#You stop existing.

[sowaran]

Me just so real rn.

“nobody is making you do this” i am driven by unnatural forces you will never even begin to comprehend

[problemnyatic]

when will we talk about the willful helplessness epidemic on here. So many people on this god forsaken website demand to have any and all things that exist outside their personal experiences directly, personally pre-chewed and spoonfed to them. And when you do, they'll then ask for you to swallow for them, too, because, you see, in THEIR experience..,

[emeryleewho]

People on here are always like "fuck capitalism, why can't things be weird anymore" and then write up a whole dissertation about how the biggest IPs need to change to be weirder.

Like, you are so close. You are so close to getting the point. "Big" IPs *can only exist because they are normal*. They will *never* be weird. They will *never* do what you want. Go find some smaller IPs. Bring back discovery. Bring back never having heard of a book before you buy it. Bring back watching obscure anime online that none of your friends know about. Bring back trying new things, even if they're bad or cheaply made. That is how you get *weird*.

[renthony]

Your personal triggers and squicks do not get to determine what kind of art other people make.

People make shit. It's what we do. We make shit to explore, to inspire, to explain, to understand, but also to cope, to process, to educate, to warn, to go, "hey, wouldn't that be fucked up? Wild, right?"

Yes, sure, there are things that should be handled with care if they are used at all. But plenty more things are subjective. Some things are just not going to be to your tastes. So go find something that is to your tastes and stop worrying so much about what other people are doing and trying to dictate universal moral precepts about art based on your personal triggers and squicks.

I find possession stories super fucking triggering if I encounter them without warning, especially if they function as a sexual abuse metaphor. I'm not over here campaigning for every horror artist to stop writing possession stories because they make me feel shaky and dissociated. I just check Does The Dog Die before watching certain genres, and I have my husband or roommate preview anything I think might upset me so they can give me more detail. And if I genuinely don't think I can't handle it, I don't watch it. It's that simple.

[flagellant]

yeah we might be brothers in christ but so were cain and abel so shut the fuck up before i decide to find a rock about it

[egophiliac]

since Eng is getting 7.5 soon(?), I felt motivated to go back to my Meleanor rig and make her a couple of lesson animations! ...except for alchemy, because the cauldron bubbles proved too hard to photoshop around, whoops.

maybe she just got lost on her way to the classroom...?

(credit: backgrounds are from the game, I just put her on top of 'em)

(aside from the backgrounds, this is not an edit, I drew her from scratch! please do not tag or treat as an edit!)

[some-kind-of-creature]

It wasn’t supposed to be a secret.

If you died while with the league, you will no longer be acknowledged to have existed, especially if you died during a mission. A disappointment will not be remembered.

The bats and birds don’t like speaking about the people they have lost, so they don’t. If someone ask about the dead, they will tell the person they don’t talk about that.

So how was Damian supposed to know that he should have told his father about his dead brother?

[creative-clawmarks]

Just outside the [ANGEL]'s line of sight,

two puppets recognize each other.

[haunted-xander]

Well, I guess you didn't have much of a choice either

[thepeacefulgarden]

[dunyun-rings]

I saw a post that said “Dragon Age discourse walked so that Baldurs Gate 3 discourse could run” and that’s absolutely false. Dragon Age discourse sprinted, foaming at the mouth, so that BG3 discourse could skip happily through a meadow

[oneweek]

modern media literacy is so cooked like what do you mean you gave saltburn a .5 star rating because it wasn’t the class consciousness film you wanted that’s not what the fucking movie is about… ‘they made it hard to keep rooting for him and identifying with him’ idk maybe don’t project onto every character in media you come across & then get scared when they act in a way you wouldn’t

[lucabyte]

"So what's the weirdest possible first (second) impression Loop could make on the party in postcanon?" "Yeah, that, probably."

+ Bonus

theyre just standing there in direct party order while this happens. normal tuesday.

[seiwas]

you wear katsuki’s clothes to bed.

among all your cotton and silk pajamas, you prefer the thinning fabric of his faded tees. there are holes in some of them, just a few more seams away from their undoing as they fit far too large on you—but that’s why you love them.

they’re comfy and worn; lived in with love from the man that you love. when katsuki is gone for days or weeks at a time, you find his warmth intertwined within the threads of his t-shirts. when the fabric presses against your back, the bed doesn’t feel nearly as empty as it is.

(though it can never replace him. nothing can, you fear.)

“hoggin’ all my shirts,” he tuts, but you know it means nothing. the roll of white fabric is neatly folded unto itself, its crisp corners unfurling once handed over.

you giggle, shaking off its folds and fitting the hem right over your head. from the corner of your eye, you see katsuki’s gaze, watching you wrangle the fabric over you as the towel wrapped around your body slowly drops to the floor.

he turns away then, a little too quickly, a little too abruptly. if you look at him now, you’re sure you’ll find flushed cheeks and crimson eyes burning in shame for wanting you so inopportunely.

“guess you’ll just have to take me with it then.”

[hemlock-dreams]

Not me absolutely frothing at the mouth about this AU. Can we get an info dump on the Lore? It's making me want to abandon my current Spideypool WIP for this. Absolutely terminal brainrot for this boy

BEHOLD: MASSIVE LORE DUMP!

