#Working boys short film

[imasillygooose]

Here's your daily picture of Jon Matteson

Challenge: can you name which Workin' Boy he is without reading the tags?

[cracklewink]

some sketches of my guy

[demigod-of-the-agni]

the silly...

taken from this post from the spiderversemovie account on instagram

[signed-sapphire]

Um. Can I. @annymation @uva124 @emillyverse

How hard I had to fight to not make Aster a twink was. So hard.

Idk experimenting with canvas sizes

@gracebethartacc has RWTS!Aster with star-shaped pupils and Cielo has glowing golden pupils, so I decided Imma draw KOW!Aster with stars IN their pupil.

The firefly one??? Is okay??? It doesn’t really look lika Aled’s art but idfc (I do, I really do but I gotta go to sleep)

Boots are a bit stiff but what can you do. I wanted to get some fanart out there so I can practice drawing the boy a little more later

[just-another-obsessed-fangirl]

mainly incoherent thoughts from watching that clip of angela in that true crime show that was going around but one thought that i can structure is. you're telling me that grace chasity is not the first role where angela giarratana played a horny 18 year old girl who convinced her peers to lure a guy out to get revenge on him, the end result being that guy is killed

[astramachina]

with the next chapter of House of the Setting Sun done, this week's looking pretty stacked. we've got:

HotSS chapter 2.

DTT chapter 15.

The next four chapters of The Architect.

A new horror short? 👀 (A continuation to Northern Lights, mayhaps?)

so i'll be a wee bit sparse until the end of the week.

[thunderbottle]

Love that i havent posted barely any art in months meanwhile ive been painting more the past few months than ever in my life previously

[tired-socks-og]

My senior capstone film is almost done!!!

One whole year of work. My first independent short film :)

Look out for the release of it!

[unproduciblesmackdown]

more info, via a couple of reviews:

"Is this the best, most exhilarating, most close-to-perpetual dancing ever to grace the Goodspeed Opera House stage?

It certainly could be.

The new stage adaptation of “Summer Stock” at the East Haddam theater has plenty to recommend it in terms of the canny script and the hummable songs. But it’s the dancing that leaves the biggest impression.

The show is jam-packed with choreography from Donna Feore, who also directs, that is thrillingly executed by the cast.

We’re talking: Gravity-defying kicks. Head-spinning turns. Male dancers lifting and tossing and catching the female ones. It runs the gamut from Cossack-dance athleticism to soft shoe grace, tap precision to Lindy hop energy.

How the cast manages to sing after executing these (literally) breathtaking numbers, I have no idea.

And how do they make it through two performances on some days? Amazing.

Also amazing: the fact that they do all this on Goodspeed’s small stage without making the space feel cramped.

So, yes, the dancing is phenomenal. But there’s more to the show than that.

This stage version of “Summer Stock” — which is enjoying its world premiere at Goodspeed — is inspired by the 1950 MGM movie starring Judy Garland and Gene Kelly. Writer Cheri Steinkellner, though, has reimagined the piece in many ways, making it better, stronger and propelled by a more modern sensibility. (Steinkellner’s writing credits range from “Cheers” to the Broadway adaptation of “Sister Act.”)

The foundational story, though, remains the same: A no-nonsense young woman named Jane is trying to save her family farm. Her actress sister (named Gloria in the version at Goodspeed) brings her compatriots to the farm to rehearse a show. Jane first spars with and then starts falling for Gloria’s beau Joe, the production’s director.

Steinkellner has also changed up the score, to great effect. While some tunes from the movie remain, she has pulled others that are in the public domain (such as “Accentuate the Positive,” “Paper Moon” and “It Had to Be You”), and she has woven them perfectly into various plot points and important emotional moments.

As director, Feore makes sure the whole enterprise has a dynamic spirit. It’s a story and a production that brims with optimism and cheerfulness.

Leading the cast is Corbin Bleu, who became famous with his work in “High School Musical” and has gone on to star in several Broadway shows, as Joe. Bleu is a true, and truly talented, triple-threat. He has a warm, welcoming presence as an actor; he also brings an authority to Joe so you believe he’s someone the actors respect and will follow. Bleu’s singing is strong and lustrous, and his dancing — particularly his tremendous tap ability — is … wow.

Arguably the biggest scene-stealer here is Veanne Cox, as the wealthy, snooty owner of huge property surrounding Jane’s. The way she trills dialogue can turn anything into a punchline. She can wave her arms about as her character repeats “l’amour” and generate audience laughs. When her character falls for the egoistic actor Montgomery Leach (played by J. Anthony Crane with Barrymore flair), Cox burbles with girlish romantic giddiness.

Danielle Wade does her own take on the Judy Garland role. She gives Jane a swagger and a tough façade that reveals a more human self during the course of the story. Wade’s most important feature is her voice, which is potent whether she’s finessing a ballad or powering through a big number. While she can’t compete with Garland’s renowned version of “Get Happy” (who could?), Wade does a good job in the number — choreographed and costumed in an homage to the original — that serves as the culmination of the production.

Arianna Rosario gets to play an interesting arc at Gloria. At first, Gloria seems to be a blithe, self-centered actress, but she later shows that she is quite the problem-solving producer. Rosario makes the transformation believable, as if Gloria is finally letting her real self come through.

The scenic design by Wilson Chin suggests the various elements of a Connecticut River Valley farm in the 1950s while still allowing room for the cast to burst into all of those big dance numbers. And the costume design by Tina McCartney provides a fun and functional take on country clothing of the era.

I will say that the second act could be tightened up (we don’t need to see so many beats of the rehearsal process), but, in total, this “Summer Stock” is sensational." [source]

(hooray for most directly explaining gloria's overall arc)

and the next review:

"A throwback to the golden age of Broadway and movie musicals, "Summer Stock" is a timeless, inspiring song-and-dance tale of good deeds, fairy tale showbiz, classic romance and backstage intrigue played out to such dazzling effect, you want to freeze frame it, take it home with you and watch it over and over again for pure fun and a let's-put-a-smile-on-your-face endorsement. This is Goodspeed Musicals at its best - old-fashioned musical entertainment designed to deliver by the bucket's load, stir the senses, rhythmically intoxicate you and dance up a continual storm of good cheer that's guaranteed to leave you breathless.

