#Which is something I'd say is true of like... most things honestly

[descendant-of-truth]

I think the reputation Kingdom Hearts has is a prime example of something I've been thinking about recently, which is: if you go into a piece of media without taking it seriously from the get-go, any of its attempts to be serious will come across as funny.

Let's be real, KH is viewed by the general public as a bit silly, right? Like, you're telling me there's an RPG series where you play as an anime boy but your party members are Goofy and Donald Freakin' Duck? And it's filled with complicated plotlines about clones and hearts and time travel?

The crux of what makes people not take the game seriously is the fact that it's a Disney game that wants to be taken seriously. Those two things combined instinctively make people want to laugh at it; after all, Disney is just kids' stuff, it's not meant to be taken that seriously. Even if you're a fan of Disney, it's so inherently different from something like Final Fantasy that the tonal clash alone creates a certain expectation.

That expectation being: this is going to be stupid, and funny because it's stupid. The same level of joke as making cute characters swear or use guns, I think.

Kingdom Hearts is, of course, a lot more sincere than that. But if you're not willing to meet it halfway, then its sincerity becomes the joke.

Of course, even KH fans like to laugh at how the dialogue reads when it's taken out of context, which takes me to something I've actually wanted to talk about for a bit:

Data Sora: Mickey! It's Riku. They put bugs in him!

Make no mistake, I'm not saying people are wrong to joke about stuff like this. But the whiplash I felt at seeing this moment become a meme was kind of insane, because it genuinely never struck me as a funny thing to hear Sora say.

Using the term "bug" to refer to a computer bug felt completely natural, and it's a much more tangible term than "glitch" which brings to mind more like, environmental or physics-based glitches. Similar deal with the word "virus," even if that would've sounded cooler.

But either way, by this point in the story, they've been talking about bugs with complete seriousness for over an hour. They've been a corrupting force that you have to fight the whole game, and when Data Riku is injected with the stuff, he screams before freezing up and staring dead-eyed into space, as shown in that screenshot.

That's freaky! And a really scary thing for Sora to have to see happen to his best friend!

So him telling Mickey what happened in a panicked voice didn't even register as a line to take special note of, because why would it? What else was he supposed to say? I was way too invested and stressed out to care about what it would sound like out of context; I was IN the context! And the context had me on the edge of my seat!

This is the case with a lot of lines in this series that get paraded around as evidence that the writing in KH is sooo chaotic, so silly, so embarrassing, so cringe. I'm not saying that every line of dialogue comes across as totally natural, the series is capable of taking me out of the experience because of something being stilted or awkward. But rarely ever when it's trying to be sincere or dramatic.

Replica Riku: Because I'm you. Riku: No, I'M me. Replica Riku: "I'm me," he says.

This is another example. When I actually sit back and watch just that first bit of the cutscene, yeah, it sounds a little ridiculous. The back-and-forth happening here is just redundant enough to follow the "rule of threes" to comedy, so I get why people get a good chuckle out of it when it's isolated to just this.

It did not feel ridiculous after watching the series of harrowing events Replica Riku goes through before getting to that point. It certainly stops being ridiculous when he follows it up with this speech:

Replica Riku: Must be nice being real. A fake like me could never get away with saying that. That's right, I'm a phony, a fake! The way I look, the way I feel, everything I remember! And even this newfound power! I thought by finding some new strength, I could finally be someone - someone who's not at all you! But... nothing changes... I'm still just empty! Everything about me is borrowed. As long as you're around, I'll never be more than a shadow!

I bring this up to segue into another point: even KH's fans have a hard time moving past their perceptions of what it should be as a Respectable Video Game. Particularly whenever it does something that's just a little too weird, or lame, for the average mainstream.

Something like, oh I dunno... putting relevant story content on handhelds?

While this wasn't intentional, both of the examples I've used so far have come from games that were originally made for the Nintendo DS and GBA respectively. I just used screenshots from their Playstation versions because I like how their body language is animated in them.

(I also wasn't intending to make both examples about Riku, it just kind of happened)

But anyway, handheld games are also something that's generally considered to be "less legitimate" than their console counterparts. This isn't to say that handheld gaming isn't extremely popular in its own right, because it is! Series that stick to handhelds, like Pokemon, are loved for their portability.

But outside of some exceptions like Fire Emblem, if a series has games on both types of systems, the handheld ones will always be considered "less mainline" by default, regardless of what's actually in them. For an example of this, I would point to the Zelda series, and how little its handheld titles are talked about compared to its console releases. Furthermore, the Link's Awakening remake (while technically on a handheld-console hybrid) decided to ditch the pixel art in favor of going full 3D, which showcases a slightly different but related stigma.

So what happens when Kingdom Hearts, a game that debuted in 3D on a home console, starts putting the majority of its story onto handhelds?

Well, a massive chunk of the fanbase starts calling them "spinoffs," of course! Even though the ratio of console releases to handheld ones literally looks like this:

(That's a 6:8 ratio, for reference, counting KH4 and Missing Link which haven't been released yet. It's even more slanted in the handheld's favor when you consider the short length of 0.2 and especially Melody of Memory in terms of story content)

And now we still have people talking about how we waited 13+ years for KH3 after KH2, as if nothing really important happened in between those two games, or as if a game arbitrarily having a number 3 on it is going to make it more important than everything else. And this is said by people who DO CARE about the games that were released during that time! What is happening!!

People loooove to act like you can skip over games like Coded or Union Cross and they especially love to complain that a series like this would even consider putting story content on a phone. And in such a cute art style?? A cute 2D art style??? How in the wORLD am I supposed to take something sEriOUsLY when it's on... the most accessible gaming device out there??? For free?????

(I'm willing to bet that some people will be slightly more inclined to play Missing Link because it's in 3D, but most are definitely going to just be asking "why isn't this on consoles" as if the story isn't intertwined with the gameplay format they chose at all)

And so we run into the same problem as the people who haven't even played the games: dismissing something as not really worth investing their time into based on surface-level judgements. Because even if you're down with KH's brand of storytelling, there are other barriers you could have to the series that it will repeatedly ask you to lower, and you might not be willing to.

Kingdom Hearts is a series that demands you get over your biases about what counts as real art to be taken seriously, or it WILL leave you behind in the narrative. Don't want to play a phone game? Don't want to even look up the story on YouTube? Too bad, it's required reading for the next ~Numbered Title~ that you respect so much. Good luck being confused the whole time.

Don't want to play a DS game? And you won't even watch the condensed movie version that we put in our Respectable Console Collection? Okay, but don't come crying to us when its recurring narrative themes seem like they came out of nowhere later on.

This is a series that does not have spinoffs, and trying to explain that to someone who hasn't played it makes it sound absurd. "The mobile games are important?" a non-fan asks, laughing at the concept. "Yeah, it's pretty stupid," the fan responds with a laugh of their own, because even after everything, how can they really engage with this story on its own terms when it makes such silly decisions? When it has such cringey titles? When it's so embarrassing to like?

I think I might've strayed a bit from the initial thesis statement of this post, but my point is that Kingdom Hearts exposes a lot of elitism in people regarding games and art. It pushes the limits of what it can expect its audience to take seriously, delivering purposeful, engaging storytelling no matter if it's 2D or 3D, a Triple-A Video Game on your Playstation console or a free-to-play phone game. Which makes it pretty darn neat, I'd say.

And also sometimes I get thrown off by what becomes a meme, because I get so invested in the story that I forget things can be funny out of context

[theeroins]

If I say that I'm not used to people misinterpreting my favorite characters, I'd be lying. But the way they get so many things wrong about Inho's character is kinda pissing me off because you KNOW that most of them do it to cancel out the possibility of InHun being *something* more than what's shown so far. You don't ship them, that's fair, frankly I don't care. Everyone's entitled to their own opinion UNTIL your opinion is wrong.

Let's talk about a couple of things I've seen being talked about on tiktok (🙄)

“Inho joined the games because ilnam said that it'd basically be more fun to play than to watch so he followed his example." loud incorrect buzzer ! Inho has joined the games before, and not only that, he's also a previous winner, so therefore he's very much aware of what it's like to be a part of it, he's experienced them first hand, just like he's experienced the atrocities of it. they've changed him for the worst and possibly caused him a huge trauma —they're the reason he's lost faith in humanity after all— so, why would he crave to relive it just for the thrill of it? i, personally doubt he even enjoys watching the game.

“Inho didn't look at Gihun with love, he likes to watch him suffer” Short answer is no. He doesn't like to watch him suffer, neither he looked at him with love, not the pure kind of love at least. Two things can be true at once. Inho spent half the season staring at Gihun because everything about the man intrigued him; His determination, his stubbornness, his kindness, his hope, his heart that's full of love despite the pain he suffered, even the pain in his eyes every time someone got eliminated in front of him as if it was the first time it had happened, as if the cruelty of it all surprised him every damn time. How can someone, who's been through the same things Inho has been through, be the polar opposite of him?

now, the reason(s) that I think Inho actually joined the games for..

(yes I am an Inhun shipper, does that make my opinion a little biased? maybe. do i still believe I'm right? absofuckinglutely.)

Let me clarify this: Inho is NOT a good man, no matter the redemption arc he might get in s3, he'll continue to be a terrible person because nothing will ever erase the blood he's spilled and the evil men he's worked for. BUT at the same time, he's not ALL bad, not like the VIPS and ilnam. See, Inhun are the average "yin-yang" trope in fictional romance, (which I eat up every time and I find it very interesting when it's done the right way, don't get me wrong) Inho is bad but there's some goodness somewhere deep inside him. And the only person who's brought it to the surface is Gihun. Sure, he does think Gihun is naive, but he's also the only person who's actually challenged him, who's "forced" him to get his stupid head out of the dirt and look around him, even for a short while and Inho definitely liked what he saw. Honestly, it wasn't even that hard for Gihun to do so because the goodness in Inho wanted and waited for someone to pull him out of the dirt, he wished for someone, something to give him hope for humanity or.. anything. Anything that'll help him escape from his misery.

You can definitely argue that he joined the games to befriend Gihun, to gain his trust and stop his plans when the time comes, which is half true. But keep in mind that he needed to justify his choice to join the games. He's not a VIP nor the mastermind to simply get to do that without consequences. He's the frontman, the one who controls and manages everything. He's needed for the games to work and go by smoothly and successfully without unnecessary losses and problems. Gihun would only cause problems, Inho knew that very well and yet he chose to put him in it once again. He recklessly made that choice, risking pretty much everything because of his inner conflict. A part of him wanted Gihun to prove himself to him, that there's indeed good that'll save the world and the rest of him wanted to prove to Gihun that everything he so strongly believes in is merely a fantasy.

Joining the games and befriending Gihun was the only way for Inho to see the real him, without the heroic mask he puts on every time he faces the frontman. I think he believed that someone as extraordinary as Gihun will either break in front of him and he will end up disappointed by the human kind once again, or Gihun will change everything about the way he thinks for the better. But the problem is that Inho hopes for both of those things at the same time.

And that was Inho's arc in season 2. His inner conflict and how it will affect him, the game and Gihun later on.

[causeimcrayzeebee]

Wolfgang Akire through the lens of the law: an analysis

i would like to give a disclaimer that while im very interested in the law, im not a lawyer or in law school. my knowledge comes from the few law classes i have taken, participation in a couple mock trials, and some personal research, so please take this with a grain of salt! if im missing something or saying something inaccurate, please let me know! i am always open to learning more!! not to mention this is my understanding of law in the United States, so this may differ by country.

in the end, this isn’t meant to be too serious, just using the knowledge i do have and applying it to p:eg!!!

okay now spoilers for the prologue and all of chapter 1!

well ig before we get into it let me say rest in peace a king... I will miss you, you hypocritical bastard........

alright, so firstly, let’s consider Wolfgang’s character profile.

two things stand out to me here. the first is how he has “successfully defended over 200 of his clients without dropping a single case.” we can infer that Wolfgang is a criminal defense attorney. it’s possible he could be a lawyer in the civil law sector instead, but considering his strong feelings about murder and crime, and the fact that this is Danganronpa, it leads me to believe he is a criminal attorney for the sake of relevance (I don't think any of us would care if he were a corporate attorney after all).

now, that sentence you just read is particularly interesting in the case of Wolfgang Akire. From the prologue's mock trial, we can see that Wolfgang feels very passionately about murder, condemning the murderer even without insight as to why they committed the crime, instead big on retribution and justice (which the definition of could definitely be debated). Yet, as a defense lawyer, Wolfgang would have been defending people from criminal accusations, from anything to armed robbery, arson, or murder. we’re not particularly sure on his view of other crime, but we can assume he also has a similarly negative view of it that he has of murder. out of 200 people (within such a short time span of finishing law school too), what are the odds that out of all 200, not one of them was actually guilty? of course, lawyers have the ability to drop or not take on cases, but as his profile says, he hasn’t dropped a single case! it’s quite possible he had complete faith that every client was innocent, but with the evidence and files he’d have to go through, he had to have seen something that was damning and prepared accordingly to address in the most sympathetic way possible to avoid prosecution winning their case. and that's the thing with Wolfgang; his job requires building sympathy for the accused, and it requires sowing seeds of doubt in prosecution's case. there had to have been someone that he was defending from an accurate charge(s). so whether he knew it or not, he has very likely defended people guilty of crime; and yet, he still feels very adamantly against them.

Here's where I fall short on my analysis; I honestly do not know what to make of this conclusion. his behavior and his ideals are almost contradictory in a sense. is this insight to wolfgang's clear hypocrisy? but what does that really say about him? I'd love to know what any of y'all think in regards to this :0

Now, the second thing that stands out to me is that he wants to make sure that everyone is fairly represented and make sure logic and evidence drive the discussion. While this does seem to be true, the mock trial shows that he lets his feelings become a big part of the discussion as well. everything he does screams prosecutor to me, so it was shocking to find out he works as defense. Wolfgang has a very interesting way of viewing things, almost dichotomous, unlike what his profile says. it's similar to the format of a trial, where it's not meant to be a team working together to find the complexities and nuance within a certain issue, but rather an attempt to prove your point and disprove the other side. trials aren't supposed to be a discussion where everyone reaches the truth together (Danganronpa trials are not very accurate but of course I don't think they were intended to be in the first place), they are for you to win your case-- as a defense attorney, its poking as many holes into the prosecution’s case as possible. (little fun side note, this is very similar to how debate works; Wolfgang and Damon are a lot more alike than one would originally think.)