Peter B. Parker is a young troublemaker who has a problem with authority. He also has a knack for picking tech apart and putting it back together, which puts him on the radar for a small-time gang that needs someone to act as their alarm system breaker for a big score.

Unfortunately, said score had bad intel and what was supposed to be a simple robbery turns out to be manslaughter when the resulting fire that was supposed to cover up their tracks ends up killing two guards.

Peter is tried as an adult with the rest of the gang and sentenced to Rykers for 5 years.

Check out the full page HERE.

At Rykers, Peter meets Marko Flint, who takes Peter under his wing. and teaches him how to survive and thrive when wearing the orange.

Life goes on for 5 years. He learns the trade, gets some tats, learns how to make some great shivs, and becomes a better criminal all around. Yay prison!

Peter gets out at 21, and reunites with Uncle Ben and Aunt May. He does his best to clean up his act, but normal life is hard for someone who spent their formative years in prison.

(He also makes questionable hair and fashion choices. What can I say, he's catching up!)

He goes from job to job, trying to pay back his aunt and uncle for all their support but is completely unequipped for the 'real world.' After a few months working/getting fired from soul-crushing menial jobs (HS dropout!), he agrees to take 'one last job' with Marko that is 'guaranteed to set them up for life'.

*cough*

This robbery goes off without a hitch! No one is hurt and they make off after hitting a heavily armored Oscorp Transport with a ton of documents/tech that they aim to sell to the highest bidder.

The biggest mystery is that one glowing vial of untested, experimental serum they found...

Unfortunately, Oscorp doesn't take robbery lightly. Marko finds out through contacts that the serum (whatever it is) is too hot to sell on the market, so he instructs Peter to get rid of it so it can't be traced back to them.

Peter, a rational 22-year-old ex-con, 'gets rid of it' by mixing the serum into ink and tattooing it onto his wrist, triggering the start of his mutations.

It takes a bit, but Peter get's all the regular spiderman benefits (webs are organic), plus one more. The serum was created from the venom of the Portia Spider, a hunting/jumping spider known to be uniquely intelligent among arachnids.

Alongside the speed/strength/spideysense, Peter also grows some fangs that secrete a powerful venom.

The venom speeds up the body's processes, working almost like an insane performance booster and enhancing an injected person's strength, speed, and senses for a few hours.

Unfortunately, repeated doses also eventually induce shock, paralysis, and, later, death.

He gives a few samples of it to Marko as an exit fee.

Uncle Ben was suspicious of how Peter suddenly got so much money, but took him on good faith. But, while he was watching the news that covered the Oscorp robbery, connected the dots and had a blowout fight with Peter that ended with him having a cardiac event.

Unfortunately, he did not survive.

Aunt May and Peter were estranged over this for several years.

This event crushes Peter, sobering him up immediately. He goes back and gets his HS diploma, and works on night courses in college.

However, he spends much of his days wandering, angry at himself and what he did. He beats up a mugger one day and realizes that he could be using his powers to back up the faith Ben had in him.

Spiderman is born!

Eventually, he and Aunt May reunite, and their relationship is slowly healing.

A few years later, Peter is on the up. He and Aunt May are close again! He's got a bachelor's in computer science, has a (semi) steady job, and is well-liked as Spiderman by the populace at large. His rogue's gallery is roguing- etc.

Unfortunately, a variant of his venom (developed by Kingpin) hits the streets as a drug. It's favored by both criminals for its performance-enhancing strength, as well as civilians, for the time-slowing sensation/high it gives them.

His girlfriend, Mary Jane, who has been sober for a few years, relapses. Peter, knowing that he can't stop her from getting it on her own, reveals his identity and becomes her main source.

At least, this way, he can control the dosage.

Marko (who sold Peter's venom to Kingpin) manages to fire off his only two brain cells and realizes that Spiderman IS Peter Parker.

Then he outs him to the world because Spiderman made it personal.

Peter's life catches on fire. The entire world is after him. His loved ones have to go into hiding because there's no shortage of criminals and psychopaths who want to get their hands on MJ and Aunt May to get to Spiderman.

Peter ceases to exist. It's not safe anymore. He spends days (weeks? months?) in the suit. Eventually, on the run and burnt out, he pleads his case to Dr. Strange in desperation. (Ala No Way Home)

"Everyone deserves a clean start."

Dr. Strange agrees, but the spell can't work with Peter still existing as part of the equation. So it fires him off into a reality where Peter B. Parker, and by extension Spiderman, never existed.

So how's an ex-con/ex-superhero (for now) supposed to carve a space in a world that never knew him? By finding somewhere that doesn't ask any questions.

And it just so happens, that St. Margaret's School for Wayward Children has a reputation for both being a bar of questionable repute and looking the other way.

Might as well start there.

~~~~~~~~~

Thank you so much for this lovely, lovely ask! I hope this massive lore dump wasn't overkill, but I'm having a lot of fun with this world and wanted to share.

And I offer this lore dump ONLY on the condition that you do not drop whatever you're working on. There is always space for more spideypool in the world, don't deprive us!!!

[buggachat]

honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.

i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue