#a lot depends on the writing haha

[pekoposting]

natsuki and fumiko for @the-only-teruteru-fan's contest!

(i love how with kuzupeko fankids the gene pool is often so evenly split, like no dominant or submissive genes, just 50/50. fuyuhiko and peko would be so happy)

edit: it is too late but. recessive genes.

[imaginary-wanderer]

Thanks for the tag!

@santipietroepaolo, @weardes, @koomaqu, speak your truth!

New tag game cuz yeah.

Do this tier list abt fic tropes! You can change the name of each tier and make as many as u want or need!!

NTPS: @foodiewithdahoodie @bebx @unrepentant-byler-shipper @messrsbyler @andiwriteordie @wheelersboy @aidyaiden @callmetheidiot @runninguplenorahills @gloryng0r3 @michael-wheela @weirdo09 @microwaveonwheels and anyone else who wants to join!!! 💕🌈

[pynkhues]

Hello! I'm curious how do you think Louis and Gabrielle will interact and view each other? My predictions about them are pretty unpopular in fandom and i wanted to read your thoughts

Hey! Oo, you have me very curious about your predictions, anon, especially given I don't know what's currently popular or unpopular when it comes to this particular topic. But yeah - I think they're probably going to hate each other, haha, and basically be forced to work together to try and get Lestat back from Akasha.

While they've got a lot of similar traits in that they're emotionally withholding and voracious readers and forced to perform a role for a society that would dictate who and what they should be (far more so in the show than the books when it comes to Louis), they've also got a lot of differences that I think would be insurmountable for them to overcome personally (to say nothing of the fact that I think they're both characters who would not appreciate seeing their own characteristics in others anyway).

It was actually interesting reading that little post from Anne-as-Lestat earlier, but her disconnection from art and the material world I think would definitely make her pretty chilly with Louis, given art is really still his enormously important to him and, y'know, he's a monster capitalist, haha, and I definitely think Louis' response to her will be a melting pot of his own mother-issues, and probably both a protectiveness and possessiveness of Lestat, especially as he gets to understand Gabrielle and Lestat's history better.

It's kind of interesting too heading into this new season with Louis remaining a lead character, because I think there will probably be some juxtaposing with Gabrielle's relationship with Nicki. One of the things that I love in the book is the way Gabrielle kind of steps up for Nicki in the aftermath of his turning, taking him out to hunt while Lestat falls into the abyss. There's this moment of nurture there in a way that Gabrielle never really offers Lestat, and that sense of them becoming his 'silent children' as they talk to each other with the mind gift, cutting Lestat out, is one we, of course, saw echoed in Louis and Claudia, but I just don't see that happening with Gabrielle and Louis? I think there's too much distance there, in years and place and context, and I think they'll feel their families with Lestat are too far apart, which will ultimately be a point of friction between them.

(Editing this post quickly too to add that I think it's a potentially fun shift in the dynamic with the Rue Royale household too where Lestat felt like the outsider to Claudia and Louis, to Louis now feeling like the outsider with Lestat and Gabrielle.)

Funnily enough, the character I see getting along with Gabrielle the most is actually Daniel, haha, which will be extra funny given we know Armand doesn't like her and I suspect Louis won't either.

What are your thoughts / predictions?

[yuesya]

Someday in the future... maybe... Satoru and Shiki vs. Kenjaku and Sukuna?? 

[inkykeiji]

Hi Clari! It's the Japanese-speaking anon here. Is it possible to join the anon club? I wanted to use 説 this Kanji, because I remember one of the first times I talked to you I mentioned it literally has "older brother" in it, and also means to explain... which reminds me of Touya-nii. But if not, that's fine too!!

Also, I see you're super excited about FFXVI, which makes me so happy! I happen to work for Square Enix (which sounds so fake, I know, but seriously) so seeing you enjoying it makes me feel like, somehow, I'm able to give back to you in some way? I love love love your writing and it's a great feeling to give back through another art medium in a way that I hope affects you the same way that your writing affects me emotionally.

hi hi!! so lovely to hear from you again!! (´∀｀)♡

omg absolutely, of course you can join the anon club with that kanji!!! welcome to the club 🥳🥳 i’ll add you to the list! <3

I AMMMMM LITERALLY I LOVE IT SO SO SO MUCH the story has blown me away and clive has already become SUCH a comfort character for me, genuinely it’s an incredible game and i am so happy. i am also going absolutely feral for 28yr old joshua like,,, honestly i apologize for what you may see in coming weeks LMAO (*/ω＼*) tho i am making a final fantasy side blog so you may be able to spare yourself from my absolutely unhinged feralness for the rosfield brothers anD THEIR DADDY WHEW

wow that’s so flippin cool what!!!!!!! i’m totally jealous!!! holy shit that’s so insane i don’t even know what to say other than i’m so honoured to have you here and a massive thank you to everyone at square for delivering such a beautiful, emotional game. it truly is a masterpiece in every regard, it has made me sob and i’m not even done it yet. you guys did incredible and you should be so proud!!!

honestly i love clive as a character, i love his depth and his complexity and his HUMANITY. his struggles with ifrit and his struggles with accepting past mistakes is extremely relatable to so many people, and i feel like ifrit himself can be used as a metaphor for a lot of different things: everyone will interpret it differently and relate to it differently depending on who their are + their life experiences and background, and that’s one of my absolute favourite things about art. and it was done so beautifully with clive in that regard. i, for example, relate to it by seeing ifrit as a metaphor for mental illness; not for clive himself but for me, and that already has brought me such immense comfort. so yeah, this game has definitely affected me on a deep, deep emotional level <3 thank you so much, you are so so sweet and i am genuinely so glad (and also flattered!! wow!!!) to have you here with me!!

[notherpuppet]

I LOVE READING YOUR NANNY AU!! The writing and art is amazing!!

Though how you get the dialogue so perfect!?!? I'm trying to do a comic series but I can't do the writing right.

May you please share some tips?

I want to actually be helpful with this, because I looove writing dialogue. It’s my favorite part of the storytelling process. I’ve written works with and without internal dialogue and I like both. It just depends on how much I want the reader to know. Anyway, here’s some advice?

1. Study techniques from media you like

I study scenes from favorite films/tv shows. And there are many YouTube channels that are great resources for writing, but I’m most partial to “Studio Binder”.

This is a great video on dialogue.

Because I write for comics most of the time—rather than prose—I find advice for tv and film to be more helpful because it incorporates the techniques in a visual storytelling medium. But I’d recommend studying technique for the storytelling medium you’re partial to as well. I have several books on comic book storytelling and have studied comics and manga the most in my life haha (cuz I’m a giant fucking nerd).

