#Video Call Collaboration

[allwave]

Command Centers with Hiperwall Technology and Allwave AV Integration

Introduction

The landscape of command centers is rapidly evolving, driven by the need to manage vast amounts of data efficiently and effectively. Hiperwall technology, when integrated with Allwave AV Systems, offers a revolutionary approach to enhancing the functionality and performance of command centers. This comprehensive solution addresses the critical challenges faced by modern command centers and provides a robust, scalable, and user-friendly platform for superior operational control.

The Challenges in Modern Command Centers

Modern command centers face numerous challenges that can hinder their operational efficiency and effectiveness.

Some of the primary issues include:

Data Overload: Operators are often overwhelmed by the sheer volume of information they need to monitor and analyze simultaneously. This can lead to critical data being overlooked or misinterpreted. Scalability Issues: As operational scopes expand, existing AV setups may require significant upgrades or complete overhauls to accommodate the increased demand. Integration Difficulties: Seamlessly integrating various software and hardware sources without encountering compatibility issues is a significant challenge. Reliability and Response Times: High reliability and quick response capabilities are crucial in critical monitoring situations.

How Hiperwall Addresses These Pain Points

Hiperwall software offers robust solutions to the challenges faced by modern command centers:

Flexibility: Users can control multiple sources on video walls of any size or configuration, enhancing situational awareness. Scalability: The system is uniquely scalable, allowing more screens and sources to be added without affecting performance. Ease of Integration: Hiperwall supports a broad range of content types and sources, making it easy to integrate without proprietary hardware. Superior Control: It provides unmatched control over visual content, allowing operators to manipulate and arrange content efficiently to make informed decisions quickly. Allwave AV’s Role in Enhancing Operations with Hiperwall

Allwave AV Systems excels in customizing audiovisual solutions that amplify the capabilities of Hiperwall technology

Tailored Solutions: Allwave AV designs solutions that are specifically adapted to the unique needs of each command center, considering factors like room dimensions, lighting, and operational protocols. Seamless Integration: With expertise in AV system design and integration, Allwave ensures that all components of the Hiperwall system work seamlessly with existing infrastructure, enhancing operational continuity. Technical Support and Training: Allwave provides comprehensive training and support, ensuring that all users are proficient in utilizing the full range of features offered by the Hiperwall system. Real-World Application: Command Centers

In command centers, where real-time data and quick decision-making are crucial, Hiperwall’s video wall solutions allow operators to view multiple streams of information on a single, unified display interface. For instance, traffic management centers can monitor road conditions, traffic cameras, weather data, and navigation systems simultaneously to manage and respond to incidents faster and more efficiently.

Pain Points of Video Wall Solutions for Multiple Screens Sharing

Video walls, while offering significant advantages in command centers and other environments requiring large-scale visual displays, come with a set of challenges, particularly when dealing with multiple screen sharing:

Aspect Ratio and Resolution Issues: When different source content is displayed on a video wall, mismatches in aspect ratios and resolutions can lead to distorted or cropped images. This is especially problematic if the video wall has a non-standard resolution or a configuration different from the source content’s original aspect ratio. Hiperwall addresses these issues by including scalable solutions and flexible video wall controllers that can adjust content to fit various display sizes and resolutions properly, ensuring that images maintain their quality and no screen space is wasted.

Complex Integration: Integrating multiple screens to operate as a single cohesive unit can be challenging, particularly when these screens are from different manufacturers or use different technologies. Hiperwall software facilitates integration by supporting a wide variety of hardware and content formats, making it easier to manage diverse inputs and outputs without compatibility issues.

Content Management and Distribution: Managing and distributing content effectively across multiple screens can be cumbersome. Hiperwall offers robust content management features, allowing users to control what is displayed and how it is arranged across different panels. This functionality is crucial for environments like command centers where real-time data and responses are critical.

Interactivity and Engagement: For settings that benefit from interactive displays, such as educational or retail environments, traditional video walls may lack the necessary engagement features. Hiperwall combats this by supporting interactive content and touch capabilities, which can transform passive displays into active engagement tools.

How Hiperwall Enhances Operations with Allwave AV Systems Integration

Allwave AV Systems can significantly enhance the operation of Hiperwall solutions by providing expert installation and customized integration services. This includes ensuring that all components of the video wall work harmoniously within the given infrastructure, thus enhancing overall reliability and user experience. Allwave AV’s expertise in AV solutions also means that any scalability and integration challenges are addressed efficiently, providing a seamless setup that leverages Hiperwall’s advanced capabilities.

