#Vintage American Clocks

[jenniferkatz]

Antique American Clocks: Embracing Elegance and Timeless Craftsmanship

Antique American clocks are more than just timekeepers; they are cherished artifacts that capture the ingenuity and artistry of a bygone era. With their intricate designs, historical significance, and enduring craftsmanship, these clocks hold a special place in the hearts of collectors and enthusiasts. Whether you are a seasoned connoisseur or a first-time buyer, exploring an antique American clock offers a unique opportunity to own a piece of history.

The Legacy of Antique American Clocks

American clockmakers changed timekeeping in the 18th and 19th centuries, combining function with beauty. Here's why they are still iconic:

Artistry: Antique American clocks show painstaking detail through hand-carved cases and complex movements.

Historical Significance: Many of these clocks were important to early American homes, businesses, and public venues.

Innovative Technology: Eli Terry and Seth Thomas, two early American clockmakers, furthered the art of mass making, thus making the clocks more affordable and easier to obtain.

Aesthetic diversity: These designs ranged from tall-case grandfather clocks to fine mantel clocks and catered to an array of tastes and styles.

Durability: Antique clocks were built from sturdy materials and were meant to last throughout time: both literally and figuratively. 

Popular Types of american antique clocks

1. Grandfather Clocks

These longcase clocks stand tall and majestic, often containing intricate woodwork and moon-phase dials that would make such a clock the centerpiece of any home.

2. Mantel Clocks

Small yet elaborate, mantel clocks often adorned fireplaces and shelves, serving both beauty and use.

3. Wall Clocks

From schoolhouse clocks to regulator styles, wall clocks were the practical yet elegant way to tell time both at home and in public spaces.

4. Shelf Clocks

Light yet attractive, shelf clocks enjoyed enormous popularity in the 19th century.

5. Banjo Clocks

Banjo clocks represent a uniquely American style, distinguished by their thin silhouettes and patriotic themes that represent the spirit of the country. 

Why American antique clocks are valuable to collectors

1. Historical Significance

Each clock tells of America’s industrial and cultural evolution. These are cherished relics among historians and collectors alike.

2. Artistic Appeal

Having come to be characterized by intricate engravings, painted dials, and ornate cases, these clocks are justly as much works of art as they are functional devices.

3. Rarity

Many antique American clocks are rather rare finds, especially in limited editions or those from early manufacturing periods.

4. Investment Potential

These clocks are vintage collectibles that gain immensely in value.

5. Sentimental Value

Owning an antique clock arouses nostalgia and gives tangible connection to the past. 

Tips for Buying American Clocks at Auction

Do Your Research: To determine the clock's worth and validity, find out about its manufacturer, model, and time period.

Examine Condition: Look for any indications of restoration, working movements, and original components.

Recognize Provenance: A clock's worth and attraction are increased by a documented history.

Decide on a budget: Be mindful of your budget and steer clear of competitive bidding.

Consult an Expert: Seek advice from specialists in horology or auctions.

Caring for Your Antique Clock

Regular Maintenance: Have the clock serviced by a professional to ensure accurate timekeeping.

Proper Placement: Keep the clock in a stable, climate-controlled environment to prevent damage.

Gentle Cleaning: Use soft cloths and mild solutions to clean the case and dial.

Winding Routine: Follow proper winding procedures for mechanical models to avoid overwinding.

Conclusion

Antique American clocks embody a rich legacy of craftsmanship, innovation, and artistry. Whether adorning your mantel or becoming the highlight of your collection, these timepieces offer timeless beauty and historical significance. To explore a curated selection of antique clocks, consider participating in an Online Auction, where you can discover extraordinary pieces that resonate with your passion for history and horology.

FAQ

Q: What makes antique American clocks unique?

A: Their blend of craftsmanship, historical significance, and innovative design sets them apart.

Q: How can I verify the authenticity of an antique clock?

A: Look for maker’s marks, serial numbers, and original components.

Q: Are antique American clocks valuable investments?

A: Yes, many clocks appreciate over time, especially rare or well-preserved models.

Q: How often should an antique clock be serviced?

A: Regular servicing every 3-5 years ensures longevity and accurate timekeeping.

Q: Can antique clocks still be used daily?

A: Absolutely! Many antique clocks remain functional with proper care and maintenance.

[vintagehomecollection]

The Good Housekeeping Complete Guide to Traditional American Decorating, 1982

[angelsdigits]

[hickeygender]

some recent pictures i bought online. i've found quite a lot of pictures of straight couples exchanging clothes, but none of them were posing on a kickass motorcycle with grins on their faces. the poses in the second one were unique and really conveys joy and closeness to me. and the last one of trumpeters napping in a pile in a cemetary is just stunning and so interesting. nothing better than catching some zzz's with your buddies on some graves i guess

[joehaupt]

Vintage Advertising For The Roland Transiclock Model 71-288 Transistor Clock Radio In The Opelousas Louisiana Daily World Newspaper, May 19, 1959 by Joe Haupt

[melancholicstation]

𓊆ྀི󠀠󠀠󠀠󠀠󠀠󠀠󠀠 ARCHITECTURAL DIGEST: OPEN DOOR! - a jack schlossberg one-shot. 𓊇ྀི

summary: your open door architectural digest interview with your husband jack schlossberg takes an unexpected, and downright sensual turn in your shared kitchen over the most innocuous citrus fruit. note: this is part of the husband!jack schlossberg universe, here are other works with wife!reader and husband!jack: like an american, husband!jack hc's, and comfort husband!jack hc's

warnings: orgasm denial (male), cunnilingus, smut, 18+

words: 1,830

"Hi AD, We're Jack and Y/n, welcome to our house"

Filming for Architectural Digest, as glamorous as it might look from the illustrious glow of a MacBook screen, was not all it cracked up to be. AD had been relentless in their pursuit, contacting both you and jack's agents on more than one occasion proposing the opportunity for you guys as a couple to be featured on their open door celebrity series.

Initially as a couple you had turned the opportunity down, with Jack working tirelessly on the campaign and you being busy with negotiations on your new book deal: it just wouldn't have worked. But after your wedding, which was featured in Vogue, the title "The Bride Wore Vintage John Galliano And The Groom Wore JW Anderson. Inside Their Cape Cod Ceremony" The open door offer came around once again and it came at just the perfect time.

A few weeks back you and Jack had been getting back into the grove of normal life after returning from an illustrious three week honeymoon in the Greek Cyclades: a honeymoon spent in mostly nothing—bar itty-bitty specs of linen as makeshift bikini's, and gucci by tom ford beachwear.

Getting back to AD, you'd woken up before Jack: which was funny because when you first entered the relationship Jack was always the one who got up early, maybe you've been a bit of a bad influence in that department. Nevertheless you spend about five to ten minutes neglecting to wake Jack up: instead opting to trace the sepia hairs littering the top of his neck while quietly leering at his chest hair—looking like an absolute creep, but I mean, he was your husband after all so—that's gotta minus at least 15% of the pervy factor, right?

When he did wake up—and subsequently clocked your staring contest with his chest, he proceeded to lean over like a total and utter drama queen to piously cover himself with the sheets like a 30s model getting a tasteful nude portrait of herself to give to a lover.

You neglected to do any makeup only choosing to smear some P50 lotion on you and Jack's face—you swore he was like a toddler sometimes always wanting to mirror whatever weird shit you put on your face. Once the hair, makeup, and stylist team for AD got there you and Jack were effectively separated for the next few hours, which you did not hear the end of via jack's incessant complaints about the distance between him and you over iMessage and many, many unhinged gif selections sent to your iPhone.

But alas, you two were reunited for the open door interview and it started off generally normal...

First, you two were situated on the front steps of your townhouse and asked when and why you chose the house,

Jack started for you, "We moved here about five years ago, and it was the second house we both had looked at ever in our whole lives, and it so happens that it was the first house we ever bought as a couple"

"Seems clandestine to me", the interviewer cheerily replies to which you both glance at each other playfully while he speaks.

Taking the hint to speak up, you share what drew you to the home adding, "I love the city, but I also love wood and I love light and I love antiques, so I just fell in deep love with the place. For us it struck the perfect balance of being in the city while not feeling like the city was breathing down your back all the time, it can be hard to find a place like that here."

Making your way into the apartment, you and Jack were told to take a short break for about 2 minutes while the videographer got a good layout of the place, and scoped out the best lighting angles to capture it.

Your home occupies the first floor of a Meatpacking District block, and is a few blocks away from the Hudson River—which more than encourages your Husband's borderline addiction to paddle boarding. But, hey you routinely get to see your man walking home in an ultra-tight swimsuit sopping wet, so who were you really to complain about such things?

