#Which is something I'd say is true of like... most things honestly

[descendant-of-truth]

I think the reputation Kingdom Hearts has is a prime example of something I've been thinking about recently, which is: if you go into a piece of media without taking it seriously from the get-go, any of its attempts to be serious will come across as funny.

Let's be real, KH is viewed by the general public as a bit silly, right? Like, you're telling me there's an RPG series where you play as an anime boy but your party members are Goofy and Donald Freakin' Duck? And it's filled with complicated plotlines about clones and hearts and time travel?

The crux of what makes people not take the game seriously is the fact that it's a Disney game that wants to be taken seriously. Those two things combined instinctively make people want to laugh at it; after all, Disney is just kids' stuff, it's not meant to be taken that seriously. Even if you're a fan of Disney, it's so inherently different from something like Final Fantasy that the tonal clash alone creates a certain expectation.

That expectation being: this is going to be stupid, and funny because it's stupid. The same level of joke as making cute characters swear or use guns, I think.

Kingdom Hearts is, of course, a lot more sincere than that. But if you're not willing to meet it halfway, then its sincerity becomes the joke.

Of course, even KH fans like to laugh at how the dialogue reads when it's taken out of context, which takes me to something I've actually wanted to talk about for a bit:

Data Sora: Mickey! It's Riku. They put bugs in him!

Make no mistake, I'm not saying people are wrong to joke about stuff like this. But the whiplash I felt at seeing this moment become a meme was kind of insane, because it genuinely never struck me as a funny thing to hear Sora say.

Using the term "bug" to refer to a computer bug felt completely natural, and it's a much more tangible term than "glitch" which brings to mind more like, environmental or physics-based glitches. Similar deal with the word "virus," even if that would've sounded cooler.

But either way, by this point in the story, they've been talking about bugs with complete seriousness for over an hour. They've been a corrupting force that you have to fight the whole game, and when Data Riku is injected with the stuff, he screams before freezing up and staring dead-eyed into space, as shown in that screenshot.

That's freaky! And a really scary thing for Sora to have to see happen to his best friend!

So him telling Mickey what happened in a panicked voice didn't even register as a line to take special note of, because why would it? What else was he supposed to say? I was way too invested and stressed out to care about what it would sound like out of context; I was IN the context! And the context had me on the edge of my seat!

This is the case with a lot of lines in this series that get paraded around as evidence that the writing in KH is sooo chaotic, so silly, so embarrassing, so cringe. I'm not saying that every line of dialogue comes across as totally natural, the series is capable of taking me out of the experience because of something being stilted or awkward. But rarely ever when it's trying to be sincere or dramatic.

Replica Riku: Because I'm you. Riku: No, I'M me. Replica Riku: "I'm me," he says.

This is another example. When I actually sit back and watch just that first bit of the cutscene, yeah, it sounds a little ridiculous. The back-and-forth happening here is just redundant enough to follow the "rule of threes" to comedy, so I get why people get a good chuckle out of it when it's isolated to just this.

It did not feel ridiculous after watching the series of harrowing events Replica Riku goes through before getting to that point. It certainly stops being ridiculous when he follows it up with this speech:

Replica Riku: Must be nice being real. A fake like me could never get away with saying that. That's right, I'm a phony, a fake! The way I look, the way I feel, everything I remember! And even this newfound power! I thought by finding some new strength, I could finally be someone - someone who's not at all you! But... nothing changes... I'm still just empty! Everything about me is borrowed. As long as you're around, I'll never be more than a shadow!

I bring this up to segue into another point: even KH's fans have a hard time moving past their perceptions of what it should be as a Respectable Video Game. Particularly whenever it does something that's just a little too weird, or lame, for the average mainstream.

Something like, oh I dunno... putting relevant story content on handhelds?

While this wasn't intentional, both of the examples I've used so far have come from games that were originally made for the Nintendo DS and GBA respectively. I just used screenshots from their Playstation versions because I like how their body language is animated in them.

(I also wasn't intending to make both examples about Riku, it just kind of happened)

But anyway, handheld games are also something that's generally considered to be "less legitimate" than their console counterparts. This isn't to say that handheld gaming isn't extremely popular in its own right, because it is! Series that stick to handhelds, like Pokemon, are loved for their portability.

But outside of some exceptions like Fire Emblem, if a series has games on both types of systems, the handheld ones will always be considered "less mainline" by default, regardless of what's actually in them. For an example of this, I would point to the Zelda series, and how little its handheld titles are talked about compared to its console releases. Furthermore, the Link's Awakening remake (while technically on a handheld-console hybrid) decided to ditch the pixel art in favor of going full 3D, which showcases a slightly different but related stigma.

So what happens when Kingdom Hearts, a game that debuted in 3D on a home console, starts putting the majority of its story onto handhelds?

Well, a massive chunk of the fanbase starts calling them "spinoffs," of course! Even though the ratio of console releases to handheld ones literally looks like this:

(That's a 6:8 ratio, for reference, counting KH4 and Missing Link which haven't been released yet. It's even more slanted in the handheld's favor when you consider the short length of 0.2 and especially Melody of Memory in terms of story content)

And now we still have people talking about how we waited 13+ years for KH3 after KH2, as if nothing really important happened in between those two games, or as if a game arbitrarily having a number 3 on it is going to make it more important than everything else. And this is said by people who DO CARE about the games that were released during that time! What is happening!!

People loooove to act like you can skip over games like Coded or Union Cross and they especially love to complain that a series like this would even consider putting story content on a phone. And in such a cute art style?? A cute 2D art style??? How in the wORLD am I supposed to take something sEriOUsLY when it's on... the most accessible gaming device out there??? For free?????

(I'm willing to bet that some people will be slightly more inclined to play Missing Link because it's in 3D, but most are definitely going to just be asking "why isn't this on consoles" as if the story isn't intertwined with the gameplay format they chose at all)

And so we run into the same problem as the people who haven't even played the games: dismissing something as not really worth investing their time into based on surface-level judgements. Because even if you're down with KH's brand of storytelling, there are other barriers you could have to the series that it will repeatedly ask you to lower, and you might not be willing to.

Kingdom Hearts is a series that demands you get over your biases about what counts as real art to be taken seriously, or it WILL leave you behind in the narrative. Don't want to play a phone game? Don't want to even look up the story on YouTube? Too bad, it's required reading for the next ~Numbered Title~ that you respect so much. Good luck being confused the whole time.

Don't want to play a DS game? And you won't even watch the condensed movie version that we put in our Respectable Console Collection? Okay, but don't come crying to us when its recurring narrative themes seem like they came out of nowhere later on.

This is a series that does not have spinoffs, and trying to explain that to someone who hasn't played it makes it sound absurd. "The mobile games are important?" a non-fan asks, laughing at the concept. "Yeah, it's pretty stupid," the fan responds with a laugh of their own, because even after everything, how can they really engage with this story on its own terms when it makes such silly decisions? When it has such cringey titles? When it's so embarrassing to like?

I think I might've strayed a bit from the initial thesis statement of this post, but my point is that Kingdom Hearts exposes a lot of elitism in people regarding games and art. It pushes the limits of what it can expect its audience to take seriously, delivering purposeful, engaging storytelling no matter if it's 2D or 3D, a Triple-A Video Game on your Playstation console or a free-to-play phone game. Which makes it pretty darn neat, I'd say.

And also sometimes I get thrown off by what becomes a meme, because I get so invested in the story that I forget things can be funny out of context

[pro-sipper]

Had such a fun conversation with my therapist today. Honestly I'd been wanting to bring up the whole pro/anti debacle with her just to see what she'd say and how it would stack up against what proshippers and antishippers have to say about therapy online. No points for correctly guessing which side she agreed with

I talked about my job for about 3/5ths of the time there, then segued into The Discourse by telling her about how I'd been writing daily during the first two weeks of my new job, but hadn't been as active lately

And I even asked her if she had any other chronically online clients she talked to and she reassured me that she had plenty, and even one who had kind of explained this whole debate to her before (from a proshipper stance, and how she lost a friend over it)

I explained my whole issue with her about how fandom is so deep into purity culture these days. And how reckless and raunchy it was in the 00s and how I don't want to go back to that, but there's got to be some middle ground somewhere.

I told her about some of the stuff I've written and all the weird or nasty comments I've gotten on it and how that can be discouraging. And I told her that most of my works are smut, and of those smut works, all of them have at least a little sprinkling of trauma in them. And she said that can be a good way to look at things. And used a real life example of how something could be awful but there could be good things about it too. Specifically saying that nothing is just black and white, everything has shades of grey. And that digging the little good out of the big bad is a positive thing, actually

And I told her about being a young teen and reading a fic with incest in it and having the sense not to immediately jump to "I want to recreate this in real life" and she was like "Yes, exactly. It's like this one book I read, umm..." and I was like "Flowers In The Attic?" just as a guess and she was like "Yes!" and said just because you read about something doesn't mean you want it to be your reality

And I did my best to explain the whole concept of how some people seem to think that everyone engages with fiction by putting themselves in the shoes of the main character, so if the main character is doing awful things then you must want to do awful things too. Which of course she said was in no way true

And she told me that she was such a big fan of horror movies and loved to watch those as a way to relax and unwind bc it gets her mind off her work, but that doesn't mean she wants to be a killer lol. And I had to be like "Oh no you don't understand. They think killing and torture and cannibalism is totally fine, it's just when you bring sex into the equation that people start freaking out" and she was confused at that lol

And of course she thought it was ridiculous that people can get called a pedo or a groomer or whatever other awful things over fictional stories.

So yeah it was a fun and reassuring conversation. I know I'm leaving some stuff out but I can't remember any more specifics of what was said. Plus I was talking a mile a minute bc I wanted to say everything on my mind before time was up asfdsfs it was a monumental task.

OH and I even brought up how people will literally say "well my therapist said..." just for some other people to accuse them of lying or saying their therapist is corrupt or some other bullshit which she was understandably aghast at. Because she is a licensed therapist who went to Therapy School and knows better, and is not a magical villain promoting propaganda fed to her by Big Proship to corrupt her clients. You know how it is <3

[thechekhov]

Hello! I'm a big fan of your work. I wanted to ask for advice / thoughts about an art problem I've been struggling with that you seem to have at least some sort of solution for?

So basically I'm an animator and digital artist (hobbyist), and I'm constantly coming up with new ideas for things to make. Only problem is that most of these ideas would take up to or longer than 2 months to make because, yknow, animation isn't quick, especially if you want to take your time to make it good. But with so many ideas that all take so long to complete, I often find myself tied and frozen as I can't decide what's most worthwhile to start first. I passionately want to complete all these projects, but my inspiration for each one waxes and wanes in a way I can't control, and I've just been stuck for several months. You juggle a lot of projects- not all of them art, but it still seems applicable here. This is excluding other life responsibilities like work and stuff, I don't have problems with getting that stuff done. This is purely within my creative hobby.

If u can't say anything thats fine I'm just curious- You have a massive output with great quality. Thank you!

This is a very kind message, and one that humbles me a lot, because although I'd love to bestow upon you some sort of advice that might help, or give words of wisdom..............I feel like that would be fake of me because

I also suffer from this very same thing

That is to say, this part of your message:

my inspiration for each one waxes and wanes in a way I can't control

It rings true for me too! I think it might ring true for many others as well.

There are stories in my head all the time. There are stories, and concepts, and IDEAS and they are all so shiny and new in the beginning, and then they slowly peter out and, since I frequently don't have time to do anything about them, they fade into the background.

I have enough trouble with this in terms of COMICS (also a lengthy medium, though less so than animation, which, OOF, you have my condolences, you are stronger than I) that I have started to just come to terms with the fact that some things are not meant to be.

Which is, I think, one of the small bits of advice I can give.

1. Some things may just be ideas, and that's okay.

I think one of the best ways that I've learned to deal with Idea-Death is making it count towards something in the future. That is to say, using them as compost.

In order for this to work, you have to actively put your ideas into the compost pin instead of the trash. That means maybe investing in either a notebook, or a sketchbook, OR just a discord server for yourself where you organize ideas and dump them all into a channel to scroll back through later.

It may seem useless at first, but honestly, it can be satisfying to PUT them somewhere instead of letting them fade away.

Plus, you may one day scroll through them and rediscover an idea at just the right time. OR you may be inspired to take parts of an old idea and repurpose it for a new idea that you DO have motivation for.

However, there's also this part, right?

I've just been stuck for several months

I.......feel this. Sometimes I, too, feel stuck for several months. There are times when even if I WANT to work on something, I just don't have the time. It takes too long to finish!

.........which is why I recommend the following:

2. Don't finish. Just start.

Now, this is the toughie. I can't exactly say that it would work for everyone. But I have learned that I am WAY more likely to return to a project and work on it again sometime in the future if I actually DO something for it the first time I get inspired.

I have SO MANY things that I have not published in my folders. I have sketches of gifs that are 10 frames long. I have concept art sketches boldly labeled with project names that will likely never get off the ground. I have Googledoc files with summary and plot outlines for stories I'll probably never write. I have discord channels with random ass concepts and a few sketches for characters.

And what I have found is that if I just WORK on these ideas when I feel like it, they are more likely to survive, even if they don't thrive right away.

I'm also a huge proponent of Procrastination Rotation.

That is to say, I have so many projects I COULD be working on, that if I ever feel frustrated or stuck on one thing, I just shift myself slightly to the left and do another thing instead. I almost never force myself to work through a block (save for a few money-motivated deadlines) just to complete a thing.

Stuck on a comic? I'll go write a few lines of fic. Unsatisfied with where the fic is going?

I'll go sketch out an illustration. Incapable of finishing an illustration?

I'll go google some references for another comic project and slap them all into an image file for later, so that I have SOMETHING in place for when I want to do studies.

And so on and so forth.

I have comic ideas, and comic sketches, and 30+ pages of original comics sketched. I don't know if they'll make it. It would take a lot of work.

But it also takes very little work - just a few extra pages sketched while I'm bored for an hour. Or a bit of lineart while I listen to a podcast. Or just a doodle somewhere which I snap a pic of and add to my discord channel for that project.

Will it work for everyone? Probably not. But I think that our creative culture is sometimes too attached to a linear production style. The truth is that art, or illustrations, or animation, or comics - none of it has to be on an assembly line. It can be tinkered with and put aside. And then, maybe, picked apart for scraps.........or maybe made into something new!

