#Which scenes would people be interested in?

[gyeomsweetgyeom]

The Return of Superman- Jaemin

(cw: f!reader called “mama”, children)

Jaemin liked his privacy. He liked knowing that only certain parts of his life were shown, certain parts he shared, he liked having the clear distinction or public and private. He, of course, enjoyed providing content for his fans and living a dream that millions of people could only dream of.

He got the best of both worlds. He got to date you for a good few years without getting caught, he'd spent two years of newlywed marital bliss with you with only so much as a statement from his company to let the world know that he was a married man. When he was asked about you, his wife, he merely smiled and expertly evaded answering. So how did he get himself here?

What had happened in his years of famous privacy to now allow a whole camera crew into his home to film him and his daughters-- who, no one had even seen since they were posted with obscured faces in a birth announcement post 3 years ago?!

It had definitely been his management that suggested he do the show, they planted the seed in his brain, but it was you who pushed him to do it! "Come on, my love, the fans will love it. You can do just one episode and then the girls won't be seen until their 30! Come on, it'll be fun," You'd convinced him. And Jaemin, well, he wasn't a strong man when his wife was whispering so sweetly in his ear and pressing even sweeter kisses against his cheeks.

So that's how he got into this mess, at least he would have you to help him out... right, he wouldn't. Damn this show!

-

"Would you stop rubbing your head against the pillow, please?! Appa just did your hair!" Jaemin yelled in exasperation, his eyes locked on the three year old who for some reason was rubbing her head across the pillows on his bed. Meanwhile, his hands were preoccupied with the identical girl standing on a stool right in front of him.

"Well, what an introduction to the Na family," a commentator laughs while they all watch Jaemin struggle to pull one of his daughter's hair into a bun while simultaneously also trying to sweet talk the other twin to stop being a menace. He was unsuccessful.

The scene cuts to show Jaemin sitting in front of a black backdrop smiling at the cameras as he introduces himself, "Hello, I'm Na Jaemin from NCT. I have twin daughters, Taera and Sora. They're both 3 years and 5 months old and the light of my life-- along with my wife, of course. Taera is the older of the two and struggles with listening, at least to me while Sora is the better listener of the two."

The producer behind the camera asks a question and Jaemin listens intently before answering, "honestly, of the two of us, I'm the parent that let's the girls get away with a lot. She plays the authoritarian role, which admittedly, I struggle with. The girls are just too cute to get mad at!" He takes a break to think over his answer, "I do think it will be a little difficult with it being just me and the girls. Usually my wife and I are each responsible for one of the girls, and we rarely go out just one of us with both of them. It will be very interesting to see how this plays out."

-

The scene cuts to a scene of the toddlers running around the living room, hair done in tiny buns on top of their head, looking messy, though no one can tell whether that's from their running around or their dad's lack of skill. Jaemin can be seen scrambling around the kitchen filling matching purple and pink water bottles with water and tossing snacks into the bags.

"I wonder what Jaemin is getting the girls ready for..." One of the commentators adds as the girls play tag with each other, giggling wildly.

There's nothing telling quite yet, both girls are wearing matching pastel pink shirts and pink sweat pants with white socks. Jaemin wrestles them into sweaters, then their backpacks, and finally their matching Crocs. He holds one twin on each hip, making his way to the car to load them into car seats.

"Wow! He's a professional! Look at the way he carries both of them at once!" A commentator exclaims in wonder.

"Wait a second, this song sounds familiar," Another commentator adds quickly. The panel quiets down, all eyes locked on the screen to watch the girls dance around in their car seats.

"Chew-chew-chew-chew chewing gum! Chew-chew-chew-chew," the girls chant, legs kicking out as they wiggle and dance in their chairs. They look so happy, smiles plastered on their faces and Jaemin, he looks like he'd rather be anywhere else right now. His face is set in a mild frown, listening to this repetitive song that he made when he was 16.

-

The scene changes, showing Jaemin helping one of the girls into a tutu while the other, who is already dressed, twirls around laughing as her skirt flares out. "Oh my! The girls are in ballet! How cute!" One of the producers coos.

Jaemin can be seen sitting in front of the black screen once more. "Oh yes, the girls are trying out ballet. We want to get them more involved in other activities and find some way to get their energy out. They're not very... good yet, but it is only their third lesson. I think Sora might be more of a ballerina in the future, and maybe Taera will be better at something more... energetic."

True to his word, the scene cuts to show a very focused Sora following her dance teacher's instructions. Her arms are posed in front of her while in the first position. She listens intently and copies the teacher's moves, she wiggles her feet out until they point outward and extends her arm.

"Good job, Sora. That's perfect!" The teacher praises softly. Sora giggles excitedly, a blush spreading across her small, chubby cheeks.

On the opposite end of the room, her twin is jumping and reaching for the small window that allows parents to look into the small studio. Jaemin is busy taking pictures of Sora among other adoring parents to send to you when he hears a familiar sound, even muffled he'd know that sound anywhere. He casts his eyes down and catches Taera with tears in her eyes and red cheeks with her arms reaching for the window.

Jaemin jumps into action quickly, moving his way through the small group of parents around the window and enters the small room with a look of concern on his face. Taera has never reacted like this before. He pulls Taera into a hug, calming her down until her tears have stopped. He sends an apologetic smile to the teacher and she sends him a small bat of her hand as if to say, 'it's fine.' Jaemin cups Taera's face, wiping away her remaining tears with the pads of his thumbs, "princess, what's wrong?"

She lets out a shuddery breath, her tiny chest trembling while she tries to breathe in a deep breath, "I want Mama to watch me too."

Jaemin feels his heart break, pouting sympathetically at his daughter, "I want her to be here too, princess, but she'll be back before you know it. Tomorrow we can wake up early and make breakfast for her when she gets back. How does that sound?"

"With berries?" Taera asks with wide eyes.

Jaemin laughs softly, booping the girl's nose, "yes, with berries. Now, go be a good big sister and dance with Sora. We can't leave her alone can we?"

"No," She smiles, turning to run to her sister's side before she comes bounding back to Jaemin. She presses a kiss to Jaemin's cheek, "love you, Appa. Stay with us?"

Like Jaemin said, he can never say no to them. Instead of joining the rest of the parents on the other side of the small window, he finds himself following along with the teacher's instructions behind the rest of the children in the class.

His daughter's turn to look at him with the biggest smiles he's ever seen. They're so excited that he's in class with him and even more so, doing the dances with them!

The commentators coo at the scene, gushing over Jaemin being such a good dad. He raises his arms, drops them, extends them forward, and situates his feet into the right positions to follow along with the teacher.

At the very end of the episode and his girls sit in front of the black backdrop. The girls raise their arms over their heads, forming the biggest hearts their little bodies will allow. In unison, all three Na's scream out, "we love you Mama!"

Jaemin leans forward, getting close to the camera with his arms wrapped around the twins to keep them from falling, "you're not allowed to leave me alone with these monsters ever again!"

The girls giggles persist as the episode fades away, a faint, "but Appa you said we're princesses."

"Yes, baby I did say that. You're like monster princesses, do you like that?"

The girls can be heard screaming a loud, "no!" in perfect harmony.

[gallusrostromegalus]

So, uhh, genuine question.

Do you recommend getting into Bleach, and if so how? Anime, Manga, a little bit of both, secret other thing? Your posts about it (and especially about AEIWAM) have definitely piqued my Interest, but I have pretty much 0 knowledge about the topic and heard very contradictory takes & reviews before, so I wanted to ask for your advice on the topic.

Cheers and have a nice day!

So a couple people have asked me this and I'm going to be as honest and fair about it as possible:

Bleach itself is mid.

...which is why the fan works KICK SO MUCH ASS.

My theory is that the ideal habitat for transformative fan work creators is mediocre series. It has to be good enough to be worth engaging with in the first place, but it's the plot holes and dropped developments and intriguing characters that don't get enough time and shoddy-to-unexplained worldbuilding that make nice little holes for fic authors and fan artists to crawl into and built a home, like sponges growing on a dilapidated subway car sunk into the Hudson river.

So yes. Bleach is mid. More under the cut:

It's also really two series: the manga and the anime. There's more anime than manga because bleach suffers from the late oughts horror known as "the filler arc" where the studio would make shit up while waiting for the author to catch up. Not ideal, but better than the current state of "cancelling a fully written five-season show after two because it wasn't making enough money for the oligarchy" but I digress.

To grade both the manga and anime on the Weeb-Ass-Shit scale:

Weeb: how familiar do you have to be with the tropes of anime/Japanese culture in general to be able to enjoy the series? This is one of the things Bleach does REALLY, REALLY WELL, in that you can go in knowing fuck-all about anime and have a good time, but the more you know, the more fun it is. My favorite thing Kubo does is that if you look up the meaning of the characters used in everyone's names, there is a TON of jokes, foreshadowing, themes etc. baked into every name. A+ work.

Ass: how much gratuitous fan service is there and how annoying is it? So. It's not the worst. But it's really, really obvious that Bleach is written and illustrated by a straight man who is hella into tiddies. As a bisexual, I can appreciate The Tiddy (and tbh, the men in Bleach have pretty great tits too), but there are a lot of humor bits about Kon being a perv/author stand-in, orihime has medically alarming knockers for a teenager and gets groped kind of a lot. There's also a predatory lesbian stereotype character in the early episodes, and some pretty awful transphobic caricature characters. The amount of horny isn't that much for a shonen, but it's pretty gross IMHO.

Shit: how well- made is this series?

Mixed. Both the manga and the anime (esp the recent Thousand Year Blood War arc) have some absolutely gorgeous art, banger character designs, and deeply entertainingly choreographed fights. It is really nice to look at.

Unfortunately, both also suffer really badly from pacing issues that are pretty much entirely the fault of the insane demands the industry puts on the artists. If you've ever read/seen a shonen manga/anime from the late aughts through early teens, you're familiar with this bullshit- fight scenes drawn out to absurd lengths, filler arcs while the animation studio waits for the author to catch up, repeated plot arcs, minimal focus on characterization, The Friendship Speech (TM) etc.

Pacing and repetitiveness are Bleach's main quality issues, but the art is pretty baller and the Japanese voice cast is pretty fucking great IMHO. (I have APD and have to consume shows by subtitles, so the sun is usually more legible for me than the dub).

