#a couple of these are actually almost done but i like to keep the sketch stages

[lonesilverw0lf]

Chess student: The cult has become locked itself in this building, we need to clear them out.

Football student: We know where they are, so let’s just bum rush them and take ‘em out.

CS: Don’t be rash. We have to do this methodically so we ensure they’re gone for good.

FS: We have them cornered, just get in there and get it done.

CS: We don’t know how many of them are left, what kind of traps they have, escape routes, or what. We can’t take any chances that they’ve set a trap themselves or that they can escape.

FS: They just got in there after two days of running. They’ve been caught with their pants down! We need to bust down the walls before they have a chance to rest and regroup!

CS: Or walk right into a trap? This is the real deal, we can’t make any half baked decisions.

FS: You’re not the active type, even back in school. You don’t have any idea on what actually goes down in the split seconds, nor any say on what it takes. You’ll let a perfectly good opportunity waltz by as you try to come up with some half clever scheme!

CS: You’ve never thought ahead once in your life. You always rush headlong into things and end up in a bigger mess than what was originally there. Or even create a mess because you didn’t know left from right!

FS: At least I choose to do something instead of sit back like a coward!

CS: I’ve seen better intelligence in a monkey than anything you try to pull!

???: Guys!

FS and CS: WHAT?!

Art Student: You two need to find something to make up, your arguments almost broke my concentration several times. Guh. My farsighted isn’t great, but I did manage to get as much information on the inside as I could. *hands over a stack of papers with sketches of the building and the insides*

CS: That’s great! The more intelligence we have the better we can plan ahead.

FS: Just point out where the boss man is so I can get in there and knock his head in.

AS: At least tell me you can tell what it’s supposed to be? I’m an abstract expressionist not a realist.

FS: Looks clear enough for me.

CS, flipping through the drawings: Ok, so a dozen and so cultists, a couple of horses, a loft, I guess that’s a weapons rack, so far so expected. Hey, what’s the story with this one?

AS: Which one? Sorry my headache hasn’t given me my sight yet so everything’s kinda blurry still.

CS: The one guy with more details than the rest.

AS: Dunno yet. I can only draw what I see using my Sight. I don’t know what it is I’m looking at until I see what I drew.

FS: That sounds stupid.

AS: They say that it’ll get better with time. Right now I’m too low level for that. Huh, that one guy is a lot more detailed than the rest. Weird.

CS: I didn’t get all the details on your Ability. Why is this so important?

AS: My mentor said something about things that I’m more familiar with tend to come out clearer. People I know, places I frequent, they stick out a lot more. Even if the place has changed significantly like a fire or battle happened, or if a person is wearing a disguise or something.

FS: So who would be so familiar to you in this random group of cultists?

Realization dawns on the assembled trio.

FS: Ok CS, your plan is good. We surround the building and- huh?

AS: I just blinked. Where did CS go?

CS, punching a hole into the wall of the building like the Kool Aid man: YIPPE KAI YAY MOTHER FUCKERS!! WHERE YOU AT BLORBO?!

MC, who infiltrated the Cult to feed the local militia information: How the hell do you guys keep finding me?!

The standard 'entire class gets isekai'd to a fantasy world and the outcast MC is basically discarded' anime setting, where the MC, now assumed dead, decides to instead help the class of Heroes in the shadows, making sure they live up to what the people need.

However, the entire class knows that he's alive and are hellbent on dragging that son of a bitch back into the spotlight and to give him the recognition he deserves.

(And maybe because he was basically the entire class's Little Guy™.)

[alfea-alumni]

lil sketch dump of some of my winx WIPs!

you can probably tell who some are

[sabertoothwalrus]

here are some preliminary sketches I had done in my sketchbook for the peepaw chilchuck comic.

I wanted to follow it up with some worldbuilding thoughts I had while working on it, if that sort of thing is interesting to anyone:

- it’d take place 5ish years post-canon

- I changed almost everyone’s hair to show time had passed. Chilchuck and Kabru were the most drastic (I COULDNT STOP THINKING ABOUT THAT LONG HAIR KABRU THAT KUI DREW), Marcille grew out her bangs, Senshi’s beard is slightly shorter, and Izutsumi’s hair is mildly longer. Laios and Falin give me the impression that they’re the brand of neurodivergent that’d pick one haircut and stick to it for the rest of their lives. I almost gave Laios facial hair but idk he’s gotten over his daddy issue enough for that.

- Emertim Chils: I tried to follow both the half-foot and dwarven naming conventions for the baby, so Emer- comes from “emerald” (dwarven names are often gemstones or ore) and -tim because Chilchuck’s father’s first name was Tim :) Dwarves don’t have family names, so Emertim would take Chils, same as Flertom. Usually they’re named after their father but I didn’t wanna name a random dwarf man. thank you Chel for helping name him 🫶💕

- Initially the idea that Chilchuck would keep an entire grandchild a secret was just a joke, but it made sense when I thought about it. I wonder,, would dwarf/half-foot couples have trouble conceiving? Because if so, I’d imagine Flertom may have lost a couple pregnancies. Chilchuck is already such a private person, and I don’t think he’d feel comfortable airing his daughter’s grief like that. They wouldn’t wanna tell anyone until they were sure this baby was gonna make it.

- For the above reason, Chilchuck would absolutely spoil this kid. Not that he wouldn’t have spoiled his grandkids anyway, but I think after all that stress, he’d be extra extra doting. He’d be letting him do things he’d never DREAM of letting his own daughters do. Completely different parenting style.

- I think he’s still too prideful to take advantage of Laios being King (sidenote: is Laios even wealthy??? does a kingdom that sprung up from a previously-sunken continent even have money?? what the fuck is their economy), but like,,, if Laios offered any gifts he wouldn’t exactly say no.

- Izutsumi surprisingly really likes the baby :3 she’d like to take naps with him and he’d like her purrs and she’d have a lot of fun playing with him.

- SENSHI. meemaw mode. That kid would grow up not realizing Senshi isn’t technically one of his grandads. He is FEEEEEDING this kid.

- LAIOS DOES GET TO HOLD THE BABY!!!!!! just. eventually. They don’t actually expect a Tarrare situation LMAO they just wait until the kid is a little less fragile and a little more mobile. I think Laios would be really good with toddlers.

- Chilchuck is very thankful Emertim’s half-foot genes kick in sooner than later because he was getting too big for him to carry.

- Emertim would probably get the extended lifespan. He and Marcille would get to stay friends for a very very long time :’)

- my personal headcanon is that Chilchuck and his wife decide to split. He still loves her and it’s probably still a bit mutual, but after four years of almost no-contact, they decide their communication issues aren’t working well for their relationship. Plus, the Adventurer’s Bible says Chilchuck is renting their old house out to family, and he’d feel bad kicking them out so he and wife could move back in. They’d still be on good terms, and would be good at coordinating when to babysit.

[yyokkki]

Asking to Sketch Them

SCARABIA

Kalim Al-Asim

;DDDDD

Instant agree, no payment, no contracts, you don’t even have to be friends

But we’re writing this under the assumption that you’re pretty close so

I feel that among the entire cast he probably is one of the few with a lot of experience in posing for portraits (and who actually cares enough to pose well)

Natural pose, blinding smile, pleasant chatter as well as Scarabia’s breath-taking scenery as a backdrop.

The sunlight enveloping Kalim’s body almost made him look like an angel.

Do they even have the concept of angels in Twisted Wonderland?

Is this real life?

The sound of Jamil’s near silent footsteps send you back, hurtling, into reality.

“Kalim, you have a party in 5.”

“Hours?”

“Minutes.”

Aaaaand he’s gone

It was nice while it lasted

The next day you find imported art supplies, a new smock and a note with an apology and a promise for next time on it at Ramshackle’s doorstep

20/10 This is not a bribe this kid is just sunshine personified

Jamil Viper

Hmmm I don’t know prefect, he’s a very busy man and he hasn’t got all day…

What’s that?

You’ll help around with the chores after?