I don't know if that helps you at all, but I hope it at least helps someone.

And good luck with your animating!

[factcheckingmclennon]

cynthia's take on john & paul: fact or fiction?

"John never looked at anyone the way he looked at Paul."

-cynthia lennon

this quote gets passed around a lot. a Lot a lot. it's in compilations, it's on twitter, it's in youtube comments...

did cynthia really say john never looked at anyone like he looked at paul?

from everything i can find?

this one comes in from an anon! and a few people talking about this quote when i brought up the idea of making this blog/brought up the amount of unsourced things in this fandom

well, anon, i found the origin of the quote- at least this iteration of it. i came to a bit of a dead end that i'm not sure is a dead end, but i'll share what i found!

disclaimer: these all come from tumblr posts around 2014. this is old enough that i'm willing to link & name the users involved but if you know them or are them & would like any urls/names taken down, let me know! for now, it's staying up for the sake of answering the question "where it originated from"

so the original post that this all seems to circulate from comes from a tumblr post on january of 2014 (source)

the rest of the post is mostly speculation from the op about john being bisexual with some other quotes in there (some real, some i'm unsure on as i've never deep dived on them)

a few months later, they were asked about the source of the quote bc people were evidently already coming up blank

buffysommers-blog: That quote you site from Cynthia Lennon, "John never looked at anyone the way he looked at Paul." Where is that quote from? I've seen that quote repeated often but I've never once seen a source for the quote (was it from one of Cyn's books? an interview? with which publication) so I'm not yet convinced she actually said that. theforgottenmadcap: Hi, if I remember rightly I read it on here, I think it may be from an interview with her, as I've got both John and A Twist of Lennon and don't remember it from either of those.

(source)

however, this is where i ran into a road block. given that the op thinks it might be from an interview, i spent a good few hours listening to rare cynthia lennon interviews that haven't been transcribed on double speed. nothing there (although there were some pretty interesting quotes in them- including her calling them twins lol). and this exact wording isn't found in any of her interviews that Have been transcribed, as far as i can tell.

so there's a few options here. 1) this is completely made up & this answer was just a handwavey copout (not the answer i'd like to believe & not one i think is most likely honestly bc generally i don't think people have bad intentions) 2) they did indeed see it somewhere else on tumblr & that blog is the true origin of this quote for whatever reasons. i just can't find anything older or 3) it is in fact from a cynthia interview, just not worded exactly like this since it seems theforgottenmadcap wasn't directly copy-pasting and was just quoting a quote they saw around from memory.

if anyone winds up finding anything older or a cynthia interview with some similar statement, do let me know! or something older with similar wording.

but for now, putting this on the "fake" shelf

[loveinhawkins]

for the one word ficlet prompt thing!!

I'd love to see something steddie with the word "sun". not picky about how you use it and im good with whatever season you'd like! 💕🌻💘☀️

pre season 3 crossing paths in high school, my beloved ☀️💕 ao3

There’s a blind spot just on the outskirts of the school grounds, before you get to the woods: a little hill that if you sit at just the right angle, back pressed up against the grass, no-one can see you. Eddie goes there whenever he needs some peace—like now, reading alone during lunch. He can still hear the distant laughter of students floating along on the breeze, but it’s far enough away that it doesn’t intrude as he reads.

The air smells like summer’s approaching. His fingers skim through drying blades of grass; they feel almost as delicate as pressed flowers.

Despite the calm solitude, the words aren’t going in—and he knows that with the right teacher, he kinda gets Tennessee Williams, but Mr Hauser’s gone, and he was the only one who allowed Eddie free reign to go wild when reading aloud in class, every other sub since then would say he was being disruptive and… okay, that was true some of the time, but most of the time it was because it helped, damn it, gave him at least some hope of scraping a pass—

A shadow falls across Eddie’s page—it doesn’t loom in the way a teacher’s stance would, but he still jumps at the suddenness of it.

“Jesus!”

Eddie tips his head back against the hill, cranes his neck to look upside down. Squints against the sun.

It’s Steve Harrington, and he must have gym straight after lunch because he’s already changed into a T-shirt and shorts, which is an odd decision in Eddie’s opinion as a perpetual gym-ditcher, but whatever, it’s a free country… and it’s not exactly like the guy’s an eyesore.

”You trying to give me a heart attack, Harrington?”

“No,” Steve says shortly; he looks a mixture of embarrassed and… annoyed? Which would be a new personal best for Eddie, considering he’s done nothing to piss him off save for just sitting on the ground. “I didn’t know you were here, dude.”

“Yeah, that’s kinda the idea,” Eddie waves his hands in explanation, “welcome to my hiding spot.”

Steve scoffs. “Not much of a hiding spot if I found it.”

It comes out a little petty, sure, but nothing major, Eddie thinks; it’s not like Steve’s picking a fight.

“What’s up with you, man?” he asks lightly.

It’s something he’s pondered more than once over the last couple of years, in between the stress of failed tests and the same platitudes in school reports: Eddie must apply himself next year; Eddie must try harder; Eddie must…

In the background of it all was the enigma that was Steve Harrington. Eddie had found that you couldn’t not look at him, his eyes drawn to even the most fleeting impressions: walking past the lockers or driving in and out of the school parking lot. Seasons changed—whole damn years changed—and still the question remained: just what on earth is up with Steve Harrington these days?

At least now, asking the question is profoundly less upsetting than it had been last fall, when Eddie silently tracked the progression of bruises healing across Steve’s face—along with Billy Hargrove’s intimidating stare.

“Nothing, I’m just…” Steve sighs. “Didn’t wanna spend forever in the cafeteria when it’s so nice out, but… Honestly?”

“Nah, I’d prefer you lie to me,” Eddie says deadpan, and Steve snorts before sighing again; Eddie almost asks him to read some Tennessee Williams out loud, ‘cause he’s surprisingly got the dramatics for it.

Steve flops down onto the grass, lies right on his back with no concern for his precious hair. “I’m so damn bored, Munson.”

“Gosh, my heart bleeds,” Eddie says. “Puh-lease tell me how hard it is to have passed everything and literally not have a care in the world?”

Steve blinks up at him, frowning. “Shit, are you repeating again?”

He sounds earnest, and there’s something in his phrasing that means Eddie isn’t nearly as defensive as normal—maybe because it’s about repeating again rather than failing.

Eddie lifts up the script in demonstration. “Not exactly reading this for fun, dude.”

“God, I’d take that over gym right now.”

“Okay, you’re bullshitting me. You love gym, Harrington. You, like,” Eddie gestures at Steve’s get-up, “actually make an effort and everything.”

“Not when the semester’s almost over, man. We don’t even have a cover right now, so we’re just left to, like, do whatever, who gives a shit. I’m bored outta my mind.”

“Tragic,” Eddie says—gym without a teacher sounds like a dream; he’d literally just leave. “I’m weeping for you.”

Steve rolls his eyes. But it doesn’t feel like a dismissal, even when he doesn’t reply and just lies back in the grass with another sigh.

So… Eddie mulls it over. What the hell, Steve’s graduating; it’s not like they’ll cross paths after that.

“Bet you can’t run to the woods and back before the bell rings.”

Steve sits up, a gleam of interest in his eyes. He checks his watch. “The bell’s gonna ring in, like, two minutes, Munson.”

“Oh, sorry, I thought you were so bored. Well, if you’re not up to the challenge—”

“No, no,” Steve says, standing up. “I didn’t say that.” He actually gets into position like he’s on the running track, looks at Eddie expectantly.

Eddie covers his bemusement with theatrics; he mimes firing a starting pistol.

And… shit, Steve Harrington can run.

Objectively, it’s not like it’s a surprise; he wasn’t exactly bringing up the rear in the swim and basketball teams. Still, it’s one thing knowing it, another to see it up close like this.

Eddie puts his book back in his bag, watching as Steve disappears from view. Reluctantly, he edges away from the hill—if he doesn’t, he’ll risk being late for class again by the time he walks over, and… He thinks of ‘86, what has to be his third time lucky. Start as you mean to go on, and all that.

Eddie turns back to look. Sure enough, Steve comes sprinting out of the woods, racing up to the hill right as the bell rings.

“Still counts, Munson!” he calls, a little breathless.

And Eddie knows that he’s not really solved the mystery of what’s going on with Steve Harrington.

What he does know is that Steve is smiling as he raises a fist in victory, the sun turning his hair golden for just a moment; he looks utterly free—as he should be, graduation’s right around the corner.

And Eddie can’t begrudge him that.

”Inspirational,” he shouts, cupping a hand around his mouth as he walks backwards. “I’ll get John Hughes on the phone, stat.”

The bell stops. Eddie turns around before he can trip on his own feet.

He’s getting closer to the school building now, can feel the change in the air, cliques unwillingly disbanding as teachers move them on.

But as he heads to class, Eddie faintly hears evidence that the moment hasn’t been broken entirely: Steve Harrington’s laughter, drifting across on the wind.

[dead-boys-club]

†  type : katsuki.

❥ scenario: kat's type. + interactions, him as a partner, etc. ❥ no triggers; not rated. ❥ no beta readers; if you see mistakes, well- ❥ requested ♡ this is going to read like it has 20435078 contradictions, but stick with me, guys. this has a word count of 2,851. enjoy.

well, we've all seen izuku and eijiro--- i'm sorry

katsuki has, unsurprisingly, a very complex personality and if i'm honest, his ideal type could be split between two people, no in between. someone that matched his personality, which would lead to a very intense, somewhat tiring relationship or someone opposite of him.

now, let's keep in mind that his gruff, angry personality stems from a complex used to keep everyone unaware of his self doubt and extreme fear of failure or being left behind. i mean, he's kind of shit at hiding those things if no one's noticed but, it's still true.

due to these things, regardless of personality, he would want to date someone who is going to challenge and push him but who's also willing to see things no one else sees ---- and keeps their mouth shut about it. he's very strict on personal and impersonal. if it's said in private, keep it in private. he needs someone who is willing to understand on a level that the word doesn't even fully cover.

he is.. most likely going to lean towards someone a little softer than himself. i'd be willing to bet he realized this preference because the first option, someone who matched him, would end up volatile. his first experience of a toxic relationship would be with someone like this. not because they hurt each other on purpose - but because two people with fear, insecurities, rough personalities and a lot of need don't exactly do well together. ( koko knows from experience. )

✧*̥˚ specifics *̥˚✧

kat would easily be attracted to a girl who was independent and more or less strong willed. someone that doesn't let herself get walked on but also isn't going to hesitate to give the shirt off her back to someone in need. it's possible he would witness her getting taken advantage of at least once, simply because she wanted to help someone and genuinely didn't realize what the situation actually was. part of his complex would struggle with wanting someone who could depend on him but isn't completely unable to take care of or look after themselves - it would have to come down to a compromise. when she's with him, she doesn't have to worry about anything but when she's alone, he needs to know she can handle her own and not end up in a shitty situation. he would actually beam at seeing her take someone down, i kid you not. he wants to see her chasing her own goals and not letting anyone get in her way.. even when it comes to him.

she's going to have to be able to speak her mind and not hide anything from him. she's upset? she needs to say that. if she's pissed at him? she's going to have to say that. even if it's something that'll take time and he needs to help her grow in that area - he's going to respect the ability to speak up and be honest. why is this important? katsuki has a hard to handle personality that could easily hurt someone's feelings. she's going to need to be able to stand up to him, hold her own, not be intimated and quite honestly? have the ability to tell him to shut the hell up and sit down. not to be cruel but considering how he is, it'll need to be done once or twice. his communication skills kind of suck, so.. he'll actually be learning from her at that point. he needs someone who is going to push and challenge him to be better - in every aspect. hero and partner wise.

as stated above, kat is complex. without allowing it to become abusive, which i will be entirely honest and say is possible, he needs someone who is patient with his growth. depending on your view of him, his character growth is immense and honestly, depending on where you caught him.. it could easily turn toxic and hurtful. someone who is able to see through his exterior and recognize when it comes from vulnerability and insecurity but also someone who expects the same treatment in return. he knows he can be rough but he also knows he isn't entitled to someone who has to deal with that. it's not a one sided job and he doesn't expect it to be that way. there would be days he'd walk away for the simple fact he doesn't want her dealing with his feelings.

kat lives an up and down lifestyle, one that his partner would need to understand, otherwise it simply wouldn't work out. being a pro hero, he may not admit it, but she would have to understand the stress of his potential to not come home at the end of the day. he would prefer someone who did not have the same life style - not because of a complex or anything of the sort, but because he could become distracted if something really bad was going down. not that he'd blatantly turn someone down if they did, it's just low on the list. he'd assume it would be hard enough dealing with the stress and dangers of dating a pro - he couldn't imagine also being one.

bakugo katsuki does not fuck around when it comes to trust and loyalty. if you lose his trust, you're basically nonexistent to him. he values trust almost above anything else and needs someone with unwavering loyalty to him and it would be mutual. when kat puts his full trust in someone, he has no plans of leaving and he wants it to be mutual. he wants someone to have his back as much as he has hers. and it's not something that can be played with or compromised on.

at the end of the day - kat needs someone who's passionate and understanding. someone trusting. loving. someone who can tell him to fuck off or hold him on a rough day. someone who is wholly his that he trusts to become wholly hers. someone who is confident and strong. she needs to be able to navigate his personality while he learns to navigate hers - the entire relationship would need to be built on mutual respect and desire to be good to each other. she needs to challenge and support him, to stand by him, able to learn and build to have a strong dynamic for their partnership. she would need to be able to grow with him and help him grow as a hero and lover. every effort she put in would be returned.

