#a bitch can do both

[sonicthedestiel]

I RAN OUT OF ROOM IN THE TAGS FCKN HELL

[cloud-ya]

finally beat dark gaia today, had to draw werehog about it

[ayamari-no-goshi]

I’d like to clear up some common misconceptions about the Attack on Titan Tower, aka when Jason infiltrated it to attack Tim

If you want to read this for yourself, here are some links: readallcomics - I have the best luck with this site on destop zipcomic readcomicsonline - this site can be temperamental

1) Jason did not go there to attempt to kill Tim

Jason seems to have 3 separate goals for this: - size up the new kid. - make sure he knows Bruce just sees him as another soldier - prove to Tim just how dangerous the job is (heavily implied, in my opinion, especially after Tim tried telling Jason he was wrong about how Bruce saw him) He also voiced his anger over being forgotten by everyone. Depending on your interpretation of Jason and his character, this could also be a reason. To me, this feels more like an afterthought because they moved to the Hall of Fallen Heroes before he said this, and Jason likes to be dramatic.

Side note on this. Jason never says anything about being replaced.

2) none of Tim’s injuries were life threatening

Once again, Jason was not attempting to kill him. He beat him up pretty badly, but it was designed to prove a point

3) Jason did NOT cut Tim’s throat.

That happened during Hush which predates both Under the Red Hood and Titan’s Tower. Jason was pretending to be Hush, put a knife to Tim’s throat, and put enough pressure to make him bleed (it was not an actual slice) to get Bruce to react to him. That injury was not life threatening either

4) Jason developed a respect and a bit of envy for Tim after fighting him

At the end of the issue while he’s leaving (while outside the tower), Jason acknowledges Tim’s skill. Jason also wonders if he could have had a life more similar to his, where he had friends and a better support system, if he could have had a different life.

5) Tim was NOT a damsel in distress during the fight, and he did NOT develop a fear of Jason.

Tim was making quips and dissing Jason the entire fight. Tim was not afraid of him nor did he bat an eye at being attacked by Jason. He also vocalized just how much he had to work for his cape because of how Jason's death affected Bruce

Also, the next time Tim saw Jason after this, he made sure to kick Jason in the groin

6) Jason wrote "Jason Todd was here" and signed it with a hand print on the wall.

It looks like it could be in blood, but Tim's not injured enough for there to be that much... and blood darkens after a while. There's a bit of time between Tim getting knocked out and the rest of the Titans finding him and the writing so it's probably paint. Again, Jason likes to be dramatic

7) more Robin!Jason slander by Raven

Once again, we get the mention that Jason was "aggressive". I swear, this is the only thing writers remember from Death in the Family and not the point that that behavior was out of the ordinary for Jason. This is a personal pet peeve of mine in the comics.

8) almost forgot to add the most important part, Jason made a homemade Robin costume and wore it under his Red Hood outfit because he could

Again, Jason is a dramatic bitch.

[puppetmaster13u]

Prompt 266

Back on my Danny & Ras frienemies/rivals/maybe-lovers-nobody-can-tell-their-signals-are-very-mixed train. 

See, Danny has gone through time a lot. Often. It comes with being Clockwork’s charge-son-thing and honestly he finds it fun. And several times he’s used this time travelling to get some training in. Enter Ras, stage left, also a teen at the time and also learning swordsmanship from the same person. 

And they… utterly despise each other. They would kill the other for an apple slice, if the other one would die! But also, only they can kill the other, as it is obviously their right! 

And well, they keep running into each other. It has been a hundred years, surely the other would die by now? But of course their rival would live through utter spite. Probably to spite them specifically. 

The amount of times they have ended up sparring- trying to kill each other or not- the moment they see the other is actually ridiculous. But time is also passing. And… Danny understands, not having another to talk about things people are forgetting, or have already forgotten. 

How they ended up actually talking without a murder attempt was a long story that included a demon, a dragon, a pair of fae, some bandits, and a lot of alcohol, but it happened. And then it happens again. And again, and now it’s just kind of normal to share a drink after their spars, talking about things that no longer exist, and things they miss. 

Sure Danny can go back in time again, but he knows better than to do it willy nilly. He’s matured, he’s been an adult for a hundred years now, he knows there’s consequences for messing with time, even with Clockwork’s blessings. 