2. Workshop dialogue to fit the character and scene

Dialogue can change a lot from my first concept—where I want to convey the necessary information—into making it sound “in character”. So I study the writing of the show of course to pick up on the characters’ quirks and unique ways of speaking.

Example:

Carmilla Carmine is bilingual with Spanish/English and it seems that as a character, Spanish was her first language. So some traits she may have are:

1. To confirm her ideas ending with a “no?” Instead of saying “right?”

2. Slipping into Spanish when she’s ‘thinking out loud’.

Then I’ll read aloud a scene to see if it sounds right. Often, this is when I’ll notice if the dialogue seems repetitive or awkward.

3. Touch grass, go laugh, have fun

Also, I’m sure my very chaotic but-hilarious-family members and friends help me with writing dialogue so make sure you take the time to hang out with people lol!

It’s true what they say about drawing inspiration from real life 👥🌎

Hope that’s helpful 🥰

[crheativity]

Hello! I saw your writing about track club members, spell drive members, basketball members getting kissed on the cheek after playing a game, so could I request the same, but after a show for the pop music club people?

SUMMARY: After a successful club meet, you give them a kiss on the cheek! How do they react?

WARNINGS: Might be slightly out of character (particularly Kalim and Cater) but I have Opinions about those two. Also, Sebek yells at you.

COMMENTS: Hey! Sorry this took me a while to get to hehe. I love this idea! I don’t write for these characters enough hehe. Also, hope you don’t mind but I added the Equestrian club too because I felt like it :) If you'd like to read part 1 with the track club, spell drive club and basketball club members, click here.

This could go a couple different ways, depending on the setting. On the one hand, he’s ecstatic that you kissed him! That means you like him, right? On the other hand, you just kissed him. His heart is pounding and he wants to hide in his room, especially if others saw it. He likes you a lot, but a kiss implies a whole lot of things he isn’t fully certain he’s ready for. If you look for him afterwards - after the kiss, the people have all gone, hiding in his room - he might just show you a new side to himself. A new reflection of the diamond - one that’s imperfect, but dedicated to you.

Ohhh wow, you just kissed him, huh? He’s been kissed by his family and stuff before but this feels… different. In a good way! He’s never kissed a homie before, he wonders if it’s a cultural thing where you’re from. Definitely unrelated but this adrenaline from the show is lasting much longer than anticipated. It was fading after the show, but now it’s back, haha. He wonders why? Maybe he’ll go talk to Jamil about it. Although, maybe - if it’s not insensitive or something - you could give him another kiss first?

Awwh, aren’t you a cutie! Fufufu, he might just have to sneak you into more of his shows from now on! Lilia is thoroughly delighted and amused. It’s so adorably sweet that you thought to kiss him - exactly why he likes you! He’s another one that would demand your presence for every concert he performs in from now on. Often before you find him after the show, he’ll tap you on the shoulder and kiss you on the cheek before you can kiss him. He vanishes into the crowd again afterwards though - a little game of hide and seek never hurt anyone, right~?

WHAT. What did you just do-?! That was a rhetorical question, he knows what you just did, but- but wHY. His mind is racing, trying to figure out why you’d do such a thing, if it was against the rules, if there was a way he was “supposed” to react. But that’s very hard to do when his stupid brain keeps replaying the- the action in his head repeatedly. Congratulations, you’ve broken him. All he knows now is that he really wants you to come to the next meet, and the next, until you both graduate. Good luck getting him to admit that or tell you when they are, though!

He is now wide awake. Externally, he looks relatively composed, but internally he’s going ??? Did he dream that??? Was that real or fake? Gosh, he hopes it was real. He’s extra kind to you for the rest of the day, but as soon as he’s back at Diasomnia he’s asking Lilia if that really happened. Lilia is in astonishment that his son can’t remember if you actually kissed him, but the idea that Silver likes you so much that he can’t tell if a kiss from you is a perfect dream or a shocking reality is adorable to him! He’s setting you two up now. Be prepared for more Lilia (and Silver) in your life.

He is CAUSING a SCENE. That has to be against some kind of rule! He’s certain you’re trying to distract him from his training, or— or from protecting Malleus! Yes! That must be it! You are a HAZARD to the cause— why are you grinning. THIS ISN’T FUNNY. HE IS NOT BLUSHING. HE IS ANGRY. (you can absolutely tell the difference, he’s bright pink). Sebek is convinced you’re causing a scene - but he’s the one who stopped in the middle of the celebration just to yell at you. Everyone there thinks it’s really funny (barring Riddle who’s just about done with this whole scenario and Silver who fell asleep).

♥Thank you for reading!! I hope you enjoyed it!!♥

[lactoseintolerentswag]

Rise Characterizations Pt. 2!!

In the first part I went over my character writing notes for Raph, so we're doing Leo next!!!

Leo Character Notes

Language Habits:

First the obvious, makes a lot of puns and one-liners. Think corny super hero movies

Does poke at New Jersey often in said one-liners

Mumbles/talks to himself out loud often

Starts a Lot of his sentences with, "Okay--"

Often will add on, "haha, you're hilarious", when he's trying to tease or antagonize someone

Similarly to Raph he will also verbalize his attacks/actions, "kick and punch"/"punch and kick", "land safely"/"and he sticks the landing"

Also will verbalize when he's trying to make a portal, "come on portal", "it's portal time", "portal power jitsu"

We all know "hachi machi"

Tendency to also make noises when fighting, "yah"/"wah!"/"hah!"

That little ohohoho laugh can signify as his battle cry/excitement, or his nervousness depending on context

Same case as the above with "hoh boy"

Will stutter on words to emphasize them, "l-l-l-l-lame!"

The first to jump onto an "I told you so" or "I was right"

Mixes Spanish into his sentences, most notably "bueno", "vamanos", "hermano(s)"

Messes up science terminology, "reprogramulating"

Says "indubitably" when he's up to something (which Raph recognizes)

Out of all the brothers, he does poke fun the most

Refers to himself as "Leon"

Refers to others (mostly strangers/acquaintances) as "bub"/"bud", or "chief"

Personality:

Dramatic, Leo will always play things up 110%. Sometimes this is to cover up his insecurities, to cheer up his brothers, or to annoy said brothers. Also plays into his extreme responses to stressful situations

The fun brother, aka mikey's advocate. He takes his role seriously as the face man, who keeps things fun and cool for his brothers. It's an easy role, and he gets to make his family laugh or roll their eyes. He's. Sillay

Perceptive, this is why he knows exactly what buttons to push, but he's not a great communicator when it comes to the bigger picture. This also plays into his manipulativeness that he uses to put chaos into his family (i.e. lair games), puppet villains (i.e. Big Mama) into his motives, and change the battlefield

A closet nerd, implied to remember more jupiter jim lore than the rest of his brothers and has a ready to go impression of the reptiles of planet reptilica

Competitive to a fault, he tends to get lost in the competition when it comes to his brothers. Part of his dramatism is showing off, and he's weak to being called or associated with the term "champion". Competition is a way he gauges his self worth

Has a strong desire for the inherent admiration and trust of his peers, more than outright praise (both are wanted) unlike Donnie. This damages his communication skills because he just expects his brothers to trust him while he puts on a persona of nonchalance as protection from failure

Defensive, of himself through being snippy or sarcastic, but also defensive of his brothers' own well-being. He may be the one to poke the most fun, but he's also the one to jump to his siblings' defense out of any of the brothers. Sort of an "only I can do so and so to blank" mindset

Martyr complex, prioritizes the safety of his family over his own safety

Gets attached to people he considers family Quickly, those he doesn't consider a part of his family he has little sympathy for but once that connection is there he's already ready to use his body as a shield

Freeze response, tends to freeze up in response to danger or stress. Often shown to curl into a ball or stand silently (as opposed to his constant chatter)

Miscellaneous:

The third to unlock his mystic powers

Nicknames: "baby blue" by splinter, "nardo" by donnie

Sweats an ungodly amount

Uses spit to annoy his brothers/enemies (licking an item to claim it as his, wet willies)

Can beat box

Always chooses left in mazes or when lost

Next up will be Donnie :>

[aerynwrites]

Lost For Words

Gale Dekarios x gn!Reader

A/N: for the anon that sent in this request - I hope you and everyone else enjoys! I had such a fun time writing this haha.

Word Count: 1.2k

Warnings: sexual content (not explicit), grinding, reader is a tease, gale is a flustered mess, suggestive talk, kissing, fluff at the beginning.

*I tried to keep this gender neutral, but please let me know if anything slipped through my editing!*

It’s not often you get any downtime, what with the parasite in your brain and all. 

But this evening has afforded you and your companions a rare but much needed free night. Most everyone has decided to spend the evening down in the tavern, drinking or gambling or whatever other pastimes happen down there. However, you and Gale have opted to stay upstairs, reveling in the unusual peace and quiet. 

Gale had been reading to you for a while, a fantasy book of some sort, but you’d excused yourself a few moments ago. Not because you were enjoying lounging in bed with him, but because a certain item in your bag has been calling to you since you received it. 

The Wavemother’s Robe. 

It has been a gift for getting ride of that machine that was polluting the bay waters, and you hadn’t really had a chance to look at it. 

But now, after you’ve retrieved it and stepped behind the dressing screen, you find that there isn’t really much to look at, at all. 

As you slip into the delicate yet butter-soft fabric, you can’t help but notice that it leaves very little to the imagination. So, in that sense, there is a lot to look at depending on who’s doing the looking. 

The neckline of the detailed collar of robe plummets down in a tragically deep neckline, the end reaching your navel. And the skirt of the robe is much the same, the slits in the sides coming up all the way to above your hip, leaving the fabric covering yourself hanging dangerously loose in the front and back. 

For half a second, you're tempted to rip the thing off and get rid of it. The whole outfit is somewhat absurd. 

But, despite your question about the functionality of such a garment, you can’t help but admire the beauty of it. The blue, scaled fabric sparkles in the dim candle light of the room, iridescent light bouncing off the walls whenever you turn. Even the small delicate chains at your hips and resting against your sternum twinkle gently. 

When you look in the floor-length mirror you can’t help but let your mouth drop open slightly. 

You look…good. If not a bit exposed. 

Without thinking much about it, you turn and come out from behind the screen, approaching Gale where he still sits on the bed reading. If he hears your approach he doesn’t acknowledge it, only flipping a page every so often as you watch him in silence, a small smile on your face. 

He’s sat propped up against the headboard, legs outstretched in front of him and crossed at the ankles. He cradles the book gentle in his hands atop his lap, eyes trailing over the page quickly as he consumes the story. 

You take a couple steps closer to the bed, now just an arms length away. 

He still doesn’t look up. 

“Gale…” you call in a soft sing-song voice. 

The wizard merely hums, inclining his head your way ever so slightly, but never takes his eyes from the page. 

“Yes, my love?” 

You huff, rolling your eyes as your smile tugs further at your lips. 

“I wanted your thoughts on my new clothes.” 

You watch as his brows furrow, his thumb sliding down the page to hold his place as he closes the book before slowly turning to look at you. 

“Your clothes-?”

His questioning is cut off with the audible clack of his teeth as his mouth slams shut, his eyes going wide as they finally take you in, trailing from your head to your toes before whipping back up again. 

He blushes. Actually blushes - his cheeks turning several shades darker as his eyes flit over your form once more before he’s back to looking at you all wide-eyed and scandalized. 

A shit eating grin overtakes your earlier soft smile as you take the last few steps to the edge of the bed, reaching out to pluck the book from his hands to toss it to the side. 

“So…what do you think?” you ask, voice dripping sweetness. 

“W-what do I-? I - ehm…it’s certainly - revealing-“

You drop your lips into a pout as you crawl onto the bed, your nose barely brushing his own as you swing a leg over his hips to settle on his lap. The robe pools between you, but the position causes the silken fabric to rise up your hips even further. One wrong move and even less would be left to the imagination. 

Something Gale must take notice of, as he instinctively reaches out to tug at the fabric on your hips, keeping it in place as his fingers dig into the flesh beneath it. 

“Do you not like it?” you ask, feigning disappointment as you reach down to toy with the chain running down your chest. “I thought it was pretty.” 

Gale clears his throat and shifts his hips, the evidence of just how much he likes it evident against your inner thigh. 

“N-No not at all I -“ He coughs, the blush reaching down to his chest now, making his orb mark stand out against the flushed skin. “I simply was not expecting…”

His words taper off as you begin to trail a finger over the mark on his chest, following the tendrils up over his collarbone and onto the sensitive skin of his neck, making his breath hitch. 

“Not expecting…what?” 

“Well - I was deeply entrenched in m-my reading and then you come out like t - that!” 

His last word pitches up when you grind your hips against his own, his fingers now digging into your hip bones. 

You lean in close, lips brushing his cheek as you speak. 

“Thats a very…lackluster description,” you pout. “Have I left the great Gale of Waterdeep lost for words? What happened to your supposed verbosity? And I remember something about a practiced tongue -“ 

Your teasing words are cut off sharply as Gale's arms wrap around your waist and he flips you both over on the bed, your back hitting the mattress with a soft this just as his lips claim yours, swallowing your gasp of surprise. 

