#but understand that centralized will never be weird

[emeryleewho]

People on here are always like "fuck capitalism, why can't things be weird anymore" and then write up a whole dissertation about how the biggest IPs need to change to be weirder.

Like, you are so close. You are so close to getting the point. "Big" IPs *can only exist because they are normal*. They will *never* be weird. They will *never* do what you want. Go find some smaller IPs. Bring back discovery. Bring back never having heard of a book before you buy it. Bring back watching obscure anime online that none of your friends know about. Bring back trying new things, even if they're bad or cheaply made. That is how you get *weird*.

[llycaons]

writing under ‘cons’ for a fic: wwx is too normal :/

[qqueenofhades]

i registered to vote for the first time ( i feel old) now that im an adult but my state has closed primary elections which i was wondering if you have an opinion about. my initial thought was that its bad because i had to register democrat (rather than my states green party which represents my beliefs more) just so i could vote between democrat candidates, which feels like being pressured into supporting the weird pseudo two party system we have. but then i looked it up and apparently a reason for this is so that people from opposing parties wont purposefully mess up the votes just so that their preferred candidates have an easier time winning, and i think that makes sense too. but is that actually the reason theyve closed it or is it just to force us dem/republican?? cause it feels strange

Okay, look. I respect the fact that you're a young person, and I appreciate that you have not only registered to vote, but plan to vote in the primaries, so I don't want to lecture you too much. That said: I am taking you out for coffee, I am sitting you down, I am looking into your eyes, and I am urgently telling you the following:

The Green Party is a scam. It is a scam. It has existed for decades in American politics as an empty shell corporation weaponizing the good intentions of young people like yourself, because all it theoretically stands for "it's good to save the planet maybe." Which is not something that any non-insane person seriously disagrees with, but there is no world in which that cause is actually furthered by registering/voting Green (you mentioned that you did vote for Democrats, which -- good, but listen to me here, youngun, okay?) It ran Jill Stein in 2016 to siphon more votes from HRC, and this election it plans to run Cornel West, a pro-Russian tankie who positively equated Bernie and Trump, as another spoiler candidate. It does not stand for "protecting the planet" or America in any real way. It has never elected a single senator or congressman, let alone a president. It stands for empty performance/grievance political theater by those people who feel too morally superior to vote for/affiliate with Democrats, often because the internet has told them that it's not Cool or Hip or Progressive enough.

If your main priority is climate/the environment, you're doing the right thing by registering as a Democrat and voting for Democrats. (Also: the adjectival form is Democratic. It is the Democratic party and Democratic candidates, otherwise you sound like the Fox News host who wrote a book literally entitled "The Democrat Party Hates America.") They are the only major party who has in fact passed major climate legislation and have made environmental justice a central tenet of their platform. As opposed to the Republicans, whose Project 2025, along with the rest of its nightmare fascist prescriptions, openly pledges to completely wreck existing climate protections and forbid any new ones, just because we weren't all dying fast enough under their death-cult rule already. That's the main logical fallacy I don't get among both the Online Leftists and the American electorate in general: "the Democrats aren't doing quite enough as I'd like, so I'll enable the active wrecking ball insane lunatics to get in power and ruin even the progress we HAVE managed to make!" Like. How does that even make sense?

On a federal level, the Greens have contributed nothing whatsoever of tangible value to American or international climate policy/legislation, environmental justice, or anything else, because as noted, they don't have any elected candidates and mostly focus on drawing voters away from Democrats. There might be plenty of good candidates on the local or city level, which -- great! Vote away for Greens if they're available, or the only other option is a Republican! But on the federal/primary level, please understand: once again, they are a scam. There is no point in affiliating yourself with them. You're welcome to register Green and vote Democratic, if that makes you feel better or if you prefer having another label next to your name, but once again, I'm telling you in my position as a salty Tumblr elder that they have done nothing but harm to the causes they claim to care about, because "environment" is such a nebulous priority and has demonstrably been hijacked to stop the American government entity, i.e. the Democrats, that is actually working to improve on it.

As for your question: nobody is "forcing" or "pressuring" you to vote in primaries. By your own admission, you made a conscious choice to register as a Democrat in order to vote for Democratic candidates. If you were just a regular registered voter of whatever party affiliation, you would vote in the general election for whatever candidate the primary process produced. But if you are sufficiently vested and committed to that process that you would like to have a say in who is running under that party label, it is not unreasonable that you would register as a member of that party. Nobody has twisted your arm behind your back and made you do so; you are taking a considerable level of initiative on your own. Likewise, open primaries can be both a good and bad thing. This falls under the "the political system we have is flawed, but we can't magically pretend it doesn't exist and act according to our own fantasyland versions of reality" thing that I keep saying over and over. So yes, if you want a role in shaping the Democratic candidates who emerge from a Democratic primary process, you will usually register as a Democrat, and nobody has forced you to do that. It's that simple.

Likewise as a general programming note: I'm trying to cut back on politics a bit right now, because I don't have the spoons/bandwidth/mental health to deal with it. I apologize. So if you've sent me a politics-related ask recently and haven't received a response, I'm not deliberately or maliciously ignoring you; I just am not able to handle it as much as usual and will have to put it on pause. However, I feel as if this is important enough to be worth saying, so, yeah.

[marvelandponder]

one amazing thing about the Owl House finale is that it finally contextualized for me one of the central metaphors of the show. Spoilers for the series finale Watching and Dreaming ahead.

we good? no one spoiling themselves? beauty

for a long time now, I thought we had a pretty standard coming-of-age metaphor dichotomized by the show's central antagonists. you've got your protestant witch hunter Belos who introduces a maturity and ugliness to Luz's narrative; he clearly represents a particular, restricting form of adulthood, and just when Belos becomes his most threatening, boom, enter the Collector, Luz's dangerously naïve inner child to ruin all her development on the Boiling Isles. Seems simple enough

what I didn't anticipate was just how specific and personal their roles in the story actually are to Luz once you have the full context from the series finale

look again

this story - this whole series - is about the grief that a neurodivergent kid experienced at a young age, introducing the cruelty of loss and adulthood before she was ready to handle it. and, how to reclaim a more whole understanding of herself as she rebuilds her life with people who get her

Belos is designed to infect the titan carcass like a disease. a cancer. it's super goddamn significant that the titan is King's dad (King, who became Luz's younger brother). they set up Belos not just to be another fascist kids' cartoon villain (although yeah, he do be doing some of that), but to specifically become a force that oppressed the weirdness from the one place that understood Luz. the Iles. the dad. And by the end of the story, Belos's goopy body-horror isn't just for show, he's just like the cancer or other terminal disease that took Luz's dad from her

he's the thing Luz hasn't processed in season 1 that comes in at the end like a warning. he's the threat that forces Luz to grapple with her own humanity, feeling somehow (often completely unjustifiably) harmful to those around her, through the grief she doesn't want to be a burden or the weirdness (neurodivergence) others don't understand. he's the force that says there is something wrong with you, Luz, give in to your grief, this is what you can't face. this is the lie you've been telling to those closest to you: that you're okay

then you have the Collector. (notable that he's a collector, and we see Luz's mom and dad had quite the collection of nerdy memorabilia)

the Collector is the child too young to understand death. Too young to understand consequences, or why their playmates don't feel like playing anymore with someone so weird and maybe a bit too involved in their own world. The Collector is Luz's inner child, that kid we see right before the "worst week ever" — the one who didn't and couldn't understand what was about to happen even as it was going down. unapologetically weird, a bit destructive and short-sighted, but wholly colourful, wholly themselves. that's why the Collector wants to live out Luz's adventures, but without all the depth. just the fun escapist fantasy

but don't think I forgot the internal conflict! :D

because Camila's role also gets an added depth too: Camila was framed at the outset of the series as someone who loved Luz, but wanted her to fit inside a box that she just didn't. later, Luz completely misconstrued her mom's breakdown when she learned that Luz chose to run away. as many people have pointed out by now, Luz misremembers the actual dialogue that Camila says: Camila only wanted her daughter safe, not to lose her. Luz meanwhile felt like she had to choose to destroy this part of herself, or give up her connection with her mom altogether

but we know now Camila actually deeply relates to Luz. she may not understand Luz's fascination with horrific things like on the boiling isles (very akin to a kid getting more grim hobbies in the wake of a death, like Luz's taxidermy), but she loves Luz for who she is. all of her. she never wanted Luz to change

Luz was the one framing the central conflict of the show as go back to her mom or stay in the boiling isles. Luz was the one who felt like she had to punish herself by rejecting the one place where she felt like herself. once Camila realizes what's been going on, and how deeply connected it is to the loss of Luz's dad, she knows Luz is trying to make a "very bad choice for herself." And she won't let that happen (what a great mom!!)

But Luz does have one real choice ahead of her

because of the inner child who once again has to confront death (this time, Luz's own), Luz is able to connect with a father figure, the titan, the one place she feels understood. in the form of a power-up that makes her into a fantasy witch straight out of the Good Witch Azura, the one place she got joy after that huge loss, the titan gives her the strength to face the cancer—a force draining everything good in her life from her and making her question she deserves it in the first place—but only if she can choose herself

and that means choosing happiness, choosing found family, choosing love and friendship and self-discovery in the place she feels most at home! every bond she's forged, everything she's worked for, it all comes down to choosing to face grief and move on in life with weirdos who stick together.

hoot hoot, that's some good metaphor

[fuckyeahgoodomens]

Neil talking about the responses to Good Omens Season 2 - from the Neil Gaiman interview with Brian Levine for The Gould Standard (x,x)

BL: The audience that you have built is a very passionately engaged audience. They, frankly, they love you. And one of the reasons they love you is that you fit into what I think of as one of two great divisions in art. There's, or in writing, um, there is: I'm entertained, I'm amused. I may be even enchanted; and then there's this hits me at a visceral level. You understand me as no one else does. You have touched something very central to my experience. And it seems to me that Much of your writing, maybe all of your writing, actually reaches your audience at that latter level. You know. I would say in the former category, sort of my quintessential and beloved example would be P. G. Woodhouse. He amuses me, but I don't feel like he's revealed my inner self at a very deep level. Um, were you aware that you were going to be able to achieve that? Um, that this is something... was it a startling thing when people began coming up to you, who'd read your work and said, this means so much to me?

Neil: Yeah. It was huge. And it wasn't expected. I... if I had a mountaintop I was heading towards, it was gonna be P. G. Woodhouse. Um, I wanted to be a proficient entertainer with a clear prose style who could tell stories. Um, it probably wasn't until Sandman that I found... I started to realize that in order for a story to work, I had to show too much. In order for a story to resonate, in order for a story to matter, I had to let it matter too much. And, and I remember the first people who would start coming up to me and saying, um, you, you know, your, your Sandman comics got me through the death of a loved one. Your death character got me through my child's death, through my parent's death, through my partner's death, through my friend's death. Um, and that left me kind of amazed. I'm like, well, I didn't write it to do that. I wrote it to feed my children. I wrote it to satisfy myself. I wrote it because nobody else had ever written it. And if I didn't write it, it wouldn't be written, but I don't think I wrote it to give you what you've taken from it. And I spent really about 20, 25 years feeling awkward about that. And then my father died, in March 2009, and never got to cry about it. Never... I, you know, I've, I've got on a plane and I went to the UK and dealt with the funeral stuff and organized all of that stuff and came back and go toff the plane and went and did Stephen Colbert's Colbert Report and wearing the funeral suit because and that was all I had with me and carried on. And then, somewhere in the middle of summer, I was reading a friend's script. They'd sent me a script and said, can you look this over? And I'm reading it, and on page 20, the lead character meets somebody, and on page 26 maybe, she's dead, and I burst into tears. And I'm bawling. I am sobbing. It is coming out of me in giant racking waves. And I realized that it's everything that I'd been, hadn't let myself feel, or hadn't been able, hadn't stopped enough to let myself feel, was suddenly being given permission to feel by the death of a fictional person who I'd met six pages earlier, ia script. And I thought that... and it was huge for me, and I thought, okay, that's that thing that people are talking about sometimes, when they come tome and they say, you, you did this. So right now, I'm in this weird, wonderful place where I think a lot of people in Good Omens Season 2 thought they were signing up for the P.G. Woodhouse, and didn't know that, no, no, no, you've, you've signed up for the whole thing. You've signed up for the feelings. You've signed up for the emotions. I... it is my job to make you care and to make you feel and to feel things you haven't felt before. And which meant that the first week or so after Good Omens came out, I was getting angry, furious, deeply upset messages on every possible social medium telling me that I had betrayed people, and it was awful, and they couldn't stop crying, and why would I do that to them, and did I hate them? And they hated me. And then a weird sort of phenomenon happened as people would watch the show again. And again. And now they started to know, okay, this is where it's gonna go, this is what's gonna happen, this is how it works. And they started realizing that they were actually feeling things, and that was good. And that they were caring about two people who don't exist. You know, I made them up, and then and Terry Pratchett made them up, and then, um, David Tennant and Michael Sheen gave them life, and then they get to walk around on a screen and you know they don't exist, but you can cry for them, you can love them, they can make you laugh, they can make you exult, and most important of all, they can make you care. And the number of people who are now writing to me, saying, 'This was so important to me. This has changed my life. This makes me feel like I belong. This makes me feel like I can cope. And it's let me sort of find myself. P. S. I hope you get to do Season Three.' is, is huge.

[headspace-hotel]

I've been reading a lot of articles trying to understand how the ranges of various plants expanded and contracted throughout the glacial and interglacial periods,

and it sucks, it SUCKS that we just cannot know about ecosystems in the distant past with the same amount of detail as today's ecosystems!!!!!!!!!!! I NEED TO KNOW WHAT KENTUCKY WAS LIKE IN THE UPPER MIOCENE. BITING CLAWING KILLING DYING

I've been reading about palynology which is the STUDY of POLLEN, so different plants have very different looking pollen grains so if you get some mud from a sediment layer from 11,000 years ago and look at it under a microscope you can see what plants were dominant in the area and therefore how the ecosystem was different

ONE PROBLEM: Only the especially numerous plants will be easily detected this way, and it is rare for insect-pollinated plants to have detectable records in sediments like this, because pollen made to be carried by insects, doesn't blow away in the air and end up in mud the way wind-pollinated plant pollen does.

TWO PROBLEM, ACTUALLY: Pollen grains aren't that different between individual species, you could only say "This is an oak" or "This is a ragweed" and probably can't detect which kind specifically.

So there could have been all sorts of crazy herbs and trees that we would NEVER KNOW about because they were not very numerous, they were insect pollinated (80% of plant species are insect pollinated!) or they are closely related enough to a species we DO know, that the pollen is indistinguishable.

The quality of data on actual plant fossil records in Southeastern USA is kinda shit for some reason. I've read papers about it where the scientists are trying to make sense of the data and they're like "This paper from 1979 says this species of walnut was found in Tennessee, but we think it's full of shit because the fossil was just a tiny chip of bark" or something like that.

Compared with the rest of North America, we know next to nothing about the prehistory and the Pleistocene environment of the Southeast, I guess because it's so warm, humid and wet, everything rots away super quick.

Which is PAINFUL because the Southeast is the most biodiverse part of North America, and the ranges occupied by various plants suggest some wEIRD SHIT was happening.

There are ~100 genera that have one species that lives in SE USA and a sister species that lives in SE Asia,

and furthermore, there are several species that are found in SE USA but ALSO found high up in the cloud forests of Central America, in a totally different habitat that just happens to be hospitable temperature wise.

There are tons of plant species found EXCLUSIVELY in Florida and nowhere else on Earth. There are also loads of plant species found only in the highest peaks of the Appalachian Mountains. And there's a bunch of species that are found only in random speckle-like patches in various places, like how did it get HERE and then all the way over THERE 200 miles away with none in between?!?!

[inkdrinkerworld]

Inn Love Chapter 3

one two

cw: money issue talks, feelings of failure, james and reader being in love and idiots, a little angst (?) friends to lovers

wc: 2.6

“It’s not looking good,” you mutter to Mary, head in your hands as you go over the accounts one more time. 

“It’s the off season, we’ll find something else to do.” 

She’s too kind, too understanding. You wish she’d blow up at you and quit for not being able to pay her on time. 

You sigh, long and hard. You have to figure it out. The Secret Garden is your baby, and even though this is your second year owning it, you’ve still not figured out how to supplement the off season so you make a profit. 

You don’t know if you’ll ever be able to. 

“We might have to. How do you feel about starting up line dancing lessons for a little bit? Just until I figure it out?” 

Mary grins, nodding her head. “I’ve missed it some. Won’t exactly be hard to get back into.” 

Mary’s the best worker you have. The only one you have really, but she’s still the best. 

You close up your books, and double check that all the rooms have been checked out of and begin locking up. 

James is waiting for you on your front steps, hat tipped low as he leans against one of the beams. 

“Hey Jamie, didn’t know you were stopping by.” 

You try for chipper, a smile in your voice as you hold your tote bag on your shoulder. 

“Wanted to see if you wanted to get lunch with me.”

You pause, reaching right in front of him. It’s instant, the way a frown fights for the space of your smile. It’s also instant the way James notices. 

“What’s wrong?” He takes your bag from you, leading you to his truck. 

“Nothing. Where are we getting lunch?” 

James frowns a little bit, but doesn’t press. “Had Chinese dropped off to the house, got all your favourites.” 

You grin, James does this a lot and it makes your stomach flip every time. 

“Meet you there?” 

James frowns again, then shrugs. “Yeah, darling.” 

You double back to your own truck, James setting your bag in the bench seat. 

You watch James pull out first and take a moment to collect all your worry and all your anxiety and stuff it deep in your chest, burying it with a bit of hay before sighing. 

You can’t let James see you’re worried or anxious, he’ll sniff the information out of you and if you tell James then you’d have failed. 

The first year it was understandable, the second year; you’re not sure you could tell the person who helped you build the inn from the ground up that you’ve been having months of money troubles. 

You pull up behind James, sliding out of your car and racing him to the front door. 

“You still cheat.” he says with a smile, you shrug while pushing open the door. Inside James’ house, you’d think it was hot, all the southern heat trapped in the walls, but it’s always cool. 

He’d explained it to you once, the stone and wood kept it cool, but also he had put in a central air con to maintain the chill. 

“I got shorter legs than you James, it’d never be fair.” 

James shakes his head, following you to his dining table where all the boxes are already laid out. 

“How much noodles am I allowed?” James rolls his eyes. You always eat most of it and he always gets you your own box because why deprive you of your favourite thing?

James doesn’t think there’s actually anything he could deprive you of. 

“Does lack of sleep mess with your memory?”

You grin when he passes you an entire box, and then the rest of what you usually like.

As you eat, the talking kind of subsides, which is weird by yours and James’ standards.

“Are you sure nothing’s wrong?” He asks when you migrate to the living room, laying out long on his sofa while he sits with your feet in his lap. 

“What do you mean, Jamie?” You try hard not to stiffen your body as you respond. 

He sighs, hands squeezing the arches of your feet. “I dunno, something feels wrong. Like you feel down.” 

God you could cry right now. James has always been in tune to you like this, as you are with him, but it sometimes gets to be too much because lying to your best friend hurts. Especially when he can tell something is off. 

“Just tired I guess.” you shrug one of your shoulders. James hums but doesn’t say anything and you feel guilt like a hot poker in your stomach. 

You wiggle your toes in his lap and his hands fall back to massaging them. 

“Wanna watch ‘How To Lose A Guy In 10 Days’?” 

James never has to ask twice. 

You don’t mean to, but you and James fall asleep right there on his sofa. Some time during the night you’ve shifted, he’s laying under you and your head is on part of his chest with your legs tangled up. 

The only reason you wake up is because James’ alarm is blaring and you’ve got the worst crick in your neck.

“Make it stop,” you grumble, hiding your face in his chest as he stretches. It’s comfortable even for friends, the way James holds onto your waist as he leans over you to grab his phone. 

“Shit, s’nearly four. You gotta go darling.” 

You’d lasted nearly a whole three minutes without thinking about the fact that The Secret Garden wasn’t doing well. 

Almost awkwardly, which is strange for you and James, you sit up. As you stretch all your joints crack and you sigh where James winces. He’s always hated how you can just crack your bones like that- he worries you’ll break them one day. 

“Nah I got the day off.” 

James’ eyebrows shoot up. “So the TSG is closed today?” 

You wish your friend wouldn’t ask so many questions. Lying to him is hard work. 

“Mary’s running the morning shift today.” James looks a little sceptical but drops it, making his way to the stairs. 

“M’gonna get ready. You staying on the ranch then?” 

You nod, what else is there for you to do? Plus if you use your ‘day off’ to be anywhere but the ranch, say going job hunting or to the bank, your quiet little town will somehow have your going-ons back to James in no time. 

“Heat up breakfast and I’ll make us coffee.” James is back down in ten minutes, showered and changed into his wranglers, a thin white t-shirt and his work boots. 

You’re sure you’ve got yours around here somewhere.

James and you work like a well greased machine, making breakfast and coffee and doing the dishes all in one go. 

He tilts his head to the screen door in the kitchen that leads to his side porch.  

“Wanna watch the sunrise with me and then go round do some ranch chores?” 

“Still got my boots in the coat closet?” you ask and James rolls his eyes. 

“When has anything of yours left this house? You’re everywhere in here.” His gaze is too intense for you to laugh it off. It also makes you feel like you’ve caged race horses in your stomach and they’re butting their fences. 

“You say that like it’s a bad thing, Jamie.” is all you can manage before going in search of your boots.

James doesn’t think it’s a bad thing at all. Honestly, he wishes there were more of you in his house; he’s just not sure if saying that to you will cost him everything. 

Shoving your feet into the boots you sigh, then take a peek out at the sky and shiver. “I’m taking a coat.”

“Take anything you want.” 

This is why you can’t tell James about your money troubles. He’s going to give you anything to turn it around, but you’re not sure if anything he can give will. You also can’t use him anymore than you already do. 

“Race you to the stables!” James takes off before you can even put down your empty mug. 

“You’re such a cheater!” You whine as you race behind him, his laugh floating back to you as you reach the stable doors. 

“Takes one to know one,” he says playfully, causing you to roll your eyes.

James holds the door open for you and as soon as you get in you head for Snowglobe. 

“My baby,”  you coo, already kissing the side of his face while James lets his own horse, Landslide, out.  

“You’d swear he wasn’t nearly twenty three.”

“Don’t remind me Jamie.” you grab a brush and go through the usual maintenance just as James does with his horse. 

“We’re riding up to the fences to check on the horses, then we’re feeding them.” James talks about his day like it’s easy, but you remember the hard work that goes into ranching. You’ve got your work cut out for you, and you’re not even doing the hard stuff like moving hay or any of that. 

“Lead the way, Cowboy.” 

After a couple hours, you go back to the big house and take a shower, well and truly exhausted. James wouldn’t let you haul hay, so you’d been feeding the animals, cleaning the stables and doing a bit of general cleaning up around the ranch while he and his farmhands mended parts of the fence, herded the cows and hauled the dried heaps of hay. 

By the time James comes in, you’re halfway through preparing dinner- beef stew. 

“I would’ve cooked after my shower, darling.” James says as he hangs up his hat and boots. 

“Yeah, but now by the time you come back down, we can eat together.” 

James frowns again, you’ve never been away from TSG for this long since it’s been opened and it’s worrying him that you won’t talk to him about it. 

If he’s honest, you haven’t gushed about the inn since you left it yesterday- which is very unlike you. That place is your pride and joy and everyone knows it. Especially James. 

He holds his tongue on his worry and nods. 

“I’ll be back in ten.” 

Through dinner, you’re on your phone, checking your accounts, trying to see where you can make more money or if you’ll have to do the one thing you don’t want to. 

After your sixth sigh in ten minutes, James sets his cutlery down and reaches a hand for you.