:>

He supposes 1 or 2 hours of his time would be fine

Has gotten a couple of portraits done of him and Kalim together (by the sunshine boy’s request)

Also has observed Kalim getting his portraits done countless times so he knows his stuff

First of all though, he’s dragging Kalim into the room so he can keep an eye on him

Oh no, you’re not doing this outside just in case he catches sight of any one of those things in the grass

Has already taken precaution for any incidents that might happen in these couple of hours while he’s occupied (bug traps, chore allocation, Kalim securing)

He already knows things go to shit whenever he’s not around

It’s very unlikely things will go haywire unless something very unexpected happens

9/10 docked a point because you had to spend the rest of the day helping around the dorm afterwards but it’s fair

-----

Heartslabyul | Savanaclaw | Octavinelle | Scarabia | Pomefiore | Ignihyde | Diasomnia  

[quitealotofsodapop]

Hey Mac, we thought you were dead;

Sequel to this post on Macaque being back in the "Century Stone Egg Au".

After the pregnant Monkey King breaks his shock, he'd run to embrace Macaque, even if he'd just been super close to clawing his eye out (again) and that they're last meeting was a huge fight. He only holds back because he's honestly a little scared/worried how and why Macaque is there. Wukong is immediately trying to apolgise for his violent reaction, but Macaque just laughes out; "Nah, it's my fault. Should've asked first." It's only with the shadow monkeys' breathy, almost *fond* laughter that Wukong realises that Mac is truly there for peace. Mac's interaction with PIF further confirms this.

The reincarnation gang + the dragon couple are super sketched out though. Pigsy is the one to loudly ask "How do you know it's him and not some weird copycat?", mostly cus he's legit worried for Wukong in this moment. Somebody's dead partner don't just show up one day!

Wukong responds with his Gold Vision + its hard to fake the way Mac smells. The gang still refuse to leave the two alone together until they recieve a decent explaination.

The fact that Macaque literally looks like he crawled out of the grave quickly gives everybody a bad feeling, and they def force Mac to sit down and explain how tf he came back to life before he's even allowed smell Wukong.

Macaque: "I may have agreed to do something... kinda stupid in hindsight." Wukong, : "Mac... look at me. What did you do?" Macaque: "...ok don't be mad." Wukong: "I'm preemptively seething." Macaque: "I accepted a deal from the White Bone Spirit." Wukong: "I'M FURIOUS!!!" *starts throwing whatever's closest at Mac* Macaque, dodges a pillow: "Pfff! Calm down, it's not like I'm actually gonna do it! She brought me back to life to release her from a tomb or something and I chucked the key away the second I got back." The whole Room: "..." Wukong: "Mihou... thats the stupidiest thing you could have done!" *summons hair clones to throw stuff at Mac* Macaque, now failing to dodge fruit: "OW! Why are you upset!? We both know nothing good will come of letting that demon free!" PIF: "Mihou, if this Bone Demon was able to bring you back from the dead, then she has the power to track you down and recind her offer." Macaque: "...so you're saying that I have to fufill her deal, or I might get dragged back to Diyu?" Wukong and PIF, at the same time: "YES!!!" Macaque: "Shit." The Whole Room: *covering Red and Mei's ears* "LANGUAGE!!" Tang: "You should work on that before the baby gets here.

Oh you better believe Mac's in the doghouse until they can figure out how to resolve the LBD business deal. PIF calls up her lawyer to go over the exact terms and conditions.

Fire Star: "Ok, I've got good news and bad news." Macaque: "Bad news first." Fire Star: "The Lady Bone Demon's geas is airtight. You will have to open her tomb *slash* free her spirit in order to keep your place in this mortal realm - less you be recalled at a later date for a task of similar value or until she makes you redundant." Pigsy: "Translate for the non-lawyers please." Fire Star: "Either he does it, or she makes him do it, or she just takes his soul." Macaque: "Shit." Wukong & PIF: *glaring daggers at Mac* Macaque: "So what's the good news?" Fire Star, slyly: "Those are the only conditions to the geas. There's a reason you need lawyers for these kind of things nowadays. She didn't stipulate say... where to release her. Or whom would be present to greet her when her tomb opens." Everyone: *shares similar delighted/scheming looks* (*a few hours + a few calls to a worried Nezha later*) Macaque: *unlocks LBD's tomb* LBD: "Freedom! Freedom! Fr-" All of Wukong's allies in the Heavenly Army + Diyu officials:

LBD: "Oh bother."

As the Bone Demon gets carted away for conspiracy to destroy the world, she gets yelled at by all of the Underworld/Diyu officials that now have to deal with the fallout of her actions.

King Yama: "Do you understand how much paperwork I have to do to mark this monkey as alive!? He doesn't have a death date! It's been blotted out! I'll be correcting his files for months!!" Macaque: *high fives Fire Star for the solid lawyer-ing*

As far as Hell/Diyu is concerned, Macaque performed a service and was paid upfront. They don't want the headache of trying to take him back if his mate (someone who's trashed Hell before) wants to keep him.

Wukong is still super-mad at Mac for a variety of reasons, don't get hom wrong. But he's atleast glad in the moment to have his mate back. And glad that LBD is gone for the forseeable future.

[xephia]

Hi, i hope this question doesn't bothers you, do you have any videos of your process?, im currently starting to learn how to do digital art and have trouble knowing where to start and what to do (im always like, should i start drawing this part first?, is it better to do clean lineart or just paint over the sketch?, do i work on the lights first or the shadows?, etc)

I can probs make you a video on this at some point based on something I'm currently working on, although I have a few on my tiktok already (@ xephia) if that helps!

My process is a bit messier than many other artists - I alternate between stages of sketch and colour before I even think about ‘final colour’. I’ll start with a sketch like the ones below, then slap some rough colour on. This is because IMO colour is an important part of the composition so I want to see what works before I line. They’re not meant to be pretty or social media ready. This stage can look super messy or tidy depending on how I feel or how complicated it is. And they can look wildly different; here’s some examples:

That stage also helps me decide if I want to finish the piece or if I should abandon it (I abandon a lot). Sometimes this stage takes 15min, sometimes 2 hours, it really depends on the piece. But for me personally, it’s crucial because otherwise I find it very hard to envision how it will look later, or forget what I was planning.

Then, I do at least one more layer of ‘sketch line art’, which is basically a first layer of line art to see what works and what needs changing. I colour the important bits relatively cleanly (usually character/s) and add might some subtle shadows/gradients and/or lighting to get a feel of what it will look like finished. Sometimes I repeat this process a couple of times if I’m not happy with how the first iteration looked. This stage usually looks a little like this character sheet I’m working on, and this slice from a Kiki delivery service sketch:

It’s usually not until I’ve done all that, that I go over and do the final lineart, making it thicker, colouring the lines, redoing the flat colours, tidying it up, and adjusting where needed. Essentially I don’t start ‘finishing’ a piece until I’m happy with where everything sits and what colours I’ve picked. It’s only at this point I feel like the sketch is ready to line, and lining and final colouring can actually take less time for me than all those layers of planning somehow haha.

At this point I keep tidying, cleaning, lining, colouring, until the piece feels complete. Sometimes complete for one piece is tidier than complete for another, it really depends.

I’ll also use Procreate’s push tool to adjust things as I go in all steps - it saves a lot of time and isn’t cheating.

Although as you can probably tell from my examples, I do change this procress up a lot depending on the piece! Sometimes I’ll even paint over parts of my final piece like I did in this magical girl street. I think find whatever works for you, everyone will work differently and things like mood, energy levels, how patient you feel, how stressed you are, if you have any hand pain or shaking, and how much free time you have that day to draw can all affect your process day to day, week to week.

Some days it will be easier and more comfortable to sketch messily, other days tidier. Some days you will draw well, other days not well at all. At least for me, I find consistency almost impossible.

So I think there's no right or wrong order to do things and it's great to switch it up and keep things interesting for yourself, and different processes work for different people. Hope this helps!

[gattnk]

When the ambitious Miki and the conformist Gas cross paths, it's pretty much an "unstoppable force VS unmovable object" situation.

