#You Don't Scare Her

[deathricedrawn]

i'm ready to try

[erabu-san]

Make me sick

[katebeckets]

how to say “I love you” in x-files [11/?] ⤷ 3.17 — “Pusher”

If I loved you less, I might be able to talk about it more.

[poorly-drawn-mdzs]

All cards on the table.

[First] Prev <–-> Next

[claraoswalds]

#mrs flood who are you: time lord edition

[penny-anna]

Willow: since we're trapped in the Human Realm and have time to kill, we've been thinking that it'd be great if you could show us some of some of the human 'movies' you're always raving about!

Luz: oh man I'd love to show you guys some of my favs! but uh, a lot of my top ten picks are horror movies so maybe we should start with something less scary

Gus: pfft, Luz, come on. after all the stuff we've been through together, what could these 'horror movies' possibly have in them that could scare us?

Luz: yeah, I guess you're right

*cut to the Hexsquad frozen in horror in front of John Carpenter's The Thing while Vee & Luz eat popcorn*

Luz: oh man you guys, this is the best part coming up!!

[luna-loveboop]

I want. Four to get appreciation. Because

Four gave a ton of unnoticed help when Twilight was injured

The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal

But Four did something that no one else really thought of to help- He took care of Twi's stuff

From the beginning he told Twilight to not worry about them

So Four took care of pretty much everything but the others (that Sky and Wars handled)

He took care of Epona

Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her

And for Epona, a horse so attached to her human, having some company can help so much for reassurance

He took care of Twilight's stuff

He got Twi's shield- his bags and equipment, and organized it into one place

And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.

Also- because of his placement in this scene

I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything

And he did housekeeping!

Wars payed for the inn, so Four took care of the inn

Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in

Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn

Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn

Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious

There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future

But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way

Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things

No matter what develops in the future- this amount of care shown is important ya know?

.

Art and comic from Jojo @linkeduniverse au :)))

[jadewritesficshere]

Steddie x female!reader thought 18+ only

Eddie blinks his eyes a couple of times to make sure he is actually seeing what he is seeing. He must be living in a nightmare.

You're laying back on one of the pool loungers. One leg dangling over the edge keeping your foot on the warm cement ground, the other spread over Steve's lap as he absently rubs his hand up and down it while he bitches to you about something from work. Your hand rubs up and down Steve's back in comfort. But that isn't the nightmare.

Your bright red bikini bottoms covering enough, but with your legs spread a bit more skin is shown then intended. Spread in such a way that makes Eddie want to just dive in. Get on his knees and worship you, rub his face over your mound as he licks and nips and sucks. Moan as the curly thatch of hair brushes against his face.

Except the curls of hair he is expecting to see peeking around your bikini are gone. Just smooth bare skin. And that isn't the only nightmare. Steve's chest is smooth like when he was in school on the swim team. Not a speck of that beautiful chest hair Eddie would curl into after getting hot and heavy. Not a single curl of the "love rug" he jokingly called it.

Eddie wants to weep. To throw himself down like a little kid and thrash his arms and legs around. Yeah, it's your body and you can do what you want, but he still is sad its gone. Eddie doesn't like change, and suddenly walking in to see both of his partners change something without any warning? Uncomfortable. It makes Eddie feel itchy.

Eddie can barely speak as he walks over and sits next to Steve. He doesn't respond to Steve's warm greeting. Doesn't respond to you asking how the day is. Just stares with big wet eyes at the sight in front of him. A pout on his lips.

A warm hand lands on his shoulder, gently squeezing. Steve's brow furrowed in concern, your wide eyes blinking at him.

"Shaved?" Eddie asks in a quiet voice, eyes darting to Steve's chest and then your clothed pussy. Steve lets out a huff of laughter, "Fuck, thought something was wrong man." Eddie glares," It is."

[stardust-moth]

In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.

Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.

1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.

Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.

He has to watch helplessly as she disappears.

He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.

2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.

In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.

Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.

He has to watch helplessly as she drives away.

3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.

For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.

He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?

He has to watch helplessly as she drives away.

It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.

3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.

The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.

Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.

She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.

He has to watch helplessly as she drives away.

4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.

Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.

4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.

On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.

He's helpless to save her, again.

4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...

El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.

Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...

Once again, he has to watch helplessly as she drives away.

4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...

There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.

Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.

She's losing. She's choking. She's dying. He's helpless.

He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.

She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.

Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.

The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.

He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.

And it works. It's music to her ears.

[transredguy]

redraw of kind of an unknown album. heh. yeah im not sure if youve ever heard of it its called spirit p-

[solarpunkani]

"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"

OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.

"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"

OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it

"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"

OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.

"But they shouldn't claim to be part of the -punk community if they don't know the--"

I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.

I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.

Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.

So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.

