#Which entirely possible.

[semothekat]

GUYSS. I THINK I HIT POST LIMIT AGAINNNNN.

[floccinaucinihilipilificationa]

[mrs-gauche]

The Dread Wolf Take You (Part 1)

~~Link to the complete 31 page comic here~~

"Imagine that, overlooking the god in your mids!"

May I present, my attempt at illustrating the last four pages of Tevinter Nights. 😁 (Also, the first time I'm posting art on here!)

As the whole thing was quite literally too long to post on tumblr, I uploaded the full version on a customized site made for reading webcomics (via ComicFury). Feel free to check out the link above if you like to read the rest! Also, if you're on mobile, there's a "Scroll View" option for easier navigation. :)

And, obviously, HUGE spoilers for those who haven't read Tevinter Nights!!

On a personal note though, I can't believe I actually finished it... As it had been a *very* long time since I drew (and finished) anything, let alone a 31 page comic and reading Tevinter Nights again finally sparked my motivation (and the courage to post it lol). So I want to thank Patrick Weekes for helping me overcome this massive art block and over two decades of Case Closed mangas for inspiring me how to draw an overly dramatic "exposing the imposter" moment. 😂 I tried my best to be as faithful to the book as possible and it took me forever, so... hope you like it! :D

[erandraws]

I know a 3 for 3 for Laura is great but I think a Dorym silken squall wedding one-shot would eat so incredibly hard

Also, tomorrow marks my one year anniversary of starting Critical Role. This show literally changed my life. I’m so grateful that I get to watch these friends play this game every week, even if I have to wake up at 4 am for it (yes I’m coming out as European I literally willingly wake up every friday at 4 am to watch the new episodes live even though I have Beacon). But anyway enough sappy stuff. This piece (which is my greatest piece ever, let’s be honest) includes a lot of cute details which I will highlight under the cut!

First, these are Dorian and Orym’s full outfits that I had pre-drawn so it would make the process much easier. I did swap out some little things.

Now for the final piece:

- Dorian’s wedding ring includes an emerald (obv bc Orym’s color is green. And it has leaves wrapped around to symbolize Orym’s ties to nature. I did use a lovely reference for this ring from pinterest. Even though Orym’s wedding ring doesn’t show here, I would like to think it has a blue sapphire surrounded by swirly wind designs to symbolize Dorian’s air genasi heritage.

- The embroidery on Dorian’s vest references the day and night cycle, with the sun being highest and the moon being lower. (Also I fucking ate these pearls, they’re stunning)

- Even though Orym’s beautiful tattoo is covered, I still referenced it by ‘carving’ it into his shoulder pauldron. Big moon, little moon.

- Two clothing details on Orym: another Will reference, Orym wears Will’s sash.

- The silken squall wings which are a reference to Dorian’s first outfit.

- And finally, Dorian wears a bunch of flowers in his hair. They’re all white with the exception of a single blue flower. This is in reference to the blue flower Orym druid crafted into Dorian’s hair in one of the very first episodes of the campaign to help Dorian’s performance check. It’s one of their very first cutesy moments, so I thought it was a lovely little detail to include.

[aardvaark]

the leverage team would have had a games night… once. everyone cheated so much and in such increasingly extreme ways that all mentions of monopoly are banned in their headquarters (this makes talking about marks who monopolize the market very confusing)

[lostwords-found]

Oh no. Oh fuck. I am relistening to some of the earlier Protocol episodes, and I have a horrible, terrible, no good very bad suspicion about Gerry.

I could, I want to emphasize, be completely wrong! I could be wildly, hilariously, off the mark. But--hear me out. This is going to take some explaining about what I think is going on in the bigger picture worldbuilding stuff; hopefully it'll be coherent, but fair warning, it may get a bit long.

First: there have been a lot of cases that have boiled down to trying to keep only the "good"/desirable/etc aspects of things or events or people, and discard the "bad"/unwanted, right? We saw this happening very explicitly in episode 23 with Alesis Newman, and way back in episode 2 with Daria the painter, but a number of episodes have presented variations on a similar theme.