Considering all of this, it makes me wonder if Wolfgang was intentionally trying to split the group apart,,,, because it's easier. because it makes more sense. as defense, lawyers may pin the crime on another, but without the burden of proof that prosecution does, they can sling out accusations to increase doubt on prosecutions case without having to actually prove it (that would be left for a separate case). it's easier to divide a group and have a bunch of people follow you while isolating the 'other side', and with that division made, it's more likely someone you isolated will be the 'villian' anyways; and in this case, this was true-- Eva, who has been socially ostracized her whole life, was driven to murder to protect herself from the blinding fear that everyone was out for her (even if that wasn't entirely true). this could be just how Wolfgang has gotten used to going through his life. maybe the bad habits he picked up from his father were the divisive kind of us vs them mindset lawyers have to have in a courtroom.

speaking of his father, let's address the motive-- there's so many things that Wolfgang's blackmail could be about; faking his law degree, not taking the bar exam, defending horrible people, the list goes on. Honestly, a scenario i have considered is that it's about him defending his father for a crime he actually did commit, yet winning the case; or his father commuting a crime in general and winning his case, leaving Wolfgang conflicted as that is the sort of thing he does all the time, yet his father had just taken away his mothers life and gotten free (this is very much just me guessing a possibility though). when Wolfgang was hallucinating, he says he's not like them (to diana who he thinks is someone else) and he'll never be like them; It's most likely that he saw his father. the theory I'm going with right now is that his father was at the very least heavily involved in the likely murder of his mother (thus bring her back in reference to his mom). his father was probably also a lawyer and may have pushed wolfgang into going into the field himself, especially when he sent him to law school as a teenager. maybe Wolfgang wanted to live up to the expectations his father had of him. who knows exactly what Wolfgang wanted everyone to know him as, it was probably a long the lines of a competent lawyer. but, as of right now it's all speculation (objection! haha.... that was not funny my bad), so again, I'd love to hear some thoughts.

Another little funny thing i'd like to note is when Damon and Eva come back to the dinning hall and Wolfgang asks where they've been, Damon responds saying it was for discussing the motive. He's internally smug about how defeated Wolfgang seemed to be by that, and I thought that the funniest shit; very similar to being on cross examination, thinking you have the witness in your hands, when suddenly they wiggle out of your accusation. he's so real for that.

that is pretty much all i've got so far! let me know what y'all think and thanks for reading!!! :)

[pro-sipper]

Had such a fun conversation with my therapist today. Honestly I'd been wanting to bring up the whole pro/anti debacle with her just to see what she'd say and how it would stack up against what proshippers and antishippers have to say about therapy online. No points for correctly guessing which side she agreed with

I talked about my job for about 3/5ths of the time there, then segued into The Discourse by telling her about how I'd been writing daily during the first two weeks of my new job, but hadn't been as active lately

And I even asked her if she had any other chronically online clients she talked to and she reassured me that she had plenty, and even one who had kind of explained this whole debate to her before (from a proshipper stance, and how she lost a friend over it)

I explained my whole issue with her about how fandom is so deep into purity culture these days. And how reckless and raunchy it was in the 00s and how I don't want to go back to that, but there's got to be some middle ground somewhere.

I told her about some of the stuff I've written and all the weird or nasty comments I've gotten on it and how that can be discouraging. And I told her that most of my works are smut, and of those smut works, all of them have at least a little sprinkling of trauma in them. And she said that can be a good way to look at things. And used a real life example of how something could be awful but there could be good things about it too. Specifically saying that nothing is just black and white, everything has shades of grey. And that digging the little good out of the big bad is a positive thing, actually

And I told her about being a young teen and reading a fic with incest in it and having the sense not to immediately jump to "I want to recreate this in real life" and she was like "Yes, exactly. It's like this one book I read, umm..." and I was like "Flowers In The Attic?" just as a guess and she was like "Yes!" and said just because you read about something doesn't mean you want it to be your reality

And I did my best to explain the whole concept of how some people seem to think that everyone engages with fiction by putting themselves in the shoes of the main character, so if the main character is doing awful things then you must want to do awful things too. Which of course she said was in no way true

And she told me that she was such a big fan of horror movies and loved to watch those as a way to relax and unwind bc it gets her mind off her work, but that doesn't mean she wants to be a killer lol. And I had to be like "Oh no you don't understand. They think killing and torture and cannibalism is totally fine, it's just when you bring sex into the equation that people start freaking out" and she was confused at that lol

And of course she thought it was ridiculous that people can get called a pedo or a groomer or whatever other awful things over fictional stories.

So yeah it was a fun and reassuring conversation. I know I'm leaving some stuff out but I can't remember any more specifics of what was said. Plus I was talking a mile a minute bc I wanted to say everything on my mind before time was up asfdsfs it was a monumental task.

OH and I even brought up how people will literally say "well my therapist said..." just for some other people to accuse them of lying or saying their therapist is corrupt or some other bullshit which she was understandably aghast at. Because she is a licensed therapist who went to Therapy School and knows better, and is not a magical villain promoting propaganda fed to her by Big Proship to corrupt her clients. You know how it is <3

[thechekhov]

Hello! I'm a big fan of your work. I wanted to ask for advice / thoughts about an art problem I've been struggling with that you seem to have at least some sort of solution for?

So basically I'm an animator and digital artist (hobbyist), and I'm constantly coming up with new ideas for things to make. Only problem is that most of these ideas would take up to or longer than 2 months to make because, yknow, animation isn't quick, especially if you want to take your time to make it good. But with so many ideas that all take so long to complete, I often find myself tied and frozen as I can't decide what's most worthwhile to start first. I passionately want to complete all these projects, but my inspiration for each one waxes and wanes in a way I can't control, and I've just been stuck for several months. You juggle a lot of projects- not all of them art, but it still seems applicable here. This is excluding other life responsibilities like work and stuff, I don't have problems with getting that stuff done. This is purely within my creative hobby.

If u can't say anything thats fine I'm just curious- You have a massive output with great quality. Thank you!

This is a very kind message, and one that humbles me a lot, because although I'd love to bestow upon you some sort of advice that might help, or give words of wisdom..............I feel like that would be fake of me because

I also suffer from this very same thing

That is to say, this part of your message:

my inspiration for each one waxes and wanes in a way I can't control

It rings true for me too! I think it might ring true for many others as well.

There are stories in my head all the time. There are stories, and concepts, and IDEAS and they are all so shiny and new in the beginning, and then they slowly peter out and, since I frequently don't have time to do anything about them, they fade into the background.

I have enough trouble with this in terms of COMICS (also a lengthy medium, though less so than animation, which, OOF, you have my condolences, you are stronger than I) that I have started to just come to terms with the fact that some things are not meant to be.

Which is, I think, one of the small bits of advice I can give.

1. Some things may just be ideas, and that's okay.

I think one of the best ways that I've learned to deal with Idea-Death is making it count towards something in the future. That is to say, using them as compost.

In order for this to work, you have to actively put your ideas into the compost pin instead of the trash. That means maybe investing in either a notebook, or a sketchbook, OR just a discord server for yourself where you organize ideas and dump them all into a channel to scroll back through later.

It may seem useless at first, but honestly, it can be satisfying to PUT them somewhere instead of letting them fade away.

Plus, you may one day scroll through them and rediscover an idea at just the right time. OR you may be inspired to take parts of an old idea and repurpose it for a new idea that you DO have motivation for.

However, there's also this part, right?

I've just been stuck for several months

I.......feel this. Sometimes I, too, feel stuck for several months. There are times when even if I WANT to work on something, I just don't have the time. It takes too long to finish!

.........which is why I recommend the following:

2. Don't finish. Just start.

Now, this is the toughie. I can't exactly say that it would work for everyone. But I have learned that I am WAY more likely to return to a project and work on it again sometime in the future if I actually DO something for it the first time I get inspired.

I have SO MANY things that I have not published in my folders. I have sketches of gifs that are 10 frames long. I have concept art sketches boldly labeled with project names that will likely never get off the ground. I have Googledoc files with summary and plot outlines for stories I'll probably never write. I have discord channels with random ass concepts and a few sketches for characters.

And what I have found is that if I just WORK on these ideas when I feel like it, they are more likely to survive, even if they don't thrive right away.

I'm also a huge proponent of Procrastination Rotation.

That is to say, I have so many projects I COULD be working on, that if I ever feel frustrated or stuck on one thing, I just shift myself slightly to the left and do another thing instead. I almost never force myself to work through a block (save for a few money-motivated deadlines) just to complete a thing.

Stuck on a comic? I'll go write a few lines of fic. Unsatisfied with where the fic is going?

I'll go sketch out an illustration. Incapable of finishing an illustration?

I'll go google some references for another comic project and slap them all into an image file for later, so that I have SOMETHING in place for when I want to do studies.

And so on and so forth.

I have comic ideas, and comic sketches, and 30+ pages of original comics sketched. I don't know if they'll make it. It would take a lot of work.

But it also takes very little work - just a few extra pages sketched while I'm bored for an hour. Or a bit of lineart while I listen to a podcast. Or just a doodle somewhere which I snap a pic of and add to my discord channel for that project.

Will it work for everyone? Probably not. But I think that our creative culture is sometimes too attached to a linear production style. The truth is that art, or illustrations, or animation, or comics - none of it has to be on an assembly line. It can be tinkered with and put aside. And then, maybe, picked apart for scraps.........or maybe made into something new!

I don't know if that helps you at all, but I hope it at least helps someone.

And good luck with your animating!

[genoskissors]

The Hundred Line: Last Defense Academy - Initial Character Thoughts

This is going to have a lot of Danganronpa comparisons, name analysis, and just my overall thoughts on each character before the game is out. Feel free to comment your own thoughts!

Darumi Amemiya (飴宮 怠美)

"A young woman known for her mood swings and obsession with all things dark and depressing. She's a big fan of killing game stories and has no fear of death. If she has to die, all she wants is a death that's as dramatic and flamboyant as humanly possible."

Crazy thing I'm about to say, she reminds me of Genocide Jack. She sticks her tongue out a lot and seems to be completely desensitized to anything regarding death. It makes me think she's just desperate for a thrill in her life.

I don't really like her design but I think if the vibrant colors were turned down, it would be much better. I do enjoy it in a way, being able to dress however you want reveals a lot about someone's confidence. I love how she looks in her other outfit and I honestly think if her shirt was less white, I'd love her hair.

Ame means candy, miya means palace, daru means lazy, and mi means beauty. Daru is not common in names, so it definitely has a meaning. This name doesn't have any straightforward meaning to me, but I suppose Darumi is a more unique character. Her name might make sense later. I do theorize, for the lazy part, she was bored before getting into dark stuff, kinda like Junko.

Eito Aotsuki (蒼月 衛人)

"Takumi's most trusted ally. Eito cares very deeply for his friends and isn't shy about expressing those feelings, corny as they may sound. He's been weak and sickly since he was little, but his impressive intellect might be just what the team needs to guide them through the war safely."

We are all thinking about the exact same image. Anyway, I think I'll love him because it seems he has a bit of a crazy side as well (I love crazy people). He's also very forward and compassionate, so I'll enjoy seeing both sides of him.

He looks like one of Nagito's beta designs which I think tells me everything I need to know. I find him cute but his jacket being the same color as his skin kinda throws me off. I'm also curious as to why he wears gloves, he's dressed like it's winter.

Ao means blue and tsuki means moon. His first name is interesting, as the kanji for Ei is the same kanji used in the game's title, meaning defense. To means human and is also a common ending for a boy name. I find the term blue moon fitting for his appearance, and I assume his role in battle will mostly be defense.

Gaku Maruko (丸子 楽)

"A guy who's true to his personal desires (to put it delicately). He's a coward and always looking out for himself. However, there's something so refreshingly honest about his pettiness that it's hard to hate him. Gaku's also good at taking care of other people once he opens his heart to them."

I will not lie, I don't think I'm going to like him. I'm okay with a character being a coward and I'm okay with a character being selfish, but both does not seem like a mood maker to me. I think I'll find him annoying but I'll be happy to be surprised.

He's got some patchwork in his clothes, so I think he might come from a troubled past. His shirt is really stupid looking though, but it's stupid enough to circle back to being slightly cute.

Maru means round and ko means child, but together, Maruko is a type of meatball. Not exactly the same as Western ones, but very similar. Gaku means comfort. I think his first name goes well with the fact he takes good care of those close to him. In Japanese, Gaku is also a homophone for the word school. As for Maruko, I don't know.

Hiruko Shizuhara (雫原 比留子)

"Leader of the Special Defense Unit. A cold, almost heartless beauty, she always says what's on her mind, even if it means offending others. She's just as merciless on the battlefield, where she gets a twisted sense of pleasure from tearing invaders apart."

She enjoys murder, I think I'll like her. I'm very curious as to why she's considered the leader of the group. The way she's described as merciless on the battlefield makes me think she has murdered before. Maki but a little more crazy (I love crazy people).

She has a lot going on that I really enjoy, the piercings, the makeup, the hair clip. She's also 5'11, which I think will be funny next to our 5'6 protagonist.

Shizu means droplet and hara means original, but is also just a common ending for Japanese surnames, like Saihara and Gokuhara. Hi means compare, ru means remain, and ko means child. Hiruko, spelled 蛭子, is also one of the names of Ebisu, a God of fishing, wealth, and fortune. Ebisu also uses the kanji 比, which is in Hiruko's name. Her last name is also water related.

Ima Tsukumo (九十九 今馬)

"One of a set of twins - Ima is the elder by a few minutes. He acts like a carefree joker, but underneath that humor is a hint of something darker. A hardcore siscon, he thinks of nothing but protecting his sister. If anything or anyone dares to threaten Kako's safety, Ima will show them no mercy."

This might ruin people's perception of me, but I don't care that he's a siscon. Like at all. It might be an uncomfortable attribute but after four Danganronpa games, I could not be less phased. I think I'll like him since he seems silly but also a little crazy (I love crazy people).

One of the cutest characters here. I thought he was a girl at first but he just has luscious eyelashes. I love the color of his hair and the streaks in it, I think they go well with his eyes. His sprite here looks very chummy.

Tsukumo means ninety-nine, which is one less than a hundred and how many days they have left after day one. Ima by itself means now but his name only uses the “I” part of it and then uses horse for the ma part. Basically 今 = Ima and 今馬 = Ima. It would be the same with or without the last kanji, but I assume it's there to make it seem more like a name. However, I can't help but connect him to Oma.

Kako Tsukumo (九十九 過子)

"One of a set of twins - Kako is the younger by a few minutes. She's prone to spacing out, but also has a keen mind and a healthy sense of curiosity. Kako is a big fan of mystery stories and wants to be a private investigator when she grows up."

She seems like a regular teenager to be honest, but the spacing out and solving mysteries reminds me of Chiaki. I think I'll like her, but I can't really pin her personality based on this description.

I adore her hairstyle and her bow. The color of her hair looks really nice with her eye color. Funny enough, I didn't realize her and Ima were siblings until I saw the eyes. Like the uniform did not give it away for some reason.

Like her brother, Kako's last name means ninety-nine. The kanji for ka means past, contrasting the meaning of her brother's name. I like to theorize there will be a character named something including future, but that's a reach. Ko means child, it's a very common ending for female names. It might just be to make Kako seem more like a name, but perhaps it also represents childishness.

Kurara Oosuzuki (大鈴木 くらら)

"The scion of one of the most wealthy families humanity has ever known. She's proud, overbearing, and acts like she's better than anyone else. She always wears a strange tomato mask, never showing her true face."

I like the proud type of character, someone like Miu or Byakuya. She seems to be more focused on degrading others than uplifting herself though, but that's just based on her quote. I also really want to see her face but oddly if it's never shown I won't be disappointed.

I don't really care for masks that completely cover a character's face, I like to see at least some parts, but the fact the mask expresses emotions makes me content with it. I also thought it was a Jack-o-Lantern at first, but I guess it's just a scary tomato? The rest of her outfit is nice, fits the rich girl thing.

Oo means great, suzu means bell, and ki means tree. Suzuki is a very common Japanese last name, so adding great in front of it makes sense for her prideful personality. Kurara is a type of plant that is very bitter. I assume this will also relate to her personality.

Kyoshika Magadori (凶鳥 狂死香)

"A young samurai who's utterly clueless about the modern world. Has never even heard of multiplication tables, let alone learned them. She has a disturbingly close relationship with her katana, the Holy Jumonji Sword."

Kyoshika is who I think my favorite character will be. She's very Tenko like, a character I love very much. Her birthday is 11/11 which I hope is a joke about how she cut 1111 perfectly in half. While she isn't very modern, I can still see she has a reliable personality. Her name also hints she might be a little crazy (I love crazy people). Lastly, Ninja's are cool.

I love her outfit, especially the katana on her hip and the huge cape. She also has a normal ponytail, not often seen in Danganronpa. I like how her ponytail looks like a shuriken. Her face reminds me of Maki a bit, another character I love. I also love the colors. I just really love her so far.

We have a very straightforward name here. Maga means bad or unlucky and dori means bird. Unlucky bird? Crows are often associated with death, but that might not be the message it's going for. Kyoshi literally means crazy to death. Ka means scent, but is also just a common ending for a girl name.

Moko Mojiro (喪白 もこ)

"A young woman who is blowing up on the high school pro wrestling scene. Her courage and boundless energy is a source of inspiration for the entire Special Defense Unit. Whenever she has a problem, she faces it head on. She didn't choose the wrasslin' life - it chose her."

Her personality reminds me a lot of Aoi. Probably with more courage though. She seems like she'll get along better with girls than boys. The boundless energy makes me think she'll be fun to play, but we'll see.

We finally got ourselves another buff woman, Sakura fans rejoice. I like how her hair, face, and outfit are cutesy, it shows she can be physically strong while still being girly, something Sakura wanted.

Sigh... I don't get her name at all, Mo means mourning and jiro means white. Her first name is in Hiragana so I don't know the exact meaning, nor do I really have an idea on her last name. I thought about Peko and how pekopeko is an onomatopoeia. Mokomoko is an onomatopoeia for something thick and soft. Not sure if that relates to her personality. I'd say her last name is a death flag but everyone dies in this game so that doesn't mean much.

Nozomi Kirifuji (霧藤 希)

"A high schooler who combines a kindhearted nature with dogged determination in battle. She's very passionate about the Special Defense Unit's mission, but also seems to be hiding something. For some reason, Nozomi is identical in appearance to Takumi's childhood friend Karua."

I'm a sucker for characters hiding a big secret, so I'm excited for hers, I assume it's related to Karua but how so? Much to think about. She's kind and passionate, so I think she'll be very easy to like as a character.

Cute, cute, cute, cute, cute!!! She is adorable from her hair to her shoes. I really like her hair especially. Her name is cute too. I think she's my favorite design overall, it's pleasing to look at.

Kiri means fog, which, like Kirigiri, I believe represents the mysterious aspect of her. Fuji means wisteria, which are purple just like her. Nozomi means hope, which is a name I was surprised Kodaka never used. I always thought Nozomi would be a great name for Chiaki, but I'm getting off track. Overall her name is peaceful but mysterious, fitting her description.

Shouma Ginzaki (銀崎 晶馬)

"A young man who, by his own admission, has absolutely nothing going for him. On a scale of one to ten, his self-esteem's at negative five. He's constantly putting himself down."

It seems like a lack of self-worth is gonna be his whole thing. I'm not really looking forward to it. Nagito did it too, but was also a very positive person, but it seems Shouma is just depressed. I just don't want everything he says to be about how he's worthless.

His design is okay. I think I'd like it better without the hat but it's not too bad, just makes him look a little immature. I do think his face and haircut are cute. He's also very small.

Gin means silver and zaki means small peninsula, but is mostly associated with being an ending for a surname, so I doubt it changes the meaning. Shou means crystal, and like in Ima, ma means horse. The silver and crystal parts are definitely connected, maybe he's wealthy? Or maybe it symbolizes his personality instead. Not very sure.

Takemaru Yakushiji (厄師寺 猛丸)

"An old-school delinquent who lives to ride and rides to live. Despite his rough-and-ready demeanor, Takemaru's really a nice guy on the inside. Impulsive, straightforward, and honorable to a fault, he's sworn to never use his strength to bully the weak."

He seems like a generally good character but I can sense there will be a lot of him yelling. Honestly, he just seems a lot like Mondo to me, so I don't have much to say. I like Mondo but I'm not sure we need another one. Also he says he doesn't hit girls, kids, or the eldery, so first thing I know is he sees girls as weak.

Give him the corn hair and he's literally Mondo. I do like Takemaru's hair though, it's kinda cute. He's got a lot of scars on his face, so I feel like he might be a little reckless. All the characters have dull skin but I feel some vibrance would do him good.

Yaku means disaster or evil, shi means master, and ji means temple. The temple part adds up with the old school aspect, like in Saionji and Shinguji. The first part likely just represents him being a delinquent. In his first name, Take means fierce and maru means round. I think this is mostly just a pun, “Takemaru Hair” is a hair style associated with delinquents.

Takumi Sumino (澄野 拓海)

"The main character of this story. A completely average high schooler from a completely average family. He can be a little indecisive and pessimistic at times, but when he has something to protect, he'll fight with everything he's got."

Classic average high schooler as our protagonist, expected for these kinds of stories. I'm in no way a hater of the archetype, I love Makoto, Hajime, and Komaru lots, so I think I'll like him too. His introduction is pretty negative, but I find pessimism to be an endearing trait, so I feel like I'll love him.

I'm not really a fan of the bright red hair, but it's not bad. I would like if the red and black in his hair switched. Also, classic ahoge. I find his eyes beautiful, they're very sharp, great for a pessimist. Not much to say about his outfit.

I don't know why but I really like his name and the kanji used in it. It just sounds and is written nice. Sumi means clear and no means field, but it's also just a common ending for surnames. Taku means opening land and mi means ocean. I think the opening land part fits the fact he's in a new place and the sea is more metaphorical for how vast it is.

Tsubasa Kawana (川奈 つばさ)

"A young woman who knows a lot about machines and what makes them tick. She had a bright, lively personality, but isn't good with stressful situations. When she gets nervous, she gets nauseous, and then..."

She is so cute I already know she'll be one of my favorite characters. She's energetic and social but gets sick when nervous, I can very much empathize with her... If this game has things like free time events, I'd like to spend some with her.

I absolutely adore her design. Her hair is beautiful, her entire outfit is cool, I like the way she carries herself. She also has the classic Danganronpa mouth mole, a need for all of Kodaka's games. Her necklace thing is odd but I'll look past it.

Kawa means river and na means doubts, however, the kanji for na isn't really known for its meaning and is mostly associated with being a part of a name. The last sentence implies she throws up when nervous, so, for lack of better phrasing, maybe the river represents that? And doubt is what fuels that nervousness? I think I'm reaching here. Tsubasa means wings, which I think is bright and lively like her personality.

Yugamu Omokage (面影 歪)

"A striking young man who's been in the business since long before the war started. Unlike the rest of his family (who are also assassins, by the way), Yugamu believes that killing should be done with love. He enjoys torture and other immoral forms of pleasure."

He's crazy like for real crazy (I love crazy people). His description makes me raise an eyebrow about what exactly "immoral forms of pleasure" are but I won't make assumptions until the game is out. He kills for love which reminds me of a character I love with all my heart. He'll never compare to her but it's okay.

The outfit is very nice but the random organs are a bit odd. That's probably the point, but it's just really random. I find him ugly and I love it. His hair is also bad and I love it. I love this ugly boy.

Omokage means face shadow, referring to imagining someone's face with your mind. Kind of like imagining someone, usually dead, is there with you. Yugamu means distorted. Another on the nose name. Remembering a face but it's distorted, could refer to his own scarred face, or perhaps forgetting what someone who has passed away looks like. He has a strong connection with love, so perhaps someone he once knew. It likely just refers to his own face.

Sirei and Nigou (ＳＩＲＥＩ) & (ＮＩＧＯＵ)

"The principal and commanding officer of Last Defense Academy. To put it another way, a weird little robot that orders the members of the Special Defense Unit around. Under his command, Takumi and the others will be working to wipe out the mysterious School Invaders." "Sirei's assistant and second in command. An odd little robot that has a gentle, caring personality, but is also prone to making careless mistakes. He's completely loyal and subservient to Sirei."

I'll keep it short and simple, if these two aren't funny I won't care for them at all.

I kinda like their designs. It's unique how you can see their brain and heart, but I think that's because those two are the most vital organs. Also, what's with Nigou's lips? I don't even know their gender so I'll just use they/them for the time being. The English description says "He" but the Japanese text doesn't explicitly use he and there no other instance to use.

Their names are romanized in Japanese as well, so they don't have an obvious meaning, but I have a theory! I believe Sirei is 司令 “Shirei” meaning in command and Nigou is 二号 “Nigou” meaning number two, as in second to Sirei. Sirei and Shirei are pronounced the same in Japanese.

Final Thoughts

I'm hyped for this game. I haven't talked about the gameplay aspects but my absolute favorite thing in games is multiple endings. A hundred endings is a paradise for me. A lot of the sneak peaks leave me curious, so I'm excited to play it. April 24th! I think I'll enjoy the cast. I also like the majority of Kodaka's characters because they're so complex, so I have no doubts about loving this new cast.

Sorry for any spelling errors, this was a lot to proofread.

[thisapplepielife]

Written for @steddieholidaydrabbles.

Click, Click, Click

Prompt Day 29: Fairytale | Word Count: 734 | Rating: T | CW: Post-Apocalyptic | Tags: Canon Divergence Post-S4, Hurt/Comfort, End of the World, Survival, Just the Two of Us, The World is Bleak, But We're Together

Set in my connected one-shot End of the World AU 'verse, but can be read standalone.

"If I click my heels three times, do you think we'll get to go home?" Eddie asks, and Steve laughs a little too loud. He shouldn't. They're hunkered down, hidden out of sight, in an abandoned house.

It's been 813 days. 

At least Eddie thinks so. He's tried to keep track, but there were a few days where he was feverish and barely lucid. 

Eddie knows it's at least been two years. That much he's certain. But he can't ask Steve. Steve won't talk about it. 

Because Steve thinks there's a way to fix this, a way to revert everything back to the way it was, and Eddie knows that's not true. That's a fairytale. Especially after 813-ish days.

"You could at least try," Steve banters back. He's tired, they both are, but he's still got his sense of humor. At least most of the time.

Steve's filthy, not that Eddie isn't, but seeing Steve Harrington with greasy hair hanging in his eyes wasn't something Eddie ever predicted he'd see in his lifetime. Running water is a thing of the past, and they haven't exactly found a safe source of water to bathe with in a while. Everything they find has to go to drinking.

Running water. A luxury he took for granted, even in the worst parts of his childhood. On a long list of things he misses from the real world, running water is near the top. If they ever get back to their version of Kansas from this shitty version of Oz, Uncle Wayne instead of Auntie Em waiting, he's taking the longest, hottest shower in history.

But for now, they're still following this shitty yellow brick road, but it's more as if they are in the book version of Oz, not the story MGM polished to a sanitized shine. No lions, tigers or bears.

That'd be preferable, honestly, after dealing with demogorgons, demodogs and demobats, oh fucking my, indeed. 

Eddie's given up hope that they'll ever find anyone else out here ever again. But at the same time, they can't be the only survivors. That's too implausible. But it sure feels like that now. Steve keeps them moving. Searching. He hasn't given up hope.

And Eddie'd never give up on Steve having hope, so they'll forge ahead. As long as Steve doesn't start hacking off his limbs to become the tinman, well, then they're still ahead, no matter what this world is, or isn't.

"That stove looks like something out of Hansel and Gretel," Eddie comments, and Steve laughs again. There are dishes piled on top of it. So, Eddie thinks someone survived here, at least for a while.

"I'd eat some Hansel or Gretel about now," Steve says, flippantly, and Eddie grins. The world is bad, but it hasn't gotten that bad, which Eddie is grateful for, because he's the only other person around to end up in said stove.

"I'd settle for some of the witch," Eddie banters back, and Steve smiles. They're okay. They're still okay, Steve sitting next to him, clicking that stopwatch he always keeps in his pocket. 

Click, click, click.

The numbers ticked over an hour. And Steve kept trying.

He's reset it so many times since.

Eddie isn't sure he fully believes the tale that goes with it, but Steve does, so he'll never contradict it. Time travel? Eddie had died? And now, instead, everyone else died? Vecna taking over the earth is Steve's fault?

There ain't no way. Eddie will never believe that.

Steve's just cracked a little. Which, understandable. They've been through hell and back.

Click, click, click.

Nothing happens. Nothing ever happens.

Steve puts the stopwatch back in his pocket, buttoning the pocket closed. A nightly ritual that never produces any results. Even still, Steve's determined to keep it safe. Eddie thinks the only thing Steve protects more than the stopwatch is Eddie himself.

"Tell me a story," Steve demands, and lays his head down next to Eddie's on the bunched up duffle bag they are using for a pillow.

It's not much, but it's better than the ground.

Eddie's imagination hasn't truly run wild in a while. Maybe not since before he ever heard the cursed name Vecna, ripped from the game he once loved, and thrust right into the real world. With real consequences.

But he misses telling stories.

So, he'll try. For Steve.

"Once upon a time..."

If you want to write your own, or go see more entries for this challenge, pop on over to @steddieholidaydrabbles and follow along with the fun!

[factcheckingmclennon]

cynthia's take on john & paul: fact or fiction?

"John never looked at anyone the way he looked at Paul."

-cynthia lennon

this quote gets passed around a lot. a Lot a lot. it's in compilations, it's on twitter, it's in youtube comments...

did cynthia really say john never looked at anyone like he looked at paul?

from everything i can find?

this one comes in from an anon! and a few people talking about this quote when i brought up the idea of making this blog/brought up the amount of unsourced things in this fandom

well, anon, i found the origin of the quote- at least this iteration of it. i came to a bit of a dead end that i'm not sure is a dead end, but i'll share what i found!

disclaimer: these all come from tumblr posts around 2014. this is old enough that i'm willing to link & name the users involved but if you know them or are them & would like any urls/names taken down, let me know! for now, it's staying up for the sake of answering the question "where it originated from"

so the original post that this all seems to circulate from comes from a tumblr post on january of 2014 (source)

the rest of the post is mostly speculation from the op about john being bisexual with some other quotes in there (some real, some i'm unsure on as i've never deep dived on them)

a few months later, they were asked about the source of the quote bc people were evidently already coming up blank

buffysommers-blog: That quote you site from Cynthia Lennon, "John never looked at anyone the way he looked at Paul." Where is that quote from? I've seen that quote repeated often but I've never once seen a source for the quote (was it from one of Cyn's books? an interview? with which publication) so I'm not yet convinced she actually said that. theforgottenmadcap: Hi, if I remember rightly I read it on here, I think it may be from an interview with her, as I've got both John and A Twist of Lennon and don't remember it from either of those.

(source)

however, this is where i ran into a road block. given that the op thinks it might be from an interview, i spent a good few hours listening to rare cynthia lennon interviews that haven't been transcribed on double speed. nothing there (although there were some pretty interesting quotes in them- including her calling them twins lol). and this exact wording isn't found in any of her interviews that Have been transcribed, as far as i can tell.

so there's a few options here. 1) this is completely made up & this answer was just a handwavey copout (not the answer i'd like to believe & not one i think is most likely honestly bc generally i don't think people have bad intentions) 2) they did indeed see it somewhere else on tumblr & that blog is the true origin of this quote for whatever reasons. i just can't find anything older or 3) it is in fact from a cynthia interview, just not worded exactly like this since it seems theforgottenmadcap wasn't directly copy-pasting and was just quoting a quote they saw around from memory.

if anyone winds up finding anything older or a cynthia interview with some similar statement, do let me know! or something older with similar wording.

but for now, putting this on the "fake" shelf

[loveinhawkins]

for the one word ficlet prompt thing!!

I'd love to see something steddie with the word "sun". not picky about how you use it and im good with whatever season you'd like! 💕🌻💘☀️

pre season 3 crossing paths in high school, my beloved ☀️💕 ao3

There’s a blind spot just on the outskirts of the school grounds, before you get to the woods: a little hill that if you sit at just the right angle, back pressed up against the grass, no-one can see you. Eddie goes there whenever he needs some peace—like now, reading alone during lunch. He can still hear the distant laughter of students floating along on the breeze, but it’s far enough away that it doesn’t intrude as he reads.

The air smells like summer’s approaching. His fingers skim through drying blades of grass; they feel almost as delicate as pressed flowers.

Despite the calm solitude, the words aren’t going in—and he knows that with the right teacher, he kinda gets Tennessee Williams, but Mr Hauser’s gone, and he was the only one who allowed Eddie free reign to go wild when reading aloud in class, every other sub since then would say he was being disruptive and… okay, that was true some of the time, but most of the time it was because it helped, damn it, gave him at least some hope of scraping a pass—

A shadow falls across Eddie’s page—it doesn’t loom in the way a teacher’s stance would, but he still jumps at the suddenness of it.

“Jesus!”

Eddie tips his head back against the hill, cranes his neck to look upside down. Squints against the sun.

It’s Steve Harrington, and he must have gym straight after lunch because he’s already changed into a T-shirt and shorts, which is an odd decision in Eddie’s opinion as a perpetual gym-ditcher, but whatever, it’s a free country… and it’s not exactly like the guy’s an eyesore.

”You trying to give me a heart attack, Harrington?”

“No,” Steve says shortly; he looks a mixture of embarrassed and… annoyed? Which would be a new personal best for Eddie, considering he’s done nothing to piss him off save for just sitting on the ground. “I didn’t know you were here, dude.”

“Yeah, that’s kinda the idea,” Eddie waves his hands in explanation, “welcome to my hiding spot.”

Steve scoffs. “Not much of a hiding spot if I found it.”

It comes out a little petty, sure, but nothing major, Eddie thinks; it’s not like Steve’s picking a fight.

“What’s up with you, man?” he asks lightly.

It’s something he’s pondered more than once over the last couple of years, in between the stress of failed tests and the same platitudes in school reports: Eddie must apply himself next year; Eddie must try harder; Eddie must…

In the background of it all was the enigma that was Steve Harrington. Eddie had found that you couldn’t not look at him, his eyes drawn to even the most fleeting impressions: walking past the lockers or driving in and out of the school parking lot. Seasons changed—whole damn years changed—and still the question remained: just what on earth is up with Steve Harrington these days?

At least now, asking the question is profoundly less upsetting than it had been last fall, when Eddie silently tracked the progression of bruises healing across Steve’s face—along with Billy Hargrove’s intimidating stare.

“Nothing, I’m just…” Steve sighs. “Didn’t wanna spend forever in the cafeteria when it’s so nice out, but… Honestly?”

“Nah, I’d prefer you lie to me,” Eddie says deadpan, and Steve snorts before sighing again; Eddie almost asks him to read some Tennessee Williams out loud, ‘cause he’s surprisingly got the dramatics for it.

Steve flops down onto the grass, lies right on his back with no concern for his precious hair. “I’m so damn bored, Munson.”

“Gosh, my heart bleeds,” Eddie says. “Puh-lease tell me how hard it is to have passed everything and literally not have a care in the world?”

Steve blinks up at him, frowning. “Shit, are you repeating again?”

He sounds earnest, and there’s something in his phrasing that means Eddie isn’t nearly as defensive as normal—maybe because it’s about repeating again rather than failing.

Eddie lifts up the script in demonstration. “Not exactly reading this for fun, dude.”

“God, I’d take that over gym right now.”

“Okay, you’re bullshitting me. You love gym, Harrington. You, like,” Eddie gestures at Steve’s get-up, “actually make an effort and everything.”

“Not when the semester’s almost over, man. We don’t even have a cover right now, so we’re just left to, like, do whatever, who gives a shit. I’m bored outta my mind.”

“Tragic,” Eddie says—gym without a teacher sounds like a dream; he’d literally just leave. “I’m weeping for you.”

Steve rolls his eyes. But it doesn’t feel like a dismissal, even when he doesn’t reply and just lies back in the grass with another sigh.

So… Eddie mulls it over. What the hell, Steve’s graduating; it’s not like they’ll cross paths after that.

“Bet you can’t run to the woods and back before the bell rings.”

Steve sits up, a gleam of interest in his eyes. He checks his watch. “The bell’s gonna ring in, like, two minutes, Munson.”

“Oh, sorry, I thought you were so bored. Well, if you’re not up to the challenge—”

“No, no,” Steve says, standing up. “I didn’t say that.” He actually gets into position like he’s on the running track, looks at Eddie expectantly.

Eddie covers his bemusement with theatrics; he mimes firing a starting pistol.

And… shit, Steve Harrington can run.

Objectively, it’s not like it’s a surprise; he wasn’t exactly bringing up the rear in the swim and basketball teams. Still, it’s one thing knowing it, another to see it up close like this.

Eddie puts his book back in his bag, watching as Steve disappears from view. Reluctantly, he edges away from the hill—if he doesn’t, he’ll risk being late for class again by the time he walks over, and… He thinks of ‘86, what has to be his third time lucky. Start as you mean to go on, and all that.

Eddie turns back to look. Sure enough, Steve comes sprinting out of the woods, racing up to the hill right as the bell rings.

“Still counts, Munson!” he calls, a little breathless.

And Eddie knows that he’s not really solved the mystery of what’s going on with Steve Harrington.

What he does know is that Steve is smiling as he raises a fist in victory, the sun turning his hair golden for just a moment; he looks utterly free—as he should be, graduation’s right around the corner.

And Eddie can’t begrudge him that.

”Inspirational,” he shouts, cupping a hand around his mouth as he walks backwards. “I’ll get John Hughes on the phone, stat.”

The bell stops. Eddie turns around before he can trip on his own feet.

He’s getting closer to the school building now, can feel the change in the air, cliques unwillingly disbanding as teachers move them on.

But as he heads to class, Eddie faintly hears evidence that the moment hasn’t been broken entirely: Steve Harrington’s laughter, drifting across on the wind.

[twopoppies]

This is a response to your question from my ask. Honestly the fact that he doesn't have anything for Freddie no I don't believe he is his son I wanted to get your thoughts on it though. I think anyone with tattoos would get something for their child and he hasn't. Which brings up another thing that bugs me about people that don't they Harry and or Louis are gay. Louis was supposedly with Eleanor from 2011-2015 breaks up and starts partying and gets a girl pregnant out of nowhere with in 2 months then gets back with Eleanor from 2017-2023 and yet they have no kids together but you have one from your so called bad boy time. Now I know people have ways to not get pregnant I just find it weird he went so long with someone who is supposed to be his true love and hasn't had a kid planned or unplanned. Which this also goes for Harry who in a concert made the comment they are all trying to have kids, well then why haven't you. So back to Louis and Eleanor no kid or wedding but instead you get an E tattoo. Which lets be real that tattoo is not for her if it was he would have put it on the same finger she did hers and I don't care if people say that's where he has the 2 he could have put it on the other side of the finger in stead he puts it in the same place where Harry has his cross that some fans think are actually a L & T. Now on to Harry this quote right here should tell every right away that he is not straight other than the way he acts and dresses. Harry has said "I've been really open with it with my friends, but that's my personal experience; it's mine". who straight has ever had to have a conversation and explain to friends what their sexuality is. My thoughts I honestly don't see them coming out for a long time if they even do. Both Harry and Louis has fans that did not from from 1D days and those fans are usually the ones that want to say he/they aren't gay. While the world is not as bad as it was there are still people that do not agree with people being gay and I sadly think people would turn against them.

I think he doesn't have a tattoo for Freddie because he's not his kid, and he's already done enough to make people in this fandom believe he is (not to mention this new crop of fans who think he's actually straight). There's no need for a tattoo.

Everything about his relationship with Eleanor – especially the second time around – was weird and fake (IMO). If they'd dated for that long and she was "the one" (as he said multiple times in interviews about Walls), he'd likely have proposed or had a baby with her already. Not only did he do neither, but she also never met his supposed son. Nor did she go to almost any of his concerts. Everything about those years was awkward. On top of this, if my boyfriend was covered in tattoos and fans believed the largest of them were ones that he got along with his "bro pal" who everyone thinks he's actually in a relationship with, and my boyfriend then got that chicken scratch "E" tattoo for me, I'd be pissed. Wherever he put it.

Harry has made it clear that he's not straight 834768239 times, but most people won't buy it until he actually says the words, "I am gay." I've discussed this a million times. If they buy it, they'll accept that he's bi, so they can continue with their fantasies that he sleeps with women (and lots of them). If they accept he's gay, he's absolutely not with Louis. Whatever. People are dumb.

And I've discussed my thoughts on them coming out a million times, as well. I don't see them making a big statement about their relationship or sexuality for a long time. I think it's less about people turning against them and more about wanting privacy. Time will tell.

[dead-boys-club]

†  type : katsuki.

❥ scenario: kat's type. + interactions, him as a partner, etc. ❥ no triggers; not rated. ❥ no beta readers; if you see mistakes, well- ❥ requested ♡ this is going to read like it has 20435078 contradictions, but stick with me, guys. this has a word count of 2,851. enjoy.

well, we've all seen izuku and eijiro--- i'm sorry

katsuki has, unsurprisingly, a very complex personality and if i'm honest, his ideal type could be split between two people, no in between. someone that matched his personality, which would lead to a very intense, somewhat tiring relationship or someone opposite of him.

now, let's keep in mind that his gruff, angry personality stems from a complex used to keep everyone unaware of his self doubt and extreme fear of failure or being left behind. i mean, he's kind of shit at hiding those things if no one's noticed but, it's still true.

due to these things, regardless of personality, he would want to date someone who is going to challenge and push him but who's also willing to see things no one else sees ---- and keeps their mouth shut about it. he's very strict on personal and impersonal. if it's said in private, keep it in private. he needs someone who is willing to understand on a level that the word doesn't even fully cover.

he is.. most likely going to lean towards someone a little softer than himself. i'd be willing to bet he realized this preference because the first option, someone who matched him, would end up volatile. his first experience of a toxic relationship would be with someone like this. not because they hurt each other on purpose - but because two people with fear, insecurities, rough personalities and a lot of need don't exactly do well together. ( koko knows from experience. )

✧*̥˚ specifics *̥˚✧

kat would easily be attracted to a girl who was independent and more or less strong willed. someone that doesn't let herself get walked on but also isn't going to hesitate to give the shirt off her back to someone in need. it's possible he would witness her getting taken advantage of at least once, simply because she wanted to help someone and genuinely didn't realize what the situation actually was. part of his complex would struggle with wanting someone who could depend on him but isn't completely unable to take care of or look after themselves - it would have to come down to a compromise. when she's with him, she doesn't have to worry about anything but when she's alone, he needs to know she can handle her own and not end up in a shitty situation. he would actually beam at seeing her take someone down, i kid you not. he wants to see her chasing her own goals and not letting anyone get in her way.. even when it comes to him.

she's going to have to be able to speak her mind and not hide anything from him. she's upset? she needs to say that. if she's pissed at him? she's going to have to say that. even if it's something that'll take time and he needs to help her grow in that area - he's going to respect the ability to speak up and be honest. why is this important? katsuki has a hard to handle personality that could easily hurt someone's feelings. she's going to need to be able to stand up to him, hold her own, not be intimated and quite honestly? have the ability to tell him to shut the hell up and sit down. not to be cruel but considering how he is, it'll need to be done once or twice. his communication skills kind of suck, so.. he'll actually be learning from her at that point. he needs someone who is going to push and challenge him to be better - in every aspect. hero and partner wise.

as stated above, kat is complex. without allowing it to become abusive, which i will be entirely honest and say is possible, he needs someone who is patient with his growth. depending on your view of him, his character growth is immense and honestly, depending on where you caught him.. it could easily turn toxic and hurtful. someone who is able to see through his exterior and recognize when it comes from vulnerability and insecurity but also someone who expects the same treatment in return. he knows he can be rough but he also knows he isn't entitled to someone who has to deal with that. it's not a one sided job and he doesn't expect it to be that way. there would be days he'd walk away for the simple fact he doesn't want her dealing with his feelings.

kat lives an up and down lifestyle, one that his partner would need to understand, otherwise it simply wouldn't work out. being a pro hero, he may not admit it, but she would have to understand the stress of his potential to not come home at the end of the day. he would prefer someone who did not have the same life style - not because of a complex or anything of the sort, but because he could become distracted if something really bad was going down. not that he'd blatantly turn someone down if they did, it's just low on the list. he'd assume it would be hard enough dealing with the stress and dangers of dating a pro - he couldn't imagine also being one.

bakugo katsuki does not fuck around when it comes to trust and loyalty. if you lose his trust, you're basically nonexistent to him. he values trust almost above anything else and needs someone with unwavering loyalty to him and it would be mutual. when kat puts his full trust in someone, he has no plans of leaving and he wants it to be mutual. he wants someone to have his back as much as he has hers. and it's not something that can be played with or compromised on.

at the end of the day - kat needs someone who's passionate and understanding. someone trusting. loving. someone who can tell him to fuck off or hold him on a rough day. someone who is wholly his that he trusts to become wholly hers. someone who is confident and strong. she needs to be able to navigate his personality while he learns to navigate hers - the entire relationship would need to be built on mutual respect and desire to be good to each other. she needs to challenge and support him, to stand by him, able to learn and build to have a strong dynamic for their partnership. she would need to be able to grow with him and help him grow as a hero and lover. every effort she put in would be returned.

✧*̥˚ affection from kat *̥˚✧

it would be very, very rare for kat to do any grand public displays. not that he would hide the relationship or give her no attention in public, he's just a lot more private. he is, by no means, ashamed. every person who was aware of his existence would one hundred percent, be aware of hers. in public, he would mostly just have a hand on her - holding her own, settled on her lower back. the most he would do would do is if he's tired, he'd be behind her with his forehead on her shoulder. he wouldn't kiss her in public, not on the lips. being a pro, there's at least one or two pictures of him kissing her temple or forehead. ( which, he's pretty pissed about, because people really can't respect shit. ) he is, surprisingly, attached and affectionate at home. most likely sleeps with his face buried against her neck.

despite his need for a partner who can take care of herself, he'd be quick to step between her and whatever could cause danger. not to mention, other people. he would, in his own playful manner, mutter about her being careless. he would worry a lot more than he gave off. i feel like it's not far fetched to say kat could be over protective, possibly to the point of getting into an argument or two. he does, however, like the idea of someone just as protective. he'd complain, of course he would, but the idea of his girlfriend standing up for him? god, he'd melt - in private.

kat loves to do things for her, his way of showing how he feels when he can't exactly get the words out. it's how he shows affection. one thing he picked up when moving in together, was making making meals for her - especially, breakfast. neither of them are allowed to leave the house in the morning unless they've eaten breakfast. this new habit came with an annoyed speech about taking care of herself, not wanting her to end up passed out somewhere, etc. he's also pretty great with words of encouragement and comfort when needed. he's gotten better over the span of the relationship, taking little notes and figuring out what makes her feel the best. he would take it pretty seriously, to be honest.

one of his most favorite things in the world is holding his lover, letting her tuck against him and hiding her away from the world. nothing at all would matter the moment they're curled up somewhere, only caring about themselves for even the shortest of minutes. kat does his best to leave his hero related things at the door when he comes home but he can't always promise that, so when it comes to sitting and just enjoying each others presence, he makes sure not a single thing can get in the way. he enjoys playing with her hands, fingers pressed against each other to compare them, smiling and nosing at her cheek and jaw. it's almost like the session is to make up for every moment he can't do something in public.

✧*̥˚ dates *̥˚✧

[ we're just gonna play off the 'no pro hero partner' ]

❥ training grounds: it could be his own ego but he would love inviting her to watch him train. if he was alone, he'd tug her out to train with him, most likely testing her self defense and hand to hand combat. he just wants to make sure she can always do her best to stay safe when he's not around - he would be surprised to end up on his ass at least once in combat not involving quirks. he would be beyond proud. it would almost always end with laying on the ground or a roof, staring up at the sky. which, would easily just end up as a second part of the date: stargazing or cloud watching.

❥ cooking together. oh boy. kat doesn't exactly like having others in the kitchen with him but when it comes to his lover, he can make an exception. well, sometimes. there would definitely be nights where he would sit her on the counter and just talk while he did the cooking. it wouldn't be every time but he likes nights where he can do things to just take care of them. it may not be the ideal type of date night for some but he would highly enjoy it. and, judging by the smiles and giggles he got; he would assume she did, too.

❥ late night walks and convenience store foods. it's rare that kat is up and moving too late into the night but on the occasion, he likes to take her out when not many people are going to be around to be bothersome. walking around at night is generally accompanied by hand holding, talking about things that he doesn't want the house's atmosphere to be ruined by. not exactly overly serious but things that just need to be aired out. plus, he gets to watch her light up over her favorite snacks and that's always a plus.

✧*̥˚ kat as a partner *̥˚✧

❥ we've already gone over loyalty but i cannot stress enough how committed to his partner he would be. there's next to nothing that can shake him - well, outside of the general things a shit partner can do. he's willing to sit and.. talk, argue.. about anything. as long as his partner doesn't do something to break his trust, hurt anyone around him, etc. he isn't going to step down very easily unless he's told to and then, he would still try to fight for the relationship, if it was called for. despite his loyalty, he would respect if his partner wanted to leave.

❥ he's not going to sugarcoat anything, so.. she'll need to be prepared for tough love. though, i feel as though kat has a weak spot for seeing his s/o cry so, there's that. depending on the situation, pulling out some puppy eyes and tears might just do the trick. the good part is that he's never going to lie or hide anything, regardless of how hard it may be to share something.

❥ he is the biggest support system that his s/o could possibly have. no one will ever be a bigger fan of her than him. doesn't matter what goals or dreams they have, he is going to be cheering them on.

❥ kat is a surprisingly loving partner, always having his partner's best interest in mind. he takes care of them; cooking, making sure they take meds, get rest, etc. outside of the misconception his exterior gives, he is a good partner to have. there may be off days, some arguments, but at the end of the day, no one is going to bed angry and things will be worked out.

✧*̥˚ tiny random scenario *̥˚✧

katsuki stood panting, sweat dripping down his face, near exhausted and aching from the last few hours of sparring with you. you stood only a few feet away, almost out of breath with a determined grin on your face.

'you good?' you called, wiping away the sweat at your collar. 'ready for another round? or are you finally going to forfeit?'

'oh, you wish,' he laughed, stretching his arms up above his head with a deep groan, 'come on, dumbass. don't think you can beat me just because you keep getting up. you haven't even won yet!'

you laughed in return, the sound light in the evening air as you stretched, preparing for another round against the blonde. while you were making sure you weren't going to lock up, you were distracted over how katsuki spaced out. something was clicking for him, watching how you stood there so confidently, preparing to attempt landing a hit on him and he was kind of lost. the way you brightened, the way you challenged him and didn't have a single thought of backing down. it all clicked out of nowhere, an undeniable realization.

you were definitely the one.

the way his heart skipped a bit and an unfamiliar warmth spread through his frame, he didn't even know what to do with himself. looking at you, he no longer saw his partner or his girlfriend, he saw someone who was entirely his equal. his support system. his everything. it wasn't that he didn't see you that way to begin with but it felt so much more intense and he wasn't sure where to go with it. he never expected to find someone so.. perfect for him when he'd gone out previously but you proved yourself more and more everyday as someone he knew he'd never be able to let go of.

'what?' you asked, head tilting as an eyebrow raised, 'looking a little lost over there, kat. i know you aren't already planning some stupid victory speech.' you tended to tease a lot more when training came around, just to push his buttons.

it took him a second to answer and he showed a smile, something genuine and rare. 'nah, just thinking about how lucky i am,' he answered, tone a little quieter than usual, 'to have you around, i mean.'

you blinked a few times, somewhat dumbfounded as a faint blush dusted over your cheeks. 'huh? wait- bakugo katsuki.. admitting that he's lucky?' you spoke slowly, obviously joking but only to hide the way the words made your heart flutter. it felt like it was going to jump out of your chest.

with a grunt, he rolled his eyes but the smile never faded. 'shut up, i was just - forget it.' shaking his head, he moved across the field to pull you into his arms, ignoring the way both of you were pouring sweat. 'just don't go changing or anything, got it? you're.. perfect, just like this.'

you weren't exactly sure how to react, not having expected such a conversation to be happening, not when you'd only come out to spar. instead of letting yourself overthink it, you just hugged back, squeezing him as tight as you could. 'of course not, kat,' you answered, 'always going to be here, just as i am.'

katsuki fell quiet, just hugging you tightly as the sun set, bathing you both in a golden glow. in that moment, he knew nothing could ever change what he'd found. he knew you weren't going anywhere, no matter what challenges came your way.

[glassladyoftheopera]

In Stars and Time as a Musical Follow Up: Costumes

Okay, a topic I may have enough thoughts on to make a full post about; costumes! (and a little bit stage craft in some places.)

This is mostly about what people would do if they wanted to actually put on a live version of this, versus treating it like a concept album. I am however going to mostly ignore cost restraints outside of like, truly ridiculous stuff.

So first, some general notes.

The color palette: we will still have all of the costumes and sets be in grayscale, with the red used in the 'say it's name' and Act 5 sequences probably mostly being done through lighting. We will not have the actors use skin paint though. I'm not that mean. The audience can buy the idea that the world is meant to be black and white just fine without it.

Materials: I would avoid overly synthetic looking fabrics to maintain the 'vaguely fantasy medieval' vibe, but I wouldn't worry about using actual natural fabric. Comfort and cleaning are higher priorities.

Ensemble: Not much to say about them! Just that the production would have to be careful to make sure everyone is in truly neutral grayscale and not let too warm / cool of grays slip in.

Okay, let's talk characters.

Siffrin is tricky basically every option for interpreting the cloak has it's own pros and cons. Having sleeves means better movement options for the actor, but they only show up in a handful of images in the game. Full poncho means we get Full Triangle Vibe, but it would hamper movement a lot. Cloak with a pinned closed front means we see more of the rest of the costume more often, which I wouldn't mind, but it does break up the classic triangle silhouette. It's honestly still my pick though. Then there's the eye patch. I know some shows just give characters eye patches, and as long as you're careful staging the dances it will probably be fine? But I assume semi-mesh eye patches for performers are a thing, so I'd try to find one of those. Lastly, hat. It probably couldn't be as absurdly big as in game without casting major shadows we don't want on Siffrin's face, so they'll need a slightly narrower brim and we'd keep the hat pinned in a more back position.

Mirabelle's outfit probably wouldn't need to change much, but her little fingerless gloves would need some reinforcement at the top to keep them from falling down her arms. There's also the matter of her needing to have her sword with her most of the show; it might need to be a little smaller than a true rapier, but Shakespeare shows have duels and such so we can make something work.

Odile wouldn't be particularly difficult to costume as long as you don't make her sweater / jacket too heavy and put some straps on her shoes. Fake glasses aren't hard too bad, but some rigging in the back to keep them on will be helpful.

Isabeau I'm sorry but your sleeves have to be a little less gigantic, it will get in the way of the audience being able to read your gestures / get caught on stuff. They can still be long and loose though. Also, in real life the stripes on his pants being that wide could be an issue in terms of reading where he is on stage with the set / looking kind of goofy, so I might make them just a bit thinner.

Bonnie... I do not know how to make your weird pillow hat work in real life. For most game accurate version you'd have to make it completely from scratch. Something like a beret in terms of construction but... big. And probably held up internally with stuffing and wire. The alternative would probably be a big sunhat, and if you want to include Bonnie getting a new hat just slightly redo that scene to find something else that's similar.

Heck yeah its time for Loop! Now, we're definitely not doing a full star head, that wouldn't let the actor do any of that good emoting. But! I think a lower face mask could still work. You might have to hide the actor's mic under there to make sure they could be heard, but it's definitely possible. They would definitely need a custom wig for spikiness, plus a star-like head piece to top it off. Now the rest of it... I mean, you could go full body suit. I'd probably do that as the first choice, though maybe adding a wispy loin cloth or tie around the middle for modesty depending on your performer / venue. But! Different productions could get really creative with it, as long as the base still has them black and covered with stars and there's the star in their chest. Add in some specific design quirks that are only elsewhere found in Sif and The King's costumes, but just tiny little detail type things? Chef's kiss.