Animated. Airborne. Magical. Sweet-natured. Fresh-faced. Dance happy. It's all here, wrapped up in shiny gold ribbons and signature colors that complement and complete the picture with a technicolor flourish, a big bang and an internal logic that flows with appropriate style, stamina, full command and intent.

Adapted to the stage by Cheri Steinkellner, "Summer Stock" replays that popular let's- put-on-a-show conceit where everything rests of the big opening night, the box-office intake, the big kiss between the leading man and the leading lady and how a complete unknown saves the day right before the final fadeout. Here, struggling Connecticut farmer Jane Falbury decides to let her actress sister Abigail and her actor friends from New York use the family barn as a rehearsal space for their brand-new Broadway bound musical in exchange for doing the daily farm chores to raise enough money to keep the business from going completely under. One slight problem. During rehearsals, Jane finds herself falling for the show's handsome director, Joe Ross, who, happens to be engaged to the show's leading lady - her sister Abigail.

Staging "Summer Stock," director Donna Feore ("Chicago," "Billy Elliot," "A Chorus Line"), who doubles as choreographer, creates a loveable, intoxicating show that reels you in, grabs hold of you until the final curtain and lets you fall in love with every little detail, surprise, plot twist, joke, visual gag, one-liner and tilt of her jolly agenda while she articulates every element of this musical story with thrust, warmth, spin and splendid articulation. Directorially, she pulls it off spectacularly. No wrong moves here as "Summer Stock" catches fire with a spark, a gusto, a shine and a 1950s mentality infused with plenty of imagination, originality, style and flair.  More importantly, the production never loses sight of its origins, its functional plotting and its love of musicals of yesteryear despite well-intentioned doses of kitsch, takeaway humor, giddy backchat and story arcs right out of the MGM library of backlot moviemaking.  Feore, free spirit that she is, fuels the musical with a sharpened wit and sentiment that works especially well as does her decision to let "Summer Stock" remain rooted in the period from whence it came in terms of staging, development, expression and interaction. 

Moving from screen to stage," "Summer Stock" retains only four songs from the 1950 MGM musical. The addition of several new songs to the original version of the score turns the two-act musical into more of a showstopping event and adds clarity, luster and vintage spin to its already proven material, its let's launch into another song and dance routine blueprint and its firm grasp on characterization, story evolution and its happily ever after conclusion. At Goodspeed, there are 28 important, recognizable, smartly placed musical numbers. They are:  "Get Happy," "Happy Days Are Here Again/I Want to Be Happy," "Accentuate the Positive," "I'm Always Chasing Rainbows," "Always," "Always (reprise)," "It's Only a Paper Moon," "The Best Things in Life Are Free," "Dig for Your Dinner," "Me and My Shadow," "Howdy Neighbor, Happy Harvest," "Red Hot Mama," " 'Til We Meet Again," "You Wonderful You," "June Night," "Some of These Days," "Joe's Dance," "I'm Always Chasing Rainbows (reprise)," "It All Depends on You," "Always (reprise)," "Everybody Step," "Lucky Day," "How Ya Gonna Keep 'Em Down on the Farm," "Hinky-Dinky Parlez Vouz," "It Had to Be You," "Get Happy (reprise)" and "You Wonderful You (Finale)."

Musical director Adam Souza ("42nd Street," "Cabaret," "Next to Normal," "A Grand Night for Singing," "Because of Winn Dixie," "Rags") grabs hold of the "Summer Stock" score and allows it to breathe, gesticulate, excite, envelop and rhapsodize��with the golden age sentimentality of MGM movie musicals and the timeless, larger-than-life spirit of old Broadway. Here, every song matters. Every song is important. Every song travels down memory lane. Every song is tuned to the max with sweet, centered, warm-heartedness. Every song fulfills its intended purpose. All of this is complemented by the strong, flavorful sound of Souza's orchestral team, all of whom share his tremendous sense of theatricality, musical interlude, impassioned communication and delight of the actual musical itself.  They are: David Uhl (bass), Sal Ranniello (percussion), Liz Baker Smith (reed 1), Andrew Studenski (reed II), Travis Higgins III (trumpet) and Matthew Russo (trombone). As with other Goodspeed musicals, Souza doubles as conductor and keyboardist. As "Summer Stock" zings and pops, pretty music every song unfolds with a contagious orchestral musical glow, matched by the splendid musicality of the entire cast who address the catchy, homespun music and lyrics with perfect harmony, rhythm, phrasing and nostalgic commitment. These elements heighten the on-stage mode of the production, its progression from Act I to Act II, its send offs, its pastiche and its electrifying, barn-raising influence and thwack.

As with any big stage musical, choreography is key to a production's success, its fluidity of form, its artistic expression and its accompanying dance routines. Here, Feore, as choreographer, gives "Summer Stock" a highly personal touch of invigoration and speedy excitement that is tipped and generated with wonderfully elongated inspiration, stamina and determination. This is star quality choreography that peaks, shines and tilts with clever build ups, catchy dance steps and bold, concentrated rhythms, moves and beats that joyfully celebrate 1950's musicals in all their technicolor glory.   As storyteller and dance interpreter, she brings great dimension and scope to the piece using techniques, styles, descriptions and an enriched canvas of thoughts and ideas that make their mark most engagingly. Everything that happens on the Goodspeed Musicals stage has been beautifully blocked, rehearsed and staged with such thrust and individuality, no two dance numbers are alike. In fact, once "Summer Stock" catches fire, there's no stopping it.  Creating a freshly minted fusion of moods, tableaus, lifts, twirls and swirls, Feore pays homage to the actual vintage look and mindset of the musical, its dance-friendly art form and its free-flowing feel of excitement and exhilaration. Hands pop. Arms move heavenward. Dancers smile and glisten as they passionately ignite into joyful visions of sweetness, passion, frenzy and syncopation. Everyone is lost in the moment illustrating the traditions, the conscience and the power of musical theatre, giving and getting the most out of Feore's phenomenal, ovation-worthy choreography. Trained, drilled and confident, they each get a chance to shine - and shine they do - all making strong impressions that will live long in memory.