“Darling, I know you said it’s nothing, but it’s clearly not. Can you tell me what’s wrong, please?”

Before you can answer, Sirius bursts through James’ house. 

“Did you see TSG’s been closed all day? Wonder if everything’s okay.” 

You freeze in your seat when James turns to you with wide eyes and a slack jaw. 

Sirius coughs to dispel his embarrassment. “Sorry doll face. But why are you closed? Is everything alright?” 

You can’t even be upset with Sirius because for all of his faults, he’s always concerned about you. He feels very much like an older brother in that way, even when he’s giving you shit. 

You rest your head on the table and sigh. 

“Don’t be upset Jamie,” you start, slow and more than a little nervous. You don’t know how you’ll feel if James is angry with you. You don’t want to feel like a failure to him. You don’t want to fail yourself even more. 

“I think I’m gonna have to close the inn.” 

Sirius gasps, James frowns. “Forever or for a while?” 

You lift your head, “For a while. I’m not sure how long. I’ve got to go over the account but we’re not making a profit right now.” 

“Darling,” he says at the same time Sirius swears. 

Tears spring in your eyes. “I know, it hasn’t been making profit or any sort of money for a couple months but I thought it would pick up again, but I guess late summer is not our season.” 

James stands quickly when your first tear falls and Sirius ruffles your head. 

“There’s nothing to be ashamed about, it happens. I can help you work through it.” You shake your head at James’ proposal. 

“You helped me start it up and I can’t even keep it running through the entire year. I can’t expect you to help me every year that I have a slow period.” 

Sirius tuts, “You could always sell your bakes in the off time, dollface.” 

James wipes your tears away, “I can still help. I don’t mind helping out.” 

You shake your head. Sirius seems to get it before James does, and what it is you’re trying to say. 

“No Jamie, I think maybe working on the ranch or doing a little baking on the side would be good. Right doll?” 

You nod, “I don’t wanna keep using you Jamie.” 

James tuts, tilting your chin up. Sirius takes his cue and goes into the kitchen, looking through James’ pantry. 

“You don’t use me. You’ve never used me.” It’s hard to argue with James when he speaks with such conviction but you know you have. 

“But I did. When I was opening up TSG, it was you helping me.” 

James smiles then, “Yeah I helped, darling. It was a mutual thing. We’re friends, of course I helped you. And I can help again, but if you want to do this part on your own, I’d get it.” 

James wipes your tears, gentle and sweet as ever. “I need to go do a final closing for the season and set some things in place, but can I stay here in the meantime?” You force the words out, soft and whispered against the space between you and James. 

“You can stay here as long as you like,” 

“Thanks Jamie.” 

He shrugs, dimple poking out in his cheek as he smiles at you. “You’re always welcome darling, c’mon I’ll drive you to TSG and help with lock up.” 

As it turns out, telling James you’d been struggling wasn’t that bad. It was hard and you’d felt like a failure for a little bit, but he talked good sense into you and now you’re staying with him till the start of autumn. 

“I can work the ranch, Jamie.” You proposed on your second night on his sofa. 

“You cannot work the entire ranch.” James wasn’t even being funny about it either. You really can’t. You get cut up easily and you blister worse than he does. 

“Okay, I can work the stables.” 

James rolls his eyes good naturedly, tossing a bit of popcorn at you. You’d both been watching a new horror that James had seen advertising. Watching is a generous word because you both talk through all the dull parts and you squeeze his fingers in anxiety during the freaky parts. 

“As opposed to?” 

You giggle, “Hey, I can work the garden or help milk the cows.” 

James chuckles then, his dimple on display making you want to poke your finger in it. “Same cows you’re afraid of? You can work the stables darling, you know your way around it.” 

You squeal, leaning up and closer to James to kiss his cheek. You love doing it because James goes red hot and can’t stop his flush. Even as kids he’d go beet red the minute you gave him a kiss to his cheek. 

“You’re the best James. The best ever.” 

He grins, “I’m glad you finally noticed.” The pillow behind your head whacks him in the face as you groan. 

“That was yuck, don’t ever say that again.” James laughs through your disgust, slotting your pillow behind your back again and holding your feet in his lap as the horror builds. 

[piratecaptainscaptainpirates]

The thing that really annoys me about the conspiracy theories going around (especially the Izzy-centric ones and especially That One Meta, iykyk) is the complete and utter lack not only of genre awareness but any realistic understanding of how OFMD operates.

If you actually watch the show, you should understand two things.

This is a rom-com. The central romance between Ed and Stede and comedy are therefore the two most core parts of the show, with Ed and Stede's romance taking priority over everything else. That's not to say OFMD doesn't have dark themes, it absolutely does; it's to say that comedy is always important to how the show is written, acted, and filmed. If the most obvious explanation for "what is this line/scenario trying to tell us?" is "it's funny," then that's clearly why the scenario is in the show.

This is not a subtle show. That's not to say it's a simple one; one thing I love about OFMD is all the background details and gags you only pick up on a rewatch. It's amazingly layered and emotional responses by characters are often extremely complex. However, when the show is trying to tell you something, it's not subtle and it never tries to hide it. The closest it ever gets is Ed in the gravy basket, and even then it's written so we find out the instant Ed does and we've already had clues to suspect something from how the mutineers are acting. If you're watching OFMD and thinking "hmm I wonder what they're trying to tell me here," you're probably doing something wrong.

That's why I'm so completely baffled by conspiracies such as

"How much was Ed hallucinating/dreaming??" After he gets out of the gravy basket, none of it. Very obviously none of it. Why would you assume they had time to waste this season on trying to confuse us about what's actually happening?

"What if Ed actually killed Buttons?" Okay, putting aside that just not happening on screen and therefore the most reasonable assumption being that he didn't, what would that actually do for the story? Buttons turning into a seagull underscored season themes of change. Ed killing him would be confusing, weird, and extremely out of character.

"What if Ed was the one who killed Felix the cabin boy?" This one absolutely baffles me. That story is transparently there to show us what Hornigold was like as a captain and illustrate why Ed hates him. Ed doing that instead of Hornigold would be wildly out of character and inconsistent with everything Ed does.

And my favorite, the one that made the author of That One Meta instantly lose all credibility for me when I skimmed and saw it:

"What if Ed and Stede's new shack is stinky because they actually have Izzy's body in there and Ed's in denial of his death, etc. etc."

Well. Given my awareness of the show I'm watching. I feel pretty safe in saying that it's stinky in there because, and I can't stress this enough, this is a comedy and sometimes it is funny for things to be stinky.

[sy-on-boy]

Anya + unraveling the mystery of the Desmond family (and Damian being different)

When Melinda debuted, I wrote a post about how she was potentially a character against the Forgers because Anya hadn't met her (we gain insight into characters via our deus ex machina Anya meeting them and reading their minds). Anya has met her now and the narrative has established that she genuinely cares for Damian (even if she's still a mysterious character).

After a long time, Demetrius is finally here. He's still mysterious, but not antagonistic to his brother and still cares for him. Like I said in a previous post, Demetrius subverts what I said above because Anya cannot read him fully even if she's met him. But regardless, Demetrius is here, we've seen him, all four Desmonds have finally debuted. And in my mind, I can vaguely connect them to the Forger-Briar extended family:

Anya - Damian: The kids aiming for stella stars and seeking parental approval. Attached to their dogs. Occasionally heroic (dodgeball, handkerchief, bus hijacking), but ultimately silly kids dragged into "adult" political matters (Anya with more awareness than Damian).

Loid - Donovan: Standing in for WISE vs war, one of the central conflicts. They are fathers and authority figures. Loid, faking a job as a psychiatrist, seeks to understand people (as a fake job, but he also does this as a spy). Donovan famously declared that people would never truly sympathize with each other. A good, attentive father and a neglectful father.

Yor - Melinda: The mothers, the narrative kind of puts them in the background compared to their husbands, but we know they have plot behind them. Yor's job as an assassin is unknown to her family (sans Anya). Melinda has struggles of her own when it comes to parenting her kids / being married to Donovan.