The first time they got married was technically for an undercover assassination. Well, Ras was there to assassinate someone, Danny was there to grab an artifact that should Not be in the realm of the living. And they got divorced after, it was fine. 

They just, also got married again when they met a few years later, for another job. And… okay, so maybe they have gotten married over a dozen times now and only divorced like half of those times. Half of those were for the bit or while drunk! 

And even if technically they’re married or shared a bed, it’s not like they're exclusive! As Ras’ daughters’ existences attest to (adopted in one case or not). They don’t exactly have a label for their relationship, despite others asking for one or trying to put a name to it themselves. 

Now Danny knows Ras isn’t exactly a good dude, or at least on the side of ‘good’ as he’s a literal assassin. But he also knows that good? Bad? Rather relative. He had gotten labeled as a villain when he was just trying to help all that time ago after all, and really who was he to tell someone else how to live their life? 

Which brings him to now, where he’s run into his old frienemy-rival and his youngest daughter. Who has a braindead teenager and a small toddler. Which is fine, really- but also, Talia dear, why are you using a brain dead teenager to guard your three year old son? 

…

Okay, Talia dear, Ras (Derogatory), why are you using your brain dead son and grandson to guard your younger son and grandson? Do you not have the Pits, which you were soo proud about Ras? Yes, he will spar with you, but for Realms’ sake, heal, what’s his name? Ah yes, go heal Jason and he’ll actually stick around for a few years, deal? Good. 

[salty-an-disco]

everytime someone says a version of "what if Shifty is intentionally manipulative and maybe even evil–" a part of me dies a little inside

[3-aem]

universal healthcare is not broken and anyone trying to convince you it is is delusional and a dckrider for big health insurance. yes there are wait times but waiting for care is Not the same as being denied care.

in america your physician prescribes care and an insurer can still cuck you out of it because someone across the continent who has never met you can say: doesn’t seem medically necessary. Leaving you to handle a bill that is wildly inflated by the same insurers that just denied you.

let me drill it through your head you can pay thousands a year in premiums and still end up sick and financially burdened for years by One incident. no insurance company is Avoiding going broke by denying claims. theyre doing it to profit off your misfortune and your illness. Because healthcare fundamentally does not cost the amount that they claim it to be.

[hyperblue]

some random WE employee: hey drake your boy-toy's at the reception

tim: bitch that's the mother of my children

[dragonanon]

I don't know how they'd meet but like. Can you imagine if Satan had a sinner S/O??

Like, one day they facetime him, maybe mid court, he answers, and his S/O's looking into the camera Blair Witch Trials style

Satan: Songbird, what's wron-

S/O, holding back tears: The fucking angels are here I'M GONNA GET MY ASS KICKED!! COME PICK ME UP, PLEASE!! T`HEY'RE GONNA FUCKING GET ME!!

He's just "oh shit-" and teleports straight into the pride ring without even giving a verdict

Asshole angels came in a month early or someshit because he wouldn't forget the extermination date

Bold of you to assume that any S/O of Satan’s would just lay down and accept being attacked, regardless of who or what the attacker is lmao

The more likely scenario is Lucifer texting Satan like “Bruh come get your wife. She’s going to end up starting a war with Heaven if she keeps taking down Exorcists at this rate.” Followed by a pic of all the angelic carnage you’ve left behind so far.

[animentality]

the trumpers are out here insisting that trump won because those uppity city liberals are so arrogant and snooty looking down on them with their superiority complexes, and they lost the election because they refused to pander emotionally to the beer guzzlers and gun toting rednecks of this proud nation, well.

I'm just gonna say something even white trash can understand...

with all due respect... fuck your feelings.

dumbass hicks.

[delta-piscium]

Murray, after watching Steve and Eddie for all of five seconds, confidently walks up to them and starts his whole spiel about pining blah blah etc etc, and like, Steve will absolutely not have that, there is no way.

So he snorts, looks at Murray down his nose, and with zero hesitation lies, tells him “We’ve been dating for a month, congrats on seeing the obvious... Or not since you couldn’t tell”

He just hopes Eddie will play along. Steve is sending him the strongest signals with his mind right now, and, just, he knows Eddie can be petty like this too (that’s why he likes him so much, and yeah Murray is a little right but fuck him so much more for it)

Eddie ‘lives for the bit and to fuck with people’ Munson does not disappoint. He slings an arm around Steve and is like “Yeaaahhh wow, real clever observation there buddy.” In the driest tone imaginable

And Murray, well he was sure he was right, still kind of is sure he’s right so he just squints at them for a bit and then breaks out in a wide grin, and only sounds a little sarcastic when he says “Congrats on figuring your shit out yourselves.” 