✧*̥˚ affection from kat *̥˚✧

it would be very, very rare for kat to do any grand public displays. not that he would hide the relationship or give her no attention in public, he's just a lot more private. he is, by no means, ashamed. every person who was aware of his existence would one hundred percent, be aware of hers. in public, he would mostly just have a hand on her - holding her own, settled on her lower back. the most he would do would do is if he's tired, he'd be behind her with his forehead on her shoulder. he wouldn't kiss her in public, not on the lips. being a pro, there's at least one or two pictures of him kissing her temple or forehead. ( which, he's pretty pissed about, because people really can't respect shit. ) he is, surprisingly, attached and affectionate at home. most likely sleeps with his face buried against her neck.

despite his need for a partner who can take care of herself, he'd be quick to step between her and whatever could cause danger. not to mention, other people. he would, in his own playful manner, mutter about her being careless. he would worry a lot more than he gave off. i feel like it's not far fetched to say kat could be over protective, possibly to the point of getting into an argument or two. he does, however, like the idea of someone just as protective. he'd complain, of course he would, but the idea of his girlfriend standing up for him? god, he'd melt - in private.

kat loves to do things for her, his way of showing how he feels when he can't exactly get the words out. it's how he shows affection. one thing he picked up when moving in together, was making making meals for her - especially, breakfast. neither of them are allowed to leave the house in the morning unless they've eaten breakfast. this new habit came with an annoyed speech about taking care of herself, not wanting her to end up passed out somewhere, etc. he's also pretty great with words of encouragement and comfort when needed. he's gotten better over the span of the relationship, taking little notes and figuring out what makes her feel the best. he would take it pretty seriously, to be honest.

one of his most favorite things in the world is holding his lover, letting her tuck against him and hiding her away from the world. nothing at all would matter the moment they're curled up somewhere, only caring about themselves for even the shortest of minutes. kat does his best to leave his hero related things at the door when he comes home but he can't always promise that, so when it comes to sitting and just enjoying each others presence, he makes sure not a single thing can get in the way. he enjoys playing with her hands, fingers pressed against each other to compare them, smiling and nosing at her cheek and jaw. it's almost like the session is to make up for every moment he can't do something in public.

✧*̥˚ dates *̥˚✧

[ we're just gonna play off the 'no pro hero partner' ]

❥ training grounds: it could be his own ego but he would love inviting her to watch him train. if he was alone, he'd tug her out to train with him, most likely testing her self defense and hand to hand combat. he just wants to make sure she can always do her best to stay safe when he's not around - he would be surprised to end up on his ass at least once in combat not involving quirks. he would be beyond proud. it would almost always end with laying on the ground or a roof, staring up at the sky. which, would easily just end up as a second part of the date: stargazing or cloud watching.

❥ cooking together. oh boy. kat doesn't exactly like having others in the kitchen with him but when it comes to his lover, he can make an exception. well, sometimes. there would definitely be nights where he would sit her on the counter and just talk while he did the cooking. it wouldn't be every time but he likes nights where he can do things to just take care of them. it may not be the ideal type of date night for some but he would highly enjoy it. and, judging by the smiles and giggles he got; he would assume she did, too.

❥ late night walks and convenience store foods. it's rare that kat is up and moving too late into the night but on the occasion, he likes to take her out when not many people are going to be around to be bothersome. walking around at night is generally accompanied by hand holding, talking about things that he doesn't want the house's atmosphere to be ruined by. not exactly overly serious but things that just need to be aired out. plus, he gets to watch her light up over her favorite snacks and that's always a plus.

✧*̥˚ kat as a partner *̥˚✧

❥ we've already gone over loyalty but i cannot stress enough how committed to his partner he would be. there's next to nothing that can shake him - well, outside of the general things a shit partner can do. he's willing to sit and.. talk, argue.. about anything. as long as his partner doesn't do something to break his trust, hurt anyone around him, etc. he isn't going to step down very easily unless he's told to and then, he would still try to fight for the relationship, if it was called for. despite his loyalty, he would respect if his partner wanted to leave.

❥ he's not going to sugarcoat anything, so.. she'll need to be prepared for tough love. though, i feel as though kat has a weak spot for seeing his s/o cry so, there's that. depending on the situation, pulling out some puppy eyes and tears might just do the trick. the good part is that he's never going to lie or hide anything, regardless of how hard it may be to share something.

❥ he is the biggest support system that his s/o could possibly have. no one will ever be a bigger fan of her than him. doesn't matter what goals or dreams they have, he is going to be cheering them on.

❥ kat is a surprisingly loving partner, always having his partner's best interest in mind. he takes care of them; cooking, making sure they take meds, get rest, etc. outside of the misconception his exterior gives, he is a good partner to have. there may be off days, some arguments, but at the end of the day, no one is going to bed angry and things will be worked out.

✧*̥˚ tiny random scenario *̥˚✧

katsuki stood panting, sweat dripping down his face, near exhausted and aching from the last few hours of sparring with you. you stood only a few feet away, almost out of breath with a determined grin on your face.

'you good?' you called, wiping away the sweat at your collar. 'ready for another round? or are you finally going to forfeit?'

'oh, you wish,' he laughed, stretching his arms up above his head with a deep groan, 'come on, dumbass. don't think you can beat me just because you keep getting up. you haven't even won yet!'

you laughed in return, the sound light in the evening air as you stretched, preparing for another round against the blonde. while you were making sure you weren't going to lock up, you were distracted over how katsuki spaced out. something was clicking for him, watching how you stood there so confidently, preparing to attempt landing a hit on him and he was kind of lost. the way you brightened, the way you challenged him and didn't have a single thought of backing down. it all clicked out of nowhere, an undeniable realization.

you were definitely the one.

the way his heart skipped a bit and an unfamiliar warmth spread through his frame, he didn't even know what to do with himself. looking at you, he no longer saw his partner or his girlfriend, he saw someone who was entirely his equal. his support system. his everything. it wasn't that he didn't see you that way to begin with but it felt so much more intense and he wasn't sure where to go with it. he never expected to find someone so.. perfect for him when he'd gone out previously but you proved yourself more and more everyday as someone he knew he'd never be able to let go of.

'what?' you asked, head tilting as an eyebrow raised, 'looking a little lost over there, kat. i know you aren't already planning some stupid victory speech.' you tended to tease a lot more when training came around, just to push his buttons.

it took him a second to answer and he showed a smile, something genuine and rare. 'nah, just thinking about how lucky i am,' he answered, tone a little quieter than usual, 'to have you around, i mean.'

you blinked a few times, somewhat dumbfounded as a faint blush dusted over your cheeks. 'huh? wait- bakugo katsuki.. admitting that he's lucky?' you spoke slowly, obviously joking but only to hide the way the words made your heart flutter. it felt like it was going to jump out of your chest.

with a grunt, he rolled his eyes but the smile never faded. 'shut up, i was just - forget it.' shaking his head, he moved across the field to pull you into his arms, ignoring the way both of you were pouring sweat. 'just don't go changing or anything, got it? you're.. perfect, just like this.'

you weren't exactly sure how to react, not having expected such a conversation to be happening, not when you'd only come out to spar. instead of letting yourself overthink it, you just hugged back, squeezing him as tight as you could. 'of course not, kat,' you answered, 'always going to be here, just as i am.'

katsuki fell quiet, just hugging you tightly as the sun set, bathing you both in a golden glow. in that moment, he knew nothing could ever change what he'd found. he knew you weren't going anywhere, no matter what challenges came your way.

[got-into-worm-by-mistake]

Okay, I've Read Worm: A Retrospective Part 1: How The Fuck Did I Get Here?

I don't know exactly what I'm going to be doing with all these posts, but at a minimum, we will be having the following, not necessarily in this order:

A discussion of some of the parts of Worm I liked most. Some genuine and well-earned praise for Wildbow.

An analysis of Amy Dallon as she exists in Worm, though more for unpacking my own thoughts in one place rather than some deep literary stuff.

A discussion of things I was genuinely surprised by in the Text itself versus the stuff I picked up via fandom osmosis and fanfic. Expectation vs reality and stuff.

A discussion of just who the fuck the target audience of Worm actually probably maybe was, and what the fuck I just read.

And a detailed (for my own unpacking of thoughts than to convince anyone of anything) discussion of why I'm not going to read Ward. Nothing new there, but still, it'll be nice to put it all one one place.

But first, let's take a step back and answer one very important question: How in the bloody fuck did I end up here? How the fuck did reading Worm even happen? Because as I've said before, superhero media isn't my thing, I'm definitely not the target audience for Worm, and while I enjoyed it, only liking it 60% is a barely passing grade, as it were.

So how the blue hell did I end up here?

I don't know exactly when I first became aware of Worm. What I do know is that I was loosely aware of it by 2019, because I was active on SpaceBattles, and of course, Worm is all over there. I'd see the name, and I knew it referred to a work of fiction, but that's about all I knew. It might have been before 2019 that I first heard the name, it might not have. I say by 2019, because I know that sometime in 2019, I was in a discord server associated with one of the many spinoff sites to Spacebattles (I believe it was Frozen in Carbonite, which was honestly a pretty noxious website but I didn't know that going in) and I made a post using this meme:

And I got an answer that was something to the effect of 'It's an edgy villain protagonist superhero story'. And so I shrugged, and I moved on. Not my speed. Superheroes aren't my thing, not really, not in of themselves. I first got into AoS watching it with my then GF back in... 2015? And then I got into shipping Skyeward in it. Then I watched Arrow because some of the people I followed from Skyeward were into it and again, pretty much stayed for the shipping and certain characters. Flash and Legends of Tomorrow and Supergirl were entered into as branching off from Arrow.

And yes I've watched a good chunk of the MCU, but mostly because why not watch a movie and there's a handful of characters I liked. But I've never read a single superhero comic book, as far as I can recall, and I've never really been super into any superhero cartoons, just watched them if they happened to be on Cartoon Network when I was a kid.

At some point between then and this year, I found a Worm CYOA on r/nsfwcyoa, and despite never having read it, gave it a look, played around with it, and picked up random errant facts about the story and characters therein. I would revisit this CYOA and similar ones as they got updates, and along the way got my first exposure to the whole 'fanon' problem of the Worm fandom, when one of the options in one of the CYOAs was to make certain popular fanon true for the version of Earth-Bet 'your character' appeared in for the CYOA. Things like making Woobie Amy true, or turning Vicky into the Collateral Damage Barbie she's cast as by some people, et cetera.

And then, at some point probably late last year or early this year, I think, I was on Questionable Questing (the pervert uncle of Spacebattles, as it were) and I saw a fic get posted that was Worm - so, prepared to ignore it - and then I saw it was also tagged with several of my kinks. And I've read smutfics that aren't for one of my fandoms if I really like the kinks and it's just a smutfic, so I gave it a show. How much do you need to know about the source canon for a smutfic, eh?

I don't remember much about that fic, or even which of my kinks in particular it had, but I would read a few other such stories here and there until sometime in... probably May or so, maybe late April, when I made an errant post on QQ in a thread discussing stories you considered but never actually read, that I had considered Worm (because by then I had, ish, after some of the various go-arounds with the CYOA and picking up bits of osmosis here and there) but that the whole thing sounded too bleak and grimdark and depressing.

This spawned a conversation about Worm, and if it was really grimdark (one person I think went so far as to say it wasn't even depressing or bleak, and oh to live in that person's world) and if it was really a deconstruction or a love letter to superhero media or a takedown of superhero media or w/e. And at some point, someone made a comment about Wildbow having disdain for his fans, or something like that.

And I was like 'I feel like there's a story there'. And yes there was. One of the things that came up were the so-called 'retcons' of Ward re: Amy (whether or not they are actually retcons is beyond the point of this post, please don't discuss it here). And here's the thing, my thought then was: I've been there.

I've been there when characters have been set on, or are seemingly being set up for, some kind of redemption arc, and then some new installment pulls the rug out from under the character in a way that feels very, very deliberately aimed at fans of the character. Grant Ward is the most notable case of this for me. 2015 and 2016 me had quite a few things to say about that. 2024 me lacks the energy or desire to go into detail.

It's not fun, either way. So I sympathized. And I figured that probably meant Amy Dallon would be my sort of character. But I didn't want to read Worm - it sounded depressing, it was 1.6 million words, Taylor didn't sound super appealing and I knew she was the main POV, and superheroes aren't my thing.

But it wouldn't leave my head. So I started poking around on places like r/parahumans (a den of bad takes and noxious fans if there ever was one) and r/WormFanfic and the Parahumans wiki and looked through a few threads on SB and started trawling the Amy Dallon tag here on Tumblr and developed some thoughts.

Amy Dallon, and the injustice of what happened to her in Ward had crawled inside my head and it wasn't going anywhere. I ranted to my friends about all the shit I'd learned and was like 'I HAVEN'T EVEN READ THIS WORK AND I DON'T EVEN KNOW IF I WANT TO AND IT JUST WON'T LEAVE MY BRAIN!'. I remember seeing a post saying something about how someone who had read worm couldn't relate to people who hadn't and weren't constantly thinking about Amy and I reblogged it saying 'I haven't even read Worm and I'm constantly thinking about Amy' and I think the OP of the post reblogged my reblog and called me a whole new kind of person or something. I don't remember and don't care to go digging.

The things that held me back the most continued to be the sheer length of Worm, a fear that Taylor would be insufferable and the fact that it still sounded godforsakenly depressing. (2 out of 3 ain't bad, as Meatloaf Says). So eventually I decided to go poking around and read some fic to get the idea if I'd actually read it. I don't remember all the ones I read in this period, but they included: I, Panacea, Desperate Times Call For Desperate Pleasures, Queen of Blood and More Than Meets The Eye. It was around this time I also started getting multiple Worm Fic Ideas, which was... fun. Because you know, it's one thing to read fanfic without knowing the source canon, but I've always loathed in previous fandoms when people say they're writing a fic for a canon they've only read fic from (and was always an immediate X-out for me) and I have too much dignity self-respect as a writer to do that myself.

Now, fic ideas don't mean I have to write them. I have ASOIAF and TVD fic Ideas I'm never going to write, and my notebooks across the ages are littered with fic Ideas I had and then put aside and never wrote. Some still haunt my dreams like Edgar Allen Poe's Telltale Heart. But still.

Eventually, after someone made a comment to me to the effect of 'with all due respect, if you haven't read Worm, shut up about it' I decided to at least make an effort to read it. Spite was my original intent - I wanted to see if my opinion about Amy's storyline in Worm specifically would remain the same (and it broadly has) and if so, I would feel satisfied I'd been right.

(For the record, It did remain the same (pretty much, more on this in a future post) and I do feel satisfied that I was right.)

And so, on June 16th, half on a whim and half because I knew I'd have things to say and I wanted to section them off my main blog, I made this blog and began reading Gestation 1.1. I gave it even odds in my head I'd give up before I was more than a few arcs in.

