#a lot of people end up with conclusions that can be very othering given the vast quantity of human experiences

[chubby-aphrodite]

"why do people have a problem with trans shapeshifters, every trans person i've ever met wants to be a shapeshifter, and i am trans and i want to be a shapeshifter!"

okay but that's. never been the problem. the problems crop up when a character is the only trans character. or when the only asexual character is a robot. or when the only autistic character is also a robot. a character being the only one of those that has those traits is dehumanizing.

there's nothing wrong with making those characters. there's nothing wrong with liking those characters. there's nothing wrong with finding empowerment and freedom in those characters. but when creating those characters, having them being the only characters with those particular traits being nonhuman is kind of putting those traits in a box labeled nonhuman. like the only "normal human" characters you can imagine are cis or neurotypical or what have you.

and that's not a dig that's me asking you to keep that in mind.

[audliminal]

Survivability Bias Pt 1

Danny stares at the screen in front of him. The fact that he’s in a library is the only reason he’s not squealing at the clearly well-maintained website he’s currently exploring. As it turns out, this dimension does have NASA. That fact on its own isn’t too terribly surprising, considering all the other ways it’s similar to Danny’s home. What is surprising (and, in no small part, exciting!), is that in this dimension NASA seems to have much better funding. Danny had managed to resist looking up anything related to space for the first hour of his time in the library, but then Danny had chanced across an article about the ISS, and his resolve had crumbled. Not even fifteen minutes later, and Danny is here, exploring the very nice NASA website. Plumbing its depths, really, for all the information it can provide on what space is like in this world.There’s lots of new information; space research is definitely more advanced here than it was back home, and there’s occasional vague allusions to odd things like the livability of Mars, and other oddities, it’s almost like this dimension has come to the forgone conclusion that aliens must exist. Which is certainly an exciting thought, but it also seems odd to Danny. What divergent experiences lead to such a conclusion Danny wonders, as he absently hovers over the opportunities tab for the fifth time. He knows he really shouldn’t get his hopes up, but with a more funded NASA, maybe he could find a way to get a job there eventually. After all he has no real idea when, or even if, he’ll ever manage to go home, so maybe it’s okay to think about the future a little bit.

Maybe they’ve already come into contact with aliens, Danny thinks. Maybe I could get a job working with aliens! It’s that thought that gets him to actually click the tab, desperate to know if that’s even a possibility. The page that opens doesn’t really list specific jobs or anything. Mostly, it seems to just be advertising that NASA is always looking for smart people that are passionate about space (Danny’s definitely one of those things, at least). But there is an interesting little banner advertising a special summer camp for aspiring astronomers, ages 14-18. The idea of that is both surprising and exciting. Danny doesn’t think his home world’s NASA had anything like that. Sam had sent him through with some money, but he’s still unsure if it’ll even work here, and he’s also not sure he wants to risk getting in trouble if it’s just a really close match. Plus it’s definitely not enough to afford the inevitable cost of a whole entire space camp. Danny remembers going to summer camps a couple times as a kid and he knows they weren’t cheap. Still, Danny remembers that Sam had also given him a few pieces of really nice jewelry that he could pawn off for cash, and maybe that could let him afford it?.

It would be so much easier if Danny had a social security number. Or, like, literally anything proving that he really does exist. But, well, technically he doesn’t exist here. Obviously, physically he is here, but he certainly wasn’t born here. He’s basically an undocumented immigrant, just from a place that he literally can’t ever physically go back to. Even the computer he’s using right now highlights just how alien this place is to him, with its large, flat screen and graphics better than anything he’s ever seen in his life. It runs so smoothly, too, that he just knows Tucker would cry if he could see it. And this is what they have in a library. Danny can’t even begin to imagine what high end tech here might look like.

Everything here is strange and new, and Danny doesn’t even really know what he needs to catch up on. He wishes he could have stayed. He had wanted to stay. Of course he had. But after the second time the Guys in White managed to capture him, well, it wasn’t hard to see why they wanted him gone. So when Sam and Tucker and Jazz had cornered him, and explained that they’d found a way to send him away, to somewhere that the GIW couldn’t follow, he hadn’t argued. He hadn’t argued when they dragged him down to the lab, and he hadn’t argued when Jazz shoved a backpack into his hands, and he hadn’t argued when Sam had told him that she’d added cash and jewelry to what Jazz had gathered. He hadn’t argued as Tucker had messed with the portal, and he hadn’t argued when they pushed him towards it.

He can’t go home. Maybe just for a while, but maybe not ever again. He can’t see his friends, and he can’t go to sleep in his own bed, and he can’t come home from school and play Doomed with Sam and Tucker. But maybe all that wouldn’t be so terribly painful, if he could just have one little thing here that he couldn’t have done back home. Danny knows it’s a long shot, but he clicks on the banner, just to see.

The first thing he notices as he reads through the description, is that it offers a lot. Eight weeks, overnight in a specialized science camp facility, an opportunity to experience both a shuttle launch simulation and a zero gravity simulator? The opportunity to experience multiple different kinds of jobs? This isn’t some camp that wants to introduce kids to the idea of astronomy, this is designed for kids who already want to be astronomers. All in all, it’s everything Danny could have imagined and more. It’s not exactly cheap, though. Five thousand dollars isn’t exactly affordable when all you have is some cash that may or not work, and a few necklaces, fancy as they may be. After all, it’s not like Danny knows enough about jewelry to have even a hope of not being ripped off.

At the bottom of the description, there is mention of scholarships, though, and maybe if he angles it right, he can manage to make use of one of those? Danny glances through the list. He doubts he can prove himself worth the aptitude scholarship. His grades weren’t exactly good back home, even if he did have his transcripts. And he’s hardly going to get the financial hardship scholarship if he’s got no proof that he even exists here. One of the scholarships catches his eye, though, specifically because he has no idea what it’s for. 

Danny knows the word meta. It’s like self-referential shit or something. But it’s not exactly a scientific thing. That’s language arts stuff, the kind of thing Mr. Lancer goes on about, and there should be no reason for it to be a kind of scholarship. But maybe it’s an acronym or something? Danny mouses over, and clicks through to see what exactly it is, even if it probably won’t be relevant to him.

“Here at NASA we understand that people don’t always fit our standard expectations of normality!” The meta scholarship page reads. Danny tries not to let his hackles go up at the mention of normality. They can’t possibly be talking about people like him, after all. Nothing he’s seen so far has implied that ghosts have any sort of presence here. “In our efforts to expand our understanding of the infinite expanse of space, it only makes sense to do our best to work with those who do not conform to those expectations, especially when those exceptions often represent unique opportunities for possible field work. If you identify as a meta, and believe your talents make you uniquely suited to extreme environments, we welcome you to apply for our full-expense meta scholarship!*”

The introductory paragraph only leaves Danny more confused, and a bit wary. The references to normality and unique opportunities for field work have bile rising into Danny’s throat, and he shakily opens a new tab, and types the word meta into the search bar. If they’re experimenting on people here too-

The search returns an astonishing number of results. Among the first ones are a wikipedia article on metas, and so many news articles. Danny clicks on the wikipedia page first.

“Metas refers to an individual who possesses meta powers. Derived from the prefix “meta-”, meaning beyond or transcending, meta powers are innately defined by the natural capabilities of the general population. Thus, on Earth, the term meta, or metahuman, typically refers to anyone who has abilities beyond the standard human experience. A significant portion of metas can be attributed to the human metagene,  which typically triggers in moments of intense physical or mental stress, and can produce unique situational abilities. Other metas, may belong to other species who naturally have certain abilities, or to individuals who are granted powers by various deific forces or even objects.”

What.

It can’t possibly be that easy. This world can’t possibly be that perfect. Danny keeps reading. He realizes as he continues that this article is long, with literally dozens of subsections. On top of that, as he begins to read, there are references to numerous other events, and topics that he’s never heard of before. And by the time the librarian arrives to usher him out of the library for the night, he still isn’t finished with it, but he has learned quite a bit.

Apparently, it isn’t exactly as perfect as it sounded. Rather, this dimension has a long history of meta-related conflict. There’s been plenty of discrimination and mistreatment in the past; the kind of thing that Danny is more than familiar with. But on top of that, there’s literal, actual superheroes here. A lot of them. Superheroes that have fought against numerous world-ending threats and won. And those same superheroes have worked with the world governments, and ratified the protection of metas’ rights as being fundamental human rights. If Wikipedia is to be believed, Danny really is safe.

Still, Danny knows first-hand the way that governments can and will lie. And just because the internet claims that these so-called metas are treated fairly, doesn’t necessarily mean that it’s true. 

Propaganda, Danny thinks. Who’s to say it isn’t all just propaganda? I need to be more careful about transforming tonight.

But the library does need to close, so Danny heads out into the second night in his new hometown, mind racing as he thinks about the implications of everything he’s read. The space camp seems so far away now, in the aftermath of the following revelations. Danny needs to get further from civilization if he wants to transform tonight. He follows the main street out, away from town. Maybe in a field somewhere, he’ll be okay? This doesn’t exactly seem like a large town. Even if it’s not true, Danny thinks as he walks. At least I’m not alone here. And I didn’t see anything about Anti-Ecto Acts.

[botanyshitposts]

Hey! I'm not a botanist, but I'm in circles where it's a bigger thing and I'm kind of curious about something.

So, from an outsider's perspective, the genus Garcinia has a lot of weird and messy classifications. For example, common species like G. intermedia and G. gardneriana are really similar to Garcinia brasiliensis, to the point that it's pretty controversial if they're actually separate species. The Garcinia species colloquially known as "achachairú" also appears to bear a lot of similarities to that trio (although much less than they share with each other), HOWEVER it's almost exclusively referred to (in cultivation and in studies) as G. humilis, a Carribean species with small oval-shaped leaves, despite actually having very long lanceolate leaves and being exclusively found in the Andean foothills of Bolivia. Also, multiple frequently cultivated species like Luc's garcinia and Russell's sweet garcinia haven't actually been described yet, despite for example the former having a decent amount of scientific interest and frequent genetic testing done on it.

All of these odd classification things and even more others have been pretty well known in my circles for the past 15 years-ish, but still nobody seems anywhere close to a conclusion for them. How long does it usually take for a genus to get organized when it has as many species as Garcinia does? And how do they do it? Do they go around testing every single species or only a few at a time? If a species is currently not named, do the same people usually describe them as part this endeavor, or just leave them for somebody else? I saw Plinia and Artocarpus recently got reshuffled a lot because of some prominent genetic studies on them, and several new species and even genera were added, but it just seems alien to me how stuff like that even ends up happening. There are so many plants out there!