Speaking of the King! He unfortunately does need to be Very Big, but thankfully Broadway shows can pull that off! Something similar to the Wizard head in Wicked could work here, where only some parts of the set piece move (mechanically or via puppetry) and the actor is a voice over. The hair could be a mix of practice and projections. The tears that show up in the fight would probably also need to be projected. The hard thing would be getting it to disappear quickly enough. Maybe the last bit before the loop resets is always in front of the curtain? Could be cool. A less well funded production would probably have to either use mostly projections or re-work to use less moving parts.

Last up Euphrasie! Since she has a long dress getting her some extra height wouldn't be too hard, and she doesn't have to dance or anything so that helps. But! She does need to do the Act 4 finale dramatic kneel down, which is harder to work around. If we cast a tall actor and just use lifts in her shoes, it could work. She wouldn't be as super tall as she would be if we used hidden stilts, but I like the image of her cupping Sif's face, it goes all the way back to the comics, I gotta keep it.

What about y'all? How would you dress everyone? Any little details you'd want to see? And tricks to deal with the problems I thought of? Have fun!

[got-into-worm-by-mistake]

Okay, I've Read Worm: A Retrospective Part 1: How The Fuck Did I Get Here?

I don't know exactly what I'm going to be doing with all these posts, but at a minimum, we will be having the following, not necessarily in this order:

A discussion of some of the parts of Worm I liked most. Some genuine and well-earned praise for Wildbow.

An analysis of Amy Dallon as she exists in Worm, though more for unpacking my own thoughts in one place rather than some deep literary stuff.

A discussion of things I was genuinely surprised by in the Text itself versus the stuff I picked up via fandom osmosis and fanfic. Expectation vs reality and stuff.

A discussion of just who the fuck the target audience of Worm actually probably maybe was, and what the fuck I just read.

And a detailed (for my own unpacking of thoughts than to convince anyone of anything) discussion of why I'm not going to read Ward. Nothing new there, but still, it'll be nice to put it all one one place.

But first, let's take a step back and answer one very important question: How in the bloody fuck did I end up here? How the fuck did reading Worm even happen? Because as I've said before, superhero media isn't my thing, I'm definitely not the target audience for Worm, and while I enjoyed it, only liking it 60% is a barely passing grade, as it were.

So how the blue hell did I end up here?

I don't know exactly when I first became aware of Worm. What I do know is that I was loosely aware of it by 2019, because I was active on SpaceBattles, and of course, Worm is all over there. I'd see the name, and I knew it referred to a work of fiction, but that's about all I knew. It might have been before 2019 that I first heard the name, it might not have. I say by 2019, because I know that sometime in 2019, I was in a discord server associated with one of the many spinoff sites to Spacebattles (I believe it was Frozen in Carbonite, which was honestly a pretty noxious website but I didn't know that going in) and I made a post using this meme:

And I got an answer that was something to the effect of 'It's an edgy villain protagonist superhero story'. And so I shrugged, and I moved on. Not my speed. Superheroes aren't my thing, not really, not in of themselves. I first got into AoS watching it with my then GF back in... 2015? And then I got into shipping Skyeward in it. Then I watched Arrow because some of the people I followed from Skyeward were into it and again, pretty much stayed for the shipping and certain characters. Flash and Legends of Tomorrow and Supergirl were entered into as branching off from Arrow.

And yes I've watched a good chunk of the MCU, but mostly because why not watch a movie and there's a handful of characters I liked. But I've never read a single superhero comic book, as far as I can recall, and I've never really been super into any superhero cartoons, just watched them if they happened to be on Cartoon Network when I was a kid.

At some point between then and this year, I found a Worm CYOA on r/nsfwcyoa, and despite never having read it, gave it a look, played around with it, and picked up random errant facts about the story and characters therein. I would revisit this CYOA and similar ones as they got updates, and along the way got my first exposure to the whole 'fanon' problem of the Worm fandom, when one of the options in one of the CYOAs was to make certain popular fanon true for the version of Earth-Bet 'your character' appeared in for the CYOA. Things like making Woobie Amy true, or turning Vicky into the Collateral Damage Barbie she's cast as by some people, et cetera.

And then, at some point probably late last year or early this year, I think, I was on Questionable Questing (the pervert uncle of Spacebattles, as it were) and I saw a fic get posted that was Worm - so, prepared to ignore it - and then I saw it was also tagged with several of my kinks. And I've read smutfics that aren't for one of my fandoms if I really like the kinks and it's just a smutfic, so I gave it a show. How much do you need to know about the source canon for a smutfic, eh?

I don't remember much about that fic, or even which of my kinks in particular it had, but I would read a few other such stories here and there until sometime in... probably May or so, maybe late April, when I made an errant post on QQ in a thread discussing stories you considered but never actually read, that I had considered Worm (because by then I had, ish, after some of the various go-arounds with the CYOA and picking up bits of osmosis here and there) but that the whole thing sounded too bleak and grimdark and depressing.

This spawned a conversation about Worm, and if it was really grimdark (one person I think went so far as to say it wasn't even depressing or bleak, and oh to live in that person's world) and if it was really a deconstruction or a love letter to superhero media or a takedown of superhero media or w/e. And at some point, someone made a comment about Wildbow having disdain for his fans, or something like that.

And I was like 'I feel like there's a story there'. And yes there was. One of the things that came up were the so-called 'retcons' of Ward re: Amy (whether or not they are actually retcons is beyond the point of this post, please don't discuss it here). And here's the thing, my thought then was: I've been there.

I've been there when characters have been set on, or are seemingly being set up for, some kind of redemption arc, and then some new installment pulls the rug out from under the character in a way that feels very, very deliberately aimed at fans of the character. Grant Ward is the most notable case of this for me. 2015 and 2016 me had quite a few things to say about that. 2024 me lacks the energy or desire to go into detail.

It's not fun, either way. So I sympathized. And I figured that probably meant Amy Dallon would be my sort of character. But I didn't want to read Worm - it sounded depressing, it was 1.6 million words, Taylor didn't sound super appealing and I knew she was the main POV, and superheroes aren't my thing.

But it wouldn't leave my head. So I started poking around on places like r/parahumans (a den of bad takes and noxious fans if there ever was one) and r/WormFanfic and the Parahumans wiki and looked through a few threads on SB and started trawling the Amy Dallon tag here on Tumblr and developed some thoughts.

Amy Dallon, and the injustice of what happened to her in Ward had crawled inside my head and it wasn't going anywhere. I ranted to my friends about all the shit I'd learned and was like 'I HAVEN'T EVEN READ THIS WORK AND I DON'T EVEN KNOW IF I WANT TO AND IT JUST WON'T LEAVE MY BRAIN!'. I remember seeing a post saying something about how someone who had read worm couldn't relate to people who hadn't and weren't constantly thinking about Amy and I reblogged it saying 'I haven't even read Worm and I'm constantly thinking about Amy' and I think the OP of the post reblogged my reblog and called me a whole new kind of person or something. I don't remember and don't care to go digging.

The things that held me back the most continued to be the sheer length of Worm, a fear that Taylor would be insufferable and the fact that it still sounded godforsakenly depressing. (2 out of 3 ain't bad, as Meatloaf Says). So eventually I decided to go poking around and read some fic to get the idea if I'd actually read it. I don't remember all the ones I read in this period, but they included: I, Panacea, Desperate Times Call For Desperate Pleasures, Queen of Blood and More Than Meets The Eye. It was around this time I also started getting multiple Worm Fic Ideas, which was... fun. Because you know, it's one thing to read fanfic without knowing the source canon, but I've always loathed in previous fandoms when people say they're writing a fic for a canon they've only read fic from (and was always an immediate X-out for me) and I have too much dignity self-respect as a writer to do that myself.

Now, fic ideas don't mean I have to write them. I have ASOIAF and TVD fic Ideas I'm never going to write, and my notebooks across the ages are littered with fic Ideas I had and then put aside and never wrote. Some still haunt my dreams like Edgar Allen Poe's Telltale Heart. But still.

Eventually, after someone made a comment to me to the effect of 'with all due respect, if you haven't read Worm, shut up about it' I decided to at least make an effort to read it. Spite was my original intent - I wanted to see if my opinion about Amy's storyline in Worm specifically would remain the same (and it broadly has) and if so, I would feel satisfied I'd been right.

(For the record, It did remain the same (pretty much, more on this in a future post) and I do feel satisfied that I was right.)

And so, on June 16th, half on a whim and half because I knew I'd have things to say and I wanted to section them off my main blog, I made this blog and began reading Gestation 1.1. I gave it even odds in my head I'd give up before I was more than a few arcs in.

Wasn't even tempted until Arcs 12 and 13. Then was tempted again in the absolute nadir of the work, 17-19. And then again during the Behemoth fight. Once I got past that, I was never temped.

So that's I got here. Existing adjacent to Worm for years, some osmosis, an ill-timed comment, some snarky responses and a character that burrows into my brain by hitting all of my buttons.

[accirax]

Project: Eden's Garden Chapter 1 Trailer Analysis

Oh my god it's actually time.

As I'm sure you've heard by now, Team Eden's Garden has finally announced the release date for the fangan's true first chapter: December 20th. And, they did so in a flashy new trailer, which is nearly three minutes long! Naturally, there's a lot of content baked in to those three minutes, so I'm here to take a look at what was flashing by in those rapid-fire montages, as well as make predictions regarding what will happen at the first Class Trial. This will be fun!

And here's hoping I don't run out of images 🤞

The trailer begins with the "mascot" (in this case, Tozu) saying that it's been far too long since we last conversed. Classic.

Next, we see a preview of some locations, both new and old. CAM04: Dorm Hallway and CAM24: Tree of Ignorance were already explorable areas within the Prologue, and CAM08: Damon's Dorm was visible in the Ch1 demo released last year(?). The new locations include CAM32: Hallway A1, CAM35: Pharmacy A1, and CAM39: Pharmacy A5.

(By the way, I'm going to assume that both the numbering of the cameras and the time displayed in the lower right have no particular meaning, because I can't find any connections between them. At first I thought it was weird that Damon's dorm was Camera #8 despite him being 9th in alphabetical last name order, but given that the hallway is Camera #4, I don't think there's a correlation).

While all of the images are intentionally blurry, I'll do the best I can to describe what we can see. The most obvious point of interest is the door at the back of the hallway, under which "CAUTION" is written in big red letters. It also seems that there might be blood dripping down the door, which, if true, would match with the other blood splatter on the floor near the bottom right of the screen. It definitely gives the impression that something happened here before, and that that something was bad. There's also a grate on the wall that's splattered with red, but given that blood is pink in the DR universe, I'm assuming that's rust.

The pharmacies are very interesting to me. First of all, there are two of them. What kind of establishment needs two separate pharmacies? I guess you might if the pharmacies are as different as the two pictured. One looks more like an old-fashioned office or science classroom (it kind of reminds me of v3's Ultimate Detective Lab, honestly), and the other like a scientific research facility. A pharmacy is defined as "a store where medicinal drugs are dispensed and sold," so perhaps Pharmacy A1 is for selling and Pharmacy A5 is for creating?

The "A" in these tags could stand for "area," but they more likely stand for "alpha." At the end of the Chapter 1 demo (watch Weeby Newz's video on it if you want the same level of info I have), the students are about to go through the lowercase "alpha" door in the Tree Room to explore a new area. These three areas are almost certainly behind that door-- perhaps with the checkered pharmacy being room #1, and the blue pharmacy being room #5?

It's also possible that the entire area is considered "the pharmacy," and is dedicated to the production of medicine. But, whether that's the case or not, I have to ask, "why?" Out of all the things they could have put into this falsified Eden's Garden Academy, why make two rooms dedicated to creating drugs? Why potentially make up to five rooms dedicated to creating drugs? With very little information regarding the overarching plot of Eden's Garden, it's hard to determine why. The only connection I can make offhand is that this may have been the origin site of the drugs used to knock everyone out on the train.

I do find it very interesting, though, that this is not just a location in the school, but the very first one we're discovering. Normally, I'd think that places like these, which aren't that conducive to students hanging out (like a pool or recreation center) would be reserved for future chapters. It may imply that drugs and/or poisons are a necessary component of the Chapter 1 murder. We'll see!

Our first of the rapid-fire CGs! This one shows Kai pointing at something within a fancy pink room. There's a canopy bed dressed with pink cloth, some floral-looking wallpaper, and two small paintings of what also appear to be plants on the wall.

Given the appearance of Damon's room earlier in the trailer, I find it likely that this is not a new location in the alpha corridor, but instead, someone's room. There are many pink colored characters in P:EG-- Diana, Toshiko, and Kai himself-- as well as Cassidy, whose character color is close to pink, and Ingrid, who has pinkish hair. Of the main three options, I'm guessing that this is probably Kai's room.

People have been quick to diagnose this as a potential BDA image. If that's true, I acknowledge that this being Kai's room would be a wild choice, because it would mean that someone other than Kai was found dead in Kai's room. It would be a THH parallel, though! I just think that it's likely to be his because, well, he's in there, and all of the references to flowers seems fitting for his butterfly motif. However, Toshiko's kimono does have flower patterns on it, and flowers also match up with the ~romance~ of the Ultimate Matchmaker. If this is Kai providing a BDA in Toshiko's room, though... maybe Toshiko isn't dodging those first victim allegations.

If it's not a BDA, though, what is Kai pointing at? Imagine if it's just a spider or something, lol. He does look pretty worried, so perhaps this could be the arrival of something like DRDT's custom weapons? If a weapon suddenly appeared in my room a the killing game, I'd be kind of worried. It could also be a mysterious note, as (spoilers) we're about to see a few of in this trailer.

One cute(?) thing to mention is that, if this is Kai's room, it likely means that Kai was willing to invite Damon into his room to check whatever this is out. That could mean that they're friends! It's not cute if this is actually a BDA. It's also not cute if Kai is becoming Damon's friend just so that it hurts more when he dies in Chapter 1 :(

Woah, it's a note! (/j)

This and the image directly before it in the trailer seem to be of the same thing: a piece of paper that says "to Damon Maitsu" on it. Or, it's possible that the first one just says "Damon Maitsu" and this one says "to Mr. Maitsu"-- they look a little different, although the handwriting seems identical. I don't think there's any paper conspiracy for me to crack here.