Two variations in particular that I've been thinking a lot about are the violinist in episode 4 and the gambler in episode 9. The violinist can play his violin beautifully, but he wants to be rid of the price in flesh and blood that it demands. Similarly, the gambler wants the rewards of rolling high on his magic dice, but wants to be rid of the misfortunes that come with rolling low. Crucially, both episodes make clear that in this type of balance--something unwanted for something wanted--you can't just make the unwanted piece vanish. It has to go somewhere, it has to happen. But you can make it happen to someone else, somewhere else. And when that's how the game works, one of the major questions for players who want to get ahead then becomes: "how do I make the bad stuff stay happening somewhere else, and keep reaping the benefits of the good stuff that balances it out?"

Here's where this gets wildly speculative and from here on I freely acknowledge that I may be talking out my ass:

I think the Magnus Institute was investigating that question. I suspect a great many alchemists before the Institute, probably going back to the times of Albertus Magnus, were investigating it as well. I think the Great Work they were attempting -- the "universal transmutation" alluded to in episode 21 as the Magnus Institute's aim -- was the exact opposite of Jonah Magnus's own "Great Work" in TMA. In other words, I think they were probably trying to make the world an eternal paradise, rather than an eternal hell.

But if you're getting rid of all the "bad" stuff, all the suffering and misfortune, it's got to go somewhere.

I think they were sending it through to other worlds.

I'm not going to get into all the reasons I think that right now, because that's a whole essay in itself, but basically--the Leitners in TMA? The artifacts? All the little bits and pieces of evil given physical form, that never had a clear origin point in the world where they caused so much suffering for so long? We've all been worried about them winding up here, post-Archives... but I think this is where they came from in the first place. I think they were sent away in the hopes that an increase in "bad" in other worlds would lead to an increase in "good" in this one. Remember all those books Albrecht von Closen found in the tomb in the Black Forest in TMA, that Jonah Magnus later stole and let loose on the world? Remember that Albrecht found a mysterious coin along with them dated 1279? Albertus Magnus died in 1280; I strongly suspect he sent those books from the world of Protocol to that of Archives shortly before his death, much as the world of Archives sent the tapes away centuries later. But I think Protocol's world kept sending things away, kept trying to export "bad" and import "good". Remember all those happy, laughing volunteers bringing strange and sinister items to the charity shop on Hill Top Road in episode 7? "All for a good cause."

Okay so. Now. With that bit of hypothetical framework for Protocol's worldbuilding in place, let's next go back to Alesis Newman of episode 23. Her expressed wish is to create a new her. "Someone better. Someone the pain can't touch." Someone who can be everything Alesis wishes she could have been. Someone "free of all (her) mistakes."

But increasingly it sounds like what she actually wants isn't to create someone new. It is to create someone who is only a part of her current self. Someone who, she says in one of her last few posts, will "just be the good parts of me."

And if that's the case, if what she's really trying to do is make someone who holds only the "good" parts of her, someone who can be happy and strong and perfect and loved by everyone forever... what happens to the bad parts of Alesis Newman, as she currently exists? What about the parts of her that feel pain and fear, the parts of her that make mistakes, the parts of her that she rejects?

One might assume, from the experience she narrates, that those pieces of her are simply being destroyed. But that doesn't line up with the suggestion we've seen from earlier episodes that there has to be some kind of balance maintained in these bargains. What she actually says is happening to her--and what the forum members have apparently told her will happen, through this process--is that she and this "new her" are "becoming one... and then two."

I don't think the "bad" parts of Alesis Newman are dying. I think they're also going to become a "new her"--they're just going to go somewhere else, somewhere the new, happy, strong, perfect version of Alesis Newman never has to see them.

Still with me?

Okay.

Now let's talk about Gerry. Let's talk about the smiling, laughing, irrepressibly happy Gerry Keay we meet early in Protocol. Gerry who seems to have everything that the Gerry Keay of Archives was denied.

Gerry who underwent tests at the Magnus Institute as a child, and who, per the static over his and "Gee Gee's" words, holds a few more secrets about what went on there than he let on to Sam and Celia.