Wasn't even tempted until Arcs 12 and 13. Then was tempted again in the absolute nadir of the work, 17-19. And then again during the Behemoth fight. Once I got past that, I was never temped.

So that's I got here. Existing adjacent to Worm for years, some osmosis, an ill-timed comment, some snarky responses and a character that burrows into my brain by hitting all of my buttons.

[emberwritesinsight]

(Ramble below, not very structured)

I'm watching episode 9 again and losing my mind over the scene where Saionji fucking kidnaps Anthy because. I forgot how actually upset Anthy is?

Like. The way Anthy is fucking shouting as Saionji drags her up to the arena. The way she tries to physically stop him from getting in! What the fuck!

The way he just bats her out of the way and we get a shot of her from behind, kneeling on the ground with a hand to her face, but we don't see her face. That's... not normal! Most of the time when Anthy gets slapped in the early series, we get a shot of her afterwards with a bruise.

Here, we don't see her face. But we can see that she's shaking, and the first-watch assumption would be that she's crying, but... I'm not inclined to view it that way given everything that happens after.

The way I read it, Anthy is pissed.

The next time we see Saionji, he's face down in the water. How did he get there? We don't see. On a first viewing, one might just assume that's a negative reaction the arena has to being opened at an inappropriate time- along with all the crazy shit going on inside the arena once Utena gets there. But given Anthy is later shown to have more control over what the arena does than she lets on, and noticeably does her flashiest magic (the sword pull, the transformations) in or on her way to the arena, I think Anthy is behind almost all of that. And I'd say she's also behind the Saionji-almost-drowning bit. You guys might remember the half-joking drawing I made of Anthy, uh, dragging Saionji into the water by his hair, and while she might not have gotten as hands-on about it as that drawing suggests, I still think she's responsible.

So, like... why?

Why does this piss her off so much? I mean, sure, Saionji absolutely has it coming, but Anthy's been through worse. She clearly doesn't like Saionji and messes with him whenever possible, but to attempt murder and then set up an elaborate illusion designed to upset him as much as possible is... a little extreme. I don't think she even goes that far with Nanami, unless you consider the elephants to be legit murder attempts (which I do not- I think that was Anthy scaring Nanami, not trying to kill her, because I can't believe Nanami would survive that many encounters with elephants that actually wanted her dead).

I think the answer is that, for all the shit she takes from the duelists, Saionji is one of the only ones who breaks this many rules. Not only does he mistreat her when they're engaged- something she's used to, but that seems to be at least frowned upon, if not outlawed (given Touga felt the need to call a "stop hitting your girlfriend" meeting in episode 1)- he mistreats her afterwards. He refuses to let her go, he acts as if she still owes him something. And then he goes and pulls this. He kidnaps her, takes her to the arena without a duel scheduled, and tries to enter the arena- all things that are against the rules of this stupid game that Anthy, however much she knows it is a stupid game, lives her whole life around. And he tells her End of the World is responsible, which Anthy knows isn't true, because if Akio were planning something this batshit, she'd know about it! Of course she's angry, this goes well beyond the threshold of nonsense her job usually entails!

I don't know if she was aware of Touga's plan to play the hero for Utena and get Saionji expelled- if so, she obviously wasn't aware of all of it. The freakout on the way up to the arena is too intense for me to read it as anything but genuine. She's shaking with effort trying to stop Saionji from opening the gate. Things do fall perfectly into place for Touga to get between Saionji's sword and a defenseless Utena, but I honestly think Touga's plan may have been to just...

1) Impersonate End of the World and tell Saionji the castle is coming down, this will incentivize him to go up there and break the rules.

2) Tip Utena off that Saionji has kidnapped Anthy.

3) The castle doesn't come down, upsetting Saionji and heating up his inevitable confrontation with Utena enough that he tries to kill her and Touga can step in at the perfect moment.

4) Profit.

I don't think he knew Anthy was going to Do That. For one, the plan was to get Saionji expelled, not kill him- Anthy's stunt there could have ruined the entire plan if Utena hadn't dragged Saionji out of the water. And Touga is drinking the "Rose Bride doesn't have feelings" juice. Evidently, he doesn't put two and two together after this, because he's still beating that drum in episode eleven!

I don't think Akio knew much about this either. Touga is telling him about it over the phone, so Touga didn't tell him, and Anthy didn't know, so she couldn't have either. I think he probably got woken up in the middle of the night by all the chaos and had to dial Touga up after the fact to ask him what the fuck was going on.

[accirax]

Project: Eden's Garden Chapter 1 Trailer Analysis

Oh my god it's actually time.

As I'm sure you've heard by now, Team Eden's Garden has finally announced the release date for the fangan's true first chapter: December 20th. And, they did so in a flashy new trailer, which is nearly three minutes long! Naturally, there's a lot of content baked in to those three minutes, so I'm here to take a look at what was flashing by in those rapid-fire montages, as well as make predictions regarding what will happen at the first Class Trial. This will be fun!

And here's hoping I don't run out of images 🤞

The trailer begins with the "mascot" (in this case, Tozu) saying that it's been far too long since we last conversed. Classic.

Next, we see a preview of some locations, both new and old. CAM04: Dorm Hallway and CAM24: Tree of Ignorance were already explorable areas within the Prologue, and CAM08: Damon's Dorm was visible in the Ch1 demo released last year(?). The new locations include CAM32: Hallway A1, CAM35: Pharmacy A1, and CAM39: Pharmacy A5.

(By the way, I'm going to assume that both the numbering of the cameras and the time displayed in the lower right have no particular meaning, because I can't find any connections between them. At first I thought it was weird that Damon's dorm was Camera #8 despite him being 9th in alphabetical last name order, but given that the hallway is Camera #4, I don't think there's a correlation).

While all of the images are intentionally blurry, I'll do the best I can to describe what we can see. The most obvious point of interest is the door at the back of the hallway, under which "CAUTION" is written in big red letters. It also seems that there might be blood dripping down the door, which, if true, would match with the other blood splatter on the floor near the bottom right of the screen. It definitely gives the impression that something happened here before, and that that something was bad. There's also a grate on the wall that's splattered with red, but given that blood is pink in the DR universe, I'm assuming that's rust.

The pharmacies are very interesting to me. First of all, there are two of them. What kind of establishment needs two separate pharmacies? I guess you might if the pharmacies are as different as the two pictured. One looks more like an old-fashioned office or science classroom (it kind of reminds me of v3's Ultimate Detective Lab, honestly), and the other like a scientific research facility. A pharmacy is defined as "a store where medicinal drugs are dispensed and sold," so perhaps Pharmacy A1 is for selling and Pharmacy A5 is for creating?

The "A" in these tags could stand for "area," but they more likely stand for "alpha." At the end of the Chapter 1 demo (watch Weeby Newz's video on it if you want the same level of info I have), the students are about to go through the lowercase "alpha" door in the Tree Room to explore a new area. These three areas are almost certainly behind that door-- perhaps with the checkered pharmacy being room #1, and the blue pharmacy being room #5?

It's also possible that the entire area is considered "the pharmacy," and is dedicated to the production of medicine. But, whether that's the case or not, I have to ask, "why?" Out of all the things they could have put into this falsified Eden's Garden Academy, why make two rooms dedicated to creating drugs? Why potentially make up to five rooms dedicated to creating drugs? With very little information regarding the overarching plot of Eden's Garden, it's hard to determine why. The only connection I can make offhand is that this may have been the origin site of the drugs used to knock everyone out on the train.

I do find it very interesting, though, that this is not just a location in the school, but the very first one we're discovering. Normally, I'd think that places like these, which aren't that conducive to students hanging out (like a pool or recreation center) would be reserved for future chapters. It may imply that drugs and/or poisons are a necessary component of the Chapter 1 murder. We'll see!

Our first of the rapid-fire CGs! This one shows Kai pointing at something within a fancy pink room. There's a canopy bed dressed with pink cloth, some floral-looking wallpaper, and two small paintings of what also appear to be plants on the wall.

Given the appearance of Damon's room earlier in the trailer, I find it likely that this is not a new location in the alpha corridor, but instead, someone's room. There are many pink colored characters in P:EG-- Diana, Toshiko, and Kai himself-- as well as Cassidy, whose character color is close to pink, and Ingrid, who has pinkish hair. Of the main three options, I'm guessing that this is probably Kai's room.

People have been quick to diagnose this as a potential BDA image. If that's true, I acknowledge that this being Kai's room would be a wild choice, because it would mean that someone other than Kai was found dead in Kai's room. It would be a THH parallel, though! I just think that it's likely to be his because, well, he's in there, and all of the references to flowers seems fitting for his butterfly motif. However, Toshiko's kimono does have flower patterns on it, and flowers also match up with the ~romance~ of the Ultimate Matchmaker. If this is Kai providing a BDA in Toshiko's room, though... maybe Toshiko isn't dodging those first victim allegations.

If it's not a BDA, though, what is Kai pointing at? Imagine if it's just a spider or something, lol. He does look pretty worried, so perhaps this could be the arrival of something like DRDT's custom weapons? If a weapon suddenly appeared in my room a the killing game, I'd be kind of worried. It could also be a mysterious note, as (spoilers) we're about to see a few of in this trailer.

One cute(?) thing to mention is that, if this is Kai's room, it likely means that Kai was willing to invite Damon into his room to check whatever this is out. That could mean that they're friends! It's not cute if this is actually a BDA. It's also not cute if Kai is becoming Damon's friend just so that it hurts more when he dies in Chapter 1 :(

Woah, it's a note! (/j)

This and the image directly before it in the trailer seem to be of the same thing: a piece of paper that says "to Damon Maitsu" on it. Or, it's possible that the first one just says "Damon Maitsu" and this one says "to Mr. Maitsu"-- they look a little different, although the handwriting seems identical. I don't think there's any paper conspiracy for me to crack here.

To my memory, the prologue included some flashback CGs, so I would imagine that's what's happening here, unless Damon actually kept his Eden's Garden acceptance letter on his person (possible). It could also be a new letter that Damon receives during the course of the killing game if, as I posited, Kai was pointing out a letter he received in his room.

And furthermore, more note content? Why is this hypothetical piece of paper more visible in the trailer than Toshiko?! (/j)

Or, maybe it isn't. This note seems to read, "Meet in [???] at 8:10 p.m. tonight [???] Damon Maitsu." Due to the spacing of the words-- namely, that it doesn't seem like there's much more to this message beyond what we can see-- this paper appears to be pretty small. Combined with the color, I predict that this note is, in fact, sticky. And therefore, not the same as the piece of paper (which also has a different ink color) as the other note.

Further extrapolating from the spacing, the note looks like it's signed "-- Damon Maitsu". Otherwise, there would need to be a word before Damon, the end of which has no letters tall enough to appear next to the D. (It's LGI's "Ms. Naegi" crisis all over again... /ref) If so, that means that we might have an example of Damon's handwriting on our hands! Or the handwriting of someone who was trying to impersonate Damon :/

I wish we had a better lead on where this note was telling folks to meet up, but it's way too vague.

Then, yet another piece of paper! It's definitely different than the yellow one, and probably different from the signed one as well, due to being typed and not handwritten. Then again, sometimes typed letters have a handwritten signature at the bottom, so it's not impossible.

This text's formatting reminds me of how scripts are normally written: both the font and the center alignment are used in standard scriptwriting formats. I actually at first thought that everything after "beneath a" might have been spoken by a character whose name starts with L, but that would mean that their dialogue starts with a lowercase letter. Plus, names on scripts are usually written more like this (imagine it's centered):

LINDSAY beneath a [shoulder] If only [head]

in the sense that the character speaking's name is in all caps. There appears to be a lowercase i after the capital L, so it's probably not a name.

Still, that begs the question of why the top line is so much shorter than the one beneath it. In a normal passage, all of the lines would have relatively even margins other than possibly the last one. Could the wonky spacing be indicative of a poem, or something else written in verse? Due to the script/poem idea, I'm inclined to believe this belongs to the ever-dramatic Tozu, but I could be wrong.

Next is another CG, depicting Damon, Cassidy, and a sneaky Jean in the background. Based on the shape of Damon's ahoge, we can tell he's a little annoyed or flustered by whatever Cassidy is pointing at.

The wallpaper pattern we see in the background is that of the Dining Hall. Do NOT ask me how I remembered this offhand, because I don't know.

Furthermore, based on the wall being to the characters' left, it's likely that they're standing on the left side of the room. (It's possible in reality that it could be anywhere else in the room in front of the wallpaper only, but based on cinematography rules I won't bother explaining this is probably the case.) So, what is Cassidy pointing at? It could be the fireplace, the painting of the jackal, or the vent. Or, obviously, something new that appears in the Dining Hall in Chapter 1.

Based on my theories that the vent will be involved in the Chapter 1 murder, I'm inclined to believe that it might be what Cassidy's pointing out. If that's true, it means that she (and Jean) (and Damon) is dodging the Chapter 1 victim allegations! However, given that the characters are looking upwards, unless they're on the floor, it's probably not actually the vent. Maybe it's something on the fireplace mantle?

Also, based on straight vibes and nothing else, I don't think this is a serious CG. It might just be that it reminds me of v3's casino CG, but I kinda feel like Cassidy is just trying to teach Damon a game while Jean watches, or something. Projector on the Dining Hall walls? "It's more likely than you think," I lie.

The next six images consist of three spooky screenshots of what seem to be some sort of database which say "Ultimate" (and a picture of Damon), and three zoom-ins on what I believe to be paintings found around the school.

The only one I found of particular note was this one, which sort of looks like two people getting married? Both figures seem to have light skin, and the one in the white dress might have some shoulder-length red hair. Cassidy marriage arc??? I can't imagine what context this photo/painting/CG would appear in, but it might be important.

After that a few illustrations depicting the killing game's rules flash by. I won't be uploading all of them because 1) you can probably guess at most already if you're familiar with DR/fangans, and 2) I think these might have been shown in the demo anyways. To sum up, I think the rules can be attributed as such:

Tozu is in charge (and/or participation in the killing game is mandatory)

No destroying school property, with a focus on cameras and NG bracelets

You can't kill/injure Tozu or Mara*

Students can become the blackened by killing

Once a dead body is found, it's time for a Class Trial

... The same thing again? Oh, maybe #5 was about how to trigger a BDA, then.

Um...