Demetrius - Yuri: Bit of a stretch, but they're both characterized as genius brothers and on the side compared to the main father-mother-child trios. Yuri works for the SSS, in direct opposition to Loid. Demetrius is a middle schooler?? He’s a child so he’s probably not that involved in the main plot, and if he is, it’s not willingly / he was brought up that way. They're both younger (and less experienced) compared to the adults- Demetrius is still a child and Yuri is 20. Yuri's affection for Yor is overflowing and the Briar siblings are very supportive of each other. In contrast, Demetrius is passive and apathetic, but not uncaring.

Anya has met everyone except for Donovan. Anya thinks both Melinda and Demetrius are weird. And Anya thinks of Donovan as the evil super boss. To her, the Desmonds are "weird". "All of Sy-on boy's relatives are such weirdos" - not sure if it's just the translation, but this line seems to imply Anya thinks Damian is exempt to the weirdness of his family. After all, unlike Demetrius, she can read Damian's thoughts normally. And unlike Melinda (and Yuri, and Fiona), she usually doesn't get bombarded with an overwhelming wave of intense thoughts when she reads Damian's mind.

And that brings us to the next point - Damian's time in Eden and the positive influences he receives (away from his family). Damian and Anya are better friends now. E&E's loyalty and affection for him have been established countless times. Becky congratulates Damian this chapter. Despite Damian thinking people suck up to him to get close to his father, he has a group of friends who do care about him (including Becky who doesn't suck up to him). Outside of what we see from Anya's pov, Damian has teachers and his dorm mother (Jeeves too) who care for him. Damian isn't alone.

Damian is shown to be disconnected from his family for whatever reason. His parents didn't come to his orientation. Damian says he doesn't see his parents often. Melinda cares for Damian but isn't allowed to see him often / afraid to be seen with him (?). Damian has called Demetrius before but this is the first time we see him meet Demetrius in person. And we all know about Damian's goal of impressing his father. Damian seems to believe Demetrius and Donovan when close when they were younger (when Demetrius was slightly older than Damian’s age), but Damian receives no such attention. Despite this, Damian still manages to have a fairly happy school life with his friends and supportive adult figures.

I think Damian's growing friendship with Anya and the recent complete reveal of the Desmond family will push Anya into thinking Damian is not like his weird family. If anything, Damian is more like Anya and her associates. Post bus-hijacking, Damian from Anya's POV is seen as more likeable / sympathetic, even more so now that we know about his mother and brother.

Anya is a child who is exposed to some of the darkness in Melinda / Demetrius' heads (trauma from being close to Donovan?), and she doesn't really understand them. Melinda / Demetrius seem off to outsiders (we saw Yor’s reaction, Becky thinks Demetrius is creepy) but it’s only Anya who’s capable of reading their minds and knowing how weird their thoughts are. But Anya has a much better understanding of Damian, the youngest Desmond, who is a kid like her with understandable motivations (getting stars, impressing his dad) similar to Anya's own motivations.

Interesting to note that Demetrius, while at Eden, seems rather lonely and disconnected even within his peer group. When he walks down the stairs, the panel frames it as him being alone, while Damian has four friends with him. When Damian and Anya get their stars, their classmates are shown to be smiling / impressed. When Demetrius gets his stars, we see two of his peers sweatdropping, almost looking wary, while a blushing girl has her hands to her mouth. The story doesn't show Demetrius' peers celebrating his success. It feels like Demetrius' peers are used to him getting good grades but still in awe of how good he is, but... they're not really close to him. Demetrius is not social and says he doesn't understand people, and maybe he doesn't interact much with his peers.

This chapter also reveals Demetrius is not in regular contact with Donovan anymore, contrary to what Damian believed. So Demetrius seems removed from the Desmond family sphere, but also isn't super integrated into the Eden sphere (in contrast to his 6yo brother and his friends). We can believe Demetrius isn’t close to Donovan because he is annoyed (and triggered?) by the mere mention of his father. Clearly Donovan has done something scarring to both Melinda and Demetrius and their thoughts look weird to Anya. Damian, despite craving for his father's attention and being stressed about it, is still relatively unaffected.

From now on, I think we'll slowly get more information about the Desmonds while Damian remains separated from them in the narrative. Damian is introduced as a vital part of Plan B due to his connection with his father, but even Damian himself admits there's not much of a connection. Plan B is working (sort of) because Damianya are friends, but that doesn't mean it's easier for Anya to meet Donovan. I think the narrative has been pushing Damian away from being a plot device for Plan B to being Anya's genuine friend and a victim of the Desmond parenting. At this point, Damian is not really useful to the main plot and there's not much mystery to this 6yo child.

Damian still thinks of himself as a scion of the Desmonds and he’s desperately trying to get his father’s attention. But his dad doesn’t really care, his mom loves him but doesn’t want him to be near Donovan, his brother is similar and also seemingly doesn’t want anything to do with Donovan. Meanwhile, the story establishes him as a boy with a crush on Anya, a boy with friends who will readily sacrifice themselves for him, a boy who’s willing to protect his classmates. All around Damain, his peers, associates, and the story itself has long been defining Damian as someone outside of being the Desmond family. But Damian naturally holds onto it.

Damian isn’t mysterious to Anya because she can read him. Okay, she still thinks he’s a brat sometimes, but that’s Damain being Damian, not Damian being a Desmond. But everyone else in the family is mysterious and it makes Anya feel at least vaguely uncomfortable.

The Desmonds are probably connected to Project Apple, and with the recent hints of Anya’s backstory, we might get some of that. But Damian is framed as almost completely separate to whatever went on, while Melinda and Demetrius are portrayed as victims of Donovan, mysterious and a bit weird but still sympathetic.

And that’s why I think it’s coming together— hints of Anya’s backstory, Damianya becoming better friends, the Desmonds all here. We’ve scratched the surface off and we’re hopefully going to see more.

(Also, just a thought: if Damian indeed goes through a “dark arc” and becomes more like the rest of his family, Anya will know because she can read his mind. She will be able to tell if Damian’s thoughts also start being “weird”. But they are better friends now which could be a lead up to her helping Damian deal with the pressure and struggle.)

[bobbile-blog]

Not sure if anyone’s said this yet but now that we have Laterano events plural I’m fascinated by their (imo) very deliberate choice of protagonists, and there are almost a couple of layers of narrative going on there. I struggle a little figuring out how to get this into words but specifically I think they’re chosen to be people who can carry a narrative without contradicting the orthodox morals of the church. There’s a LOT of vaguely anti-authoritarian rambling below the cut so please kindly bear with me and my English major brain.

I can’t really start there though. One of the reasons this is so brain hurty is how deeply it’s woven into the storyline, so to start, I have to verbalize how Laterano and Arknights writing more generally is different from other, similar settings. Because like, I hear the words “morally negative church in a grimdark setting” and my brain immediately shuts off. Come on, that’s so far beyond low-hanging fruit, if you’ve seen any grimdark setting ever you know exactly what that looks like. And sure, it was fine the first two or three times you saw it, depending on your tolerance for that kinda thing, but it gets boring quick and even when it was new it was kinda uninteresting story-wise. “Religion is always fake because it inspires hope which means everyone who takes meaning from it is either a corrupt grifter or naive and misled” isn’t just edgy nonsense, it’s also basically useless as an actual critique. It tells you absolutely nothing except how to tune out a particular kind of story, and a story that tries to get you to hear less is doing its job wrong.

So, Arknights does something different. Instead of denying the premise of the church entirely, it actually takes it at its word. Laterano is, in almost every definition of the word, a paradise. It is basically unmatched in terms of actual quality of life, with its only competitors being the Durin cities and maybe Aegir, and is worlds apart from now much the rest of Terra sucks. More than that, though, the paradise is specifically tailored to the worldview of a religion with a strong central authority - when I say it takes it at its word, I mean the authoritarian bits too. Laterano is a city that lives in perfect order and peace because everyone follows the law perfectly and they all understand each other and never fight. Empathy is really important for this, as it allows for a believable amount of superhuman societal order. Laterano has very little crime, political drama, or quarrels in general. It’s the promises of a strict higher authority actually taken at face value: everyone follows the rules and that means they have effectively unfettered freedom, because they don’t want to break the rules and therefore they can do anything they want.