Sorry if I'm asking the wrong person here, but I've been wondering about how this stuff will eventually be resolved for yeeeearrs

There are so many plants out there!

ok im kind of surprised i can offer a few possible answers to this question despite having never heard of this but i think i can. if the question is 'why aren't some plants actually described', this is the primary reason why.

when i was in plant anatomy class in college, the person teaching us was a plant anatomist who assigned us different plants from the greenhouse to dissect and describe in a paper for her, and she told us that we might find something that hadn't been described before, which was pretty shocking to me. what do you mean i could potentially find a new-to-science thing? has nobody in history looked at this plant that's just growing in the greenhouse upstairs??

what she said was that no, sometimes not. there are so many plants out there that it's difficult to do one exact in-depth description and published examination of each species, so what botanists end up doing is doing or finding one in-depth examination of one species in a specific group and assuming that all the others in the group are at least similar, if not the same. which is good because it saves time and works as a shorthand, especially if there's not much funding, but also sometimes it has the potential to overlook more nuanced differences that can go undiscovered for a long time. but that's just botanical species in the conventional sense, which i don't think is as straightforward in what you're describing.

another answer to this question that's more specific to the species you're talking about here is that plants are having sex. they have so so so soooo much sex. few things they enjoy more to be honest. and given that the most conventional (but not only) definition for different species is 'can't have sex with other species because it's too different from them', the lines get blurrier to deal with, and one thing botanists do when the lines between species get too blurry (because of all the sex) is to just assume that they're all part of some kind of hard-to-describe genetic soup with individual plants falling along gradients or spectrums of similarities or differences, and in this case you'll see botanists just name the most prominent species among them and call it the '[most common suspect] complex', which groups together all the ones that happen to be having sex with each other at the same time, just to make them easier to talk about. this typically doesn't mean that they're species-less, but more that they can be thought of as a group with a few distinct points where they can look very distinct, and those points are the species, if that makes sense; see the citrus sex graph at the end for an example.

i also see from a cursory google search that people seem to be planting and eating these in a more widespread way, and people are talking about them on forums and stuff. this is one of the cases in botany where things get tricky, because a person looking for traits in a fruit that's having tons of sex might not actually be looking for the same things botanists are looking for when describing a species-- it might seem easiest to just find which species or few species are the tastiest and grow those, but if it's a genetic soup then all you can really do is do it the old fashioned way and breed individual plants for the traits you want. which, who knows, could end up being a hybrid between all of them.

case in point: again i am not completely up to date with the lore here but i found a forum thread where people were debating which species to plant and the consensus was just to plant multiple species at once, which is fine but is also really funny given that it DOES facilitate even more sex, thus blurring the lines even further and-- if the posters decide to plant the resulting seeds from the fruits-- will create even MORE hybrid plants of no discernible concrete species in the plant soup. the hybrid of a hybrid of a hybrid of a hybrid or whatnot. when does one stop calling it a hybrid between two species and start calling it 'the tree in grandma's backyard that's the tastiest of the berries i've tried'? that is the question, truly, one humanity has had for millennia in the search for the tastiest berry, and at that point it might just be easier to call it a variety or cultivar, which are horticultural terms for just that-- a distinct 'kind' among the same species that taste good subjectively and can be reliably rebred and harvested, like all the apple varieties people debate about.

another reason is that plant phylogenies are hard and brain-twisting and plant taxonomists and systemisists are among our strongest warriors. it's not uncommon at all in botany to be researching something and to find out it's been reshuffled because of a new breakthrough on the case a bunch of people more qualified on the subject decided made more sense like a decades later. sometimes species themselves will even change names multiple times if it turns out that it was described earlier by someone else considering the new circumstances. if you're a really unlucky or just controversial plant all this can happen over and over again until, finally, the trees of math have been resolved in a way that makes sense. how long will it take? surely there is a concrete end to the madness? nah. lol

finally, if you're looking into studies on this, you should know that some phylogeny stuff is opinion-based or subjective, especially at first. what counts as a new group for one group of researchers might not count as one for another. so when you see stuff where people are inventing new categorizations or genuses or whatnot or merging multiple ones together spontaneously, it'll depend on how well supported their reasoning is and what the evidence seems to show, and the larger community of plant taxonomists will, overtime, decide what they want to do with that information-- which may include verifying it or refuting it with more evidence. what researchers are proposing when they split stuff off or merge it together is a new or updated model for thinking about existing information, and that model may be more or less useful than the existing one for the means of actually learning more about the plants.

anyway in short there are lots of reasons why this might not be sorted out and the more sex these plants have the longer it's gonna take. i'm strongly reminded of that one citrus sex graph (its this one) (screenshotted to see it on night mode):

[sideprince]

Eileen Prince

I'm relentlessly curious about how a witch from Slytherin, a house that values cunning and ambition on paper, and bloodlines/nobility in its culture, ended up living in a muggle slum.

Unfortunately for me, she's a barely mentioned character written by an author who consistently fails to portray female characters with depth or dimension. The women in Harry Potter are portrayed as either maternal or villains, or, in Ginny Weasley's case, as redeemed by their masculine traits (because Rowling's Thatcher era feminism dictates that equality for women = emulating patriarchal ideas of manhood). About as much as you can expect from an author who's as unable to acknowledge the personhood of trans women as she is to write women as actual people. This leaves a lot of room for interpreting or delving into what Eileen Prince's life may have looked like, and how that would have affected her son's development.

There are three direct mentions of Eileen in the text :

“The picture showed a skinny girl of around fifteen. She was not pretty; she looked simultaneously cross and sullen, with heavy brows and a long, pallid face. Underneath the photograph was the caption: Eileen Prince, Captain of the Hogwarts Gobstones Team.”

HBP Ch. 25

“I was going through the rest of the old Prophets and there was a tiny announcement about Eileen Prince marrying a man called Tobias Snape, and then later an announcement saying that she’d given birth to a" “ — murderer,” spat Harry.

HBP ch. 30

“Harry looked around: he was on platform nine and three-quarters, and Snape stood beside him, slightly hunched, next to a thin, sallow-faced, sour-looking woman who greatly resembled him.”

DH Ch. 33

(Shoutout to Harry James Potter, who didn't recognize Eileen's fifth year photo despite her resemblance to Snape, the teacher whose classroom he got his used Potions book from. Shoutout also to Harry James Potter who didn't connect the dots between the Prince's handwriting and Snape's, a teacher who regularly wrote instructions on the board. "I needed to make the plot work, ok?" - JK Rowling, probably.)

Other relevant excerpts:

“Snape staggered - his wand flew upwards, away from Harry - and suddenly Harry’s mind was teeming with memories that were not his: a hook-nosed man was shouting at a cowering woman, while a small dark-haired boy cried in a corner ”

OoTP Ch. 26

“Harry delved into his trunk and pulled out his copy of Advanced Potion-Making before getting into bed. There he turned its pages, searching, until he finally found, at the front of the book, the date that it had been published. It was nearly fifty years old.”

HBP Ch. 16

Supplemental material re: Gobstones from JK Rowling:

"...it remains a minority sport within the wizarding world, and does not enjoy a very ‘cool’ reputation, something its devotees tend to resent. Gobstones is most popular among very young wizards and witches, but they generally ‘grow out’ of the game, becoming more interested in Quidditch as they grow older.  ... Gobstones enjoys limited popularity at Hogwarts, ranking low among recreational activities, way behind Quidditch and even Wizarding Chess." [There's an additional sentence on the Harry Potter wiki's Gobstones page: "...it is also known as 'the thinking wizard's Quidditch.'"]

A few conclusions can be drawn from what little information we're given about Eileen:

She's described as "cross and sullen" around the age of 15, and as "sallow-faced, sour-looking" when she's older.

She's captain of the Gobstones club around her fifth year, so she likely marched to the beat of her own drum - given that Gobstones isn't particularly popular - and owns it proudly enough to take, or even seek out, a leadership role.

The sport is described as "the thinking wizard's Quidditch" which would imply Eileen was more interested in intellectual challenges and was clever (and can be paralleled with a young Severus' comment about "if you'd rather be brawny than brainy" to James Potter when they first meet on the Hogwarts Express).

Her marriage and the birth of her son are both announced in the paper, which might mean the family she came from was of some importance or note, or perhaps something else... but we'll get to that.

If we assume that Severus' secondhand copy of Advanced Potion Making was originally Eileen's (reasonable, though there is no textual evidence) then its publication date is likely around the time she was a sixth year, given that this particular text was specific to students beginning to prep for N.E.W.T. exams. Harry begins his sixth year in 1996 when the book is "nearly fifty years old," so we can assume Eileen was 16 years old sometime not long after 1946. Severus was born in 1960, which would mean Eileen was in her mid-late 20s at the time.

Her marriage was dysfunctional at best, abusive at worst. As per a Pottermore post that is still up on WizardingWorld.com: "...the desperately lonely and unhappy childhood [Severus] had with a harsh father who didn’t hold back when it came to the whip." Based on this, we can assume Tobias was abusive, and given Eileen's cowering as he shouted at her, she presumably feared him.

From these bits of information emerges the image of a woman who either had a surly personality, or at the very least was guarded, though perhaps just formal. There isn't really any difference in how her face is set when she's in an everyday setting like King's Cross, or when she's having her picture taken for the Gobstones Club. It's possible she was a stern, unsmiling person, but it's also possible - given that her wedding and child were announced in the paper - that she came from a family of some standing and was raised to conduct herself with hallmarks of British class, such as dignity and unaffectedness. After all, there are several wizarding families - such as the Potters - who are wealthy purebloods with social standing but are not part of the Sacred 28. Additionally, the Gobstones Club portrait would have been taken around the mid-1940s, when portraits were formal and their subjects did not often smile, and given that we see only a snippet of Eileen, we don't have enough information that she was unhappy or sour. It's also important to remember that we see her portrait and Snape's memory of her through Harry's perspective and, like his perception of Snape himself, this may convey Harry's biases.

We also know from the text that Snape had a house in a deserted part of Cokeworth, a fictional Midlands town that presumably had a collapsed milling industry, at the end of a street called Spinner's End. There's a great thread that goes into details about the kind of 2 up 2 down house it would have been, and we can assume that this is Snape's family home given that we know he and Lily grew up in Cokeworth. For all intents and purposes, the conclusion we can draw from this being the Snape family's home in the 60s is that they were working class and cripplingly poor. Most estates like this had been cleared by the 60s, and no longer exist today.

This begs the question: how did a witch from a possibly well-off family end up in an abusive marriage in an irrelevant slum?

Buckle up kids, we're leaving the world of textual references and veering into deep meta territory now. I won't label any of this as head canon because I'm not set on these interpretations, and am just drawing conclusions from the text, but some of it may be a bit loose even for meta.

If Eileen was 16 years old not long after 1946, then she would have finished school in the late 40s, possibly even 1950. While some people (including past me) posit the theory that Tobias may have been injured in WWII and his injuries debilitated him, forcing him to go on the dole and affecting his mental health, I'm increasingly skeptical of this theory. It would make more sense if Eileen had known him before he was drafted/enlisted and had committed to a relationship with him, which would then have changed when he came back from the war and was altered. If we assume Eileen's age based on the idea that it was her own copy of Advanced Potion Making Severus used, then she would still have been at school during WWII (which makes an interesting parallel with Severus' own experience of spending the bulk of the first wizarding war against Voldemort as a student at school).

I do think, however, that there's merit in the theory that Tobias suffered some kind of altering injury and that he wasn't necessarily abusive before Eileen committed herself to him. It makes little sense for a Slytherin graduate who was confident and self-posessed enough to be the face of an unpopular club to be drawn to a partner so abusive his shouts caused her to cower and who whipped his child freely. If, however, he was a charming, happy man when they met who suffered a life-altering injury, the trauma of which left him a shell of his former self, then someone like Eileen might stick around for the sake of the parts of his old self she can still see in him.

