My first and (probably) only headcanon for haikyuu is that no one can tell if Kageyama and Hinata are dating or not.
This is something which has most likely been said before but I still want to add onto it.
Are they Flirting or fighting? No one knows. There have definitely been fists involved and one time Ennoshita may have hallucinated when he heard Kageyama whisper that he was going to have his way with Hinata once they were alone. Maybe it just meant that they were going to fight more, that Kageyama was furious with Hinata and wanted to give him a piece of his mind, so the team were now all on watch duty until the end of the day, always making sure Hinata and Kageyama were never alone.
At the end of the day, before anyone could say anything, the two bolted out of the door and ran off without more than a quick "bye".
(They ignored the frustrated glares both Kageyama and Hinata gave them during the day. They definitely ignored the suspiciously placed bruises on each of their necks the next day. They must have fought a bit too much.)
A bet has been going round the Volleyball teams about whether or not they are together. A bet which Yachi and Kiyoko started amongst the Karasuno players and then the managers of other teams. Except, the players of their teams caught onto it and it has been going strong, even after Hinata went to Brazil. Especially after the Adlers vs Jackals match where most people decided against it.
(It is suspected that Yachi actually knows whether or not they are dating, but no one has gotten her to crack just yet. From the way she smirks whenever someone asks, no one will anytime soon.)
Oikawa is firmly against it, not because he doesn't believe they could ever be together, but because they are both idiots who don't know anything more than volleyball (and each other). Some agree with him.
Kenma is one of the ones who have put his money (and a lot of it) on them being together. There is too much chemistry between the two idiots that even they couldn't ignore.
There's another bet amongst the ones who bet for them being together. When they got together. Kenma says since the end of first year. He seems to know something the orhers don't know. Bokuto likes to think that they confessed just before Hinata went to Brazil and became long distance star crossed lovers. (Akaashi told him to stop being stupid (and then bet alongside Kenma)).
Surprisingly Tsukki is the one to bet on them being together since after the first training camp.
Yachi stayed out of this one. (She knew. She definitely knew.)
Yet even when Hinata and Kageyama become aware of the bets (actually they have been aware of them for years but they won't mention that just yet) they just shrug their shoulders and tells whoever is asking, "We're partners. Even when we're not on the same team."
Oikawa decided to shift his money to the other side, betting that they got together after the Adlers vs Jackals match.
But it was still unclear.
Even when Kageyama and Hinata moved in together, when people stayed over they thought it was just courtesy that one of them would give up their room and bunk with the other. Even when they touched or fought playfully, the others couldn't tell if that was actual affection or just Kageyama and Hinata being Kageyama and Hinata.
It took winning an olympic gold medal together for the truth to finally come out. After the Japan team won, everyone was on a high. In the heat of the moment, Hinata and Kageyama drew each other in for a bone crushing hug, whispering sweet nothings to each other as tears of joy spilt out of both of their eyes.
Their foreheads touched. Suddenly, it was like the entire court was quiet. It wasn't long before lips met and cheers erupted around them.
In an interview later, the both of them would be asked about their relationship.
"We've always been partners. We just thought it was time the rest of the world knew."
The only problem now was, when asked about when or how they got together, both Kageyama and Hinata would be vague. Perhaps they would mention a detail about how they confessed to each other. Yet, no one could tell when exactly it happened.
What they did let people know was that Oikawa was most definitely wrong about his guess and he could go suck it for thinking they were idiots who would take so long to realise their feelings for each other.
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Webcomics at Day 100 #4: explodingdog
Pages read: 2000-01-10 - 2000-09-17 (100 update days, but over 500 pages) & 2009-04-13 - 2009-05-26 (a further 13 days/42 pages)
Reason for selection: explodingdog may have been the first popular webcomic to work from reader submissions, and its drawings look like they were made in MS Paint, both key features of early Homestuck. explodingdog also broke containment, with many of its drawings spread elsewhere without attribution, such as being turned into LiveJournal icons or even painted on a building in Seattle.