Conclusion

Hiperwall, supported by Allwave AV Systems’ integration expertise, offers a transformative solution for organizations looking to upgrade their command centers. By addressing critical pain points with tailored, scalable, and flexible AV solutions, they ensure that command centers can operate at peak efficiency and effectiveness.

[erikasandersonactor]

From Benedek Productions:

It’s time for a brand new episode of 3 minutes to curtain call! 🎉

For our 6th episode our creative director Beatrice Benedek sat down with Buckinghamshire-based actor, director and voice actor Erika Sanderson 🎭

The Royal Central School of Speech and Drama alumna delighted us with her exciting stories about her career path and development, the unconventional way she got to where she is now, and the beautiful ‘accidents' that propelled her to being an award-nominated voice actor and a sought after character actress! 💯

Her voice has brought a myriad of characters to life in video games, podcasts, audio dramas and movies and has captivated audiences all over the world! 🤩

Keep and eye out on our socials and stay tuned for this month's episode, airing on Friday the 25th of August! You will not want to miss it! 😎

Photo Credit @ Unbound Theatre | Dario Knight

[lemon-3ds]

His name is Ian.......................

[glorious-blackout]

@aeolianblues This was supposed to be a little introduction playlist to Sparks/Richard Hawley/Kaizers Orchestra and then just ended up being a bit of a mess of random songs and occasional Scottish bands you may or may not like. I’m sure I could add more but my brain is currently scrambled so this should do for now 😅

[obstinaterixatrix]

Well basically I think an important way of connecting with people, even superficially, is to actually express what you like and express interest in what other people like. Gives folks something to work with.

[jrueships]

diggs isn't leaving his contract got restructured a few days ago 😭 https://twitter.com/FieldYates/status/1635806231691505665?s=20

diggs doing all that drama just to restructure and fly his ass off to Paris so he doesn't have to hear the hoorays or celebrations..

[thethief1996]

I can't stop thinking about the news out of Palestine. Israel is sieging al Shifa hospital. Videos of people's limbs being severed off are haunting (graphic video tw). The hospital has ran out of fuel and 39 babies in incubators are fending for their lives by themselves, because Israel has stationed snipers around the hospital and is shooting all medical crew that walks into their sight.

First, the narrative was Israel would never bomb hospitals. Now, the hospitals are Hamas bases. Then, we respect journalists. Now, we have a fucking kill list of journalists because they are Hamas collaborators. First, we are not letting fuel in until the hostages are released. Now, we are not accepting the hostages back because that would stop our ground invasion and let Hamas win. And I could go on about every single lie they're making up. If you look up "Hamas rape" on google, the first link leads to Times of Israel saying Israel has found no forensic evidence of sexual violence, and only one eyewitness testimony out of 3.5k people attending the rave. If you Google "Hamas beheaded babies" the top links say they have no evidence for the claim besides word of mouth from extremist soldiers. Israeli extremists think about the ugliest goriest scene they can make out in their sick heads, tell that to a international journalist and they run away with it like it's gospel.

And children are being killed in the name of these lies. Thousands are being displaced in images that remind me of the pictures of Tantura 75 years ago, with their hands up so the tanks don't shoot them. Amputees are leaving the hospitals in wheelchairs hours after their surgeries because they are being shot at. Elders who survived the Nakba on 48 are having to walk towards Southern Gaza on foot (imagine walking from one end of your city to the other on foot), displaced again. People are cheering for the haunting images of white phosphorus bombs being dropped over Gaza. Gazan workers who were arrested in the West Bank are being thrust back into the bombings wearing numbered labels.

This is not normal. We are seeing the early stages of the settler colonial genocide of an indigenous population. Native leaders who have visited Gaza say its refugee camps look eerily like reservations. We can stop this. For the first time we are able to see wide scale accounts from the hands of the people suffering the genocide, and Israel is so scared of it they have cut all communications in Gaza.

This is our litmus test. I think we have never seen more clearly, with Palestine, Armenia, Congo and Sudan how colonialism has made our world a rotten place to live in.

The South African apartheid collapsed due to boycotts. We have to do everything in our power to stop Israel's hegemony. Even talking to a group of friends about Palestine changes the status quo. There's no world where we can live peacefully if Israel accomplishes their goals.

Keep yourself updated and share Palestinian voices. Muna El-Kurd said every tweet is like a treasure to them, because their voices are repressed on social media and even on this very app. Make it your action item to share something about the Palestinian plight everyday. Here are some resources:

Al Jazeera, Anadolu Agency, Mondoweiss

Boycott Divest Sanction Movement

Palestinian Youth Movement is organizing protests and direct action against weapons factories across the US

Mohammed El-Kurd (twitter / instagram)

Muhammad Shehada (twitter)

Motaz Azaiza (instagram) - reporting directly from Gaza.

