#YOU'RE GOING TO BE THE DEATH OF ME

[para-dots]

Wind Breaker original illustrations by CloverWorks

Hiragi Sir, may I please ask you to kindly refrain from being too handsome It is not quite favorable for my cardiovascular system nor my well-being

[milkmynk]

Just thinking about how KDJ receives a ton of flak for sacrificing himself all the time but frankly, he did really well. Like just incredibly well. He took down the Constellations, dismantled the Star Stream, gave everyone a happy ending (besides himself).

Frankly, it's a paltry price. One man for entire worldlines? People have sacrificed themselves for far less. Sure, that one man means the world to a few, but the vast majority of people would say that he's a hero, that it was a sacrifice well-made.

I just... think that KDJ needs to be praised more for what he accomplished. He's always had this negative view of himself that he failed throughout life, that he's undeserving, that he's not good enough... And heck, I don't think Kimcom would praise him after he returns, cause he gave them all the worst trauma of their lives 😂

So... yeah. I think it'd mean a lot to KDJ if 999, the YJH he looked up to the most, could give him a pat on the head and praise him for a job well done. Especially since 999 would be the YJH most likely to understand KDJ's actions.

I mean... KDJ even says as much. That he hopes someone (HSY) could reassure him that he was doing good. But nobody ever did :/

[thesacrificialxlamb]

Have you ever communicated what you want?

She had. She has. To her father. To her mother. To the man who gave her Nadia. To Trevor. To Elijah. To Niklaus. To Stefan. To Damon. To Elena. To Caroline. To Bonnie. To Jeremy.

Katherine had on single consistent goal. It never changed, it never waivered she'd been after it since she was a little girl, and yet it seemed that no matter how she communicated it, she was always given the same damn answer. No. She wanted love from her father, No. From the man who gave her no choice and a child out of wed lock, absolutely not. From Stefan, the MOST- and No again.

She wanted to live her life, freely, to fall in love and be happy. Klaus was doing his best Simon impression over there like "It's a no from me love."

She doesn't want power. She doesn't want to rule the world. She doesn't even really want anyone dead that doesnt absolutely have to be for her own safety. She just want's to live, and to be loved like she loves.... and god forbid.. to be able to keep it... instead of it always slipping through her fingers out of reach.

Or do you just go around killing till someone realizes Katherine is cranky today?

"It's called killing two birds with one stone, its fun AND it communicates."

He watched her for a moment, she had grown oddly quiet for a moment. Her once playful smirk seemed to disappear. Had he said something? -- Something particularly mean? Compared to normal.. not that he could remember.

Taking a step closer, to close most of the gap between them.

His fingers itching to reach out, to get back the feisty brunette that had been here a moment ago. Yes, he truly was giving mixed emotions left and right.

There it was.. She was back, or at least her snark was.

"I don't want it happening around me anymore. If you kill someone in my presence, there will be consequences. If you want something from me, and I can provide it, you will get it -- as long as you let me know. Not by throwing things, or harming others."

[charlietheepicwriter7]

De-Aged Danny, gesturing to a dazed Bruce inside Wayne Manor: And this is Bruce! Otherwise known as the Himbo! Reporters: Hmm, yes, interesting... Bruce: What the- Danny: I'm not sure what that word means. I heard it from Dick, but no one will give me my answer, not even Jason, who is easily bribed. Bruce: Why are there reporters in my house!? Danny, innocent and childlike: They asked to come inside, Bruce! They seemed like really nice people, so I thought it'd be polite to give them a tour. Bruce, filled with infinite patience: I really wish you had asked me before you did that, chum. Danny: But why? We don't have anything to hide... do we, Bruce?

Or, in order to rise to the Ghost Throne, Danny has to complete a series of trials to prove he is capable of ruling (or any other reason, Danny just needs to do trials to prove himself).

The last trial, issued by Clockwork, is thus: discover the Wayne Family secret in two weeks without the use of any of his powers.

He has one shapeshift to pick a form that could endere him to the Waynes, but only one before he starts and he has to get close to the family by his own wits. Danny, after studying the family and reading of one sentence summary of each Wayne, picks the body of a six-year-old little boy that looked like a child Jason Todd.