If you are coming into Bleach from AEIWAM... You're likely to be a bit disappointed. I put a shitload of work into the worldbuilding because Bleach does not, I write almost exclusively slice-of-life character moments rather than big battles, and I have made some pretty fucking radical changes to some of the characters. An Elephant Is Warm And Mushy is an entirely different genre than Bleach, and that's ok, because fic usually is radically different than it's source material. But also be prepared.

TL;DR: Bleach is mid and that's ok! My fic is different than it and that is also ok! I still recommend it with the reservations of : it's prototypical of its time period and contains many of the gross tropes from that era. It is also very much a horror shonen, just to be clear. Fucked up shit happens on screen, mostly cannibalism! Which is great IMHO, but you should probably take a stroll through DoesTheDogDie.com for more specific trigger warnings before beginning.

[mssorceressupreme]

Truth or Dare | F.W

———

Pairing: Fred Weasley x reader

Summary: Fred realises his true feelings for you once you are dared to french kiss George during a round of truth or dare. Draco then forces you to kiss him instead, which only results in a brawl. You then take Fred back to the common room and help clean his wounds.

Warnings/tags: violence/fighting, jealous!fred, kissing, non-con touch, Draco being a git (sorry malfoy lovers 😭), cleaning wounds after a fight trope, reader isn't in a specified house here, spicy ending (if u squint)

———

The Ravenclaw common room had never seen a gathering quite like this. The enchanted blue flames flickered in the fireplace, casting a radiant glow over the room, which today, was packed with students from all four houses.

Luna had invited everyone over, claiming that a “spontaneous social gathering” would be a great way to pass the time and forget about your studies for a while.

The usual gryffindor group, Cedric and some hufflepuffs, the slytherin trio and Cho, all decided to partake in this gathering.

And so, there you all were, sitting in a large, chaotic circle on the floor, playing a game of truth or dare that had long spiralled out of control.

The rules were simple: if you refused a dare or a truth, you had to take Veritaserum and spill your deepest, darkest secret in front of everyone. No one wanted to risk that.

So far, Harry had been dared to kiss the prettiest girl in the room, which led to him—rather sheepishly—kissing Ginny, earning a gag from Ron. But moments later, Ron found himself a stuttering mess when Hermione had been dared to sit on his lap for two rounds, her face burning red while he struggled to keep his cool.

Neville, poor thing, had been forced to recount an embarrassing moment where he tripped down an entire staircase in front of his crush, which turned out alright anyway because they went to Madam Pomfrey together and spent the whole day chatting.

And now, it was your turn.

Draco, who sat beside you, leaned in with a smug grin. “Alright Y/N, let’s make this interesting,” he drawled. “I dare you to French kiss the person sitting across from you.”

You turned your head, your stomach flipping.

And there sat George Weasley, grinning at you like he had already won.

The room erupted into cheers, and George wiggled his eyebrows playfully. “Well, Y/N, I won’t say no,” he teased, leaning back on his hands.

Your heart sank a little—not because George was a bad choice, but because you wished it was his twin instead.

Still, rules were rules.

Taking a deep breath, you stood up and took slow tentative steps across the large circle, kneeling in front of George. “Alright Georgie, just get it over with,” you muttered, cheeks burning.

George chuckled. “Hey! At least pretend to be excited.”

You rolled your eyes, chuckling lightly, before leaning in, pressing your lips to his. He kissed you back easily, bringing a hand to your neck, letting it linger a moment longer than necessary before you pulled away, flustered.

George gave you a grin then winked, and you smiled back. He was one of your closest friends, after all; teasing you came naturally to him.

"Okay that's done!" Flustered, you rose up and hurried back to your spot next to Draco.

"You guys are adorable." Cho, who was sitting on the other side of you, nudged you gently, and you laughed nervously.

Sure, George was handsome, humorous, and kind, but he wasn't Fred. To most people, they were pretty much the same person, two halves of a whole, but to you, it was different. There was something about Fred that you saw differently.

Speaking of Fred, you shot a quick glance in his direction, curious as to his whole reaction regarding the scene that just unfolded.

Fred hadn’t said a word.

He sat stiffly, arms crossed, his jaw tight as he glared at his twin. Something in his chest twisted when he saw George’s smug grin.

But it wasn't entirely George's fault. You see, no one knew of Fred's secret crush on you. Would you call it a crush? Man, feelings were a complicated mystery to Fred, he never bothered going down that lane, it was foreign to him. Best avoid all that sappy stuff, y'know.

Draco, however, was unimpressed. “That was pathetic,” he scoffed, leaning closer to you. “You call that a French kiss? It had to be longer.”

You folded your arms, tilting your head to the side. “You didn’t even say how long.”

Draco smirked. “Fine, then, two minutes. You can do it on me instead. Save you the hassle of walking over there again."

The room let out a collective “ooooh,” and your stomach churned.

"Kiss! Kiss! Kiss!" Crabbe, Goyle and Dean chanted.

"Wha—I already did the dare!" You countered, raising your hands in defence.

"Hmm now that Draco mentioned it, it was a bit of a short kiss, barely a French kiss, more like a Portuguese kiss." Lee agreed, resting his hand on his chin.

"Portuguese kiss? That's not even a thing you git." Angelina chortled, throwing her head back.

Before you could react, Draco leaned in slightly, reaching up to brush a strand of hair from your face. His fingers barely grazed your cheek, but it was enough to make you shift uncomfortably. He patted your head, smiling like he was doing you some kind of favour.

You didn’t like it.

But Draco was your friend, and this was supposed to be fun, so you ignored it. You didn't want to ruin the mood for everyone so you forced yourself to tolerate it.

Fred, however, wasn’t ignoring it.

His hand was clenched into a tight fist in his lap, and his usually mischievous eyes were laced with something entirely different.

Draco leaned in again, wrapping one arm around you. “Come on, then,” he murmured, his smirk widening. “Or do you want the Veritaserum?”

Your stomach twisted uncomfortably. You didn’t want to kiss him. But you definitely didn’t want to take the serum, either.

Draco took your hesitation as an invitation. “Oh, come on, don’t tell me you’re scared.”

The crowd cheered again, urging you on.

Draco removed his arm then ruffled your hair slightly, "Don't be a wuss, I'll make it enjoyable for ya."

"Don't be scared Y/N, it's only a kiss!" Seamus encouraged, hoping to make you feel better, but it only made you feel worse.

Only a kiss? You wanted to save french kissing for someone special, not some ridiculous dare.

Draco leaned closer, nuzzling his nose into your neck. His hand brushed against your arm, he was so close that you could now smell his fresh scent. You leaned back instinctively, smiling awkwardly while brushing your arm.

Everyone was so caught up encouraging the two of you to kiss that no one paid attention to the speed at which Fred stood up from the floor and bolted to Draco, tackling him harshly.

A collective gasp echoed through the room as the two of them crashed onto the floor. Draco barely had time to react before Fred punched him, his face twisted in pure rage. The two of them were now in a brawl, wrestling each other on the ground. It was clear that no one was going easy on each other.

“Keep your hands off her,” Fred snapped, his voice low and furious.

Draco, stunned for only a second, sneered up at him. “What the hell is wrong with you?”

"Fred! Oi! Stop, it's just a game!" Lee's attempt at stopping Fred with his words was useless.

Fred wasn’t listening. His fists clenched, his breathing heavy as he pinned Draco down, gripping his shirt harshly.

Draco’s smirk returned. “Merlin, are you jealous Weasley?”

Fred loosened his grip, blinking slowly, "I..."

"Called it. Bet you wished it was you getting to french kiss Y/N then. Why don't you let me finish my dare with her so I can show you how it's done eh?" Draco remarked, all too obnoxiously for Fred's liking.

Fred's eyes grew darker, laced with furiousness.

He lunged again, and in a matter of seconds, they were full-on fighting.

Gasps and shouts filled the room as they tumbled, fists flying, knocking over a pile of books and scattering cards from an abandoned wizarding chess game. The flood thudded heavily, as they continued their wrestling.

“Fred! Draco! Stop!” Voices pleaded, but they were drowned out as Fred was blinded by rage. How dare Draco force himself onto you like that?!

No one listened.

You watched them in pure horror as they fought; you joined the others in yelling at them to stop, but none of them listened.

Hermione immediately went to comfort you, placing a comforting hand on your arm and sending you an apologetic look. Was this all because of you? You felt like shit for causing this, bloody hell, you should've just french kissed Draco.

“Merlin’s beard, Fred, stop!” George tried pulling his twin back, but Fred shook him off, shoving him away.

Cedric attempted to pull Draco off Fred, but Draco pushed him aside, scoffing, "Not now Diggory!"

Draco, despite being an arrogant prat, was also a decent fighter, and he managed to shove Fred back, wiping a bit of blood from his lip.

“What the hell?!” you finally yelled, eyes darting from Fred to Draco.

Fred froze.

His furious gaze met yours, his chest rising and falling heavily, as he wiped some blood off his lips.

He swallowed hard. Then, without a word, he turned and stormed out of the common room.

You hesitated only a second before running after him.

—

You found him on the astronomy tower balcony, leaning against the railing, gripping it so tightly his knuckles were white.

The night air was cold, but Fred’s skin was burning.

You took a deep breath. “Fred—”

“Why don’t you go check on Draco?” he cut in sharply. “Or George. Your boyfriends.”

Your brows furrowed. “They’re not my boyfriends. You're being ridiculous now.”

Fred let out a short, humourless laugh. “Really? You were getting pretty cozy with George back there.”

You sighed. “It was a dare, Fred.”

“Oh, and Draco just happened to be all over you?” He turned to face you, and that’s when you saw it—his bruised lip, the cut on his cheekbone, the faint traces of blood at the corner of his mouth.

"Come on, I know we're friends but I can handle myself." You assumed he was being protective as a friend, so you attempted comforting him, but failed miserably at doing so.

"Yeah, friends." He pressed his lips together.

You took a step closer wanting to reach up, but Fred’s eyes flickered elsewhere. “Don’t.”

You froze.

“I don’t need you feeling bad for me,” he muttered, turning back to the railing. His grip tightened. “I don’t need your pity.”

“It’s not pity, Fred,” you said softly.

Silence stretched between you. The wind howled through the tower, whipping his hair slightly, but Fred didn’t move.

Your gaze drifted to his hands. His knuckles were raw, bruised from the fight.

Without thinking, you reached out, gently prying one of his fists open. He held his breath, glancing down at you.

Your fingers traced the swelling on his knuckles, your touch featherlight. “We need to clean this up.”

Fred didn’t protest. He just stood there, his jaw clenched, watching you. He released his breath, silently agreeing.

Wordlessly, you pulled his hand in yours, leading him down the spiral staircase, away from the cold, away from the fight, away from everyone else.

—

The fire crackled softly in the Gryffindor common room, casting flickering shadows on the walls. The common room was empty—everyone was either asleep or still in the Ravenclaw tower, talking about what had happened.

Fred sat on the couch, his arms resting on his knees, his head tilted slightly downward. He hadn’t said much since you dragged him back.

You returned from the bathroom with a damp cloth and knelt in front of him.

“Hold still,” you murmured, gently dabbing at the dried blood on his lip.

Fred flinched at the contact but didn’t pull away. He just watched you, his hazel eyes unreadable, though there was a glimmer of something, awe, perhaps. His eyes studied yours, the way your eyebrows furrowed as you focused on cleaning his wounds. A small smile tugged at the corner of his lips, you were the epitome of beauty in his eyes, a darling angel.

You focused on cleaning him up, biting your lip. The silence between you was begging to be broken, heavy with something left unsaid. But you chose to ignore it, shifting your focus to getting Fred cleaned up. You see, it was the way you were always so caring towards everyone, so kind, always selflessly giving your time away to help those who needed it. That was part of the reason Fred had fallen for you in the first place, your kindness.

Fred exhaled sharply as you pressed on his wound.

"Sorry..." you mutter, but he gently removed your arm, and rested it on his knee.

“I don’t know how to stop this,” he said suddenly.

You paused, looking up at him. “Stop what?”

He let out a cheerless laugh. “This. You. Making me feel like a complete idiot.”

Your heart pace increased. “I—”

“Do you know what it’s like?” His voice was raw, unfiltered, a slight rasp as he spoke softly. “Watching you? Seeing every guy in that room touch you? Kiss you?” He shook his head. “I nearly lost my mind.”

You swallowed hard, unable to tear your gaze away.

“Never thought I'd admit it, but I’ve wanted you,” his voice low, almost trembling. “For so long, and I—” He broke off, exhaling harshly. “And then tonight, I had to sit there and watch it. Merlin, it drove me so bloody mad.”

Your hands were shaking. Was this it? The Fred you never thought would ever return your feelings, about to spew the words right out?

Fred’s eyes locked onto yours, something desperate behind this gaze.

“I hate that you don’t see it,” he muttered.

“See what?” you breathed.

His lips parted, and for a second, he hesitated.

“That I love you.”

Your breath caught, inhaling as you paused.

Fred let out a rough laugh, running a hand through his hair. “Godric, I love you. I don’t just like you, I love you. And it kills me because I know you don’t feel the same way so I just thought I'd keep it to myself but here we are."

Your heartbeat felt as though it was pounding loud enough to wake up the whole dorm.

“You idiot,” you whispered.

Fred blinked. “What?”

“You idiot,” you repeated, your voice shaking. Then, before he could react, you leaned forward and pressed your lips against his with all the emotion you've held back, the words you've been dying to say to him.

It was nothing like the kiss with George.

This was everything.

Fred let out a soft, startled sound before his hands found your waist, pulling you closer, as if he had been waiting for this moment forever. His lips moved against yours, desperate, breathless. He kissed you like he had something to prove, like he needed you to know how much he meant it.

And you did.

You wrapped your arms around his neck, getting up from kneeling and he pulled you onto his lap, now straddling him in the common room, to which you were thankful that no one was around.

A soft moan escaped you, as he sucked on your lower lip, your hands tangled themselves in his fluffy hair, tugging lightly.

When you finally pulled back, both of you breathless, you whispered, “I love you too.”

Fred let out a quiet, shaky laugh, resting his forehead against yours. “You better.” He teased.

You rolled your eyes, and he grinned.

“Oh, shut up,” you muttered, kissing him again as if there was no tomorrow. He smiled into the kiss, desperately needing a round two with you, his Y/N.

[carigm]

The “Teaser”, mlvn rooftop convo, and Lord of the Rings parallel…

This is gonna be a long post, so grab some snacks y’all.

First of all, the teaser the Duffers shared at this Netflix shareholders event was basically all BTS stuff, and according to someone that was there, we have mostly seen all of it. The actual clips from the show they showed were so short that most people missed it. However, over those short clips it seems they played a voiceover of part of the mlvn rooftop convo. Notice how the Suffer Sisters are literally incapable of sharing anything new, and the only audio they disclosed is from the ONE scene that’s been leaked to death, and even transcribed multiple times with the help of AI. In any case, Netflix did not share this teaser with the masses, and it’s unlikely they ever will. Stranger Things is not going to the Super Bowl this year (yes you heard that right) and the Tudum Event isn’t until May. Our only hope before that would be them releasing something on Will’s birthday, but whether in March or May, I believe we’ll be getting a proper teaser by then.

People that attended the event reported that El has a voiceover line where she goes “they don’t get to write the ending, we do” and apparently a voiceover Mike line where he goes “we’ll finish this together” (I’m not sure if this was paraphrased or not). Immediately, we all realized that these lines sound pretty close to what Mike is allegedly saying to her during the rooftop scene. Many people in the fandom have taken the time to transcribe that scene, some with AI and some without, and although some things could be wrong here and there, the general idea of it seems pretty clear. I’m attaching an AI reading of the scene here, so I can point out where I think his dialogue might be from…

Around the 1.43 mark, the AI picked up “enjoying it, together”, however I think this is where the “we’ll finish it, together” line comes into play. If anything, this shows AI isn’t 100% accurate, and it does call into question some of these previous lines 😂…I think it’s possible that after this speech from Mike about stories, fantasy endings and heroes, El tries to follow his advice and be positive, and maybe she delivers the “they don’t get to write our ending, we do” line back to him. It’s unfortunate because obviously we can’t see her face in the video, but I think it makes sense she would reply with that because right after it seems like he says “of, course…” and then proceeds to seemingly add that the Party can have a happy ending, without all the fantasy elements he mentioned before.

I find it very interesting that he’s choosing to speak to her with this storytelling analogy, which at first I believed to be a D&D analogy, but the more I think about it, the more I feel like he’s talking about an actual story. And then the lord of the rings parallel hit me, specifically with this scene. If you’re not aware, Finn Wolfhard has mentioned lotr twice now when talking about season 5, and I personally think it’s possible that Mike is using lord of the rings here as a reference to describe the hero’s journey and relate it to what the party has been through. Think about it, he’s trying to cheer El up, who has been stuck in that fuckass radio station for a year, who’s probably extremely tired of everything she has been dealing with for years, and he just wants to offer her some consolation so she can keep going and fighting. Does that sound familiar?

Well my friends, if it does, that’s because it is a direct parallel to Frodo and Sam from Lord of the Rings. I’ve always thought Byler were insanely samfrodo coded (funny enough the last S4 Byler scene is almost identical to this scene too), but it seems the Duffers are paralleling mlvn to them here. In lotr, Frodo bears the biggest burden of the story, as he follows his hero’s journey to Mordor to defeat evil. Along the way, ofc, he becomes increasingly weary and hopeless, and it is up to Sam (his best friend) to cheer him up and provide him with strength to keep him going. How does Sam do this? Interestingly enough, he encourages Frodo by describing all the beautiful things that will come AFTER they have won, what they and their friends will be able to enjoy when they get back home. Basically everything Mike appears to be saying to El in this scene, fantasizing about the end of the battle. To make the parallels even crazier, while on his hero’s journey, Frodo has to remain in hiding because there are multiple forces looking for him, and we know that El is basically hiding away from the government.

Another thing I want to point out is that in lotr (spoilers I guess 😭) good does win in the end, and the main characters get to return back home. However, Frodo is so changed by the journey and all the things he encountered that he simply cannot stay with his friends. Instead, he leaves and goes to the Undying Lands, where he finds peace. He doesn’t die, but he also cannot stay in Middle Earth. Him and Sam have a beautiful goodbye scene and then Sam is left with the literal book of stories Frodo started, and is told by Frodo to “finish it”.

Make of that what you will…

[ematini]

The Caitvi reunion on episode 5 honesty just angers me. I have no idea who in the writers' room came up with that, I'd love to hear their thought process because how do you write a scene line that:

To later completely ruin the tone of it, by making the two characters involved quip at each other as if they peacefully parted ways with teasing banter, and not one knocking the other to the ground?

Two characters who supposedly love each other and the only proof of any feelings being there is a blink and you miss it micro expression on Caitlyn's face? No regret? No guilt? Only mocking?

And don't even get me started on this scene.

Why does hitting Vi AGAIN come so easily to Caitlyn? Part of the plan or not, most people would at least pause to think before having to hit a loved one. Not smack them across the face, way harder than necessary, and then shrug it off. Writers, is this truly the right moment for comedy?

That was the moment my love for Caitvi evaporated entirely because I realized the writers are not interested in character development and salvaging it. Brush everything under the rug it is! The entire scene falls flat to me, it made me feel exactly nothing.

Why were they writers so afraid to show Caitlyn have any regrets, other than vague one liners that can be interpreted at least 5 different ways, half of which don't look good for Caitlyn? Back in season 1, and even act 1 of season 2, she was a soft character who searched for Vi when she went to fight Sevika, ran after her into the rain, cried on her shoulder when her mother died. At this point, it can't be described as "Caitlyn was hardened by grief", the writers just chose to erase the core aspects of her personality because they wanted her to be a tough smart-ass.

[linkcharacter]

wrt keeping degloved Jim alive, in pre-release content Anya questions keeping Curly in that state & Swansea gloats so they're aware it's a form of passive torture and the game contrasts Swan/Jim's response to their friend's suffering which makes the answer more complicated imo. Not saying you're wrong or should change your AU, just throwing out an explanation for the other perspective. I'm aware taking a life is beyond most people but keeping him alive seems the more vengeful choice if anything.

Yea, sure I can see keeping him alive might be a vengeful choice, but I'd say it depends on how you see it and how the characters would see it, same as it is in canon. If we ask why the crew would keep Jimmy alive, then we have to think about why they kept Curly alive in the game too. And with Curly's opinion added instead of Jimmy's, I don't see him as someone who would entertain the idea of a 'mercy kill' to his close friend (if he would even consider it as mercy). The crew was convinced Curly crashed the ship (however in jimblasted they got the culprit right) and he was kept alive as much as those around him resented him for allegedly "trying to take them all down with him". The crew may have different reasons to kill them or keep them alive but it's about which decision is final and I don't think it would differ here.

And yeah, Anya not being a 'spiteful' or vengeful person doesn't mean she'll make right choices, she doesn't do so in the story and that's what makes this game brilliant. There is so much impacting everyone's decisions all the time, I think Anya's line "Are we doing the right thing?" is the exact nuance that is so interesting and I think it's twice as interesting to think if it was Jimmy, of all people. Something about how they would treat the worst of people at their most vulnerable state, and including the fact that a couple of those caring for them were deeply hurt by the person in question.

Btw this is something I already have comics planned to explore more, especially with Anya interacting with Jimmy post crash. Actually one of my greatest motivators to start this au was exploration of Anya's character specifically, her scenes with Jimmy are one of the first I ever wrote for jimblasted, but that won't come out until way later when the plot moves. And others in the crew will get their character a spotlight on their thoughts on Jimmy and what to do with him eventually too :)

[nerdishpursuits]

The novelita really hit the gas pedal these episodes and everyone is still reeling (worth mentioning, maybe, that this post is hella lengthy and rambles about various characters and plotlines) And by everyone I mean the fandom, because the characters themselves jumped through some mental hoops and, allegedly, stuck the landing? Kinda. Sorta. Maybe. 1. I think it makes sense for Fina to have spent the night at the colony. They are, after all, trying to keep a low profile as much as possible, even if it hurts to be apart. And Marta couldn't have visited Fina's room without raising suspicion or confirming rumors. Therefore, because their circumstances are as painful as they are? Marta has to fall apart on her own and Fina ends up finding out from the newspaper.

2. Marta's devastation when Fina all but begs her to please, marry Pelayo? To please do it for them, for herself and for Fina too? Because the rumor-mill, the slurs and the danger they are in? It’s all suffocating? Because Fina cannot bear the thought of Marta being exposed and unprotected and because they need a safety net that actually works? Because all Fina wants is to be with Marta, unafraid, and sees Pelayo's proposal as the only way to achieve their dream of a life together, long-term?

It goes without saying there is nothing Marta wouldn't do for Fina: she'd walk through fire, she'd cross an ocean and she'd wear the shackles of a marriage she doesn't want. After all, the sole reason Marta, despondently, acquiesces? Is because she witnesses Fina's own despair. And that breaks Marta. It breaks her heart and her resolve and sets them down an unknown path. One they are hoping will lead to protection for them both and a life together. But one that is also riddled with unknown variables and the unexpected. Which is, I assume, where the upcoming drama stems from.

While theirs will no longer be a relationship that solely involves the two of them? This doesn’t mean it won’t be rewarding. Yes, it would seem Pelayo is here to stay. Whether we like it or not, and as well-intentioned as he may be, he will also become a center-piece, weighing on their time together.

At any rate, this marriage has social, financial and personal consequences neither of them is truly aware of. It will be interesting to see them explore it. If they carve out a path as friends and accomplices, who care about each other and protect each other? It will be a joy to watch.

I know we'd all like Marta & Fina to live happily ever after in their own little bubble. But is it a viable scenario? I think not. It’s not sustainable on a show and it’s not sustainable in real life. More so, Marta & Fina exist as characters outside of Mafin. They have their own obligations, ambitions and desires and there will always be other people, or circumstances, demanding their time and attention. What matters? Is that at the end of the day they find their way back to each other. They are each other’s home, and so to each other they eagerly return.

In the meantime? Absence makes the heart grow fonder and all that pent up need? It will be waiting for the right moment to be unleashed. Their most passionate moments (the EMPOTRAMIENTO and Despachamiento) were a direct result of being kept apart somehow, of missing each other desperately, of reaching a breaking point where holding back ceased to be an option. I, for one, am all in favor of that kind of delicious tension and angst. It makes their coming together (pun very much intended) all the more satisfying. Meanwhile, we’ll have to see what happens with OP (Operation Pelayo). Who knows, theirs might end up being a long engagement that doesn’t culminate in marriage. Pelayo might end up simply being the ally Marta needs in the boardroom. Wherever they take this? My hope is they become good friends, the three of them. Los tres Diverteros. All for gay and gay for all.

I mean. This kind of scenes are peak comedy. The music, the expressions, the gestures. I hope they keep at it.

And on to arid pastures. TOSSio de la Ruina is a treacherous, back-stabbing lowlife. I find myself wondering if this character can be redeemed. Personally, I don't think so anymore and I’m done holding out hope. Truth be told, I’d really enjoy seeing him fall with the Merino. It's only a matter of time.

The nepo-baby who claims he didn´t ascend due to preferential treatment is named second in command because he voted for the Merino. It´s utterly laughable. He also runs his mouth claiming he´s the same old Tossio and a surname won´t change him? Well, newsflash. His every move is motivated by a profound feeling of inadequacy. He never stops feeling like he’s on the outside looking in. Never stops feeling he is less. But he misunderstands the reason. He is less not because he’s the illegitimate son. He his less because of a lack of moral fiber and an abundance of self-righteous pettiness and delusions of grandeur.

Speaking of Tossio being pretty. The chip on his shoulder? Of not feeling equal to his siblings? He’s so profoundly obfuscated by it it’s hilarious. In some ways, he will never be their equal. Not because of social standing or them looking down on him. They will always be different because they grew up in different worlds.

That being said, Fina is the best example that such differences don’t really matter. The woman Marta proudly calls her wife belongs to the working class. And Marta couldn’t be more proud of her, brimming with admiration and respect. Fina? Fina is every bit Marta’s equal. But TOSSio? He might as well carry a sign around his neck reading It’s me, Hi. I’m the problem, it’s me.

And that’s why Tossio de la Ruina and the MeriNO? A match made in treason and one of the main reasons this business formula will fail, spectacularly. Iceberg, right ahead. The Titanic also had a crew and look where it got them. After all, Joaquin knows he gave Marta's former position to Tossio solely because he voted for him. Not so long ago he too was condemning Tossio's every move and didn't agree with Damián ascending him. In fact, he vehemently disapproved of it, same as Marta. And look at him now: taking over via manipulations, treachery and favoritism. They will fail so badly and I cannot wait to see it all blow up in their faces.

I mean. It’s already started. Luis in charge of logistics, Tossio second in command? They only need to promote Gema as Encargada, replacing Carmen, and idiocy will reign supreme. If that were to happen, watch Tossio rejoice because he’d finally have Carmen where he truly wants her: jobless, while he plays man of the house. Oh well. Place the cart before the horse, why don’t you. See how it all goes. It would seem the Merino have inherited their father’s nose for business, or lack thereof. Leading the business has left no one unscathed, so it will be fun to watch the Merino eat dirt and choke on it. Also. Will be interesting to see if Carmen sides with husband dearest, given she's still annoyed with Marta. That brief phone call with Tossio, in which she sounded thrilled with his ascension and promised to celebrate it with pomp and circumstance upon her return? It gives me pause. Carmen has been shown to be fair and righteous, taking shit from no one. Should she end up not caring her husband betrayed the very woman who supported and ascended Carmen? Who ascended them both? Well. Let’s just say it would be hugely disappointing and a complete 180 for this character. My hope is she’ll, rightfully, give him hell. We’ll have to wait and see.

It also just hit me that Carmen’s kind of the catalyst for Tossio poor decisions. Ever since she dropped the ball on Marta and Fina’s relationship? Tossio has been seeing things that aren’t and making piss-poor decisions based on optical-delusions. Knowing that Fina is Marta’s partner has led him down a path of outlandish conclusions. The mental gymnastics this man performs defy all reason. I can’t wait for his brilliance to shine upon the new directorship. 1 + 1 and we’re all done! Drunk on power, he’s already started making bad decisions and exasperating his partner in crime. Downhill, with aplomb, yes siree.

And damn, I absolutely loved Marta ignoring him completely and bypassing him as if he were a stain on the carpet. I’m surprised he didn’t freeze over when she glided past. Ice Queen Marta is a thing of beauty.

It also seems Carpena is dead set on removing Marta entirely. He's not satisfied with having deposed as her CEO. No, he knows she's the Queen on this chess board, the one who could hinder their plans. I suspect the Merino will soon find themselves at a crossroads, faced with a familiar conundrum: either make the same choice Damián lived to regret, or show some backbone. Should the plotline lead there, it will be interesting to see how they handle it. Ultimately, trying to destroy Marta for loving a woman, because they cannot destroy her any other way? It might just be the wake-up call they need. Carpena will continue to push for that particular outcome, no doubt about it. We’ll have to see if the Merino's much touted moral checks and balances actually hold, or if their desire for power irrevocably blinds them.

I’d also love to see a Fina vs. Digna confrontation. Honestly, Fina's reaction once she learns Digna was instrumental in deposing Marta? It would be high on my list. To learn that this woman, who claims to love her like a daughter, used information about them to further her own agenda against Marta’s family. And, ultimately, against Marta herself, whom she also claims to love. Digna needs a good dose of unvarnished truth and Fina delivering it? Would be chef’s kiss. I can also see Digna trying to badmouth Marta once she learns about her marriage to Pelayo: of course she'd throw you aside for power, she's a de la Reina. Alright, alright, I confess. I really want to see Fina rip Digna a new one.

Last but not least. Of course Andres is innocent of murder. The only thing he does is Begona. The rest of the time he can be found between the pages of the dictionary, under the definition of useless. He doesn't deserve Marta’a loyalty. He truly doesn't. El soso más inutil del planeta. Then again, Marta’s the bigger person. Always has been. Special mention to Damián’s all-knowing grin, confronting Marta about her impending nuptials? Gurl, I wasn't born yesterday so out with the fine-print.

Damián’s recently upgraded gaydar working overtime:

I may not be as modem as you, young folk. But I know you’re all about WIFE-I Marta. This Lan connection business offers the security of jiber optics but it’s not the way you’re routed. Did I troubleshoot that or what? *wink wink, nudge nudge*

I love their dynamic so much.

Post-cleanser needed because I’ve spent way too much time ranting about undesirables.

I’ll never get over the way Fina and Marta look at each other. The way they melt for each other. The way their love and devotion for each other cannot be contained. Ever. They way they seek each other out constantly, needing to be close, needing to touch, to reaffirm and love. They are each other’s home. Endlessly.

[doyoulikethis-vocaloid-song]

Song 249 is: Rats Have Died by P.I.N.A

Did you know that P.I.N.A means People who are not Interesting Nor Artistic? Which is a real shame because I think this is an EXTREMELY interesting song! For the first part, this story actually recalls the plot of the classic french literature The Plague by Albert Camus. All the characters in the music video are characters from the story (Bernard Rieux, Cottard, Joseph Grand, etc) and they even reference specific scenes in the book like the in-universe story being written about an equestrian. Despite the dramatics it's all a very faithful retelling... Except for Hitomi Tayama, who seems to be an original character and possible self insert? Regardless, if you like this song and would like something other than Danganronpa to associate it with, I highly suggest reading The Plague if you haven't already!

💚 Artists and titles will be revealed after the poll closes, so check back for results! Until then, please don't mention the song title in reblogs! (Guesses about everything else are fine and encouraged though; have fun!) 💚

[chevxyn]

CONFLICT = CHEMISTRY!

in which, you and sae got into a lil conflict outside a football stadium & the paparazzi’s made a false statement that the two of you are dating.

an itoshi sae smau series

written.

act v, ep 044 : disaster | next part

wc : 1k

the drive to the restaurant was not as it used to be, the sensation felt a little more warmer. that time he picked you up, you swore your heart raced a little faster.

he looked good, black trousers with a white buttoned up shirt accompanied with a black tie, as he opened the door for you and closed it.

when you saw the restaurant, it is no doubt, a fancy one. definitely looks like one that would need a reservation to attend.

he opened your door for you, as you were about to. and the moment you did, snaps of pictures could be heard from people around the sidewalk.

he took you to the inside of the restaurant, and the waiter immediately took you guys to a private lounge upstairs, it gave one the most beautiful city view that you could see.

it was set with a dim light, and a table for two was beside the giant window. as the waiter guided the two of you there, sae looked at you.

“you don’t mind if it was a little.. flashy right?” he asked, and you glanced at him, “yeah, of course.” you gave a light chuckle. he nodded, and sat down on the seat across of yours.

the dinner was really something, the things that you ordered had a rich flavor in it. and somewhat, a conversation with sae really made your night.

even tho it was just a simple get to know each other, and turns out, he gave you a lot of interesting information about himself. like how he started football just at the age of one, or how he dislikes french fries cause he thinks it’s unhealthy for him.

you also shared a fair share of laugh especially when he revealed that his weakness was that he really don’t know anything except for football, but what really makes it interesting is that how he never thought about his and rin’s fight as fights, but as his brother’s rebellion stage.

after dinner was over, you just thought oh, it’s just another date for the media again. you really didn’t expect when he took you to a hill. “where are we going?” you questioned, and he glanced at you for a second.

“somewhere to see the city lights better.” he said, you really didn’t expect he’d do this. but you kept quiet, “well, you don’t have any plans, right?” he asked and you nodded, “i don’t.”

“good.” he said, you can feel the wind getting colder as he took you farther to the top, and the two of you arrived to a scenic overlook.

when you got out of the car, you could see the scene from above was breathtaking, as the moon accompanied the night sky that was full with stars. “so, why are we here?” you questioned again, and he leaned into the rails, “i thought we needed some alone time, from the camera clicks.”

but, isn’t that the whole point that we go on these dates? is what you wondered, but you didn’t question it due to the fear of him getting annoyed at you.

the silent spoke so much of this moment, you looked at his face, as again, his face really do look handsome in this lights, as you admired him.

his eyes turned from the scenery to you. and your eyes widened before looking away, it was awkward. “is there something in my face?”

“no, no. nothing.” you said, “you were awfully looking at it weird.” whoops. it feels like you’re playing a game of choices. make the right words or you’re gonna die.

“i was just..” you couldn’t get your words out and he just letted out a small huff, “admiring me?” he said, a hint of sarcasm was heard, but your heart betrayed your mind that was trying to convince you it wasn’t like that.

“i don’t mind.” he said, switching his glance from you to the city once more. yet he could see your hands trembling a bit, and by some reasons, he took your hand and held it.

and the trembling faded, the two of you were stuck like that for a while him by your side, holding his hand just focused on the city, yet your mind raced with thoughts, as his was not so different.

he did not know why he would do this, to somebody, or more specifically to you, someone that he was so sure that could be just acquaintances.

he hated the way his heart would increase the speed near you, like how it would when he plays in the field. he really never knew of what the feeling of liking someone. but he is so sure this is not how it feels.

so why is he so obsessed with how you are right now? why does he want to hold your hand, and stay close for just a little longer?

this time, he was the one who unconsciously admiring you, as you noticed it, you spoke, “what?”

“[name].” he muttered your name, “why is rin so protective of you?” he asked, and you let out a small hum, “i don’t know.”

“maybe he’s just a good friend.” you said the obvious, and sae looked at you. “do you like him?”

“no!” you answered almost immediately, after that deeptalk you had with rin last time, you never imagined you being more than close-friends with rin.

“i see him as, my younger brother. that’s all.” you gave him a subtle smile, as he heard that, he looked at you, to your lips, back to the eyes, “so, you don’t mind.. if i,”

your stomach felt like it was flying with butterflies, you raised your eyebrow, his position changed as he leaned in. and before you knew it, he kissed you.

you froze, this isn’t what you expected at all. wasn’t this supposed to be just.. a fake date for the media? your eyes was still opened, before your mind got ahead of you.

and you kissed him back, it took you 5 seconds before you felt your emotions of regret came, and you pulled away first.

“hm?” he looked at you, your face looks conflicted. and he didn’t like that reaction, “what’s wrong—“

“can you take me home? please.” you just said, and he realized what he just did. oh.

why did he do that? even he wondered it, he just wanted you and couldn’t hold back anymore, but he went quiet before nodding, “i see, of course [name].”

taglist (open) : @vaelils, @levihanmyotp, @kaz-0e, @jaeyuuns, @narcjsistx, @sxftiebee, @tojirin, @nensi, @banzaitaka, @whisperofae, @orphicarchive, @bubybubsters, @sellomaybe, @s4-mmy, @nomyimi, @rwbie, @chuuyalvover, @suksatoru, @x3nafix, @misscandygirl122, @imas1mpp, @literallyushiwaka, @y-sabell-a, @pctterheadd, @swagkittybear, @luvvmae, @luvynii, @syarc0re, @saiongfs, @lovessen

©chevxyn

[teddywesworl]

different anon but re: sex scenes ask, i’m curious to see how you lay out things to outline for continuity of characterization, and what the drive and stakes are in a scene to avoid the sexual archetypes. would you mind sharing what that process looks like for you? really admire your technical breakdowns of writing (yes even and especially when they end up being ‘controversial’)

ok so. I had to take this ask to a word doc to get all my thoughts in order, so that’s your fair warning about how involved my answer is going to be.

First off, I gotta say I always think it’s funny and strange which “takes” of mine get people in a twist, because it’s very frequently the really basic foundational stuff that you would be taught in the first week or two of any introductory fiction writing class. One time, multiple people blocked me on twitter for saying that every paragraph should serve the whole and that readers will get bored if you go on tangents that have nothing to do with the core drive of the story. There was a qrt with the ‘no fun allowed’ robot. I was basically explaining what “kill your darlings” actually means, but even that was too much.

That said, I think the key to continuity of character in sex scenes is very simple: treat sex as any other action, and treat sex scenes like any other scene.

Naturally, that’s easier said than done, because it contains within itself a pair of mandates:

Get your character fundamentals down before attempting to apply them to sex, and

Deconstruct your own relationship with DHSM archetypes.

Yes, sorry, the almost three hour long Contrapoints Twilight video really is the best framework I’ve ever encountered for breaking down cultural norms concerning sex in fiction (and irl tbh), and I think it’s required viewing for anyone who really wants to deliberately subvert those norms.

But I’m getting ahead of myself.

Step one: character fundamentals.

In the simplest possible terms, good smut is character work. You’re taking blorbo and putting them in a situation. Often, this is a deeply vulnerable situation wrapped up in a lot of emotions. What kind of emotions are they feeling? Do they feel vulnerable? How do they respond to that vulnerability? Are the blorbos boning out of love? Affection? Frustration? Fear of loss? Is it a hatefuck? Multiple of the above? That’s layer one.

Next layer down: are both (or however many) parties here for the same reason, or are their motivations and experiences different? Everyone in a story has their own drives which may be in conflict with one another or, at the very least, play off of one another in interesting ways; the same principle should apply to sex scenes.

Example.

This is from chapter 2 of baseless fabric:

Rook’s fingers bury themselves in Lucanis’s hair, her nails scraping his scalp. “I’ll show you,” she says, and then—oh, yes—tongues and teeth and spit! Rook’s arms around Lucanis’s neck. Arching backs and sweet sighs and a pleasure that fogs Lucanis’s mind. Rook pulls at Lucanis, and Lucanis tries to keep his hips away. He is embarrassed at how quickly he has grown hard; he is alarmed that he could be so forward, so presumptuous as to expose himself in this way and to seek this kind of pleasure in her. Why? asks Spite. It is for her. She came to you for this. Lucanis struggles against this reasoning, though he knows that Spite is correct. That strange despair deep within grows fat on this knowledge. He is still afraid, and it was such long and difficult work to accept that he would never be desired in this way by a person he desired in turn.

Three parties are involved in this scene: Spite, Lucanis, and Rook.

Spite has no sexual attraction or sex drive per se, because he is a non-corporeal entity to whom those concepts are kind of alien, but he enjoys physical pleasure and has an emotional attachment to both Lucanis and Rook, so there’s no reason to believe he wouldn’t enjoy sex. He experiences everything Lucanis’s body does, and he has a front row seat to the inner workings of Lucanis’s fucked up little brain. In the video game as written, one could argue that Spite’s core drive is essentially to help Lucanis first survive and then recover from extraordinary trauma (out of. Spite. literally). He picks apart Lucanis’s fear and self-hatred and exposes all of it to Rook, in full confidence that Rook can fix it.

Lucanis, meanwhile, is a big ol’ demi virgin who (I was just talking w @ofcrowsanddragons about this last night) has come to view his own basic human needs as monstrous. It’s dangerous for him to need anything. Even sleep! He’s had both physical and emotional vulnerability drilled out of him from a very young age! He can’t let anyone know he needs! What if his needs are exploited? What if someone notices he needs something and takes advantage? For Lucanis, I imagine that allowing himself to be vulnerable in a safe, controlled way that feels good, with someone he trusts entirely, would be… woof. Very intense.