He wastes no time, his tongue pressing against the seam of your lips, demanding entrance. 

Something you happily grant him. 

The kiss is eager, frenzied, leaving no room for the teasing banter you had established earlier.

His hands move to slide down over your bare thighs before hiking one of them up over his hip and holding it there as he presses his hips down into your own. 

Only when his hips meet your own in a desperate grind does he pull away from you, lips moving instead to trail kisses down your cheek and jaw. 

“If you had given me a moment to collect myself,” he chastises lightly. “I would have gathered my wits enough to tell you how magnificent you look.” 

“Ravishing.” He presses a kiss beneath your ear. “Captivating.” Another on the junction of your shoulder. 

“Absolutely sinful.” 

A sharp nip to your collarbone has you gasping, just as a calloused hand slides up the exposed expanse of your chest, fingers hooking beneath the delicate chains there. 

“So…” He trails off, his lips traveling down to where his hand lays and then lower, pressing lightly to where the deep plunge of your robe ends. 

“Since you were so impatient, I suppose I’ll just have to show you as well. To make up for my lack of…verbosity.” 

A moan slips past your lips at his words, and you can't stop the shiver of excitement that runs through as his hands slip beneath the fabric of the robe. 

Maybe you’ll keep the robe after all. 

[sunshine-jesse]

Control: The Strange Dynamics of Andy and Leyley or

The Incest End Is Not The Fucking Bad End, Stop Coping

EDIT:

Hey guys! This post is blowing the fuck up, but this was my first essay on this game, and I think I've had many more insightful things to say since then. Here's a link to a masterpost with all of my essays, which I'd definitely suggest reading after this one:

Anyways, without further adieu...

I heard a lot about this game going in. I knew the general story beats and the funny haha incest memes. I knew it was about a toxic codependent relationship where Ashley, the sister, acted like your standard overly-controlling person who used various abuse techniques to keep someone in line. I expected Ashley to be a yandere-type character where she was borderline psychotic, irrational, and had a skewed perception of reality. I expected her to be a crazy bitch, and I love me some crazy bitches.

But then I actually played through the game. ...That is not what I got.

The game advertises Andrew as a doormat extraordinaire who is strung along by his Very Not Good sister and has no agency of his own' that he's just a henpecked abuse victim. But in practice, that doesn't seem to be the case. One of their first exchanges that in the story is when the occultist played his music and Ashley wanted them to check it out. He says 'no', sure, but then he smirks and says 'but I'll come along if you do.'

That is not the dialogue of someone who has no will of their own, that's the dialogue of someone who willingly gives up their own agency.

This is not, on its own, a sign of anything out of the ordinary. What caught my attention with it, though, is how it flew in the face of the common narrative surrounding their relationship dynamic. But that's not the first time I noticed it, it's just the first time, in retrospect, that their actual dynamic begins to show. The first time I personally noticed it is in the choking scene.

There are a lot of ways to view this situation. But my own reading? This was not a crime of passion. This was not him trying to break free. This is him doing something he's thought about for a while. This is premeditated. In this scene, Andrew is done playing along with Ashley's shit. In this scene, I firmly believe Ashley is the victim.

Ashley is the more openly abusive of the two who seeks to do whatever she can to trap Andrew so he'll never leave her. That much is clear. But Andrew-

-clearly has these same tendencies. He says this shortly after Ashley mentions putting her name up on a call girl's wall for money. There's protective brotherly instincts, and then there's this. This is not something you'd threaten a sister with, this is something that a man would threaten his wife with, which is directly brought attention to in the story.

(hey look he accepts the framing of it being WIFE beating at face value, and says Ashley is the only one who makes him like that! HMMMMMMMMMM WONDER WHAT THAT IMPLIES???)

It also implies that this is not the first time physical force has been threatened! I mean, that much is obvious, because of the choking scene that happened before, but I more mean that this implies that Andrew either threatening or utilizing physical force is an established pattern of behavior. However, the Decay route implies that she never thought Andy would kill her (but Andrew would) which can either be for or against depending on one's perspective, so I don't hold to the idea that it's an established pattern too strongly.

Okay, so. Andrew has some controlling and possessive tendencies too. So what? Their relationship is codependent. It's advertised as such. What of it?

Well first of all, it pretty much blows the lid off of the idea that Ashley is the sole perpetrator of abuse in their relationship. I've seen a lot of people view Andrew's behavior as justified retaliation against abuse, but frankly, I don't believe that him threatening to strangle Ashley for violating boundaries by trying to hold him accountable for his actions (given the strangulation part happens after she brought up Nina's death and how Andrew was ultimately responsible) is justified. And I ESPECIALLY don't believe that him threatening to backhand Ashley for her transactional attitude towards sex is justified in ANY circumstance.

EDIT: This part was edited in from the original post for the sake of readability so they don't have to see the reblogs to see the updated version! This post gained more traction than I was expecting!

…But perhaps even more telling is what she DOESN'T do.

Pushing someone's boundaries until they lash out is a pretty common tactic in abusive relationships. It's easy to see why, too: It justifies prior behavior and paints them in a negative light to others. This can be an important aspect of using DARVO (deny, attack, and reverse victim and offender) against someone, although the two ideas aren't necessarily linked.

It's pretty easy to argue that this is what Ashley does, but if you look at the one time her boundary pushing DID go too far, when Andrew lashes out with physical violence… she doesn't do that. She doesn't blame him. She doesn't paint herself as the victim. She doesn't even try to give a reason as to why she shouldn't be killed outside of the comfort she gives him. Why is this notable?

Because the mom does, in fact, engage in what could be considered DARVO against Ashley:

(i will elaborate more on this screenshot in particular below)

Ashley is directly compared to Mrs. Graves by Andrew, and yet she crucially displays none of the habits that Mrs. Graves does. Mrs. Graves lays the blame on Ashley, but Ashley doesn't lay the blame on Andrew. Mrs. Graves tends to paint herself as the victim of Ashley, but Ashley does no such thing to Andrew. The mom denies her culpability at every turn; Ashley doesn't. Ashley tries to hold Andrew accountable for his role in Nina's death, which could be considered a kind of DARVO. But she never denies that she had a role to play in it. She just mentions that he was the one who pulled the trigger. And he was.

(and the point was more that she DIDN'T engage in it when threatened with physical violence; the perfect chance to)

In Mrs. Graves' mind, she is the victim of either Ashley, or society as a whole. In Ashley's mind, she knows what she is, what she does, and what she's about. The only thing she's oblivious to- or doesn't acknowledge, at least- is the threat Andrew poses to her. In her mind, she's the bad guy. In Andrew's mind, Ashley is the bad guy. In official art, she is the bad guy:

And yet, in the game itself, Andrew is the one holding the cleaver. Not her. Hm.