Laterano is specifically written to be a believable paradise in a setting that has none, so that when the story then turns around and criticizes that setting, it has significantly more weight. Even when the promises of paradise are taken at face value, there are still issues that cannot be addressed because the system is inherently flawed even in the imaginary scenario where it works. Even worse, the problems that poke holes in the imaginary perfect scenario are the same problems that they face in the real world, like “how do you deal with the interpretation of scriptures” and “hey there’s this racism thing I keep hearing about should we be worried about that or what”. Because of the way this imaginary perfect system works, we then look back on our real world in a new light and understand it a little better. It’s good critique.

Okay so how did we get here and what does this have to do with the protagonists? Well, this starts with Fiametta in Guide Ahead, because she’s a really weird protagonist. This is a cold take at this point but despite being the character on the front of the box, she has very little to actually do with the central conflict of the event. Most of the conflict is handled by Ezell first and Andoain second, and Fiametta mostly putters around putting holes in people until the finale where Andoain receives the answer he’s been looking for, he turns to explain it to the world, and he runs into the only person in the whole of Laterano who does not care about his motivations or his revelation. Her role, in other words, is to replace the climax of Andoain’s story with her own, and in doing so she makes it much harder to actually get a resolution and a meaning out of the story (this should not be taken as a criticism of her character, let me cook). Guide Ahead’s ending is hazy, with only small piecemeal resolutions to its conflicts, and for the longest time that was just the way the event was written and it stood on its own.

But now, Hortus de Escapismo is out and the monkey brain see patterns. Specifically, with the choice of protagonists. Because Executor is definitely different from Fiametta as a protagonist, but there’s one particularly important connection between the two, and that’s that as I mentioned in the beginning, they allow for stories don’t contradict orthodox morality. Fiametta we went over, as she’s uninterested in any of Andoain’s morality and just wants him dead. Executor, though, is purely focused on his mission and views the world through that lens. He only wants to achieve his objective, and while helping the needy is in line with the stated objectives of the church and he does do so when able, it’s secondary to his assigned task. He does change as he gets further into the story, and we’re not gonna ignore that, but we’ll be back to it later. What I mean is more that he is designed as a person who is able to lead a story that doesn’t contradict with the morals of Laterano. He sees the injustice and suffering around him, but that’s not his job, so he doesn’t need to solve it to have a complete story with a happy ending.

This is where it really gets complicated, so I apologize if I don’t explain this very well. I see this as us dealing with multiple layers of fiction: the events of the story, the perspective of the church, and our perspective as readers. Back to the first point - authoritarian institutions almost always use stories to sell people on their brand of order. Simple stories, simple enough that even calling them myths seems like overselling it a little, your “Saint George slays a dragon” kinda thing. This is the point of the second layer, the perspective of the church. I don’t really have an in-world justification for this layer - maybe you could make the argument that it has to do with Law’s perspective on things, but I don’t totally buy that - I think it’s more in a weird narrative transition space for people who don’t read very carefully. Regardless, Fiametta and Executor’s shared indifference to the questionable circumstances surrounding them is designed to let them tell a story to prop up the existing order. Their protagonist status and their missions are specifically constructed to allow them to ignore the suffering around them, and as such ignore the larger questions that might poke holes in the larger order. They’re both playing out the story of Saint George, where they go and find a bad guy and kill them and that’s all there is to it. The story is designed and told specifically for that “that’s all there is to it”.

But, as we said earlier, this is a good critique, and as such it intentionally undercuts this story with the third layer: what we actually see as readers. We are shown the suffering and the injustice, and then get to see our protagonists ignoring that to pursue their goals. This is what gives Guide Ahead’s ending its unique texture, which sets it apart from every other event with a vaguely unresolved ending. We have seen the actual issues with Laterano, and also watched our protagonist explicitly ignore them in favor of her own story. It’s unsatisfying in a way that only really makes sense to me if we as the readers have an understanding of intentional authorship. Whether it be Yvangelista XI or Law or The Actual Real Life Pope, there are issues here that we want to see a resolution to but people are choosing not to address them. Again, it’s good critique. Not only does it push the reader to unpack and understand the actual real-world technique, but it also helps blunt it. You have just seen a plot and protagonist ring uncharacteristically hollow. You then look around to see why that is, and you realize there are many things that should have been resolved that weren’t. The next time you see a story resolve with that same hollow-ness, you know where to look. Surprise! Harry Potter was propaganda the whole time. It’s okay, it was never good, you were just twelve.

I guess the last thing is where we go from here, because Executor’s story breaks this mold somewhat. In Hortus de Escapismo, he has to deal with a mission that isn’t actually bounded by his normal rules, and because of that he actually does have leeway to help the people around him. He starts as someone who is totally mission-focused, but by the end of the event he’s done a total 180 and is blocking Oren’s attack, which makes the mission harder but helps the non-mission-critical civilians of the monastery. He breaks from the rigid thinking of “kill the bad guy and that’s all there is do it”, and gives his attention to the people he isn’t supposed to see. I think this is an indication of the direction we’re going to be headed in the future with Laterano events. The events aren’t going to get better - they’re going to keep being just as morally murky and complicated as in the past - but the characters are going to get better at handling it, and when they do, they’re going to actually start to change things for the better.

Goddamn that was a lot of writing for 1 AM. I still have a. Lot of thoughts on this event with stuff like empathy and Lemuen and Federico being an autistic icon(my beloved) but I’m going to leave things there, I think, because if I write for any longer my phone is going to crash when I try to post this. Anyway if you actually made it to the end thanks for listening to me rambling and I hope that made sense. Cheers.

[kradogsrats]

Stars & Staffs: What the Heck, Guys

So. The staffs. The staffs.

Prior to this, we held the belief that the Staff of Ziard was made specifically for dark magic. I made a meme about it once (why yes, I do think I'm funny):

Now... that could still be the case. The Aaravos/Sauron parallels have always been off the charts, so "the dark lord forged in secret a master ring, and into this ring he poured his cruelty, his malice and his will to dominate all life" is still a definite possibility.

Aaravos also has a strong thread in his plans to bring about the stars' downfall through a vector they had overlooked—humans—and with warped mirrors of their creations—himself, characterized as "their dark brother," and possibly dark magic, itself.

—Ripples

—Patience

So yeah, still strong possibility that the Staff of Ziard is Aaravos's creation for humans, a mockery of their works delivered with irony.

However, the other possibility—that the Staff of Ziard is one of a set conceived for some magical purpose—is super interesting, because it's actually not strictly a dark magic staff in the way that Ibis's staff is a Sky magic staff or the Sunforge staff is a Sun magic staff.

Staffs for primal magic are pretty explicitly sources of power and focus for the mage. The Sunforge staff contains a small Sun primal stone, Ibis's staff appears to similarly contain a Sky primal stone—it's not clear whether these primal stones are powerful enough to be used on their own by a non-mage, but the corrupted Sunforge staff is at least powerful enough for Claudia to use it easily and immediately.

We also have Karim's staff, which doesn't have a visible stone and appears to be somewhat less powerful, acting more as a channel to focus his magic than a source for it. While we see a lot of rune spells cast using staffs, we also see several spells cast with staffs apparently instead of runes.

Most staffs are probably a lot more similar to that, because like... the Sunforge staff is obviously incredibly powerful, being linked directly to the Sun nexus and wielded by former Sunfire monarchs. Ibis's staff also tracks as a powerful artifact—I would not be surprised if Ibis was an archmage of Sky, or equivalent to one in power. Ibis even uses his staff for some rather complex magic—picking up objects, aiming, and launching them at Claudia—without a rune or a spoken draconic incantation.

The Staff of Ziard, on the other hand... it's not actually a dark magic staff in the same way. Instead of itself being a source of magic or using the mage's own connection to a primal source the way primal staffs do, the Staff of Ziard is all about siphoning away the essence of living creatures, whether that's primal magic or souls. Being able to then empower or release that essence seems to potentially be a matter of knowledge—Viren doesn't do it until Aaravos has basically taken over his subconscious, and the only other person we see do it is Ziard himself, draining the sunbirds directly into a corrupted fire capable of burning an Archdragon of the Sun.