It's interesting that she didn't seem to use her magic to protect herself or her son, or even to dress her son in clothing that fit, but we know from the text that depression can cause a wizard's powers to wane:

“...it is also possible that her unrequited love and the attendant despair sapped her of her powers; that can happen”

HBP Ch. 13 (Dumbledore talking about Merope Gaunt)

The fact that the Snapes retained the house in Spinner's End seems to indicate that they continued to live there even when the local industry dried up and the slum was cleared as workers were moved to other parts of the country where they were needed (presumably what happened given *gestures at British history*). The most likely explanation for this would be that Tobias wasn't able to work, and perhaps did suffer an injury, only it was at work, and not during the war. This would mean the family lived on the dole (ie. welfare) and also that he would have spent a lot more time at home. It would also explain his anger and frustration that led to abusive behavior (which isn't to say that disabled people are abusive by any means, but it would have been emasculating for a man who considered himself the breadwinner in the 60s, and chronic pain coupled with limited abilities would give anyone a short fuse).

Moreover, this living situation seems to indicate that there is no additional support coming from anywhere. Where is Eileen's family? Why were they not helping? There's no indication in the text that there is any connection with them at all. We can infer from Snape's memories that, as a child, he learned what he knew about the magical world from his mother. This implies that she talked to him about it a fair amount, and his conviction that he and Lily were going to Hogwarts well before they got their letters also implies that Eileen expected him to go there and was set on her son having a magical education, despite how little she seemed to use her own powers.

Severus knows a lot about the wizarding world as a child, including that prisoners are sent to Azkaban and that it's guarded by Dementors, Hogwarts' house structure and what to expect when he and Lily get there, and about the Statute of Secrecy and the laws around it. When Lily asks him if it makes a difference being Muggleborn, Severus hesitates before replying no, presumably because he's aware of pureblood bias being a part of wizarding culture.

Perhaps that's the reason Eileen's family doesn't seem to be in the picture. My own theory is that Eileen hadn't planned to commit herself to Tobias long-term, and Severus was an accidental outcome of an innocent tryst in which a young Eileen, an educated witch from a well to do pureblood family, was having fun slumming it with a working class muggle and ended up pregnant. While we don't know the wizarding world's attitude around pregnancy and abortion, we do know it's a conservative and classist society that parallels muggle British culture fairly closely, and that the late 50s/early 60s were a time when an out of wedlock baby would have been considered a disgrace.

Add to that the anti-muggle bias of a pureblood family and it sounds like Eileen was disowned her for her mistake (and don't @ me, but even though I know that not all Slytherins are purebloods, it does seem to be a persistent cultural value of the house reaching back to Salazar Slytherin himself, so Eileen's being sorted into it can reasonably be taken as an indication of her blood status). Perhaps the marriage and birth announcements in the Daily Prophet were put in by Eileen herself, if she was a woman from a family where this was customary. It may have been her way of letting her family know of the events, or even of asserting herself and even deliberately defying them, announcing to the whole wizarding world that a Prince married and had a child with a muggle. It makes sense that the girl who wasn't just in the Gobstones club, but became captain, would also say to herself, why shouldn't I have my marriage announced in the paper like everyone else in the family?

It's worth noting that mid-late 20s is pretty young to have a baby in the wizarding world, where the life expectancy and child bearing years are much longer than they are for a muggle. According to the Harry Potter wiki:

"Wizard life expectancy in Britain reached an average 137¾ years in the mid-1990s, according to the Ministry of Divine Health ... Wizards in general have a much longer life expectancy than Muggles, usually living two or three times as long as their non magical counterparts, some living even longer than that depending on circumstances. In addition, seeing as James Potter's parents had him "late in life,” witches likely have significantly longer childbearing years than Muggle women."

Although we see several characters in Severus' generation getting married and having kids not long after leaving school, there's a mention in the text that a lot of people were doing this during Voldemort's reign, as the fear he inspired made people more eager to get a move on with life since they thought they might die any day (I think Mrs. Weasley says this but I can't find the quote, @ me if you do). It's clear this wasn't the norm in the wizarding world. Eileen was a Slytherin, a house that values cunning, ambition, and strong wizarding heritage. Something must have gone very wrong in Eileen's life for her to end up having a child so young and living in a muggle slum.

And so it's possible Eileen Prince found herself pregnant and alone, having been disowned by her family to save face in light of her disgrace, and dependent on the only person she was still close to, the father of her child. It's the kind of storyline that Rowling would write, and it would parallel fairly closely the story of Voldemort's mother, thus adding another to the long list of similarities between Voldemort and Snape.

Lorrie Kim makes an interesting point when she talks about how Snape has a strong reaction to other people having a love life or romantic experiences (the context being Rowling's intention of his love for Lily being romantic and unrequited), but doesn't react particularly strongly to mothers sacrificing themselves for their children, whereas Voldemort does. Her insight, and I think it's a reasonable one, is that Severus accepts the idea of mothers making sacrifices for their children, whether it's Lily giving her life for Harry or Narcissa risking all she did to ask for his help in protecting Draco, because his own mother protected him from his father as much as she could.

There's a lot of room for interpretation on what Eileen's relationship with her son looked like, and what it says about her own state. She may have prioritized not angering Tobias to protect Severus, who as a child might have perceived her actions as a form of rejection. At the same time, she seems to have prepared him thoroughly for life in the magical world, perhaps in the hope that he would find his place in it and escape home. Perhaps she missed it and told him so much about it so she could live through her own memories.

The only time we see her argue with Tobias, in Severus' memory, she's cowering as he shouts. We know from JK Rowling that Tobias used corporal punishment liberally, which implies Eileen didn't stop him despite her magical abilities. We also see in the text, however, that while at school Severus stood up for himself against bullies and fought back, and that he was an exceptionally clever and powerful wizard. As an adult he was brave enough to face Dumbledore when he betrayed Voldemort, and later fought against Voldemort right under his nose (or lack thereof). So it stands to reason that at some point Severus began to stand up against Tobias too.

How much of that was Eileen's influence, or the result of Severus seeing her acceptance of her fate and rejecting it for himself, is hard to say. As for what happened to Tobias and Eileen that their house was Severus' by the mid-90s and they were nowhere in sight, I don't think there's enough information in the text to infer.

[star-anise]

The thing about "parents' rights" and "protect the children [from hearing that other ways of life than ours are possible and okay]" is that it is literally, in the purest sense of the word, patriarchy.

The word literally means "rule by the fathers". We're generally used to hearing it describe how adult women can be dominated by adult men. However, that's not where patriarchy ends; feminists have been less eager to address how within that system, women can exercise power and domination of their own through the traditional gender roles of motherhood. Their maternal rights to power and dominance may have traditionally been lesser than paternal ones, but they were never less than their minor children's. Even single-mother or female-only families can be, in this sense, patriarchal.

Patriarchal families are a complex system that grants parents complete legal and practical control over nearly every aspect of their children's lives. The patriarchal family controls where the child lives, who takes care of them, what rules they have to follow, how they are educated, who they associate with, what healthcare they receive, what religion they practice, and whether they can work or control any money they earn or that is given to or for them.

Normally discussions of patriarchy are a lot more abstract. But right now it's very concrete and real: we are fighting to limit the family's control over children on issues where we can observe that families sometimes tend to make decisions that are bad for the children's welfare or that disrespect their human rights.

Whether a minor child can get an abortion. Whether they can receive gender-affirming care. Whether it's okay to lie or coerce your child to ensure they follow your religion. Whether they deserve to be educated about factual histories or scientific theories that are necessary to understanding the world around them. Whether they deserve to learn accurate, age-appropriate information about consent, setting boundaries, how their bodies and the bodies of other people work, what a normal range of gender and sexual identities look like, what healthy or unhealthy relationships look like, and what sex is, how it works, what its positives and negatives are, and how they might navigate the world, whether or not they ever want to have it.

Hell, on some levels we're still arguing about whether it's okay to hit your kids, or whether children have the right, similar to the rights adults have, not to be assaulted or abused.

Because there are a LOT of people who say: No. Parents should have 100% control over any or all of those issues. If the parent says no, the child is not allowed to do or have any of those things, and nobody else should be allowed to interfere and provide them to the child without their parents' consent.

Pointing this out often results in parents saying, "Oh, so you want just ANYONE to be able to go up and talk sex with kids? You want kids to be able to decide to jump off cliffs with nobody stopping them???" As though parents are the single protective force in the universe, the only thing standing between their child and the ravages of absolute chaos.

On the contrary: most of the time the argument is for children to receive care and guidance from adults who are monitored to ensure they treat children in safe and appropriate ways, who have spent many years studying the best and most rigorously tested of our collective understanding of how to prepare children for happy, healthy lives.

And we are arguing against people who believe that the only important qualification needed to refuse children that kind of care is to be ranked above them in their family hierarchy.

In conclusion...

Fuck the patriarchy. Children have human rights too.

[cinnamonest]

gaahhhh imagine gf reader trying to calm delinquent childe and get him to NOT traumatize and scar new boys coming to their school or later when in college when they need to interact with others more by being as nice and sweet as possible and giving him want he wants (attention, pussy and love). And they almost get like this bartering system and it doesn't help when childe slowly gets a hint that she might be trying to protect these guys- in which case, comes the step of trying to placate him again and convince him this is for his sake and not theirs after getting her own ass beaten by him and fucked to the point she thinks of amping the Pill intake or smthng

(Follow-up to this post)

I’ve been thinking about that AU again for a while, hear me out

Because, see, once you become “official,” he somehow gets worse, something you wouldn’t have even thought possible.

Your life doesn't actually change that much, it’s more that his presence just becomes so utterly and completely inescapable. You used to at least be able to retreat to the comfort of home after school, now you don’t even have that — he’s either forcing his way into your house or dragging you back to his, depending on which has the parents gone, so you can do stuff… or if neither works, he’ll drive you off to some of the nearby abandoned, empty parking lots instead.

He's very vocal about what he now perceives as an “official” relationship. Very touchy in public, even in a school setting. His actual behaviors don't change much — he still steals your things and dangles them over your head, startles you with loud noises, taunts you and humiliates you at every opportunity… now he just does it with extra enthusiasm, like it makes him even more excited than it did before. And you like it, he knows you do. And at this point you've given up on getting the cigarette stench out of everything you own — your clothes, your bed, your car, even your hair. Ugh.

But he becomes so very on-edge, far more aggressive than ever before towards the rest of the male student populace. He’s definitely got a major cheating paranoia, like so many young guys, where he’s so ready to jump to that conclusion over everything. You didn’t respond to him for a while, what were you doing? Why are you smiling at your phone, who are you talking to?

Before, he was a source of frustration and anger and misery, but you never really felt scared the way he often makes you feel now. He was mean, a bully, but he was smiley and clearly deriving amusement from it — a contrast to the sudden serious glare and cold, dark tone and expression when he gets mad, when he grabs you so hard you can’t pull away and demands a minute-by-minute play of the day for the duration of time he couldn’t be glued to your side. It takes an alarming amount of reassurance to calm him down.

You do essentially end up bartering with sex. If you’re lucky, and he’s not too upset, you can just distract him from whatever is making him mad with kisses and smiles and a few reassuring words. But in most cases, you’ll at least have to take your clothes off to really appease him and calm him down, and usually have to spend the rest of the day giving him your completely undivided attention. Giving him lots of cuddles and kisses and pussy and head and affection and all that, just for him, to prove you really only care about him, no interruptions. Even answering texts from your friends and family will have him scowling and sulking again. Why are they more important to you than he is? Do you really even care about him at all, when you’re so easily distracted?