Despite loving the city, you found yourself devoted to the charm of those old French farmhouse interior's that you'd looked at in your mom's old magazines. And it felt particularly poignant to you guys as a couple—being that your first couple of dates were in the south of France.

You and Jack didn't want the space to come off as just another midcentury modern sterile, ultra-functional flat. So, you opted for sheetrock to be removed from the walls and ordered a large pair of antique door double doors for the living space off 1stdibs.

Just as abruptly as the break had started, it subsequently finished and the cameras began rolling once again. The interview dragged on until you two had finally gotten to the kitchen which was the last room and the last portion of interview.

You started the space off absolutely waxing poetic about the olive-coloured room,

"This is our little kitchen, we painted it horribly together. And then needed to implore a professional painter to fix our many, many painting faux pas." you take a breath to giggle slightly with Jack at your shared delusional confidence that you could paint a whole room successfully.

It was then Jack's time to pitch in, while the camera man did a slow zoom across the decor littering the marbled countertops—causing you and Jack to both notice a certain stone bowl containing a citrus fruit that you know for certain neither of you put there before AD came. Weird you thought, you weren't notified that set-dressing came with the interview.

Leaning on the counter Jack laments, "I love baking, I cook a lot too. I love limes"—to which he dramatically takes a lime into his hands, spinning it between his large fingers, "They're great and I love them so much, and I like to present them like this in my house."

You try not to let the emotion of total bafflement present on camera at Jack straight up lying for the hell of it about the limes being an integral part of your shared household decor—he neglects to mention that they're set dressing and that he's moderately allergic to them.

Closing of the interview you fake lead the interviewer out of the house to close out the interview, only to let them back in seconds later. The interviewer, Mark, who seems to be a genuinely sweet guy thanks you and Jack for your time, informing you that the crew should be packed up in 10 minutes, and the camera guy only needs another 5 minutes to get b-roll footage.

Once all the pleasantries have been fulfilled you lead, or rather playfully drag Jack by his crisp collared Prada button-up into your kitchen.

"Jack, I mean seriously what the hell was that, truly? I know you know you're allergic."

"M'sorry it was just too good not to pass up! I mean what kind of weirdos just but a bowl of lemons out and nothing else? it's barbaric just from a feng-shui standpoint alone!"

"Godd you're such a weirdo. Come kiss me and make it quick so I can forgot that very fact, please" you beckon him to you, placing your chin on his chest with your hands on his chin. Which, by the way is blemish-less—god, you absolutely hated men sometimes.

"Oh come on! you only kiss me cause I'm a weirdo, let's be real." Jack chuckles yet fulfils your request. He kisses you like a man starved which was quite concerning since you had only parted from him today for two hours—absolute max.

The intimacy got more and more heated until well... maybe you currently had your loafer clad feet either side of jack's head while he ate his idea of a mid-afternoon desert.

The very motion of Jack placing the flat side of his tongue against your clit sent you into an absolute. fucking. meltdown. To the point where the moans you made no longer represented someone who was cognisant that they're were about fifteen people working for AD rooms away. You try to compose yourself, which provides a stark contrast to his relentless endeavour on your clit that seem to be ever increasing.

As if to praise your restraint of volume his thumb gently strokes the inside of your thigh—up and down... and up and down. Sensing your impending climax Jack speeds his motions and adds a digit that outright seems to antagonise you—almost trying to tease a mind-numbing orgasm from you. And because you're weak in the face of his machinations, you of course do.

On your come-down you notice a glaring visitor—a quite large bulge in his pants and decide to take pity on it and by looking at the saccharine, loopy look on his face, him as well.

But you wouldn't be yourself if you didn't make him work for it at least a bit.

Continuing your motions on his bulge: feeling it's twitches and reflexes as intimately as you feel him breath while sleeping on your chest at night—

That was until the door to the kitchen was knocked upon,

"Sorry to be a bother but could you guys get that bowl of limes?—the crew is absolutely swamped trying to pack up for the road."

It was at this point in your movements on his bulge that Jack was starting to get loud, a bit too loud for your current situation, so you did the one thing that could shut him up—bar actually suspending the current movements on his mound: but that wouldn't be half as much fun would it?

Quick thinking led you to quite forcefully shoving a medium sized un-cut lime into his mouth to drown out his moans: it sure as shit worked but his puppy dog-like eyes made you feel bad for your prior roughness—you settled on a quick caress of his hair as a pseudo apology.

"Oh of course it's no trouble at all, we'll go grab it now!"

Hearing the footsteps move further and further from the kitchen you glance at Jack: a pitiful, overstimulated sight really. But a sight you deeply enjoy no less.

Picking up the bowl of lemons you grab his hands, afixing each hand to a parallel side of the stone bowl,

"Why don't you go give them back that bowl of limes you love so much and then maybe we can get back to what we were doing?"

Overcome from the intense stimulation Jack nods, willing to do anything that brings him present relief,

"Good boy" you coy, swiping off your own juices from his mouth and chin, then finally taking the un-cut lime out of his mouth.

tags: @obsessedwithjohnjr @candyneckl6ce @rocker-chick-7 @ultr4v1ol3nt @violetharmonsfavgf @strip-weather-forecast @darcyspirits @fortheloveofjos @h-l-v-kennedy-blog @h-l-vlovesvintage @bluelancergirl @snowsgames @salvatoresablondie @dulcegal @kennedyism @bloxholden35 @kimcrystal123 @absurdlyvintage @jackiesgirl @chemicalw0rld @remotewatch @starsprangledgirl @strryhaze @beloved-angel

[pinksugarscrub]

Hi, pinkie!! This may be weird but happy birthday :D wishing you all the best things and wishes 🫶🏻

(Silly Hobie wishes you happy birthday as well)

(Look at him being silly)

Like The Movies

Hobie Brown x fem! reader (college au)

Hi my love! 🤍 Thank you so much for the well wishes. It isn't weird!! 😠 Who told you that?? As promised, "loser" Hobie to celebrate. (I love my silly little guy. I'm putting him in my pocket).

I just want to say, to everyone who asked what would happen if I didn't win ( @hyperfix-wip )- I guess we'll never know 🤷‍♀️

word count: 1,7k+

cw: dorks, the lot of them

~

The smell of butter soaked popcorn has been stuck to Hobie’s clothes for hours now. Along with a straining headache. Rubbing his temples he tries to focus on the ugly red carpet instead of the screen at the cash register.

Ten more minutes then he was home free. Excluding the quick stop he was going to make to the video game store across the mall. The missing piece for his game cube was finally in stock.

He was debating grabbing pizza from the food court too but with his roommate gone for the weekend what was the point? Hobie really wishes Ned well but he’s disappointed that he’ll be spending his time off without his best friend.

It’s times like these that he wishes he was closer to his family. Deciding and then being accepted to attend university here in New York is a mixed blessing.

He’s learning incredible things, meeting new people, and living on his own. On the other hand, he’s still new to the US and its customs.

It’s exhausting after a while and he can’t even be comforted by anything other than the things he brought with him from Camden.

A beep from his watch alerts him that his shift is over and Hobie doesn’t waste a second in clocking out and discarding the thing he calls a uniform. He’s still polite of course. Says his goodbyes and wishes everyone a happy holiday despite not celebrating Thanksgiving himself.

He must look tired because most shoppers steer clear of him. At the most he’ll receive two or three compliments on his outfit. Or maybe they’re just preoccupied with the sales and discounts going on in various stores.

He mutters an apology as he brushes past a group to step inside the brightly colored store with posters and ads for the newest game. Hobie has learned Christmas lights in November is normal. He cringes as he hears a popular pop song play through the speakers. It’s maybe the twentieth time today he’s listened to it.

“Hobie, hey! Give me a sec.” Ganke pushes his glasses up the bridge of his nose. Gesturing to the box Hobie presumes holds his order. “I’ll ring you up as soon as I can.”

“Course, no rush.”

And Hobie means that sincerely. There’s more than four customers in line with a dozen more circling figures and t-shirts. He may be tired but he knows well enough how demanding customer service can be.

To add a little more reassurance to Ganke’s mind, Hobie points to a random section of games. “I wanted to take a look around anyway.”

Ganke nods with a grin that never seems to fall from his face.

Hobie would consider this store his second home. He is on a first name basis with Ganke and he was even invited out by the younger boy to a flea market. They both shared a love for retro and vintage. Hobie met a friend of his too, Miles. It was the most fun he’s had since his arrival in August.

A sigh leaves his lips as the section he had planned to browse is blocked by a group of teenagers and yes, he himself is a teenager but something about American air made people lose their common courtesy.