Okay, actually, I don't know what this one is. Is this saying that you can't rip paper, or you'll get executed? As in, papers that Tozu gives you? Dude, maybe my "Tozu gives the students mysterious letters" theory actually had some merit to it!

If not that, could this be something about breaching contracts? The Prologue did mention "registration materials" that Damon presumably signed. Those could have been a cover-up for a real waiver the students accidentally accepted. Or, maybe this is the big reveal that all of the characters are actors in a scripted performance. In Chapter 1? Yeah, probably not.

*Technically, only Tozu (who stands between Mara and the student) has an X over him, which could imply that it's only illegal to harm Tozu. However, it's likely that, when the rule is revealed in the e-Handbook, the graphic will cycle between Xs on Mara and Tozu, or something else to that effect. It would be interesting if the rules don't protect Mara, though. I'd imagine the in-universe explanation would be "see what happens if you even TRY to hurt Mara," but that would absolutely feel like a rule intended by the writers to be broken in the future.

I'm sure someone could do a super in-depth analysis of the religious implications of this painting, but that person is not me. All I will say is, "these are the animals of Mara and Tozu." Oh, and, based on the next image, this painting is located in Pharmacy 1.

New locations! Like I alluded to above, the first image is definitely of Pharmacy 1, and I think the second is too.

The third is a bit harder to decipher. We've got a glowing photocopier with an Eden's Garden Academy logo on it, a tiled floor, many green cabinets, a medical kit, and lots of vines. I wonder if this might be a third pharmacy that functions more like a doctor's office...? I don't know what the photocopier is there for in that case, though. I'm assuming that the location behind Jett in the fourth image is in the same room due to the similar green cabinets, and the fact that you can see a similar first aid kit on the wall behind him. If that's the case, there's also a sink in this room. That's not helping me either.

After that, we have a shot of Jean with a proposition in the Dining Hall, some general purposes art which I think we've seen before, and a slick 3D animation with Damon catching a fallen apple. What do they have in common? I don't have much to say about any of them.

Free Time time! Or, at least, I'm assuming that Ulysses' part is part of his first FTE, given that it was packaged in with all this other stuff. With this, we can conclude that Ulysses, Wenona, and Wolfgang will all be available for at least one FTE in Chapter 1. I am very curious about that in general-- with this first chapter release, will we immediately be able to view all of everyone's FTEs? Or will they cap everyone off at, like, two for now? Unfortunately, there's no way for me to answer that now.

The other three images are more intriguing. The first definitely shows Damon's gift inventory, with the Black Forest Cake being highlighted. The interesting bit is all of the chibi pixels to the side, with positive and negative arrows by some of their heads. At first, I thought that P:EG might be going for something like SDRA2's ambitious FTE system, where characters have positive or negative opinions on you based on actions you take and gifts you give. However, on further thought, I bet that this is an in-game way of telling you who will like which gifts. As far as I can tell, many people either look up which gifts to give which characters or save-scum until they get something right, so taking guessing out of the equation is probably a good thing. Plus, now we know that Diana, Jett, Toshiko, Mark, Wolfgang, Cassidy, Desmond, Eloise, and Kai like cake; Grace, Ingrid, and Wenona don't; and Damon, Jean, Ulysses, and Eva are neutral. It's an extra good system if it gives us insight into Damon as well!

The second is surely P:EG's equivalent of the Monomono Machine, with Damon receiving a zen garden from the funky hourglass contraption. The interesting part to me is that the currency is named Marabucks instead of Tozubucks. Yay for inclusivity? Also, I think it's fun that the percentage reads "1,13%" instead of the standard American "1.13%". (And P:EG seems to be, on the whole, an American-coded game, given that the majority of the characters speak in American-accented English and the cast's live appearance was in Texas.) Gives you a little behind the scenes peek at who was coding this section of the game :)

The last thing... uh, what? It seems to be a Pong-like minigame, probably used to earn bonus Marabucks. You bounce the "orbs" through the "pachinko" to... I guess score points against Mara and Tozu? And, probably if you do well enough, you get varying levels of money. Perhaps I spoke too soon, and the Marabuck is simply the lesser Tozubuck.

Up next comes some dramatic zoom-ins through those spiffy remodeled locations. I appreciate them jazzing up the "outdoor" area specifically; the lack of polygons in the doorway arch always bugged me. Even if they kept those similarly unbeveled shapes in the archways to the side... (/lh)

And now, the moment you've all been waiting for...

WE GOT SCENES FROM THE CLASS TRIAL?!?!?!

To clear the elephant in the room, as everyone has been reporting, Toshiko is the only student who can't be seen in the Class Trial at all. Does that mean she's dead? Uh, probably not. As part of a mystery-writing team, I would have to imagine that whoever crafted this trailer would be smart enough to know that their mystery-loving fans would comb through whatever they're given for answers (hi 👋). And, if there's one to be found, they'd find it. Therefore, I'm more inclined to believe that Toshiko's absence is an intentional red herring. Then again, this is very possibly the P:EG team's first time writing a fangan, so if they didn't think about things like that, it would be understandable.

So, who is dying if everyone else is present? To me, there's a big gulf between how easy it would be to fake someone's participation in the Class Trial. Subbing out a death portrait for a regular sprite is easy, recording a fake line of dialogue is a bit more effort, and creating original artwork is really not worth the effort. Thus, we can divide the characters into tiers.

ORIGINAL ART (basically guaranteed safe) Damon, Wenona VOICE ACTING (very likely to be safe) Diana, Grace, Wolfgang, Jean, Eva SPRITE VISIBLE (possibly most endangered) Mark, Desmond, Kai, Ingrid, Ulysses, Eloise, Cassidy, Jett TOTALLY ABSENT (reverse psychology safety???) Toshiko

Damon's unique minigame sprite and Wenona's Rebuttal Showdown art appearing over his face should also squash the rumors that Damon will be replaced before the first Class Trial at least, lol.

Within those tiers, I also want to highlight two outliers: Wolfgang and Eva. Because, of course it's those two.

Although Wolfgang is in the voice acting tier, in reality, I'd say he should be moved upward into the "basically guaranteed safe" tier. This is because his line is shown in Nonstop Debate format as opposed to the regular dialogue format. Although his lines don't have the animated word art thing going on, I still imagine that it would be easier to create a fake line in the regular dialogue boxes than in the minigame. Also, notice that I said lineS. Wolfgang also has two lines, and unless the team is really yanking our chains, I can't see why they would create two fake lines when one would surely suffice.

Meanwhile, while Eva is in the voice acting tier, she's bordering on the "possibly most endangered" tier. It may just be my "Eva could die first" bias speaking, but her line is a whole lot shorter and less specific than Diana's, Grace's, or Jean's. In fact, if you remove the comma, "obviously the case" could easily be one of her stock dialogue lines that plays over unvoiced portions of the Daily Life. If the team were to create a fake piece of dialogue for the Class Trial, sneakily repurposing a line that already exists for other purposes would be the most efficient way to do so.

Expanding on that, what is "obviously, the case" supposed to mean here? I'll once again draw attention to that comma. Grammatically, it's not that some truth is "obviously the case," but that the case is the thing that's obvious. In what context is Eva saying that, though?

Jett: Uhhh, sorry, what are we supposed to be focusing on again...? Eva: Obviously, the case.

Or, could a physical case, like a briefcase, be relevant to the murder?

Grace: But what could the killer have used to fucking store a disguise?! Eva: Obviously, the case.

The only thing I'm remembering offhand that could be a physical case is the medical kit, but obviously there are plenty of locations and props for this Chapter we haven't seen yet. At any rate, Eva's dialogue raised a flag for me. So, I'll be scrutinizing any cases we may see or any pre-Trial words Eva speaks when the Chapter comes out.

Also, Diana and Grace might be a bit safer than Jean and Eva because what Grace is saying seems to be a response to Diana. They both mention peace, and Desmond is striking the same pose in both of their shots. I doubt that the P:EG team would either record Diana expressing the same sentiment that someone else actually expresses, or come up with a fictitious response from Grace that doesn't actually exist. If you want to get really nitty-gritty about it, consider that tier as ranking Wolfgang as the most safe, then Grace, Diana, Jean, and then Eva :)

Under the dual assumptions that Toshiko is a red herring while Eva's dialogue is genuine (such that both of them are safe), though, who's the most likely victim from our "sprite visible" tier?

Well, the only victim option left from my Chapter 1 Killer/Victim theory is Kai. Fan-favorite first victim choice Cassidy is also on the table. Otherwise, I could see Ulysses, given that (if he's not the mastermind) he gives BIG victim energy with his notetaking becoming a central aspect of solving his Trial. I'd expect they'd save a gimmick like that for a later Trial, where it could better be used to shake up the status quo, but I could see it as a good intro case too. I could also see someone taking Desmond out if they were afraid of his weapon-wielding capabilities, although that's... kinda backwards thinking. Desmond's capability to kill is scary if you're trying to kill him, but it doesn't offer much in the Class Trial.

Still kinda convinced it's gonna be Eva, but I'm aware enough to recognize that's probably just the stubbornness of wanting to believe that my old theory was true.

Speaking of old theories coming true, can we rewind for a moment?

Jean: ...but, I'd rather be suspected than be the reason this trial comes to a standstill.

Hey. WHAT.

For anyone who hasn't read/forgot about the Chapter 1 victim/killer theory I just linked, in that post, I argued my case for why Jean would be our unexpected Chapter 1 killer. Needless to say, when I saw this, I screamed.

What does this MEAN?!?! Full disclosure, I was pretty convinced that the Jean!killer theory would either be, like, 100% on the money, or laughably incorrect to the level of accidentally misinterpreting Jean's entire personality or there not even being a hint of suspicion thrown on his name throughout the entire case. To see Jean acknowledging others' suspicion of him in the TRAILER has me reeling.

Assuming that this line isn't fake (which also guarantees that Jean isn't the first victim), this means that there will be a point in the Trial at which Jean will be suspected as the blackened. The line itself could easily be something that a sympathetic and honest spotless would say, or something that a blackened could say pretending to be just that, so we don't get any hints there. What reason would Jean have to be suspected if he isn't the killer? Why and how would anyone choose to frame him? But also, would the P:EG team really want to have their players go into the first Trial already primed to believe that Jean could be the blackened based on the trailer? I feel like this line was included as a cruel (/lh) trick on me specifically, but my theory wasn't nearly infamous enough to warrant that kind of attention.

It's absolutely going to be eyes on Jean for me when the first Chapter comes out. I'm so curious to see the context surrounding this quote. Did I actually call it early? Or will the "evidence" that I stacked up actually prove to make Jean a believable bait, but not the real blackened? (wouldn't be the first time :P /j)

Moving on, there's a very dramatic scene of Tozu looking over the Trial grounds, while Damon looks back. I double checked, and everyone is visible (in silhouette form) in this shot, which makes sense as it was likely created solely for this spoiler-free promotional material. In my mind, the only clues we can pick up here are that Damon is further cementing himself as the true protagonist of this story. He also blocks out Wolfgang as he looks at Tozu...? Could have symbolic significance, but could also just be a result of the pair being opposite each other in the Class Trial seating.

After that is another fast-paced montage. The first screen is the same shot of the Pharmacy table. I don't know why they put repeat info in here, but as far as I can tell, all of the props and textures and whatnot are the same. If my assessment that the murder would utilize the Dining Hall vent is wrong, I wonder if this could be a hint that Pharmacy A especially will have significant meaning-- possibly, as the site of the first BDA. That being said, they also repeat the same image of the photocopier ivy room as the third image in this montage. So, if that's the case, it means both locations will have to be highly relevant.

I feel like this image out of context looks really NSFW. I promise, that was not my intention...

Anyways, this is from the Prologue BDA.

It's Cara's doll legs, as is made extra apparent by that same cylindrical thing in the back. I'm not sure if this was put here because the Prologue case will continue to be really relevant to Chapter 1, or just because they wanted a BDA-looking thing for the Trailer yet didn't want to put in a spoiler one. Based on the different size/shape of Cara's thighs (now I feel NSFW /j), there is a slight possibility that what's shown in the Chapter 1 trailer is (an image of) the real Cara's body as opposed to the doll. However, we know that some sprites and backgrounds have been redone during the hiatus, and that could extend to Cara's art as well.

This knife is also from the Prologue BDA.

You think you're so clever, P:EG team, don't you...? (/lh)

Can you believe the students are going to investigate area alpha in Chapter 1? Or maybe this is Damon telling me I'm wrong about that, haha.

Hey, they rigged a 3D Tozu model! It's looking good. I'm sure they're glad that Tozu's mask meant that they don't have to make a whole mouth rig for the guy, lol. My guess is that this model will be used for Tozu's "punishment time" animation, the equivalent of Monokuma hitting his button with the mallet.

The last thing of note in this trailer (other than the release date) is the Chapter's splash art! The full version was posted to Twitter, which I'll be showing for clarity's sake.

“Strange that one minor event, one small action, can alter the path of everything.”

... You gotta start dodging these allegations better, Cassidy.

Chapter promo art predictions are always a tricky game when it comes to predicting who will die. On the creator's end, I'm sure you don't want to draw additional attention to your first deaths by spotlighting them in the artwork. But, if you want to highlight some of the most important characters of the chapter, that'll often include the victim and/or killer if the Daily Life is well-crafted. Plus, especially for early deaths like these, if you don't put them in the chapter art early, you'll never have to chance.

But, forget all that. Who's actually shown in the poster? Obviously, Damon, Jett, and Cassidy are, but I believe that Wenona's jacket and hair are shown to the left of Damon? If you squint, you can also make out what might be Ingrid's arm on his right. That would be consistent with where he's seated in the Class Trial. Yeah, and then that weird blob behind Wenona is actually Jean and Eva!

See what I mean? Well, if we have 7 characters on the poster, maybe it's not so suspicious for any of them after all :D

And, really, it's 8 characters. I imagine others have made this connection already (even if I haven't personally seen it), but... that's a chameleon wrapping its way around Damon. AKA, Diana's animal motif. That means that Diana is more or less on this poster as well!

As the literal framing device of the Class Trial, the chameleon makes this poster reek of Diana being the Chapter 1 killer. However, even that feels too obvious, at least to my highly-scrutinous eyes. Then again, if this was just supposed to communicate that Diana will be important, why not just put her on the poster...? I really don't know what to make of it.