Bruce: That child is up to something. Dick, third favorite: I don't know, Bruce; he acts like a normal kid. Jason, #1 favorite: I doubt the old man's ever met a normal kid. Tim, least favorite: Bruce is right, but can you please not talk like the villains from Chicken Run.

[vaguely-concerned]

sometimes I think of all the on-the-surface warm, well-meaning but deeply ineffectual advice and attention john gives harrow through harrow the ninth (make some soup and get some sleep! get a hobby! don't be so hard on yourself! self care harrow! as long as I need take no actual responsibility in this relationship whatsoever I would have loved to be your dad!) set up against the stark truth that with his other hand he has been staging her attempted horrific murder again and again and again like a living nightmare on the logic that it will 'put her down or fix her'. and then I find that I wish there is a hell. a special hell where twitch streamers turned necromantic death emperors go

[silverwhittlingknife]

So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!

No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)

25 Feelings Dick Has About Tim

This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!

OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:

WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3

Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)

I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!

Below the cut:

I hate him and find him infuriating (#1-5)

On second thought, he's endearing & fun (#6-10)

Grief is complicated & he's all tangled up in mine (#11-15)

I love him & think highly of him (#16-20)

I rely on him & though it's hard for me, I trust him (#21-25)

I hate him and find him infuriating (#1 - 5)

1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)

2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)

3) He is so nosy about stuff that is MY business (Robin 0)

4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)

5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)

On second thought, he's kinda endearing (#6-10)

6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)

7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)

8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)

9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)

10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)

Grief is complicated and he's all tangled up in mine (#11 - 15)

11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)

12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)

13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)

14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)

15) Life sucks, so what. I sucked it up so he should too (RR 1)

I love him and think highly of him (#16 - 20)

16) He’s the closest thing to a brother I’ll ever have.  If someone hurts him I will hurt them harder. (Nightwing 6)

17) I can't handle the idea of losing him. (Nightwing 97)

17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)

18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)

19) In my head he’s the responsible one.  (Gotham Knights 10)

I rely on him, and though it's hard for me, I trust him (#20-25)

20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)

21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)

22) I trust him.  When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)

23) I want him to trust me (Red Robin 12)

24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)

25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)

Final rambling thoughts:

TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.

SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.

And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf

All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.

But that's not Dick's version of the story!!!

Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.

And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --

-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3

[nerdynuala]

Had a vision at 3 am and instead of being concerned as I should, I turned it into a comic with the weak excuse of it being a healthy pose drawing practice (yeah no, there's nothing healthy about this)

Anyway L has found a new way to confirm if Light is Kira

I would say he's Kira

[missholloween]

I'm still not over the fact that when Paul re-enters in NPMD after If I Loved You, Inevitable stars playing. The leitmotif of Paul Matthews The Guy who didn't like musicals, it's his final solo, the song of his defeat. His leitmotif is a love song that ended up with his soulmate's life. His leitmotif is of the song where he's happier in the musical, but he's also dead.

[theminecraftbee]

There are several things Martyn realizes, all at once, when he opens his eyes:

He is dreaming.

It's one of those in-between dreams, the ones that aren't quite dreams.

He is sitting at a green felted table. It is sitting on a stage. The lighting is dim, and no one is watching, but out of the corner of his eye he can see the stagehands dressed in black, waiting.

He is not the only one sitting at the table. There is a Watcher, draped in purple. There is a Listener, draped in yellow. There is someone he recognizes in a red sweater. There is someone he thinks he should recognize, but can't quite, shuffling a deck of cards.

"Right. What's all this, then," he mutters.

We are playing blackjack, the Listener says.

We are deciding the rules, the Watcher says.

"It's not like we have anything better to do. Honestly, I'm glad you're here. Do you know how boring these guys are?" Grian says, and Martyn decides to quietly file Grian away as a dream-Grian, as opposed to real-life-Grian, so he doesn't go insane and/or stab him when he wakes up. He waits for the almost-familiar dealer to say something. He does not. After another few moments of awkward nonsense dream-silence, Martyn sighs and leans forward on the table.

"Sure, this might as well be happening," Martyn says. "Deal me in. How's the betting work, again?"

"You put your bet on the table. If you beat the dealer, you get to add it to the game," Grian explains. "If you don't beat the dealer, it takes it."

