#YOU THERE BEHIND THE SCREEN

[hopeinart]

Dear everyone on here, I want you to know that I love you. Yes, I personally care about you and think you deserve to have a good day with less stress in it.

[roydeezed]

One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".

The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.

He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.

So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.

Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.

It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.

How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.

[draw-the-squad-like-this]

Draw your character doing chemistry :)

[persona-brainrot-real]

Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)

Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.

And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.

Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.

[catliker49]

Surprise!

Quite literally! I have Finally drawn again! I am so Happy! My style is a bit rough.. or perhaps I should say... ruff! (Haha, sorry!) but that's just because I have not drawn anything other than my Final Piece for the past few months!

OH!! SPEAKING OF! I GOT DISTINCTIONS IN EVERYTHING! HAHA! (The highest grade for everything! Yay!) OOH! And! Final thing.. I am starting to use my name for my Signature, so, if you can spot it, that is why it does not say Catliker :O)

[misscoet]

baby, you're the devil i know

better than the devil i don't

[m0e-ru]

say cheese !

[neunhofferart]

fave scene u boarded this season?

Okay, MAJOR SPOILERS for Jurassic World Chaos Theory Season 2 incoming haha. It's hard to pick just one, so here's a bunch:

Favorite scenes that made it to screen:

The sucho vs. hippo fight (Though sadly I didn't request this one for my demo real because most of the boards are not very pretty/had to be cleaned up by someone else due to time. These panels below are some of the few that look nice enough to show LOL. Originally in the script, there were TWO hippos we called Orson and Welles, but it was just too much going on in that little set, so the whole thing had to be reworked from scratch halfway through the boarding period. My director Mike Mullen and our revisionist Emma Gilles contributed a LOT to this sequence and made my hastily redone roughs actually legible for everyone, and added/refined more after I had to move on in the schedule)

Ben freaking out while everyone piles more and more problems on Yaz

Kenji fixing his dislocated arm while Darius gagged

Santos sending Red to kill Captain Lang (I have permission to share this one in full, but I need to format it because it's in pdf form).

Favorite scenes that were cut or significantly trimmed down:

Extended scene of Brooklynn feeding Gordon that introduced more of an idea of her having lingering PTSD around dinosaurs, while also highlighting more of the connection between her and Gordon sharing a limb difference. It was a more contemplative scene, but the episode hit 30 or 35 minutes in the initial cut and it could only be 22, so a LOT was cut in the Brooklynn episode (I also have permission to share all of this one, but again need to format it first)

Extended Kenji/Brooklynn break up scene- The first half is still there, which leads into what Rianna originally boarded in 104. A stupid detail I'm proud of- when Kenji leads Brooklynn up the mountain by hand, it's the last time anyone ever holds that hand (in that way). HOWEVER- there was originally a bit more past what Rianna did in 104 that showed how their dynamic/what they both wanted out of their relationship wasn't really in sync. Brooklynn tries to defend her actions to Kenji, but Kenji feels that her work has grown important to her than he is, and Brooklynn actually winds up being the person to say 'Fine, then let's break up!' Which I doubt she mentioned to Darius haha. Anyway, this was again cut because the episode was too dang long.

[harmonysanreads]

thought of the day, aventurine who cannot stand coworker!reader in front of others but, is actually leading the [ aventurine x reader ] ship group in secret.

[sk3tch404]

i NEED to see ghiacchio next, please.....😭😭

You beg and you shall receive

I take hands half seriously 😁😋

The verbal abuse goes crazy but at least he won't give you frost bite the first couple of times!!

When you comply with your mentally unstable tsundere yandere but they're still not very nice with you (unsurpringly you're not the problem!! #survivalskills)

Tbh I had a bit of difficulty bc one, poses/canvas room 💀, two, Ghiaccio as a yandere is very scary due to his 0 to 100 anger. Getting yelled at by a murderous male assassin is actually terrifying irl and just to think about, so here's mildly tame Ghia + him being a meanie with his words as per usual :DD

No glasses ver beloww

[art-is-kayos]

Sight of a Star - Blue-ish Star Ryōshū and Don Quixote

[whaliiwatching]

sparks fly

cleared the smoke for you

[carnivalcarriondiscarded]

I'm kind of treating this fanimation as a loading screen as we wait, have a Home spin

TURNING THIS IN MY HEAD CONSTANTLY

[crowpickingss]

THE CREWW

[mr-downer-2024]

seriously does anyone actually have any good talking points anymore on anything or is it just retread of the cyclical culture war bullshit waged by the most socially maladjusted people you know.