#Ward Roberts

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LO (2009)

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Webby Reviews Horror: Lo (2009)

Lo. A story about a young man who faces off against demons in order to rescue his girlfriend- and is confronted with some uncomfortable truths. It rides the line between comical and outright campy, sometimes using that line as a jumprope, but still manages to tug on my heartstrings even though I've seen it probably a hundred times.

It's also weird as hell in some parts, both to its benefit and detriment, but I enjoy it all.

So get comfortable, keep your hands and arms inside the summoning circle, and let's get to the reviewing!

Review under the cut and as always, beasties and ghouls, there will be SPOILERS AHEAD!

This movie was made on a very limited budget, and takes place entirely in one location- the main character's living room. Despite the limitations of budget and locale, Lo manages to tell a very emotional story, and looks pretty good doing it!

(Side note- this movie, as far as I could determine, DOES NOT exist in HD form, and you know what? I think that's a good thing.)

The movie utilizes prosthetics for several characters, giving them unique and vaguely grotesque appearances; its also used when Justin, our main character, starts breaking down and enters into a conversation with his own brain through a wound on his hand.

The characters are what carry this movie, given its lack of flexibility in other categories as previously mentioned. We get drawn into Justin's struggle to command a powerful demon in order to save his missing girlfriend, and can't really help but laugh at Lo's wisecracks as it taunts its summoner and plays with his mind.

Justin is Just Some Guy, stepping out of his comfort zone and into the realm of the demonic and occult, in search of his girlfriend April who has been kidnapped by demons. He really has no idea what he's doing, but it's admirable how he keeps going, despite being threatened, humiliated, injured, and even poisoned. Even after he finds out his beloved's true nature, he still tries to bring her home.

April is, in fact, a demon herself, one of the murderous, vile, foul disgusting denizens of hell, unique among her people for being the only demon who possesses human emotions- the entire spectrum. She's the only one who can experience love, both the good parts of it and the bad. Other demons can't understand what love even feels like, and its shown that they're envious of this ability. (Though they'll deny it, of course.)

We get a musical number performed by the demon who kidnapped her (its name is Jeez, which I think about every time I use that word) that gives us her backstory, which amuses me and also kind of gives me secondhand embarrassment for reasons I cannot fathom. (It's called Demon Girl and you can find the scene on Youtube at the time of writing this.)

Lo, played by Jeremiah Birkett (who also stars as Bluebell the troll in the 10th Kingdom, another underrated early 2000s gem), is hilarious on first watch and compelling on additional ones. Its constant jabs at Justin, such as calling him 'Dinner' because that name better fits his future, make it likeable and blurs the lines of what evil really is. It's easy to forget that Lo, by its own admission, and I quote- 'will eat, kill, and rape anything, especially babies'.

The demon Lo does its best to dissuade Justin from his mission, suggesting multiple times that he dismiss it and burn the book like April had told him, which may be a hint to the twist that comes at the end of the film. Other possible hints include Lo using April's voice, going into details on what demons DO to people, and outright telling Justin that to call it disgusting is to call her disgusting, as they are the same.

Because they are. April is Lo, having fled Hell in the guise of a human, stealing a very special book- the book that Justin later uses to summon Lo. The revelation that they are one and the same seems to be the thing that finally convinces Justin that he and April can't be together, no matter how many demons he summons or how brave and determined he is.

I admit I had not clocked the twist on my first viewing, too caught up in the drama of Justin/Dinner vs the menagerie of demons (and the silliness of scenes like The Waiter putting on a performance while he makes a drink, shortly before he pours Justin's ACTUAL drink) to pick up on any of the hints.

I can't talk about this movie without mentioning the music. First we have the film's score, composed by Scott Glasgow, whose tracks 'Love, Misunderstood' and 'Love Theme From "Lo"' never fail to bring on a sense of melancholic nostalgia. Second, but equally as memorable To Me, are The Rondo Brothers, whose contributions to the film are their tracks 'Computers on Ice' and 'Ghost Patrol'. One of those tracks is fun and silly and the other one is played during the solemn ending, so of course it vexes and haunts me to this day.

I doubt the movie would have made such an impression on me without the music, but it's the dialogue that really gets me. We have comedic lines, like Lo accusing Justin/Dinner of being racist against demons, a solid 15 seconds of Justin muttering 'god damn it' repeatedly, and one of my favorites- 'Dude. Dude. I just heard you fell for the whole, "drink this and you can walk through Hell bit".' from Jeez.

There's also more serious lines that stick with me. Lo firmly stating that 'a demon should never entertain the notion that love is the answer to its question'. Justin pleading with April to stay, even after he knows she's a demon, by promising her 'Tell me you won't eat me and I'll make you my wife.'

The ending hurts in such a good way. Even after all he's been through, Justin doesn't get to rescue April and bring her home. Instead, he has to let her go, closing the circle and burning her book, cut off from her for good. Like most tragedies, there was no other way it could have ended.

Another thing I'd like to touch on is the creativity of using a stage performance to portray the flashback scenes, complete with 'actors', backstage crew, and some very expressive Comedy and Tragedy masks who are literally just people standing behind a curtain with only their faces visible.

And speaking of which, this is a movie that would translate very well to a stage, with the majority of the scenes consisting of Lo and Justin talking back and forth on the floor in a dark room, and secondary characters manifesting in various corners. (And a live version of Demon Girl sounds HILARIOUS.)

Overall I give this one 9 ghosts outta ten, as there are a couple things in it that it could probably have done without, but overall it's one of my favorite movies. No, it's not a scary movie, but there's a kind of horror to be found in knowing you love a monster, despite the monstrous things they've done.

[otakunoculture]

It's Wild and Wacky with Invaders from Proxima B

You love The Muppets, @WardRoberts or zany #ufo #comedy, you'll have to check out Invaders from Proxima B! I loved every bit of #alien lore that's included! And even got to #interview this filmmaker too!

Coming to Fandango at Home May 31, 2024 Ward Roberts certainly knows everything about UFOs and it manifests is lots of fun ways in his third outing as a movie director. From shapechangers to fuzzy versions and even reptiles, the gambit is well covered in Invaders from Proxima B. As for himself, he plays a character whose time on the road as a musician prevents him from being the father that he…

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My coquette inspo

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Lalla Ward in Vampire Circus (1972)

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The O.C. "Premiere" aired 20 years ago on August 5, 2003. written by Josh Schwartz directed by Doug Liman

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My latest for today's Boston Globe.

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Julia Roberts & Richard Gere in Pretty Woman (1990)

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Robert Ward van Boskerck (American, 1855 - 1932) - Village Scene

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Julia Roberts as Vivian Ward Pretty Woman (1990)

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Vivian Ward — Pretty Woman, 1990.

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Lalla Ward - Vampire Circus (1972)

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Hilson × Chameron parallels

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