"Yeah, but like, that's abstract, isn't it? What does that mean, exactly, me losing what I bet if I don't beat the dealer," Martyn says.

Grian shrugs. "Don't ask me. To be honest, I'm hardly the storyteller you are."

"Me? Why are you acting like I have any control over these things when you're--"

Are you ready to play?

Martyn shuts up, looks at the Listener, and sighs. "Yeah, sure, I'm ready to play. Why not."

The dealer looks to its left. Grian sighs. "Why are you making me bet first. Again. We should rotate where we're sitting--fine, fine, I know it's an advantage because I'm the worst at this. Uh. Hm. No trading or giving away lives again. Not even as time or something. It makes the dynamics all weird, and I think we could use a nice straightforward death game next time."

(Martyn wants to roll his eyes. Nice and straightforward. Sure.)

The Watcher goes next. I would like there to be deep and wonderful bonds between the players. I would like those bonds to seem unbreakable.

"Coming from you, that's ominous," Martyn says.

Can I not just miss the alliances of the early days? the Watcher says.

"Never left the desert," Grian says, rolls his eyes, and looks at Martyn in commiseration. Martyn just stares back. So sue him, he's a bit more worried about this whole concept than an eye roll and a pithy phrase. Things Watchers want are rarely good.

When the bonds are enforced, they're less interesting, complains the Listener.

Martyn looks over sharply. Hey, wait, he thought--

I didn't say they had to be enforced by rule. I said they had to be deep. Encouraged, as opposed to discouraged.

Just saying. You'll never recapture Third Life.

Martyn swallows. His throat is dry. Weren't the Listeners supposed to be the good guys, here?

Besides, what I want is for each death to be meaningful again. They've felt too meaningless, lately, the Listener continues.

Martyn thinks the dealer raises an eyebrow, but it strikes him he's not exactly sure. Grian snorts. "Meaningful deaths. That's rich for you to say. I mean, I guess they're meaningful sometimes? I don't know, Martyn's the one who understands dramatic sacrifices, I just like killing things."

"Why do you keep on looking at me when you say those things," Martyn says.

"Look, you wouldn't be here if you weren't helping write," Grian says.

"What?" Martyn says.

We're here to play our cards for the story, the Watcher says. Aren't you also one of the authors?

"Me? What? No, I'm--what are you talking about," Martyn says.

Oh, well. I also hope your meaningful deaths make it in, the Watcher says the Listener.

Thanks, even if I disagree on the bonds, the Listener says.

"They hardly ever talk about real, concrete rules they want," complains Grian. "It's easier to understand the consequence if they bring up actual rules. Like boogeyman or no boogeyman."

"We're all just betting on cards!" Martyn says, throwing his hands up. "You're giving me a headache!"

It's your bet.

"Fine!" Martyn says. "Fine! You know what? Screw all of you. I hope this is the last one. I hope we never have to go back to that stupid death game. I hope it's miserable to watch or to listen to or to play and everyone just gives up. How's that for a bet?"

You're no fun.

Is that what you really want?

"Suit yourself," Grian says. "Honestly, if I still had that to bet, I guess I probably would."

"What do you mean, if you still had that to bet?"

"Well, I mean, that's not how blackjack works, is it? I don't just get back my in when I play it."

The dealer nods, and then silently, with a long bony hand, deals the cards.

Grian is dealt the four of diamonds. The Watcher is dealt the nine of spades. The Listener is dealt the five of clubs. Martyn is dealt a jack of spades. The dealer deals itself a seven of hearts. The dealer deals Grian a six of clubs--

"Hey, isn't that supposed to be face-down?" Martyn asks.

"Not here," Grian explains. "They're all face up so we can't touch the cards. So we don't have to. So we can't cheat."

"Who said anything about cheating?" Martyn says.

"Please," Grian says.

The dealer makes a hand motion. Martyn, grumpily, falls silent. He supposes they're playing by casino rules, then. He hasn't been in a casino since--he wouldn't know. Hard to remember anything that isn't this, isn't it? Isn't killing and dying and things out of his control and things very much in his control and, apparently, bizarre dream sequences designed to make him want to strangle Grian.