Back when I first heard Gerry's appearance in episode 8, it sure felt like a narrative gut punch: This is who he could have been in Archives, if not for the presence of the Fears. This is what Jon and Martin's final decision threatens to destroy--for this safe, happy version of Gerry, and for everyone else in his world.

I'm now suspecting it might be significantly worse than that. I think the Magnus Institute might have done to Gerry Keay something similar to what Alesis Newman later did to herself: made him New. Kept only the good parts--ensured a happy, comfortable, good life for him. In which case, all the bad stuff--all the parts of Gerry Keay that would ever have to suffer from bad luck, to feel pain and fear and misery...

...well. They'd have had to go... somewhere else, wouldn't they.

Which would suggest I had the causality the wrong way around the first time I heard Gerry's appearance in Protocol: maybe it's not "Gerry has a happy life in this world because he didn't have to suffer everything that the Gerry Keay of Archives did."

Maybe it's "Gerry in Archives had to suffer everything he did because Gerry in Protocol was made to always be happy."

[justpentdraws]

of all the things in my sketchbook that people told me looked very cool, i never posted this pic of mordred. have it

[biggest-gaudiest-patronuses]

*tries to organize my thoughts*

*remembers i'm not in school and therefore beholden to neither heaven nor hell nor any man's grading system*

*joyously shredding & tossing all my carefully arranged 3x5 mental notecards into the air like so much beige confetti. raising my arms in victory, cheering raucously until i accidentally inhale bits of homemade confetti*

(*coughing up itty bits of paper like a cat evicting a hairball with a firm understanding of tenants' rights*) wait wat happens next

[navree]

Incorrect, the fact that Biden has dropped out and a candidate with history of supporting medicare for all and being more receptive to a ceasefire in the I/P conflict has made me go from "I cannot morally support the Democratic nominee" to "I am voting for the Democratic nominee despite the fact she isn't perfect in every respect." I'm really happy this played out. The Dems for the most part abandoned the old Obama platform and it feels like its possible an actual progressive agenda could come to pass in my lifetime.

Kamala 2024!

If you weren't going to vote Democratic in this election before Biden dropped out you're a dorkass loser who does not care about any of the issues you're yammering about here and also a fundamentally bad person, and I hope you get run over by a bus.

But you got one thing right in all of this gibberish, Kamala 2024.

[sunnibits]

potentially hot take but this is a pet peeve of mine

[ros-sauce]

Stupid sidetail post aside, I do feel like there's a nonzero chance Mizuki Is on hormones. My reasoning for it is not the strongest thing to ever be strong, but it's ? Something?

Nothing is stopping her legally. She's old enough to get HRT with parental consent, and the only thing The Parents Akiyama ever do is say "yeah sure you can do that", so I don't think it would be hard to gain that consent

Canonically cis-passing

I *think* her 3d model has an ounce of breast tissue but do not quote me on that

The Deer That Is Definitely Not Mizuki Akiyama has no antlers. There's only one species of deer in the world where None of them grow antlers, and I'm going to take a wild guess and say that she is Not a Chinese water deer

[quinn-of-aebradore]

Something I think about a lot in regards to Vax’s deal with the Raven Queen is that Vox Machina could have brought him back from being Disintegrated. They talked about it at length before they went to sleep that night; Scanlan could’ve used Wish to turn a large enough creature (they joked about using Trinket) into enough diamonds for Pike to cast True Resurrection and bring Vax back even though his body had been destroyed. They just couldn’t do it right away. Bringing him back was well within their powers, they just needed time.

But then the Raven Queen swept in and made her offer to Vax; die now or die later to serve as my Champion in exchange for me bringing you back right away.

This isn’t to discount the fact that Vax made his choice when it came to serving the Raven Queen; I wholeheartedly agree that that was his own choice, not a debt like Keyleth believes it to be. But I do wonder, sometimes, if his answer would’ve been different if he knew what his family was planning. And I wonder too if remembering that plan that would’ve worked given time fuels Vex and Keyleth’s bitterness towards the Raven Queen, on top of everything else.



[faceless-ghostt]

Wouldn’t you Like?