Ashley is the world's most convenient scapegoat. She allows people to mask their own worst habits and pretend they're better people than they are. She accepts this role. She embraces it. She doesn't try to deny it. But when that mask slips, people lash out at her. Both Mrs. Graves and Andy (NOT Andrew, crucially) predicate much of their self-perception on being what she's not.

But they're the ones who enabled her to become like this, every step of the way.

And that's what blew my fucking mind, and made me question just who the victim really is. She was never given a chance to be normal, because other people relied on her NOT being normal.

By the end of my second playthrough, I felt worse for Ashley than I did for Andrew, and I still do.

So. What am I getting at? What does this show me about the relationship between Ashley and Andrew?

(I also wanted to point out that Andrew does engage in DARVO too but I didn't want to distract from the behavior of the mother. Unlike what Andrew does, it doesn't require someone to reassess the narrative they have towards the game in order to realize the implications of it, whereas it's pretty easy to justify Andrew's words as not qualifying as DARVO if you buy into the narrative that he's the sole victim and/or that Ashley is the main perpetrator of abuse. A friend of mine pointed out that it's a pretty key part of the push/pull dynamic they have, and I completely agree.

However, the direct comparisons to the behavior of the mother can't be ignored no matter your narrative, so I felt as if I needed to highlight that more.)

EDIT OVER

It shows me that their relationship is all about control.

Specifically, the push and pull of who controls who in any given situation.

Andrew weaponizes his incompetence. He always looks to lay the blame on Ashley. This is drawn attention to several times, and said explicitly in the Decay route.

He is always surrendering control to her, and yet he never HAS to. He could always just say no. He could always refuse. What are the consequences? Her being upset? Well, unfortunately, it's not that easy. That's not how abuse dynamics work. He probably feels like he has to, or rather, feels like there's no other option. That he's in too deep, and stuck with her no matter what. But personally, I think it's pretty clear from his willingness to surrender control to Ashley that he still feels like he has it at points, because the moment he feels like he's about to lose it, he either considers violence, even as a child-

(the actual scene of slicing her finger is pretty sus too with this reading in mind)

-or resorts to it, outright, in both the choking scene and the vision in the Decay ending... when Ashley doesn't have enough bullets to defend herself (this will be important later!).

SO WHAT POINT AM I TRYING TO MAKE??? AM I JUST MAKING ABUSE APOLOGIA (the answer may surprise you)?

No. I don't think so.

Ashley is obviously very bad. She's controlling and uses pretty textbook abuse and entrapment tactics on Andrew whereas everything he does to her is inference, with Ashley too daft to realize just how much danger she's in until the vision in the Decay ending spells it out for her- and I don't know if a true abuse dynamic allows for one to be completely unaware of the consequences of breaking free. She could just let go of her desire for control and Andrew would be a much happier person.

And that's the point, because so would she.

I bring up control because that push and pull- that desire for control over each other- is exactly what's tearing their relationship apart, and this effect most obviously manifests in the two endings of episode 2. In the Decay ending, Ashley either tries to exert control over Andrew due to a lack of trust, or Andrew allows his feelings of entrapment to truly take root in his mind and guide his actions. In the Decay ending, Andrew becomes a true doormat with no will of his own, allowing his feelings of bitterness and resentment to fester and grow, eventually resulting in their deaths.

In the Burial ending, Andrew does the exact opposite. He takes control of the situation and does exactly what Ashley would do without much of a fuss. This eventually culminates in THAT scene (assuming you take the Questionable route), where his facial expression alone speaks volumes:

Look at how fucking confident this man is. This is not the face of someone who's unsure of himself; this is the face of someone who knows exactly what he wants and takes it. He is absolutely in control of this situation, and everyone is happier for it.

And what does Ashley have to do to get this ending?

Let's go back to Decay for a moment. If Ashley has bullets in her gun, she has control over the situation. She, at any point, could put an end to Andrew and survive. And yet, at the very end of it all, she could choose not to. She could choose to surrender control to Andrew, allowing herself to die. And that ending, I believe so much of his life and willpower will have decayed that there's nothing left for him to take control of, leaving him no choice- or rather, no use for the control he now has- but to die with her.

And in the Burial ending, she has to let him out of his cage before it's too late. She has to surrender control to him, and when she does-

-He will become everything she ever needed him to be.

It's all about her surrendering control, and it's all about him taking control. Because, no matter what, as long as that happens... the two of them will be together forever.

In life...

...or in death.

How romantic.

So no, the incest end is not the fucking bad end. They're going to be together forever in the end either way, so they might as well live through it.

[justin-chapmanswers]

hi Justin! just want to say I ADORE ii and it's one of my favourite shows out there; actually inspired me to start my own!

which is a lame segue into my question- do you have any advice for someone wanting to make their own show?

That's so exciting!! Art makes art!

Oh golly uhhhh. There's so so much to say in so many different departments. So. I'll keep it broad and of course anyone can ask more specific questions haha.

My go-to advice tends to be for creators to start as small as possible early on. Even if you aspire to create projects that are huge-in-scale down the line. So much about becoming a great artist involves moving through the stages of your art (whatever type it may be!) from start-to-finish, every step of the process, over and over and over again. So say in show creation, idk if you plan to be hands-on in every department or if you have a lot of help, but that could mean breaking down stories and outlining, writing, recording, constructing audio scenes and boarding, character and prop and background design, animating, music assembly, mixing, finalizing and editing, etc, over and over again. Obviously not every step may be involved in your project depending on what your goal is, but whatever it is that you do, do it sooooooooo many times.

While there's nothing inherently wrong with jumping in and making your first project something say, movie-length, or something immensely complex in scope, I do find it can, for many (not all) be limiting when it comes to learning a lot of fundamental building-blocks in craft. As well, I see a lot of people get lost in an overwhelming project, trying to focus on quality>quantity right out of the gate. But spending the majority of your time just on adding some extra polish as opposed to running through the whole process again and again can only do so much for you. Obviously, a mentality of quality>quantity is great once you have a strong baseline understanding of production. But again, I think it's a huge plus to work on shorts and teeny-projects to start.

Since the above is pretty dry, I'll add an additional fun one. I've found that a lot of newer artists will toss away the concepts that make them joyous in hopes that they can instead create something that fits an objective perception of "professional." Nothing wrong with that, but I strongly advise artists of all levels of experience to toss everything they've love about the world and other media into their work. Their favorite genres and tropes, the stupid inside jokes that make them light up with their friends that they can invite the audience in-on, adaptations of stories that have made them cry. Create the things YOU love to experience. It's fine to let go of what you think the audience wants. Cause that's not easily guessable. But what YOU enjoy is something certain to you. It's sorta like how they say, it's better to go to the gym and do an suboptimal-but-fun workout that keeps you coming every day than a perfect workout that leads you to quitting. Share your joy with the world, and someone will resonate!