Making his Goodspeed Musicals debut, Corbin Bleu, as Joe Ross, a character originated by Gene Kelly in the 1950 film version, creates a "Wow!" song-and-dance-man factor chock full of charm, personality, self-confidence and full-beam, champagne delightness that astounds, cajoles and sparkles with leading man gait and luxury like no other. No matter what he does, he's a proverbial triple-threat (i.e., a player who excels at acting, singing and dancing) who makes everything that happens on stage feel fresh, spontaneous, real, raw and very much in the moment. It's in his eyes. It's in his moves. It's in his expressions. Exhibiting a sweet, contagious rapport that extends far beyond the footlights, it's the performance of the year and one that Bleu exudes with a Gene Kelly/Fred Astaire aura of showbiz savvy, knockabout whimsy, graceful athleticism and sterling encapsulation. "Joe's Dance," a solo dance number in Act II performed by Bleu only furthers that notion.

In the role of Jane Falbury, a role made famous by Judy Garland in the original "Summer Stock" MGM musical, Danielle Wade lights up the Goodspeed Musicals stage with a breezy, intuitive musical comedy performance of real warmth and spirit that is a constant joy to watch. Veanne Cox, cast in the role of the wickedly devious Connecticut farming magnate Margaret Wingate, is jaw-dropping brilliant, using humor, music, dance and melodrama in divinely daft and glorious ways that prompt applause and laughter whenever she's in the limelight. It's a scene-stealing performance so seamlessly entrenched in glee and fiery abandon, Cox, would be the ideal choice to play narcissistic Broadway diva Dee Dee Allen in the 2024 summer presentation of "The Prom" at Playhouse in Park in West Hartford. I'll personally deliver the contract. Other memorable performances are delivered by Arianna Rosario (Gloria Falbury), Stephen Lee Anderson (Henry "Pop" Falbury), Gilbert L. Bailey II (Phil Filmore), Will Roland (Orville Wingate) and J. Anthony Crane (Montgomery Leach). A musical escape brimming with delightful songs, engaging performances and full-beam dance numbers, "Summer Stock" is not only a bubbly tonic for theatergoers of all ages, but one that kicks nostalgia into high gear with uncomplicated bliss, fizz and vintage sparkle. It sings. It dances. It pops. It dazzles. Like "42nd Street" which played Goodspeed Musicals last season, it overflows with Kelly/Astaire lightness, punch and precision, sunny vibes and well-played exactitude. The energy displayed here is fast and furious with first-night exhilaration and thrill paired especially well with Corbin Bleu's charming star turn, Danielle Wade's joyous "Get Happy" abandon and Veanne Cox's well-prepped, icy cool villain. This is musical theatre of the highest order - infectious, irresistible, glorious. Its leave-your-troubles-at-the-door/Let's-put-on-a-show mentality accelerates with sparkle and cherry pie goodness. And boy, do we need it now!" [source]

(the reference to jane's sister abigail uses the film's names: abigail becomes gloria in this production, which is the name of abigail's actor in the film, which also mirrors how the role of herb is now phil, also the name of herb's actor in the film)

(also shoutout to providing A Full, Chronological List Of Songs. noting that according to another interview, intermission would be between "you wonderful you" and "june night")

[secondjulia]

REALLY fixed this time! (This is new to me; I'm working on it :)

This was harder than Where the River Bends because it's such a happy song, and it's HARD to find Dream of the Endless looking happy. Non-antagonistic head tilts and raised eyebrows are about as good as it gets — until the sun finally breaks through.

[kaleuh]

boys are just . not real

[thepunkmuppet]

if I may add:

uncle wiley and miss holloway always fight and one of them always dies

jane houston always dies in a car crash

general macnamara always dies in the line of duty while inspiring someone else to save the day in his stead (not sure though as we only have two appearances from him)

this sounds so stupid and obvious but hannah foster is always born. it’s important because her birth seemed to have a hand in splitting the timelines, and apparently lex delivering her “saved the entire universe”

echoes in hatchetfield (aka events that repeat across timelines):

most reliably, ted spankoffski dies a violent death as a direct result of being horny and/or a bastard

grace chasity saves the day (and potentially becomes the new threat)

paul matthews and emma perkins fall for each other

as do stephanie lauter and peter spankoffski

lex and ethan are split up by circumstances beyond their control

duke falls in love with miss holloway and she might feel the same but they don't get together

linda monroe is doomed by her need to be adored

professor hidgens tries and fails to secure funding for workin' boys

barry swift is in a hurry

[corvids-corner]

Welcoming a new OC to the fam, it's TJ! (first name Trevor, middle name James) - he's a member of the ABO fraternity, which is secretly a werewolf pack

[jadenvargen]

free online james baldwin stories, essays, videos, and other resources

**edit

James baldwin online archive with his articles and photo archives.

---NOVELS---

Giovanni's room"When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy. This book introduces love's fascinating possibilities and extremities."

Go Tell It On The Mountain"(...)Baldwin's first major work, a semi-autobiographical novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves."

+bonus: film adaptation on youtube. (if you’re a giancarlo esposito fan, you’ll be delighted to see him in an early preacher role)

Another Country and Going to Meet the Man Another country: "James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit." Going to meet the Man: " collection of eight short stories by American writer James Baldwin. The book, dedicated "for Beauford Delaney", covers many topics related to anti-Black racism in American society, as well as African-American–Jewish relations, childhood, the creative process, criminal justice, drug addiction, family relationships, jazz, lynching, sexuality, and white supremacy."

Just Above My Head"Here, in a monumental saga of love and rage, Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the homosexual passion of Giovanni's Room, and to the political fire that enflames his nonfiction work. Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses--and a living contemporary history of black struggle in this land."

If Beale Street Could Talk"Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche."

also has a film adaptation by moonlight's barry jenkins

Tell Me How Long the Train's been gone At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. 

---ESSAYS---

Baldwin essay collection. Including most famously: notes of a native son, nobody knows my name, the fire next time, no name in the street, the devil finds work- baldwin on film

--DOCUMENTARIES--

Take this hammer, a tour of san Francisco.