Original run: 2000-2015, with lots of pages but an intermittent update schedule. Ongoing while Homestuck is getting started.
Content warnings: Extreme (but very abstract/cartoon) violence, gross-out humor involving bodily fluids
Overall thoughts:
I love the idea for this comic. Readers send in a short phrase via email, which can be absolutely anything, and artist Sam Brown chooses the ones that inspire him and draws a picture based on that phrase. However, reading the comic as an archive in the future, I don’t love the execution. Quite a few of the drawings made me openly groan, roll my eyes, or shake my head. There were definitely a few that got genuine laughs out of me, but they were a small percentage.
None of this is intended as shade to the artist – Brown seems like a decent guy based on the interviews I’ve read, and I hope he had fun making this. Running a webcomic for fifteen years is an impressive feat in itself, but this one just isn’t for me, at this point, in its current form.
Brown has stated that he has ‘never really seen explodingdog as a comic’ and calls his work a ‘collaborative art project’ although his reasoning hinges on the idea that comics have to be funny, and that humor isn’t the goal of his work. I personally think that comics are a medium that can work in any genre, not just comedy, and so webcomic is appropriate. In an essay, Kyle Conway argues that explodingdog is an absurdist theater performance, employing improvisation and experienced as live by its audience. Conway also highlights the design of the website, where instead of placing the most recent installment on the homepage as most webcomics do, individual titles have to be clicked on to see the accompanying artwork. In Brown’s words, ‘the story happens in your head’ between the title and image.
Conway’s arguments make sense from his position as a real-time reader. A huge draw of explodingdog is the knowledge that the captions came from ordinary folk on the internet, and that you, the reader, could submit a caption, and a cooler guy on the internet would think it was interesting or poignant or funny enough to make a drawing out of. The moment between clicking on the page’s title and seeing its corresponding image, where the reader comes up with their own interpretation of the title, is meaningful when the drawings are given out a handful at a time on sporadic days.
But these things don’t work the same in an archive. There’s a much greater distance between the reader and the creator, with no chance of personally becoming part of the work. And having to click every individual page from the menu isn’t a smooth reading experience for over 500 pages at once – there’s no ‘next’ button, although weirdly the entire image on each page functions as a ‘previous’ button, which makes an accidental click really frustrating. Brown knew from the start that creating art on the internet made it more temporary than physical art, as websites changed form over time – in a 2006 interview, he said ‘i think it is very possible that either because of government regulation or changes in technology or greedy corporations or a combination of all three, the internet as we expect it to be in 2006 won’t exist in ten years.’
The response to explodingdog during its release seems extremely positive, with lots of people praising how it twists the meaning of prompts and comes up with unexpected interpretations. I personally found that it got very repetitive, very fast. The same twists would happen in a lot of drawings, and would usually involve 2000s-era internet humor such as robots, aliens, stick figures bleeding due to missing their head or limbs, green monsters that are referred to as ‘monkeys,’ and riffs on the idea that ‘other people are stupid.’ There are recurring characters, including the Red Robot – famous enough to be featured in quite a few other webcomics – a second robot that grows roses in its stomach, a guy watching TV in a space wasteland, Phil, and more.
In some cases, an entire picture is reused. ‘better than being lost in the city’ (6/29/2000) and ‘In the morning things will be better’ (7/13/2000) feature the exact same piece of art, the later one slightly zoomed in. ‘toast from a toaster’ (1/11/2000), ‘Toast goes in the toaster’ (6/19/2000) and ‘Toast’ (7/17/2000) all three contain the same image. The gimmick, as discussed often by Brown, is that the images are inspired by the captions – not that the images already existed and happened to fit something that was submitted. I really hope this disappears in later years.