And oh, the moment you try and defend some poor boy, have the audacity to try and get him to not hurt someone, it’s over for you. Nothing sets him off faster.

Rather, it comes in stages — he gets mad, hauls you off somewhere alone if you’re in front of people, holds you by the jaw as you struggle and writhe and asks in some mixture of bewilderment and frustration why you’re doing that. Why would you be upset that he’s protecting you? Why are you mad at him for beating them up? Do you care about them? If you don’t like them, why concern yourself with what happens to them?

If you keep reassuring him, he’ll calm down, but if you keep insisting that he can’t be violent, he gets whiny, petulant, grumbly… and most importantly, he just ignores you and does what he wants anyway. Even if it upsets you, it’s not like that's going to stop him. He just blows off anything you say, completely inconsiderate of your feelings on things.

Even then, sometimes, the situation gets bad. Times where you can’t just calm him down, because you did something exceptionally bad — you fell asleep and didn’t answer him for hours, or you very clearly talked to that guy, he knows, he heard the whole thing, or someone told him (at this point, some of the other students have started telling him they saw you talking to someone or hugging some guy or something to set him off for their own amusement).

Those incidents are the worst — late-night explosive episodes where you’re interrogated on why you spoke with someone or the texts on your phone, as you flail and whimper and claw at the hand on your neck while you desperately try to defend yourself. Those are the times where you genuinely start to feel scared. But even then, with enough effort and appeasing and sex, it’s resolvable... though you may end up with some bruises across your body, or in a few cases, your neck and face... you can just both skip school and stay in bed all day until it's gone. Other people would get the wrong idea if they saw it, they wouldn't understand. As long as you comply with what he wants, it's easily resolved.

Until, one day, you cross a line.

You're just so sick of it all, deep into yet another long argument over him really badly hurting some poor kid who did nothing wrong, and in the frustration of the moment, the words come out of your mouth.

You say you’re leaving him. That you want to break up.

You regret your words, of course, the second they leave your mouth. Even before you see the stages of reaction play out on his face — a second or two of blinking in dumbfounded, blank shock, and the way his expression turns dark — you feel your gut twist in panic.

And you try to sputter out some apology, to backtrack, to say you didn’t mean it, but your feet have already left the ground, you’re already flailing and grasping at the hand wrapped around your throat and hoisting you into the air, before you can even get a full sentence out.

You don’t get to do that to me.

His grip gets tighter with those words. It’s quiet and cold — you’re pretty sure it’s the first time you’ve ever heard him speak quietly, for that matter, but you're too preoccupied with panic to reflect on that.

But you don’t mean it. He knows that. You just said something stupid because you wanted to make him mad. You just wanted to get his attention. You’re being manipulative, trying to control him with threats. You’re being a really bad girlfriend.

You don’t mean it. You’re not being serious. You just said it to get a reaction.

Right?

And see, you nod so vigorously, and you even have tears streaming down your face as you choke and gag. You must feel guilty for saying something so mean. Everyone says things they regret in arguments, right? Just the heat of the moment makes people say stupid things. But as long as you feel guilty, he can forgive you.

You crumple forward on shaky legs when you’re dropped down, more of less falling into him, hands grasping at his shirt — how cute, you’re trying to get reassurance now. You stiffen and shiver at the embrace you’re enveloped by, the arms that wrap around your frame.

...You know, you'll need to figure out something for your neck. It’s already starting to bruise, and it’s very clearly marks from fingers wrapped around… you’ll have to cover it up, you wouldn’t want your parents thinking he’s a bad person or anything.

But’s okay. He’s mature enough to forgive you and move on. And so long as you give him more attention and makeup sex all night, he’ll pretend it didn’t happen… for his own sake too. Just never ever ever say something like that again, and he won't hurt you... not too badly, at least.

[silly-writes]

What if reader was an old childhood friend of some of the competitors (ie Courtney, gwen, bridgette, Heather, duncan, Izzy, cody, etc) with said character(s) having strong feelings for before reader moved away just to come back into their life during one season with reader initially unaware of these returning feelings in said camper.

Bonus: What if reader/camper did get together in that one season, only for next season to have a love triangle form involving another character. The camper is aware of said triangle forming though reader might be oblivious due to now having eyes only for first camper. What'd this be like for different people?

Compretitors with returning feelings for childhood best friend reader!

u guys r really feeding me with these prompts I can't even lie this one was a little tricky with all these moving parts! Sorry if some of these are a little angsty and don't really have happy (per say) conclusions, but I'm just doing what I think best fits the character! I only write pure fluff if that what im given. I hope you enjoy anyways anon!

Courtney

Courtney is beyond stricken when she sees you.

What are the odds you both would have signed up for the same shitty reality tv show?

Well, high as Courtney would tell you. You always were very similar even back when you were inseparable as children.

You knew Courtney was always very fond of you before you moved away, so the reunion is very sweet, and heartfelt.

The two of you attempt to spend a lot of time catching up on what you missed out on after you had moved, but on the show there isn't much time for it.

Courtney can't help but think about how absolutely heartbroken she was when you moved away.

I would think with Courtney's determined attitude (plus based on what she says to Gwen during their friendship) she has made too many friends.

So when you moved away, especially since she was little, it sort of felt like the end of the world to her.

I imagine you being around is wildly distracting for her. Despite her returning romantic feelings.

You were the only person who ever had that type of close vulnerable relationship with her, she would do anything to please you, receive attention from you, or keep you in the game.

All of it leads to some very undesirable slip ups from her, which with you is how I imagine she goes home on the island.

She watched you as she got pulled away, she's not going to leave it unsaid this time, she remembers what that feels like, she remembers how isolating and awful it feels.

"I'm going to miss you ______!" She called out to you from the end of the doc of shame.

You waved wildly "I'm going to win this for you Courtney!" You call back.

"No- I mean! I'm going to miss you because I'm in love with you!"

You stand there stunned as she boards the boat and calls out one final thing "You had bet your butt you'll win this for me! I just confessed my love to you on live television!"

You try to call back that you feel the same, but Chris does what Chris does best and gets in the way of a good time. Even if the boat hadn't driven her off before you got the chance to confess back, the motor is loud enough to where she probably couldn't hear you anyways.

By action, you two have fully discussed your feelings, and how everything should go now that you're into each other but still competitors.

You both agree that your first real official date should be after the show is over, so while things aren't technically official by next season, you two are undoubtedly interested in each other and therefore not getting involved with anyone else.

You stick true to that, but Courtney can see Duncan keeps looking at you, and she's not stupid, she would know that punks gazes in and out.

She doesn't bring it up to you, she knows you're generally very dense about those kinds of things.

But eventually, she can't take it anymore and her jealousy starts driving her mad.

She declares that you two are official, and that you very much are dating, which causes some tension between the two of you during action since you both agreed it just wasn't a good idea.

After some fighting, fighting, and more fighting eventually it's you this time taking the walk of shame to the lame-ousine.

Courtney fights her way to you.

"I'm sorry, I didn't expect it to play out this way!" She says sorrowfully.

But you did, you know just how Courtney is, you know how she gets, and while you didn't fully understand why she did what she did you could've guessed that some kind of fight was inevitable. Plus you know how she gets during competitions.

"Hey don't sweat it," you smile "now that I'm not technically on the show, I don't have as much of a problem doing this-" you say and bring her in for a short and sweet kiss.

After years of waiting for this moment, Coutney can't help but freeze up.

You pull away, and head towards the lame-ousine as she calls "I'll win this for you!"

"You had better win this for me! I just kissed you on live television!" You say smiling as you duck into the back seat.

Gwen

Gwen feels nothing but nervous when reuniting with you.

She was happy to see you sure, but her anxiety held her back in how she displayed that happiness.

She's mainly worried that too much time has passed since the two of you knew each other, and that the two of you won't have anything to talk about anymore.

Eventually the two of you slump back together and things go back to the way that they were before you had moved away.

Another reason she was desperately trying to avoid you at first is because of the huge massive crush she used to have on you.

And dang it of course you had to get cuter as you got older!

Just as she realizes that those feelings for you are slipping out of hiding, is also when she realizes that it's already too late.

Once again the two of you are glued at the hip, just like how it used to be.

You, being who you are and were, are wildly oblivious to these feelings because of course you are.

Gwen isn't one to wear her heart on her sleeve, and even though you two are close she is less so with you, she's been burned before, she's not letting that happen again.

The two of you are sitting next to each other at the talent show when it happens.

Heather goes up on stage and says "Originally I was going to dance for you, but instead I want to celebrate team spirit with a collaboration" She holds up a dark notebook with an evil look plastered on her face.

Gwen seems to recognize it and instantly freezes up "Gwen? Are you okay?" You asked, knowing immediately something was off.

"She wouldn't," she says, and then braces herself.

"So with words by Gwen, performance by me, enjoy."

She cleared her throat before beginning "Okay so I've been trying to ignore them. But they're just so cute! I know it's been forever since we've seen each other and in that time they have gotten so hot! Out of all my childhood friends, of course it had to be them."

Gwen dashes away from the bleachers, and Heather seems satisfied.

Of course you run after Gwen to comfort her.

She lamented on and on about how you must think she's such a creep now, and was acting like a total school girl, still writing in a diary.

But of course you didn't feel like that at all, this was Gwen you were talking about here. The cool, collected, funny quiet girl, and you were obsessed with her.

You two start getting a little more romantic after that, and Heather seeing her plan to drive a wedge between the two of you did not work realizes she has to get her hands messy and plays a little bit more of a direct role in getting you eliminated.

It's a sorrowful goodbye until you see her again in action.

Bridgette

Reuniting with Bridgette is nothing but vibes.

She's beyond stoked to see you again, and even more stoked to ride the wave with you again.

I imagine the two of you met at the beach, and it was love at first sight for her.

You two click all over again like no time has gone past, and she fills you in on every little thing you've missed.

Things are super cut and dry with Bridgette, no mess, nothing but chillness.

She makes her feelings pretty clear, with some hints and stuff.

She learned her lesson the first time, letting you leave without having ever told you how she really felt hurt in ways she wasn't ready to feel again.

But if you don't pick up on it she'll just flat out tell you.

"I'm not doing this cause you're my team mate, I'm doing it cause I like you. You dork."

"I like you too Bridge, you know that."

"Not like that-!" She exclaimed, splashing you playfully, rocking the canoe as she did "-like like like you."

You stare at her in disbelief for a moment.

"what?!" you exclaim.

"Do you not feel the same?" She frowned.

"No I do... I just wasn't expecting-" she cuts you off tackling you rocking the whole boat as she does.

The rest is history and you two are pretty much inseparable from that point onward.

Up until World Tour, where Alejandro starts becoming a plane wide problem.

He tries targeting you at first, but youre so in love with Bridgette he can't get any headway.

But Bridgette being stuck on an opposing team leaves her exposed to his manipulation, he lies about you and makes her question her loyalty.

After she gets stuck to a pole, you find her, but when she explains what happened you just feel so hurt and betrayed that you leave her in the dust (or well, snow).

After a world tour it takes a lot of apologizing and healing to get over what happened between the two of you but you're both determined to make it work so you both put your strongest foot forward and work at it.

Heather

Heather is absolutely stunned when she sees you.

You greet her excitedly when she hits you with a "hello? Earth to nerd, I don't know you!"

That's enough to keep you away from her for a while.

She 100% is only pretending not to know who you are, but what choice did she have? She couldn't risk her feelings for you returning and ruining her chances at winning.