Be silly, be cringe, have fun!

[gabbiecasso]

Just me and my reflections on Shikatema

I've been weirdly hyperfixated recently on Shikamaru and Temari, and so I reflected a lot just to properly dissect the reasons myself because I initially couldn't really understand why I liked them when I was really young, more so as an adult (and as demi/ace) LOL so imma yap

As a demi, I've always struggled with romance themes. I always subtly feel like my circuits are frying when I watch anything romance or I often just plainly feel indifferent. Thankfully I managed to spot a few patterns by spending a lot of time in my head; one of them is that I prefer romance when it's not under the spotlight (idk I noticed I always prefer the side pairs more than the main pairs in any story HAHA) I guess that was one of the categories that Shikatema falls under.

I spent more than a decade watching/reading Naruto and it was enough time for me to have a close affinity with these characters and love them for creating such a huge impact in my childhood without the heavy emotional flairs that Naruto and the rest of characters put upfront. They ultimately became my two favorite characters in the series because I share the same traits and tendencies as them. It also wasn't a surprise that two of my favorite characters ended up together because their relationship was slowly developed and it didn't come off like shocking news.

Unlike the other pairs in Naruto where it seems to have characters fixating on someone or characters overshadowing the other, Shikatema operate on a level playing field. They're each strong leaders and strategists in their own right, both competent enough to recognize each other's strengths. They don't feel the need to change the other nor prove their worth. They're their own person and it clearly shows early in the series and even as it progresses to Shippuden.

I personally dislike being the center of anyone's attention or constantly feeding someone attention so I gravitate more to people who are deeply more passionate about purpose/duty/service/something more than about me and my presence. Shikatema has that dynamic where their relationship feels more like a partnership than a romance based on dependency. They both have important (political) roles in their own respective villages, and they know their purposes and the weight that they carry very well—which prolly explains why both are self-sufficient, independent, and capable. They both take their duties seriously and you don't see a scene where one craves for the other's attention (it’s funny how actively and arduously they work on their duty while in each other’s presence so you can definitely say they were literally there for (and with) each other as they fulfilled their roles as diplomat escort/advisor and diplomat/royalty)

Another that I value DEEPLY to my core is individuality, and I've always adored how Shikamaru and Temari preserve their individuality while still thriving together. It's one of the main factors why they see each other as equals and why none of them overpowers the other.

Shikamaru, laid-back and often understated, complements Temari’s directness and assertiveness. His relaxed demeanor helps her stay grounded and objective rather than just taunting in combat or in general LMFAO

Meanwhile, Temari, who is confident and comfortable taking charge, gives Shikamaru's abilities more buoyancy—she openly calls out his BS and he welcomes it because he knows how unassuming, and, at times, self-deprecating he can be. He never seeks the spotlight and often downplays his own abilities and it's where Temari's outspokenness fits the bill (this energy is also quite evident in Shikamaru Hiden)

Both characters also challenge gender norms (I'm inclined to believe that their characters' subtle sexism when they were first introduced in the series was part of the writing, there is an active discussion about this somewhere and I genuinely believe it has its purpose) Young Shikamaru yaps about her being too troublesome because she's incessantly outspoken/spunky. Young Temari yaps about him being too emotional because he didn't seem to receive emotional training.

Yet in the long run, Shikamaru's honesty and vulnerability allow Temari to soften up and witness the act of kindness by someone who wears his heart on his sleeve (which was first seen during the Sasuke retrieval arc at the hospital where Shikamaru had an emotional breakdown) and Temari's unwavering strength and energy nudges Shikamaru into action when he might otherwise hesitate (Temari often banters with him to make him commit to his decisions and not spend too much time in his head)

Both characters also have innate leadership. I noticed that one of my main attraction points is leadership (as an act of service girlie) and these two have that strong nature: Shikamaru leads with his introspective nature, while Temari leads with her assertive nature.

It was evident first during the Chunin exams when they were pitted against each other—both read their opponents exceptionally well and they both show a strong sense of battle awareness while keeping their cool and executing their strategies effectively. It's no surprise that Shikamaru was promoted Chunin and Temari was promoted Jonin & Ambassador (it wasn't clear when Temari was promoted, but in the early episodes of Shippuden, she was already a Jonin & Ambassador who frequently visits Konoha) They both learned to grow as leaders who first serve their people before themselves in their respective villages and it stretches further during the war arc where they serve not just people from their respective villages but the entire Alliance.

Both were also Chunin exam proctors, so ain't that great LOL I think it was one of the many factors why I never doubted their parenting (and Shikadai did grew up to be such a fine and disciplined shinobi with a strong moral code) Both did seem to question each other's parenting styles since Temari favors intense training while Shikamaru advocates leisure (which I believe is a great balance) but both parents have fostered Shikadai's agency; allowing him to come up with his own conclusions and decisions based on his critical thinking because both Shikamaru and Temari share the same values in their youth.

In the series, high intensity emotions are almost always present in every relationship but their relationship has a subdued nature—They don't need long stretches of dialogues to understand each other because all they needed was experiences, and a little observation and deduction.

They didn't need to prove their worth to each other (or to anyone honestly) because it's built on deep understanding rather than overt passion. Altho it had a different interpretation in the manga, both characters even agree that marriage is troublesome LOL (but welp)

Last one is that both are strategists. Chess is my sport and puzzles/tactical games that require mental effort has always been my comfort, I guess it's natural for me to gravitate to these two. (I like any strategic characters who also wear their heart on their sleeve)

They also approach strategy differently: Shikamaru’s intellect makes him highly logical and analytical, often relying on foresight to plan for every possible outcome. Temari is a decisive, action-oriented strategist; often has the courage to commit to a decision quickly. She also heavily thinks on the fly to understand an opponent's motive and naturally adapts.

This was again exhibited during the Chunin exams where Shikamaru's strategic skills allowed him to use his environment to his advantage while Temari displayed her adaptability and quick-thinking capabilities to counter Shikamaru's offenses since she's a heavy thinker herself.

Temari may not be as exceptionally creative as Shikamaru but she highly values intel, reason, and logic in order to come up with a counter. This was exactly the reason why her battle with Shikamaru was further stretched; up to the point where Shikamaru exhausted his chakra.

