#What Have I Don

[curryvillain]

.@KingCruff Does It The Tuff Gong Way With "Rita's Revenge"

Last year, Recording Artist King Cruff released his debut EP, “What Have I ‘Don“. The project was a big step for the Artist, and since then he has been working on bringing his brand to more parts of the world. The new year expects more content from him, and he’s fulfilling orders already. Earlier, he released the video for the track, “Rita’s Revenge“. Directed by Ian Simon and Neil-Anthony…

[ricky-olson]

# i’d get on my knees and show zaun a real glorious evolution

ARCANE: LEAGUE OF LEGENDS (2021-2024) 2.06 | The Message Hidden Within the Pattern

[thatkoiboi]

Part 2

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This is a fan comic inspired by Cass' Apocalyptic Series and is just my own little fan art of how Donnie and Casey could have gotten closer!

The creator is @/somerandomdudelmao

hebehjeabaje I did a warm up doodle of Mikey on the canvas and liked it so much I wanted to incorporate Mikey somehow (literally made up an excuse just to drop a bunch of easter eggs for fun).

[tworealms]

what if world was made of pudding

LONGER

[stealingpotatoes]

You know if Han can appear as a force ghost, then padme can appear as a force ghost, Luke needs a hug

PADME SHOULD ABSOLUTELY APPEAR AS A FORCE GHOST HEAR ME OUT HERE. okay first of all because #feminism SECOND OF ALL she was literally pregnant with TWO whole eldritch skywalkers before she died. that should TOTALLY give her enough force to show up as a ghost. anyway here's this bc lucasfilm r cowards and i'm not

[alienfailboy]

please remember that luke skywalker adopted rey and fin a few years after marrying din djarin and and opening his jedi school on mandalor with their green rat son.

[serpentface]

WARDI WRITTEN LANGUAGE (BASICS).

Couya's full name (properly 'Haidamane Couya') written formally and with common handwriting conventions.

The Wardi written language derives from earlier proto-language systems consisting exclusively of logograms without direct phonetic meaning or grammatical structure. These symbols gradually became simplified and abstracted to the point of many having little intrinsic clarity, and combined to communicate abstract concepts.

The development of a full written language did not occur independently (as very few written languages do), and its phonetic elements (namely its use of syllabograms) were largely derived the 'ancient' Burri writing system, gradually synthesized with native writing conventions, and in the contemporary forms a wholly distinct system. The language's Relatively universalized form is a very recent phenomena, developing within the past two centuries with the region's conquering/unification into a single entity.

The contemporary written language is a mixture of logograms and syllabograms. It is read from right to left and arranged in horizontal columns. The most formal variant of this system contains each character within a square outline, usually separated by a small space. This outline confers little phonetic or symbolic information beyond making distinction between syllables exceptionally clear, and can be (and often is) omitted in handwriting. The separation of words is conveyed through a narrow rectangle or line in formal contexts, and again often omitted in handwriting (instead indicated instead by a wider blank space).

The pure logograms that have been retained in this writing system tend to be those of very common words or specific concepts (most logogram characters for types of livestock, key crops, water, major body parts, etc are widely recognized and in common use). There has not yet been any attempts to fully 'formalize' the language and omit potentially unnecessary logograms, and they remain frequently used as shorthand while conveying the same semantic information.

Many of the syllabogram characters are directly derived from logograms that depicted monosyllabic words. For example, the spoken word 'gan' means 'cow', and the character for the syllable 'gan' is identical to the common logogram for 'cow'.

The name Gantoche (literally "cow-eye") could be written either fully with syllabograms as:

or through logograms as:

Both ultimately communicate the same meaning, but the former clarifies pronunciation (the words gan and atoche are contracted, it's gantoche and not gan-atoche).

It is a relatively easy written language to learn, as the pure syllabogram characters indicate their own pronunciation with little ambiguity and often have consistency to their construction (ie the character for the syllable 'man' contains most of the same elements as that for the syllable 'wan'- the dot placement in particular has indication of the vowel sounds).

The inclusion of logograms in general and many of the syllabic characters being directly imported From logograms complicates matters. These characters lack visual consistency, and can be confusing to the large swath of the public who know common logograms but not the full written language itself. Ie: the word 'ungande' meaning 'liver' will be composed of logogram-derived syllable characters for 'un' (which alone means 'hand') and 'gan' (which alone means 'cow'). Someone who is only semi-literate in common logograms may be confused at the meaning, especially since these same exact same characters may be used elsewhere on their own to indicate 'hand' or 'cow'.