To my memory, the prologue included some flashback CGs, so I would imagine that's what's happening here, unless Damon actually kept his Eden's Garden acceptance letter on his person (possible). It could also be a new letter that Damon receives during the course of the killing game if, as I posited, Kai was pointing out a letter he received in his room.

And furthermore, more note content? Why is this hypothetical piece of paper more visible in the trailer than Toshiko?! (/j)

Or, maybe it isn't. This note seems to read, "Meet in [???] at 8:10 p.m. tonight [???] Damon Maitsu." Due to the spacing of the words-- namely, that it doesn't seem like there's much more to this message beyond what we can see-- this paper appears to be pretty small. Combined with the color, I predict that this note is, in fact, sticky. And therefore, not the same as the piece of paper (which also has a different ink color) as the other note.

Further extrapolating from the spacing, the note looks like it's signed "-- Damon Maitsu". Otherwise, there would need to be a word before Damon, the end of which has no letters tall enough to appear next to the D. (It's LGI's "Ms. Naegi" crisis all over again... /ref) If so, that means that we might have an example of Damon's handwriting on our hands! Or the handwriting of someone who was trying to impersonate Damon :/

I wish we had a better lead on where this note was telling folks to meet up, but it's way too vague.

Then, yet another piece of paper! It's definitely different than the yellow one, and probably different from the signed one as well, due to being typed and not handwritten. Then again, sometimes typed letters have a handwritten signature at the bottom, so it's not impossible.

This text's formatting reminds me of how scripts are normally written: both the font and the center alignment are used in standard scriptwriting formats. I actually at first thought that everything after "beneath a" might have been spoken by a character whose name starts with L, but that would mean that their dialogue starts with a lowercase letter. Plus, names on scripts are usually written more like this (imagine it's centered):

LINDSAY beneath a [shoulder] If only [head]

in the sense that the character speaking's name is in all caps. There appears to be a lowercase i after the capital L, so it's probably not a name.

Still, that begs the question of why the top line is so much shorter than the one beneath it. In a normal passage, all of the lines would have relatively even margins other than possibly the last one. Could the wonky spacing be indicative of a poem, or something else written in verse? Due to the script/poem idea, I'm inclined to believe this belongs to the ever-dramatic Tozu, but I could be wrong.

Next is another CG, depicting Damon, Cassidy, and a sneaky Jean in the background. Based on the shape of Damon's ahoge, we can tell he's a little annoyed or flustered by whatever Cassidy is pointing at.

The wallpaper pattern we see in the background is that of the Dining Hall. Do NOT ask me how I remembered this offhand, because I don't know.

Furthermore, based on the wall being to the characters' left, it's likely that they're standing on the left side of the room. (It's possible in reality that it could be anywhere else in the room in front of the wallpaper only, but based on cinematography rules I won't bother explaining this is probably the case.) So, what is Cassidy pointing at? It could be the fireplace, the painting of the jackal, or the vent. Or, obviously, something new that appears in the Dining Hall in Chapter 1.

Based on my theories that the vent will be involved in the Chapter 1 murder, I'm inclined to believe that it might be what Cassidy's pointing out. If that's true, it means that she (and Jean) (and Damon) is dodging the Chapter 1 victim allegations! However, given that the characters are looking upwards, unless they're on the floor, it's probably not actually the vent. Maybe it's something on the fireplace mantle?

Also, based on straight vibes and nothing else, I don't think this is a serious CG. It might just be that it reminds me of v3's casino CG, but I kinda feel like Cassidy is just trying to teach Damon a game while Jean watches, or something. Projector on the Dining Hall walls? "It's more likely than you think," I lie.

The next six images consist of three spooky screenshots of what seem to be some sort of database which say "Ultimate" (and a picture of Damon), and three zoom-ins on what I believe to be paintings found around the school.

The only one I found of particular note was this one, which sort of looks like two people getting married? Both figures seem to have light skin, and the one in the white dress might have some shoulder-length red hair. Cassidy marriage arc??? I can't imagine what context this photo/painting/CG would appear in, but it might be important.

After that a few illustrations depicting the killing game's rules flash by. I won't be uploading all of them because 1) you can probably guess at most already if you're familiar with DR/fangans, and 2) I think these might have been shown in the demo anyways. To sum up, I think the rules can be attributed as such:

Tozu is in charge (and/or participation in the killing game is mandatory)

No destroying school property, with a focus on cameras and NG bracelets

You can't kill/injure Tozu or Mara*

Students can become the blackened by killing

Once a dead body is found, it's time for a Class Trial

... The same thing again? Oh, maybe #5 was about how to trigger a BDA, then.

Um...

Okay, actually, I don't know what this one is. Is this saying that you can't rip paper, or you'll get executed? As in, papers that Tozu gives you? Dude, maybe my "Tozu gives the students mysterious letters" theory actually had some merit to it!

If not that, could this be something about breaching contracts? The Prologue did mention "registration materials" that Damon presumably signed. Those could have been a cover-up for a real waiver the students accidentally accepted. Or, maybe this is the big reveal that all of the characters are actors in a scripted performance. In Chapter 1? Yeah, probably not.

*Technically, only Tozu (who stands between Mara and the student) has an X over him, which could imply that it's only illegal to harm Tozu. However, it's likely that, when the rule is revealed in the e-Handbook, the graphic will cycle between Xs on Mara and Tozu, or something else to that effect. It would be interesting if the rules don't protect Mara, though. I'd imagine the in-universe explanation would be "see what happens if you even TRY to hurt Mara," but that would absolutely feel like a rule intended by the writers to be broken in the future.

I'm sure someone could do a super in-depth analysis of the religious implications of this painting, but that person is not me. All I will say is, "these are the animals of Mara and Tozu." Oh, and, based on the next image, this painting is located in Pharmacy 1.

New locations! Like I alluded to above, the first image is definitely of Pharmacy 1, and I think the second is too.

The third is a bit harder to decipher. We've got a glowing photocopier with an Eden's Garden Academy logo on it, a tiled floor, many green cabinets, a medical kit, and lots of vines. I wonder if this might be a third pharmacy that functions more like a doctor's office...? I don't know what the photocopier is there for in that case, though. I'm assuming that the location behind Jett in the fourth image is in the same room due to the similar green cabinets, and the fact that you can see a similar first aid kit on the wall behind him. If that's the case, there's also a sink in this room. That's not helping me either.

After that, we have a shot of Jean with a proposition in the Dining Hall, some general purposes art which I think we've seen before, and a slick 3D animation with Damon catching a fallen apple. What do they have in common? I don't have much to say about any of them.

Free Time time! Or, at least, I'm assuming that Ulysses' part is part of his first FTE, given that it was packaged in with all this other stuff. With this, we can conclude that Ulysses, Wenona, and Wolfgang will all be available for at least one FTE in Chapter 1. I am very curious about that in general-- with this first chapter release, will we immediately be able to view all of everyone's FTEs? Or will they cap everyone off at, like, two for now? Unfortunately, there's no way for me to answer that now.

The other three images are more intriguing. The first definitely shows Damon's gift inventory, with the Black Forest Cake being highlighted. The interesting bit is all of the chibi pixels to the side, with positive and negative arrows by some of their heads. At first, I thought that P:EG might be going for something like SDRA2's ambitious FTE system, where characters have positive or negative opinions on you based on actions you take and gifts you give. However, on further thought, I bet that this is an in-game way of telling you who will like which gifts. As far as I can tell, many people either look up which gifts to give which characters or save-scum until they get something right, so taking guessing out of the equation is probably a good thing. Plus, now we know that Diana, Jett, Toshiko, Mark, Wolfgang, Cassidy, Desmond, Eloise, and Kai like cake; Grace, Ingrid, and Wenona don't; and Damon, Jean, Ulysses, and Eva are neutral. It's an extra good system if it gives us insight into Damon as well!

The second is surely P:EG's equivalent of the Monomono Machine, with Damon receiving a zen garden from the funky hourglass contraption. The interesting part to me is that the currency is named Marabucks instead of Tozubucks. Yay for inclusivity? Also, I think it's fun that the percentage reads "1,13%" instead of the standard American "1.13%". (And P:EG seems to be, on the whole, an American-coded game, given that the majority of the characters speak in American-accented English and the cast's live appearance was in Texas.) Gives you a little behind the scenes peek at who was coding this section of the game :)

The last thing... uh, what? It seems to be a Pong-like minigame, probably used to earn bonus Marabucks. You bounce the "orbs" through the "pachinko" to... I guess score points against Mara and Tozu? And, probably if you do well enough, you get varying levels of money. Perhaps I spoke too soon, and the Marabuck is simply the lesser Tozubuck.

Up next comes some dramatic zoom-ins through those spiffy remodeled locations. I appreciate them jazzing up the "outdoor" area specifically; the lack of polygons in the doorway arch always bugged me. Even if they kept those similarly unbeveled shapes in the archways to the side... (/lh)

And now, the moment you've all been waiting for...

WE GOT SCENES FROM THE CLASS TRIAL?!?!?!

To clear the elephant in the room, as everyone has been reporting, Toshiko is the only student who can't be seen in the Class Trial at all. Does that mean she's dead? Uh, probably not. As part of a mystery-writing team, I would have to imagine that whoever crafted this trailer would be smart enough to know that their mystery-loving fans would comb through whatever they're given for answers (hi 👋). And, if there's one to be found, they'd find it. Therefore, I'm more inclined to believe that Toshiko's absence is an intentional red herring. Then again, this is very possibly the P:EG team's first time writing a fangan, so if they didn't think about things like that, it would be understandable.

So, who is dying if everyone else is present? To me, there's a big gulf between how easy it would be to fake someone's participation in the Class Trial. Subbing out a death portrait for a regular sprite is easy, recording a fake line of dialogue is a bit more effort, and creating original artwork is really not worth the effort. Thus, we can divide the characters into tiers.

ORIGINAL ART (basically guaranteed safe) Damon, Wenona VOICE ACTING (very likely to be safe) Diana, Grace, Wolfgang, Jean, Eva SPRITE VISIBLE (possibly most endangered) Mark, Desmond, Kai, Ingrid, Ulysses, Eloise, Cassidy, Jett TOTALLY ABSENT (reverse psychology safety???) Toshiko

Damon's unique minigame sprite and Wenona's Rebuttal Showdown art appearing over his face should also squash the rumors that Damon will be replaced before the first Class Trial at least, lol.

Within those tiers, I also want to highlight two outliers: Wolfgang and Eva. Because, of course it's those two.

Although Wolfgang is in the voice acting tier, in reality, I'd say he should be moved upward into the "basically guaranteed safe" tier. This is because his line is shown in Nonstop Debate format as opposed to the regular dialogue format. Although his lines don't have the animated word art thing going on, I still imagine that it would be easier to create a fake line in the regular dialogue boxes than in the minigame. Also, notice that I said lineS. Wolfgang also has two lines, and unless the team is really yanking our chains, I can't see why they would create two fake lines when one would surely suffice.

Meanwhile, while Eva is in the voice acting tier, she's bordering on the "possibly most endangered" tier. It may just be my "Eva could die first" bias speaking, but her line is a whole lot shorter and less specific than Diana's, Grace's, or Jean's. In fact, if you remove the comma, "obviously the case" could easily be one of her stock dialogue lines that plays over unvoiced portions of the Daily Life. If the team were to create a fake piece of dialogue for the Class Trial, sneakily repurposing a line that already exists for other purposes would be the most efficient way to do so.

Expanding on that, what is "obviously, the case" supposed to mean here? I'll once again draw attention to that comma. Grammatically, it's not that some truth is "obviously the case," but that the case is the thing that's obvious. In what context is Eva saying that, though?

Jett: Uhhh, sorry, what are we supposed to be focusing on again...? Eva: Obviously, the case.

Or, could a physical case, like a briefcase, be relevant to the murder?

Grace: But what could the killer have used to fucking store a disguise?! Eva: Obviously, the case.

The only thing I'm remembering offhand that could be a physical case is the medical kit, but obviously there are plenty of locations and props for this Chapter we haven't seen yet. At any rate, Eva's dialogue raised a flag for me. So, I'll be scrutinizing any cases we may see or any pre-Trial words Eva speaks when the Chapter comes out.

Also, Diana and Grace might be a bit safer than Jean and Eva because what Grace is saying seems to be a response to Diana. They both mention peace, and Desmond is striking the same pose in both of their shots. I doubt that the P:EG team would either record Diana expressing the same sentiment that someone else actually expresses, or come up with a fictitious response from Grace that doesn't actually exist. If you want to get really nitty-gritty about it, consider that tier as ranking Wolfgang as the most safe, then Grace, Diana, Jean, and then Eva :)

Under the dual assumptions that Toshiko is a red herring while Eva's dialogue is genuine (such that both of them are safe), though, who's the most likely victim from our "sprite visible" tier?

Well, the only victim option left from my Chapter 1 Killer/Victim theory is Kai. Fan-favorite first victim choice Cassidy is also on the table. Otherwise, I could see Ulysses, given that (if he's not the mastermind) he gives BIG victim energy with his notetaking becoming a central aspect of solving his Trial. I'd expect they'd save a gimmick like that for a later Trial, where it could better be used to shake up the status quo, but I could see it as a good intro case too. I could also see someone taking Desmond out if they were afraid of his weapon-wielding capabilities, although that's... kinda backwards thinking. Desmond's capability to kill is scary if you're trying to kill him, but it doesn't offer much in the Class Trial.

Still kinda convinced it's gonna be Eva, but I'm aware enough to recognize that's probably just the stubbornness of wanting to believe that my old theory was true.

Speaking of old theories coming true, can we rewind for a moment?

Jean: ...but, I'd rather be suspected than be the reason this trial comes to a standstill.

Hey. WHAT.

For anyone who hasn't read/forgot about the Chapter 1 victim/killer theory I just linked, in that post, I argued my case for why Jean would be our unexpected Chapter 1 killer. Needless to say, when I saw this, I screamed.

What does this MEAN?!?! Full disclosure, I was pretty convinced that the Jean!killer theory would either be, like, 100% on the money, or laughably incorrect to the level of accidentally misinterpreting Jean's entire personality or there not even being a hint of suspicion thrown on his name throughout the entire case. To see Jean acknowledging others' suspicion of him in the TRAILER has me reeling.