He spins, planning to give up and just wait by the counter when something smacks into his chest. Not hard but definitely strong enough that the person who walked into him is sent stumbling back.

An apology spills from his lips and he’s met with one himself. The air from his lungs leaves his chest as he comes face to face with a girl. He knows you.

He knows because he shares a music composition class with you. He remembers because he embarrassed himself in front of the class. Hobie’s only ever written baselines so orchestral music has been a struggle for him.

“Why are you sorry?” You laugh softly. Fixing the bag on your shoulder full of pins and charms. “I bumped into you.”

“Are you ok?” You ask and Hobie isn’t sure what to do next.

He’s mortified that the only interactions he’s had with you (which are far and few) are so embarrassing.

Hobie may or may not think you’re cute. It would be stupid of him not to notice you.

It’s not like he has a chance with such a pretty girl but he can at least not look like a fool in front of you every chance he gets.

“Uh yeah,” he falters, “I’m fine. Are you…ok?”

“Me?” You point to yourself in confusion.

“Yeah,” he repeats. “Did I nick you or something?”

“Oh.” You laugh again as you take in the patches and safety pins on his vest. “I think we’re good.”

When you stand on the tips of your toes Hobie understands what you mean and his ears grow hot with embarrassment.

Hobie is aware he’s tall enough to be a basketball player but compared to you he’s never realized quite how tall he is.

You smile and think about how cute his reaction is. Hobie isn’t shy, not by any means. You’ve seen him with his friends around campus. But you can understand how being out of your element can leave you walking on eggshells.

Classical music is the soul of your being. Movie scores to be more specific, not to mention game sources. You haven’t quite decided what route to take but for now you’re content with going back to the basics and writing Bach inspired pieces.

“Hey, I really liked your presentation. Did you get a good score?”

“I did, yeah.”

Hobie thinks you must be lying to avoid making him feel bad. The professor too because he earned almost full marks.

He doesn’t understand why when his piece was so…awful. Nothing like yours or Flash Thompson’s.

“That’s great! I liked the third movement. It reminded me of um…” You snapped your fingers. “Bowser’s theme. You know, from the first Mario game?”

Hobie doesn’t mean to, he really doesn’t, but he laughs.

“What? I’m serious!” You grin as you reach for your phone. Insistent to make your point and be proven right.

“You can’t be.” Hobie almost guffaws. “It was a dumpster fire!”

“Was not!” You argue. Bringing your phone up to his ear after furiously typing.

Hobie looks at you in surprise. Stuck between your outstretched hand and your determined face. After a supportive nod from you and a smile he slowly leans down to listen.

You pause on certain points of the video. Rambling on about concepts the two of you have learned but obviously you know better.

The video takes exactly three minutes and fifty three seconds but you managed to lengthen the amount of time it would normally take to finish and soon enough he realizes you’re not just cute. You’re cute and you like games.

You weren’t trying to make him feel better you were making honest and valid points.

Now he feels like an ass for laughing so he’s quick to wave his white flag in surrender.

“Alright, alright. You win love. Has anyone ever told you you’re a bold little thing?”

“I have been called that on occasion, yes.”

Hobie hums. His lips tugging into a smile. “Don’t ever change.”

Butterflies erupt in your stomach as you return his smile. “I won’t, promise.”

“What are you in here for if you don’t mind me asking? Aside from analyzing my music.”

“I don’t mind at all,” you answer. Feeling giddy. “There’s a poster I’ve been looking for and- tada.”

Hobie chuckles at the glee on your face as you hold up your prize.

“Is that right? Congratulations.”

“Thank you kind sir,” you giggle. “I was just heading over to pay when I bumped into you.”

“Guess it was a good thing I kept you occupied,” Hobie replies. “Line is gone now.”

You turn your head. Peeking over his shoulder to see the register is indeed free now.

“It appears so.” You tap his shoulder with the end of the rolled up poster. “Thank you again. You’ve done me a great honor sir.”

You relish in how much you’ve made Hobie laugh in the last few minutes you’ve talked. You’re disappointed this all has to end now.

Hobie snickers before bowing mockingly. “After you.”

You curtsey in return before walking over to Ganke. You’ve seen him a few times. Normally you come to the mall on weekends not weekdays but with the holidays coming up you had a few days off. Best to take advantage right?

Declining a bag you wait patiently for Ganke to finish the transaction but then he interrupts you from paying.

“Wait hold on, you have a birthday reward today.”

“Do I? Huh, I didn’t know the store had one.”

“Well, now your total comes down to less than ten dollars.”

“Sweet! Thank you.”

You step aside, thankful for Ganke’s chatty behavior because it give you an excuse to stay though Hobie’s own purchase. Both boys including you in their conversation about Hobie’s soon to be fully functioning game cube. Then you’re both walking out the door.

“So…” Hobie clicks his tongue. Anxious as the plastic bag he carries weighs down his hand. “Where are you off to now? Friends waiting at that nice restaurant?”

You shake your head, pointing to the direction of the movie theater. “Nope, there’s a screening for one of my favorite movies. It starts in about…ten minutes.”

Hobie’s eyebrows raise. “By yourself?”

“Mhm, was just killing some time.”

Hobie is at a loss for words. Spending your birthday alone sounds cruel. You deserve to have cake and gifts—the whole package. However it’s then that Hobie realizes he isn’t the only one who could be away from home.

“Mind if I come with you?” He blurts out.

Your eyes widen and in your stunned silence you feel the excitement build.

“Yes- I would love that!”

Gingerly clasping your hands together you happily tug him along. Explaining what movie you had bought a ticket for. Outwardly wondering if there were still seats available.

Hobie doesn’t feel dread walking back to the theater. He isn’t even upset when he smells popcorn again. With a soft smile he keeps his eyes on you. Only getting annoyed when his co-workers whistle behind his back and make exaggerated faces.

[uwmspeccoll]

Typography Tuesday

Typesetting on a Winter's Afternoon

This week we present selected page spreads and cover from Stan Nelson's Typesetting on a Winter’s Afternoon, printed in Liberty, Wisconsin by Michael Koppa in 2018 at his Heavy Duty Press in a limited edition of 26 copies signed by the author and printer.

In the late winter of 2018, after a three-year effort, Mike Koppa completed printing the text of letterpress printer, type founder, and type and printing historian Raymond Stanley Nelson, Jr.’s lyrical essay Typesetting on a Winter’s Afternoon, with Koppa himself setting type, we're sure, on many a winter’s afternoon. Nelson's essay was originally published in Parenthesis No. 3, May 1999, but Koppa had received a copy of the text in a letter from Nelson in 1998, when Nelson was Curator of the Print and Graphic Arts Collection at the Smithsonian Institution.

Nearly 20 years later, Koppa edited the text with Nelson’s permission, setting it in 10 pt. Century Oldstyle (designed by the prolific Morris Fuller Benton, a Milwaukee native, and one of Koppa’s favorites), with 4 pt. leading, and titling in 18 and 36 pt. Huxley Vertical. The text was printed on Zerkall Laid paper and a translucent Neenah Classic Crest UV/Ultra II. The use of the translucent paper offers a text block that cascades dimensionally through the book’s pages, mandating a particular cadence to the reading. The book also features subtle typographic prints representing recurring elements in the story: a window, a clock, and winter depicted as persistently falling snow using six-pointed asterisks printed strategically in ultra-ultra-light translucent blue on the verso of every page.

The book also includes three, not-so-subtle vintage cuts where certain emphases are required: “They were BOLD and vigorous”; “Bad letters, over-inking and poor design”; and “Attention requested.” The signatures were Coptic-sewn, and in the early months of 2019, Koppa created the 26 one-of-a-kind, non-adhesive covers that the book slips into. Each unique cover is made of pages from the 1923 Specimen Book and Catalogue of the American Type Founders Company, which included a specimen of the Century Oldstyle used in this Heavy Duty Press printing.

View other posts featuring the work of Michael Koppa.

View more Typography Tuesday posts.