Rook is the wild card in terms of fanfic and character study, because, as a customizable PC, she could be anything. And she might be physically undescribed in my fics, but the character choices I’ve made aren’t by mistake; I’m writing about The Lucanis Romance, after all, and that provides opportunities for Rook to play both partner and foil. And so: my Rook is sexually experienced, shameless, and a bit vulgar, and she grew up poor. She’s Lucanis’s opposite in a lot of ways, and she serves to highlight his hangups by contrast. He talks down at himself for “seeking pleasure in her,” while her desire for him is uncomplicated. She wants this guy. She cares for him. It feels good when he touches her. On its own, maybe that’s not super interesting fodder for fiction, but she and Spite force Lucanis to reckon with his irrational self-talk and maladaptive coping mechanisms. She can get away with being a bit two-dimensional, because her main function in the story is to challenge his perspective.

The climax (lol) of the fic is arguably the following line in chapter 3: “The despair of fulfillment, the anguish of joy—he thinks he is not made for such things, and so he fights them, even desperate as he is to submit.” Everything in this first encounter between Lucanis and Rook builds toward that final evolution of the idea that Lucanis fears his own emotional needs and resists their fulfillment.

Et voila: Lucanis’s character is examined and has the opportunity to develop through sex!

Still, I admit, all of this is easier said than done. Character study of any kind takes practice to get a feel for, and writing effective character-driven sex requires that you be aware of your own relationship with culturally imposed norms.

Step two: becoming an archetype understander

Watch the Contrapoints video if you haven’t. Yes, in full. I promise it’s worth it. But if you want to save it for later and keep reading this post now, DHSM stands for Default Heterosexual Sado-Masochism, and it’s an extremely useful framework for understanding how patriarchal romantic and sexual roles are organized.

Natalie Wynn defines DHSM as “a division of sexuality into bipolar roles,” as follows:

She goes on: “In reality, none of these roles are interchangeable or even necessarily correlated. Being masculine does not imply being a top, and neither imply being dominant. […] But in DHSM, these roles are assumed to be bundled together and assumed to belong to the sexuality of men.”

I contend that when we are reading E-rated fanfiction and we cross that jarring threshold from in-character plot to out-of-character smut, we have most often just encountered the author deferring to cultural sex scene-writing norms prescribed by DHSM. And, importantly, the sex scene doesn’t have to be heterosexual for DHSM to be in the room!

One of the most important things you can do as you’re writing sex is to ensure that you are aware of the cultural pressure to conform to this false dichotomy.  Notice I didn’t even say ‘don’t conform;’ there are certainly ways to examine & play with DHSM while nominally conforming to it. However, DHSM is omnipresent as a basic assumption in mainstream romance and romantic subplot, and you may be surprised at the extent to which the average person automatically reaches for it while writing. In fact, once you start seeing it, you may not be able to stop.

One of the things I really like about Lucanis as a character is his relationship to DHSM. He’s an assassin, arguably a professional predator. He is extremely rich, and he ends the story with a nation-shaping amount of political power. He is also, quite literally, possessed. His whole personal arc is about his fraught relationship with agency. His romance arc requires that you, the player, pursue him to a much more dramatic degree than any of the other companions, just to get to the point of acknowledged flirtation. He breaks the assumed role. He looks like the Latin Lover trope sprouted wings; but that’s not him.

This is, frankly, why a large proportion of the Rookanis ao3 tag bums me out: there’s so much fic in there that pulls back toward that assumption of bipolarity, flattening him as a result. Lucanis as an aggressive or dominant lover does nothing for me, because I feel that it misunderstands his approach to intimacy.

Now what?

I’ve just said an embarrassing number of words about writing pornography. But how does one synthesize all this stuff?

Here’s an exercise I recommend:

Pick a pairing of your choice and consider each character’s relationship with the DHSM dichotomy. Deliberately run down those columns above and decide which character more closely matches each descriptor in each pair, individually—if they match either, which they may not! Examine the ways in which that pairing might break bipolarity.

Then, try to come up with a sexual scenario that demonstrates that break in DHSM. This is a valuable exercise because it attacks both points simultaneously: it forces you to think of your character fundamentals, and it directly challenges the archetypes.

To use the same baseless fabric example, Rook is clearly the pursuer, but she’s got an exhibitionist streak, and she very much desires penetration:

She leans back, rests her weight on her hands, and deliberately opens the vee of her thighs. Her chemise drapes across them, and it hides very little. There is a shadow beneath, intensified by the flicker of the hearth, and Lucanis’s eye is drawn inexorably down—

Later in the same scene, Spite's POV refers to the act of penetrating Rook as surrender:

The body knows what to do. The instinct for it is ancient and innate, and the rhythm is made at the conjunction of Lucanis’s flesh and heart and mind. It is surrender, a hopeless exposure of underbelly and throat, and it feels good. Lucanis plants one hand on the table and rolls his hips.

Lucanis also acknowledges, multiple times, that he had his own preconceived notions about how sex is supposed to go, which Rook has challenged. For example:

Rook hums and smiles and closes the narrow gap between them. What begins as a simple press of lips develops into the luxuriant slide of tongues, Lucanis pushing the hem of her chemise up so he can bury his hand between her thighs. Rook hooks a knee over Lucanis’s hip and tugs him in until he acquiesces and thrusts into her. It is all slow and lazy. Soft. It feels the way Lucanis always thought it should, except in the ways he couldn’t have foreseen. His body aches from the violence of the previous day, and Rook’s must, as well; the pleasure cuts through the pain, colors it, transforms it into something almost sweet. Rook’s arms coil around him, and she makes the most beautiful little sounds.

(Uh oh, buddy! That's a little masochistic of you!)

If you are working deliberately to improve your character-driven sex scenes, I strongly recommend starting with short (up to like 3k words) ficlets as practice. Pick a trope or two to toss in for extra “put the blorbos in situations” sauce. Forced proximity! Drunken confessions! Hurt/comfort! Fuck or die! Etc. All great fun. Alternately, sometimes you will simply be possessed by the knowledge that certain characters will have certain kinks. Like Lucanis and somnophilia (you get it, right? I don’t even have to explain why. Isn’t that neat?).

As a side benefit, doing this exercise thoughtfully will make you better at character writing more generally. No, really. Spending this time analyzing characters’ relationships to intimacy will help you understand what makes them tick in so many other ways.

Let me sum up.

So, in summary: good smut is character work, and you need your character fundamentals first. However, cultural norms impose the division of sexuality into bipolar roles. Breaking that bipolarity subverts a subconscious expectation, adds tension and interest, and forces both writer and reader to really think about the characters in front of them.

Does that……. Does that answer your question about process?? I swear I didn’t start with the intent to write two thousand earth words about this. And also, I don’t typically sit down and think to myself “how will I break DHSM today?” I have enough practice at this point (and a deep enough obsession with the function of social power) that my disdain for DHSM automatically inserts itself into basically everything I write. I do think these two pieces (1. character first and 2. fuck DHSM) make up the foundation of how I approach smut, though, so hopefully this has been a useful response!!

[causeimcrayzeebee]

tetro back it again making me cry way too early in the morning alright lets talk about the things on my mind after this weeks episodes

first of all, (princess) Monomoko. goodness. i have really enjoyed seeing her become more and more sympathetic and aware, building her own consciousness. that really worries me about her, in the event that something could happen to her. the fact that she told seki that she cant justify the killing game anymore, and seki doesn’t really say anything about he feels. i wonder if he feels the same way. also from corrective approach, it seems like seki turned her in, but honestly is it just me or does it seem like something where kan found out on his own n seki wasn’t able to do anything about it? i mean obviously he’s still choosing to do nothing, but like i feel like it would be weird that he told on her yk? or am i just losing my mind.

ojima. oh my goodness ojima, I did not expect a lore dump, but wow. hayashi telling him that talking about it could be his chance to be strong,,, and he actually starts speaking. i really loved that hayashi was the one he told, especially considering their similarities. ojima throughout the ep was hugely impressed that she survived the year of being kidnapped and locked away, and thinking he himself as incapable of being that strong, but hayashi saying that she’s not stronger, she’s just had more practice was a key thing. ojima took that first step of saying something all those years ago, and when the people around him (his father not his brothers) blamed him of lying, he didn’t feel like he had the people to support him that he needed, thus backing away. ojima opening up again after that (and about something he’s avoided for most of his life) is HUGE. now, as he tells hayashi what happened to him, she can be part of that support system for him.

hayashi has gone through so much too. i think her story really highlights the importance of having people around you. her parents were still searching for her, and once she was actually able to escape, she had her parents back. the whole kidnapping was incredibly fucked, it’s amazing that she made it. she’s so strong and i love her, she really has stepped up to giving the rest of the cast support, just like she was by her parents.

on another note MY PARENTS [hayashigeki] ARE NO LONGER ON THE PATH TO DIVORCE!!! the fact that yanagi was so distraught and worried about restricting hayashi and being controlling just like his father, only to find out hayashi was mad at him for putting himself in danger... I really liked communication attempt, I'm so glad they actually talked. yanagi talking about long term plans though worries me..... king pls.....

speaking of long term plans, this is what got me bawling again, in refulgence post mortem. kamimura kazutoshi, the guy literally trying to kill himself just before the killing game (which I still wonder what this means for how they got the participants into the game,,, did they have to like resuscitate him??) , was thinking about going back to school to pursue his dream. he wanted to reconnect with his aunt. hasegawa saying he was proud of him really got me. kamimura had found something he wanted to do, something to strive for in the future. and then he was taken away. hasegawa's distain for okazaki is clear in this episode. they way that hasegawa talked about kamimura was full of love, both when he talked about the little things that were negative about kamimura, like how he was easily annoyed, and when he talked about how funny and kind he was. i think it’s really interesting too how Hama was asking hasegawa, someone the rest of the group knows even LESS, about kamimura. it feels like when two mutual friends talk about someone they knew and get closer through that. i really hope this marks hasegawa beginning to reach out more. (OH YEAH ALSO HASEGAWA CLEANING KAMIMURAS BODY AND THE SCENE,,,, WHAT IF I CRIED.) this episode was also something that really hit how isolated the two were from the rest of the group; we all knew this about kamimura, but hama was hearing a lot of this for the first time.