I deeply adore how both characters value planning, precision, and patience in combat while other characters in the story value power, tenacity, and speed. Irl, I value the same set of values as Shikatema in chess/games/puzzles and so I guess it’s no surprise. I get to just admire the intellectual aspect of their relationship where it allows them to not just connect emotionally but also challenge each other mentally in every screen time they had.

Thanks for coming to my yapping thread if you ever made it in the end LOL

[koolades-world]

Ok ok ok hear me out because this is gonna be so cute

All the brothers but Lucifer turning into babies/toddlers and it’s just the most adorable thing ever

Mammon is clinging to his older brother like he’s his life support(if Lucifer puts him down he cries) 🥺

Omg I’m gonna cry thinking about this

Ok so back to the original thing I was gonna say

Can you do headcanons / a fanfic of MC helping Lucifer deal with his now baby brothers and actually has a knack for it

Like they’re rocking them to sleep, helping feed them, playing with them, etc

MC also obviously takes pictures of Lucifer taking care of his brothers too and it’s the absolute cutest thing you’ve ever seen

The brother’s ages also depend on how old they actually are, so mammon is like 4, Levi is maybe 3, Satan is 2, Asmo is 1, and of course the twins are like a few months old

Belphie and Beel cannot be separated or they will start crying

OMG asmo saying his first words / taking his first steps

I’m actually gonna cry this is so cute

I can totally see Satan insisting he doesn’t wanna be near Lucifer but the moment Lucifer isn’t within his sights he starts throwing a tantrum because he does indeed want to be near him

HFHCKWBGHWJCUSHVZBC anyways-

(Can we also get his reaction to MC humming Belphie and Beel to sleep)

hi!! AWWW this is literally so cute!!!!

parent mc and luci <333

decided to do hcs and a drabble since this is just so so so adorable. i could totally be talked into writing more of this concept haha

please enjoy!

Mc and Lucifer take care of his brothers as babies

I've already decided this was def solomon's fault, just like most other shenanigans

lucifer was at home with his brothers, and you happened to be with diavolo, helping him with a redecoration project at the palace

he could hear his brother yelling in the living room, but suddenly, it all stopped. at first he wasn’t too alarmed, but as the silence persisted, he decided to get up and check it out since his older brother instincts began to kick in

solomon actually met him at his door, word vomited, and almost vanished on him. lucifer managed to catch him by the collar and made him repeat himself

when he finally explained what happened, lucifer almost dropped him out of shock and called you up because he needed major help

once you arrived, you were less upset than lucifer

while he was stressed already, you couldn't help but coo at how adorable they all were

mammon and levi were arguing about something you couldn't understand, satan was occupied with a pillow with tassels on the couch, asmo was playing with the ends of solomon's cape, and the twins were fast asleep

luci fully expects you to back out, and is prepared to deal with them on his own, but is surprised when you scoop up asmo and began playing with him

after that, he learns what a wizz you were with kids

when they had a problem, you were on top of it

the two of you took turns changing diapers and things like that but he was surprised on just how much you were able to handle on your own

his brothers also adored you and were always competing for you attention and showing you all of their things

anything you did, they would want to do too, which was both cute and useful

in the meantime, solomon was supposedly trying to find a reversal spell or potion of some kind, but lucifer didn't really believe him

a few times, you had visitors. luci only allowed diavolo, barbatos, luke, simeon, and solomon into the house. luke had lots of fun and helped you take care of the brothers, while lucifer and simeon talked and did other chores

over this time, luci learnt a lot about you, and grew to appreciate you evermore

"Mammon! Levi! Time for dinner. Come sit down please." You set out four plates of vegetables, pasta, and chicken nuggets for the older brothers. Asmo and Satan were already in their chairs, waiting for food to be served. While they ate, you and Lucifer would feed the twins from a bottle. You'd fallen into a routine and learnt exactly how each of the boys liked everything done.

The two, who were running around the dinner table, settled into their chairs beside each other, and began to eat. Granted, they were arguing the entire time, but as long as they ate their food, you could care less. The arguing became background noise quickly enough.

Once they were mostly finished eating, Lucifer took them upstairs to get ready for bed, while you handled the twins. To make things easier, the two of you decided to let them all sleep in Lucifer's bed. At first, you had wanted to keep Beel and Belphie in a crib in his office, so the others didn't wake them up, but they couldn't rest there for more than an hour or so without waking up and bawling their eyes out.

As Lucifer got his younger brothers into their pajamas for bed, they all began to act as they had every night when he did that routine with them nightly, such as beginning to get restless and whining about bedtime. As he did, and while he humored them, he remembered how thankful he was for you and how he wouldn't be able to do any of this without a child expert like you.

It took him a while, but eventually, he had them to bed, and while it took a little longer, you had the twins to bed temporarily, to give the two of you time to get ready for bed.

"Mc." Lucifer greeted you as you walked into the room with a nod.

"Hey! Everything all good?" You slid into the seat next to him and began eating the plate of food he had set out for you.

"Yes. They're all asleep but I had to promise Mammon cartoons tomorrow morning. Expect to be woken up early." He chuckled a little.

"Ahh, that's alright. Could be worse. Besides, you love him." You smiled at Lucifer. He had finished eating, and was just relaxing, and enjoying the silence. As you continued to talk to him, he sat and stared at you. After a while, you realize he hadn't said much of anything. "What's wrong? Something on my face?" You wiped your face with a napkin.

"No, no. I just wanted to tell you thank you." He paused for a moment before continuing. "Even if this is the rest of out lives, I wouldn't mind, as long as you're here." Lucifer had never said something so sweet so randomly to you.

"Luci! You're too kind. Thank you too." You threw your arms around him. You were thankful for him too, and while you didn't exactly know how to put it in words, you tried your best to put all your feelings into that hug.

Once the two of you were done there and ready for bed, you got the twins and joined his other brothers in bed. You were able to drift to sleep with a baby on your arms and with the thoughts of Lucifer's true affections for you.

[infamous-if]

Imagine being a Patreon member and not knowing there’s an upcoming first date flashback. You’d be such a fool.

(it’s me, I’m the fool)

haha don't worry, it's my fault. I don't announce things until I'm over halfway done with it so I know for sure it's coming up. I tend to change my mind a lot (depending on whether I feel like the writing is good enough for it).

I'm working on it now! Hopefully should be done by tonight or tomorrow 🫡

[gatorbites-imagines]

I have a prompt idea, Trans reader (ftm) in the 1940s being bullied, steve and bucky find reader and help him, start to friends to poly lovers (steve x bucky x reader), fluff with a little angst and soft smut, just an idea

Steve Rogers x Bucky Barnes x FTM reader

Headcanons

I don’t actually know a whole lot about the era for trans people, especially in Brooklyn during those years. So, I’m just writing on a feeling and adding what feels right. Have I ever mentioned that pre-serum Steve is one of my favorites?