Hind Khudary - reporting directly from Gaza. Her husband and daughter moved South to run from the tanks but she stayed behind to record the genocide. The least we can do is not let her calls fall on deaf ears.

You can participate in boycotts wherever you are in the world, through BDS guidelines. Don't be overwhelmed by gigantic boycott lists. BDS explicitly targets only a few brands which have bigger impact. You can stop consuming from as many brands as you want, though, and by all means feel free to give a 1 star review to McDonalds, Papa John, Pizza Hut, Burger King and Starbucks. Right now, they are focusing on boycotting the following:

Carrefour, HP, Puma, Sabra, Sodastream, Ahava cosmetics, Israeli fruits and vegetables

Push for a cultural boycott - pressure your favorite artist to speak out on Palestine and cancel any upcoming performances on occupied territory (Lorde cancelled her gig in Israel because of this. It works.)

If you can, participate in direct action or donate.

Palestine Action works to shut down Israeli weapons factories in the UK and USA, and have successfully shut down one of their firms in London.Some of the activists are going on trial and are calling for mobilizing on court.

Palestinian Youth Movement is organizing direct actions to stop the shipping of wars to Israel. Follow them.

Educate yourself. Read into Palestinian history and the occupation. You can't common sense people out of decades of propaganda. If your arguments crumble when a zionist brings up the "disengagement of Gaza", you have to learn more.

Read Decolonize Palestine. They have 15 minute reads that concisely explain the occupation (and its colonial roots) and debunk popular myths, including pinkwashing.

Read on Palestine. Here's an amazing masterpost.

Verso Book Club is giving out free books on Palestine (I personally downloaded Ten Myths about Israel by Ilan Pappe. If you still believe in the two states solution, this book by an Israeli professor debunks it).

Call your representatives. The Labour Party in the UK had an emergency meeting after several councilors threatened to resign if they didn't condemn Israeli war crimes. Calling to show your complaints works, even more if you live in a country that funds genocide.

FOR PEOPLE IN THE USA: USCPR has developed this toolkit for calls, here's a document that autosends emails to your representatives and here's a toolkit by Ceasefire in Gaza NOW!

FOR PEOPLE IN EUROPE: Here's a toolkit by Voices in Europe for Peace targeting the European Parliament and one specific for almost all countries in Europe, including Germany, Ireland, Poland, Denmark, Sweden, Netherlands, Greece, Norway, Italy, Portugal, Spain, Finland, Austria, Belgium Romania and Ukraine

FOR PEOPLE IN THE UK: Friends of Al-Aqsa UK and Palestine Solidarity UK have made toolkits for calls and emails

FOR PEOPLE IN AUSTRALIA: Here's a toolkit by Stand With Palestine

FOR PEOPLE IN CANADA: Here's a toolkit by Indepent Jewish Voices for Canada

Join a protest. Here's a constantly updating list of protests:

Global calendar

Another global calendar (go to the instragram of the organizers to confirm your protest)

USA calendar

Australia calendar

Feel free to add more.

[doyoulikethissong-poll]

Bad Lip Reading - Seagulls! (Stop It Now) 2016

Bad Lip Reading is a YouTube channel created and run by an anonymous producer from Texas who intentionally lip-reads video clips poorly for comedic effect. Some of the channel's original songs are available on Spotify and Apple Music.

In December 2015, Bad Lip Reading simultaneously released three new videos, one for each of the three films in the original Star Wars trilogy. These videos used guest voices for the first time, featuring Jack Black as Darth Vader, Maya Rudolph as Princess Leia, and Bill Hader in multiple roles. The Empire Strikes Back BLR video featured a scene of Yoda singing to Luke Skywalker about the dangers posed by vicious seagulls if one dares to go to the beach. BLR later expanded this scene into a full-length stand-alone song called "Seagulls! (Stop It Now)", which was released in November 2016, and eventually hitting #1 on the Billboard Comedy Digital Tracks chart.

Mark Hamill, who played Luke Skywalker in the Star Wars films, publicly praised "Seagulls!" (and Bad Lip Reading in general) while speaking at Star Wars Celebration in 2017: "I love them, and I showed Carrie [Fisher] the Yoda one… we were dying. She loved it. I retweeted it… and [BLR] contacted me and said ‘Do you want to do Bad Lip Reading?’ And I said, ‘I'd love to…’”. Hamill and Bad Lip Reading collaborated on Bad Lip Reading's version of The Force Awakens, with Hamill providing the voice of Han Solo. The Star Wars Trilogy Bad Lip Reading videos led to a second musical number, "Bushes of Love", which hit #2 on the Billboard Comedy Digital Tracks chart.