Conceptually, siphoning essence to cast spells is very in tune with dark magic... but not exclusive to it. "Magic that takes," as Aditi describes it, apparently exists in several forms.

Additionally, like I said, Viren literally never uses the staff for any magic that isn't unique to it until mid-late s3.

All the dark magic spells he does before then, except for the ones that are explicitly done with the staff alone, he does without it.

(Yes, there's whatever he does to hold Thunder immobile, but that has always been a weird outlier we don't fully understand. We don't know whether it's a spell from the staff—unlikely, given that it doesn't involve or affect the central stone—or a reagent-powered dark magic spell he cast while the camera was focused on Thunder and Harrow.)

So what is the deal with these?

We know that the Celestial elves are guardians of artifacts related to Star magic, Startouch elves, and presumably the Stars/First Elves in general. So the staffs could just be being stored. They do have nice little display niches. What's kind of weird is that first of all, they're apparently powered up in some way, given the glow of their stones. Secondly, they're in full "open" configuration—the way Claudia uses the Staff of Ziard when opening the chrysalis.

Like the soul-trapping spell that is one of the staff's specialties, the chrysalis spell uses a dark magic incantation (rather than the Draconic-based deep magic or corrupted Sun magic spells). It's described as channeling the power of the "sun's first light," and what it does is, I'm fairly convinced, imbue the being inside the chrysalis with essence—on some level giving it consciousness or a soul.

So what if all the staffs work that way, but for different facets of energy or magic or whatever? Why create something like that, whether for the sorts of energy corresponding with primal sources, or for souls and consciousness? Why would Startouch elves need staffs, if they're so absurdly powerful?

Theory one: let's get the least likely one out of the way first. As a whole, the staffs are components of a machine-like spell or group ritual that maintains the flow of primal and other magic through the world. Yes, this is about my theory that the Starscraper is a kind of world-pillar or bridge that funnels magic to Xadia from elsewhere, and yes, I am a big fan of Pillars of Eternity. There's not really a lot of evidence for this, aside from the different stone colors and the arrangement and kind of strange location of the stored staffs. Like, what is up with this?

Theory two: we know the First Elves in some way divided into at least the five other kinds of primal elves. Could the staffs have been somehow related to that, intentionally consolidating and focusing the First Elves' magical nature into separate forms? Again, there's not really any evidence for this beyond that staffs are meant to be carried and used by people, and the theory that the First Elves may have consciously taken on becoming the different primal elves.

Theory three: this is the forbidden magic that was given to humans, not primal stones. We have two sources for the "Leola gifted primal magic/stones to humans" story, and each of them contributes different things—the one that specifies primal stones doesn't mention Leola by name, attributing the gift to unicorns as a whole, while the one that specifies Leola doesn't mention the primal stones, instead specifying that she provided them with the runes and Draconic words for spells. If the staffs are like the Staff of Ziard but for other energies, including primal sources—if they're all "magic that takes," it would make a lot more sense why the stars got so fussed about humans having it. There isn't really any more evidence for this than for my other theories, but shut up I like this one. It would be the chef's kiss Uno-Reverse cap on the entire mangled and obscured story of the history of human magic.

Anyway, my insane TED Talk aside, what in all heck is going on, because every time I think I've gotten this shit kind of figured out, they do this kind of curve ball.

[hungwy]

What are you reading lately?

recently finished audiobooks:

the invention of nature: alexander von humboldt's new world by andrea wulf (5/5 stars, extremely based takes for an 1800s european on the immorality of slavery, rights for indigenous people in the americas, and the negative effects of colonization on the environment. basically THE blueprint for all naturalists after him. probably one of the most beloved scientists ever)

central asia: a new history from the imperial conquests to the present by adeeb khalid (5/5 stars, just a wonderfully researched and presented book. a [necessary] focus on the role of islam, nation-building, ethnicity, and communism in central asia)

when we cease to understand the world by benjamin labatut (4/5 stars, i will never get enough of the history of quantum theory)

the art of communicating by thich nhat hanh (3/5 stars, he writes the same book every book but i still like it every time)

a brief history of equality by thomas piketty (2/5 stars, some good history but essentially a "we must discuss these problems further" book with sometimes weird possible solutions to problems. overall one obviously good point: economic reparations are necessary in many, many places)

currently reading/listening/holding/sensually imbibing:

system of transcendental idealism by fwj schelling (pdf)

a short commentary on kant's critique of pure reason by ac erwing (book)

the case against the supreme court by erwin chemerinsky (audiobook)

next on the to-read list (not in order):

non-places: an introduction to supermodernity by marc auge (admittedly a shot in the dark for whether i like it or not)

immediacy or, the style of too late capitalism by anna kornbluh (zizek and so on podcast did an interview with her that i really liked)

views of nature by alexander von humboldt (hopelessly humboldtpilled)

essays on transcendental philosophy by salomon maimon (imo kant's greatest critic and also has a cool philosophy of difference)

[council-of-beetroot]

What your favourite Hetalia character says about you this is light hearted

Italy- you're basic

Romano - you're basic but you think you're not. You kin him

Germany- you probably have some unresolved issues

America - you are American and have never bothered to look at a map. Or you like your version of America that is ooc

England - I will never understand you

Canada - people ignored you in school

France - you're horny as fuck

China - you are either Chinese or have studied Chinese history or like wuxia. You get annoyed when Canada is subbed in for China when China is far more interesting of a character

Japan - like Japan you're chill to the point where I don't even see you.

Lithuania - I don't want to know the fuck happened to you in your life to find him relatable

Poland - jesteś polakiem

Nordics - there's something off about you but in that way that there is something off about every Mormon I've ever met.

Prussia - you either think he's cool or you just want to ship your other fave with him. You probably like military history but don't want to look like a Nazi. Or you're polish and hate how Polish Prussian history is overlooked in the fandom despite Prussia literally almost decapitating Poland in the show.

Russia - you like the Cold war. You probably have a bunch of weird history memes saved on the phone.

Hungary - you like shipping. Idk I don't usually see anyone with her as their top character.

Austria - you are jewish. Or you are into western European history.

Netherlands - you are either Indonesian or also a Canada fan

Türkiye: you know it's the closest hima will get to ever depicting the middle east, central asia, west asia, and North Africa so you take it.

Micronations - you like Hetalia but don't like history.

Yugotalia: you're here for memes not political correctness.

Portugal : simply a stepping stone to the character that really matters... BRASIL!!!!!!! CAMPEÃO DO MUNDO!!!!!!!!!

...Or you're weird and like either Spain or England

Sorry if I don't have everyone I don't interact with enough people to really know some of the characters.

[velvetvexations]

Something that continues to confuse me about the whole "it's regressive to admit that some transphobes don't view trans people as their gender" is like…I thought that was a given? The disconnect between the way the bigot views the people they hate/oppress and the actual lived reality of those hated and oppressed people is a huge part of what bigotry even is in the first place. Like I'm disabled, and I know the reason ableists hate me is because they think I'm lazy and a leech and a waste of resources and in some cases such a failed human that it would be kinder to let me die, and while obviously none of that is true, recognizing that that IS the way they see me isn't reductive, it's necessary to counter their bigotry. I am not ceding ground by pointing out that ableists see me as less than human because it's true. That is how they view me. The trick is to point out the way they think and then make it clear that they are wrong.

And yeah sometimes sure people just decide they hate a group and work backwards from there, and they'll take any position if it means hurting the people they want to hurt, and even the ones who do view trans people as our gender can come up with other reasons to hate us, but overall the central issue with the majority of transphobes is that they don't see trans people as our genders. That's why they go around misgendering us and making such a huge deal about "sex", it's because they don't think we are what we say we are, and our assertion that we are means we're dangerous freaks who must be removed from society by any means necessary.