Anyway. Grian is dealt a six of clubs, giving him ten. The Watcher is given an eight of spades, giving it seventeen. The Listener is dealt a king of hearts, giving it fifteen. Martyn is given a six of clubs, giving him sixteen. The dealer deals its own second card face-down. Martyn stops to try to speak, and then shuts his mouth. Right. Dealer's advantage.

He stares at the numbers.

Grian sighs. "Well, I've got to double down, don't I? Fine. I want the whole 'red lives can kill' thing to be enforced somehow. I don't care how. There's my double down."

The dealer nods.

"Why would you want that," Martyn says blankly.

If we all win, that will be interesting with the bonds, the Watcher says mildly.

Grian shrugs. "I mean, we've enforced red names not befriending green names, but not the murder thing before. Figure we should switch up the game, right?"

"Why?" Martyn says again.

Well, it wouldn't do for it to be boring.

"No, not that. Just... isn't it easier to handle when the rules are laid out properly?"

Martyn throws his hands up, but stops arguing. The dealer gives Grian a face-down card. The dealer moves to the next party at the table.

The Watcher looks over at the dealer and makes a cutting-off motion. I stand.

The dealer moves on. Hit me, the Listener says, and is dealt the queen of diamonds. The Listener gestures to Martyn. It seems I bust. Pity. I suppose there will be no guarantee of meaning, then. Not what I'd prefer.

The dealer looks at Martyn. Martyn looks at the other hands. Martyn pauses.

"Wait, this is like, casino blackjack, yeah? I'm only playing against you, not the whole table?"

"Why would you be playing against us?" Grian says. "Writing's a collaborative process."

Martyn looks entreatingly at the Listener, but the Listener is a little too caught up in the bad hand it has been dealt. Martyn looks entreatingly at the Watcher, but the Watcher just looks somehow confused.

"I was under the impression that, I don't know, you all were adversarial."

Why? All we want is the same thing as you: the story to be told a certain way.

Martyn's not sure if he's furious or just numb.

"Fine. Got a sixteen, don't I? Hit me."

Two of spades.

He's furious. He wants to win against the dealer. He wants to win against everyone. He wants his idea to make it through. He has an eighteen, though. There are only two numbers in the deck that will not bust him, and he's no fool. Hitting on sixteen is a risk enough; if he wants his stupid bet of everything finally ending to make it through, he's got to hold here.

"I hold," he says through gritted teeth.

The dealer silently deals itself another card. A three of hearts. Distantly, Martyn's ears rush. He could have taken that. He could have taken the hit. He could have won. He could have had blackjack, and he doesn't know what the extra payout for blackjack even means in a game like this one, but he could have had it, and he held back, he didn't take the risk, he didn't--

The dealer flips up its cards. Seven, eight, three. Eighteen.

Martyn's heart pounds. A stand-off.

Grian flips up his own card and groans. It's a five of diamonds. "There goes that bet," he mutters.

The dealer makes a sweeping motion around the table. The Watcher smiles, a terrible, terrible thing. Martyn, all at once, realizes that he can't ask again. He can't say 'this is guaranteed to be the last one' again. He backs out of his chair. To the sides, he sees the stagehands change the lighting. A spotlight, on him and the dealer--

"That isn't fair," he says. "It's a tie. I should get my bet back, right? It's a tie!"

THAT IS WHERE WE DIFFER FROM THE HOUSES IN VEGAS, the dealer says, and Martyn's heart stops.

(The voice is familiar. Familiar, but he cannot place it.)

YOU SEE, IN THIS GAME, THERE IS ALWAYS ONE THING THAT HAS AN ADVANTAGE. ONE THING THE STORY IS ALWAYS PLAYING AGAINST. ONE THING, THAT INEVITABLY, AFTER LONG ENOUGH PLAYING, WILL WIN.

There, the dealer looks Martyn in the eyes, and Martyn, all at once, knows exactly what the dealer must be.

AND THAT IS ME.

Martyn stares Death in the eyes.

Then, in a cold sweat, Martyn wakes up.

He does not sleep again for a long time.

[bonefall]

Stormclan is pretty cool, I’m glad they are a direct result of the clans and not Rouge Group 255674385 that pops up like Minecraft mobs at night

Didn’t ivypool kill beetlewhisker? Will they remember it

The mental image of playing minecraft and Darktail spawns on your roof like a spider, refusing to leave in the daylight and making annoying chittering noises, is magical thank you.