May the 4th be with 71,6% of you!

[felassan]

SAG AFTRA news update:

"SAG-AFTRA Members Who Work on Video Games Go on Strike July 25th A.I. Protections Remain the Sticking Point SAG-AFTRA National Executive Director & Chief Negotiator Duncan Crabtree-Ireland, acting under the authority delegated by the SAG-AFTRA National Board, and with the unanimous advice and counsel of the Interactive Media Agreement Negotiating Committee, called a strike of the Interactive Media Agreement, effective July 26 at 12:01 a.m. Today’s vote to strike comes after more than a year and a half of negotiations without a deal. The convenience bargaining group with whom SAG-AFTRA is negotiating includes Activision Productions Inc., Blindlight LLC, Disney Character Voices Inc., Electronic Arts Productions Inc., Formosa Interactive LLC, Insomniac Games Inc., Llama Productions LLC, Take 2 Productions Inc., VoiceWorks Productions Inc., and WB Games Inc. Any game looking to employ SAG-AFTRA talent to perform covered work must sign on to the new Tiered-Budget Independent Interactive Media Agreement, the Interim Interactive Media Agreement or the Interim Interactive Localization Agreement. These agreements offer critical A.I. protections for members. Negotiations began in October 2022 and on Sept. 24, 2023, SAG-AFTRA members approved a video game strike authorization with a 98.32% yes vote. Although agreements have been reached on many issues important to SAG-AFTRA members, the employers refuse to plainly affirm, in clear and enforceable language, that they will protect all performers covered by this contract in their A.I. language. “We’re not going to consent to a contract that allows companies to abuse A.I. to the detriment of our members. Enough is enough. When these companies get serious about offering an agreement our members can live — and work — with, we will be here, ready to negotiate,” stated SAG-AFTRA President Fran Drescher.   “The video game industry generates billions of dollars in profit annually. The driving force behind that success is the creative people who design and create those games. That includes the SAG-AFTRA members who bring memorable and beloved game characters to life, and they deserve and demand the same fundamental protections as performers in film, television, streaming, and music: fair compensation and the right of informed consent for the A.I. use of their faces, voices, and bodies. Frankly, it’s stunning that these video game studios haven’t learned anything from the lessons of last year - that our members can and will stand up and demand fair and equitable treatment with respect to A.I., and the public supports us in that,” said Crabtree-Ireland. “Eighteen months of negotiations have shown us that our employers are not interested in fair, reasonable A.I. protections, but rather flagrant exploitation. We refuse this paradigm – we will not leave any of our members behind, nor will we wait for sufficient protection any longer. We look forward to collaborating with teams on our Interim and Independent contracts, which provide A.I. transparency, consent and compensation to all performers, and to continuing to negotiate in good faith with this bargaining group when they are ready to join us in the world we all deserve." said Interactive Media Agreement Negotiating Committee Chair Sarah Elmaleh.  For more information and to search whether a video game is struck, please visit sagaftra.org/videogamestrike."

[source]

[thewispsings]

better streamer | max verstappen

pairing; max verstappen x streamer!reader

summary; after getting completely demolished on stream by user; fartsnifer max makes it his life purpose to win a game against her. to bad he never does and they fall in love instead.

— fartsnifer has posted new photos!

liked by, charlesleclerc, and 57,924 others!

fartsnifer: very nice stream tonight! thank you so much to all those who joined 🫶🫶 and thank you to all of my new followers! welcome, you are now all official fartsnifers 🔥

view comments below!

user1: i love your content but i will not be identified as a fartsnifer.

user2: i too did not want to identify as a fartsnifer. i am now proud to be one 😕

user3: being a fartsnifer is a PRIVILEGE. be proud

user4: i’m sorry but i can’t take you guys seriously while you’re calling yourself fartsnifers 😭😭

user5: this is the girl who embarrassed the f1 grid in cod?!?

user6: this is her!!!

charles_leclerc: @/maxverstappen1, @/landonorris, @/georgerussell63, @/oscarpiastri @/logansargent, @/alex_albon, @/danielricciardo

user7: bro tagged the whole family 💀

user8: LMAO CHARLES???

user9: how did he find her so quick 😭

user10: basically all of f1twt is talking about her 😭😭

maxverstappen1: @/fartsnifer check dms.