[in-the-multiverse]

I love soundtrack so here’s a sample of the ossha arc divided by character themes

I tried finding stuff that was purely instrumental and fit the vibe of everyone involved. Below the cut are links to the music and my explanation for them. Also! These are just my interpretation. If you have other music that you feel fits the characters, please share! I’d love to hear them :D

[OSSHA Avid] - Cancion by Bryan Dunne - it’s linked to the instrumental break. Ignore the lyrics they’ve got nothing to do with this. I dug around for other music with a similar sound, but nowhere else has this exact tune sooo

I had to include it. It’s too good. It’s got the jungle-y vibe with drums and easy going tune….before slowly spiralling with a high pitched sound that warns you of incoming danger. I imagine this playing at jungle kingdom while Avid lures Milkman to the tube room. “True intentions get revealed” type of theme

[Ruby] - Village of the Doomed, American McGee’s Alice ost - the ending of Ruby’s 8th episode reminded me of a neat little track that features clock noises! Something ominous was going on, and it’s reflected in the way the music creeps around while static/distorted noise rolls in. I can also see this playing when Ruby talks about collecting IOUs… something ominous indeed

[Rue] - Lost in Transmission, Little Nightmares 2 ost - keeping the music box but losing the ticking clock sound. Originally, I went through little nightmares ost because Cloneby had a creepy reputation. I settled on one that had a slow pace and felt off-putting in the perspective of other sbkers. But when she debuted in her own episode as Rue, this track also worked at a different angle. Another interpretation is how it feels like she’s out of place. The beginning is muffled and distant, then gradually becomes clear. It’s timid, but gentle. Then vintage’s episode happened and I went [damage noise] [damage noise] [damage noise] by what happens in LN2. Unintentional coincidence…. [damage noise]

[Trog] - basslord by predawka - this track hones in on their unusual and unpredictable nature of doing things in skyblock, in a very playful way! “God made this world and god gets to have fun with it” is the vibe, basically. They’re also not immune to the plot, as the later half of the music distorts and the tone shifts

[Clone Trog] - Planets by Jerobeam Fenderson - keeping the funky electronic groove, but now a different tune! Clone Trog is a spy, so I wanted a theme that felt more controlled and analytical. It’s music following a command. This specific version actually comes from a really cool animation meme, the original is longer and has more of an upbeat feel (it also comes with cool visuals. flash warning though)

[Milkman] - Shotgun, Plock! ost - this is so milkman. It’s lively and mischievous, keeping a steadfast beat like there’s no stopping his pranks and schemes. You can almost hear a laugh within the music (but that might just be me)

[Cloneman] - A Troubled Town, Miitopia ost - keeping the bass sound, but losing rhythm. It reflects his constant confusion. A fractured melody that wanders around- never on beat, never confident in itself, just…not quite right

[Red Fool] - Lazarus Waves, DOOM ost - Fool knew something was different with his partner, and he knew Avid was involved somehow. As he got more stressed and frustrated over time, his skin went from gold to orange to a furious red. He interrogated Avid, and when that got him nowhere he set the headquarters ablaze, and left a message in the control room that said “GIVE HIM BACK”

I chose a track to describe that sequence of events. Doom ost felt pretty fitting here. A lot of their music is intense, but this one’s a slow build-up and foreboding. Fool’s anger was quiet and destructive, and very very clear that he was not someone to be messed with

[Kittrix] - GOD RACE (Temptation Stairway OST) by METAROOM - “Step 6. And this is the most important step. Defy OSSHA!” She thrives on chaos as a proud member of the chaotic acacia kingdom, so her theme is unapologetically bold and vibrant. Ossha regulations are meant to be broken, and this music follows its own rhythm. It’s mostly very energetic, in a similar genre to Trog’s theme. It also distorts and falls apart at the very end (glitch/flash warning for the video)

[Vintage] - K.K Étude (Aircheck), animal crossing ost - what better music to suit a sweet, polite unpaid intern than some good ol’ animal crossing. It’s a lovely piano track, the right amount of cheerful energy, something that says “don’t mind me :) happy to be here”. There’s a brief stutter/glitch, then the tune goes back to normal. “Don’t mind me :) working as usual” A classical vibe, too

[Void Witches] - House In The Woods, Hilda ost - I imagine this as the theme that overpowers Avid’s presence at mangrove kingdom. It’s mystical, it’s got hushed vocals and wood creaking sound effects, overall very ambient and witch-y. Mangrove was one of the most vocal kingdoms against ossha, and I wanted their theme to feel powerful in its own right

[Olm] - Night on Bald Mountain by Mussorgsky - Olm was behind the entire ossha operation so I looked for something to match the villain energy. Since he’s an ancient being, I thought it’d be nice to get classical music. His theme would be very dramatic, very commanding, and full of “big bad guy” energy. An entire showdown of the power he wields

(Side tangent, I first heard this on Fantasia! It’s a movie from 1940 and the animators had a lot of freedom to do what they wanted. Everything was beautifully hand drawn, here’s a scene from night on bald mountain, it’s incredible. The entire movie rewired my brain growing up, I love it so much)

[youraveragetorturedpoet]

Taylor Swift Albums As: Aesthetics/Random Things

DEBUT: green meadows, wildflowers, sundresses with boots, car radios, back country roads, laughing so hard you cry, pickup trucks, butterflies, innocence, freckles, having all the time in the world, fireflies, moonlit lakes, old blue jeans, front porches, sweet tea, hot lazy summer days

FEARLESS: gold sparkles, rainfall/storms, high school years, fairy tales, schoolyards, princesses and princes, old books of ancient tales, waiting, clocks, knights in armor, prom, phone calls, broken promises, smiles, fighting for a cause, mutual pining, school gyms, band practice

SPEAK NOW: any and all shades of purple, trepidation in love, storybooks, fancy ballgowns, big cities, liars, awkward meetings, sparklers, crowded rooms, flames to embers, poetic endings, fighting dragons, castles, old antiques, summertime, fireworks, roses, using your voice, farewell to childhood

RED: classic red lipstick, foggy mornings, notes on pictures, trains, planes, autumn, things changing in the blink of an eye, lockets, distance, mosaics, busy streets, vintage, weeping alone, yearning, longing, the cost of fame, scarves, lattes, sleek hair, echoes, starlight, cafes, hoping against hope

1989: retro, blinding lights, vanilla ice cream, seagulls, daisies, carefree days, the beach/the ocean, tabloids, paper planes, rumors, sky blue, car rides at twilight, waves/water, wild parties, sequins, marquees, running, finding yourself, reinvention, recklessness, prime of life

REP: haunted by living ghosts, sexy, buried alive, black & crimson & white, illusions, hard liquor, snakes, "burn the witch", the perfect crime, revenge, trickery, love is a drug, cautiously optimistic, the girl you knew is dead, sleeping a lot, burning bridges, darkest nights with a starry sky

LOVER: pastels, summer nights, dirty jokes, star signs, cozy home, American classic, cheers, full moons, sunsets, rooftops, drunk in a car, new chapters, religious themes, pleading, any and all shades of pink, playing games, accepting someone fully, denial, kitchens, memories, apologies, bars, sunsets

FOLKLORE: grays & muted blacks, beginnings, spring, summer, stars, bleeding from old wounds, trains, a midnight sea, bus stops, old film reels, funeral for old self, braids, lies, pretending, rumors, waiting by the phone, malls, wishes, drowning, jewels, old tales of those who came before, August and July

EVERMORE: bronze & shades of brown, snow, endings, reunions, fall and winter, moving on, old friends, a weekend tryst, true crime podcasts, healing from deep wounds, ivy and greenery, stuck on repeat, crescent moons, November and December, willow trees, bubbling champagne, following dreams, watching from the sidelines

MIDNIGHTS: sultry, dark wine, hurt but not dead, friendship bracelets, navy blue and mustard yellow, moonstones, honey, cats, vulnerability, auroras, impossible things, growing up, rain and snow, time portals, politics, meteors, shimmering, recognizing your worth, simplicity, chess, emotional infidelity, glitches

TORTURED POETS DEPARTMENT: quill pens, white, the scent of old books, denial & anger & bargaining & grief & acceptance, typewriters, exhaustion, profound sadness, mental institutions, the price of fame, refiners fire, childhood stories, nostalgia, ancient prophecies, hotel rooms, dolls, mental health issues, reading Aristotle just because, going in kicking and screaming but coming out alive

[cryptid-stimming]

Fridge Magnets Stimboard

x x x / x x x / x x x

[Image description: a 9 gif stimboard; from left to right.

First line: A close-up gif panning down the magnets on a white fridge door (the magnets have graphics of classic paintings, a few with silly/funny messages, one of a cartoon cat in a rainbow heart and two from Smithsonian museums). A gif panning across a grey fridge with different souvenir magnets such a clock, a flip-flop, an elephant, a mermaid and a little cow. And a gif of of a white fridge completely covered in vintage magnets, zooming in on a few such as a panda and American candy bars.

Second line: A gif panning over a grey fridge with souvenir magnets and disney anthromorphic characters. A gif of someone closing a small white fridge compartment and magnetic plastic letters on the door, some spelling out the message 'buy milk'. And a gif panning over a pale grey fridge door with souvenir and small magnets (such as vegetables, the Statue of Liberty, a cheese grater and a fish).