Last but not least, a couple of fan favorites! My redesign process was very different for each one: I did a quick sketch of Gas on day one, as soon as I was done with Raf and Sulfus, and I pretty much stuck to it. Meanwhile, I couldn't form a clear thought for Miki until my AFapril comic prompted me to do it! Now, about that creative process:

While Miki's canon designs are significantly different, Gas is pretty straightforward. Even then, I decided to work on unifying their respective color palettes first, and then focus on their redesigns proper.

I went with their Prisma Fly colors as their new main colors. To contrast the orange better, I switched Gas' purple for a washed-out blue, and included black and white for variety's sake. In Miki's case I went with three shades of forest green and included key lime green since it's closer to yellow and pops out nicely; I also included desaturated browns and off-whites to visually frame the key lime better.

Since Miki is characterized as somewhat non-conforming in the comics, I doubled down and updated her parka jacket to something more extreme-sports looking (thank you @haloheadhater for helping me figure that one out!), added thick denim jeans to the mix and the toughest pair of timber boots I could come up with.

Gas is the kind of character that tries to look tough (despite being the least intimidating devil ever), so I added a biker's denim vest to crank the Cool Factor™ to the max. There's little difference between his canon designs, so blending them together was easy enough. I tried to preserve his iconic Emo Frog shirt with a minimalist design, all derived from triangles to keep in line with the devil design philosophy I've been keeping so far.

I wanted to reflect Miki's dragonfly mascot in her overall design, so I gave her wings a peculiar shape. While adult angels may have multiple pairs, Miki's wings are a single pair: I took inspiration from pennant-winged nightjars for her wing design.

Officially, Gas has the smallest wing-to-body ratio of the entire cast. He can still fly just fine, no worries, but he took more naturally to phasing walls and floors around the school to get by. My biggest challenge was his horns and wings, specifically finding the right shade of orange so they would not blend with his ginger hair. I didn't want to use red for his hair, nor blue for his horns/wings like his original designs, so I had to put my eyes to the test there.

Mascot placement once again comes with meaning: Gas' tomato frog may have bright and intimidating colors, but it's actually cute, round and inoffensive; it rests right over his heart to represent his true nature. Miki's green darner dragonfly hangs at the end of her braid: braids are often associated with bravery, wisdom, patience or experience in character design, and dragonflies are renowned for their maneuverability; this way, Miki's core traits are in the end held together by her ability to adjust on the fly.

There it is! the entire main cast of Angel's Friends, redesigned :D I've also been working on the humans and teachers, but it'll be a while before I finish those. For now my attention is almost entirely on my AF rewrite fic. Shameless self-promotion aside, I'm really proud of my script and characters, and I really appreciate it when I get comments/kudos/hits. So far everyone's been really kind and excited and I definitely share on the enthusiasm!

I'll Fly With You (rewrite fic) Art masterpost

[daisychainsandbowties]

thoughts on autistic beatrice 

i got a couple asks about this, so here we go.

speaking. despite her talent for linguistics, and her fascination with language, Beatrice does sometimes have periods where she is non-verbal. alternates with days where she needs to talk a lot. Lilith usually gets subjected to her talkativeness on these occasions - or rather, she subjects herself to it, willingly. knows how to respond and manage and help when things are a lot. she is quite content to sit and listen and poke fun while Beatrice lets all of the thoughts out of her head. 

Bea has areas of specific focus, and likes to tell convoluted stories to reach her point bc it’s how her brain likes to do things, and Lilith is one of the rare people who will simply listen, who is not impatient. Bea has been trained to think in straight lines, but there is a natural obliqueness to her thought processes. & especially when she is tired and/or hurt it unravels out of her. 

it takes a long time for her to trust anyone enough to actually relax and do that kind of stimming, but once things are easier it’s at least once a week, and Lilith pretty much drops everything to go sit with her in the library or down by the cliff or in the sun by one of the outer walls. this is astonishing to Bea, because nobody in her life has been willing to listen to her talk before, for hours. 

for Lilith it’s like watching the sun rise, & Bea transforms when she’s able to let all of the many myriad & often beautiful thoughts she has find their way out. to have them held and appreciated.

special interests. i think for sure Bea is really interested in math & physics & linguistics & probably a bit of architecture (my girl knew how to convert dirra to feet = math nerd AND architecture nerd, for sure). 

re: physics - Bea is just really interested in the mechanics of the universe, & it’s kind of an adjacent interest when you throw knives, because there is math involved & a bit of physics knowledge, especially for her throws which are from unpredictable distances (usually knife-throwing is done at standard distances with more or less consistent trajectories. whereas Bea throws in consistently unpredictable circumstances, often at moving targets).

she likes spiders and pretty much all fields of biology - anatomy, entomology, biophysics (she was a bit obsessed with gravitational tropism & how they grew plants in space), biochem, physiology of all kinds. definitely used to do architectural sketches for fun. knows all about how buildings have been constructed over the centuries. likes spiders because misunderstood, solitary, & just rlly rlly interesting as creatures. linguistics for obvious reasons. aka ‘if i learn ten languages i will be able to talk to people’ = cue not knowing what to say to people in ten languages. i’m gonna say she likes prime numbers. the mystery of them, the way they are so strange and self-contained.

routine! Bea is big into routine. it helps her to deal with the parts of her life that will always be chaotic - OCS activities are pretty much chaotic by default, because possession and demons don’t keep people-hours. 

she NEEDS to go running every day & Lilith is usually the only one who can keep pace with her, so they get up in the predawn dark most mornings and run until the sun rises. they don’t talk while they run, but they have a sort of silent conversation going on. gentle competition and mutual egging-on. performing stupid little parkour tricks where no one can see them. once or twice they go down by the beach and end up trying to toss each other into the ocean. 

when they get back Beatrice has muesli (she always has muesli, when she can) & she has this specific blue bowl and this specific spoon. everyone knows not to touch it (and Lilith knows too but still does dickhead things like hide it, but she gives it back almost immediately. just likes to see Bea’s face scrunch up like an emoji. she calls it ‘your haughty little stare’. 

Lilith peels an orange while Beatrice makes up her breakfast (picking the banana chips out. ‘why don’t you just get the brand without banana chips.’ ‘you wouldn’t understand.’) Lilith scatters orange peel everywhere on purpose and Beatrice goes around after sweeping them into her palm, which makes her hands smell like citrus (and, incidentally, exactly like Lilith’s, all day long).

time-blindness/interoception. Beatrice loses time. has a habit of going into a trance or just hyper-focussing on things. in those instances Mary or Lilith or Cam will find her just Staring and they always go to fetch Shannon, because she has a knack; she’s a gentle stirring presence, and she goes and puts her palms on Bea’s face and gets her eyes to focus on her. narrows the world down to simple touch. leads with a couple of innocent questions about math or sometimes jellyfish, or any of the topics Bea likes. 

this is what she needs. Mary is the steady voice that pulls everyone together in a fight, but Shannon has the measure of Beatrice. she knows to ask questions, to lure her out of her stupor with positive things. gentle, stirring. usually there’s nothing bad about losing the time, except that she can end up with throbbing headaches from dehydration.

but it’s time her brain needs, to be away from other people, because Beatrice has observed and catalogued and she is pretty good at the social side of things. yet it is exhausting. & sometimes she needs a hour or two to just exist in her own orbit.

eye-contact. when she’s comfy she tends to stray away from eye-contact, just because other body language is better and not so overwhelming as eyes, but martial arts taught her how important the eyes are for betraying intent, so she looks. but if she trust ppl there’s less eye contact. what there is, then, means more. 

she and Lilith are almost entirely absent of eye-contact when alone with each other. they are parallel play pros, and they save eye-contact for fighting, though Lilith is extraordinarily good at NOT giving away anything with her eyes. she can be beating the crap out of two people at once and look like she’s grocery shopping, but when she’s in the swing of things there’s often a manic glee to her eyes. & Bea likes that because it’s uncomplicated and wild and honest. but yeah, Mary occasionally goes to Shannon - ‘hey, do you think Beatrice would know the answer if i asked her what colour Lilith’s eyes are?’

speaking (contd.) Bea does have a tendency to forget about inflection in speech. has a monotone a lot of the time, which other people mistake for condescension. she can be very persuasive, but when she’s comfortable her voice keeps this unerringly constant pitch.

doesn’t tend to have the wild wavers you expect when ppl are with their friends; actually gets flatter & more even the more enthused she is. so she’ll be telling Lilith about how spiders can walk upside down on glass & the pitch, if you measured it, would be a straight line, but this speaks to Lilith’s brain too, because it isn’t jumping on distinctions in sound & getting anxious over it. 

if you pay attention to the rest of Bea’s body language it’s easy to see how excited she is, but that doesn’t manifest in her voice so much. oh she can emote vocally with the best of them (cut to the museum heist scene where Vincent kidnaps Ava) but calm relaxed Bea is going to be rocking that monotone.

food. for the first while in cat’s cradle Beatrice has trouble with mealtimes. it was never her forte - always the first down to breakfast in boarding school, so eventually the ppl setting up just left a bowl out for her & the tureen of muesli, and a milk bottle still slick with dew from sitting on the stoop with all the others. 

it’s the social aspect, mostly, and the change of routine, that get to her. plus Beatrice just isn’t motivated by food at all - for her it’s like, due to interoception, and some sensory preferences, though Bea’s a good soldier and can just ignore texture and taste if she has to. 

she doesn’t like the tables in the vaulted hall or the weird dim lighting, and all the other nuns talking in hushed voices so they become this susurration of sound. so she just skips lunch, or dinner. 

Lilith insists that she could care less, & she only tells Mary because otherwise she’ll get a lecture about responsibility and the new recruits, and also Bea is the best fighter besides her, and she doesn’t want to win just because the little twit forgets to eat. 

initially Mary just insists that Bea goes to meals with her. that doesn’t really help too much; Bea goes where she’s told, but yk you can lead a horse to water, can’t make them drink.

one day Mary goes and sits down next to Bea while she’s reading one day out in the courtyard, & hands her a cup of pudding from a bunch of surplus (and almost expired) MREs that the OCS bulk-bought ages ago. & Bea, skeptical but obedient, open it up & tries it & Mary, privately, thinks it’s chalky and overly sweet, but Bea adores it. she reads the nutritional info and is weirdly psyched by how ‘full of food groups’ it is. (Mary shrugs, but Lilith gets it; she also grew up craving salt and protein and portions larger than a palm). 

Mary bulk buys even more of them, & soon the Trio™ start carrying them around. Shannon has a bunch in her backpack, and Mary keeps them in the glove box of the van. Lilith sometimes just has one in the pocket of her hoodie, so that when it’s a Hard Day they can all reliably take Bea out into the sun with a bit of breeze coming up over the cliffside, & pass her a horrible calorie-dense protein pudding monstrosity.

it works, though. once Bea has Lilith to cling to she doesn’t mind going to the official means, & also Mother Superion takes her in her office & tells her she can go to the kitchen or eat in MS’s office if she’s not feeling it any evening. it works, and Beatrice manages to win against Lilith two out of five times in training, and she looks better and more than she has in her whole life, because the ppl around her FINALLY care about what she needs.

touch. Bea actually really likes it. flinches, at first, when Mary throws an arm around her, or when Shannon goes to her after a hard fight and presses their foreheads together, and leaves her sooty thumb-prints on Bea’s cheeks from holding her face. 

Lilith is another touch-starved bitch so they are like two polarised magnets initially, but after a while it changes. Beatrice falling asleep against Lilith in the back of the OCS fan. Bea having a panic attack and Mary climbing clear over the handbrake from the front seat (shotgun) to go and hold her very tightly, and rock her, and just say meaningless nice things.

Lilith like a deer in the headlights watching it, but eventually letting Beatrice braid her hair when her hands won’t stop shaking from the adrenaline. at once point they are hiding from possessed ppl & Lilith wraps her whole body around Bea, pressing them together into the shadows, and Beatrice is just… stunned by the closeness of it all. the lemon and sweat smell of Lilith (Bea starts stealing her shampoo after that). 

eventually she knows how to seek touch, how to ask for it & Bea and Lilith become kind of ridiculous about it (just watch the infirmary scene). they sit propping each other up, side-by-side or back-to-back. Bea with her legs flung over Lilith’s lap, reading out of a book in the library. in church playing ‘one-two-three-four, i declare a thumb war’ while Mary loses her shit in the row behind them. 

Beatrice likes braiding hair, and when she’s upset she just clings to ppl (Lilith starts calling her barnacle and also limpet) but both of them need that from each other, & most of the other sisters are just not Bea’s people; she has her three people (four, almost, when Cam arrives). 

with Mary it’s a lot of rough shoving and headlocks and kicking each other’s calves and ‘hey, think fast!’ followed by Mary chucking something at Bea. 

with Shannon it’s the face-touching, and her arms folding Bea into a hug to end all hugs. & obviously with Ava we have Beatrice the little spoon, & her quiet amazement at how much Ava likes touching her arms or pecking her on the cheek - i don’t think she was raised to believe that people might long to touch her, and where Lilith hid her longing pretty deftly, Ava is much more open about it; it’s part of what shocks her when Ava hugs her very suddenly that first time in Cat’s Cradle after the wall incident - not the touch, but the recognition of Ava’s hunger for it. i think it occurred to Beatrice that maybe Ava could not even remember the last time someone hugged her like that. i think she understands& once they’re together it’s stupid how often they are in contact with each other, but it’s Bea’s love language, i think.

sensory issues. texture is obviously a thing for Beatrice. specifically with food, but also with clothes. you’ll see (in the show) that she tends to favour clothes that are loose around the arms (part of her reasoning being that it’s easier and better to fight in loose-fitting clothes) but yeah she’s not a fan of tight clothing. likes pressure on her own terms. she likes sweaters and tank tops, men’s-section t-shirts because the weird v-shape of women’s sleeves is foul and heinous. she does like to button shirts all the way up to the top because for unknown reasons it feels safe and precise.

sound is not too bad for Bea. she’s used to a lot of shouting in martial arts training (the use of a kiai in kendo is well-established & often super loud. she kind of likes that, shrieking at the top of her lungs with permission) and also gunshots with the OCS. none of it bothers her more than gunshots are just super unpleasant to hear for anyone. 

she does enjoy asmr though. ocean sounds especially (thunder is bad unless there’s a really predictable interval between bouts of thunder) hates those deep-space ones because the bass makes her feel dizzy.

she just also really likes the sound of the people she loves talking. sometimes she can get Lilith to say more than four sentences together & it’s heaven. Ava obviously has her doe-eyed with her ability to talk about anything, to fill silences with good sound. 

Bea HATES to be shouted at, berated etc. but mostly for trauma reasons, b/c of the whole endless night her parents yelled at her before they sent her away. this is part of the reason that silence makes her a bit uneasy, unless she knows what it means. 

silence with Lilith has a few flavours; she has a happy silence, which is like a cat coming to sit in a room with you. she also has a broody silence, which Bea likes too, actually, because Lilith isn’t angry, she’s just filling the room with the noisiness of her thoughts. her angry silence makes Beatrice want to say around too, but only in the hope of mending things. Mary’s silences are usually good, or else they’re about Shannon. & Shannon has her gentle silences and her hidden silences. the fact is that silence for Bea is rarely actual silence, because she is too attentive to the meanings of silence. 

she likes Ava’s version of silence, which is talking. 

is also very very perceptive of sound - Lilith insists you can’t hear electricity OR spiders moving around, but Bea is adamant that you can, actually. she always knows when there’s a big house spider in her room bc they are NOT stealthy. it’s why she likes asmr - esp. in cat’s cradle - because it drowns out the small noises of the convent which don’t get tuned out by her brain.

light can be annoying for Bea. headcanon is that the museum heist sunglasses were not a brand new acquisition - Ava got them for Bea in Switzerland (‘you shouldn’t read in the sun if you’re gonna squint, bea’) because Beatrice got headaches from too much light, & they looked dorky so two birds with one stone. she does appreciate light, though, and loves sitting in the sun. anything that is not like England. she gets weird and sad when it rains too much. also HATES being rained on. fully sulks about it.

finally, stimming! i think when she’s upset Bea would, ideally, self-soothe by rocking. it’s why Mary does it, because Bea’s parents berated her for it so many times that her body freezes up at the thought. 

she likes to braid hair, as i said. likes tapping things, fiddling with things in her hands - reason why she’s so ‘puts hands behind back’ ‘puts hands in pockets’ ‘makes hands hold each other so they can’t do their own thing’. but yeah, in Switzerland it happens a lot more. playing with pens, tapping thumb & forefinger, tapping surfaces (very lightly), AHEM skipping stones. just keeping those guys busy. 

asmr is also stimming, btw. & so is eating the right food for the purpose of enjoying the textures. all of the touching. 

she also has mental stims! that r like… doing equations, or running through facts. counting primes. reciting as much of pi as she can in one minute, imagining a clock face and watching it move. i think so much of her stimming is probably mental, actually. rlly fun stims are finding linguistic patterns in things, or translating things back and forth - so like, from english to french to german to latin & then going back without cheating to see if any changes get imposed by counter-translating directly - also spatial reasoning in general is good stimming. thinking, how exactly would that fall? or imagining things swinging or shattering or anything like that, where you have to extrapolate a bit based on instinct and also knowledge. having to be so internal her whole life would have furnished her with a bunch of them, but i think her OCS family bring so many good visible stims to the surface too!

anyway, those are some of my thoughts on autistic bea. i love her very.

[ryuichirou]

Replies

I was writing hcs and before I knew it I was out of time lol So only a couple of replies today!

Anonymous asked:

I want to say that I love your art. There are some people who say your art isn’t good because of the ships you do, but I generally love your art, even if the shipping may be wrong in some way. The art style and how you draw the characters are so beautifully done. I admit I am a bit of a fan when I see some NSFW mentions. Lol. Please continue drawing, as I can’t wait to see your future projects.

Thank you for your kind words, Anon!

It does get annoying when people attack the way I draw, but getting messages like yours is very inspiring and always motivating. So I am very happy to hear that you like my drawings.

Honestly, I would love to draw more nsfw stuff lol I always feel like I draw a lot of this kind of stuff, but then look back and realise that the majority of things that we post is surprisingly innocent. That has to change! lol

Anonymous asked:

To the anon simping for skelly-boy:

You're not alone!!!  I'm really starting to adore this dork??  He's just? So cute?!  And dorky?!  And I'd love to listen to him talk as long as he wants?!

And I really shouldn't be surprised by antis at this point.  That explains why my feed went from all skelly to no skelly (I've luckily avoided seeing all the whining though, guess I've already blocked the majority of those people...)

Considering people had zero issue with the simping until his "age" dropped, it's almost like the number these pixels are programmed as has almost no meaning and isn't reflective of being attracted to younger people irl but antis want attention I spose...

and now I'm reminded of that anti who said Sebek was "very obviously 16!" (my dude, it's a pretty boy gacha, the only one who's "age" is obvious is Trein.  And if you take away his wrinkles he'd look like the others)

Anyway!  Cute skelly is apparently my type now (at this point Yana could draw an actual chair with a human face and I'd simp for it) so I too will simp in silence in solidarity with that other anon (if they're okay with my distant companionship of course). 

And thank you Ryu for keeping us fed with the most gorgeous fanart I have ever seen!  I hope you and Katsu are taking enough breaks!

Yaaay more Anons simping for Skelly-boy!! Let’s all unite and keep simping lol

It really is very unfortunate just how many people instantly got uncomfortable not because of the age reveal itself, but because they instantly knew that they were about to get harassed over it. It’s so easy to look at the situation logically and realise what is actually going on, and how hypocritical it is (Sebek being «very obviously 16» is very funny…)

And it is unfortunate that you and the other Anon have to simp in silence. At least both of you now know that you aren’t alone, and please be sure, there are a lot of people like you, us included lol I sketched him once already but it’s on Ko-Fi for now, don’t know when I’m going to draw anything proper with him… We’re not going to be silent when we get there, though, hehe, if he turns out to be up our alley.

Thank you so much for your ask and thank you for enjoying our stuff. I am extremely happy that you find it gorgeous!! Always such a joy and honor to hear that. We’ll do our best not to overwork ourselves, so thank you for your concern <3

[steviewashere]

Get to Know Me Tag Game

I was tagged by @ataliagold thank you for the tag <3

Favorite Color - Currently obsessed with the shade of yellow that is Steve's sweater in season four. Uh...something like ochre, I suppose.

Last Song - Going Under by Evanescence

Currently Reading - Well, in terms of books, I'm reading Uzumaki by Junji Ito. And in terms of reading fanfic, I'm actually getting caught up on "the edges of your soul I haven't seen yet" by @ataliagold, which is probably not the biggest surprise (but I think everybody should go check it out).

Currently Watching - Nothing, really. Though, I'm watching Forensic Files, but I'm always watching Forensic Files. There's an Uzumaki anime airing on Adult Swim later this week, I believe, so I'll probably start watching that as soon as I'm done with the manga.

Currently Craving - A glass of Arnold Palmer and loaded chicken nachos. Sounds heavenly right now.

Coffee or Tea - Still tea. Coffee aggravates my stomach, so that's always a no-go. But I prefer any sort of black tea or spiced chai with a splash of milk and a drizzle of honey. Green tea is always good, but I don't add anything to that.

A Hobby You Would Like to Try - Uh...painting on canvas with oil paints. I've been thinking about asking my uncle to show me the basics, as he's a rather splendid oil painter. But otherwise, for the moment, I'm sticking to sketching traditionally with ballpoint pens.

An AU You're Working On/Thought Of - Currently working on one where Steve and Eddie meet in college as dorm-mates. There's a scene, though that I'm going to scrap and rewrite. I really don't like how it's reading right now and I've been picturing it differently as of late. But it's almost done, nearly seven thousand words, so keep an eye out for that in the next couple days.

Tagging, no pressure: @werepuppy-steve @sidekick-hero @hotluncheddie @scoops-aboy86 @spectrum-spectre

@marvel-ous-m @wheneverfeasible and anybody else who'd like to, as my brain is slowly turning into soup :]

[luvrodite]

helloooo aurore sweetheart how are you today?? i’m humbly sneaking up for some rosoap crumbs and thoughts tehehe

so earlier i was passing by and saw an interesting show playing on the tv. there was this doctor whose patient was a guy quite annoying who seemed to be a bit too intrusive and comfortable around and one day she just comes and well he left suddenly (thank god). but then while she’s checking his file she discovers that he left a gorgeoussss drawing of her on the back of his diagnosis paper (and she tells herself that he’s a weirdo but she actually keeps the drawing lawl). literally a couple of nights later she spots him at a club while she’s dancing and he’s just watching her and for some reason the next day she decides to visit him (he lives in a tent and the only valuable thing he owns is a motorcycle) and discovers that he’s a traveler that has been kind of everywhere so she asks him to help her translate some books (specifically about her trauma) and the next day he’s over at her house helping her out over some wine. one thing leads to another and now he’s in her swimming pool and she’s screaming at him that they’re not done yet but they just end up fucking in it lmaooo and then scene shifts to her resting after their banter and he’s just laying behind her drawing her naked form (his notebook is full of sketches of her) before he decides to squeeze closer to find out that she’s actually crying and he just holds her close and soothes her with kisses :((( i couldn’t help but think of rosoap and it got me thinking!!! you’ve mentioned before that one thing that makes you realize how serious and deep john’s love for you is is actually how many detailed drawings he has of you, do you think that this passion of his holds a big symbolic significance in your relationship? like do you think it evolves into a subtle way for him to communicate some of his thoughts and feelings to you, almost like a love language? love u mwahhh

ariel, my angel! hi darling, i'm tired today but it's beautiful out so i'm sitting in a sunspot and trying to do some work! (trying = getting my laptop out lol). this show sounds so interesting, and the characters seem so incredibly like ro soap to a tee!!