Close tender friendships like you used to have were bad for her image now, she had an impression to keep in this competition and she'd be dead in the ground before she let you or anyone else come in the way of that.

Her tenderness for you starts to show through and through though, you know her like the back of your hand, still, even after all these years.

You'd recognize those glances anywhere, and you knew it meant more than just being a strong team mate when she would point out all the ways in which you did well in the challenges. She was trying to keep you in the game.

The two of you never have any heart to hearts, nothing like that anyways.

She never reveals that she does remember you, not even as you watch her fade into the horizon on the boat of losers.

World tour she's more determined than ever, you've never seen her so deranged to win.

I'd imagine the love triangle would have more to do with her and Alejandro then you and anyone else.

She becomes torn between the two of you, and the inherit struggle in trying to pick over someone who actually matched her wit, and her childhood best friend and longest crush.

She makes her decision when she inevitably votes you out.

"Heather... you voted for me?" You asked, heart breaking, eyes already feeling wet.

She scoffs, "Don't take it so personally."

You sniffle a little bit, and then shake your head "I should've known better than to fall for your two faced snake self twice." You spit.

And with that you're gone.

She's not stupid, she's not forgetful either, and you knew that she knew just what "twice" really meant.

But she'd dug her grave now, she would just have to hope it could hold a million bucks.

Duncan

The meeting with him is very awkward I'd imagine.

He'd likely pretend not to know you until he can get a moment alone with you.

I would imagine he's largely embarrassed of your relationship due to the fact that he met you before his Juvie days, and you were one of the only people who had known him before he became nothing more than a delinquent.

So yeah, he's hell bent on making sure people don't find out about you two knowing each other.

But we all know deep down Duncan is a totally sweetie, even if it is deep, deep, deep down. His affection for you is bound to show one way or another.

Ever the observant one I'm sure it was Courtney who noticed first, marveling at how strange it was that you two of all people had romantic feelings for each other.

She urged the two of you together, subtly, attempting to be your sort of wingman, unbeknownst to even you.

Eventually Duncan works towards getting her voted out because of this, he's so obsessed with keeping his bad boy persona he'd do just about anything in this competition to keep it up. Even risk losing a million big ones.

You knew something was fishy about Courtney getting voted, but you couldn't put your finger on what. At least not until you heard him in the confessionals.

"I had to get that Courtney chick voted out, she was getting too close. I hate people who get to close,"

"Duncan!" you exclaim.

You can hear him mutter curses from the outhouse.

"Forget it! You know I can't believe I was actually starting to like you again!"

After that it's a nonstop battle for Duncan to win back your affections.

I would imagine the love triangle would consist of you, Duncan, and of course, Courtney.

She would start falling for you based on the way you shamelessly defended her despite your feelings for Duncan.

Only problem for you was those feelings hadn't exactly gone away since last season, and you were still very much into him.

You three fight a lot, and are the reason all three of you end up going home.

Which leaves nothing but time to work out your messy feelings for Duncan, and his for you.

But maybe time is really all the two of you need.

Izzy

Izzy is a bit of a wild card (obviously).

I feel like reuniting with her is just super duper chaotic, and very overwhelming at first.

She wants to fill you in on every little detail in her life within the same second she sees you again.

But you remember how to rein her in, she really hasn't changed much from the chaotic messy kid she was. (save for being a criminal now (whoops!)).

You being in the challenge with her would keep her much more rallied and motivated towards an understandable goal.

She can feel those intimate feelings creeping back, but she isn't shy with it.

I imagine she probably would've confessed to you once before, when you first moved, only neither of you wanted to try out long distance and thought it might only ruin what a good friendship you had. So through your move you decided to just stay friends.

You don't get long to sit and wonder about if those feelings still linger for her as they do for you when she abruptly asks

"So hey, are you interested in dating during the competition?" she asked, sitting beside you, anything but shy.

"What?"

Izzy was nothing if not explorative, she collected new experiences like pokemon cards, and she wanted to live fully every part of life.

"It might be a little bit messy. But I think maybe it could work, if all that was keeping you was distance the first time... well... I'm here now."

She stares at you with an expectant kind of rare almost nervous look, and though the confession is anything but picturesque, with her, it's perfect.

I think the love triangle would come in with her next season with maybe Alejandro falling for you.

Hard to say whether his attempts at flirting are due to advancing in the game, or genuine attraction. Either way you have trouble picking up on it, especially when things are going so well with Izzy.

I wouldn't say Izzy isn't a jealous person, I just think she could fall either way, depending on the person, depending on the day, the humidity in the air, basically on nothing at all. She's nothing if not erratic.

With Alejandro, she might be inclined to threaten him with her license to kill depending on her mood, and depending on what he tries to pull with you.

Cody

The reunion with Cody is one that is very heartfelt, and he instantly lights up upon seeing you.

You can see that he's fairly committed to his "too cool for school" schtick, so having any genuine connection with him might be a little tricky.

He's one person I feel like would have definitely tried to keep in contact with, it wasn't anything like every day phone calls, but the two of you had definitely spent at least some time sending letters back and forth.

So when you too meet there isn't a lot of catching up to do, only some.

He's overall very excited to see you back, and you know him enough to know that, even if he's refusing to show it.

You can feel those creeping feelings sneak up on you until the hit you smack in the face during one of the challenges.

"Cody!" you exclaimed during one of the challenges as he hit the ground hard.

"I'm fine," he lied, his voice strangled, the wind having been knocked out of him wholly.

You helped him up, and picked up a piece of paper that had tumbled out of his pocket and went bouncing a few feet.

At first you mistake it for trash, but with the way that even injured and put out Cody grabs for it, you figure it must be something good.

You were due for a little bit of teasing when you decided to open it, only to realize that it was a letter from you.

It's an old one, a really old one, perhaps even the first one you'd ever sent.

"Uhhh... how'd that get in there!?" He exclaims, swiping it out of your hands which are too stunned to fight against it.

Realization dawns on you just as quickly, there is only one reason he'd would've kept that with him after all those years.

"Oh my god Cody, you like me!"

The rest is history, and you two start dating among the challenges.

The conflict would come with Sierra I would think, who's hell bent on breaking you two apart.

All of her attempts fall flat unfortunately for her, and you two stand as one of the more healthy and strong relationships within the show.

[etaleah]

I’ve been thinking a lot about Shadow’s characterizations in the Project: Shadow fan film, SA2, Archie, Heroes, ‘06, Prime, and Murder of Sonic the Hedgehog and why they’re all considered among the best. And I’ve been thinking about his characterizations in IDW and Boom, how they’re considered among the worst, and how much they clash with the other portrayals. I think I’ve hit upon the number one quality that Shadow needs to have to be written well.

Loyalty.

I’ll explain below the cut.

The best Shadow is one who is loyal to someone or something. Maybe he’s not always loyal to the right someone or something, but he is loyal nonetheless. It’s a core part of his character. He is ride or die to the very end for whatever friend or cause he cares about. Shadow is always ready to kill or be killed for whatever or whoever matters to him most; it’s what sets him apart from the others. The others have limits on their loyalty. Sonic will help you out, but he’s not gonna kill a man for you. Shadow will. He doesn’t have that limit. If you are Shadow’s friend and you need him to kill for you, he will do it. Period.

Here’s a recap of Shadow’s loyalty:

In SA2 and the fan film, it’s to Maria, and to a lesser extent, Gerald.

In Heroes and ‘06, it’s to Team Dark.

In Archie, it’s to Team Dark, Hope Kintobor, and Commander Tower. Sometimes it’s even to his own values like when he goes against Rouge to help Blaze in Treasure Team Tango.

In Sonic X, it’s to Maria and later Molly. Maybe even to the universe, given that he’s ready to kill Cosmo to save it.

In Prime, it’s to Green Hill. And later on, Shadow is also loyal to Sonic despite the latter driving him crazy.

In Murder of Sonic the Hedgehog, it’s to Amy.

And in his own game, Shadow can be loyal to Maria, Sonic and friends, Eggman (up to a point), Black Doom, or even Earth itself. Not all of those folks are worth his loyalty, but the fact is that Shadow still cares about fighting by their side. That key element of his personality remains.

And that’s what’s missing in Boom and IDW. Because in those, he isn’t loyal to anything. He isn’t ride or die for anyone. At least, not that we can tell. When you remove Shadow’s faithfulness to those he loves, you remove a lot of what makes him who he is and all that’s left is an edgy aesthetic that soon wears out its welcome because there isn’t anything to supplement it. And this is made worse by the fact that they’re never allowed to bring up or expand his backstory, so they can’t ever talk about why he’s like this.

I guess you could make the argument that Shadow is loyal to the world in IDW since he helps save it a few times, but he’s so mean and heartless to everyone in the world that it feels less like he’s fighting to protect other people and more like he’s just trying to save his own house so he still has a place to live. I mean, if he won’t help Rouge when she’s been kidnapped by Starline and he won’t help Omega when the latter has been smashed to bits and he won’t help the Chao get out of their cage and he actually has to be talked into saving a village from an avalanche and he seems to really dislike/be annoyed by everyone he comes into contact with…what exactly is he saving the Earth for?? It can’t be for the people living in it. He hates them. He doesn’t care if they need his help. So the only conclusion I can draw is that he’s just doing it to save his own skin. The only person Shadow shows even the slightest bit of loyalty to is himself.

And that makes him unrecognizable from the Shadow we know and love.

His loyalty is his greatest virtue, even when it’s misguided. Let him keep it.

[letters-adressed-to-the-fire]

so this is why i think peter is the one looking in people's windows

A few days ago, I saw a swiftie on TikTok talking about how I look in people’s windows could be taken as the other perspective of the same story narrated in Peter, and I just couldn’t stop thinking about it. So, I decided to go in-depth and start a self-assigned quest to look for any clue that could interweave these two stories in a way that made sense.

I know this could sound a little absurd or could be taken as a stretch of some sort, but I believe, and I’m sure most of her fans would agree, that most of the beauty in Taylor’s writing comes from the countless different interpretations people bestow on her lyrics. I’m not asking you to take this analysis as absolute truth because I’m genuinely just having fun with it, and I hope you do too.

I’ll analyze “I look in people's windows” from Peter’s point of view and “peter” from the other character’s pov, whom we’ll call Wendy given the obvious parallelism to Peter Pan.

Well, the main and obvious connection is given by the “window” element. While Wendy is waiting for Peter by the window, Peter is looking for her from outside that window. If you look at this through very literal and rational eyes, I believe you’d think it doesn’t make sense that they were both looking for each other through the same window but never met again. So HERE is where I want to insert my interpretation.

There are two options I can think of that would explain the failed meeting. 

Peter intentionally avoided Wendy while still looking for her every day.

Every time they were looking for each other, it happened at different moments.

The first case presents a lot of questions, like, is the pledge to grow up what is stopping Peter because he knows he can’t do it? Or was he cruel enough to wait for Wendy to move on and then come back? Either way, the conclusion remains the same. In this scenario, Peter was a coward. If it was because he didn’t want to grow up, if it was because he just wanted Wendy to never move on, or if it was because he never gave her a real answer.