Meeting the man

--DEBATES:--

Debate with Malcolm x, 1963 ( on integration, the nation of islam, and other topics. )

Debate with William Buckley, 1965. ( historic debate in america. )

Heavily moderated debate with Malcolm x, Charles Eric Lincoln, and Samuel Schyle 1961. (Primarily Malcolm X's debate on behalf of the nation of islam, with Baldwin giving occassional inputs.)

----

apart from themes obvious in the book's descriptions, a general heads up for themes of incest and sexual assault throughout his works.

[batboyblog]

Copy Right and Public Domain in 2024

Happy 2024 all! its also Public Domain Day! a magical holiday here in America where things enter the public domain. Works published in the year 1928 (or 95 years ago!) have entered the public domain, which means they belong to us, all of us, the public!

Mickey's Back!

Yes! I'm sure you've heard, but Mickey Mouse (and Minnie Mouse too) is entering the Public Domain today. This has been news for a few years and indeed Disney's lobbying in the late 1990s is why our copy right term is SO long. So what exactly is now public domain?

Most people know about Mickey's first appearance Steamboat Willie, but a second short film, Plane Crazy was also released in 1928 so will also be public domain. So what's public? well these two films first of all, you're allowed to play them, upload them to YouTube or whatever without paying Disney. In theory you'll be allowed to cut and sample them, have them playing in the background of your movie etc. Likewise in theory the image of Mickey and Minnie as they appear (thats important) in these films will be free to use as well as Mickey's character as he appears in these works will be free to use. Now Mickey's later and more famous appearance

will still be protected. Famously the Conan Doyle Estate claimed that Sherlock Holmes couldn't be nice, smile, or not hate women in works because they still held the copyright on the short stories where he first did those things even though 90% of Sherlock Holmes stories were public domain. It's very likely Disney will assert similar claims over Mickey, claiming much of his personality first appeared in works still copyrighted.

Finally there's copyright vs trademark. Copyright is total ownership of a piece of media and all the ideas that appear in it, copyright has a limited set term and expires. Trademark is more limited and only applies to things used to market and sell a product. You can have a Coke branded vending machine in your movie if you want, but it couldn't appear anywhere in the trailer for your movie as thats you marketing your movie.

Where trademark ends and copyright begins and how trademarked something in the public domain is allowed to be are all unsettled areas of law and clearly Disney in the last few years as been aggressively pushing its trademark not just to Mickey in general but Steamboat Willie Mickey in particular

Ultimately the legal rights and wrongs of this might not matter so much since few people have the money and legal resources of the Walt Disney corporation so they might manage to maintain a de facto copyright on Mickey through legal intimidation, but maybe not?

And Tigger Too!

All the talk about Mickey Mouse and Steamboat Willie has sadly overshadowed other MAJOR things entering the public domain today. Most people are aware Winnie the Pooh entered the public domain in 2022, but they might not realize his beloved friend Tigger didn't. Thats because Tigger didn't appear till A. A. Milne's second (and last) book of Pooh short stories, The House at Pooh Corner in 1928.

Much like Mickey Mouse only what appears in The House at Pooh Corner is public domain so the orange bouncy boy from the 1960s Disney cartoon is still on lock down. But the A. A. Milne original as illustrated by E. H. Shepard is free for you to use in fiction or art. His friend Winnie the Pooh has made a number of appearances since being freed, most notably in a horror movie, but also a Mint Mobile commercial so maybe Tigger too will have a lot of luck in the public domain.

Other works:

Peter Pan; or the Boy Who Wouldn't Grow Up

Peter Pan is a strange case, even though the play was first mounted in 1904, and the novelization (Peter and Wendy) was published in 1911, The script for the play was not published till 1928 (confusing!) meaning while the novel as been public domain for years the play (which came first) hasn't been, but now it is and people are welcome to mount productions of it.

Millions of Cats

The oldest picture book still in print, did you own a copy growing up? (I did)

Lady Chatterley's Lover

The iconic porn novel that was at the center of a number of groundbreaking obscenity cases in the 1960s and helped establish your right to free speech.

All Quiet on the Western Front and The Threepenny Opera in their original German (but you can translate them if you want), The Mystery of the Blue Train by Agatha Christie, and Orlando by Virginia Woolf will also be joining us in the public domain along with any and all plays, novels, and books published in 1928

for Films we have The Man Who Laughs who's iconic image inspired the Joker

Charlie Chaplin's The Circus, Buster Keaton's The Cameraman, Should Married Men Go Home? the first Laurel and Hardy movie, Lights of New York the first "all talking" movie, The Passion of Joan of Arc, The Wind, as well as The Last Command and Street Angel the first films to win Oscars for Best Actor and Best Actress respectively will all be entering public domain

For Musical Compositions (more on that in a moment) we've got

Mack the Knife by Bertolt Brecht, Let’s Do It (Let’s Fall in Love) by Cole Porter, Sonny Boy by George Gard DeSylva, Lew Brown & Ray Henderson, Empty Bed Blues by J. C. Johnson, and Makin’ Whoopee! by Gus Khan are some of the notables but any piece of music published in 1928 is covered

Any art work published in 1928, which might include works by Frida Kahlo, Georgia O'Keeffe, Alexej von Jawlensky, Edward Hopper, and André Kertész will enter the public domain, we are sure those that M. C. Escher's Tower of Babel will be in the public domain

Swan Song, Public Domain and recorded music

While most things are covered by the Copyright Act of 1976 as amended by the Digital Millennium Copyright Act, none of the copyright acts covered recordings you see when American copyright law was first written recordings did not exist and so through its many amendings no one fixed this problem, movies were treated like plays and artwork, but recorded sound wasn't covered by any federal law. So all sound recordings from before 1972 were governed by a confusing mess of state level laws making it basically impossible to say what was public and what was under copyright. In 2017 Congress managed to do something right and passed the Music Modernization Act. Under the act all recordings from 1922 and before would enter the public domain in 2022. After taking a break for 2023, all sound recordings made in 1923 have entered the public domain today on January 1st 2024, these include.