One major exception to this tendency is that current religious doctrine requires established logogram characters describing God to be used in place of syllabic characters. The word for god is 'Od', and has its own unique character (as do each of the Faces, the capital F 'Face', and Its deified pronoun). The syllable 'od' [oʊd] is very common in the Wardi language, and a wholly separate character is used for the phonetic sound when it is not a reference to the deity (ie 'lion' (odo [oʊdoʊ]) does not contain the same character for God in spite of its first syllable having the exact same pronunciation). Names are a bit of a gray area (ie: the name 'Odabi' is very common and carries the meaning of 'gift/blessing from God'). Religious leadership is currently experiencing a mild schism on whether the written character for God is separated due to being wholly sacrosanct (and thus inappropriate to include in the written form of a personal name) or as more of a functional delineation of the sacred and mundane.

[ruporas]

i killed. i murdered. i'm nothing like these sleepy people here… nevertheless, you can actually be grateful? bastard… i’m saying… thank you. because you spilled blood, you saved all of these people’s lives. i couldn’t have done it without you. (ID in alt)

[corvids-corner]

they're so everything

[firestorm09890]

this is going to be an odd post but having finished Don Quixote, I think... Project Moon turning Limbus Company's version of Don into a vampire is not any more of a disservice to her source material than anything else they could've done with her character.

The arc everyone expected from her was that she'd witness the horrors of the city and it'd shatter her whimsy, and now that she's a vampire, she's... definitely going to be doing something different. But you know what?

Nothing like that- having beliefs shattered by seeing the horrors- happens in the book Don Quixote.

He goes through 99% of the story with his delusions intact, unbreakable by anyone or anything. If he sees something that doesn't line up with his beliefs, he says an evil enchanter has changed its appearance. The closest he gets to having his beliefs changed by his experiences is when he starts seeing inns as they are instead of as castles, near the end.

His spirit is broken when he loses a battle and is forced to go home and take a year off of knight errantry... but not because he realizes he was wrong, he's sad because he has to take a year off of knight errantry.

You know how he stops believing in his delusions?

He gets sick, with the text saying it's from depression, and then after a few days of being in bed, he wakes up completely sane and holding the belief that everything he did in this book was stupid. And then he dies.

I'm not going to lie, I don't like the ending very much. And giving that ending to Limbus Don would, despite being accurate to the source material, not be great and would probably be widely considered as bad writing.

The story of a girl realizing that the City sucks is about as faithful to the original Don Quixote as her suddenly being a centuries-old vampire because neither of them actually happen in the book and both would change the entire structure of the story if they did happen. Also, "bright-eyed person who believes in justice learns the hard way that the real world is too harsh for that fantasy" is a very common theme in the City that we've already seen with Finn from Yun's office in Ruina, Garnet from Leviathan, and pretty much every fresh fixer out there, so basically I'm saying I support this decision

[scriv3lloirl]

More Butch Orin cus... I really like him.

This was a collaborative drawin wit Endo (🖤🌌) n I think we did pretty great. So.. shout-out t' them, I s'pose haha.

[curryvillain]

.@KingCruff Asks "What Have I 'Don" With Debut EP

If you’re a follower of this platform, you’d know of Canada-based Recording Artist King Cruff. Since the late 2010s, he has been on the scene building his fanbase, and developing his sound. Blending Hip Hop with Dancehall, Reggae, Afrobeats, Pop, and a lil EDM, he has been winning over listeners with his selections, and silencing his doubters. Earlier this year, we released a Short Film on Cruff,…

[foundfamily-connoisseur]

Cramps are krampusing so uhhh my thoughts on these dudes as romantic partners and additional explanation cuz why not

Explanation in order of chart

Doc Louis:

have you seen how much he cares for his boy? Absolutely doting and will always find a way to make time for you. Honestly the only thing you'd need to talk to him with is balancing time together as partners and his own time as Macs dad i mean coach

Piston Hondo:

super respectful and he seems very communicative and willing to talk about whatever issues you two may have in a relationship(although i doubt you'd have many). He's not as obsessed with his position in boxing as some of the other folks, which means of course he'll make time for you and would enjoy doing things you'd like to do(even if it isn't his personal cup of tea)

Don Flamenco:

He's a Spaniard. Love and romance is his whole thing if he sucks at that literally what is he here for. I think if there was an issue it'd be how petty he can be(less with you and more on personal vendettas/grudges with other folks), nothing serious tho

Bald Bull:

Ok ik he has anger issues and maybe it's the biases talking but he literally only gets mad when ppl are all up in his face. Only difference between him and me is I just start bawling when that happens lmao.