So this was supposed to be a short doodle and it didn’t end that way… The Hermes brainrot hit hard with this one(click for better quality)

[asarigg]

About: Part 2

DEVELOPMENT OF THEIR RELATIONSHIP. PATH TO HEALING: part 2

Despite all this tension and mistrust, the next scene is full of gentleness. Aoba is extremely embarrassed and worried that he vomited on Koujaku, staining his kimono. But despite having such an important goal in mind, and the distance he’s causing by not wanting to involve him, taking care of Aoba right now and carrying him back home is more important. Aoba is so worried about having stained his kimono and Koujaku brushes it off, not only that but also uses his sleeve to clean it up. A kimono that signifies his identity, that is reminiscent of his mother, of her nurturing, something so personal.

I feel that after seeing Koujaku leave, Aoba felt especially vulnerable, those feelings of helplessness and neglect, that jealousness, sharpened by his discomfort after the effect of the drugs. So now it’s not only about Koujaku’s care, but also the warmth and affection placed on him that makes him feel better.

The main reason for Aoba's distrust towards Koujaku happens when he discovers the amount of tattoos and scars he had running through his body. The person he shared unique and intimate things with, only for the two of them, was not only leaving him alone but also hiding something from him, and the tattoos only confirmed it. What could be so serious that Koujaku is hiding it from him? Like we said before, it being solely because of the yakuza is kind of unlikely because he’s friendly with Virus and Trip, and you can’t possibly compare them to the friendship he has with Koujaku. So the shock mostly comes from feeling like his trust and friendship aren’t reciprocated, that he isn’t anyone special to him, that Koujaku is pushing him away and doesn’t want him by his side, he feels betrayed, lonely, rejected. He put all his trust in him, his hero, but it looks like Koujaku doesn’t hold him in high enough regard to confide in him. And so his heart breaks.

If one doesn’t trust, the other can’t either. They’re equals, and one can’t be without the other. But now, in a way, Koujaku is leaving him behind, and it could also remind him of how he left when they were children, of his parents, it’s a devastating feeling. That’s why he dreams about his childhood, a return to his most comforting memories, in which there was no distance or mistrust, in which Koujaku never pushed him away, rather, he was always with him, searching for him.

Alright, this is completely unnecessary in my opinion. It’s something so obvious I’m still surprised to see people reading this the wrong way, so that’s why I decided to include it. It’s something so important and shocking that it’s a shame that it’s interpreted in such a wrong way by either extreme censorship (crazy being a dmmd fan) or simple bias, because it’s been something that happens the twelve years the game has been around that people talk about this scene as if this was something that Koujaku ever wanted to happen or had made this decision on his own. What’s funny is that this is the usual coming from people who don’t like him, but surprisingly enough people that do like him sometimes also agree and then you can’t excuse it with rage bait. I really don’t understand how this can keep happening because one of the main plots of the entire game that moves the characters to act is precisely the brainwashing and mental manipulation that Toue wants to force on people. Each character has some personal relationship with this and it’s so blatant that I didn’t think I would continue to see these kinds of conclusions to this day and age.

It’s raining, Aoba returns to Glitter and a little while later Koujaku arrives too, soaked from head to toe and with a grim face. Although Aoba isn’t sure who he is referring to, because he doesn’t know the danger he entails, we know perfectly well that he’s pissed off because he saw him talking to Ryuuhou. During the conversation Aoba notices he was looking at something behind him, all that happens here goes exactly as the tattoo artist wanted, it’s all part of his plan, of his manipulation. Like we said before, rain is representative of the dragon's influence.

Somehow, what Koujaku is feeling now is the same thing Aoba has been feeling when he saw him leave. Anger, jealousy, disappointment and betrayal. He has seen the person he loves talking to his worst nightmare personified, the person he was looking for with the intention of killing him. His emotions are already unstable, but seeing them together upsets him so much that he’s no longer in full use of his faculties, with the tattoo consuming him, only managing to get angrier and angrier until he throws Aoba to the bed. First thing he does is to bite him, because it’s like he’s marking him as his in some way, like territory. His tattoos take over his body, over his feelings, and externalizes them in the worst way.