oh my gosh, i think 100% yes and i hadn't considered that it would have a bigger role in our relationship before but, thinking about it, i would say yes.

i think his art is something that's not inherently really personal to him but still special when shared, if that makes sense? like i don't think he'd go out of his way to hide his sketchbooks and if i found it for the first time and was flipping through it, i think he'd be the type to sneak up to me and act very normal about it. says something while peering over my shoulder like, och that one's no good, dinnae pay it any mind, lass – this one's better. and laughs a little when i jump because i hadn't heard him enter the room.

but i think the more our relationship evolves and the more he draws me in, i imagine there are moments when the both of us are doing our own things in my flat or his and sometimes i'll come and just peer over his shoulder at what he's drawing this time. he grumbles a bit about that, but it doesn't have any real heat to it – 'f ye wanted tae look just say so, woman. and i'll sit with him and flip through the pages of his recent pieces. i think my favourite thing about his drawings is the attention to detail. he's got a sharp eye for that sort of thing, and it always lodges the cupid's arrow in my heart a little deeper every time we share that.

i also think there's a lot that goes unsaid with visual art that it's up to us to parse out. with his drawings of me specifically, it just echoes what he already claims to feel (that i more often than not brush off because it's difficult to believe) but like. quieter? idk if that makes sense but it just reaffirms what's being said and it feels more credible ?

in one of my classes this semester we're learning about the kinds of evidence that are admissible in a court of law and i think the best way i can describe it is like. his words are hearsay (not admissible but with exceptions) but the drawings are real documentary evidence that satisfy the other rules of evidence (would be admissible and would be used to make your argument and carry a LOT of weight). it's the kind of stuff that you can't really argue with - you can resist it but it's quite simply a Fact.

i rambled a lot but it's definitely a love language i think and it's one of those things that bolsters his case that he is serious about me, that it goes beyond wanting what he can't have and surface level, shallow obsession. that there's substance to his feelings. anyway. thank you for asking me this, beloved :( i hope you are so so well <3

[doodleferp]

Sorry if me and other anons are overloading you with these asks it's because you've got such good ideas, writing and drawing skills and your doing your AUs which are amazing and we don't want to add anymore pressure on you. Again sorry.

No, you guys are fine! All these asks have actually gotten me back into my Trigun fixation. It used to be just cleaning out my drafts and inbox, but now I’m actually having fun making stuff for it again! Even my Hellsing OC didn’t have this many people asking about her, and I’m so glad that you guys love Ari and my AUs so much! I’m working on putting together an illustration for some Ari lore that should drop soon, too!

I don’t have a problem with you all sending me asks — I just didn’t really vibe with the worm au for whatever reason. Maybe I’m already content with the naga au (which I’ve been sketching all day, lmao), I don’t know. I just didn’t vibe with it. PLEASE don't stop sending me asks about them. You guys are the reason I’m back and I don’t want you to leave.

If it’s more AU content you’d like to see, I’m happy to throw out other AUs I’ve got hidden away! I, oh...oh, god. I have so many. Alternate dimensions, alternate timelines, alternate futures...you name it. They're all shoved into a fun Google Doc because I'm VERY meticulous about how I log my stuff so I don't lose any of it. I'm happy to share the doc when I'm done updating it, but for now I'll list a few of my favorite AUs.

We got...

Gods Walk Among Us: Rather than being used as objects, the PLANTs are worshiped as deities and have more supernatural aspects to them. Because PLANTs are treated much better, they are able to flourish and create large, lush oases for humans to live in. As such, they must periodically withdraw into themselves to replenish their power. While Knives is worshiped, Vash is feared as a dark god, and has become so beaten down by humanity’s treatment of him that he’s almost suicidal. Thankfully, he has at least one person on his side -- his lovely wife Ari.

Kitty AU: Mostly everyone in the show is a cat. Vash and Knives are twin Maine Coons and Ari is a Havana brown owned by Rem, Milly and Meryl are a Turkish Angora and a Siamese who are owned by the sweet old Mr. Bernadelli, Wolfwood is is a black cat who's famous at the local orphanage, the list goes on.

Ocean Man AU: Rather than a desert planet, No Man’s Land is largely covered by water (a la Gargantia on the Verdurous Planet), and PLANTs are large mermaid-like entities called Hydrophytes, which keep the human settlements afloat or sustained underwater. Vash and Knives are more human-like Hydrophytes who can speak for their kind, but they're still BIG BOYS. Ari is now mutated by Hydrophyte DNA instead of PLANT DNA, which gives her Hydrophyte abilities such as speaking to the rest of the species, breathing underwater, etc. It's mainly Ari and Vash navigating everyday life with their spouse being radically different in size compared to them and trying to keep Vash from being hunted down by bounty hunters.

Modernity: A futuristic “modern” No Man’s Land in which PLANTs are used as a source of clean energy. Ari is an orphan unofficially adopted by her mother’s coworker Rem Saverem, and grows up alongside Rem’s officially-adopted children, a pair of Independent PLANTs named Vash and Nai. The children turn to each other after Rem’s death, and form a polycule for several decades. Eventually, Nai’s controlling nature and misanthropic attitude leads him to cripple Vash in an argument, and Ari takes Vash and flees. Nowadays, Vash and Ari are drifters living on the run with Ari taking freelance PLANT servicing jobs to help them get by, while Nai grows his business empire and endlessly searches for them. The couple are forced to flee their apartment after Nai oversteps his boundaries for the thousandth time, and take to living in a trailer while they raise their children.

Sinister Vash, of course. That boy needs no explanation.

Satyr AU, based on this awesome fanfic by @triplesilverstar. On a far-future Earth, humans have gone extinct, with the species of the future being gender-segregated satyrs and nymphs. Children are typically one or the other depending on their gender. Vash and Knives are exceptionally-powerful satyrs, while Ari is a nymph with satyr mutations. Vash and Ari live together on an orchard that they fixed up from scratch, and they are soon blessed with four beautiful hybrid children. Unfortunately, their happiness is shattered by Vash’s past coming back to haunt him, and they are soon targeted by some of the strongest satyrs that Ari has ever seen.

I have more. I have so many more. I have so many that it hurts. AaaaaaaaaAAAAAAAAAAAAAAAAAAA-

[galadrieljones]

hiya gala!! 🎃 and 🍂? i hope you have a fantastic day!!

Thanks for the ask @myreia ^_^ I hope you have a great day, too.

🎃 pumpkin: do you have any favorite brainstorming techniques? how do you like to gather ideas for your wip?

I answered this one earlier, you can find it here.

🍂 leaves: what does your editing process look like? how does your wip typically change as you work on it?

Because I am seemingly always super strapped for time, the most important part of my process is getting started. Failure to launch is, in my experience, the only cause of "writer's block." I just need to break the seal, get started. My earliest drafts as I mentioned in the linked ask above are usually just super spare scene sketches in the notes app on my phone because of this. No details or descriptions. I just put a little (...) to note where I know I need an action, or a description, or a note on the environment to flesh out the pacing later on. I will do this sometimes before bed, or when I'm doing other things.

Once I'm ready to work on the actual story then, these days, I usually just work right in AO3 for fanfiction. It just keeps me in the right mode, since I write and read so many different things as part of my job, other projects, etc., and AO3 just makes me feel like, okay, THIS is the safe place lol. THIS is my happy place (I copy/paste frequently into a note or word doc to back up my work fyi haha). When I'm ready to write, like to actually type, I don't usually copy/paste writing from my notes. I retype it, now working in the details/actions/descriptions that I skipped before, because like I just really needed to get down the big beats, but now it's time to make the scene come alive. I find that retyping from scratch rather than copy/pasting is important, because a lot of the time, the emotional output or directionality of a scene will be a little different once I add in the details. Things almost always need to be tweaked.