I think he's the only one with bigger problems in the "good partner" section but he gets higher up because if he isn't bombarded with the paparazzi he's literally chill. Nice sweet and domestic scene me thinks

Bear Hugger:

He would prolly rank higher but I feel he's the type to be a bit dense. Nothing enough to be a major problem but you gotta spell out some things to him sometimes lol. Maybe a bit more rowdy/"dirty" than preferred, but outside of that he's a 10/10

Disco Kid:

Just nothing remarkable tbh. For sure sweet and attentive but he might be coming home late from a party (and it really will just be him losing track of time but sometimes you gotta go 🤨 😒 and give him an earful). Only fault would be his overt friendliness that might lead to others thinking he's flirting and he doesn't get it till you pull him aside and tell him and he's like OHHHHHHHH my bad lol

Glass Joe:

I probs should've ranked him higher lmao idk why he's there. I think the only thing I could fault him on is his innate stubbornness cuz no way is that only staying in the ring. It isn't that he'll fight with you on everything but he has a few select things that are his way or the high way and it just he like that.

Von Kaiser:

Look at him. He is filled to the brim with issues. I feel like his PTSD or whatever we want to assume he has gets to him a fair bit. Again I doubt it'll ever escalate to violence but there are times where it really does affect his ability to communicate or do things. Its assuredly a talk you two need to have and something you need to understand getting into the relationship. Also please get him into therapy I think that'll help but he's 42 I don't think he believes in that.

Mr. Sandman:

he'd be a fine boyfriend for sure, maybe a bit stoic in public with the occasional discrete smile here or there, but his anger issues are so much worse chat. Like he clearly values his position as world champion that when he lost it he wrecked a BUILDING!!!!

Im not going to say anyone here would be violent towards you but that man might punch walls or some shit. More than likely just absolutely obliterate his punching bag. His obsession might cause issues in your relationship that could lead to neglect on his behalf. You are for sure fighting with him on talking it out but he's sweet outside of that. If I had to move him he might teeter onto the rank below but the others are just worse so he gets saved there i suppose.

Great Tiger:

He just seems full of himself. Not as bad as SMM but enough that you'd argue with him from time to time. I feel like he'd use his clones to play silly pranks and they're fine until one day he does it when you're super tense and you end up yelling at him. His biggest sin is just not understanding what's funny to him could be annoying to you. It might take an outburst to set him straight than a one to one talk, though

Super Macho Man:

Does he treat the women he's with well? Yeah of course! At least when it comes to spending dough on them. He doesn't seem like the type to want a relationship in the first place, and if he does it's very brief since he's always looking for someone hotter than the last(or whoever is the most eager). If there is a genuine relationship, he thinks that gifts can supplement any other aspect to a relationship beyond showing you off, and would get mad that you ask him for a little quality time once in a while(like shut up he literally bought you a Porsche what more could you want????)

Also I'm going to be so real here if he doesn't think you're up to snuff looks wise he's going to be a bit of an ass. Mostly it's just him being more willing to push you aside for events and stuff because he considers you to be "lucky" that he's even sparing a minute of his time with you. Then surprised Pikachu face when you leave

Aran Ryan:

Who started this list I'm sorry chat but his ass is NOT ready for a relationship. What you get from this man is an emotionally stunted mess who can't process his own emotions beyond anger, much less yours. He either is dismissive of you at best or if he loves you completely still sucks because he doesn't know how to deal with those kinds of feelings.

He'd be possessive but not in the cute way; someone can look at you for a moment too long and he's bashing their skull in. Like it can even get to the point where he's iffy about any male friendships as a result.

Additionally that man can't process emotions for the life of him. I just feel like if he's sad he's the type to suppress it and ignore it via boxing or literally anything else until it catches up with him years later. As a result, you can literally tell him your grandpa died and he'd be like "damn" and go on with his day. Of course he feels absolutely fucking horrible for you but he assumes that his way of dealing with his problems is the way you should do it since ignoring problems = problems don't exist anymore.

Obviously, this does not work and you just end up fighting/crying. Genuinely he just doesn't seem ready for any kind of relationship and I don't think he thinks therapy is real or is the type to say it's for sissys or something.