He’s becoming more and more irrational. Before he had a serious face, but now he’s getting angrier and angrier. This scene isn’t supposed to be hot (unless you’re into noncon lmao), it’s a scene where they’re pushing their relationship to the edge of a cliff, to a point of no return, these are the consequences and they either act now or they’ll be broken forever. There’s no need to have the full rape package because the point has already been made. It would just be for the sake of making the trauma more painful just for the kink and it just doesn’t fit. Considering how fast the entire story develops, the whole “Aoba forgives Koujaku” arc in order to have a good ending, it would probably feel empty and weightless.

I get the feeling that since Koujaku can still talk here, unlike the bad ending, people see it as if he’s actively controlling his body and just letting his anger peek (at most, he’d be only partially controlling it with the influence of the tattoo, or he’d be seeing it in “third person”, kind of like how Aoba can remember a bit of his life when Sly was controlling their body, but it’s not him). It’s pretty obvious that he’s not listening to Aoba, not only he doesn’t stop until he uses his power, he doesn’t answer his questions about what the hell he was talking about either. He’s not being rational, he just keeps repeating the same thing over and over until he can’t talk anymore. (His tattoo doesn’t need to be mature to do tremendous damage to his loved ones, to be honest no wonder he wanted to kill himself after this lol).

In the confession scene he also mentions that he vaguely remembers touching Aoba in this scene, the translations are actually a bit confusing because some suggest that Koujaku basically says that he liked how it felt even though he felt sorry about it being non-consensual, and others have a more reasonable answer where he says something like “I kind of remember what happened and I could only wish it was different”. I honestly lean towards the second one, because the first translation, which I think is the most popular one, already had several mistakes or slightly confusing translations and this one would be no exception, the implications are different. Honestly, just one more reason why I wished he would just say that he remembered literally making out with him in Scrap because this part only helps people to put the blame directly on him as if he had ever wanted that in the first place.

I need people to understand that the berserk form, beast Koujaku, whatever you wanna call it, is the same to Koujaku as Sly is to Aoba. They are forces of destruction that desire death and violence, with some kind of supernatural focus, beast Koujaku based on pure instinct, and Sly in a more sadistic way, consciously doing harm. You can’t expect any morality from them, and especially not from a beast. When Sly is in control, Aoba still remembers things that happen and vice versa. Koujaku remembering parts of what happens isn’t new and it doesn’t mean he was in control, period. I don’t see people blaming Aoba for what Sly does, so why would he be blamed for this? Even Aoba himself straight up tells you it’s not the same person, it’s impossible to know the tattoo exists and still thinking that this is somehow voluntary.

I’ve also seen people say that for some reason Koujaku fans just ignore this scene, as if we wanted to ignore anything slightly problematic or hinting at this being part of Koujaku’s personality in some shape or form, like we can’t stand the “fact” that he has any hint of malice in him and we don’t acknowledge it because we’re in a bubble dream world and it couldn’t be a worse misreading of the entire character. I can’t believe that it came from someone who liked Koujaku because it feels so disrespectful to him, to his story and who he is, basically all we’ve talked about so far. One thing is to have hcs and the other is to treat it as the canon truth and disrespect others because they don’t share those hcs that are pretty much incompatible with the character. Besides, I’m sorry, what else should we be talking about? They talk like this could happen in any other situation, and no. It wouldn’t because Koujaku didn’t choose this. They truly believe that a character who doesn’t have malice for some reason is a character without flaws or imperfections, and if they like this character it must be because there’s something bad in him that makes him a grey character, so they can keep enjoying their edginess. Got the wrong character, Koujaku’s imperfections and “impurities” are far apart from that selfish facet they wanted to give him. His lack of communication and his self destructive careless attitude of carrying everything on his own, the way he behaves giving less importance to himself and his inability to break the cycle by not relying on someone else are what builds him. If anything, being more selfish is what he needs, to be honest. Bad things can happen even if the intentions are good, it's a good natured character with nuances and flaws, to put it simple. And the good thing about Koujaku and Aoba is just how versatile they are, you can almost go with anything in your fiction and you'll probably find details and nuances about their characters that you can include there so it still feels like them, while separating from the strictly canon and exploring your own ideas.