Once I have a completed draft, I usually sit on it for as long as I can. An old professor once taught me that, with writing, you usually need a couple days to let a draft marinate before going back to it again. I can't remember what he called those days, but this was useful advice for me, as I'm always in a rush. Sometimes, I only have a couple hours to wait or one night. In any case, in that time, any problems with the existing writing usually bubble to the surface of my consciousness, and I can go back in and work on them later, often times on my phone, while I'm off doing other stuff or hanging with my kids or my husband on the couch, etc. I do a lot of my editing this way, like in the car while waiting for my kids to get out of school lol. I used to need solitude to write, but I have three kids and I have adapted lol. If I get too precious about my workspace, I get nothing done.

Anyway, even as my job entails editing books for a living, that editorial work is always grand scale, like finding the shape of a story. I am actually a terrible copy editor lmfao as I hate that kind of little nit-picky stuff. Line editing drives me insane. I will occasionally run things through the editor on word to make sure there's nothing glaring, but I don't get hung up on typos. You will probably see at least one per chapter with my work 😂 😭 I do usually reread my chapters after I publish them, and if I find something that's really bothering me, I'll go back and fix it asap.

Anyway, that's pretty much it!!

October-themed Writeblr Asks ❤️

[fazedlight]

20 Questions More

A deeper and more detailed version of the 20 questions for AO3 fanfic writers. Thanks @eqt-95 and @inkedroplets for the tag!!

1) How do you keep getting ideas for your ship/fandom?

Daydreaming. Writing fanfic is secondary to that. It was only in the past couple of years that it occurred to me that I could write some of it down and see what happens.

2) Which authors inspire you in your fandom, and why are they so freakishly good?

@searidings is my absolute favorite, the way she unravels the characters' emotions and angst is absolutely superb.

3) Aside from the characters of your main ship, who are the characters you love to write?

Ohhh I really love this question:

Cat in Inauthentic, as well as this ficlet and this one. I love her sense of humor.

Lillian in Darkness in All Things. For the same reason as Cat, I just love her snark.

Zor-El in Even Though You're Kryptonian. He kind of surprised me when I started writing him, and to this day I don't know if some of his lines are driven by genuine confusion or if he's just trolling.

4) Are there pairings or tropes you know for sure you'd never write about? Which ones?

I'm a never-say-never kind of person. There's a lot that I don't think I would ever write, but I've been surprised on where stories have taken me before, and may be surprised again.

5) What is your writing process and why is it cursed?

"Process" might be an overstatement...

I have a "scribbles" doc where I keep my ideas. I cull ideas often (though ideas often make their way back anyway). As I write more into the doc, a certain idea may get too big for it, so I spin it out into its own doc.

From there, I kind of go back and forward between outlining and writing. I write completely out of order. Which is why, so often, my multichaps are almost fully drafted by the time I publish chapter 1. I've usually already made it to the resolution point of the plot (meaning, no one's in danger anymore, the bad guy is gone, etc), though the final chapter often doesn't get written until later.

6) What is your favorite part of your writing process?

I love when I've finished the first pass of a chapter/one-shot, and I'm in the editing stage. The story really feels like it's coming together at that point, and it's before all the self-doubt starts bubbling up (that hits hard just before posting).

7) What’s the weirdest thing you’ve had to research for a fic?

A friend of mine is a professor in astroparticle physics, so I spent a couple of hours asking him about quantum mechanics stuff. But only a small portion of that ended up being relevant to the fic and the rest was just for fun.

8) Is there a particular writing rule you struggle with (grammar, spelling, tense, reality in general)?

When I'm first sketching out a scene, about half the time I write in present tense (it feels more like I'm writing a play at that point sometimes), but I publish in past tense. So I end up needing to do a bunch of revisions 😭

Also TYPOS.

9) What was your hardest scene to write so far and why?

Fight scenes are ROUGH, man.

This is probably one of those answers I'll change every time depending what's at the top of my mind. But writing out a fight scene - like in Even Though You're Kryptonian, Darkness in All Things, or It's a Metallo Life - gets surprisingly difficult if there are more than 2 people.

I know exactly how I'd shoot those scenes if I had a camera crew, special effects, etc. But it's hard making sure the audience is aware of where everyone is positioned, why they can/can't act in the moment, etc.

10) Have your characters ever done something you didn’t expect, changing your plot completely?

All the fucking time, man. From the very beginning, even. I was trying to have Lena still be angry by the DEO scene in So I Kept Pretending, but that didn't make sense anymore.

I actually recently had a fic idea dissolve because it wasn't vibing with the characters. Which is fine, it became a ficlet instead!

11) If you could converse with any of the characters, who would it be and why?

Absolutely Kara. I have so many questions about kryptonian culture and how it drives her character.

12) What are some of the tropes or themes that you find yourself returning to in your writing?

Trope-wise, I definitely return to the Rift again and again. I find themes around forgiveness and understanding to be really interesting. Can two good-hearted people with conflicting needs hurt each other while still loving each other? How? What does that mean for the aftermath?

I think that's part of what draws me to supercorp - the complexity of their relationship. How they can both be right, and both be wrong, and love each other enough to rebuild from the ashes.

13) What's your most important resource as a writer?

Coffeeshops and libraries. Getting into slightly busy, cozy environments, out of the house, really helps shake loose the stuff in my head.

14) Can you share some of your strategies for editing and revising your work?

Especially for longer works, I tend to put the work down (and circle to other works, or go outside, or whatever) before coming back to it. It helps to step away for a bit - it's easier to pick up on repetitiveness or unclear passages when coming back.

Though I always find mistakes in my stories much later, so I'm not sure I'm one to give advice on this anyway 🤣

15) Which is worse: making the summary, picking the tags, or the anxiety when you post your fic?

Posting anxiety is the absolute worst. If I leave myself in front of my computer I'll end up refreshing constantly waiting for the first kudos (if it's a one-shot or first chapter) or the first comment (if it's a later chapter) to figure out if I've accidentally pissed off everyone in the fandom somehow.

Luckily, my partner will usually pull me away to go on a walk or grab lunch or do something else to take my mind off it 💗

16) How do you define success for your fanfic - hits? Kudos? Comments? Bookmarks? Or just if you like it?

I only publish what I like. Sometimes I'm nervous that other people won't like it, but I will always like it. Stories that aren't going a way I like - even if I think the idea is cool! - will dissolve. Just recently I dissolved one that felt like it was a cool idea, but it didn't make enough sense for the characters.

Kudos and comments always make me feel appreciated as an author!! Sometimes I'll get a user subscriber out of it, too, and it feels like an honor that someone would want to hear from me more than once.

The thing that feels most precious, though, is when someone comments on how something made them feel (I love making people laugh at my dumb jokes, or cry when a story is supposed to hit emotionally), or when they pick up on something that I wasn't sure would get picked up on.

I tend to lean towards understatement in my stories. For me, the biggest success is knowing that someone recognized what I was going for, without me being overt.

17) Do you have a playlist for your favorite character/ship?

Alas, I don't. But given that Kara is canonically a Britney Spears fan and musicals nerd, I feel like my default playlist works 🤣

18) If fan art was going to be made from your work, which fic would you pick and which fan artist would you like to create it?

Oh gosh, I don't want to pick someone and create pressure, or not pick someone and make them feel bad. This fandom has so many great artists!

That said, some of my favorites do commissions, you can see everything I've commission here.

19) How many WIPs do you currently have?

1 supercorp & 1 rojarias (for @supergirlmayhem)

For me, 2-3 is my happy number, so I'm relieved to be down to this after being so high (I think up to 11?) for so long.

20) What's your advice to new fanfic writers?

If you're wondering why you can't find that story you want, it might mean that you're the one to write it 💗

- - - - -

Tagging (respectfully and without pressure) @rustingcat @luthordamnvers @sssammich @tinyvariations @thatonebirdwrites @theredcapeofk @sideguitars @luthordamnvers @mycatismyeditor @inkedroplets @nottawriter @snowydragonscave @jetgirl1832 if you want some rapid-fire q's thrown your way. But also anyone who'd like to do this!