On the other hand, the second case talks about something that’s closer to a tragedy. They were always doomed by the narrative. While Wendy was waiting for him, Peter was looking for her, but Wendy never saw him—not when she waited or when Peter was looking for her. We would need to assume some things here tho. Either it all comes back to the first option and Peter had been avoiding her the entire time, or he thought she had already forgotten about him. The first option shows us, once again, that Peter is a coward, but the second one also tells us something important: he may be too scared to grow up, but he’s not selfish enough to stop her from moving on.

“Northbound I got carried away As you boarded your train South, south, south, south, south, south A feather taken by the wind blowing I'm afflicted by the not knowing so”

Based on this verse, we can design a new theory. He watched her leave and he was aching for her to come back to him. So he started looking for her in other people’s windows, wondering if one of them was gonna be her. Even when he had already said goodbye to her.

And here’s where another verse of peter will acquire significance:

“I thought it was just goodbye for now”

With both songs in mind, it sounds like he said goodbye to her, hoping they were gonna see each other again, but he also knew he had to let her go at the time and that he was condemned to miss her. But what Peter didn’t know was that Wendy was gonna go through the same thing, but she wouldn’t have the comfort of knowing what he did (wait for her).

“promises oceans deep, but never to keep”

This is why we get two completely different endings for both songs. While Peter is still addicted to the what-ifs, Wendy has turned off the light; the fantasies have expired for her. Wendy grew up; Peter didn’t. While I look in people's windows gives you the feeling of being running from house to house in a neighborhood you don’t recognize anymore, trying to fit into a routine you were used to in the past; peter reads like the last chapter of a book you’ll never touch again.

[spooklies]

# Resident Evil - Yandere Chris Redfield (PROFILE)

Type of Yandere: Chris is someone who cares a whole lot about those he loves while pretending that that side of him doesn’t exist. He’ll show he cares for you in every way but verbally at first, but in moments where you two are intimate he’s not against confessing just how much he loves everything about you. And Chris also happens to be overly stubborn once he’s set in his ways, and that in turn will make it difficult to try and reason with the man when he’s decided over something. Control, a position he’s been given since he could remember, and one he’ll hold over you whenever possible. Wearing something he doesn’t like? He’ll all but demand you take it off and change out of it. And if you refuse? Then he isn’t against using other means to get his way. He’s never physical, not unless you want him to be. He’s a man of discipline and understands the importance of boundaries. No, he’ll tap into a side of him that was trained to be a negotiator. Or in simpler terms, he’ll manipulate his darling when they do or say something he disapproves of. Sometimes he’ll even do this without realizing it. Chris has an overwhelmingly dominant air to him that calls for attention and he’s well aware of it. 

Love Language: Chris can’t help but want to do everything for his darling, not wanting them to lift a single finger if it could be helped. He’ll treat you like royalty because in his eyes you deserve nothing but the best. He’s very big on touch and will often than not seek out your presence and find an excuse to put his hands on you. “Your shoulders look tense, allow me?” And without waiting for your permission will start massaging your shoulders with the skills of a certified masseuse. He’ll then playfully scold you for exerting yourself, explaining to you why it’s important to rest. “If you don’t keep taking care of yourself then I have no choice but to do it for you.”

Their Biggest Fear: Chris has seen a lot of shit, like shit people never come back from. But when he’s with his darling then it’s as if none of the traumatic events he’s experienced happened in the first place. He’ll often think to himself, “What’ll I ever do without you?” Because in his eyes a life without you isn’t one worth living. And that thought process alone is terrifying to Chris. He’s experienced what it’s like to lose people dear to him, but imagining his darling being the person he loses? Not a chance.

Kidnapping: If his darling ever tried to leave him then he’d definitely panic and jump to the worst conclusions about why you’d ever want to leave him. Those conclusions would then escalate into Chris convincing himself that someone is manipulating you and causing you to have these ‘intrusive’ thoughts. So what better way to keep his darling safe than to keep them at home – a sanctuary he’s created to be in your liking. He’s sure that with time his darling will come to understand why he needs to keep them home and the types of danger that lurks outside waiting to take them away from him.

How Easy is it to Escape?: Near impossible. Chris is an incredibly talented man with all the training a soldier could possibly need to bring an entire government to its knees. There will be locks on every door, safes containing possible escape tools, and even people Chris could rely on to have his back no matter the circumstances. Just hope that things don’t ever escalate that badly.

Punishments (SLIGHT NSFW BUT NOTHING GRAPHIC): “You just can’t help yourself, can you?” After one too many instances of his darling going against his direct orders – house rules, as he prefers to call them – he’ll see no other choice but to teach you the importance of listening to him through more intimate means. Your hands can sometimes end up cuffed to the bedpost, lovebites littering your skin as if you’d just been splashed with paint, and tears running down your face as you squirm and whine for his forgiveness through half-lidded eyes. “Oh I’ve already forgiven you, it’s about proving a point.” And he doesn’t stop until he’s done just that.

Difference to Other Yanderes: Despite how intimidating Chris can get, on the inside he’s a giant sap that often gets compared to a teddy bear more than the fierce grizzly bear the stuffed animal is based off of. He has a lot of powerful connections which also means he’ll be able to provide more than most partners. Ever been to the Grand Canyon? Sure, why not head there first thing Monday? And then right after that how about a trip to the Himalayas for the sake of going there? He’s so used to using these connections for the sake of humanity so it’s a nice change of pace to use them to prevent non-world ending threats from coming into fruition.

[joydoesathing]

IT NEEDS TO BE SAID!!!

Joy… Lets just… appreciate your brain.

Like, in OG tnmn if a guys is wearing a tie, you manage to put in in the gender bend’s design (Agnes’ necklace, W’s necklace, Izabelle’s scarf, Francis’ dress she wears under the milklady coat, arlenes scarf etc etc)

You stick to their OG colour pallete! Like how Martins tie has the polka dots (ref to Margerettes dress) and Raffael’s Hawaiian t-shirt!

Hair. THE WAY YOU DESIGNED EACH CHARACTERS HAIR. I LOVE IT!

THE WAY YOU DRAW SHOES. I COULD NEVER!

You actually stick to like, 50s fashion. Like, accurate 50s fashion.

Your artstyle itself is just gorgeous

They just LOOK like their genderbend’s genderbend. You can easily tell who’s who without confusion

Character design isn’t even the SURFACE of your creativity.

YOU MAKE EXTREMELY GOOD LORE FOR YOUR CHARACTERS!!!

Im being fr, you’re a really good storyteller.

You see the characters as real life people with actual stories and views.

YOU DO RESEARCH!!!!!! THIS IS ONE OF THE THINGS I APPRECIATE THE MOST! You actually research and understand facts about the 50s and its customs and what they considered normal!

Something else I like about the characters is that they’re realistic, yes I’m extremely delusional and want Frances x Nacho to be together but they aren’t exactly made for eachother, which is why they aren’t together. WHICH MAKES SENSE!

YOU WOULD WILLINGLY CHANGE A CHARACTER’S LORE IF SOMETHING NEW IS DISCOVERED IN THE GAME! I’m mainly talking about Dr. w and Michael, you changed their age (27 to 36) when the th project document got solved, and you said youd change some things up abt Wil’s lore again in campaign mode

Okay, so this might be controversial but… I really appreciate how You didn’t draw NSFW of Nacho x Frances. Yes, they’re your characters and you have to power to draw whatever you want with them (chelsea in the corn outfit lmao) But you chose not to draw NSFW of the 2. FRANCES WAS SEVENTEEN! Imho, you made a good decision.

YOU ACTUALLY UNDERSTAND ALL THE BIASES! Martin was judged because of his eye, Wilma was judged because she was a WOMAN, and Anatolii is judged because of not having a mother and glenn and arlene are judged for their race.

THE CHARACTERS ARE REALISTIC! NONE OF THEM HAVE A ‘PERFECT’ LIFE. THEY ALL HAVE FLAWS AND PROBLEMS THAT THEY’VE FACED. I WOULD LIST THEM ALL BUT THAT WOULD TAKE FOREVER!

Okay thats chap 1 of me talking abt how much i appreciate ur au.

❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️

My heart cannot- thank you for appreciating the effort that i invest too much into the characters 💗

when I made this AU, I initially did it for making genderbent designs for them but afterwards i thought that it would be more fun for the neighbors to have they're own individual traits and detailed stories!

i value putting in all my effort I can give to make sure everyone is their own character at the end of the day.

not to be judgemental but i kind of find it very unsatisfying when there's only certain neighbors that are given so much emphasis and detail and the rest are treated like "props" or their personality, dialogue, actions and drive are solely built around the certain character/s with a lot of detail to make them look better or have story development while the "prop" characters themselves remain stagnant with no interesting traits to them or only one-dimensional traits

and honestly for me, i feel like the characters would be more interesting and fun if they were kind of realistic ,aka have some kind of character development and have faced struggles and biases on the way, so that from there, the neighbors, while coming from very different backgrounds and lives, can still connect, empathize and make bonds with each other via similar struggles in their lives :))

so in conclusion: my enthusiasm for making genderbent designs for them + wanting all of them to be actual characters with character gave birth to what is known as my genderbend au. it became my little isolated platform in the tnmn fandom where i can go crazy with these expectations and wants for the neighbors without necessarily conflicting with the hcs that people have for the OG neighbors

(also I don't mind if you make a whole ass list)

[darcytaylor]

Are people mad that Luke Newton has a girlfriend? Or is it something more? A deep dive. Part 3/FINAL

In part one and two of this deep dive I have commented on some of the mistakes that Luke has made in regard to his relationship and how the pileup of mistakes has ultimately left fans to be angry. 

This is obviously just some opinions and are not fact. Since I don’t know him personally and never will, this is all just speculation. But what I can say is that I can look at a situation and I think I can form a logical opinion. But who the hell really knows?

Is it very critical of me to be making these? Probably. I mean if I was in the same situation as Luke, I probably would have screwed up a hell of a lot more (but I also don’t have PR training). It’s a tough industry and having all eyes on everything you do would be insane, so I can also sympathize. I also know that I would never want to be in an industry with all eyes on me, I would never put myself in a situation like this to begin with. 

I have critiqued Luke’s earlier actions with situations and people in part one and two - (New Years. Instagram friendships. Saying he’s most like his character. His friend choices. Social media presence. Showcasing dates instead of work. InStyle situation. Admitting to being young and naive in 20s) 

If you are reading this before part one and two I would highly recommend going back and reading the earlier parts first. 

One of the more recent situations that happened was the first infamous Deuxmoi situation. The one where there was a writeup about his relationship, and then Antonia’s mother went and liked some of the comments. While I think that what the mother did was very unbecoming, wrong, and dumb. I do think she did it out of love for her daughter. 

Seeing comments degrading someone you love and care about would be tough, but then having it be about your daughter, I can see what lead up to this. Again I don’t want to excuse her behaviour, it was wrong and disgusting, but I can see how and why it all happened. 

This mistake wasn’t completely Luke’s . But it shows that everybody in this situation was very ill-prepared and it is Luke that ultimately has the PR team and the training. Some of the onus falls onto him. 

Since this all happened after people were already mad, the New Years video and the multiple situations that followed as the lead up. I wasn’t shocked to see Luke take an even bigger step back from social media - like FINALLY! 

There had to be some meetings with Luke about this situation and how he could remedy this. 

I was thinking that he would have given his social media to a team to manage, but it seems like he didn’t do that. Not sure if that is the correct move on his end, I guess time will tell. 