Charleston by James P. Johnson

Yes! We Have No Bananas (recorded by a lot artists that year)

Who’s Sorry Now by Lewis James

Down Hearted Blues by Bessie Smith

Lawdy, Lawdy Blues by Ida Cox

Southern Blues and Moonshine Blues by Ma Rainey

That American Boy of Mine and Parade of the Wooden Soldiers by Paul Whiteman and his Orchestra

Dipper Mouth Blues and Froggie More by King Oliver’s Creole Jazz Band, featuring Louis Armstrong

Bambalina by Ray Miller Orchestra

Swingin’ Down the Lane by Isham Jones Orchestra

Enjoy your public domain works!

[sweetangelgirl7]

𝐰𝐞𝐭 𝐡𝐨𝐭 𝐚𝐦𝐞𝐫𝐢𝐜𝐚𝐧 𝐬𝐮𝐦𝐦𝐞𝐫 𝜗𝜚 𝐜𝐡𝐫𝐢𝐬 𝐬𝐭𝐮𝐫𝐧𝐢𝐨𝐥𝐨

𝐢𝐧 𝐰𝐡𝐢𝐜𝐡 you and your friends decide to road trip up to the cabin in the midst of the wet, hot, american summer. however, you and chris haven’t been able to keep your hands to yourselves for weeks. just how hot will it get?

𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: SMUT, praise kink, oral, unprotected, creampie, substance use, language, descriptive, recording!

𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 4.6k

𝐧𝐨𝐭𝐞𝐬: hi, my first fic & smut story! this is highly inspired by t.i. west’s “x” (without the gore, of course). i tend to be descriptive with scenery and details so if you’re not a fan of that, my writing may not be for you. anyways, i hope it’s not bad, enjoy!

the texas summer heat filled the rickety old van as the five of you drove the open road, the dry warmth wrapping around your bodies like a blanket. the air conditioner was working overtime on full blast as you had your feet up on the dashboard, your manicured toes wriggling in the air hitting them through the open window.

your eyes trailed over the words of the book lying in your lap, trying to read through the slight feeling of motion sickness coming on. you sat in the passenger seat as matt drove, while nick, chris, and nate sat in the back of the van discussing useless topics to pass the time for the last hour or so. you all had been on the road since the break of day and it was already half past twelve as you were nearing the cabin.

the five of you took the weekend to road trip up to the country to relax and film content, when given the chance.

taking a brief moment away from your book, you looked out at the rolling yellow grass of the texas plains. as you all had been driving for hours straight, matt pulled off the dusty road up to a run down, road side gas station and drove the van up to the lone gas pump over the gravel. you let a sigh of relief out to finally stretch your legs and get a snack from inside.

“alright everyone out” matt shouted as the van door slid open, followed by the three boys in the back piling out into the warm air. you slipped your platform sandals on and stepped out of the vehicle, slamming the door shut behind you. it felt nice to stand up and walk around but more importantly, to finally tug at the tiny shorts that had been uncomfortably riding up your ass almost the entire ride. you adjusted your tube top and held your hair up in one hand, letting the breeze hit your neck clung with sweat and baby hairs.

matt was busy filling up the van while nick and nate had already made their way inside of the rural gas station. you began to walk up the gravel as you felt a hand smack your ass, flinching at the touch. “ouch” you hissed, turning to see chris walking past you.

“those little fucking shorts have been driving me crazy” he chuckled as a grin pulled at the corner of his lips, walking backwards to face you before he could turn around to head in through the door.

you and chris had been messing around for awhile now but the balls on the kid never ceased to amaze you, literally and figuratively. sneaking around here and there when the boys weren’t looking, hell, even when they were, touching in passing and under the table to drive one another crazy. it started as a bored summer night fling until you both realized that you couldn’t keep your hands to yourselves soon after the fact.

shaking your head with a sly grin, you joined the boys in the store as they grabbed snacks off the shelves to keep themselves sane for the rest of the trip. sliding the ice cream freezer open, you leaned over the cold air for a moment of relief, the chill instantly littering your skin with goosebumps. funnily enough, your felt your nipples perk up beneath the fabric of your top in response to the immediate crisp sensation. a natural reaction, in comparison to the sweltering heat for the past five hours.

reaching down to grab a bomb pop, the cold wrapper felt nice between your hand. placing their items on the counter, chris offered to pay for everyone’s snacks as the cashier scanned each item. the hum of the old radio filling the silence while they waited to tear into the food. standing next to chris, he glanced down at you as his attention slowly trailed down to your nipples on display through your tube top, in which he couldn’t wait to tear into you. a smile crept on his face before finally looking up at you, your eyes already locked on him. “up here, perv” you mouthed quietly, motioning to your eyes.

piling out of the gas station, you tore at the wrapper of the bomb pop before taking the frozen popsicle between your lips. closing your eyes for a moment, the cherry flavor turned them an artificial shade of red. chris tucked his wallet into his back pocket, walking near you as he watched your lips cling onto the popsicle, imagining them plump and red around his dick in it’s place.

“damn relax” he groaned in your ear, adjusting himself in his shorts as he walked behind you “save all that for me later, yeah?” he teased, planting a warm kiss on your exposed shoulder before you could push him away, not wanting the rest of the group to catch wind of his very blatant behavior. you looked him in the eye before licking up the side of the red, white, and blue popsicle, sucking on the tip while letting a small laugh escape as it lingered on your lips. “well unless you’re cherry, lime, and raspberry flavored, i don’t think so.” you teased, taking a small bite.

“i can be whatever flavor you want” he chuckled, smacking your ass once again, sending your body forward as he caught up with the boys to load up in the back of the van. you rolled your eyes, pulling your shorts down once more before finding your seat in the front for the remainder of the trip.

⋆˚ 𝜗𝜚˚⋆

as matt finally pulled up on the long winding road to the cabin you all unloaded your bags from the van, chris insisting on carrying your things. walking up the steps of the wood home nestled amongst the towering trees, you all couldn’t help but explore the grounds as you’d rented this place on a whim. the cabin was alone between hundreds of wooded acres, accompanied by a swimming hole and a rope swing that you already knew the guys would abuse throughout the weekend.