On that note he's got a bit of misogyny to him(his quotes are not slay girlbosses) that are only not worse because his sister beats him straight.

Would he cheat? Eh. If it started off as a hook up or something than I just think he'd forget he's even in a relationship tbh. If he's actually in love absolutely not he's got standards sometimes

Soda Popinski:

I flip back and forth on where I'd place him because he seems fine overall, but of course it's his vice that does him in. It's more of a matter on how much you think his soda vice impacts his life, especially with Title Defense mode where he's super serumed with it. He's absolutely coming back home every day sloshed and you can only put up with that for so long. It's a balance act of his good character outside of his vice and the vice itself.

Donkey Kong: that is a gorilla. Ideally no one wants to date said gorilla.

Little Mac: he's aromantic to me chat he signed it to me himself.

I JUST REALIZED I DIDNT PUT KING HIPPO SHIT:

yeah nothing remarkable to him. At most yall are going to argue about how much money he spends on food but tbf you knew what to expect in this relationship idk why you're so surprised.

[sentienttoastah]

Canto 7 made me realise that Don Quixote is actually relatable as hell. Like she’s so hyperfixated on fixers, constantly rambling and getting overexcited over the slightest mention of the topic yet (almost) everyone else doesn’t give a damn. In fact sometimes they actively find it annoying.

Sure, I agree Don is bothersome when she lets her interest and over-the-top sense of justice get in the way of reality and ruin certain plans or get into trouble. But watching her be so happy while everyone else doesn’t care hits hard. Especially with the mention that most of them have been avoiding listening to Don’s rants. And the additional mention that Don kept asking the others about their own adventures before Limbus Company, showing that she finds her friends interesting and wants to know them more, but nobody has ever asked Don about her adventures.

Like. You guys know that feeling when you try your best to research or at least have a general understanding of the interests of all your friends so that they can freely talk to you about it and the two of you could discuss it to your heart’s content, but whenever you bring up your own interests all you get is a reply like “Oh ok” “Cool” or hell no reply at all? It’s kind of like that. Except maybe unlike Don who keeps on waffling regardless, we get the weird sense of guilt thinking that our arbitrary rant bothered our friends. Thus making us believe we should never mention our interests to them ever again.

Absolute punch in the gut realisation for me and we’re still in part 1.

[writinganon1]

@cokoweee

Ya’ll ever have a dream so lifelike it feels aggressively real until one thing goes a little too wrong and then you start to realize that maybe you’re in a dream but it’s also too real to convince yourself it’s not real that you can’t wake yourself up? 

TW: panic attack, I say gun, uhhh blood ig? Bishop says a kinda weird thing but that's just him bein him

can I say blood? last time I did it marked me as mature...

-

Her heart thumped against her chest, lactic acid building in her legs as she ran. She tapped furiously at her phone, fingers slipping over the screen as she tried to deploy Sheldon. 

Donnie says “no no no” chimed a pixilated picture of Othello, his finger waving back and forth. 

“What the-” She slammed against a wall, her shoulder crunching against the brick. 

His stupid programming on the poor thing to keep Sheldon at his house. Maybe she could override it? 

No, not enough time. She was just going to have to run and hope for the best. 

Her shoulder screamed in protest as she climbed the ladder in the alley. Scrambling over the side of the building to catch her breath, she tapped at the screen again. 

There had to be something she could do to foil his programming. She wiped at her nose, the cold still not quite gone even after days of bed rest. Bullets flew over the edge of the building, seemingly locking on to her body heat. Throwing herself at the ledge at the last second to force the bullets to crash into the wall she coughed violently, phlegm coating her throat.

Stupid sickness. 

Stupid Othello leaving her with the stupid rabbit farmer.

She pushed herself off the ground, arms struggling under the weight of herself. It was as if every muscle in her body was on fire, each fiber screaming at her to stop. She gulped raising her head over the ledge. Agent Bishop was standing on the adjacent rooftop, his face curled into a sneer, eyes unblinking despite the sun in his eyes. 

He waved at her, fingers waggling in the air as he pulled a small gun from his pocket. Aiming it directly at her chest he grinned, his eyes flickering with something distinctly unhuman. 

She stumbled backward, her feet skidding over the concrete as he seemed to lock onto her. Loose rock dug into her knees as she clambered over the rooftop. 

Away.

All she needed to do was get away. 