Except he absolutely does not mean it because he wanted to do that, he likes doing that. And now he's sulking and will watch them so closely because something seems off 

Eddie and Steve, so committed to the bit and to not let Murray win, start fake dating. All while Murray tries to catch them in their lie, and they’re all too stubborn to give up

Murray starts to slowly think he maybe was wrong though because they really seem like a couple. And even though there’s still something there he can’t ignore the proof.

When they straight up make out in front of him, and he can tell that they’re so lost in each other they probably don’t know he’s there he's about to concede

But then after that, they act so weird around each other again? It’s like before but worse and how did the pining get worse when they’re actually openly together? Regularly have their tongues down each other's throats and all?

Meanwhile, Steve and Eddie are going through it because they thought they’d be okay but that kiss was so much, and oh god they don’t think they can do this? But they can’t let Murray win?

A week and a half later at their monthly 'we survived the apocalypse, again' get-together at Hoppers and Joyce’s, Murray just gets enough of how twitchy they are. He grabs them both and locks them in a closet and is like “I don’t wanna know anymore, whatever fight you had or didn’t figure it out”

They sort of stand there shuffling from foot to foot not marking eye contact until Eddie is just like “Oh for fucks sake, I like you for real okay? The bastard was right so can we actually just date? Please?” And all Steve's can do is say "Thank god," while he smiles the most blinding smile and grabs Eddie by his collar pulling him in for a kiss

Fifteen minutes later they come out of the closet (the irony and symbolism is not lost on them) all disheveled and a little too satisfied looking and are met with very loud screaming from all the younger teens, ranging from a simple “Ew!” (Mike) to “Dude we are right here what if we'd heard? Or walked in there and seen?” (Dustin)

They’re lucky they’re too distracted by this to see Murray's self-satisfied smirk because if they did they would have pretend broken up and there would have been another month of sneaking around but this time actually dating and pretending they weren’t

[pizzapasta23045]

Bitches on tiktok when you say you think Caitlyn was in the wrong for using the smog in the undercity that used to litterally cripple a fair majority of them as a weapon to make cilvilians leave the streets to catch one bad guy and a very clear parallel to IRL police brutality and the fact her mom died and she's grieving doesn't excuse it:

[samwinchesterthewitch]

but can we talk about how excited Dean is to have his brother back in the first episode???

he doesn't tell Sam it's him because he wants to spar with his baby brother. he tells Sam he doesn't wanna do this alone. he looks over at Sam while the girls in the diner are talking way before Sam looks at him, and then he looks again so that they're looking at each other.

it seems like he takes any excuse to touch Sam, even if it's just smacking him. he keeps asking if Sam wants anything to eat and offers to pay for it. he lets Sam know he's 'super' with a little ok hand because his baby brother's worried and he's gotta both reassure him and make him laugh.

he acts like a rejected date when Sam says he's gotta go home. "yeah. whatever, i'll take you home." like he's trying not to get into another argument but he still has hopes Sam'll say yes with that "we made a great team back there". and then pretends to believe Sam when he says he'll catch up later.

Dean's desperation in the pilot is just so obvious and endearing to me. i literally can't watch it and NOT think about how toxic and obsessive and controlling this man's gonna get, and think about finale Dean admitting he would drive by Stanford with John to check up on Sam, ESPECIALLY when he tells Sam "in two years i haven't bothered you once"

i just

[iztea]

finally watched hannibal in the year of our lord 2025. a life altering experience. it's everything to me. top 2 fav tv shows

[aquickstart]

ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.

another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!

farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.

but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.

but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.

but the important thing is this.

farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.

farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.

the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.

as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.

but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.

and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.

to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).

to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.

and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?

but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.

the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.

so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.

[spongynova]

low qual sorry

silly doodles in the background of a project, the brainworms were too strong to not share it

[cure-stars]

"but you see......this is where my story ends."

"then, let's start it―― right now! your next story!"

as if you're opening a present every second.

as if i'm searching for a star that's still unknown to anyone. 🎪