[bageltopia]

may I ask how you plan out your fics? I’ve been wanting to get back into writing, especially for multi chapter fics, but I’m not quite sure how to approach it. I’ve always liked the structure of your fics so I was just wondering if you have any tips! Thanks!

hello, sorry this took a while to answer! but sure, i’d be happy to share and thanks for enjoying my fics!

first: this is something that differs from a couple other writers, but i never think of my fics as i’m writing them as “multi chap” fics in the traditional sense. i just think of it as one cohesive story, and then decide as i go (or after the first draft is done) how best to break it up the sections into chapters in order to best serve the story. i’m just not a “release the chapters as they’re written” person, and that is something that really colors my writing and planning process. i find this allows me the greatest degree of control over my storytelling. if i decide something from the beginning is no longer flowing or serving the story the way i want it to, i can go back and adjust it as many times as i want because it’s not published yet.

i also am NOT a discovery writer when it comes to longfics. for shorter things - let’s say anything 15-20k or under - i often let the plot make itself known to me, but for longer ideas, i like to plan.

but i know other writers operate differently, so YMMV!

i wrote a lot more on this than i thought i would, so rest is under the cut

as far as planning - i often start with a huge infodump doc where i just write a bullet-pointed steam of consciousness for all of my thoughts/screaming/inspiration/mental breakdowns lol/etc. after that’s all out, i organize it into different plot points that i want to address.

if you’ve ever looked into the way tv shows are written, i like to plan my longer ideas around a somewhat similar framework - there is the A plot, the B plot, the C plot, etc. maybe even a D or E depending on the show, running as a through line across all the episodes. and since this is fan fiction, one of those plots (if not the main one) is almost always going to be the romance between the main pairing, unless you’re writing gen fic. i personally like to add other story-driven elements in addition to the romance that allow me to add character development, mystery, excitement, intrigue, etc.

i’ll use Lightning’s End, my 52k lusan fic, as an example here. i only had 2 major plotlines that i thought of for that fic. 

A = sanji developing + realizing his feelings for luffy

B = the island they land on and the mystery of it (and how it conceivably grounds the work in canon)

these two things unfolded pretty concurrently in LE, but they might not always!

i like to weave the 2 elements together, decide how they interact with one another, and then actually put together the events of the fic - sketch out what actually is going to happen and how. i don’t really do intensive scene-by-scene outlining other than when i’m in the actual writing process, but i want to know any broad strokes before i put pen to paper!

for LE, i can distill this down in “chapter 1” (or the first 10k) as: the storm sweeps sanji + luffy overboard >> they stargaze and have an emotional breakthrough discussing their pasts >> they find out they’re not alone on the island.

when i actually start writing, i decide what actually is concretely happening in the scene, where they are, what little things each character is doing in the moment, etc.

i also keep a running log of little details i want to remember to sprinkle throughout; anything funny, sweet, inspiring, angsty. physical or behavioral characteristics i want certain characters to have, etc. so i can keep track of them and remember to make them consistent. some of these even end up becoming motifs for the story!

in a nutshell, i like to approach longfics from a big —> small view. decide the plot points, construct the conflict/resolution for each, decide how each of those individual conflicts play into each other, and then decide the scenes and details.

for Lightning’s End, weaving the 2 plot points together got me to 5 chapters at 52k total. for moonlighters, i had a lot more plot points—that themselves required more exposition and development—to get through. approximately 5 or 6, according to my notes, and then i went through the process of making sure they were all interwoven throughout each of the scenes and events i had planned or written. circling back to make sure each of my scenes were always serving one or more of these plots was key for me.

i’ve talked a little bit on discord and twitter of the notion project i’ve made for moonlighters haha…if you happened to have seen that:

i want to make it clear that notion was only ever a tool for me to organize these thoughts that i was already putting into practice from my previous multi chap fics, just in a way that was a lot more regimented and trackable. and highly tailored to me and my planning process. you could probably accomplish the same thing on google sheets, or docs, or excel, or even on pen and paper. i just happen to like notion’s system :D :D

[bvannn]

Weekly update June 14 2024

I was extremely busy this week and I’m extremely tired tonight. I got a bunch of life things tidied up but didn’t do as much as I would’ve liked but still got some stuff done.

Artfight prep is the main thing, Josh’s thumbnail is done and his refsheet is also almost done, Romeo’s thumbnail is also almost done. I was going to finish it tonight but I’m very tired. Maybe after I eat and shower I might get a burst of energy and finish it up but seems unlikely. Now that I’ve figured out the trick to overcoming adobe’s shitty drawing tools I’m making good stride on animation stuff, and while the OEB video is not a high priority at all right now, I’m looking forward to how it’ll look. Fwiw the puppet I’m building for that is going pretty well as a low priority task, and building it was much faster than what it used to be so I’m pretty sure the animation itself will also go a lot quicker. Again no progress made on that this week, though.

Music: I’m learning a bunch of new mixing and sound balancing strategies and I’m hoping tomorrow I’ll have the energy to unleash them all. I’m going to re-mix OEB for sure, already redid instruments and set up instrument channels. Also hoping tomorrow will put me in enough of a music kick to finish up the other projects I’ve been sitting on. Everything I’m sitting on could use the new plugin chain, plus BMBO has lyrics done and needs a VPR, WOTW could use some VPR tweaking, RR also has finished lyrics now so I can get going on it’s instruments and VPR (and also pick out what voice to use), plus the ambient quickie could needs a melody recorded plus mixing, the pop quickie needs that too and lyrics, BATB lyrics are close to done but I keep procrastinating, the SOS medley needs some more instrument selections plus mixing, and a couple other miscellaneous songs, there’s a lot. I’m hoping I can get to bed early today and just unload on a bunch of those tomorrow, so I think I’ll try.

Other news: that AC game I’ve been on and off writing: finally sat down and started like, actual coherent notes. This is a good step because I do want to turn it into a prewritten module for other people to run. Main thing I did this week in the way of that was a proper description of the setting, to help character creation. Any of these other times I’m too tired to do anything I’ll try to pour into that, which should in turn motivate me to get visual stuff for that done too. I have done a few character tokens that haven’t been posted because again, I’d like the module to be free and any extras to be paid, rather than the whole thing being paid.

Comic: it’s going, albeit slowly. This whole week at work I tried to sketch out stuff while I was working, but for whatever reason the comic wasn’t cooperating. Probably because the poses and layouts are more dynamic than my splash art, so drawing them with a pen doesn’t really work out well. Once I import and fix the panels I did sketch, the comic will be around 24% done. I will attempt to smuggle in pencils next week, in order to get more done. Like all things considered being able to sketch while at work is definitely a help for my confidence in my projects, and I hope to continue it wherever I can.

Plan for next week is: tonight I go to bed early, tomorrow I go buckwild on music and get a bunch of stuff finished up, maybe finish up Romeo’s AF thumbnail or get the assets for someone else’s done. Sunday, I’ll try to finish up Josh’s AF ref and redo Romeo’s, and get as many assets for the other AF thumbnails done as I can. Monday at work I’ll try to sneak in a pencil, and I’ll get more comic sketching or OEB storyboards done, then Monday night I’ll continue making and/or animating those AF thumbnails. I’ll continue sketches at work where I can and animations during lunch as best I can, Tuesday night I’m introducing another friend to epithet erased, so good chance I’ll get writing for TTRPG done that night too, Wednesday night have a pathfinder game so I should be able to get some digital art done during that, more AF thumbnail assets or maybe comic work, and the rest of the week I should be able to continue sketches at work, and digital stuff in the evening. I might swap out some of that digital drawing with more music if I have the energy but at the moment seems unlikely. I’m getting stuff done, but tonight I’m taking a rest. I’ll try to post something tomorrow, worst case it’ll be a WIP, but really hoping I’ll have something good! Thanks again to everyone for being patient with me!