And... yeah, December 20th! I'm super excited!!! While we're certainly not in a drought of in new and exciting fangans nowadays (read Danganronpa: One Shot here!), productions of this scale-- especially playable ones-- are few and far between, so I really hope that this first Chapter lives up to the hype. I'm pretty sure I'll have more to say about this fangan in a few weeks, so I'll see y'all then for Project: Eden's Garden's true beginning!

...

(Honestly, after all this time in the DRDT fandom, it's just crazy to me that we're going to learn about the victim and killer at basically the same time... (/lh))

[eldritch-spouse]

Was reading through the Berle tag, and was hit with this random brain worm-

Imagine you're visiting the Glutton ring of hell -either as a tourist or simply visiting some friends who live within that circle- and, as a treat, you drop into Berle's ice cream parlor. A nice sweet and cooling slice of heaven to be found amongst the smoldering heat of hell. Of course you've heard of the place before. With it being so famous, a damn-near requirement to stop by whenever you're in Glutton. You've heard of the complex and wide range of flavors that are served there. Some flavors you wouldn't even have come close to considering possible ice cream flavors. Some of them honestly sound downright repulsive, but you have learned not to judge. Let others live their happiness, and focus on living your own.

Okay, so maybe you had alternative motives when you made a detour on your way to whatever place you're staying at, to step into Berle's highly air-conditioned shop. You were on a mission. A rather childish and, to others, pointless one. But to you, it was of high importance, you just had to know! Did they sell your favorite ice cream flavor. It wasn't like you had odd tastes, you weren't searching for a thanksgiving dinner flavored scoop of creamy goodness, but for whatever reason, you just could never seem to find a place that sold your favored flavor. Anytime you'd go to a grocery store, or any other ice cream shop, it'd be the first thing you'd search out. Always feeling disappointed and a bit let down when your hopeful searches turned up empty. At this point, you'd marry someone in order to satiate your cravings. And you say so, more so to yourself than anyone else, as you looked over the offered flavors for that day.

You don't think anyone had heard you, and even if they did, you didn't think much of it. Didn't think anyone would care. How wrong you were. How unaware and cutely ignorant you were of the future you had unknowingly spoken into existence. Even if you didn't truly mean it. You were just making a joke about how much you wanted to indulge in your sought after treat again. The demon behind the counter, who had found his eyes stuck to you since you had entered his shop, and was watching you with sickly sweet hunger as you scanned over his products, had heard you loud and clear.

If he doesn't have what you're looking for, if you just give him a bit he promises you he can cook it up for you! While he's doing that, you can pick out your guys rings. You can propose to him once you get back.

((Also, I don't know if you do anons, but if you do can I either be Isopod anon or 🧠 anon?)

[I don't really tag anons, but we have a few yes, I'll remember you.]

There's been a number of asks regarding Berle that sort of sound like "I'd only humor him if he had [X] flavor", which is selling yourself short, because if there's one location in the world where you're likely to find the most niche flavors of ice cream, it would be Gluttony, especially Berle's Sorbet place.

You're even more cooked in this scenario because, the way you worded it almost makes it sound like a deal proposition, and the prince is going to swoop in immediately. He accepts your deal, formalizes it in a manner much too quick for you to realize, and by fulfilling the request you set forth, he in turn expects you to remain true to your end of the deal.

This is something he'll continue to hold over your head. You made a deal, you made an open deal, and he fulfilled it. Don't be silly, there are consequences for your actions!

So anyway, time to cook in advance for the ceremony, would you like to help Berle? He's going to make a wedding themed slime cream for the occasion and he'd like his bride's input.

[charmikarma]

Breath as Influence and John in the Epilogues

Breath is probably one of the better understood aspects. “What is it?” someone asks – and the whole fandom is like, “Oh, Breath is about freedom and wind and detachment.” Which I don't disagree with. But I think most people miss a key piece of it – Breath as influence.

I'm no seasoned classpector, but I am a Mage of Breath, so I feel like I have a deep and personal understanding of Breath, particularly because of how it has manifested in my life. Yeah, I know, claiming I'm an authority on the subject because of my self-imposed alignment within a fake typology system makes me sound like an asshole. But I'll have to ask you to trust me, because if I start talking about my own experiences, I'll sound like even more of an asshole.

Anyway, let's kick this off with the official description of Breath, per the Extended Zodiac:

In summary: the Breath-bound are flexible, driven, detached, and maybe a little self-centered. Also, other people tend to get caught up in their personal development, which tends to make them good leaders. But the most important thing here for the point I'm making is this:

others ... feel inspired by them.

This word, inspired, has been rolling around in my brain for the past few weeks, because of its connection to Breath. Hey, did you know that “inspire” comes from Latin spirare, meaning "breathe"? And if we include the Latin prefix in-, it becomes "breathe into."

The Breath-bound have an ability to breathe into, or inspire others. They're not aware of it – after all, they are just living their lives for themselves. But wherever they go, they are inspiring people. Or, more accurately, they are influencing people. Actually, the influence of Breath goes beyond just people. I could even get meta with it (and I will. I apologize in advance). But let's start small for now.

Tavros Nitram

So, Tavros. Page of Breath. Pretty much all of Tavros's contributions to Homestuck as a story happen as a result of someone doing something to him. Vriska paralyzes him, which kickstarts the whole FLARP cycle of revenge arc. And again when the truce is broken in Act 5 Act 2, it is because Vriska kills Tavros. If this doesn't sound like influence to you, you're right. Tavros has very little influence. He's a Page, after all, and if there's one thing I know about Pages, it's that they're weak as shit until they reach their "true potential," which is pretty much always something stupidly overpowered. Y'know, like Jake overpowering Jade's first guardian powers. That was pretty batshit, I'd say.

But Tavros's contributions don't end there. He actually does reach his true Page-y potential right at the very end of Homestuck, when he gathers an army of ghosts – honestly, probably every single ghost in the furthest ring – by just talking to them. Was this something of a punchline to a very long joke? Probably. But it is also a pretty good example of the kinds of things Breath players typically do.

On a meta level, though, this argument kind of falls apart, because... As far as I can tell, the army of ghosts doesn't really do anything. Nothing important, anyway. Lord English's defeat is pretty much entirely at the hands of John, Dave, Davepetasprite^2, and alt!Calliope in the body of Jade, as described in the Epilogues. The ghost army just isn't relevant, in the end.

But you know what is relevant? Vriska.

Half the people reading this just groaned, I can feel it. Why are we talking about Vriska, a Light player, on a post about Breath?? I hear your question and I raise you this: Why the fuck is Vriska so obsessed with Breath players???? Personally, I think it's because she has an innate sense for their passive ability to decide what's relevant.

But before we get into Vriska, let's talk about John.

John Egbert

John, Heir of Breath. The protagonist of the story. In the context of my thesis of "Breath as influence," isn't it interesting that the protagonist is a hero of Breath? And even beyond that, he's an Heir, a class typically interpreted as "becoming" their Aspect, or "inheriting" it. If you find my argument compelling, you could even say John is the influence that drives the story. Which is exactly what a protagonist does - after all, what is a story without a protagonist?

This question is actually addressed in Homestuck, kind of. At some point in Act 4, Terezi manipulates John into visiting his denizen early, which gets him killed. The story is left without its protagonist, and progress grinds to a screeching halt. Jade doesn't enter the Medium and presumably dies. The reckoning never happens. Dave and Rose are trapped in a doomed timeline. They lose contact with the trolls. For what is a world without the breeze, without air, but a place of complete standstill? The story needs John to continue. Okay, it needs Rose and Dave and Jade just as much. But it's interesting that the story makes a point of John's death being the turning point that makes this particular timeline doomed.

Okay, sorry for the wait. It’s Vriska time. Vriska's driving motivation is to be relevant. She does everything in her power to steal the spotlight, which may or may not be related to the fact that she's a Thief of Light. Again, I'm not an experienced classpecter. I only really have a surface level understanding of Light. But I'm getting off topic here.

In Act 5 Act 2, Vriska starts talking to John. Why? Well, partially because she wants to compete with Terezi, who is talking to Dave. But there's also the fact that she wants to be the force responsible for Bec Noir. And also for John reaching god tier. And everything relevant really??? She's really fucking good at being relevant, I'll give her that. Or at least presenting the illusion of relevance, but that's a big topic that I think I should save for another day. Another essay, maybe. The point here is, John has a tremendous amount of influence over Things That Happen just by existing, and Vriska knows it. Maybe she torments Tavros because she senses the same sort of potential in him, but that's probably a stretch.

In any case, this is baby shit. There's better evidence than this. Let’s talk retcon powers.

You could argue that the retcon powers are separate from John's abilities related to his classpect, and on some level you'd be right. But in a game that "knows" everything that is going to happen, I have to question if extraneous powers like this are taken into consideration when Sburb "decides" what classpect it gives a player. I feel similarly about Jade's First Guardian powers. Teleportation is a pretty space-y power, in my opinion. And definitely one that... "breaks rules," I guess. Among all the other things First Guardians get to do. Once again, I'm no classpector. But Jade getting access to First Guardian powers upon reaching God Tier strikes me as very Witch of Space-y. I feel similarly about John's retcon powers - they strike me as very Heir of Breath-y.

And not just because I view Breath as influence, though that is definitely the most obvious way the retcon powers could be interpreted as Breath-y. Even on a surface level, they're pretty Breath-y. When John first talks to Roxy, he gives a whole spiel about everything he's been to up until this point, most of which is obscured by "blah blah blah." But little phrases come through occasionally, and when he starts talking about his brand new retcon powers, he uses the phrase "UNSTUCK FROM CANON." Which sounds a lot to me like "freedom from the narrative." But maybe more telling is the fact that John's quest as an Heir of Breath requires that he use his retcon powers. Getting rid of the oil, freeing the fireflies - his quest as established at the very beginning was always intended (in universe at least; I can't speak for Hussie's intentions) to be solved by his retcon powers.

So retcon powers are at the very least Breath-adjacent. What’s that got to do with Breath as influence? I’m sure you see where I’m going with this. Retcon powers are basically the ability to do whatever the fuck you want to any point of any timeline. I’d call this influence but I’d sound silly, actually. It goes way beyond influence. It’s way less subtle. I guess you could call direct intervention like this influence at its most powerful. Well, almost. There’s one step above this that John never really taps into. Which brings us to...

The Epilogues

For better or for worse, I fucking love the Epilogues. I think Candy, on its own, is a fantastic and surreal deep dive into a mind high on depression. And as for Meat, I’m an absolute sucker for metafiction and narrative fuckery. I eat that shit right up. My favorite anime is Princess Tutu, etc., etc. This is your warning: Yes, this section will contain evidence toward my claim that Breath is influence. It also doubles as an Epilogues analysis. It kind of turns into one at the end. Sorry, but I needed to get it out of my system.

So, in case you missed it, the step above retcon powers that John never taps into is direct narrative control, like we see Dirk engaging in throughout the Meat side of the Epilogues. The fact that Dirk is revealed to be the narrator of Meat begs the question: who is narrating Candy? It’s never outright stated, but it’s probably alt!Calliope. Unlike Dirk, alt!Calliope doesn’t have an agenda, as far as we’re aware. So why is Candy so fucked up and weird? Why is everyone out of character? I know this comes as a shock, but: it’s probably John’s passive influence over the narrative.

Before the Epilogues even begin, John’s been wasting away in his house all day, every day. He’s depressed as hell. Sort of dissatisfied with how artificial and "perfect" Earth C is. Some have suggested he also feels disconnected from the post-retcon versions of his friends, and I think this holds some merit. It would explain why he feels disconnected from reality in Candy.

(Candy, 11)

Depression colors your view of reality. It darkens some parts, brightens others. People who look happy will appear so to an unsettling degree. Fucked up things will appear even more fucked up. Depression ups the contrast, if you will. And that’s pretty much what happens in Candy. Jane’s pretty bad in Meat, but she’s like a billion times worse in Candy. Jade causes some awkward moments in Meat, but she is pretty much a sex pest in Candy. The positive parallels are a bit harder to find, since Meat pretty much sucks too, but you could speculate that John perceives Rosemary to be happier together than they actually are, so they’re, like, uber happy together in Candy and raising a daughter and shit. It is John’s warped perception of reality that in turn warps it beyond recognition.

This isn’t just me theorizing, by the way. There’s pretty compelling evidence to suggest that this idea is accurate to what is happening. It’s pretty clear in a conversation between (Vriska), who has just arrived on Earth C via the black hole in the furthest ring and her descendant/clone Vriska (aka Vrissy in HS:BC). The two of them stare up at the sky, pointing out clouds and what they are shaped like, when (Vriska) has a realization.

(Candy, 37)

John’s influence over the reality is so absolute, even the clouds bend to his will. I think Vriska only notices it because she’s a new arrival to Johntown. It isn’t long before she’s absorbed into the John-ness of the timeline. And then, she goes on to say exactly what I’ve been saying this whole time. Remember earlier, when I said Vriska knew that John had an incredible amount of influence over Things That Happen?

(Candy, 37)

Yeah. That wasn’t speculation.

The last thing she says, though, that he’d be relevant even if he was dead, is actually a reference to Meat. So let’s talk about it!

As we know, Meat is narrated by Dirk. Dirk’s narrative style is a lot of fun for me, personally. He’s sassy, kind of an asshole, and has no time for bullshit. The second John puts that meat in his mouth, he gets to work, pulling the strings of his little puppet show.

(Meat, 1)

He wastes no time putting words in John’s mouth, writing him out of the story of Earth C as quickly as possible. It’s almost with a sense of urgency that he pushes John to complete his mission. Which is probably necessary, seeing as the sanctity of canon relies on him going back to tie up the loose end that is Lord English. But I think Dirk has ulterior motives. I don’t think Dirk has the ability to impose his will so overbearingly with John around, because for some reason, John’s power of passive influence prevents him from doing so. Is John more powerful than Dirk, even after his ascension to Ultimate Selfhood? Maybe. I certainly think so.

But John’s pretty gullible. He’s easily influenced. He doesn’t have the same safeguard around his own mind, for some reason. Or maybe he does, and it’s just taken Dirk this long to crack him? This is speculation at this point. Not important.