Third line: A gif zooming in on a white fridge door covered in magnets to several of cartoons such as Powerpuff Girls, Johnny Bravo and Bob's Burgers, they are holding up a photo of a cat. A close-up gif panning over a pale grey fridge door with souvenir and travel magnets (some are from Walt Disney, there is also a pack of playing cards and a viking). And a gif of someone sticking a frog magnet alongiside a line of frog magnets on a black fridge door, it then pans away to show the fridge covered in vintage magnets like ducks, fruits and vegetables.

End of image description.]

[talia-rumlow]

Home Sweet Home (AU Brock Rumlow/Original Female Character) 18+ Chapter One

WORDCOUNT: 6267

TRIGGERS: Age Gap, 911 Call, Police

CHAPTER ONE - SOMETHING JUST LIKE THIS!

The blistering Texas sun beamed down on the pavement, smothering downtown Mansfield in an oppressive heat wave. The cloudless sky stretched on in an expanse of clear blue, offering no respite from the sweltering 93°F temperature. The only escapes from the relentless rays were the shady trees in the parks or the cool relief of air conditioning indoors.

As Calleigh locks the office door, she feels the heat radiating in from outside. Having worked in her dad's delivery business for a little over three months now, she easily navigates the building, double-checking that everything is secured for the weekend. Approaching the exit, the intense heat worsens. Calleigh lifts her shirt, revealing a cute pink butterfly piercing on her belly button - a small act of rebellion she got after her first visit with her dad following her mom's move to New York with a new boyfriend. Pushing aside thoughts of New York and the boyfriend she detests, Calleigh fans her exposed stomach with her shirt in a futile attempt to withstand the heat on her way out, silently thanking the universe for Fridays and weekends.

•─────────•°•❀•°•─────────•

Brock backs his day-old black Chevrolet Silverado 1500 as close to the garage door as possible. Searching for the key to turn off the engine, he suddenly remembers this truck has a keyless start/stop system—all he has to do is push a button. Brock chuckles a bit of his lack of knowledge about his new car, before he makes a mental note to get used to the new feature.

Though the car met all his needs, Brock struggled to adjust to its high-tech features. While he wanted to embrace the smart house, smart phone, smart car lifestyle, at heart he was old-fashioned. To Brock, a car should just be a car, and a phone just a phone. These days, cars were becoming more like living spaces, packed with extra gadgets and gizmos; and those new phones were multipurpose devices that served not only as phones, but also as calendars, alarm clocks, cameras, journals, and computers. He almost felt that he was too old to keep up, with his 46 years, Brock started to feel that his youth had passed him by long ago.

Placing his toned muscular forearm on the center console; Brock looks over the dashboard. The car's built-in entertainment system was bigger than his nephew's tablet. The right side of the screen informed him that the temperature was a scorching 94°F and climbing; moving over to the left side, where he could decide on what radio station to listen to, operate the car's cameras, use the built-in GPS system, connect his phone via Bluetooth and a bunch of other stuff he'd probably never use.

A quick glance at the clock told him that he had to get to work. He had promised Jack ages ago that he would fix the Oil leak, change the filter, the camshaft belt and do an overall service on the car. But the parts he needed weren't always easy to come by. So here he was, grabbing his mechanic's creeper off his truck, to finally do the job; four months behind schedule.

Brock swings open the garage door, revealing the stunning 1967 Chevy Impala. The sleek black exterior gleams in the sunlight, resembling a rare diamond. Despite its age and need for repairs, the Impala exudes charm, blending masculinity and nostalgic charm. Like Brock, Jack shares a fondness for vintage cars, true American muscle cars such as this. The old cassette player still hums within, and Jack hasn't altered a single detail on the car. There's a palpable sense of trust between them as Brock cherishes the responsibility and level of trust Jack has placed in his hands.

•─────────•°•❀•°•─────────•

Calleigh frowned at her license photo. At only 20 years old, she had not yet grown comfortable with her appearance. She felt her nasal bone was too thick, making her eyes seem too far apart. Makeup helped camouflage this to some extent, but no amount of makeup could alter her height. At 5'10", she was taller than average, which made finding flattering clothes a challenge. She often wished she had her mother's petite 5'3" frame, having clearly inherited her stature from the Rollins side of the family. While she could live with her blonde hair, she wished it had more volume. Her lips were too pale and thin for her liking, though makeup could fix that as well. Unlike her mother's ocean blue eyes, Calleigh had green eyes, another Rollins family trait. Glancing in the rearview mirror, Calleigh took stock of herself - blonde hair, blonder in summer; green eyes; lightly pinked lips with distinctive dips cupping her nose; a high forehead. She was a harmonious blend of both parents.

Calleigh connects her phone to the car's entertainment system, the little screen in the middle of the dashboard makes it easy to navigate through spotify to find her song, Coldplay and The Chainsmokers with Something Just Like This. It’s a song that seems fitting for her life right now.

Ever since she moved back to Texas, and Mansfield, she felt like her whole life was already planned for her.

She would get a seat at the board of directors alongside her dad and her grandfather in the delivery business on her 21st birthday in December. It would give her a comfortable and financially steady life, but very few choices.

With an exasperated sigh, Calleigh places her purse in the passenger seat. The black leather seat had small stitched details, a lighter shade of burnt orange in color, along the sides, giving it a more luxurious look.

When her dad had offered to buy her a new car, Calleigh had opted for the Mini Cooper, a car she felt was more suitable for her needs. But Jack had his mind made up on a 2020 Chevrolet Impala, black of course, to have it blend in with the other cars in the garage. After a bit of discussing back and forth, Calleigh had just given up. A car was a car, and she needed one. Although she would have given almost anything to have a convertible right now.

She was thankful for the car, it was nice and spacious with its four doors and five seats, it had room enough for both Calleigh and her friends.

The trunk suited all of her needs with enough room for both grocery shopping and a shopping spree at the local mall. The black leather seats with the burnt orange stitching offered comfort with their user friendly adjustment mechanism. The center console, designed with faux wood, held a spacious storage compartment and a double cup holder, one of which now held the almost empty Venti iced caramel latte that Calleigh got from Starbucks this morning.

The comfortable, highly equipped steering wheel made it easy to answer the phone, change songs, adjust the volume, as well as the heat in the winter. The 2020 Chevy Impala did indeed deliver a luxurious and comfortable driving experience.

She grew up in a well off family, both of her parents came from money. Both the Rollins Delivery Service and the Lewis Jewelry line had been around for generations, earning themselves a good reputation and money to live a more than comfortable life. Despite all of this, Calleigh had never seen herself as spoiled. She knew nothing came for free, that she had to work hard in school, and she had to earn her allowance. Her parents, even if they were never together, had made sure of that.

The drive from downtown Mansfield to South Pointe was roughly 10 to 15 minutes long, depending on traffic. But in this heat, Calleigh feels that it took two hours. Her shirt is sticking to her back, and her throat screams for water to the point where she's about to chug the last of the latte that had been sitting in her car all day. All she wanted was to change into a bikini and spend the rest of the weekend relaxing by the pool in the backyard.

Despite having to spend the weekend alone; without her two best friends. Jessica was preparing for her undergraduate degree, and Molly had been assigned to take a HR Masterclass in Seattle. Her dad was away as well, having a tiny legal crisis in Chicago, he had decided to fly over there himself, to oversee the negotiations. Calleigh looked forward to a weekend by the pool.

•─────────•°•❀•°•─────────•

As Calleigh approaches the house, she notices the black Pickup truck that's backed all the way into the now open garage door. Not a truck she recognizes, and they rarely had any other unannounced visitors other than her grandparents or Brock from time to time. But Brock was on a work spree these days. Calleigh hadn’t even seen him since she moved back home; which was strange, because in summertime he practically lived in the garage. Fixing her dad’s various vehicles, as well as his own; whilst sharing some beers with her dad. It was almost so that she thought that they had fallen out. But the legal crisis in Chicago had occupied her dad for quite some time, so that might be it. The two men simply didn't have time for social get-togethers these days. Even Friday Night BBQ was put on hold for the time being.

The Friday Night BBQ was one of Calleigh's most cherished traditions. Her dad and Brock manned the grill while she and her friends frolicked in the pool or yard. As they aged, they took on more duties. Molly routinely brought her signature focaccia and salad— a recipe Calleigh unsuccessfully tried recreating time and time again. Jess handled dessert; her Texas-style peach cobbler was unrivaled, the moist and buttery delight created a sweet symphony on her pallads, and topped with a scoop of peach ice cream, it became unresistable no matter how much anyone had for dinner. Occasionally Molly's mom and Jess's parents joined, packing the expansious backyard with joy, nostalgia, and hearty laughter.