Assuming that this line isn't fake (which also guarantees that Jean isn't the first victim), this means that there will be a point in the Trial at which Jean will be suspected as the blackened. The line itself could easily be something that a sympathetic and honest spotless would say, or something that a blackened could say pretending to be just that, so we don't get any hints there. What reason would Jean have to be suspected if he isn't the killer? Why and how would anyone choose to frame him? But also, would the P:EG team really want to have their players go into the first Trial already primed to believe that Jean could be the blackened based on the trailer? I feel like this line was included as a cruel (/lh) trick on me specifically, but my theory wasn't nearly infamous enough to warrant that kind of attention.

It's absolutely going to be eyes on Jean for me when the first Chapter comes out. I'm so curious to see the context surrounding this quote. Did I actually call it early? Or will the "evidence" that I stacked up actually prove to make Jean a believable bait, but not the real blackened? (wouldn't be the first time :P /j)

Moving on, there's a very dramatic scene of Tozu looking over the Trial grounds, while Damon looks back. I double checked, and everyone is visible (in silhouette form) in this shot, which makes sense as it was likely created solely for this spoiler-free promotional material. In my mind, the only clues we can pick up here are that Damon is further cementing himself as the true protagonist of this story. He also blocks out Wolfgang as he looks at Tozu...? Could have symbolic significance, but could also just be a result of the pair being opposite each other in the Class Trial seating.

After that is another fast-paced montage. The first screen is the same shot of the Pharmacy table. I don't know why they put repeat info in here, but as far as I can tell, all of the props and textures and whatnot are the same. If my assessment that the murder would utilize the Dining Hall vent is wrong, I wonder if this could be a hint that Pharmacy A especially will have significant meaning-- possibly, as the site of the first BDA. That being said, they also repeat the same image of the photocopier ivy room as the third image in this montage. So, if that's the case, it means both locations will have to be highly relevant.

I feel like this image out of context looks really NSFW. I promise, that was not my intention...

Anyways, this is from the Prologue BDA.

It's Cara's doll legs, as is made extra apparent by that same cylindrical thing in the back. I'm not sure if this was put here because the Prologue case will continue to be really relevant to Chapter 1, or just because they wanted a BDA-looking thing for the Trailer yet didn't want to put in a spoiler one. Based on the different size/shape of Cara's thighs (now I feel NSFW /j), there is a slight possibility that what's shown in the Chapter 1 trailer is (an image of) the real Cara's body as opposed to the doll. However, we know that some sprites and backgrounds have been redone during the hiatus, and that could extend to Cara's art as well.

This knife is also from the Prologue BDA.

You think you're so clever, P:EG team, don't you...? (/lh)

Can you believe the students are going to investigate area alpha in Chapter 1? Or maybe this is Damon telling me I'm wrong about that, haha.

Hey, they rigged a 3D Tozu model! It's looking good. I'm sure they're glad that Tozu's mask meant that they don't have to make a whole mouth rig for the guy, lol. My guess is that this model will be used for Tozu's "punishment time" animation, the equivalent of Monokuma hitting his button with the mallet.

The last thing of note in this trailer (other than the release date) is the Chapter's splash art! The full version was posted to Twitter, which I'll be showing for clarity's sake.

“Strange that one minor event, one small action, can alter the path of everything.”

... You gotta start dodging these allegations better, Cassidy.

Chapter promo art predictions are always a tricky game when it comes to predicting who will die. On the creator's end, I'm sure you don't want to draw additional attention to your first deaths by spotlighting them in the artwork. But, if you want to highlight some of the most important characters of the chapter, that'll often include the victim and/or killer if the Daily Life is well-crafted. Plus, especially for early deaths like these, if you don't put them in the chapter art early, you'll never have to chance.

But, forget all that. Who's actually shown in the poster? Obviously, Damon, Jett, and Cassidy are, but I believe that Wenona's jacket and hair are shown to the left of Damon? If you squint, you can also make out what might be Ingrid's arm on his right. That would be consistent with where he's seated in the Class Trial. Yeah, and then that weird blob behind Wenona is actually Jean and Eva!

See what I mean? Well, if we have 7 characters on the poster, maybe it's not so suspicious for any of them after all :D

And, really, it's 8 characters. I imagine others have made this connection already (even if I haven't personally seen it), but... that's a chameleon wrapping its way around Damon. AKA, Diana's animal motif. That means that Diana is more or less on this poster as well!

As the literal framing device of the Class Trial, the chameleon makes this poster reek of Diana being the Chapter 1 killer. However, even that feels too obvious, at least to my highly-scrutinous eyes. Then again, if this was just supposed to communicate that Diana will be important, why not just put her on the poster...? I really don't know what to make of it.

And... yeah, December 20th! I'm super excited!!! While we're certainly not in a drought of in new and exciting fangans nowadays (read Danganronpa: One Shot here!), productions of this scale-- especially playable ones-- are few and far between, so I really hope that this first Chapter lives up to the hype. I'm pretty sure I'll have more to say about this fangan in a few weeks, so I'll see y'all then for Project: Eden's Garden's true beginning!

...

(Honestly, after all this time in the DRDT fandom, it's just crazy to me that we're going to learn about the victim and killer at basically the same time... (/lh))

[altraviolet]

Just reread the echo garden again and I must say that Soundwave’s character development throughout the story has been both beautiful and extraordinary! (Even I was proud of him)

There is something that I’ve been curious about tho. What if Soundwave somehow got the chance to reunite with his universes Megatron at some point after the events of TEG? What might a reunion between them look like?

Thanks for the reread! =D

This is a popular question! I've been asked several times: it's something people are definitely curious about.

I never had an answer because I always knew we wouldn't be going back to SW's dimension in the fic. And even if we did, his Megatron would be dead or altered beyond recognition, due to the internal logic of the universe. I never needed an answer. And it felt like it would be very complicated and Too Much Work to figure out.

Unsatisfying but true, lol.

But, okay, let's do a little mind experiment. Off the cuff. No prior planning. Let's say that, somehow, SW's Megatron is preserved and in a recognizable state, and that the last we saw of him in TFP is also true in universe. And for some reason, SW wants to go back. And for some reason, they've run into each other.

The last we saw of Megatron in TFP, iirc, he'd just been freed from subjugation under Galvatron, and he stated that he never wanted to feel like that again, and he would not do it to anyone else ever again.

So disregarding RiD2015 as any possible source of further characterization...

...I feel like this Megatron would avoid Soundwave and the other Decepticons for a long time. He really sounded like he wanted a Very Long Time Out. His character change was stark, in those last few on screen moments, and there isn't much to go off of, regarding what New Directions he would head down.

He had a very calm air about him when he said it... but he's not an innately calm character. He's been driven by anger for a long time. He had expectations of being fully obeyed for a long time. He has just been handed the reveal of his life: that everything he did was extremely awful and he's only learned that because it happened to him.

So we have a character in an unknown state. How much growth will there actually be? Or will there be a backlash, a backslide into something similar to what he was before? There are no real answers (as far as I know of, in canon), so this becomes the domain of the fic writer.

And that's what I mean when I say this sounds like Too Much Work xD How do I proceed with an arc that feels Megatron-y, doesn't copy any other arcs we've seen, feels authentic to the character and world... what happens when you push a character to the destruction of their core values? How do they build themselves up again?

I don't know :D I'd have to rewatch TFP and then sit and think about it for a long time, and I'm not interested in doing that. I see several courses his arc could take, but I'm not sure which one is the most 'authentic.'

But, okay, people keep asking me.

Let's say TFP Megatron has been scrounging around, somewhat pathetically, on Cybertron (I honestly don't remember what state Cybertron was left in, at the end of TFP, but we're far into the future so uhhhhhh idk it's rebuilding), and our main characters meet because SW has returned to his home dimension for supplies. I assume SW would be accompanied by a few friends, probably including Rodimus.

There'd be some kind of first contact scene, but the thing the readers most want to see is SW and Megatron alone, so we'd have to plot for Rodimus & friends to go somewhere else (be amenable to giving them alone time, or get distracted by something, etc). So now we have SW and Megatron. And they're staring at each other.

SW is looking at the mech who destroyed him, rebuilt him, and then used him for millions of years.

Megatron is looking at the ultimate example of his tyrannic rule: a mech he shaped into a perfect servant.

SW sees Megatron as a pitiful thing, obviously living off scraps [since in this character arc branch we won't let him backslide into dark energon use or his tyrannical tendencies], obviously alone and doing terribly.

Megatron sees SW as a faded and scratched up, but obviously healthy mech, who initially arrived with allies. Allies who wear the Autobrand.

What next?

Well... I don't know. I'm going to give you some possible reactions Megatron has to this:

-immediately starts calculating how he can use Soundwave to his advantage. this Megatron IS clever enough, in my opinion, to possibly recognize that SW's associates are not Of This Universe. perhaps, he thinks, he can appeal to SW's loyal nature

-truly feels sorry for what he did to SW: either does or does not know how to apologize for it

-"Even you, Soundwave?" though Megatron has sworn off his old ways, he's still disappointed that his most loyal soldier has switched sides. it's a reminder of his own weakness and failure. he couldn't even keep Soundwave loyal

Some possible reactions SW has to seeing Megatron:

-!!!

-correctly recognizing him as the pitiful figure he is, and perhaps even going so far as to identify with the long process Megatron has ahead of him for healing, should Megatron even be able to find people to help him through it

-anger. despite the pitiful appearance, Megatron still did bad things, and unlike 0001 Megatron, never apologized or made any amends

-perhaps the most biting response: SW could look at Megatron for a moment and then just walk away. maybe Megatron calls out to him, but he keeps going. he lets Megatron see that he's healthy and thriving, and that he doesn't need Megatron, and that he doesn't care about him. he doesn't even need or want an apology, or any kind of response. he assesses and moves on, like Megatron is just another piece of scrap

or, of course

-some kind of hilariously inappropriate troll response, lol.

so yeah. as you can see, anon, there are quite a few ways things could go. there's an infinite number of ways things could go!

the way you choose which thing to do would depend on what you want the story to say. is there some kind of message about forgiveness? or is the message that there are some things you just can't forgive, and so you must move on for your own sense of self and preservation? cut ties, and so forth

and so that's the answer: there are too many answers and I'm not particularly interested, at this time, in figuring out which one is the best. I always say, hey, you never know: if I ever do feel like writing out this scene, I will

hope you enjoyed ✨

[emberwritesinsight]

(Ramble below, not very structured)

I'm watching episode 9 again and losing my mind over the scene where Saionji fucking kidnaps Anthy because. I forgot how actually upset Anthy is?

Like. The way Anthy is fucking shouting as Saionji drags her up to the arena. The way she tries to physically stop him from getting in! What the fuck!

The way he just bats her out of the way and we get a shot of her from behind, kneeling on the ground with a hand to her face, but we don't see her face. That's... not normal! Most of the time when Anthy gets slapped in the early series, we get a shot of her afterwards with a bruise.

Here, we don't see her face. But we can see that she's shaking, and the first-watch assumption would be that she's crying, but... I'm not inclined to view it that way given everything that happens after.

The way I read it, Anthy is pissed.

The next time we see Saionji, he's face down in the water. How did he get there? We don't see. On a first viewing, one might just assume that's a negative reaction the arena has to being opened at an inappropriate time- along with all the crazy shit going on inside the arena once Utena gets there. But given Anthy is later shown to have more control over what the arena does than she lets on, and noticeably does her flashiest magic (the sword pull, the transformations) in or on her way to the arena, I think Anthy is behind almost all of that. And I'd say she's also behind the Saionji-almost-drowning bit. You guys might remember the half-joking drawing I made of Anthy, uh, dragging Saionji into the water by his hair, and while she might not have gotten as hands-on about it as that drawing suggests, I still think she's responsible.

So, like... why?

Why does this piss her off so much? I mean, sure, Saionji absolutely has it coming, but Anthy's been through worse. She clearly doesn't like Saionji and messes with him whenever possible, but to attempt murder and then set up an elaborate illusion designed to upset him as much as possible is... a little extreme. I don't think she even goes that far with Nanami, unless you consider the elephants to be legit murder attempts (which I do not- I think that was Anthy scaring Nanami, not trying to kill her, because I can't believe Nanami would survive that many encounters with elephants that actually wanted her dead).

I think the answer is that, for all the shit she takes from the duelists, Saionji is one of the only ones who breaks this many rules. Not only does he mistreat her when they're engaged- something she's used to, but that seems to be at least frowned upon, if not outlawed (given Touga felt the need to call a "stop hitting your girlfriend" meeting in episode 1)- he mistreats her afterwards. He refuses to let her go, he acts as if she still owes him something. And then he goes and pulls this. He kidnaps her, takes her to the arena without a duel scheduled, and tries to enter the arena- all things that are against the rules of this stupid game that Anthy, however much she knows it is a stupid game, lives her whole life around. And he tells her End of the World is responsible, which Anthy knows isn't true, because if Akio were planning something this batshit, she'd know about it! Of course she's angry, this goes well beyond the threshold of nonsense her job usually entails!

I don't know if she was aware of Touga's plan to play the hero for Utena and get Saionji expelled- if so, she obviously wasn't aware of all of it. The freakout on the way up to the arena is too intense for me to read it as anything but genuine. She's shaking with effort trying to stop Saionji from opening the gate. Things do fall perfectly into place for Touga to get between Saionji's sword and a defenseless Utena, but I honestly think Touga's plan may have been to just...

1) Impersonate End of the World and tell Saionji the castle is coming down, this will incentivize him to go up there and break the rules.

2) Tip Utena off that Saionji has kidnapped Anthy.

3) The castle doesn't come down, upsetting Saionji and heating up his inevitable confrontation with Utena enough that he tries to kill her and Touga can step in at the perfect moment.

4) Profit.

I don't think he knew Anthy was going to Do That. For one, the plan was to get Saionji expelled, not kill him- Anthy's stunt there could have ruined the entire plan if Utena hadn't dragged Saionji out of the water. And Touga is drinking the "Rose Bride doesn't have feelings" juice. Evidently, he doesn't put two and two together after this, because he's still beating that drum in episode eleven!

I don't think Akio knew much about this either. Touga is telling him about it over the phone, so Touga didn't tell him, and Anthy didn't know, so she couldn't have either. I think he probably got woken up in the middle of the night by all the chaos and had to dial Touga up after the fact to ask him what the fuck was going on.