So Dirk eventually kills John. Why? Well, first of all, it’s harder to control the narrative with him around. Though I speculate that’s not very important to Dirk anymore since he fucks off to who knows where around when John comes back. I think, more likely, Dirk finds John’s influence on the narrative unsavory. I mean, just look at Candy. What an absolute disaster of a timeline. Maybe his awareness is such that he knows that letting John live will result in a similar degradation of his friends’ personalities as he knows them. I can’t really say one way or another. It’d explain why he wants John’s body on the ship with him, though. Y’know, to make sure he never gets revived. And yes, he wants him on that ship. He pretty much tells Terezi outright to captchalogue his body before convincing her to join him.

(Meat, 35)

There’s one problem, though. I don’t think John being dead even erased his influence on the narrative?

(Meat, 36)

Right there at the end:

The gentle breeze is all she can hear. It’s louder than my voice, and in some understated way, makes my case for me more persuasively.

I don’t think there’s any other way to read this than the breeze representing John. This is a literal manifestation of John’s influence. I guess it could be symbolic – like Terezi doing a “what would John do?” kind of thought process. But I dunno, Dirk doesn’t strike me as that kind of narrator. Besides... It’s a little too on the nose. Say what you will about the Epilogues, but I believe a great amount of care went into them. This certainly isn’t a throwaway line.

Conclusion

Okay, sorry. I really went off the deep end into Epilogues Analysis Land there. You may have noticed that I didn’t talk about Homestuck: Beyond Canon. That’s partly because I haven’t gotten there in my reread, but mostly because I’m not yet convinced that it has – or will have – nearly the level of plot consistency of its predecessors. We’ll see, I guess.

In any case... Breath as influence, huh? There’s probably more evidence for this hidden away somewhere. I probably could have talked about Rufioh. I didn’t want to though. I also probably could have pointed out the word inspire from the Extended Zodiac thing and called it a day, but instead I blacked out and wrote this. Weird!

If you read all, uh... *checks word count* 2.7k words of this??? Jesus fuck. If you read all this, thank you for reading. I’m open to feedback! I’d love to discuss some of this more! Especially the Epilogues stuff. I have a million thoughts. Bye!

[artemisiavulgaris1114]

I normally don't do discourse but, I've seen some floating around and I maybe have some relevant perspectives so here's my opinion on a thing:

so I am a hella subtext girlie. ships are always painful as fuck for me (in the good way) because give me breadcrumbs and I'm HOOKED I wanna eat that whole loaf crumb by crumb!! no ez mode. that's boring. I love a nice slow burn, I'll happily gnaw my way through 50 chapters of complicated setup and character development before they even meet (and like lol maybe this is actually the problem). And I love Lucanis's romance and I'm happy with his story, the writing and the way it progressed for the most part. I'm demi so I got it and that's all I'm gonna say on that point til a bit further down.

I STILL think that the way it was handled doesn't work well with the pacing of the game, and I don't think that's down to the writing, I think it's mostly the way the game story progression was designed. I think this is true to some degree for all the romances because there's no interactivity outside of quest cutscenes and the ambient dialogue that happens right after the commitment scene. But especially for Lucanis because to me their romance is in the little details, the every day interactions as their relationship slowly deepens. That's obviously done really well in the cutscenes we get, but feels like it makes less sense in the scope of the whole story because there are a whole bunch of in-between pieces missing.

If you're going to finish everything there is to do by the end of the game, a huge chunk of the time that you spend doing quests is completely devoid of any reference to your romance. I feel like especially for Lucanis and Rook more ambient dialogue between them would have made it feel more natural and substantial, especially especially if they are both Crows. For example, the way it's handled between Taash and Harding/Lucanis and Neve feels much smoother and the development is more overt. I think being that those happen more toward the end of the game, there feels like more of a natural character development-relationship development progression as you go through their individual quests.

Like, 2-3 lines of additional unique dialogue peppered throughout the lead-up to endgame after the romance is locked in with Lucanis would have vastly improved it and helped bridge the gap, I feel. And I'm not necessarily talking about romantic interactions, just some unique dialogue to show how well they've come to know each other, how Rook understands his mind and that it helps them build trust, any sort of communication to illustrate the subtler ways they're building their bond. It's clear from Lucanis's journal that they're intended to be spending a decent chunk of their off-time together--so why is there little to no evidence of it in game other than the initial reference? There's no reactivity from Teia and Viago, which made me sad because theirs is the reaction I'd want to see the most. I've gotten lines from Neve and Taash about the romance after it's locked in, and the convo with Emmrich about gifts, but that's it as far as other companions go. Maybe there's stuff I'm missing? Maybe this is something lacking in all the romances.

And honestly as a demi person the final romance scene kinda came out of left field for me. considering it felt like not much communication had been happening leading up to it (minus the pre-endgame convo, which I'm also gonna mini-argue should be more explicit with the emotions involved from Rook's end, like the spanish translation) and understandably a lot has been going on. but I wasn't really expecting it to escalate the way it did with so little dialogue, I'm fine with it but this is one of those cases where I prefer less subtext and more text before something like that happens, actually.

I did a replay where I saved Lucanis's quests until last and that honestly felt a lot better, so maybe the pacing's just a me problem idk. I'm gonna chalk a lot of this stuff up to cut content? and maybe like, the fact that they didn't want to get too specific with Rook's ambient dialogue since they're meant to be player-driven. Going back to the companion romance comparison, it's a lot easier to write dialogue between two characters who are more specifically defined.

Anyway blah blah that's it. i'm nitpicking because overall I'm happy, so anything i feel doesn't work or is lacking is gonna be a gripe, and you can be happy and still have valid criticisms. I enjoyed the game and the writing and the characters quite a lot, and I honestly wasn't expecting to, so yay! Time to gnaw on that subtext and see what kinda creative juice comes out~

[arttsuka]

Ok here are my thoughts about arcane season 2, buckle up

I wana say, I liked the second season, less about what we saw, more about the story they wanted to tell.

It started fine but as soon as episode 4 came the problem was clear. The pacing was bad. Everything was happening too fast, there was no time for smaller moments. A lot of character development was off screen too.

I've heard they were supposed to have more seasons but decided last minute to cut the show short because 'there are more stories to be told'.

Caitlyn had most of her arc off screen which is such a shame, I really wanted to see how she realized she was being manipulated, I wanted to see her dictatorship era. But we got none of that, it's implied it happened but we didn't get to see it.

Sevika was relevant up until ep4 and then we see her again in ep8. I don't think she has any speaking lines after ep4. Such a waste of her character, she was really interesting.

Isha. She came to the series as suddenly as she left. I have a lot of problems with her character, one of them being that she wasn't introduced organically. She randomly fell on Jinx (by accident). Arcane relies way too much on 'right place right time', on coincidences so, when that can be avoided, it definitely should. Make her fall on top of the first person that passed through on purpose so she won't get hurt (that person being Jinx is the only coincidence here). Her sacrifice felt a bit unearned because we didn't get to see her a lot, and after ep6, they never speak of her again (it affected Jinx sure but they don't even mention her once).

Mel. They did her dirty this season. They speedruned her arc (and the whole thing felt so out of place). I've heard that maybe the next show was going to be focused on Noxus etc which, if it turns out to be true, would be a bad decision. If they are actually planning on making something about Noxus, I'd at least expect Ambessa to be there and also, it would be a great opportunity to learn about Mel and her powers in greater detail instead of whatever we got.

Viktor as the herald, ultimate life form or whatever was so short lived. Make you wonder why they decided to include it only in the last episode instead of implementing a bit earlier.

Vi was also so, useless this season. She did almost nothing. She was a punching bag for the most of it.

Jinx felt a bit ooc, less about what she was doing and more about how there wasn't any time to see her get over Silco's death. Silco had such a negative effect on her mental health (all these hallucinations from s01) but he dies and boom, mentally stable? I would have liked to see her become healthier (it would also tie nicely with getting to know Isha better).

Vander. They brought him back. It was actually foreshadowed in the first season. Him being back is not my problem, on the contrary I think it was a great way to naturally bring Vi and Jinx back together. My problem was how we see him for 2 episodes (and then he 'dies'). It felt like a waste of time honestly, time that could have been used to see something else.

Episode 6 has to be the worst episode of the whole show. The pacing is pretty bad. The events that take place in it feel like 3 episodes, not 1. We get not 1 but 2 different artstyle montages, making the episode look, weird...

The best episodes were probably ep03 and ep07. Both had nice pacing (especially ep07, it felt like it was straight out of s01) and the story explored in them was pretty captivating. But I do have a problem with ep07. It's where Ekko got his 'time powers' from and honestly, they were pretty underwhelming? Also not at all well implemented to the story. We literally see him use them 3 times. 1: when he finds out about them, 2: when he saves Jinx and 3: when he goes back to try not to get captured by Viktor's mannequins. The last 2 on the same episode. That 4-second-limit was never really relevant (at least I don't think it's was). They wasted an entire episode giving him powers only for him to never really use them and for the machine to act as a bomb.

Also I didn't like the dancing scene with Powder and Ekko. I understand the vision behind it but I felt like my TV was dropping frames. It felt choppy, cheap (such a shame for a beautiful scene).

Now, I liked the lesbian sex scene in ep8, I really did, but it felt so out of place. Jinx basically implied she was going to kill herself, Vi was on the verge of tears because she was insecure about how she seemed to only make the wrong choices and then, that scene happens. It leaves a bitter taste in my mouth. I've seen people compare it to the s01 'Jayce/Mel vs Viktor dying' scene and while I understand where the comparison is coming from it's definitely not the same. In that scene, Jayce didn't know Viktor was dying (he knew about his deteriorating health, but he was clearly shocked and left Mel to go check out on him etc etc).

Also, Caitlyn should have gone down on Vi. I think they image would have been stronger. Vi was at the bottom of the barrel her entire life (literal plot point, being from the undercity etc) so seeing Caitlyn, someone of higher status and power, being the one to 'bow' would just be more powerful. Just a thought.

I just feel like I liked their relationship and dynamics more in s01. They had more casual moments, more natural dialogue. Yes we won but at what cost? Their relationship was so sweet in s01. In s02 it started sweet, turned out to be manipulative on Caitlyns side*, they break up and then they're fine again.

*in ep3 it's clearly shown that while Caitlyn loves Vi she's willing to manipulate her to reach her own goals. That first kiss we see was definitely more of a 'I'm gonna play with your emotions so you don't doubt me' rather than 'let's just kiss now'.

I liked how Jinx cut her hair. The whole 'hair holds memories' and how she was ready to move on. Too sad that scene didn't have the proper gravity it deserved because the lesbian sex was happening (probably) the same time.

Ep9 was, something. I'm conflicted about it. On one hand I really liked how they tied up Viktor's and Jayce's plot lines, on the other hand everything else was so rushed. Caitlyn and Mel were a team (they didn't feel like one honestly), they fought Ambessa and then she randomly died from the black rose. It felt like they just wanted an excuse to kill her. 'She needed to die so Mel could become the wolf' no, not really. She could still be alive, have Mel 'spare her life' or something. It would be more on track with Mel's ideals that way.

Jinx sacrificing herself to save Vi was also so forced**. It felt specifically written so she could 'die'. I do believe that 'Jinx is alive' theory because Caitlyn looking at the vents while holding that monkey head Jinx's bomb had + that air balloon Powder said she'd fly away with are all too specific to be coincidences.

**her sacrifice was forced but foreshadowed. Isha was acting as an 'archetype' of what Jinx had to become. Her whole existence in the show was so Jinx could become an icon for Zauns revolution and for her to sacrifice herself so Jinx could see and do the same, break the cycle.

What really bothered me was how Jayce and Viktor seemed to be the only characters who had a complete story, everyone else had a lot missing scenes (they did too but way less, there never was a point where I thought 'where does this come from?', everythingwas explained about them. I wish I could say the same about the 'arcane', magic). It's so unfair, on the female lead show about 2 sisters for the male characters to be the final focus. Also another thing that bothered me how they did a seemingly better job at writing Ekko/Powder, the straight ship we got to see for 1 episode on a different timeline, rather that Vi/Caitlyn, the lesbian ship AND main focus since they're both main characters from the timeline were following.

Something else, I feel like the score for s01 was better/more memorable than s02. Sure s02 has some pretty good songs but s01 felt more diverse on that? Maybe that's just me.

Kinda lazy how they used the same song for the opening credits while using visuals way too similar (if not the same) to the artstyle of the show. Although, truth to be told, the s01 opening was way too good for any standards, it would be very hard if not impossible to make something better. Still, I feel like they could have done a better job.

Also maybe that's just me but there were a lot of predicable moments. Sometimes a scene would start playing and I'd know exactly where it was going (something I can't say for season 1).

I really liked in s01 how in each episode, before the opening, we got to see some glimpses from the past of each character. It was a great way not to have too many random flashbacks and include these scenes organically in each episode. In season 2 we don't get that. I understand that we already know these characters but it's still something I adored from s01.

What made s01 so appealing was how they handled the story, didn't rush things. How they took their time to make us understand and like the characters. With s02 we didn't get that luxury.

Season 1 was a masterpiece and unfortunately, season 2 didn't meet the expectations.

I still enjoyed watching it but it was definitely not as good as the experience of watching s01.

[rat-shark]

some thoughts about Chuck and Texas (character analysis?)

thinking bout they're actually very similar, at least in my perception

and it's not visible at first glance, they seem like polar opposites, actually - Chuck, anxious, withdrawn, kinda insecure; Texas, loud, confident, certified bragger and bullshitter

but that's not entirely true, when you get into it

from Texasify, I think it's safe to say that Texas does all that - constant boasting, coming up with a million ideas that no one really asked for - cause he feels like the team, or specifically Mike doesn't appreciate him enough and take him seriously. and honestly, isn't that what Fearless and Blonde Thunder tackle, but from Chuck's perspective? He takes the booster cause he feels like, because of his fear, he isn't on the same level as the other Burners, and in Blond Thunder it's even more obvious. He even pulls a Texas move at the beginning of the episode and starts bragging about how good of a driver he is, even though he's never been behind the wheel. He's scared the Burners will think he's a joke if they knew he wasn't as good at driving as them. These episodes (Texasify, Thunder and Fearless to an extent) are literally about the same thing except in relation to two different characters.