i really loved hama in this weeks episodes too. teacher hama made me so happy I cant believe we had five minutes of hama yapping about yokai that was AWESOME. wama nation rise this week was peak.... the way he responds to wada in extra credit is so fucking sweet, and him reading chibas story (AHHHHHHHHHHHHHHH) to help wada fall asleep was so fucking adorable I lost it. hama is truly someone with so much love to give.

wada this week has clearly been going through a lot. I think definitely in chapter 4, he's starting to grow a bit more confidence and strength to move forward, but shit is hard. it makes sense for wada to backpedal a bit. i knew a lot of what happened cause of wada.exe but damn was it so painful hearing it VOICED. shout out to literallt every single tetro VA, i think their work has absolutely enhanced the story so beautifully. wada has so much to deal with and his past will always be with him. “it can't be trauma because that means it won't go away”, was a really striking line. i really loved all the lines in these episodes, they held so much power.

oh yanagi, you sweet son of a bitch. I'm so worried for his survival chances this chapter, he's been serving everyone. he treated Monomoko to the princess experience despite everything. he helped wada talk about his issues with food and set out to help him do something about it, just like how he did with his sister. he kept trying until finally having the opportunity to talk to hayashi. yanagi is someone who knows where he comes from, but has made huge strides and constant effort to not be like his father.

and finally, speaking of families. watari. oh my goodness, I love watari so much. her interview was amazing, it was such a rollercoaster (girlie is the number one wama n hasemura fan lmfaoo), but I really enjoyed the whole thing. i had a suspicion that she really just longed to be a teenager without responsibilities when I read her secret files, but damn. i think the wish for her mom to be more involved is something so sad but so real. tons of kids have to end up taking care of their siblings like how watari has to, and it’s a lot on someone who’s still growing themselves. i didn’t make that connection to why she loved having fun with okazaki until this interview, and wow. Firefox nation how we feeling (im going to explode UAHSHDJEJEJE). this killing game, ironically, gave her the opportunity to be free, just for a bit. i also find her instinct to say she wants to be an only child interesting, as I think it’s instinct to blame the immediate people around you for a problem that is more (likely?) systematic. but in reality all she wants is her mom to do things for her, like a mother should.

I think this is the first proper time watari has acknowledged how she’s been feeling about Okazaki (Y’all are cruel with these questions LMAO). okazaki was someone she could have fun with, to enjoy herself with. okazaki let her be who she wished she could’ve been, and she wanted her. if Okazaki hadn’t killed like she did, maybe things would be different. clearly, under all her hatred and anger towards Okazaki for the fucked up things she did, she loved her. she misses her. she still wants to be foxes with her, in another life, where they can start over and have a clean slate. she wants to spend life with the one who let her be the carefree teenager she wanted to be. she wants her. don’t mind me bawling my eyes out!

overall, I've really loved the themes of support from tetro recently. I think it's been a common reminder coming through that people need others to keep going. support is a powerful thing, and when so many of the cast of tetro have been alone in some aspect during their life, finding the people to help them through it to move on through their life is an incredibly powerful thing.

[ladyazurith]

I was wondering if you planned to do an analysis of what happened in Trey's dream? I enjoyed the one you wrote about Cater's and the analysis you did on Cater over all. The part about Trey and Cater being more like coworkers than friends, wasn't something I had thought about before, but it does seem to hold true. I know a lot of people were hoping for some emotional scene between Cater and Trey. Ace seemed to have stole the show on that one. But I did get the coworker vibe in Trey's dream. He was far more focused on Riddle and Che'nya who I would see as his 'real' friends and Cater was more of a footnote.

I wanted to hear your take on it if I could? If not I understand. You seem far more focused on Cater than the other characters.

I hadn't intended to do a thorough analysis of Trey's dream. (Honestly, i didn't think my one on Cater's was that thorough) But I do agree the 'coworker' vibes continued in Trey's dream. To tell the truth, I'm more interested in what we saw happen between Ace and Cater than I am in anything to do with Trey's dream. BUT since you asked I'll note a few things that I picked out.

First, the big thing is that Trey wasn't picked by Riddle to be his dorm leader, he got the position by vote. Honestly, I always assumed like I'm sure most of the fandom did that he was tasked with it by Riddle because of their history. And it does seem he got the role because of his connection to Riddle but only because of how much he vouched for him. Came across to me like he was basically Riddle's hype man when he took over as Dorm Leader.

Riddle and Trey's relationship is complicated, and I'm actually kind of cooking up a write up on a theory that has to do with Riddle, Trey and Cater's dynamic, and this only fed into it. A summary though is that I think Riddle favors Cater (he has gone out of his way to make accommodations for Cater, when he's overly strict with most everything else) because Cater isn't someone his mother disapproved of and furthermore since he doesn't eat sweets, he'd never have gotten in trouble with the tart incident if he'd been with Cater instead.

Trey on the other hand wants Riddle's approval, he still carries a lot of his own Trauma for what happened when they were children and the disapproval of Riddle's mother (Remember, Riddle thinks his mother is right about everything, so this has to exist in some fashion in his mind) and seems to almost be testing Trey at times (though he still views him as a close friend, and cares a lot about him).

In turn, I think Trey is resentful of this favoritism, and his poor treatment of Cater in certain situations is born out of this. With the way he dismissed Cater's objections sending him off to paint the roses during the sorting ceremony while he "dealt" with Riddle. Remember there is a LOT OF work Cater puts in around the dorm to cover for his dormmate's mistakes, which Riddle *never* knew about. With Cater not really realizing Riddle might actually favor him.

Anyway, that's a whole thing in and of itself. It would be a very long post with screenshots of interactions, backing up the theory.

Secondly, is that Trey really is just *weird*, he tries so hard to appear normal but ugh, those *things* that made up the rest of Heartslabyul were just out there. But he also has an unhealthy relationship with food. Something we already knew was true for Riddle, Cater, Vil, and Azul. He views it as a source of care and comfort, regardless of its effects on the person consuming it. This is something else that I think is a more complex issue, I can't cover too much here.

But those are my major thoughts on what we got out of Trey's dream. I hope you enjoy :)

[jane-d-ankh-veos]

Some people aggressively tried to convince me that it's 100% canon that the Hexcore has its own malicious will and fully controls Viktor, and, well... usually I'm only glad when there is a wide variety of theories – I love exploring them and can peacefully ignore those I don't agree with – but I really can't stand this kind of arguing. Leave others some freedom to have their own interpretations, please...

So, why persuading me into adopting this one is a waste of time and effort: I don't like that it deprives him of responsibility and meaningfulness of personally taking it. The mage admitted that he had chosen a wrong way and attempted to set it right, and this is such an admirable rare strength. It's an important part of his character: staying true to his "in the pursuit of great, we failed to do good" and desires to lessen humanity's suffering, his intentions were always for the best, so he is able to consciously renounce evil when he sees that the consequences betray his ethics. This requires immence willpower and intelligence. His own. He isn't simply cleaning up some unruly magical orb's mess after being its puppet, he acts like a complex personality.

(Just imagine, for example, how boring BG3 would be if instead of its interesting vivid characters all the communication/flirting/teamwork was in fact happening only between their illithid tadpoles...)

Even the original Machine Herald, despite being devoted to the Glorious Evolution for a longer time and certainly not going to abandon it, is also capable of genuine self-introspection and honest abidance by what he thinks is right. (My precious ironclad cinnamon roll ❤️)

As for the argument that the Hexcore recoiled from him in S1 like a living creature, even our own world's nature has a lot of things that can react to a potential threat without necessarily having sentience. Some of them can even learn and distinguish:

What I could somewhat accept is the version that the Hexcore was given life by his blood. If its alleged independent mind is a direct creation and part of Viktor himself, then at least it's more logical than appearing from nowhere (or from the Void that is almost a whole continent away and would have already destroyed Piltover and Zaun long before these experiments if it was somehow involved), has actual on-screen basis and doesn't take away his responsibility so entirely.

Anyway, even after their fusion, there are so many scenes clearly showing that it's still this same Viktor who speaks, watches and makes decisions:

Or his monologue at the end of S2's sixth episode. The character himself explains his reasons, that's why I don't get those saying that there were none so the eldritch influence can be the only possible explanation.

Speaking of which, I do get his logic in some of my own personal ways. The heavy burden of empathy... The constant frustration... The feeling that only some near-impossible universal change would be able to make things better because life is so fundamentally injust and so tragically vulnerable to evil/violence/illness/death/pain... But this would require a whole another post, I'm afraid, and would be highly subjective.

What I see as actual villainizing influence is his own despair. First he had already been about to take his life, then he was horribly killed within an arm's reach of achieving a better future for Zaun, then his hopeful commune was destroyed, a close friend/lover shot him, etc... Anyone in his place would run out of patience to act rationally and nicely, so I understand and forgive him wholeheartedly.

[insertmeaningfulusername]

Fanfic writer interview

Thank you for the tag @sinvulkt 💙

What fandoms do you write in?

Literally just various Star Wars media atm. The main focus for 2024 was the prequel era, mostly The Clone Wars and some Bad Batch.

How many words have you published in 2024?

172,387 according to my stats. I wrote more than that though, and I still plan on posting and backdating approximately 5 one-shots I wrote in 2024 but never got around to post.

What are your top three fics you’ve written this year?

I despise/love them all equally I guess if I had to choose, I'm still really happy with these three: Wanted, a gift for @omaano in which Dogma gets morning snuggles from Tup and Fives. Idk why this pairing is so rare, they're underrated!! The Meaning Is Ours, the first fic I ever wrote that's entirely original characters, for the 2024 Trans Clone Week. Both Hunter and Prey, my fic for the DinLuke mini bang in which Luke is a vampire and on the hunt for a certain Mandalorian. I just think it's hot sklfjadlksfj.

What was your biggest pit of despair moment?

Oh boy... maybe writing the gift fic for the Star Wars Rare Pairs exchange. It just kept getting longer and longer!! Which, really, I should have probably expected, because among other ships my giftee requested Polybatch with a focus on Echo getting railed and I just couldn't resist, and of course all the Batch members wanted a turn. And the fic kept being a thorn in my eye even after it was posted because people would request another fic based on a flashback scene that's maybe one paragraph long, all without complimenting the 13k I'd already written 😭 like, you really expect me to write more fic for you when you can't even comment on the fic that's already there??? Idk what to tell you but fanfiction writers aren't content machines where you can just press a button that says "Next story, please!"

What have you learned?

