion to work, he flips over to actually being a supervillain.
And man, as supervillain origin stories go, I just find that super-relatable.
Disclaimer: obviously killing the entire solar system and everyone in it is bad! And pursuing a 10,000 year campaign of vengeance against the distant descendants of the people who conned the rest of humanity into building them a lifeboat and then left them (the rest of humanity) for dead is super fucked up.
But. If I were ever to go supervillain, it would probably be something like that. I’ve had the experience of trying to show people that the course of action they’re pursuing is obviously and transparently worse, in all of the ways that they claim to care about than an alternative that they have rejected, and having them just...not care. If I were given superpowers in the middle of such a situation, it would end badly, is what I’m saying.
Anyway, I find that very impressive, writing-wise. JG has obviously sailed way over the moral event horizon, and he’s kept on finding new ways to be evil after the whole genocide-starkiller thing, but the way he got there is a path I could very easily see myself going down.
Looking back, I think the fundamental error was when he went from thinking, “They should listen to me because I have all this evidence,” to “they should listen to me because I could kill them with my magic powers.” Everything else--for the next 10,000 years--kind of follows from that. But I can’t be sure I wouldn’t make that mistake, if I A) was really mad, and B) had magic powers.
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hey I can’t believe I have to fucking say this but can y’all not make Oppenheimer jokes like this in the Ratchet and Clank tag. That is so massively disrespectful. it’s not Le Funny Meme it’s a real life event that impacted generations of minorities because of white men on a power trip. Joking about the fucking bomb is not funny.
Please
#particularly disappointed in you gvdgetron. we’ve been mutuals for years and you just unapologetically pull something as callous as that#ok. I get it. it could come from a place of ignorance and the way media has turned it into some sort of fantasy drama abt a sad white man#instead of the horrific story of thousands of people’s deaths (even before the bomb dropped. nuclear tests were dropped in mexico.)#and the man that helped create it didn’t even feel anything until he imagined Americans in that scenario.#he didn’t feel anything for the Japanese CIVILIANS that had nothing to do w their government or army being wiped out#and facing a fate worse than death.#don’t fucking make jokes like that. it’s not funny. it fucking screams white apathy and cruelty#sorry to bog down my blog but that fucking is not ok and I have to say something about it.#please. take this as a learning moment. I’m begging y’all not to double down and stomp your feet to defend your bad taste jokes#I am so extremely tired of seeing people trivialize a real life event using the pathetic excuse ‘it’s just a movie’#white men need to leave that part of history alone they’ve done enough damage. it’s not funny. it’s not cute.#people are still suffering from what men like Oppenheimer did to them. they’ve not been even apologized to.#to this day millions of people think it was justified.#if you find this event something you can laugh at then you genuinely sit at the table with fascists and you need to examine that#the way people have leaned into Oppenheimer solely bc the Barbie movie came out with it is gross. it’s not even a good movie.#it’s like people have just willfully forgot or don’t even feel bad about joking about nuclear experimentation and deaths.#maybe read Barefoot Gen instead of making extremely poor taste jokes about ‘cool explosions’#take a visit to the Hiroshima museum. listen to the downwinders and the Mexican people who suffered from the bomb test.
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