#Who's the real monster?

[haunted-xander]

Well, I guess you didn't have much of a choice either

[supreme-leader-stoat]

[transpecter]

giant submissive werewolf boyfriend lapping at my cunt and pathetically humping the mattress until he cums everywhere WHEN

[creeping-sense-of-oh-fuck]

Here's the thing though. The people who say they saw Jon watching them in their dreams didn't say anything about a monster version of him with glowing eyes or many eyes or floating or whatever.

I love a good monster Jon design but just think THINK about how scary it is that he isn't. You met a fairly normal guy once and you told him the worst thing that ever happened to you. Now that man is there staring blankly while you suffer, over and over. You don't understand why it's happening. There's nothing you can do. The man is still out there, somewhere.

[doghart]

i’m catching up on tsv, i think something that eskew prod does extremely well is using horror absurdism to capture the absurd horror of capitalism. it’s clear in eskew too, but i think it’s especially fantastic in the silt verses. the casualness with which sacrifice is discussed. how red lobster has a god that has and continues to take human sacrifice, and so do cereal companies, cops, and the grueling start up that has a “fun room”. it captures EXTREMELY well how it feels to live under capitalism, that you’re constantly bombarded with horrible things, discussed cheerily in a nice tone. the way it’s simultaneously numbing, hysterical, and horrifying. i think i was especially fond of how in ep 39, protest against sacrifice was taken as radical, a propostorus, idealistic thing that’s just so SILLY it’s not even worth considering, something that feels very real to revolutionary organizing/protest irl. i also liked how despite the face, when everything gets down to it, when everything is about profit, all people come down to are bodies. all capitalism is a gaping maw, and it eats the poor and marginalized first, but doesn’t STOP eating just there. the very literalized version of this, where the profit wheel (and all that includes— war mongering, the prison industrial complex, wage labor, etc) is given a very real literal set of teeth, but the body count is the same. so the electric company has a god, and so it takes humans sacrifice. do real electric companies not have a very real human cost? overworked and underpaid labors looking to make rent, or well off comfortable employees no less likely to get the axe under profit margins, or the blood shed when colonizing in the first place, in clearing the space for the electric company to move in. is that not also a very real human sacrifice? the commercial aimed at elderly people talking about “back in my day, we would just talk about all this human sacrifice and find a compromise :)” is so bleakly hysterical, but is that not very accurate? that you can put a good face on it, but in the end what it comes down to is that you’re being sold the chance to be human fodder? that there is no glory or honor on a battlefield or in working yourself to death, just mud and shit and bodies to throw at problems. idk! i’m rambling but it’s a deeply engaging podcast.

[d3adfish]

cuz i hate this story, where happiness ends

[asteroidtroglodyte]

What am I supposed to do, but sink my teeth in you?

I starve without you on my lips, I die without the taste of it

What am I supposed to be when you sink your teeth in me?

I live for the way you move, I'd die without the taste of you

What am I supposed to do, but sink my teeth in you?

I starve without you on my lips, I die without the taste of it

What am I supposed to be when you sink your teeth in me?

I live for the way you move, I'd die without the taste of you

[mmothmanners]

Rapture vs. His Cringe Worthy Ex.

A dynamic I thrive off of. It's a relationship that creeps up on him like being tagged in old, embarrassing high school photos.

[assiraphales]

fuck it. fantasy old western au where zoro is a bounty hunter chasing down outlaws & pisses off the wrong sheriff at a saloon (axe hand morgan). he’s sent to the stocks, hours from dying from heat exhaustion under the hot desert sun, when young upstart monkey d luffy (in search of a stockpile of hidden gold that infamous outlaw gol d roger hid in the mountains) enters the scene guns literally a blazing

[luck-of-the-drawings]

EDYN TIDESTRIDER, CHALLENGER OF THE UNDERSEA, RIVAL OF THE DEEP. WHAT WOULD YOU DO IF YOUR BROTHER WAS CHOSEN TO BE A WEAPON OF THE GODS? HOW WILL YOU UNDO WHAT THEY HAVE DONE TO HIM?