Like other comics I’ve read, I did notice a lot of improvement in the art between 2000 and 2009 in terms of complexity and ease of understanding. In both cases the art is mostly irregular, childlike stick figures and blobs, with no intent for the art to be technically good. In 2000, there’s a lot of muted colors including browns, grays, khakis and oranges. The color palette often isn’t nice to look at (in my opinion) and as the images often depict unpleasant things such as vomit and lobotomies, they sometimes feel like shock value art. In 2009, the colors have brightened and become more varied, and there’s more use of backgrounds even when the image doesn’t require it. The stick figures are more polished with smoother lines. I was surprised to learn that Brown was already a fine art graduate in 2000; in the nicest possible way, he does such a good job of hiding any actual skill.e
I think that even in the modern day there is great potential for certain explodingdog comics to be used as reaction images or ‘tag your oc’ style memes. However, due to the nature of the project, I think this comic would be better enjoyed as a greatest hits collection than as a full archive.
Relevance to Homestuck: explodingdog is one of the webcomics linked from MSPA under the heading ‘No Shortage of Good Websites,’ and due to its prominence in the 2000s, may have been a direct influence on Hussie choosing to work from reader commands. They’re both comics that collaborate with their audience and invite readers who want to share in the work’s creation.
In explodingdog, the images vary on how they relate to the captions – some draw the phrase straight up, some are a ‘yes and,’ some are a direct response (if the caption is a question) and some feel unrelated, but feature a stick figure who could possibly be saying that caption. The ‘yes and,’ where Brown uses the phrase and adds a second, followup phrase that changes the context, were the most effective ones for me. This might be because they felt the most Homestuck – Hussie does the same move where they take a reader command and add something else so that the command is followed, but is different to intended. A recent example is p.597, where the command is ‘Use ice maker, it’s still hot around here.’ and the response is ‘yes, Dave uses the ice maker, and it’s full of cherry bombs, not ice.’
Finally, both comics put out a large number of pages per day, unlike the majority of comics which stick to a single page per day. Both explodingdog and Homestuck published 4-6 pages on most update days in their first years, and both occasionally broke into double digits. Clearly some aspect of their creation is designed to make a lot of content, as fast as possible, to the point that some readers might consider them quantity over quality.
Continue reading? In a 2004 interview Brown said ‘my website is available to anyone on the Internet for free, but millions of people would rather see porn or sports scores.’ I’m not huge on either porn or sports scores but I still think I am one of those people.
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"And that season (2023-24 season; Florida Panthers) what sticks out to me, obviously 20 point season but December 23, 2023 against the Vegas Golden Knights... Merry Christmas, Kolesar! I'm gonna grab ya, I'm gonna feed ya a quick right, and you're done-zo! TKO! How ya doin'? This guy is like 6 foot 6 or 6 foot 7, maybe 6'8? I don't know, let's put him at 7 feet tall, you're 5'9, dude! You're fuckin'—you're a dawg, babey! Just walk us through that though, that's a big fella."
"Yeah, he's big and he's tough for sure! So it's obviously not easy to go into something like that. That was, kind-of, a little bit, settling last year's score. He was the one who hit Tkachuk and, you know, ultimately took him out of the rest of the round... We kind-of chat a little bit at the start of that game, and he asked me, 'Well, it's the new year, like that happened last year—why didn't you do something last year?' and I told him I was in a cast, my thumb was broken all playoff-long...I couldn't fight. He's like, 'Oh? Alright, let's—I'll fight ya then.' You know, whatever happened, happened. You know, obviously, Chucky comes over right after, and—That was a big win for our team this year."
The Buzz Pod | 8.7.24 (x)(x)
oh my god theyre david and goliathing him...adding more height every second...
"Earlier [Kolesar] said, you know, 'You kind-of missed your chance last season. You should've fought me then.' I told him I was in a cast—not really too much I can do about it. He was, obviously, understanding and gave me my shot there. I told Locky to take it because I'm not jumpin' in there!"
florida panthers @ vegas golden knights postgame interview | 12.24.23 (x)
the lore grows...it deepens...
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