With the memories of time well spent, playing like a movie in her head, Calleigh drives past the house at 2 mph as she examines the truck that's parked in front of the garage. A black Silverado, newer model. Having grown up with a father like Jack, with his fondness for cars, she's picked up a thing or ten. Of course it also helped that she spent numerous afternoons at the Rumlow garage in her early teens, when her dad worked late, or her mom spent time with that new boyfriend.

Calleigh's body goes cold when she remembers the 67 Impala in the garage. Jack's favorite car. He spent years finding the perfect one. If someone is trying to steal it, or parts from it; Jack would go ballistic. And given his military background, it'll not be pretty. For a second Calleigh feels like a six-year old, not knowing what to tell her parents when she broke a glass or spilled water on her bed.

Though South Pointe was a gated community, there were no guards on site. To enter, you needed either a code from a resident or a chip that automatically opened the gate. With the recent expansions and the constant flow of workers going in and out, it was easy for anyone to get in, whether they belonged there or not. And with a truck like the new Silverado, you could easily drive in, fill the spacious bed with whatever you were stealing; and then drive back out, without anyone raising a brow.

Calleigh takes a deep breath, weighing her options. Should she call the police or confront the person in the garage herself? Having spent four years in New York, she knows how to handle situations and always keeps pepper spray in her purse, even in Mansfield, where crime rates are lower. Despite the safer environment, she's aware that appearances can be deceiving, and anyone could pose a threat.

Turning her car at the end of the street, Calleigh retrieves her phone from her purse, its cute pink cover with butterflies and faux diamonds contrasting with the ominous atmosphere she envisions in the garage. Without overthinking, she dials 9-1-1.

“9-1-1, what’s your emergency?” a calm female voice responds after a few rings.

“I'm.…I think someone is breaking into my house,” Calleigh says, suddenly unsure if 9-1-1 was the right choice.

“Are you in the house, ma’am?” The voice persists. Calleigh hesitates, considering whether to hang up and face the intruder alone. “Ma’am, are you inside the house?” the voice repeats.

“N..no. I.. I'm outside.. In my car. I don't know what to do. I… I..” Calleigh is desperate, on the verge of crying. She can't remember the last time she didn't want to be home alone. But this is one of those times.

“What's your name ma'am?” The voice continues, still in that calm tone.

Calleigh takes a breath “Calleigh Lewis Rollins.” She replies, with a shaky breath. Trying to calm down her beating heart.

“Do you know if they're armed?” The woman on the phone continues. Calleigh feels that ice cold feeling in her stomach. Armed? She didn't think about that at all. What if they're armed, what does she do then?

“I don't know. I don't know!” She shakily replies. Her voice on the verge of breaking. Without realizing that she does, she reaches for her pepper spray. The little 3 inch pink container designed as a keychain was easy to carry around, easy to use and it had a neutral design, which made it perfect to carry around for self defense.

“Calleigh, calm down. You're going to be fine. I'll dispatch a unit to your location. What's your address?” The voice continues in a calm soothing manner, which helps to calm Calleigh down.

“2837 Chandler Court” Calleigh replies, happy that she remembered the address. She hasn't lived here too long, and in this particular situation it's things like that that usually slips.

“Do you have any firearms in the house?” Another question about guns. It's not that Calleigh wasn't used to them, it was just that in this situation, guns didn't feel like a safe topic. And this is Texas, everyone has firearms.

“Y..Yeah, we have some. Seven or ten maybe.” Calleigh replies as she does a mental runthrough of the house, trying to remember where Jack keeps all his guns. The gun cabinet in the living room, the hide away cabinet in his bedroom, and the safe in the….. garage. Calleigh takes another shaky breath as she imagines some bad ass crocks breaking into that safe.

“I've dispatched a unit to your location. They'll be there in about ten minutes. And Calleigh, please lock the doors, and stay in the car until the unit arrives.” The voice on the phone informs her, still calm and collected. Calleigh can't believe how they manage to be this calm with people in shock, pain, rage, people who're scared out of their minds. But now, today, she's extremely thankful for it.

Clenching the container with pepper spray in her hand, Calleigh almost whispers into the phone “Yes. Thank you.”

“Calleigh, please stay in the car.” The lady on the phone says again. But Calleigh can hardly hear it. She flips the top of the container in her hand, as she hangs up the phone, and slowly exits the car.

•─────────•°•❀•°•─────────•

With half an eye on the wrench around the unwilling screw, and half an eye on the bucket for the oil, Brock tries to get the screw to give. His left foot firmly planted on the concrete garage floor to steady himself, as he struggles to get the screw loose. His biceps flexing, the veins on his arm popping. His teeth clenched in concentration, and the sweat dripped from his forehead.

Brock applies just a bit more muscle power, determined to get the screw to give. The sweat on his hands makes him lose his grip around the wrench. His hand flies up, hitting the car, as the wrench falls to the floor, creating an echo around the oversized garage. “Aaaa, fuck,” he almost screams, as he shakes his hand to try to ease the pain.

The sound of metal hitting concrete, the echo that follows and the screaming make Calleigh jump. Her heart is beating out of her chest, and that ice cold feeling in her stomach comes back. Yes, the 9-1-1 dispatcher told her to lock the doors and stay in the car. But ten minutes? They should know how much damage that can be done within ten minutes. She had to leave the car. But with the screaming and the noise. Maybe she should've stayed put. Anyway, it's too late for that now.

Calleigh places her thumb on the top of the pepper spray container. “Stop what you're doing I have a weapon!” She yells, surprised by how firm her voice is, she lifts the container, ready to attack.

Brock jumps under the car from the voice yelling, something about a weapon. Startled, he tries to sit up, but since he's under the car, sitting up only serves for him to bang his head against the car. “Fuck! Shit! Don't shoot, I'm unarmed!” He yells back in a haste. Quickly moving the creeper, so he can stand up.

Getting up faster than he's ever done before, raising his arms to show whoever it is that he is indeed unarmed. “Don't shoot! I'm un-,” when he sees Calleigh he stops for a second “armed….” He breathes out in surprise at the woman standing before him. Beautiful. That's the only thing he can say about her; Silently in his mind of course.

Calleigh carefully drinks in the man in front of her. His well-worn jeans sit comfortably on his hips, a cloth tucked into the right side. His V-shaped lower abdomen is unlike anything she's seen before, leading up to a six-pack and impressive pecs that could be straight out of a commercial. The oil stains and sweat on his upper body add a sexy touch. Moving upward, she notices strong pecs lightly dusted with chest hair. As she lifts her face, broad-toned shoulders barely register in her mind compared to the veiny upper arms that make her knees feel weak. Before fully revealing the rest, she takes a breath and discovers a strong jawline, dark facial hair, followed by soft, playful, and kissable lips, a broad nose perfectly placed on his flawless face. As her gaze reaches further, she encounters two soft hazel brown eyes adorned with dark lashes and brows. Calleigh's heart skips a beat, and in surprise, she breathes out, "Brock?”

Brock had never seen such beauty and grace. Calleigh had blossomed into a stunning woman, with shoulder-length blonde locks with a few curls framing her face. Her soft pink lips were slightly parted in surprise, complementing her petite nose and accentuating the delicate curves of her upper lip. Her emerald eyes shone like gemstones, undoubtedly a Rollins family trait.

Brock swallows, his heart does a jump in his chest. “Calleigh?” His voice carried a bit of surprise. He remembered Calleigh as a rebellious 16-year old, getting belly-button piercings without permission. He did not expect this God sent beauty. And he's not sure how he should react. This is Jack's daughter. He shouldn't feel his heart jump like this because of her.

Jesus Christ, Calleigh thinks for herself. Did she just think about Brock's lips as kissable? Brock Rumlow? Her dad's best friend. Naha, no way. Take it back, take it back, take it back; she repeats the three words again and again in her head, like a mantra. It's all in vain, when Brock's lips slowly curl up into a half smile. His upper lip on the left side curls up, revealing his teeth. Calleigh feels drawn to it. It's like magnetism, an invisible force that's dragging her towards him. She swallows in a desperate attempt to keep her heart out of her throat. It's Brock, Calleigh! He's over 40 years old, and your dad's best friend; the voice in her head screams to her at this point.

"What errr..." Brock takes the cloth from his jeans and wipes his hands on it before continuing. "What are you doing here?" he questions, his eyes traveling over her. Her short-sleeved white shirt reveals the small dips by her collarbone, and Brock's fingers twitch as his mind imagines gliding his fingertips over them. He knows he shouldn't feel this way. Why does he feel this way? Further down the shirt lays tight over her breasts, Brock swallows from the sight of them. Jesus, get it together, Brock; he silently curses at himself.