The post was taken down (or at least taken off of their main page) and it makes me wonder why? It had to be Luke’s team that made this happen. But what was the cost of that? How did they make that happen? Was there something that was promised? I don’t know enough about what would be involved to even remotely come to a solid conclusion. 

It probably had something to do with Luke wanting to protect Antonia and her family from the hate (legitimate or not). 

This blunder made me sad for every single person involved. Even if I don’t agree with the actions that created it. 

Now looking at the most recent Deuxmoi/People exclusive it can seem like this was the promise that was made? An exclusive with pictures. 

This could also be a continuation of Luke trying to protect Antonia and her family by saying - ‘we are still together, the situation wasn’t as bad as people made it out to be, we want to move past this, I want to support Antonia and her family” - Since the article was a Deuxmoi exclusive and right after the other article. I think it’s safe to say that the pictures are connected to that first article, and trying to do some damage control. 

If Deuxmoi was the only drama that had occurred this may have worked. But like I keep saying, the situation is wild because of the multiple mistakes that piled up to create this most recent blow. People do not like Antonia because of the image that both Luke and her created for themselves, together and separately. 

Now I know people will ask why the pictures and articles had to come out the release day of season 3. The most logical reasoning I have is that they knew this was going to cause outrage. To have season 3 as a  positive to talk about, could help. At least I think they hoped it would help. They saw it as an opportunity to drown out the negative by having something positive at the forefront. Did this work? I don’t think it worked as much as they would have liked. But not all mistake have to be intentional. 

If they were spotted after the release day I believe that it would have been way worse for Luke Newton. He wouldn’t have had anything else to fall back on. 

Summary Questions - 

Do I think all of this will ultimately hurt Luke’s career? No. I think that if he books jobs, he will be just fine. I do think that there will be outrage anytime he is spotted with Antonia, which will always be a slight step back. But he made his bed in that situation and now he has to lay in it. 

Do I think Nicola knew about the pictures/article that were going to be published? Yes. It’s clear that Nicola and Luke are a team and care for one another. 

If you have any further questions, please feel free to ask!

Also, should I do a deep dive into anything else? Someone mentioned in a comment I should do a deep dive into Nicola’s songs she posted about. Is there anything else? It doesn’t even have to be about Bridgerton or the cast. 

[goodqueenaly]

What will Jaime's reaction and development in response to the probable slaughter of Freys and Lannisters ("Red Wedding 2.0") by Lady Stoneheart, and the rebellion of the Riverlands that will likely follow, be? While there are a lot of valonqar theories and theories of how he might survive the encounter with Stoneheart, but for some reason I don't recall any theories on this front. Might there be a realization that his family's, and his, actions in the Riverlands from AGoT forward were wrong?

To the extend a “second Red Wedding” or similar event happens, I tend to think the impact would be intended for us as readers, rather than for Jaime as a character. Throughout his chapters in AFFC and ADWD, in my opinion, Jaime never quite gets to the point of realizing, to put it a certain way, “are we the baddies”. Jaime may pat himself on the back (with his golden hand) for hanging outlaws found beneath a Wode keep, but never considers what responsibility his father’s order to raze the Riverlands had on these presumably homeless, presumably starving people sheltering in a now-rare refuge. Jaime advocates for the Lannister-Frey household at Darry to “make the smallfolk love you” as a response to their support of the brotherhood without banners, without acknowledging the hypocrisy of this household trying to win the love of people whose neighbors had been raped, murdered, and despoiled by Lannister agents and whose lords and countrymen the Freys had murdered in a gross violation of guest right (or such smallfolk seeking justice from a royal dynasty which directly engineered and benefitted from the Red Wedding). Jaime applauds himself for, as he sees it, bringing about Riverrun’s surrender without seeing, or being willing to see, that by bringing an army to this siege, mentally deciding that he would storm the walls if the Tullys remained obstinate, and threatening Edmure with violence against himself, his people, and his unborn child, he, Jaime, had already violated his oath to Catelyn (to say nothing, again, of rewarding the perpetrators of the Red Wedding). Jaime departs Raventree Hall not only by threatening Lord Tytos with Hoster’s beheading if Tytos were to aid any “outlaws and rebels” but by wishing him “a good harvest and the joy of the king’s peace” - a cruel and hollow sort of farewell, given that Jaime’s family’s agents ravaged the Riverlands  and its hope of harvests and that this same royal government was the one which oversaw the murders of, among others, Blackwood’s second son and his king. Given all that, I don’t see it likely or timely for Jaime to witness a second Red Wedding type of event and say “oh right, we were wrong the whole time”; Jaime’s had plenty of evidence of that up to this point without drawing that conclusion. 

Which is not to say that this event, should it happen, would have no impact, of course. Rather, I think GRRM may use such an event to have readers reflect on, and perhaps challenge, any desire for and approach to vengeance. The Freys may suffer and die en masse - not necessarily just those who directly swung a sword or helped organize the Red Wedding in the first place. The uncomfortable display and exploration of the violent execution (pun intended) of certain acts of vengeance is a topic GRRM often handles very well, and I could see the author writing a second Red Wedding as, perhaps, an escalation of the end of Brienne’s arc in AFFC: as then the brotherhood, under Lady Stoneheart, was willing to murder Brienne, Hyle Hunt, and Podrick Payne on grossly inaccurate and unjust connections to the Lannister regime, so now perhaps the brotherhood and Lady Stoneheart will kill any Freys they can seize, whether or not these Freys actually participated in or even condoned the Red Wedding. 

[warblogs17282]

So, I've been thinking about Stolas and the divorce proceedings again, and the more I think about it, the more that I come to the conclusion that Stolas is gonna lose hard if he ends up appearing in court in regards to the divorce proceedings.

Let's start with a quick refresher on things, the show has given us a few things that can point us to the conclusion that there's been divorce proceedings happening in the background.

'You leave with Via on weekends.'

and the fact that a lot of things in Stolas' palace now seems to be wrapped up in some sort of material.

(Just so we're clear Stolas is absolutely the victim here, I'm just speaking like how someone with no prior knowledge of the situation would look at it, and that Stolas did not 'cheat' on Stella, for reasons that Stolas himself said.)

Getting back to the subject, I mainly think that Stolas is gonna get an unfavorable outcome in the courts regarding the divorce proceedings for one main reason. It'll turn into a 'he said she said' situation real quickly.

Let's think this through, who do you think the people looking over the divorce proceedings are going to believe the most? The socially awkward person, who, to everyone on the outside, decided to cheat on her with a seemingly random imp? Or the one who Andrealphus described as quote 'attractive' and has to the people overlooking the divorce proceedings, done almost nothing wrong, making her the victim of Stolas cheating on her to them?

I know you're most likely thinking of a few points right now, so let's discuss those as well.

1: 'Stolas could just mention the abuse he's suffered.'

That's also gonna turn into a 'he said she said' situation real fast as well.

Cause to start, the overt abuse in front of Octavia in s1 e2 will most likely just end up getting overlooked for the most part, considering that this takes place after Stolas 'cheated' on Stella, meaning that the people in the courts will most likely offer Stella at minimum a bit of sympathy in regards to this specifically.

There's also this in s1 e2, where Stolas tries to explain to Octavia about the arranged marriage in a somewhat private area, but ultimately ends up not being able to get the points out, so there's always that chance that Stolas just ends up not being able to explain his side of the arranged marriage properly, including the abuse, which wouldn't help Stolas' case at all. Although considering that Stolas was able to stand up to Stella in s2 e1, I do imagine that Stolas would be able to explain his side of the story in court, especially considering everything that has happened since then.

There's also the fact that no one other than Stolas, the victim, actually knows about the abuse that took place before Stolas 'cheated' on her.

Plus, as far as we know, Stolas has zero evidence to prove that the abuse he suffered at the hands of Stella actually happened. The only possible way I think of Stolas having evidence of the abuse is via some sort of CCTV, or maybe a testimony from a butler that happened to overhear the abuse, but unless one of those two things happen, Stolas mentioning the abuse before he 'cheated' on Stella is gonna be yet another 'he said she said' situation.

The picture of Stella as a child may also be playing on your mind as well. This picture doesn't exactly prove anything, considering it only speaks to her character, not being able to prove that Stella actually abused Stolas before he 'cheated' on her to the people overlooking the case.

And then there's the matter of if this picture of Stella is even still around anywhere, considering how long it's been since that picture was taken it could very well just be lost to time.

Another angle you may be thinking of is 'Stella literally hired Striker to kill Stolas.'

That's also gonna turn into a 'he said she said' situation as well unless one of three things happens:

The butler holding the phone in the ending of s1 e5 gets called in as a witness and gives testimony saying that Stella did say "I want this cheating prick dead! I don't care who you have to go through, MAKE IT HAPPEN!"

Striker gets caught by authorities and confesses that Stella is one of his clients.

I don't think that kind of phone saves numbers, but maybe if it does keep a log, and there's logs of Stella's conversations with Striker on it.

All three of these things however I don't exactly see a high chance of occurring if the divorce proceedings do end up going to court however, meaning that unless one of those three things happen, there's zero evidence Stolas can use to prove Stella actually hired Striker, because with how serious a charge like that would be, there's gonna need to be much more than just testimony for a conviction.

So, in conclusion: I believe that if the divorce proceedings between Stella and Stolas ends up going to court, Stolas is gonna end up getting an unfavorable outcome from it, especially considering that, to what we know now, there's not really any/much evidence that Stolas can use to prove Stella was abusive to him before he 'cheated' on Stella, and there's also not much/any evidence that Stolas can use to prove that Stella hired Striker to kill Stolas.

[pianostarinwonderland]

maybe skully isnt dead 🤯 [half copium half srs]

listen. ik ive been on copium for a while. ik we all are, ive seen twitter, tumblr, and everyone’s tags on my posts when they reblog

BUT PLS HEAR ME OUT. IM SO SERIOUS RN WHEN I SAY: if u wanna be technical about it, if u wanna stretch it out somehow, you can argue that the game never outright states that skully is dead, only that the skully we met was from hundreds of years ago.

“but mamsir pianostarinwonderland, how in the fuck can that be???? we HEARD that invisible kiss” LET ME COOKKKKKK 🔥🔥🔥 I SWEAR EVERYONE, I AM COOKING U JUST HAVE TO HEAR ME OUUUUUUUUUUUUUT— knocked out

Ok serious time, let me mansplain to you all the possibility of Skully being alive

Establishing first of all, Twst has kept Skully's nature vague

Simply put: we don't know if Skully is human. In his live 2D, Skully's ears are completely covered. Even in his illustration, we can barely see his ears. It's an interesting design choice. However, in his chibi (which wasn't revealed until Episode 5), we can see his ears aren't shaped like a fae, but are round like that of a human.

However, it's pretty hard to think he's human either, when we consider his "moshi, ne moshi" greeting in Episode 1 and its connection to the supernatural. Voiced, to be noted. Exactly what kind of creature he could be is currently unknown, but because this part was voiced, it's something we need to pay attention to at the very least.

In regards to his mortality, the only clue we're really given is Skully himself saying that he may never meet us except through Halloween, which implies a lifespan similar to a human or something similar. But Skully doesn't know how far into the future that the cast is from. Heck, does he even know of his nature?

Now, addressing that invisible kiss...

I feel like this is the main thing that told all of us that Skully is long gone. Heck, if you catch me in my right mind, I might just tell you that yeah, that should be enough proof that Skully is dead! Little signs from the dead such can manifest in similar ways to what Jamil and Leona sensed: hearing a kiss and feeling a kiss on your hand.