Writing this actually reminded me of something I wrote forever ago, called party of one, two, three? You can read part 1 and 2 here, if you are interested. I wasn’t really in the mood to write detailed smut, so.

Being a trans guy in the 30s and 40s wasn’t easy, but was anything during that time? Depending on where you were from and when you came out, you might have had the chance to live as a man.

If let’s say you moved to Brooklyn when you were old enough to know that you were a man, and you had always presented as such, then you might have been able to get a job, and if you knew the right people, fake documents.

If you had always lived in Brooklyn, then it was a lot harder, as most just assumed you were a lady who dressed like a lad because you didn’t want to “do your duty” as a woman, or whatever they had on their minds.

Either way, Steve and Bucky were some of the few people who supported you no matter what, if they only knew you as a man, or if you guys had grown up together. If you fit in Steves clothes you could borrow his, and if Steve was too small, well, then bucky had a closet with clothes too.

Being picked on was hard to avoid, in either situation. The first would be because you were such a small, scrawny and feminine guy. The second because you were a lady that needed to be put in her place.

The second was always more dangerous. The first, theyd just rough you up a bit and taunt you a little, but it always ended up as more of a “haha we are just taking the piss”. The second? It felt like the men who cornered you had something to prove, to you or themselves you didn’t know. But they wanted to prove that they could “fix” or “correct” you.

Living in Brooklyn and being a weirdo like you meant you knew how to fight, somewhat at least. Enough to not go down without a fight. But no matter how much you practiced, keeping up with multiple fully grown men was difficult.

If you already knew Steve and Bucky or not, the two would step in when they saw this. Steve first, being the righteous guy he is, would run in swinging. Scrawny arms and wheezing breaths, eyes burning with the fury of a thousand suns, the blonde so incredibly enraged at the very idea of someone treating another person this way.

Steve never lasted long though, but luckily Bucky was never far behind. In the end, Steve always looked as beat up as you, and maybe it was because he bruised and bled so easily with how sick he was.

Steve struggling to his feet and holding out a hand to pull you up, eyes still sparkling and teeth bloody as he grinned, was enough to make your heart race.

Bucky at least didn’t look like he was the main victim of your group of attackers. He was a bit ruffled up, sure, but he still looked mostly put together.

It should shock no one that Bucky easily led you and Steve back to his and Steves apartment, where Bucky got to work patching you both up as they made you talk about the guys who did it, and why. Steve because he wanted to go back out there and smack them straight, and Bucky to be on the safer side.

Be it the first or twentieth time they save you from your so-called bullies, Steve and Bucky stayed just as intense and caring. Even when they didn’t have a lot, or Steve was sick, you always felt like you belonged and was as much of a man as them.

When you three started dating it got a little easier. Everyone already knew that Steve Rogers as built like a twig, but would swing until there was blood if he needed too. He was snarling, snapping and as feral as those starving alley dogs. He was as protective as one too, not just of you but Bucky too.

Bucky wasn’t much better, though he hid it more successfully. Everyone thought that Barnes was the charming, sweet talker, who liked to talk it out without fighting. But they were wrong, when it came to you and Steve, Buck could be worse than Steve.

Both your fellas were protective and possessive in their own ways, but you couldn’t say you didn’t feel the same. You wanted to drown the men who antagonized Steve for his height and sickness in the piers. And jealousy reared its hideous head when the pretty ladies fluttered their lashes at Bucky whenever he passed.

The three of you were all a mess, but you were each other’s mess. You and Bucky never saw Steve was just his disease and lack of stature. Steve and you never just saw Bucky as his handsome face and face charm. And they never saw you as a lady, you were as much of a man as them.

The only time it ever became a challenge, your biology being different, was when you guys got intimate. But it was never made a huge problem. There were days when Steve couldn’t get it up because of his health, or where he could even participate because of his lungs. And there were days when you didn’t want to be touched because your body made you sick. You guys just found ways to make it work.

Sometimes you and Steve would just sit back on a chair each, one you’d dragged in from the kitchen, to watch Bucky pleasure himself and show off in bed. It was like your own litter theater, and Bucky really loved to be watched and praised by you two.

Sometimes it was Steve lying in bed carefully touching himself, at times it was just him caressing his own torso and telling you two all his wildest fantasies, his face and chest bright red from his flush.

And there were even times when it was you, when dysphoria wasn’t swallowing you whole and howling that your body was wrong. You never looked at yourself when you would be with them, but having two men with their own naked bodies made it harder to focus on your own.

Some days you would imagine that their body was yours, and the dysphoria wouldn’t be so bad. It also helped that Steve didn’t grow as much body hair as Buck, meaning Steve was almost as naturally hairy as you. Part of you just basked in the fact that one of your partners looked like you in that way.

The days you were fine with touch, Steve and Bucky never let it go to waste. You couldn’t fuck them like you three all wanted, they didn’t really have toys like that at the time, or at least accessible to you three. This just meant you guys had to get creative.

God gave humans hands and fingers for a reason, and you all had mouths. You always wore so many layers anyways, so the many hickeys your lovers left on you were easily hidden. The chest was always off the table though, and neither of the men complained.

Bucky was the best at praise, so naturally gifted that Steve would joke that he should become some pulp writer, that he should write those cheap sappy romance novels the ladies liked.

This didn’t mean that Steve wouldn’t praise you and Buck, he did, just in his own ways. The blonde always struggled with forming the right words and getting them out, but his sketchbook filled with pages and paged of you and Buck was all the praise you needed.

They would be good partners. Neither have a label for what you guys are, or what their sexualities are, they just know you three love each other, and that’s all that matters.

[deerspherestudios]

Hi! I love your game so much!! Thank you for making Mushroom Oasis!! The visuals, the writing and the sound ambience is all so amazing! I was curious about something, though, since I saw an ask where you said Mychael’s name has a lot of personal attachment to him.

Did Mychael pick his name himself? If so, why did he pick that name? Any symbolism or deeper meaning? (And is there a reason that you as the creator choose that name as well?)

If you already answered this in someone else’s ask or if you just don’t feel comfortable answering this, feel free to just ignore this ask! Thank you and I hope you have an amazing day! (And sorry for any mistakes! English is not my first language).

Yep; he chose that name himself! Depending on future days, I may write into the game how he came across it, but as of now it's just a name he likes for the sake of avoiding minor spoilers (I'm very protective about lore, sorry haha!)

As for my own reason in choosing it, some have pointed out that it's related to 'mycelium' and they're absolutely correct haha! It's just a funny way of spelling Michael.