I'm just so confused, it feels like we're just willfully denying how reality works for like??? No reason??? I do not understand the motivation behind pretending bigots believe something they clearly don't, and acknowledging the way someone thinks doesn't mean you agree with them. You are not any less valid in your gender if you recognize that some people don't see you as who you say you are. Suggesting that admitting transphobes don't see trans women as women means that we all no longer see trans women as women is just...it's a non-sequitur, it makes no logical sense at all. Especially given how the average transphobe's opening argument is usually "I don't think you can change your sex/gender you will never be a woman/man and trying to become one is disgusting and weird" like they are TELLING us what they think. What good comes from ignoring that??

Between this and the whole "saying that transandrophobia exists obviously means you think androphobia exists" just makes me feel like a lot of people have, idk for lack of a kinder phrase completely lost it. Neither of these arguments make any sense to me. I just don't get it.

It's literally just not wanting to admit that masculinity is in any way a negative in any context no matter what.

[vviolets444rroses]

dating ethan landry pt3

my HEADCANONS <3 :

SFW only :)

part 1 | part 2

👻; he hates hard liquor. so you’ll just be sitting with him drinking something tropical. i feel like he secretly likes pink whitney, though.

👻; he loves raves💯 he always goes shirtless too. he used to be so self conscious about it, but now he’s chillin.

👻; he likes gorillaz, tyler the creator, deftones, pierce the viel, roar… (what do you think he’d listen to?)

👻; never broken the law once in his life. once when he was little, he accidentally took a push pop and cried when he realized he had it. (guys we’re ignoring the fact that he’s GF 😋)

👻; obsessed with action, sci-fi, and thriller movies. he makes you watch them, even if you’re afraid. you don’t mind because you have him to hold you.

👻; you guys slowly started developing each other’s mannerisms and habits. i.e., you laugh like him and he makes the same weird gestures that you do.

👻; he is always updating a playlist he made for you. he notices that you fall asleep to it when he’s doing homework late at night.

👻; he likes to rub your back while you sleep.

👻; he’s the type to make you soup when you’re sick.

👻; you’re always reminding him where he last had something. he forgets so easily.

👻; you don’t have room on your bed anymore because he buys you so many stuffed animals. you guys named them all.

👻; ^^ he won a lot of them at the fair. he will not stop playing until he wins.

👻; he loves mario kart and literally any fighting game. you can never win against him.

👻; dude… he has to be good at dance central and/or dance dance revolution.

👻; his bed smells like you. he even bought a bottle of your perfume so it never goes away.

👻; whenever you lose something, he buys another one for you. except he doesn’t even tell you. he lets you believe it just showed up.

👻; his favorite holidays include halloween and thanksgiving. one, you can’t fight him on saying halloween isn’t a holiday. two, he just likes to eat at thanksgiving.

👻; ^^ makes you wear a couple costume with him. it’s always something you don’t entirely understand. all these old timey shows that you slept through whenever ethan put it on.

👻; i bet he’s really clumsy. always getting hurt.

👻; he can’t tie a tie for the LIFE of him. he bought the clip ons, so he wouldn’t have to keep bothering you to help him.

👻; he probably slaps your ass after a few reps when you guys work out together. (is this sfw? idk i had to say it though😭)

👻; he def used to wear axe body spray☠️ you made him change it.

👻; now i think he would smell like something woodsy or like the ocean…

👻; when you fall asleep during a movie, he really wants to wake up up, but he doesn’t. he just ignores the fact that you’re asleep and talks quietly to himself as if you’re awake and listening to him😊

👻; he reminds me of these songs…

die for you (remix)

love you more than me

one more love song

i’m running out of ideas so send requests :) all of these are my opinion and just that. so please be nice! like and reblog if you enjoyed 🫶🏼

[public-trans-it-deactivated20240]

i was a trans man until after a lot of build up of doubting myself, i finally realized that we are putting ourselves further into boxes by not accepting that we are the biological sex that we are and we can do WHATEVER we want at the same time.

clothes and makeup and certain interests do not equal gender.

and not liking being a woman is an unfortunately natural symptom of puberty and/or experiencing society’s deeply ingrained misogyny. and everyone deserves support for those problems.

but we can all fight together against gender social constructs in a healthy way without prescribing people hormones and invasive cosmetic surgery to make them more like the sex they “should” be according to… social constructs…. and help them be comfortable in who they are

Alright. Its been like 9 fucking months that I have been staring down this ask. What better time than to give TERFs some nuance than right in the middle of a fucking hate campaign going on where people (well... singular person probably) are calling me a TERF. This wont backfire.

This post arrived in my inbox shortly after I made another post about gender, and just how fucking weird it can be, and how I genuinely believed every single person on this planet has a fascinating relationship with gender, and so much nuance and personal identity in theirs. Even cis people. Even TERFs. In the tags, I even begrudgingly encouraged TERFs to talk about their gender on that post if they wanted. I genuinely think that TERFs do have really cool relationships with gender. As I mentioned in those tags, the quickest way to explode a group of TERFs is to get them to start talking about their own relationships with gender, and see how vastly different it is, and watching them stab each other in the back over it. So I told them to ramble away about how they view gender, as long as they stayed the fuck away from the rest of the blog WHICH THIS ANON CLEARLY FUCKING IGNORED.

But... this anon does bring up another topic I want to talk about.

Detransition.

Read More

I am a huge supporter of detransitioning. This is... surprisingly... not a very common stance in the trans community, and it breaks my fucking heart. Like, I get it. I understand why. A LOT of detransitioners, like the person in this ask, end up weaponizing their feelings of gender against other trans people.

My support of transition comes from the intersection of two very central beliefs of mine:

Everyone should explore their gender without feeling a need to commit! This is a pretty common belief in the trans community! Damn near universal in fact! We even have a fun little term we use for people who decide to play around with gender, only to end up a bit closer to where they started and being perfectly happy with that: Cis+. Someone who is cis, but at least put in the work to understand the trans experience, and actually CHOOSE to remain Cis instead of just defaulting to it with societal pressure. Many trans people are much more comfortable around 'Cis+' people, because they know these are people who have taken the time and put in the work of being an ally. Self examination isn't easy, especially not publicly, and doing so is genuinely one of the strongest ways a Cis person could ever show their support.

It is never too late to transition. This is also a pretty common belief in the trans community! It is... sadly not quite as universal though. But it is something very important that needs to be said. You could be 80 years old, sitting in a retirement home, and go "You know what? I think I'd rather wear a dress and be treated like a lady. I don't want to be buried as a man." And I think every single trans person should have that freedom!

I was discussing this with @thydungeongal the other day, far more paraphrased than this post, and she said something incredible that has been knocking around in my head ever since.

"Gender is an ongoing process"

Those five words they said to me sum up my feelings far more than this entire post could. Gender IS an ongoing process. My gender has changed SO MUCH over the past three decades. From the straightjacket of assigned gender that I was once forced into; to the very stylish and still lovable finely tailored suit of femininity that grew a little too stuffy to wear constantly, even though I do still enjoy it and try it on from time to time; to the wonderful and freeing losely fitting clothing of being aegogender, finally feeling free to be myself and just act naturally and feel natural without having to keep up an appearance!

And I think, there is no length of time you can try out being trans, and trying out new genders, before eventually coming to the realization you were cis all along. Even if you started HRT. Even if you got SRS. Heck, I don't even think you should have to call yourself trans to do either of those things in the first place, why would I be upset that someone did them and then realized they weren't trans? No single moment in your life should EVER lock your gender in place into some unchanging, set in stone thing.

So I support detransitioners completely, with my entire heart. They deserve just as much support as every other 'Cis+' person out there.

So anon, while many people may hate you and lash out at you for detransitioning, I want you to know, that I am not one of them. It sounds like your detransition might have been forced by peer pressure, which is heart breaking to hear. No one should ever force their own gender expectations on another. I hope that wasn't the case. I hope you came to the decision yourself, after realizing whats right for you. I will never give you hate for your detransition.

I WILL ABSOLUTELY GIVE YOU HATE FOR BEING A FUCKING TERF THOUGH. YOUR OWN EXPERIENCE WITH GENDER DOES NOT GIVE YOU THE RIGHT TO POLICE THE GENDER OF OTHERS, FUCK OFF. GET THE FUCK OFF MY BLOG, YOU PIECE OF SHIT!