I've mentioned this before on my Twitter account, long time ago. I personally wish they’d left more time to develop the feelings after this part of Glitter because Aoba immediately leaves and gets drugged by Ryuuhou. Same story, everything in the game happens really fast. With that in mind I think it’s fair to not take it too much into account, like many other things, and just imagine what would happen and that’s it. Because it’s true that they talk about it a bit, but then move on to something else right away and there’s no processing of what happened, the scene doesn’t feel as heavy as it should, like “Well, that just happened”. It’s the ultimate act of betrayal for god’s sake.

Ren recognizing Beni’s wings’ flapping like there aren’t a hundred other bird allmates that do the same sound will never not be iconic, truly an old man yaoi moment.

[liedownquisition]

Every time someone writes anything re: the Arrows (esp Ollie) and treat it like they have these like Bat-level strict morals or just otherwise being really "strictly principled"???? it drives me crazy. Like I don't wanna be "you haven't read the comics" but... They haven't.

Ollie, very famously, killed not only Parallax (something which was very difficult for him bcs Hal was his friend, for all their fighting), but also the Electrocutioner (for killing Lian, maiming Roy, and destroying most of his city). There was that whole thing in Crossroads when he worked with Huntress, Catwoman, and Deathstroke, and was killing criminals with guns! Killed a man torturing Dinah! Hell, even further, at least once he helped someone who he considered to have been justified in killing someone escape the law!

I'm pretty sure literally all of his proteges have harder lines than he does (Jason criticizes Mia for limiting her angles to non-lethal in Seeing Red, Oliver being shown to use more brutal methods in a team up with Roy in comic I admittedly don't remember the exact name of & Connor disapproved of Ollie training with the guy who trained Deathstroke to learn the "killing arts" re: 1YL, tho idr if that was more of a killing disapproval or a "dad, really, this guy is awful tho???" kinda deal. Uhhh... Emiko might be an exception to this probably, at least inasmuch as you can consider those two his proteges given I don't think Ollie really trained them that much/they mostly came to him like that). Hell, when Mia killed someone he wasn't mad about her killing so much as that it was her (an innocent kid) that did it!

In the marriage comic, Dinah had apparently killed Ollie in self-defense! (Before concluding that it hadn't been him despite all evidence to the contrary, ect., ect., ect.)

Roy worked for the gov't and definitely killed for them when it was called for. Fell in love with an assassin and walked away instead of turning her in or killing her like he was probably supposed to do despite knowing she'd likely go on to keep killing more people (You could call this a statement on his love for her, which on some level, yeah, but on the other level shows that his lines aren't so well-defined.) The only reason he hadn't killed the Electrocutioner himself is bcs Ollie got there first. For all the complaints re: RHATO/RH&A they are still considered current canon (to an extent, I think some specific things around it might be retconned?) & he has killed in there too.

Emiko as a former assassin/being trained & raised to be a "perfect killer" by Shado I feel is rather self-explanatory.

There's probably more but I'm runnin' out of steam here. Anyways. My point is that while they're not exactly actively murderous vigilantes, they FAR from have some kind of no-kill rule. They'll typically try something else first, but when lines are crossed (like their family) or there doesn't appear to be a better solution that would actually work, they're plenty willing. They're not "Batfam 2.0 but lamer and not as powerful," which seems to be the predominant interpretation most of the time.

EDIT: I have a confession to make, I mis-cited who Ollie killed. I forgot there were TWO GUYS involved bcs it's been so long and it's not exactly a storyline I like revisiting, so they sort of blended in to my mind. The one who tore off Roy's arm, as well as sent the order to set off the bomb that killed Lian was Prometheus, and THAT'S the one who Ollie killed. Roy most definitely did in fact end up killing the Electrocutioner, who was the trigger man who pushed the actual button to set it off, and for a brief period did in fact go on to try and kill Deathstroke before he came to terms with Lian's death. Ollie did also have some regret for killing Prometheus and did try to stop Roy, because he felt that it was a pointless revenge which... tbh considering some of his other things I'm like "okay buddy, little hypocritical there but you are nothing if not a knowingly flawed man trying to do the best by those around him."

[companion-showdown]

Who had the worst time aboard the TARDIS?

TOURNAMENT MASTERPOST