(unfortunately i'm not in my right mind so you're getting my dumb reasons why i'm arguing for otherwise)

However, if Skully is gone, I find it interesting that this is the way they decide to show it. We already know from the very first Halloween event that ghosts can manifest all year round in Night Raven College due to the high concentration of magical power in the area. Outside of that, they cannot be seen. If they really wanted to confirm with the audience that Skully is a ghost, they could have had him appear as such at the end, when they all returned to Night Raven College.

But they chose a scenario where people can draw a lot of conclusions from it: Is their senses getting fucked over as they wake up? Are they still reeling from the magic of the book? (though rationally, we know that Leona is not one to be easily stunned, so the first question is at the very least easy to dismiss)

I've also seen some people theorize that he's using invisibility magic during the invisible kiss scene. And well, while I find that funny, it makes me wonder if he could be some other kind of spirit that's not dead. Like an undead of some sort, which the residents of Halloween Town are. Heck, Azul's card line about Skully talks about how he seems to fit right at home with the Halloween Town residents. Again, we don't know Skully's true nature, but the possibility of him being a species that can turn invisible is interesting.

Moving on, we have what Dire Crowley stated about Skully

At the end of the event, Crowley tells us that he found Skully’s portrait while rummaging through the storage and shows it to us and the 11 boys who went inside the book

What he tells us is that Skully J. Graves is a NRC graduate from hundreds of years ago, before Crowley was Headmage. Note that he only was appointed for the position 100 years ago; the Skully we met is at least from around 200 years ago. During his NRC years, Skully got to share Halloween to NRC. It was a hit, and when he graduated, he spread Halloween all over the world in his travels.

I'd like to take a little detour first to discuss something that's been weighing on my mind: Some people have thought that Crowley is lying to us when he speaks about Skully and his achievements, but... I don't see why he would lie. For one, there is a decent chance that Crowley might not have gotten to see Skully. Even if he did, it's even more unsure if he was involved in Skully's affairs.

However, there's one main reason why I do think that Skully got to live a fulfilling life instead of facing an overblot that killed him or some other tragedy. I'd like to dedicate a longer post to this matter, but to make it concise, I think through Skully, Twst is starting to establish something new regarding their history. I think that historical teachings, folktales and stories, and rumors that are well-known tend to be lies or twisted truths. Whereas those that are obscure and not known are actually what occurred. Skully is called the King of Halloween who's done so much to spread the holiday to the world, yet not even NRC students, who should be the first to know considering that Skully is an alumna, know of him. Although there may be other reasons why that's the case, I like to think that at the very least, Skully's obscurity indicates that he did live the life he wanted and succeeded in working for a future that generations after him can enjoy.

Anyway, that actually isn't the main point of this section of the post, but I kind of want to air that out first. The main point is that Crowley only really said that Skully is a former NRC student from hundreds of years ago who traveled around the world to spread Halloween. But he never told us where he was buried or whether he saw his ghost roaming NRC. He never said anything about Skully being dead.

He probably said the hundreds of years ago bit, carrying the assumption that of course, Skully may have passed away. But we have to remember that we have long-living species in Twisted Wonderland. Fae that were students 200 years ago are very likely to be alive now. Crowley himself is a long-living creature, having been Headmage for 100 years. I think with that in mind, it's important for him to emphasize that Skully's gone if he really is. But he never mentioned it. Therefore, there is a good chance that Skully might just be somewhere else. That or Crowley just doesn't give a fuck where his alumni go, and I might be thinking too deeply about the absence of certain words. Honestly, that's a pretty good chance too.

Lastly, we have the scene where Jack Skellington gets shot down but survives it

Here's where it gets a bit more into speculation, but you're going to have to hear me out.

In the movie, Jack Skellington gets shot down by the military for impersonating Santa Claus. When the Halloween Townspeople watched it, they all despaired, and the mayor started declaring to all that Jack has been blown to smithereens and proclaimed him dead.

But that's not what happened: we find Jack landing on an angel's statue, alive and definitely not blown to smithereens.

And considering that Skully is still very much twisted from Jack Skellington... do you think the writers are pulling a similar move? Making us think that he's dead, just as the townspeople thought he was dead, only for us to learn eventually that he's alive.

This of course depends on what happens eventually in the sequel. From the way things are proceeding, what happened in the Lost in the Book with TNBC is events prior to the movie, and we could very well have the sequel be set during the movie events. (If you ask me, I kind of doubt that actually. I feel like Skellington got inspired by Skully's love for Halloween, enough to stay true to his identity as the Pumpkin King, which would mean the movie wouldn't happen the way we know it. So if anything, I feel like TNBC 2 would focus less on the actual movie and more on the side games where Oogie takes over Halloween Town and even kidnaps Santa and other people, but I admit, that's a stretch, especially considering that we will get Santa giving Halloween Town a taste of Christmas)

Of course, this post is really just to let some of my copium out. Rn, it's still safe to assume that yea, Skully's dead. And though I am coping hard for Skully to be alive, with the way Twst treats the dead, it's not exactly a bad thing. Ghosts continue to stay in NRC like they're living people. They honor the dead, and let the dead live among them. And even if he is in the afterlife and not stuck in the mortal plane, I have faith that Skully did live a fulfilling life that may have been forgotten but clearly changed the world. :'D

[romantichopelessly]

invitation to speak more about the secret good td3 in your head, if you so desire!

Ok so I sat on this ask for DAYS because I wanted to have some cohesive, great answer, but the thing about The Dreamer Trilogy that haunts me is that I can never come up with good concrete thoughts about how to fix the issues I have with it, which is why I reference the “secret good td3 in my head” because it can never fully leave my head in any real way. That being said here’s a list of some elements I would change to make my secret good td3, in no particular order.

The visionaries don’t exist. Liliana, Persifal, etc. are just psychics that keep getting visions of the end, and die for reasons other than their power. Explaining what Visionaries are and subsequently over explaining the magic system of td3 is part of what made the trilogy so confusing and ruined a lot of the magic that the TRC universe already had for me. We don’t need concrete explanations, and psychics can still fill this role. The changing age and exploding added nothing?? to the narrative?? that I can think of?? We can even keep the age gap for Carliana if we want to, just make Liliana an older psychic like Maura/Persephone/Calla. It will even add to the excellent Carmen-Mr. Gray parallels.

Lean more into the themes of the age group. TRC is a coming of age story. It’s about being 17/18. It’s about learning your inner self and getting others to see the true you. TD3 should be more about being 19/20/21. To me, TD3 at its peak is like Buffy the Vampire Slayer Season 6. Which is uniquely about the horror of being in your early 20s, losing support systems, having to learn to be a full self-reliant person, grappling with what your parents did to you, and the crushing loneliness of not being around Your People anymore. TD3 has all of these themes, but I really think they need to be fleshed out more, and given proper conclusion that isn’t just “yippee everything is fine now!”

Greywaren is longer. I think almost everyone agrees that Greywaren, as a book was just too short to wrap up all the plot lines set up, and does almost none of them justice. That book needed a whole rewrite. In theory, I’m completely fine with how it opens—Ronan being in a dream coma was foreshadowed from CDTH, and is an idea that I’d actually thought of as interesting before even reading the book. Other elements of this book like Declan’s rampage, Matthew going rogue, etc are great directions for the characters, I’d just want to rework them. I could make solo posts about any of these.

The Pynch breakup either doesn’t happen, or is set up further in advance and lasts longer. Personally, I lean towards the latter. Adam and Ronan’s conflict is set up from the very beginning of CDTH, or even from Opal (Adam warring between wanting to stay with Ronan and needing to follow through with his lifelong plans, and being frustrated that Ronan never asks for anything from Adam (specifically, to stay) ((side note: perhaps Adam’s insecurity here about Ronan respecting his boundaries so thoroughly stems from both having a family that never would respect his wishes, and Gansey (Adam’s model of love, Adam’s model of everything) having to learn not to ask things like that of Adam. What does it mean that Ronan never even tries?)) AND Ronan dealing with the crushing loneliness of being left and dealing with the consequences of having a long distance bf who is more successful than him). So they needed to have an argument about this. It’s also just in character that these two would not be perfect communicators. So. My idea: In CDTH we get no Adam POVs, just Ronan’s side of the story. We see, rather than Ronan just getting upset over one missed text, that Adam begins to pull away after the murder crab incident. We the audience don’t know why, other than Ronan’s unreliable narration and insecurity. So when Adam doesn’t respond to that one text at a vital fraught time, Ronan does what he does best, shuts down, pulls away and self destructs. Then MI rolls around and we start getting Adam POVs. We learn that after the murder crabs, Adam was throwing himself into trying to fix the nightwash situation for Ronan (Adam is not in contact with Declan here, unfortunately). After visiting for Ronan’s birthday and seeing the Lace, Adam starts to have dreams/premonitions about the end of the world (no visionaries in this universe, just psychics who are/were close to dreamers getting the visions!!). So he obviously sets out to fix this alone too. He calls his best approximations to contacts in this underground world that aren’t Declan. Henry and Mr. Gray. (+ maybe also Maura & Calla) ((Also don’t worry Henry doesn’t leave the Sarchengsey trip, just advises Adam on where to start)). Now that Adam has lost contact with Ronan (he was busy and missed the message and Ronan went off the grid like in canon), he goes full throttle into trying to solve everything while managing being his perfect Harvard persona (this gets him close to a breakdown, very reminiscent to Dream Thieves). Perhaps we get to see Adam and Declan working together to acquire sweet metals and understand the underworld of magic together. He and Ronan fight the one time they get to talk over the phone, Adam because he is truly scared Ronan will be the one to end the world, Ronan because he feels like this is another person perceiving him as a failure and wanting to control/baby him (+ he hates Adam hanging with Mr Gray and Declan of all people). By the time Greywaren starts, Adam is wrung out and hurting and Ronan is dead to the world, so yeah. He doesn’t think he can spend emotional energy playing safeguard to his boyfriend’s coma corpse. And then by the end of the book they have an actual argument/discussion no “they didn’t need words” cop out.

The number of Dreamers/Dreams has to be reduced. It’s cool to say that dreams were always integrated into this world, but it creates so many plot holes it isn’t even funny. There is no way Niall could have passed off the Greywaren being a box that brings dreams to life if Dreamers were such a common occurrence. No secret can be kept that well, someone in the black market would have known, and thus Greenmantle/Mr. Gray/Laumonier/ect WOULD HAVE KNOWN !!!

Declan does not have all his character erased by suddenly loving his mommy and daddy. Seriously what the fuck was that. Declan suddenly deciding to forgive his father because actually Declan was secretly the favorite child first is INSANE. Especially after seeing that that changed because Niall and Mor WANTED TO KILL HIS BROTHER!!! The two tenants of Declan Lynch in TRC were protecting his remaining family and fucking hating that Ronan idolized Niall just because Niall loved him best. So why make Declan turn around and do the same??? Suddenly Niall wasn’t so bad because actually he let Declan be shoved into a car trunk during a shootout out of love. I hate this plot line. Family doesn’t have to be forgiven. Understood, that’s one thing. Forgiven?? Not always. Sick of it. The real takeaway from seeing those memories should have been closure to Declan’s arc of learning that dreams should be viewed as people completely.

I definitely have other points but I cannot think of them right now. And I want to post this so I will. But TD3, as you can see, makes me an insane person.