“alright, i’m fucking beat so i’m gonna wash off and lay down for a little. we can just meet up later and decide what we’re gonna do.” matt explained to the group, before the rest of them nodded in agreement. nick and nate were already out the door and into the woods, walking the lake trail to map out the site as there was essentially no service. matt headed towards his chosen room to put his things down and grab a quick shower.

leaving you and chris in the cozy open living room area, he looked over your half exposed body before nodding in the direction up the stairs to your room. you laughed, walking past him, purposely wanting to take the stairs in front of him knowing the fabric of your bottoms would cover little to nothing on the way up. taking a step up the creaking stairs, you turned back to him standing in the same spot. “well let’s go then, tiger” you teased, hooking your finger to gesture him in your direction. he grinned and began to follow behind, instinctively looking up your shorts to take a peak of the folds where your ass met your thighs as you walked in front of him.

“those goddamn shorts kid” he continued before you could shake your head as a giggle rolled off your lips “oh will you shut up about the shorts already” you joked as you made your way down the hallway and into the single bedroom upstairs.

chris put your bags down on the rug, before shutting the door behind him. he had one bag around his shoulder still that carried their equipment, placing it on the quilted bed before sitting on the edge.

he reached inside of the bag, taking out an old digital camcorder they recently purchased. usually nick and matt dealt with the technical equipment but chris had managed to get his hands on it for ideas of his own that he had been sitting on since the car ride. tossing it aside with a grin, he decided to come back to it later.

meanwhile, you walked around the room, dusting your finger across the shelves of knick knacks and picture frames that adorned the walls. you had a window with a view of the never ending forest, which you knew would give you problems later on when it got dark. leaning forward to slide the window open, you placed your hands on the window sill and peeked out to take a breath of the pine filled air. slightly jutting your hips sporting ‘those little shorts’ back to taunt chris as he watched you from behind.

“what are you doing with all that ass” he laughed as you turned to face him with a look of surprise. “who, me?” you feigned innocence, wearing a smug smirk of satisfaction.

“yeah, you. come ‘ere” chris spoke with a low tone of command. walking in his direction, the wood floors creaked beneath your sandals. your eyes flickered down to chris’ shorts, as you realized that wasn’t the only wood in the cabin.

“these old things really seem to work you up, huh?” you teased and tugged at the waistband of your shorts, standing between his spread legs as his eyes made their way up to yours. although nothing seemed funny anymore as his blue hues darkened over, trailing his hands up the back your thighs and over your ass. chris slowly worked on unbuttoning your bottoms as your hand reached out to rest on his shoulder in approval. he tugged your shorts and panties down past your thighs in one go, the sound of your clothes hitting the floor filled the room as you stood in front of him. he leaned forward to place a kiss against your pelvis as his hands gripped the supple skin of your ass.

looking up at you, he planted another kiss against your body before slipping his hand beneath the hem of your top, one hand locked in his brown wavy hair, pulling at the strands between your fingers.

he pulled you closer to him as you instinctively straddled his lap before you could pull at the fabric of his shirt between your fist. getting the hint without uttering a word, he pulled it over his head and tossed it to the side, letting the silver chain around his neck hit his skin.

you traced your finger over his bare chest, fiddling with the chain between your digits as he silently scanned over your face. the intensity behind his eyes grew by the second as he watched you graze his skin.

you felt his dick pulse beneath your exposed core as you mildly grinded your hips over his clothed hard on. the folds of your pussy teasingly rubbed against the thin fabric of his shorts every now and then.

“you wanna be a good girl and show me how you wrapped your lips around that popsicle?” chris asked with his head slightly tilted back, his voice low and raspy as he took your chin in his hand to look him in the eye. you nodded in his hold while he glided the pad of his thumb against your bottom lip, pushing your lips open for you to wrap around his thumb.

“aht aht” he smugly shook his head as you looked up at him before he gently lowered you from his lap to your knees. resting your hands over your already bruised knees, patched with shades of purple and blue, you sat up straight and looked at chris seated before you on the edge of the bed. looking down at you, he palmed the boner growing beneath his shorts.

standing to his feet, chris tugged off his shorts and boxers at the same time. his fully erect dick slapping his lower stomach as he pulled the waistband of his boxers down.

now standing in front of you, he took the base of his cock in one hand and pumped at it a few times before you could take him in between your fingertips. adjusting yourself, you leaned back on the balls of your heels and sat up straight to reach his length, letting a trail of saliva coat his throbbing cock.

“fuck” he muttered under his breath at the wet feeling, watching you take him in both hands as he caressed your cheek in his palm with the pad of his thumb.

“hold up” he broke out, turning back to reach for the digital camera on the bed that he set aside earlier. opening the viewfinder, he slipped the camera strap over his four fingers before pointing the blinking camcorder down at you, looking sheepishly up at him.

“chris!” you shouted, immediately hiding your blushed face behind your hand.

“c’mon show me your face, baby” he groaned, as the mere tone of his voice didn’t take much convincing for you to oblige. you slowly showed your face, looking up at the camera through your lashes out of embarrassment. “there’s my pretty girl” he cooed with a grin at the site of your face on the viewfinder. swollen lips and all, against the tip of his cock.

“go ahead” he mumbled, continuing to look at you through the camera.

you nodded your head before bashfully licking his angry red tip, flattening your tongue against his sensitive slit. chris hissed between his teeth at the touch, looking up at him past the camera you slowly wrapped your lips around his cock, just like the bomb pop. you moved your head forward, your hand still at the base of his dick as you slowly began to bob your head back and forth up his length. chris groaned at the sight, his hand now holding the back of your head. despite the pressure, you pulled back to spit on his dick again, letting it trail down your lips

“fuck…just like that” he let a drawn out moan behind the camera.

“you look so hot” he praised as you continued to move up and down his veiny cock, your hand twisting at the base as the other rested against his thigh. “you’re a fuckin’ star” he moaned lowly, zooming in on your rosy features. your cheeks began to hollow out as you sucked harder, the warmth of your mouth wrapping around him with every stroke.

as you continued, he felt his stomach clench as he was inching closer to his climax before a voice abruptly pulled you both out of your home video.