And the thing is, both Tex and Chuck ARE right - the Burners DON'T take them seriously. In Amazons we see that the Burners dismiss Texas's idea to infiltrate the other gangs from the get-go and only humor him because they think it's funny. Even Mike is very opposed to Texas's ideas (which I thought was kinda out of character honestly but let's not get into that), basically treating him like an annoyance, or even a hindrance to his own plan.

Chuck ALSO doesn't get treated seriously by the gang. In Fantasy Vans, they start out making fun of his hobby, cracking jokes and basically laughing at him instantly. And yeah, okay, guess you can say it doesn't rly matter cause it's just a hobby (even though it's clearly important to him), but in Fearless we see them sat around a table and laughing at him screaming in fear for his life, very obviously making him the butt of the joke.

What I think is especially interesting is that Texas is probably most guilty of this (making fun of Chuck), with him laughing at Chuck the loudest and even making snide comments. And then what makes that even MORE interesting is that Texas very clearly recognizes Chuck's intelligence while not thinking he himself is smart (very evident in the texasified intro where "Texas is intelligent" is the only claim he backtracks on)

I think it's safe to say that Texas feels a kind of insecurity cause of not being as academically gifted as the others, ESPECIALLY Chuck. Idk if I'd go as far as to say he feels resentment, but it's definitely a neat idea to explore.

What is ALSO important to point out that the show itself doesn't take them seriously. Both Texas and Chuck are often made to be the comic relief character - Chuck with his screaming and clumsiness and Texas with his outlandish ideas and lack of understanding of situations he finds himself in.

BUT that's not where the similarities end. I like how both of these characters don't seem to have problems with... let's say departing from the truth. Obviously, Texas just makes up stories that never happened to make himself look more heroic, or overexaggerates his abilities, but Chuck does that too, to an extent. Like I said before, he lies in Blond Thunder, he also has no problem with taking the booster and not telling anyone about it, or not admitting that his first LARPing win was due to him tripping, essentially taking credit for something he didn't really do (a thing that Texas also does, most visibly in Threat level)

Another thing, which is maybe less important but present nonetheless, is that both of them have negative rizz. Texas, thanks to his over-confidence comes off as douchy and, dare I say, misogynystic, whereas Chuck is so insecure he basically forgets how to speak around Claire.

They both also care very deeply about Mike's opinion. Texas clearly feels inferior to Mike and feels like they're in a constant competition, resulting in him trying very hard to impress him. With Chuck, it's a little different - his need of Mike's validation pushes him to try to be better. He comes clean to Mike about the LARPing thing (even though he didn't need to) and takes the booster mostly because of Mike also, then, of course it's Mike who gets him to take it out. It makes sense, of course, since Mike is the leader of the Burners, placing him directly above Tex hierarchically, and Chuck's best friend, but neither Dutch nor Julie feel that need to prove themselves to Mike constantly (Julie feels the need to prove herself in Off the rack, but I think it's mostly targeted towards the team as a whole and not Mike specifically)

Also also, little thing, but it's funny how they both don't have canon last names

Overall, Texas and Chuck are actually two sides of the same coin and I really REALLY wish we'd gotten more interactions between them. Also they both have super ultra autism. You see it, right? You totally do

[brucewaynehater101]

"If it's closer to fanon Tim, he would feel guilty for Jason. Closer to canon Tim would either be indifferent to Jason's troubles or he'd feel glad (maybe even a little spiteful) that Jason is facing the consequences of his actions. He would, however, feel guilty for how the revelation affects the street kids."

I have to say I disagree with this. Firstly; with the whole post you're framing this as though Jason beat up a child... which like, true, but also Jason is hardly two years older than Tim. I know comics make him seem aged up, but its simply not the case. (dont @ me if u know this cuz u probably do know this already)

Secondly, Canon Tim.... doesn't hate Jason?? Like, really not at all. If there is any dislike, I'd see it as when Jason is acting particularly villainous, he treats him like any other rogue. Though they don't necessarily interact a lot when Jason is in his villain moments. It's other bats who take care of that, so there's really no beef there.

When Jason isn't having an evil moment, honestly a good word for what Tim feels for him is either pity at worst, admiration at best. With the admiration, I'm not talking about Tim liking him as Robin 'cause that's honestly pretty fanon, I'm talking about how Tim admires his tenacity and determination to keep going even when he feels like everyone is against him. And Tim wants to support him! He sees Jason struggling a lot and wishes Jason would accept help- hence the pity.

I sincerely doubt that Tim would ever feel glad or spiteful towards Jason. He's gotten him back for the whole 'beating the shit out of him' thing. Which really, wasn't really about Tim? Plus its far in the past at this point.

Not to mention Tim is one hell of a badass, he doesn't wallow in self-pity, and I don't think he'd want to interfere with RH's stuff and would probably stop the information leak himself, or even deny the rumors with something like "Oh that? It was just a disagreement/misunderstanding lol the rumors got out of hand,"

Sorry if this was too much, I like ur blog and the things u say, this one just felt really misinformed.

Thank you for letting me know. Reading the post back, I can see how I worded it wrong. I appreciate you giving me the chance to correct that and clarify.

Yes, Jason and Tim are close in age. However, Jason's age (as far as I'm aware) isn't known to civilians. Because of his helmet and bulkiness, a kid would view Jason as an Adult. If they knew his age and then the fight with Robin, that would probably be an acceptable level of violence for them. That's just two kids beating each other up, then. From their perspective, though, Robin is a Kid and Jason is an Adult. A possible solution to gain back their trust could be to disclose how old they were at the time (they might not even need to disclose any details or reasoning with that).

Later in canon, Jason and Tim start getting along. If the reveal happened at that point, Tim would not feel gleeful and spiteful. He'd feel bad for Jason. That is entirely my bad for not making that distinction.

Tim is, undeniably, an asshole at times. He wants to do good, tries to help people, and overall is kind. He's badass and I love him, but he can be an asshole (particularly to Steph). He, especially his inner dialog, sometimes makes asshole comments. This includes Jason. To add on, when Jason was beating him up and demanding Tim to answer if he thought he was good (skill wise), Tim answered yes twice. To me, this seems like a petty/spiteful response. That or Tim is just being honest af about his feelings, not giving a shit he's taking a beating.

However, Tim would not hold this grudge against Jason. One of his better qualities is to not hold grudges against most people (even those that he arguably should). It's why some villains/rogues/enemies become his allies or end up becoming fond of him.

Tim may feel glad that Jason is experiencing the consequences of his actions, but not for himself. This would be during his time as Robin exclusively. Red Robin would not feel this way.

Spiteful, though, was the wrong word to use. Tim, as the loveable asshole that he can sometimes be, might be sort of happy that Jason, in his villain era, is being shown the effects of his actions and possible wrongs in his ways. Happy also seems to not match, but the emotions wheel isn't really giving me an alternative.

Tim would, despite his feelings, hate the effect of this on everyone. The street kids, Jason, and the batfam would be negatively impacted by this, and Tim would try everything he could to stop or mitigate the outcomes. He would never release this information willingly nor stand aside to let it happen. Robin may internally say some shit about Jason and the situation if it blew up in their faces, but you're right that he wouldn't purposefully make shit worse. He would actively work to fix the entire mess.

I really am thankful that you helped me articulate this.

It's 100% my bad that I dropped the ball so hard. If y'all see me fuck up like that again, feel free to let me know. As long as you're not mean about it, I appreciate constructive criticism.

Imma edit the previous post this is about and link it to this one so that I fix the mischaracterization

[crusty-chronicles]

I'd love to see Jin with a human girlfriend. I'd love to see him introduce her to Yusuke, Chuu and the others for the first time. She's more of a bookworm type of girl and if you could have her wear glasses that would be amazing! Please and thank you!

Jin With A Human Bookworm S/O

I think just in general he'd be a 10/10 partner

Human or demon, he's absolutely smitten.

That being said, he's a lot more softer with a human S/O

He doesn't want to accidentally hurt you with his strength or worse. Humans are fragile, after all.

He's very hesitant to pick you up and carry you in the air.

Genuinely scared he might drop you.

“One slip up and you go ‘splat!’ I don't wanna be cleanin’ you off the ground. It'd take too long.” He explained. The last part earning a small glare from you. Which he corrected immediately.

“I mean, I'd be devastated at the loss of ya. Now don't go and hit the back of me head! I mean it!”

Your first meeting with the wind demon was…an experience.

The duties of a spirit world Shinobi were extensive. Sometimes extending to the world of the living. Which was where Jin found himself now.

He took care of what he needed to, but that didn't mean he had to go back right away.

It was rare being allowed here without constant supervision.

He couldn't help but take the opportunity to sightsee when he could. Occasionally watching the Living World's inhabitants. Who didn't know just how good they had it.

To bask freely in the sun. The light.

Originally he'd wanted some quiet in a clearing. A place to enjoy the serenity. But he'd caught something from the corner of his eye.

A lone human sitting under a tree.

It was odd by his standards for one to be this far away from the others.

So he decided to watch you for a little while. Hovering a small distance above you with interest.

He noticed you were actually reading. How strange. And when you struggled to turn the page, he sent a small gust of wind to help you. Thinking nothing of it.

Apparently he'd been a little too close.

The sudden wind making you jump and search for the direction it came from.

To your surprise, there was a man above you. Staring at you with equal bewilderment.

“Uh, sir? You're flying.” There was truly nothing else you could think to say. Too shocked to come up with anything else because ‘how the hell was this dude flying?????’

He didn't seem to expect you to address him.

“Huh!?! You can really see me? Quite a bit of awareness goin’ on, dont'cha?” A higher spiritual awareness than most humans.

“A bit of a what?”

All he offered in return was a laugh at your confused expression. Joining you on the ground shortly after and proceeding to dodge your questions about his powers. His work was secretive, you know.

A very baffling first meeting that turned into two. Then three. Then once a month. Then once a week.

It didn't help that spot in the forest was your favorite for reading. Or that he showed up at the exact same time every meeting.

You didn't know a lot about him, except that he wasn't really human. If the ears and horns didn't give it away.

He did talk a lot, just not about himself. He'd ramble about duties and how ‘they were such a bore’. Or fighting other demons and how ‘none of them really compared to Urameshi.’

It was odd. But the way he phrased things made you laugh most of the time. Occasionally you'd gather bits and pieces from the redhead's life. People he knew or things he liked.

You never understood why he kept coming back after the first time. You figured it was because he was bored and wanted to kill time

Which in a sense was true.

But honestly, he liked the attention you gave him.

The way you stared at him with curiosity and interest.

How you always laughed at his jokes.

How you'd put down whatever you were reading to listen to him talk your ear off.

Maybe he liked stopping by a little more than he should've.

And maybe he liked your reactions when he subtly messed with you.

Your frustrated huff when he sent a little gust to trip you up or mess with your hair.

Maybe his face went a little red at the sound of your laughter.

So what? It was all in good fun.

You were good fun.

“Back again flyboy? That's the third time this week,” you greeted.

His visits had become a lot more frequent. Sometimes you wondered how he always knew where to find you, even if you switched spots.

You couldn't say you minded much. He was great company. Still choosing to hover over you while he talked.

“These things really help you see? Whaddya do if they break?” He asked, stealing the glasses from your face.

The times he was on the ground, he liked to ask you questions about yourself.

“Well then I'd be blind. Things would be kinda fuzzy and unfocused.” You tried to swipe them back to no avail.

“So you'd be stumblin’ around like a newborn? You humans really are fragile.”

“Well we can't all be born like you, Mr. 20/20 vision.”

Instead of handing them back, he haphazardly placed them back on your face. They were a little askew, but besides that he did okay.

Today though, he offered a little more of an explanation about why he kept showing up.

“If they do ever break, I'll just carry ya around everywhere so you don't go and hurt yourself.” And maybe his concern had been endearing.

“It's quiet here. Sometimes my ears feel like they're falling off with all the noise out there. ‘Specially with all the orders Risho keeps yapping out.”

He quickly slapped a hand to his mouth.

“Oh! Said too much.”

“Don't you always?” You teased.

“Maybe I do, but you like the sound of my voice.”

“Sure.”

The silence after was peaceful. He was quieter than usual. It gave you the opportunity to ask what you'd been wanting to for a while.

“You know, if you're gonna keep stopping by, I'd at least like to know your name.”

He lit up at your words.

“Jin the Windmaster.”

“Windmaster? That certainly explains a lot.”

And that was how the mysterious flying stranger had become your friend. Then over time - your lover.

Jin is the type to rest his head in your lap while you read.

Wanting to both relax and be close to you at the same time.

If you choose to read to him, he tries not to fall asleep. Key word: tries

But it's inevitable he does. Your lap is just so comfortable.

You let him read to you once.

Never again.

It was a combination of him reading too fast or jumbling up words to the point of being unintelligible. You couldn't understand him for the life of you.

Jin is a very touchy partner. Wanting to have at least one point of contact with you at all times.

Whether it be resting his head on your shoulder or clinging to you from behind, he's always touching you in some way.

He likes to skirt his responsibilities by hanging out with you. Even if he gets in trouble for it.

Consequences be damned, he wants to see his girl!

The first person to find out you were dating was Yusuke.

Why you may ask?

“Urameshi, your mate’s human, right?”

Because he was the one Jin went to for advice 'courting humans.'

“Uh yeah.”

“How'd ya do it?”

Safe to say it was a lengthy conversation. But hey, it worked didn't it?

Yusuke is incredibly supportive about it. 10/10 friend.

And when Jin introduced you to him, he was a little surprised to see the wind demon fell for someone reserved. Someone with a more calm demeanor.

But it works for a reason. You're probably the only one able to reel Jin in when he's over excited.

You 🤝 Keiko - having routy boyfriends who love to fight.

Jin would never risk bringing you to the demon world. He wouldn't be able to handle it if something happened to you.

For that reason, you wouldn't have met his other friends until they visited.

Like Yusuke, Chu and Toya are supportive. Whatever makes their friend happy.

But Chu’s a little more outspoken. Lecturing you like an old man when his daughter dates.

“This guy's one of my best friends. You betta not break ‘is heart!” He warned you, slurring his words together in a way that made you concerned.

“Are you drunk!?!”

“That's besides the point!”

Overall, a relationship with Jin is sweet. A little hectic at times, but he does his best to make sure the messier part of his life is far away from you.