Anyway nah, that was Brokenstar. Ivypool killed Antpelt, not Beetlewhisker. I have doubts they're going to remember that though, and if they do, it'll be one of those "don't worry guys we TOTALLY remember the events in our series!" throwaway lines we've been getting recently. The type that's thought in her head or thrown out in passing, but doesn't significantly contribute to Ivypool's emotional struggle.

I think Ivypool's actually the part of this SE that I'm most apprehensive about, funny enough. StormClan's got me pretty excited, but my hopes kinda started falling when I found out Dovewing was going on the road trip. I do not like the story that the Erins tell between the sisters, and I feel like they keep getting forced together to "reconcile their differences" when it would make a MUCH more effective story for the two of them to not do that.

See, what I like about Ivypool is that she's grudge-holding and spiteful. I LIKE that she tried to leverage her sisterhood with Dovewing in ASC to try and make her manipulate her husband. I find the fact she tried to sabotage SkyClan's chances at the lake back in AVoS to halt Dovewing and Tigerheart's relationship, slighting her apprentice in the process, to be COMPELLING.

I ENJOY reading about Ivypool being nasty. Both a victim of the Dark Forest who was targeted because she felt alienated, and yet, someone who has found a way to use Clan culture's most unfair aspects to her advantage. She'll NEVER see herself as the bully she actually is, because in her eyes, she's permanently the underdog.

so... I just have absolutely no desire to see Dovewing and Ivypool be "close."

Every time it happens on the page, it feels like it's Dovewing desperately wanting her sister to not treat her poorly, or believe in her, or just stop actively sabotaging her life. Then, Ivypool realizes this after a while and displays emotional intelligence that feels unfitting for her character, and apologizes.

It feels forced.

Like it's just happening because the authors know the fans want it, and not actually what these two characters would do. You get me?

I don't want to see them reconnect. I want more bittersweet examples in WC where family members have irreconcilable differences, but now and then, there's that little twinge of love, that old spark that you pray, THIS time, could become a fire... but it doesn't. There's just nothing left to burn.

TL;DR I'm feeling overall meh about Ivypool's Heart but looking forward to seeing what StormClan's all about.

[thecruellestmonth]

"Jason does it to himself... a tragedy of his own making..."

Yes!

"...He is stubbornly depriving himself of good relationship with his dad and siblings! If only he'd behave at a minimally decent level, then he'd be embraced by his wonderful family. Alas, he has made himself all alone."

Nah, that's the opposite of correct. Could not get any more wrong.

Jason is a tragedy of his own making because he won't let his loved ones go. According to a decent amount of canon evidence and some common sense, he'd be a much healthier, more successful person if he didn't have this family.

Unfortunately, he keeps attempting to find a way to live with them. In varying ways and extents, Jason's loved ones have shown they can accept his death and move on, without his loss compromising their fundamental identity. Jason is the one who rips himself apart, burns himself, hides himself in costume after costume—all to transform himself into a monster too strong to be forced to unhook his claws from the people he loves.

You will pry his loved ones from his cold, dead hands. And after that, he'll come back for them anyway.

[cuubism]

dream and hob are really just that post that was like 'introverts only make friends when an extrovert forcibly adopts them'

[danwhobrowses]

I have to say when it comes for episode 107 I'm on the camp of this feeling wrong. Like, two gods' plan is to just let Ludinus just have his way? And just assume that the vessel won't get them? The Wildmother showed Orym the time Predathos came to town, it took out two of them in a blink and the Titans did the heavy lifting, it chased them from Tengar to Exandria without concept of navigation so it's foolish to think they won't do the same this time around. Running forever isn't a life even the infinite should be pursuing. Corellon is cheeky and flirty but it's a mask for being deflective and honestly a little cowardly. What you're asking and trying to persuade with gifts requires the Hells to entertain sacrificing one of their own, which they shouldn't (and I'm hopeful they won't, because that'd be to me at least be a character betrayal since they have always prioritized each other over the gods) consider doing even for any kind of promise, and treating it like it's a necessity, as if leaving like you've decided you want to do now is your 'sacrifice'? Even if being a vessel and still being of sound mind was a viable option with proof that it can work that way, there are too many unknown factors that it seems not even the gods have answers for, so it should all trail back to the fact that this is STILL not a risk worth taking and Ludinus should not be having his way.