“we’re gonna go swimming, let’s go!” nick shouted to anyone that was listening in the house, as chris rolled his eyes followed by a defeated groan.

you giggled at his expressions, letting a slight popping sound escape as his hard on slipped out of your mouth and slapped against his stomach.

“no baby keep going, really quick for me, please.” he whined, tilting his head back as he didn’t want to be left with the pain of blue balls.

“aw, we can finish this later” you teased, wiping the corner of your mouth before standing to your feet as you turned to grab a bikini out of your bag.

leaning over, your ass was still on full display as your pink folds peaked out between your ass cheeks. chris grumbled behind you, slapping your ass as he rubbed the red hand print on your skin out beneath his fingers.

“later you can show me how those lips wrap around my popsicle” he mumbled quietly to the camera, slowly zooming in on your picture perfect core.

“christopher!” you shouted, covering the lens with your hand as he chuckled behind you.

⋆˚ 𝜗𝜚˚⋆

after hours of swimming in the lake, you all had decided to finally get out and dry off by sunset.

matt and nate had already started a fire in the pit just off of the cabin porch as the rest of you grabbed snacks and drinks out of the cooler, attempting to dry up in the process.

sitting around the fire, you were cuddled next to nick on the benches surrounding the pit with a throw blanket wrapped around the both of your shoulders. chris sat on opposite side of you, wishing it was him instead of nick. the ember and haze of the fire rising between your eye levels as you two continued to steal glances throughout the evening.

for the rest of the night you all partook in traditional campfire activities. stargazing, s’mores, sharing passed down scary stories, and occasionally flinching at the sound of a twig snapping in the distance.

after a couple of hours, you decided to tug your boots on and call it a night. the boys stayed outside and passed a joint around, making them equally giggly as their laughter echoed through the still woods.

making it up to your room, you tugged the damp bikini off of your body and let the somehow still sopping wet material hit the floor. hanging the two piece over the headboard to dry, you wanted to wash off the smoky scent that lingered on your body. luckily, you called dibs on the master bedroom with a bathroom attached so you didn’t have to go too far.

after a much needed warm shower, you wrapped the white bath towel tightly around your body and wiped the condensation off the mirror to brush your hair out.

your attention on the brush in your hand was pulled away at the sound of a thump against your bedroom window. jesus, just what you needed after all those dumb scary stories. slowly peaking out of the bathroom, the noise had stopped altogether. you shook your head and brushed the sound off, continuing to comb through your soaking wet hair.

moments later it began again, tap…tap…tap against the window.

“what the fuck” you muttered to yourself as your heart began to beat faster in your chest. you tried to calm yourself down by the fact that you were on the second floor and there was no way someone could get up there without you hearing, no way.

tensely creeping towards the window, a small rock hit the glass causing you to flinch as your heart sank to your stomach. leaning your palms forward on the window sill, you saw chris looking up at you from the ground outside.

you rolled your eyes and let a sigh out, pulling up the window “you could just come inside, you know, instead of giving me a fucking heart attack.” you teased, sitting on the frame beneath the lace curtains blowing in the breeze as your pulse slowed to a normal pace.

“well, where’s the fun in that?” he whispered loudly so you could hear, a grin tugging at his lips.

“what do you want?” you asked, tossing your wet hair to one side.

“i’ll be up in a little, leave your door unlocked.” he cupped his hands around his mouth so you could hear him from the second floor.

⋆˚ 𝜗𝜚˚⋆

in the mean time you had slipped into your pajamas, a tiny white tank top and little red dolphin style shorts with white lining.

your hair still wet from the shower, you sat in front of the rustic vanity to begin braiding it before a quiet knock on the door pulled you away from the mirror.

chris slipped in through the door before shutting it quietly and locking it behind his back. he flipped the overhead light off, leaving you two in the shadows of the warm table lamp and the soft glow of the moonlight filtering in through the curtains.

“hey” he whispered, walking up behind you to press a kiss against your neck as you tilted your head to the side, looking at him through the mirror. his skin smelt of campfire smoke and weed.

“where’ve you been, playboy?” you laughed and reached a hand up into his messy hair, combing through his brown locks.

“i had to finish the j and find an excuse to come up here, i told them i’d be back in a little.” he muttered against your cool skin, his kisses making their way down the crook of your neck onto your exposed shoulders.

“speaking of playboys” he whispered, hooking his fingers around the straps of your tank top as you felt goosebumps at the touch. “lets film the happy ending, yeah?”

you let a quiet giggle out, as he tugged at the straps letting them roll of your shoulders. he left you with a kiss before walking back to the bed, sitting on the edge where he was earlier. you pushed your hair behind you and stood up, walking in his direction.

standing between his spread legs once again, he repeated his motions from the afternoon and slipped the pajamas you had off and onto the wood floor.

“naughty boy, been thinking about this all day?” you laughed while pressing a hand against his chest, gently pushing him back on the creaky bed. he pulled himself back up against the metal headboard as you crawled onto his lap, straddling his thighs between yours.

placing his hands on either sides of your thighs, he trailed a hand up your abdomen, taking your sensitive nipple between his thumb and index finger. you felt the hairs on the back of your neck stand at his touch “you’re always so pretty, y’know that?” he whispered, ignoring your question, looking up at you while his fingers lingered over your body.

you nodded at his statement, pushing your hair forward over your perky tits as your nipples poked out through the wet hair that clung to your skin.

you leaned into his chest, pressing your lips against his, as his hands trailed up over your ass, squeezing at your skin between his fingers. the kiss was heated and slow before gradually turning hungry, as your tongues began to fight against each other.

you tugged his shirt up beneath you before he could pull it off over his head, tossing it on the floor as your hand palmed over his cock straining beneath the swim trunks.

you continued to lock lips as your hand teased him over his clothes. grabbing your hips between his hands, he turned you over and pressed your back against the bed in one swift motion.

standing up on his knees between your spread legs, he looked down at you and your pink bundle of nerves, aching for his touch. twiddling with the gold necklace lying against your chest, you tugged your bottom lip between your teeth as he leaned forward to push out saliva building in his mouth, trailing down your already wet folds. you winced at the feeling, slightly letting a quiet groan out as your head rolled back on the pillows.

he reached his hand forward to place on your pubic bone, as he rubbed his thumb out in circles over your sore clit.

your muscles twitched at the feeling, squeezing your eyes shut as you grabbed a handful of the sheets beneath you. chris looked up at you, your clit still under his thumb as a grin pulled at his lips “hm you like that, huh?” he groaned, palming his own pulsating dick while he watched you squirm beneath his touch.

chris quickly leaned over the side of the bed to grab the camcorder from the bag on the floor, opening the viewfinder once again. holding the camera in his hand, he pointed it up at your face currently flustered from the heat.