[inkskinned]

am i gonna put you in the book acknowledgements am i gonna be able to say your name without flinching am i ever gonna get a word in edgewise am i ever gonna recover the time i spent with you. computer virus kid; i arrived in your life already begging to be let in. somehow insecure i could even be your friend. like you had a line outside the door and we were all shifting our weight, begging.

you're so fucking good at that - at making people feel like they need to earn you, like you're a commodity none of us can afford. no kindness or careful communication could work on you - you were so good at just going-ghost, about deciding someone just wasn't cool-enough. something about that is super ironic. even the parts of it that weren't romantic felt like a romance book. i wanted you to like me so badly i scrubbed myself clean just so you'd spare me - what. your favor? a look?

okay okay okay. it's just a friendship - if it was even true that we were friends, if you even saw me as someone you trusted. on reddit someone would tell me girl literally just cut her out of your life, it's not that difficult. even i was aware of how fucked up the whole situation was. like, why the fuck do i even care about your approval? you're like, not even that fun to be around. you are often a little bit cruel.

but for almost four years of my life, i thought i had found someone like me. somebody who liked the same things i do. someone who liked to read and who liked making jokes with esoteric references and who spent maybe too much time on the internet and who was absolutely a little bit pretentious. i don't know, something about that was powerful and addictive.

i keep thinking about our last conversation. about how i said - okay, enough is enough. you pushed me too far, you really hurt my feelings.

and how you laughed and said - you think you're the victim?

[shirojikimattari]

Take your healing

Guess I'll die 乁⁠(⁠ ⁠⁰͡⁠ ⁠Ĺ̯⁠ ⁠⁰͡⁠ ⁠)⁠ ⁠ㄏ

[dootznbootz]

*sighs* I miss Penelope. I want Penelope :(

[thebramblewood]

The dawn of the final day.

Previous / Next

Julia: [muttering shakily] Come on, Jules. Just hit the button. You have to tell someone. It’s the right thing to do.

Helena: [whoosh] [thump] Julia? Shit, how’d you even-

Julia: Helena, w-what did you just... I don’t understand what’s going on!

Helena: If you’d let me explain-

Julia: No, no, no, this can’t be happening! Vampires aren’t supposed to be real!

Helena: [narrows eyes] Who are you calling?

Julia: No one! I was just thinking about it, I swear! [flinches away] Stop! Don’t come any closer!

Helena: Julia, please, I’m not going to hurt you. I would never hurt you.

Julia: [tearfully] But you could have!

Helena: What?

Julia: It was you who hurt my friends, who hurt all those people! I hang out there with them all the time. If you’d seen me, would you have been able to resist?

Helena: Of course!

Julia: Oh, so you were in control? You knew what you were doing and you did it anyway. Who are you, Helena? What are you? Because I don’t think you’re my sister anymore. You’re a-a-a... a monster!

Helena: Please don’t say that. You have no idea how sorry I am. The way I left them... it just loops like an endless nightmare in my head. I didn’t mean to go that far. I just wanted the hunger to stop, but it never does.

Julia: They might still die. Because of you. [scoffs] Migraines. You’ve been lying all along! Helena: What could I have said? You wouldn’t have believed me.

Julia: How did this even happen? Why are you… like this?

Helena: Oh, Julia, I was so stupid! Ulrike and I had just broken up. I was in a bad place, and I trusted the wrong person. I didn’t want it! I barely remember what happened. I just woke up with this fire burning inside of me.

Julia: Give me one good reason why I shouldn’t call the cops right now.

Helena: Because you love me. Because I’m leaving.

Julia: What? Where will you go?

Helena: I don’t know. But it’s obvious I can’t stay. I’m not fit to be around people now. Maybe I never will be. I’m too dangerous — to myself, to you, to Mom and Dad, to this entire fucking town.

Julia: There must be another way. If you turn yourself in, then maybe-

Helena: What, the police will go easy on me because I’m sorry? I kill the police because they don’t? It wouldn’t end well for anyone, Julia. [sighs wearily] At least I never finished unpacking.

[b-rainlet]

The Green family dynamics are so interesting because like, Viserys is the father but due to his decay he seems more like the grandfather, whereas Otto is the Grandsire but seems to fill out the role of a father more, not only to his daughter but also her children, so he and his daughter are a mother/father unit but in some situations Alicent is treated like a sibling to her children (by Otto) and then you have the obvious Helaena/Aegon happening (siblings who are also husband/wife and mother/father to their children), but at the same time it seems like Aemond is the one trying to be the family's protector and attempting to step up as patriarch, with some of the scenes between him and Alicent giving off the vibes of equals rather than Mother and Son (like when they discuss Aemond finding Aegon) and his relationship with Aegon seeming like he's the big brother and not the other way around, in this essay I will-