“I live here.” Calleigh replies, before he can take in the rest of her. She rubs her hand on her neck. The garage offers shade and a living temperature, but she can still feel the heat from outside. And looking at Brock all sweaty and sexy isn't helping at all. “What are you doing here?” She continues, she knows that's a stupid question. He was on his creeper, under the car when she came in, and the oil stains are also a big giveaway.

“I'm fixing your Dad’s car,” Brock answers her question with a little smile, and a tap on the hood of the Impala. “How's that neighborhood watch thing going for ya?” He adds with a little chuckle.

“Huh?” Calleigh feels like she just fell out of the sky. And she imagines that it must look that way too.

Brock gestures with his head to the container in her right hand, and Calleigh looks down to see her thumb still firmly placed on the top of it. Quickly putting the cap back on, she puts her hand behind her back. “It's nothing. It's just…” she tries, but the damage is already done. The only thing she can hope for now, is that Brock won't tell Jack about it.

“For protection?” Brock asks, as he wipes his abs with the cloth. When Calleigh doesn't answer, he continues. “New York taught you a few things huh?” He delivers the question with an understanding head tilt.

Calleigh takes a breath “Yeah I guess you could say—“ she’s interrupted by sirens approaching.

Brock lets out a little laugh “You called the cops on me.” It's more of a statement than a question. Calleigh feels a rush of embarrassment, as Brock lets out another friendly laugh.

“Not so much on you.. I..” Calleigh starts, moving her legs nervously. “I.. I thought you were someone else,” she tries, but without any kind of words to complete that sentence.

“Well, guess I can only hope that they won't arrest me,” Brock continues to chuckle, as he swings the cloth over his left shoulder, and walks outside to face the police.

Calleigh stays behind for a second or two before she shakes her head and lets out an exasperating breath. This is too embarrassing. Did she really call the cops on Brock? Jesus, she's never going to hear the end of this. This'll be one of those stories that'll be mentioned in a speech at her wedding. She can just hear it in her head ‘And you can feel totally safe, Calleigh will protect her terf whatever the cost. I remember…’ Shaking her head again, she walks outside as well.

•─────────•°•❀•°•─────────•

Not one, not two, but three units showed up. Thank you so much brain, for mentioning all the firearms in the house. Calleigh thinks to herself. Thankfully the misunderstanding was easy to clear up. Two of the officers knew Brock, which was understandable since Brock owned the only garage around that was certified to work on the police vehicles. And of course it helped that both the Lewis and the Rollins name was well known around these parts.

Just as the officers are leaving, Calleigh spots Mrs. Callahan across the street, coming out of her house with her walker. Mrs. Callahan was this tiny 4’9" little old lady, with long gray frizzy hair, she always wore white compression socks, a skirt with flower patterns on, a white shirt, a home knitted cardigan and brown slippers, she had lived across the street since forever. She was a really nice old lady, but she put her nose into absolutely everything.

“Miss Calleigh.” She yells across the street, with what little voice she has left. “Miss Calleigh, is everything alright?” She continues, as she walks across the street towards them.

“Yeah, Mrs. Callahan, everything is fine. Don’t worry.” Calleigh smiles at the old lady.

“I saw the police. Are you sure everything is alright? How's your father? Jack is such a sweetheart, don't you think?” Mrs. Callahan continues to talk. The thing with Mrs. Callahan was that after her husband passed away a few years ago, she had become very chatty. And if she started, there was almost no way of stopping her.

“Everything is perfectly fine Mrs. Callahan. It was just a misunderstanding” Brock shoots in, sending Calleigh an amused look when he says misunderstanding. “I can assure you that you can sleep safely.” He continues, giving the old lady a protective smile.

“O..Okay” Mrs. Callahan nods to Brock. Then she stops. “Would you be so kind as to walk an old lady back home, Brock?” She continues with her distinct old lady voice.

Brock sends Calleigh a small smile, before he offers his arm to Mrs. Callahan. When they start the short walk over the street, Calleigh can hear her say ‘Such a sweetheart, such a sweetheart’ over and over again. Calleigh can't help but smile. Both from the old lady calling Brock a sweetheart, and from the fact that Brock seriously makes her heart jump, and her stomach swoop. Both of which are feelings she's never had before.

•─────────•°•❀•°•─────────•

Calleigh has just finished maneuvering her car into the garage when Brock returns. Still wearing nothing but his well worn work jeans, with oil stains and rips on them. And then that body. Calleigh swallows hard to not let out any type of sound that can give away how she reacts to this man.

“You want Apple pie?” Brock asks, holding up two Apple pies, one in each hand. “Because I have two of them,” he continues, looking from Calleigh to the pies, and then back to Calleigh again.

Mrs. Callahan might be nosy to the point where Calleigh almost felt uneasy about it. But the old lady did make the most delicious Apple pies. Sweet, zesty and sugary. With the most amazing Granny Smith apples, cooked until perfection, with that sweet taste of cinnamon, a pinch of nutmeg and sugar. Calleigh remembers them from the block parties when she was a little girl. Finishing up her dinner as fast as possible, to make sure she could grab a slice before they were all gone. Her mouth still goes watery when she thinks about it.

“She gave you two?” Calleigh laughs. Smiling wide. Partly for the thought of eating Mrs. Callahan's Apple pies again and partly from the thought that she might sit down with Brock and eat them. Why is that thought so prominent? It's not like Brock hasn't had dinner or food in general in this house before. She practically grew up with him around.

“Two isn't enough?” Brock questions, placing the two pies on the roof of Calleigh's car, before he starts to turn around. “Because I'm pretty sure I can get like five more,” he continues as he starts to leave the garage. Brock chides himself. What the hell is wrong with him? Why is he suddenly acting like a fuckin' teenager? Playing stupid flirting games, so that Calleigh will try to stop him, touch him. Jesus, Brock. He thinks for himself. Calleigh must think he's insane.

“No, no, no,” Calleigh hastily replies, grabbing Brock's wrist. “Two is –,” she involuntarily stops mid sentence from the sensation of Brock's skin against her palm. “Two is fine.. it's –” she continues, meeting his eyes as she lets go of his wrist. One of Brock's fingertips brushes over her palm, sending waves of shivers up her arm “perfect” she breathes out.

“Alrighty then,” Brock smiles, as he once again takes the pies. “Just heat them on 350, for 15 to 20 minutes, and we'll have ourselves a treat,” he continues as he opens the door that leads from the garage into the house.

Calleigh examines his broad and perfectly toned backside. His jeans fit perfectly over his behind. Calleigh swallows again. Stop it, she once again tells herself. “Maybe have a shower first?” She suggests, before she follows Brock. A shower? Really, Calleigh? She thinks to herself, the thought of naked Brock in the shower makes her want to slap herself. Cold shower it is. A really cold shower.

•─────────•°•❀•°•─────────•

Calleigh locks the door to the downstairs bathroom, before leaning her forehead against the door. Oh,God. Is she stupid? It's frickin Brock for God's sake. What is she thinking? Turning around, she leans her back against the door, as she glances over the bathroom.

The bathroom had undergone a luxurious renovation. The once white walls were now covered in sleek black and gold marble tiles that gave the space a rich feel. The wood-look flooring stretched out, making the room seem spacious. Acoustic panels in complementary black and wood tones lined the ceiling. Gone was the indoor jacuzzi that Calleigh loved as a child, replaced by a double waterfall shower. Concrete shelves anchored the masculine vanity area. Perched atop were two oval basins crafted from natural river stone, marrying masculinity with luxury. A sauna for four to six sat in one corner, unused but admittedly stylish. Though unfamiliar, Calleigh had to concede the new bathroom was rather nice looking.

Stepping away from the door, Calleigh removes her work clothes, tossing them in the laundry basket by the door. Before she steps into the shower, she once again takes a look at herself in the mirror. She looks… What's the word? Young and inexperienced. Small breasts, though still firm and pointing the ‘right’ way, they're still small. Narrow hips. Damnit! Why does she care so much about this all of a sudden? Brock.. Like he would ever want someone like her. “Why do you care, Calleigh?” She says to the mirror, before she enters the shower.

•─────────•°•❀•°•─────────•

The guest bathroom upstairs offers every accommodation a guest might need, whether it was a short or a longer stay. The modern design, such as the subway tiles in the shower, the floating shelves for towels and toiletries, the bathtub, with it's spa-like bath pillow, and the shower curtain, resting on a black shower rod, that stretched from one wall to another, mixed with the intricate black and white pattern on the floor tiles it gave the room a contemporary yet nostalgic charm.