I guess part of this feeling comes down to the fact that this was not what I was hoping to get out of the episode; I'm always open to being surprised (because I often am) but it has to be in a good way, this was not a good way. But we'll have to see where it goes, this is a proposal of two gods against a majority yet to say their piece and could still be heard out, I still trust Matt's vision and Abu DM's like smooth butter, but the god debate admittedly continues to wear on me - we were already in a state where we were open to talk but now they're conspiring against one another too? Can we not just focus on Plan A: Unite to Stop Ludinus from releasing Predathos? Evoroa literally said Ludinus' plan is to divide why are we sowing more division? Couldn't just kill Zathuda and take his dragon for Fearne...this should've been Bell's Hells' big win to make up for Otohan but now for me at least it feels a little sour.

[dxxtruction]

Louis' "You're boring!" Could mean so many things, but I think what's most apparent about that line is that Armand takes no initiative just for himself. He's not really anybody, because he never goes out and finds himself or gets attached to anyone but Louis. Without Louis as his guide he's literally just sitting on a couch picking lint! That's the thing.

He orbits constantly around what would make Louis happy, and never really fully going what would make me happy? Ultimately that drive to please Louis is what drives him to torturing Daniel, not so much that he'd care to just do it. Ultimately, not giving proper care to Louis is just a way to make sure Louis knows he has to orbit around him as well, with shoving Lestat onto him just that other nail on the coffin. So, even if he fails to figure out how to make Louis happy with him, he still knows what Armand is good for, and better than.

That dependency is what drives Armand's abuse. It really just comes down to that. Armand doesn't even realize how suffocated he is by his own dependency. This is just how life is to him. (It shouldn't be lost either that dependency is a theme considering this episode also deals with addiction).

Daniel's fascinating because he's just so driven to be somebody. He's largely independent, he seeks things because he wants them. It's his drug to poke and prod at all the things that he shouldn't. Daniel's exciting because he lets Louis in to something different, lets him in to all this potential in another person that he can also do the same with for himself. It's a real connection. A two way street. It's easy to tell how Armand can be smothering then because he's never introducing him to anything really new, and most the ways both of them connect are all painful and traumatic. It's never just fun because there's always that layer of that pain. Fun died with Claudia.

50 years on they've gotten to a lot better place, both of them, but it's still that same shit. No seriously, "How is this any different from last time, Louis?"

Well... Because Armand's going to be, at the very least, making one [1] decision only for himself - and that's to hold power over Daniel's life. Fucking sick foreshadowing.

They aren't driving each other to the brink anymore but "The vampire is bored" STILL. Maybe it's even worse, despite being in better places, because Louis' sort of just been defeated by it. (I mean, can he even really leave this either?). He's accepting the dependancy cause he kind of has to. He'd literally ended up letting all the enjoyment be up where he can't reach [The book shelves]. Armand so desperately wants Louis happiness but what really ends up happening is that Louis ends up having to give Armand all his own. He's got no one or anything else to get it from. But like an iPad and an over the top eating ritual. Two extremes of what's just more lint picking.

This whole relationship is one I find just tragic inside and out. You have to just pity it, really. There's ways in which you can find yourself feeling bad for both of them. But you can only really be mad at Armand for any of it. Armand, who isn't even 'free' in any sense, having so little concept of his own independence, but is at the same time so controlling over other's. It's a tragic cycle. It's an infuriating one.

Louis at least has the mind to know when enough is enough. If just needing that extra push to get there. Armand's too scared of it being over to even try.

[beanghostprincess]

Sakura has been pushed away, hated, and abandoned by everyone who met him because they didn't actually know him. And it's just so beautiful to me how insistent Nirei is in making him realize that the first things that come to everyone's minds when they know him is how much of a good and kind soul he is. All this refusing to leave Sakura alone and fighting to protect him too, instead, demanding Sakura to share his burden with them because they care. And the fact that it's Nirei, who has been scared the whole time, the one to stand up and tell him to trust them... Sakura truly is getting the "get loved, idiot" treatment.