“time for your close up, movie star” he teased, leaning forward to gently slip two fingers into you as he pumped in and out slowly. curling his fingers upward, he watched as your back arched off the bed and zoomed out to get your whole body in the frame.

moving the camera down, he zoomed in on your pussy, letting a trail of saliva coat it again before rubbing his fingertips against you.

“tell me what you want” he groaned, looking up at you as you could barely speak from the anticipation building in your core.

“y-you, i want you chris” you groaned, now sitting up on your elbows to look up at him behind the camera.

“good girl” he cooed, the curve of his grin twisting father up his face. he shifted behind the camera, pulling his trunks down to reveal his throbbing dick, now the same veiny cherry red shade of the bomb pop.

taking it between his hand, he shifted the camera down to get his cock in the frame as he teasingly rubbed the tip against your soaking folds, both of your groans filling the silence. he continued for a moment, coating himself in your juices before lining himself up with your entrance. slowly pushing himself in, he watched his cock slide inside of you through the viewfinder, bottoming out as your walls wrapped perfectly around him.

“fuuuck” he groaned out, his eyes still on the camera as he used his free hand to push your thigh down farther on the bed. you quietly whimpered at the feeling as you adjusted to his size. the sound of your low moans, cicada hums, and ironically, the echoes of the train horn miles away breezing in through the window permeated the bedroom.

he looked down at you, while thrusting his hips slowly in rhythm. your skin sticking to eachother from the sweat as he zoomed out to get your entire body and his lower half in view.

“fuck, look at you.” he moaned, still pumping as you squeezed around his cock with every stroke. picking up his speed, he pressed his free hand between your lower hips over the slight bulge peeking through as he was in and out of your stomach, now drilling into you.

“you look so fucking perfect, taking my dick like that” chris moaned nearly out of breath, narrating your film with his low husky tone.

you reached above your head to wrap your fingers tightly around the metal headboard, squeezing until your knuckles nearly turned white. the mix of sweat and water had your baby hairs sticking to your skin as you took him. your face scrunching up, eyes closed, in euphoria at the feeling of him hammering into your cervix.

“look at me baby” chris growled as your eyes nearly rolled back in your head, the tightness in your stomach continued to build as he fucked you.

“fuck- chris, keep going” you whined, eyes welling up with tears as you looked at the camera through damp eyelashes.

“just like that pretty girl. i want to see your face when you cum all over me” he thrusted into you harder and faster, as your jaw fell open at the feeling, pornographic moans escaping as he slammed the back of your head into the headboard.

“harder baby” you whined, although you didn’t know how much harder than this it could get. you watched chris’ expression of concentration twist into a smirk “what do you say?” he groaned as the brown curls saturated in sweat began to stick to his forehead. “plea-” you gasped as he fucked the words out of your mouth before you could even finish, not needing to say much more as he evidently proved you wrong.

the tightened feeling in your stomach continued to build as he screwed you before you felt a long final strain rise in your abdomen. “oh my fucking god” you screamed out, your back now arched up off the quilt beneath you with a handful of sheets between your fingers. coating his cock in your white milky cum, you let out a whine as he pulled an orgasm from deep in your stomach, feeling your muscles flutter at the release.

although you had reached your climax, chris continued to thrust in and out, your arousal now lubricating his dick even more. his eyebrows furrowed with concentration, wrapping his hand tightly around your thigh to use as leverage.

“c-chris i can’t” you whined, gathering the strength to sit up on your elbows as you watched him pound in and out between your folds. your face scrunched up and lips parted, letting moans escape through your swollen lips. your stomach tensed at the feeling as your abs clenched, the position you were laying in causing him to hit the deepest part of you cervix, over and over.

“i’m almost there baby, c’mere” he moaned out, reaching up to grab your chin with his hand. he pulled your face towards his, smashing his hot lips against yours for a moment. “ where do you want me?” he groaned against your lips, leaning forward as he pressed his hand into the bed next to you to hold his weight “inside me, playboy” you moaned out, grabbing his face between your hands before reaching your fingers up to his hair to push the wet brown curls brushing over his eyes, out of the way.

he nodded his head, as he continued to thrust inside of you a few more times before his lips parted open against yours. “oh fuck” chris let out a low moan, his stomach and chest twitching as he released before he could stand to his knees once again. his thick, white, cum warming you inside as he filled you up.

he flowed through the motions a couple of more times before finally pulling out, sore at the sensation. he panted out of exhaustion, adjusting the camera between his hands as he shifted the focus down to your pink folds now leaking with his white seed. “jesus” he groaned low, zooming in on your pussy. “look at that” he admired the sight as you let a quiet giggle escape beneath heavy breaths.

he smiled, both of you equally out of breath as he shifted the camera up to your face now flushed a deep pink “there’s my girl” he whispered as you brushed the sweat and flyaways at the crown of your hair.

“come here” you murmured, sitting up to gently pull his chain towards your body. closing the viewfinder, he dropped the camera on the bed side table before falling on top of you. holding himself up with his hands on either sides of your body.

“you’re gonna delete that, right?” you giggled, looking up at him as a smirk played at his lips, shaking his head.

“oh absolutely not, i’d be fucking stupid to ever get rid of that.” he chuckled, leaning forward to press a warm kiss against your lips. “your name’s gonna be in lights after that performance.”

𝐧𝐨𝐭𝐞𝐬: okay so this is my first story lmao, please let me know what you think! 🫣 my inbox is open & all interactions are so greatly appreciated. thank you! ⋆˚ 𝜗𝜚˚⋆