She placed a hand over her stomach, feeling the raised bump of the scar, as she moved.

This was…

This was wrong? 

It didn’t happen this way. 

No. She didn’t need to get away, she needed to get out. 

The bullet ripped into her skin, tearing away at muscle, and shattering the bone in her rib.

She screamed, blood pouring from the gaping hole in her chest, as Bishop moved closer. He walked to her side, footsteps clanking against the concrete. 

Clawing at the ground she dragged her body along the roof, rocks digging under her nails. Bishop laughed, his foot trampling her hand, digging it into the ground. She gasped, breathing shallowly as she fought to get loose. 

He grabbed her hair, wrapping it between his fingers and tightening his grip as he pulled her from the floor. 

“Oh, this is wonderful.” He smiled, voice dripping with venom. “Such a pretty little thing I caught this evening. I’ve been dying to chat with you.” He pulled her hair up, forcing her to rise. “I wonder if she’ll do any tricks?” 

She spat in his face, her ears filled with an all-consuming ringing. 

Away. 

She needed to get away. 

It didn’t matter how. She needed to get away. 

He said something else, flaunting some sort of mechanism he had hidden in his shirt. She tried to focus on his words, but her breathing was too shallow, her limbs too shaky, the ringing too loud for her to hear a word. 

She clamped a hand over her chest, a sorry attempt to staunch the flow of blood from the gaping hole in her body. Cursing softly she watched as the red seeped into a slithering pink fleshy mass. 

She stifled a scream as the pink turned an orange maroon, her own blood fueling some sort of monster. 

“Shhhhhhh.” Bishop whispered against her ear, “It’ll be done soon. Just one quick slash and you’ll be out of my hair for good.” 

The mass jumped forward, faster than she could comprehend, her body spasming in pain as she scrambled back.

Was this the Krang she’d heard so much about after she’d left the jail? Weren’t they supposed to be mindless or something? 

It lunged forward again, tentacles lashing toward her face. Bishop shook her in front of him, like a toy for a dog. 

“Kendra?”  

She screamed as he tightened his grip on her, shaking her around like a bag of flour. The world around her turned hazy, her vision blurring in and out. 

She wasn’t going to go out without a fight. 

Throwing her head back she jammed her skull into his chin, breaking the grip he had on her hair. 

She clawed at the ground, a strange silky feeling coating her fingers. Pushing away the softness of what was sure to be Krang, she kicked at the mass as it wiggled unnaturally. 

“KENDRA!” A familiar voice shouted at her, a gentle three-fingered nubby touch against her arm. 

Her eyes flew open, arms flailing to the sides to swat at what was left of the Krang matter, as hands held her back. She gasped, her chest heaving as a sinking feeling hit her gut. Dread splashed over her head like a wave, drowning her, leaving nothing but fear.

Eyes widening she looked next to her for Tello, horrified as darkness encroached on her vision, leaving her staring through a pin hole. Nausea rolled through her stomach as she gasped for air, her chest shuddering to keep up with her breathing. 

It hurt. It hurt so bad. 

“Hey, hey, hey.” He whispered, hand placed against her back. “It’s ok you’re home. You’re with me.” 

She jerked backward. He was loud. So so loud. Even with the ringing in her ears, he was too loud. 

Breaths were punched from her lungs faster than she could finish taking them in. Tears streamed down her face as her eyes blew wide. Her chest tightened, lungs twisting as she shook. 

She’s dying. She has to be dying. There’s no other explanation. 

Dead in her room from a nightmare-induced heart attack,  

Her eyes flickered back and forth over the room, not focusing on anything, just wildly scanning for danger she knew wasn’t there. Willing her arm to move, she let out a chocked warble. 

The room seemed to melt around her. Things blurred together, a fuzzy abstract painting of almost-real-life. Sweat beaded on her forehead as she tightened her muscles. 

Her whole body shook as she tried to take steadying breaths. 

“Did you know softshell turtles only have half a plastron?” 

She was in the middle of dying. 

She most definitely did not need turtle facts right now. 

“Technically a full one, but it’s covered by skin, rendering it effectively useless for plastron purposes.” He shrugs. “Same deal as the shell.” 

She looked at him, confusion breaking through the panic. 

“Makes us really flexible though. Wanna see?” 

He got off the bed, walked to the middle of the room, and bent backward. He smiled upside down at her from the floor and smoothly brought himself back up. 

“Pretty neat huh?” He waggled his eyebrows. “Bet no other turtle you meet could do that.” 