[lightasthesun]

Imagine surviving the war only to lose most of the people closest to you.

The Woman that once upon a time held your heart in her hands.

The Girl that you loved like a daughter and whose death would ultimately lead to you losing your only brother.

•

In this universe, the river of time flows differently. Each step, each choice, and each poignant moment in its stream drift slightly off course.

It starts like this:

When Ahsoka and Bo-Katan ask the Jedi Order for aid in freeing Mandalore from Darth Maul's grasp and finally putting an end to the former Sith's reign, Obi-Wan does not ignore their call for help. Satine's ghost still haunts his nightmares, and it's the look on her sister's face, along with the redheads snarling accusations and Ahsoka's distant demeanor, that cause his typically composed exterior to splinter.

Through the cracks in his shields, a presence slips in – wild and tumultuous, yet practically radiant in its brilliance.

Days, months, weeks and even years later Obi-Wan will wish he'd taken a little longer to cradle her presence close.

It ends like this:

Anakin with Windu on the Invisible Hand. A incapacitated Sith in custody and another, more vile, more cunning, more sinister, choosing the wrong moment to reveal himself. A twist of fate. A long lost friend showing signs of old loyalty. Lightning. Screams. Hurt and Betrayal. The Chosen One as he was meant to be without terrors of the night influencing his most damning decision. Red clashing with purple, with blue. Red, blue, purple, blue, red, purple— A head rolls. The cackling stops.

For a moment, Peace.

A bond, frail at the edges but oh so resilient, crafted amidst blaster fire and silly nicknames and bets made on the battlefield, breaks—

Anakin screams.

•

On Mandalore the last chess piece falls with a Padawans last sacrifice.

First, Maul taunts. Maul laughs. Maul feeds on rage, on grief and hurt and terror, terror, terror. He's stronger here. Less controlled too, but while his greed costs him his head, his strength costs Obi-Wan the centerpiece of his lineage.

Obi-Wan holds his daughter as she bleeds out in his arms. His shoulders shake but he does not cry. His eyes burn but he does not weep. His lips twitch but he does not sob. He holds Ahsoka much the same way he held Satine only months before.

“No, not you too.”

Something flickers inside his mind, once, twice. It grows ever dimmer and Ahsoka's grip on his shoulder, ever weaker. A feeble voice inside his mind, It's okay. It doesn't hurt. I'll be okay, Master.

But this time no reassurance, no hand to his cheek, no last confession, nothing, will temper the anger slowly rising in tandem with his grief. He needs a medic. He needs a medic, now. Where's —

Cody!

Obi-Wan doesn't like the expression on the face of his slowly approaching Commander. The furrow of his brow, the emotion in his eyes. He doesn't like that Cody has taken off his helmet and reaches out to hold Obi-Wan by his shoulder as if he knows Obi-Wan needs the physical support, as if Ahsoka is going to —

“Master—”

Obi-Wan turns his eyes back on his Grandpadawan. Hers are barely open, her lips smeared with blood. Obi-Wans eyes catch on the red trailing down her chin and the length of her throat.

Ahsoka catches his eyes and smiles. She tugs on their bond the way she had always done before a battle, up until her last assignment on Caito Neimodia.

She tugs once, twice, three times. His heart squeezes painfully in his chest. He tugs back three times.

He does cry then. For the life she will never have. For the peace she will never experience. For the war she fought and whose final victory she will never reap. For the girl he learned to love as his own.

And even in her last moment, even in pain, even after Hurt and Miscommunication, and Betrayal born out of insecurity and misjudgment, she still worries for others first. For him.

You're safe. You're all sa—

He shushes her. Tired amusement tingles across their bond.

Then,

Inhale. Exhale. Inhale.

You are forgiven, Obi-Wan.

Exhale. The light winks out and as their bond shatters his last remaining one pulls tight with white hot agony.

Cody is all that keeps Obi-Wan upright right then and there.

•

The war is over. They won. So many dead. His lineage torn asunder.

Ahsoka is dead. Anakin won't speak to him. Qui-Gon is dead. Dooku is imprisoned.

Here the river of time finds a stream parallel to the one we know.

Obi-Wan and Yoda at the end of things.