That people will love the fics you think are hot garbage and entirely pass by the stories you put a lot of thought and energy into. It's an old lesson but one I have to keep re-learning.

Did you beta any fics? Any faves you want to shout out?

I betaed or cheerread two or three things but I don't know if they've even been posted...

What three fics have you read this year that you love?

I have to admit that I don't read a lot of fanfiction, but these three I've found in my bookmarks: Ready Room by countessofbiscuit, in which Fi and Corr make out - ultra rare pair content from the Republic Commando novels and so sweet and silly (like Fi) and just a tiny bit bittersweet! Nine-Seven by Trudemaethien, with some platonic Sev & Niner. It's just so refreshing to see aroace headcanons finally arriving in fandom. Save an AT-RT (Ride an ARF Trooper) by BilbosMom, WaxerBoil, containing both smut and humor - my favourite combination!!

What ideas are percolating for next year?

Nothing concrete so far. Maybe finish some of the WIPs in my pile, try to write more than one fic for the Codywan First Kiss Bingo so I'll at least get a bingo, and try to write something for the @cloneshiprarepair monthly ships (go check out this event btw, there are some crunchy ships getting served up!). Probably try to sign up for fewer exchanges because I can feel my interest in Star Wars slipping.

No pressure tagging @lesbiankiliel @wolveria @loverboy-havocboy @violentcheese @bilbosmom-belladonna @forloveofcodywan @anxiousotters @five-oh-thirst @the-starry-seas @hastalavistabyebye @theproblemwithstardust @violetjedisylveon @elimaryholmes @rooksunday @ladylucksrogue

[aiura-stan]

(on Gay Hairo being canon)

-True, there’s no evidence that Hairo isn’t gay. You got me there… that’s certainly an Implication in that one chapter, considering Saiki’s reaction.

That said, his ass always being out is not *inherently* gay. I don’t see anything that points to the gag being consistently associated with sexuality in any way. (other than Saiki’s occasional comment.)

(on Saiki’s ‘hypnosis’)

-I feel like we have this same conversation every so often; I apologize in advance if I’m just repeating myself, lmao.

‘Hypnosis’ is his ability to make people look like someone else in canon. I used that word the wrong way, didn’t I. Sorry.

It is separate from ‘mind control,’ which I keep confusing it with, which Kusuo used to make things like his pink hair and limiters normal. He also used it to make it normal for students to have jobs, and to make anime tropes such as quicker healing, the ‘ton’ to the back of the neck effective, and destruction of property quickly fixable (I don’t get that one tbh.)

Yeah, come to think of it, ‘hypnosis’ in the sense of making someone else ignore him, is fanon. You’re right.

That said, Kusuo has a lot of weird perception altering powers. He can use hypnosis to make people look like each other, he can cause an auditory hallucination of music (presumably with his telepathy), he can use mind control to make people believe that things are normal (which in turn somehow changes the world itself.) For whatever reason, people do not notice the year repeating itself again and again as he periodically rewinds time. I can’t find it but I swear somewhere in the manga (is it the anime?) there’s a scene where a guy thinks to himself that Saiki’s limiters are strange, and we are told that he rationalizes it away due to Kusuo’s powers. (presumably his ‘mind control,’ which begs the question, if he actually permanently changed their perception of reality, why should they have to rationalize at all?)

I thought it was somewhere in the early chapters but couldn’t find it when I looked. Argh. But yeah I think that’s why I keep confusing the two. Because at one point, there’s some weird implications due to this one guy reacting to Kusuo’s limiters.

(on Teruhashi’s power to make people ‘fall in love w/ her on sight’)

-Yes, I agree “parasocial relationship” comes closer to what Teruhashi inspires in her followers and the men around her.

(on Saiki being affected by Teruhashi’s beauty)

-Okay, I can see where you’re going with the Teruhashi affecting Saiki point, now. I made some incorrect assumptions about what you meant by that sentence.

I think Teruhashi’s good amounts to being nice. Even though they are often done with ulterior motives, her actions have kind effects at least, if that makes sense.

I mean? It seems to improve their behavior, at least whenever she is around? Like the gag with Rifuta, who asks two boys to walk her to the cafeteria, and they start fighting, but they make up and agree to do it together when Teruhashi chastises them for it. So she’s like their external conscience.

After she leaves… debatable. haha. But I do think she has some sort of power that basically amounts to “make people behave as though they are their best selves due to her beauty” while around her specifically. (Which… I don’t know how I feel about that. But that’s what I think.) And Kusuo isn’t affected by that, because he has his own internal moral compass that he basically refuses to compromise on.

Yeah… after she leaves, I’d say they’re back to stumbling around in the dark, morally speaking. She’s still very much doing good, but even though her sphere of “good” is limited to when she is personally involved. I think that’s part of what makes her ego so bad. Because she truly thinks people can only be their best selves when she is around. Which is why she likes Saiki, because her presence doesn’t effect his actions or morals in the least.

That would definitely be interesting! I wonder how he lost his vision… what was able to injure Saiki’s eyes? At the volcano scene he is pushed to his absolute limit, so maybe it’s some natural disaster like that.

I'm not a fan of soulmates in romantic fiction because it's basically arranged marriage with extra supernatural noncon/dubcon elements.

However, in the Saiki universe, the soulmate connection seems to lack pretty much all of those problematic elements.

We have to do a little extrapolating from what we see in canon since this aspect of Aiura's powers is not covered in detail, but:

Soulmates do not seem to be guaranteed to ever meet, considering the fact that Aiura specifically looked up her soulmate and that one guy who was linked to someone in a remote African village that would almost certainly never cross paths with him.

Being with your soulmate is completely optional, otherwise Aiura wouldn't bother providing relationship scoring and just tell each person to go find their soulmate. This allows for a lot of narrative opportunities to explore why someone would consciously choose to not be with their soulmate, and also opens up the door for polyamory.

Soulmates do not instantly fall in love, and are not forced to stay in love by any supernatural powers. Aiura didn't think anything of Saiki until he flawlessly saved Yumehara's life like 10x in a row, and Saiki certainly didn't fall for Aiura right away either. They fought over their values strongly enough that it would've been a breakup if they'd ever been together.

Soulmate status just seems to indicate particularly good chemistry, and like the rest of Aiura's powers, is purely informational and not determinative. Presumably soulmates have the highest possible compatibility scores, and it's kinda cool that it seems guaranteed there's at least 1 person out there who will jive with you, but also plenty of other people you can connect with to various degrees.

With Saiki and Aiura specifically, it's shown that Saiki can change the future Aiura sees as soon as he hears about it. It may even be possible for him to change the soulmate determination, and he certainly could've used Time Leap to fool Aiura into thinking someone else was her soulmate if he was really opposed to the concept. She had scryed it recently, so the butterfly effect shouldn't be a challenge.

But they do work so smoothly together with their powers complementing each other, and Saiki is kind of a lonely romantic tsundere at heart, so it makes sense that he would let the soulmate thing play out and yet test the connection by pushing Aiura away as much as possible.

Actually, considering that Saiki can't control people's actions directly (and that he sucks at trying to control people indirectly), the strongest noncon/dubcon force in the Saikiverse shockingly appears to be Teruhashi's beauty.

The only male character that doesn't seem at all affected by Teruhashi's powers is Hairo, most likely because of his heavily implied homosexuality. Women attracted to other women are also impacted by her power, as seen with Aiura.

While Saiki says that married people aren't affected by Teruhashi, Kuniharu does actually show several signs of being affected by Teruhashi, and so does Kumagoro.

All affected people instantly fall in love with her on sight, no exceptions.

Critical thinking ability appears to drop precipitously when it comes to her, with her fans accepting that she had a secret child with Saiki despite being in school with her every day and that she can just choose not to poop for a week. More effective mind control than anything Saiki can do tbh.

The instant Saiki loses some of his powers, he starts being affected by Teruhashi's beauty.

The narrative supports Saiki's theory that Teruhashi is literally favored by God and can affect reality just by hoping for something. The implication that God is (physically??) attracted to Teruhashi and does whatever she wants is.... yikes on several levels. If she asks for someone to love her, do they get a choice in the matter??

Anyways, there are way more elements of noncon/dubcon with Teruhashi ships than there are with actual canon soulmate mechanics in the Saikiverse and that's just such a wild choice by the author lol.

Truly subverting tropes!

[shmisky]

Talking to @cantgetworsethanthistbh made me think of an AU in which Stanley fails to truly act as Ford in their twin swap.

What I always found interesting in this scene is that Stan, pretending to be Ford, wisely included himself in the group of people his brother would sacrifice the world for:

[x] [x] [x]

And that was puzzling for me at first, given how I think Stan saw their relationship before losing his memories. It might have been because 1) Ford himself told Stan that the deal was the only way to keep Stan and the kids safe, and Stan remembered that, 2) Ford told Stan exactly what to say, word for word, or 3) Ford’s hero complex was obvious to Stan. Of course his heroic, noble brother would ask for the safety of everyone in his family. (That’s not the true reason, but from Stan’s POV it might as well be.)

But notice how Bill’s eye follows and focuses on “Stan” as “Ford” points at him. Notice how quickly Bill agrees to this.

“Fine.” A single word. Nothing else. No teasing, no mocking. From the same insane triangle that was delighting himself in the Stan twins’ apparent fight, just a few seconds before. “Oh, even when you’re about to die, you Pines twins just can’t get along!”

Bill knows exactly how much Stan matters to Ford, even if the Stans were at each other’s throats. I mean, at this point you guys guys might be tired of this excerpt, but this happened while Ford was still holding a grudge against Stan:

And what I always loved about this scene is that Bill turned everyone into tapestry, including even Fiddleford (whom we know Ford cares a lot about!) but forced himself to spare Stan and the kids and place them inside the cages, even though they didn’t know the equation and would have zero usefulness to him. That could only be because he thought he could use them against Ford, so Stan was obviously included for that very purpose.

Wouldn’t it be ironic if Stan-as-Ford forgot to mention himself, mentioning only the young twins (because that would be Ford’s focus, anyway, they were children), or worse, made an active choice not to include himself because he thought it would be more believable given his tumultuous relationship with Ford... and that made Bill recognize him as Stan?

Just imagine it. Stan says something along the lines of, “My only condition is that you at least let the kids go! My brother and I are adults and can handle this, but they’re just kids, please! Pick on someone your own size!” Ford goes pale in the background as Bill starts to laugh. No way the true Ford would’ve missed an opportunity to protect Stan.