Amusement rippled through her as she watched him demonstrate his stretches and various yoga poses.

“I’ve never met another turtle like you.” She breathed, some of the panic melting away. 

“Precisely! No one can do it like me!” He said, pointing his finger at her triumphantly before his face softened. “ We starting to feel a bit better?” 

She brought her thumb and pointer finger close together. A little 

He nodded. “Am I good to come back up or do you need some space?” 

She patted the bed next to her, inviting him closer. She waited until he was seated comfortably before slumping against his shoulder, exhausted. 

He shifted slightly, reaching for his phone with one hand, the other wrapped around her. He let them sit for a moment, reminding her to breathe every few seconds before Sheldon zipped into the room. 

He whispered something to Othello before zooming out of the room. She watched passively as it happened, her body still not quite connected to her soul. 

Sheldon returned moments later, a bag of ice, a bottle of water, a cookie, and tub of lavender lotion in his little propeller arms. 

Othello took them from him, patted his head, and shooed him away. Taking one of the ice cubes he flattened out her hand and placed it in her palm. 

She jerked slightly at the sensation of cold in her hand, surprised when he placed another in her palm. 

“Focus on the melting.” He said, voice low and gentle. 

The ice filled the lines of her hand and dripped over the sides and down her arm. She shivered as the water pooled in her hand. Othello grabbed the cookie from the pile he had created and broke off half to give to her. 

“Thanks?”

He watched her carefully. “What does it taste like?” 

“A cookie?” She said through a mouthful, her hands still full of TV static. 

“I need details.” He pressed. 

She paused, taking a moment to consider the flavors in her mouth. “Vanilla, chocolate chips.” She took another bite. “ Like I left it in the oven a minute or two too long and overcooked them just slightly.” 

She’d have to make another batch, this time keeping an eye on the time. 

He pressed an uncapped water bottle into her hand. “Drink.” 

She pressed the bottle to her lips, feeling the way the cold blossomed against her skin as she held it there. Quietly observing the way she could feel it go down her throat and into her stomach. 

“Are we feeling more alive?” 

She nodded, running her hand along her thigh to feel the fabric of her pajama pants as she pressed her head against his side. 

“Good.” He murmured, sleep creeping into his voice. “You had a panic attack I’m pretty sure.” 

“...Sorry it was for something stupid.” 

“I get worked up over stupid stuff too.” He mumbled, eyes half closed. 

“Your stuff isn’t stupid.” She countered. 

“Then neither is yours.” 

She stopped, lifting her head to look up at him.

He grabbed her hand, flexing the fingers for her. “You feel ok?” 

“I don’t know.” She answered honestly. 

He nodded and guided her to a lying position. “Tell me five of your favorite things.” 

She paused, looking around the room. “Hmmmmm. You.” 

“Thank you.” 

“Mhm. Uhhh, lavender. The color purple. Satin jackets. Baking. Messing around in the lab. Oh, I guess that’s more than five.” 

He tapped her shoulders rhythmically, “You can keep going if you need to.” 

She took in a deep breath. “I think I’m ok now.” 

“Positive?” 

Nodding she pulled the blankets over herself. What she really needed was rest. She was so exhausted from the whole ordeal that the idea of doing anything else felt impossible. 

He got off the bed again, searching beneath the bedframe for something before he pulled a large purple blanket from under the bed. She blinked in surprise as he placed it over her, a weight holding her down to the bed. 

“I should’ve mentioned it was weighted.” 

She pulled her hand out to give a quick thumbs up as he climbed back into bed. She shifted to hold out her arm for a hug. He smiled and pulled her close, wrapping his arm around her waist. 

“You smell like you’ve been using my soap.” She grumbled against his plastron. 

He shrugged. “ I like the way you smell.” 

Rolling her eyes she tugged the blanket higher over her shoulders smiling as soft chirping filled the room, the sound he always made right as he fell asleep. 

“Good night Tello.” She whispered.

His plastron vibrated as he churred back, gently running circles through her hair. 

She was home. And she was safe.

~

squad don't write stuff at four AM I'm pretty sure this only makes sense to me at this point. Anyway I was listening to my pretty princess playlist while writing this 💁‍♀️

the reason why this was written is in the tags btw

[the-mushroom-ring]

WOKE PUNCH OUT

PRONOUN joe

von BIser

soda poPANski

aran ryan

great THEY/THEM iger

don flamenGAY