[sonicsquid3000]

When they say you get to romance a beast but it's really just a normal guy who just happens to be rude.

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[bimoonphases]

@wolfstarmicrofic July 4 - prompt 4: Monsters [word count 701]

There had always been rumors about the Noble and Most Ancient House of Black. Not only about their wealth, or the legend that they had been one of the first wizarding families in the British Isles, but also about their ancestral house itself. About what it hid, deep down in its basement.

Parents told misbehaving children to obey or they would take a tour of the Blacks’ cellar, and if they didn’t they were reminded of Andromeda Black, one of the girls of the old house, who had been punished and sent to the basement by her parents. The first time, she had come back silent and hiding scars under long sleeves. The second time, scars traversed her beautiful face and she didn’t speak again. The third time, she hadn’t come back at all. Parents told this story shivering at the memory of another misbehaving Black kid their own parents had told them about, and even after decades they still remembered the day Alphard Black, his arms and chest covered in scars, had disappeared. Whatever was in that cellar, the head of the House of Black used it to discipline his own children throughout the generations.

Only once, recently, there had been rumors about one of the children being sent to the basement as a punishment and coming out the next morning unscathed. It had been Sirius, who was the only boy left in the family, the heir so desired of the whole bloodline, and he hadn’t had so much as a scratch. That must have shaken the head of the house, his father, because for years after that episode the neighbourhood didn’t hear about anyone else being sent down to the cellar, not even Sirius for all his rebelling. Apparently, once had been enough.

Now Sirius had turned seventeen a couple of hours before, legally allowed to do magic, and he was silently making his way down the stairs to the basement, wand in hand. The heavy door at the end of the corridor opened without protest at one flick of his wand and he moved inside, carefully approaching the figure crouching in a corner.

“It’s me,” Sirius whispered.

His heart started beating faster as two eyes planted themselves in his. He had been twelve the first and only time his parents had thrown him in the cellar with the monster to learn a lesson. The only lesson he had learnt that night had been that his family had kept someone prisoner for years and used him as their personal weapon. Someone who had no fault in who he was or who he became once the moon outside was full. Someone Sirius had sneaked back to visit as often as he could, something pulling him towards him. He had brought him food at first, then blankets, then even books. When there was no full moon, the werewolf was just a boy like him. A boy whose name, before his parents snatched him away from everything that could have been his life, had been Remus.

“Sirius…”

“It’s time,” Sirius knelt on the floor, hesitantly putting a hand on one of the boy’s scarred arms. “I’m of age now, and I’m finally running away from this place. And you’re coming with me.”

“I can’t…”

“You can,” Sirius said, firmly. “You’re not a monster, despite everything they made you do. It’s not your fault. None of it is.”

“I don’t want to hurt you.”

“You never did, remember?” Sirius smiled.

Remus slowly nodded, and Sirius flicked his wand, making the chains binding Remus’s ankles to the wall fall open.

“What if they come after us?” Remus whispered, slowly getting up.

“There won’t be anyone left to come after us,” Sirius answered. “I made sure of that.”

There had always been rumors about the Noble and Most Ancient House of Black. Last but not least, the rumor about how the famous monster they had kept in their basement had finally gotten out one night and killed every single member of the family. Years later, the only Black remaining, Sirius, took his husband’s surname, officially wiping the Black name from the Earth. Their children, twins Alphard and Andromeda Lupin, were never told stories about monsters.

[chiropteracupola]

I destroyed a bond of friendship and respect / Between the only people left who'd even look me in the eye / Now I laugh and make a fortune / Off the same ones that I tortured / And a world screams, "Kiss me, Son of God!"

[hajihiko]

Physician/therapist/chemist/etc, heal thyself

[starleska]

little wip of a Finding Frankie poster!! i love this game so much 🥰💖