Brock leans forward in the shower, leaning his arms against the wall as he lets the water wash over his neck, dripping down over his eyes and nose. He takes a deep breath. He'd almost forgotten that feeling. Aside from the fact that he'd promised himself to never go down that path again, he had to admit that it did feel good. That warm feeling, that was pumped out in his entire body with every heartbeat. That childish need for physical contact. But no. He couldn't do this. Not with her. Not with Calleigh. He's 26 years older than her, old compared to her. Though he was in good physical shape, he was still older than her. A lot older. After he took his therapist's advice to work out more to clear his head, his workout routine had become his safe place. A place where he didn’t have to think about Iraq or Afghanistan or Taylor. Just thinking about her name makes him feel cold. Calleigh, he thinks for himself. Calleigh with the gemstone eyes and perfect lips. Calleigh with the soft skin he felt when his fingers brushed over her palm. Calleigh… Yeah, Calleigh’s better. Calleigh’s definitely better. Fuck, what is he doing?

•─────────•°•❀•°•─────────•

Calleigh looks between the knee-length tights and the white cotton shorts, weighing her options. The tights that cover more of her body or the comfortable shorts that's more suitable for this weather. God, this is just stupid. And why would Brock care anyway? Why does she care? Since when did what she wore around Brock become an issue? Opting for the shorts, she rolls her eyes at herself and her teenage-like thinking. The shorts fit better with the top anyway, and for some reason it feels important to look good right now.

After meticulously applying her make-up, Calleigh takes a good long look in the mirror. Her white shirt, with the blue and white butterfly pattern on the front sits perfectly on her body, hugging what's supposed to be hugged. Well, more like what's there to actually be hugged. Pouting a bit to her reflection and shaking her head at herself, she turns around checking if everything is in its right place. The straps on her bra are visible due to the shirts open back. After a few unsuccessful attempts trying to fix that issue, Calleigh gives up. Visible straps are better than a bikini anyway. No poolside relaxing today, there's no way she'll be strolling around in a tiny bikini with Brock around.

•─────────•°•❀•°•─────────•

The red light that indicates that the oven has reached its wanted temperature turns off, and Calleigh places the two pies into the oven. Thankful that Brock wasn't done upstairs yet. Those feelings she gets when he's around. They're… Calleigh doesn't even have the words to describe them. Sure she's been in love before, or at least smittened. She even had boyfriends, not too many or to long lasting, but still. But the feeling never lasted. And it was never like this. That feeling of her stomach doing gymnastics inside of her. What is that? Looking at the pies warming in the oven. Calleigh tries to make some sense out of all these emotions.

“Wouldn't it be funnier to… I don't know, watch a movie or something?” The voice suddenly talking over Calleigh's head startles her to the point where she hastily stands up. Banging her head into Brock's chin. “Ouch” Brock breathes out as he lets his hand glide over his chin.

“Oh, God,” Calleigh replies. Her expression is a mix of embarrassment and guilt. “I'm so sorry. Are you okay?” She continues, and without realizing that she does she lifts her arm to touch him where they collided. His rugged facial hair tickles her fingers as she carefully let them glide over his chin.

“I gotta say that your self-defense technique is a little unorthodox,” Brock smiles. “But it works, it definitely works,” he continues. The feeling he gets from Calleigh's touch is unlike anything he's ever felt before. A mix of excitement, guilt and that warm feeling spreading throughout his body.

Calleigh can't help but laugh. Brock always used to be funny, kinda like the cool uncle she never had since both her parents were an only child. She can remember millions of times when she was younger. Brock taking her to amusement parks, Brock dressing up as various animals or superheroes for her birthday parties, Brock letting her ride shotgun with him, even though Jack had told him not to. But for some reason the funny he shows her now, that funny feels different.

Suddenly realizing she's still touching him, Calleigh reatracts her hand, covering it with the other hand as she gives Brock an apologetic smile. What's gotten into her? Why does she feel like this around him all of a sudden?

“Is your head alright?” Brock asks, almost instantly regretting his poor choice of words. “From the… err.. bump,” he adds, when he sees the confusion on Calleigh's face. He lifts his hand, and carefully lets it glide over her head.

“Yeah”, Calleigh breathes out as she once again meets Brock's eyes. “I'm…” she continues, as Brock's hand glides down to her neck before stopping on her shoulder. “Good..” Whispering the last word so low that she's not sure Brock even hears it. It's definitely a connection between them. Or is it? Is she fooling herself? And if that's the case, then why?

•─────────•°•❀•°•─────────•

The evening goes on. With Apple pies, ice cream, a movie on TV and a phone call from a worried Jack.

Mrs. Callahan had called him, and told him about the police being at the house. No surprise there. After about 14 failed attempts to call Calleigh, Jack had resolved to call Brock. Overprotective as he was, he was worried out of his mind. Before Brock explained how everything really went down, Jack was like two seconds away from jumping on the first flight back home. But after some discussion back and forth Brock had told him that he'd stay with Calleigh for the duration of Jack's stay in Chicago. For Calleigh, Jack's overprotectiveness in this situation was both a blessing and a curse. A blessing since this meant that she could spend some more time with Brock, and a curse for that exact same reason.

•─────────•°•❀•°•─────────•

After getting ready for bed, and before she turns off the lights, Calleigh sends a message in the group chat she shares with Molly and Jess.

‘Call me ASAP. I need to talk.’

No matter if there's a connection there or not, Calleigh needs to talk to someone about this. It's way too heavy to carry by herself. And what better people to talk to, than her two best friends.

Next Chapter ------->

@nekoannie-chan @rip1009 @late-to-the-party-81 @ladysif8

[vintagehomecollection]

At one end of the living room, the handsome pattern and texture of the old stone wall create a dramatic background for the tall case clock.

The Good Housekeeping Complete Guide to Traditional American Decorating, 1982

[anithikos]

@operahouses :: noel & louis

The mechanical hum and steady tick of an antique grandfather clock kept pace in the sitting room of Noel's home in Little Venice. Dark wallpaper hid behind tall mahogany bookshelves and frames of old photos. Though just shy of forty, the doctor's aesthetic sensibilities leaned towards antiquity. Heavy, ornate drapery masked the bay window and allowed only slivers of light from passing cars and streetlights. Burgundy tones and earthen greens draped over dark wood and blended with shadows; the room closed in on itself and receded upward infinitely in equal and opposite measure. A quiet luxury engulfed it all.

Slender fingers grasped a bottle of chenin blanc by the neck and poured its contents into two tall, fluted wine glasses.

"I hope you can appreciate a dry vintage," he said, "I wasn't planning on bringing home visitors, so I am rather unprepared. You'll have to forgive me for the lack of choice. I've never been all that fond of most reds."

Noel raised his in a toast, eyes searching his American guest longer than necessary. Something struck him as odd about this Louis fellow though what it was he could not name. Perhaps it was the intensity of his eyes or the way he moved almost too gracefully.

The clock struck the hour; its chime haunted the room.

"Pardon my bold assumption, but I doubt you're here just for a glass of wine and conversation about forensics. What really brings you here?"

[timetrek24]

🇺🇲 The Fossil Grant Chronograph—a stylish timepiece that seamlessly blends vintage charm with modern functionality! Introduced by Fossil Group Inc. a renowned American watch brand, the Grant Chronograph has carved a niche for itself in the world of horology since its debut.

⌚️ The Fossil Grant Chronograph pays homage to the rich heritage of traditional timekeeping, drawing inspiration from classic designs and timeless elegance. With its sophisticated aesthetic and precision craftsmanship, it captures the essence of understated sophistication.

⏱️ The Fossil Grant Chronograph exudes authority and refinement. Its distinguished design features a robust stainless steel case, complemented by a variety of dial colors and strap options to suit every style preference. Modeled after vintage clocks, its Roman numerals are uniquely designed to provide artistic balance to the dial.

⚙️ Beneath its elegant exterior, the Fossil Grant Chronograph houses a reliable quartz movement, ensuring accurate timekeeping for the modern gentleman on the go. The chronograph function adds a touch of practicality, allowing users to track elapsed time with precision and ease.

🌟 Whether worn as a statement piece or cherished as a timeless heirloom, the Fossil Grant Chronograph remains a symbol of style, sophistication, and timeless elegance.

[joehaupt]

Vintage Roland Transiclock Portable Transistor Clock Radio, Model 71-288, AM Band, 7 Transistors, Made In USA, Circa 1959 by Joe Haupt Via Flickr: The radio measures approximately 6.75 inches wide by 4.25 inches tall. Roland is listed as a division of the Herold Radio & Electronics Corporation.