user11: MAX WHATTT

user12: willing to bet he’s asking her for a rematch

user13: that’s so ominous “check dms.” LIKE DAMN OKAY

user14: max just accept that she is better than you. it’s okay.

georgerussell63: well well well, if it isn’t fartsnifer herself.

fartsnifer: well well well, if it isn’t the guy who scream like a girl

georgerussell63: um actually, that was @/landonorris, NOT me.

landonorris: why are you lying?

user15: y/n replying to george and not max is killing me 😭

maxverstappen1: check dms.

user16: this is embarrassing max, one comment was enough

user17: i think he wants y/n to check her dms?

oscarpiastri: good game tonight! 👊

fartsnifer: thanks piastri!

user18: thank you oscar for showing y/n that f1 drivers do in fact have decorum 🧍

logansargent: don’t fraternize with the enemy Oscar.

maxverstappen1: check dms please.

user19: oh max…

user20: it just got even more embarrassing

user21: the way y/n is very clearly ignoring him is SO FUCKING FUNNY

user22: i love your content pls don’t die

danielricciardo: please answer Max’s messages.

user23: daniel did max make you do this???

danielricciardo: yes.

maxverstappen1: check dms.

user24: OMG MAX WE GET ITTTT

user24: y/n please answer his dms this is getting sad to watch

— y/n l/n and max verstappen have shared a collaborated post!

liked by maxverstappen1, charles_leclerc, landonorris, and 392,839 others!

fartsnifer: join my stream tonight to watch me humiliate this 3x wdc!! 👊👊

view comments below!

user25: omg she actually answered his messages 😭

maxverstappen1: that is not the photo we agreed on.

fartsnifer: but this one was so much funnier!!

user26: oh i WILL be tuning in

user27: this is going to be the funniest thing ever

user28: strangers to lovers…

user29: OH BROTHERRR

landonorris: best buddy’s with the enemy now mate?

maxverstappen1: i must win.

user30: i love that photo of max

user30: the ways he’s just 🧍

charles_leclerc: woohoo!! go y/n 👏👏

georgerussell63: fake.

landonorris: she is the enemy charles!

logansargent: after she humiliated us on stream? i can’t believe this.

maxverstappen1: you sick traitor. after everything we’ve been through?

charles_leclerc: i like her videos guys 😕

user31: charles leclerc a official fartsnifer confirmed!!

user32: i was planning to sleep early today….but this seems more important

user33: oh but if i said enemies to friends to lovers…

user34: i would say you’re delusional!! 😝😝

— y/n has posted new photos!

liked by maxverstappen1, oscarpiastri, and 583,826 others!

fartsnifer: life feels good when you don’t have to pay for your own dinners 🤤 @/maxverstappen1

view comments below!

user35: hasn’t it already been over a month 🤨

user36: i think they played again and if y/n won max had to pay her dinners for ANOTHER month

user37: they just want an excuse to keep in touch 😒😒

user36: oh most definitely LMAOOO

maxverstappen1: when did i get you sushi?

fartsnifer: like three days ago remember????

maxverstappen1: ah yes! i remember now

user37: max is literally traveling the world racing and still finds time to order y/n dinner online EVERY SINGLE DAY.

user38: he wants her so bad and you can’t convince me otherwise 😐

landonorris: can you play today?

fartsnifer: don’t you have quali today???!?!

landonorris: i mean after 😒

fartsnifer: yeah just tell me when

maxverstappen1: can i join?

user39: omg max no

user40: oh i just got the worst second hand embarrassment jesus christ

user41: that was the saddest sentence ever written

fartsnifer: ofc you can maximilian!!

charles_leclerc: you shouldn’t try this delicious italian restaurant! i’ll send max the address!!

fartsnifer: thank you charles 🫶🫶

maxverstappen1; don’t thank him 🙄 I’m the one buying it.

user42: don’t be jealous max…

liked by 273,827 others!

fartsniferupdates: queen fartsnifer herself was seen at the f1 austrian race today!! i think we ALL know who she was there for… 😉😉

view comments below!

user43: she flew to austria for a MAN ?? 🤨

user44: to be fairrrrr that man is MAX VERSTAPPEN so…

user45: they are so dating!! they literally left together and looked so happy

user46: i fucking knew it

user47: okay enemy’s to lovers…get it ig

user48: maybe y/n can let max win at COD now that they’re a…thing?

user49: y/n looks so good

user50: IKR!!! her hair is chefs kiss

liked by, landonorris, charles_leclerc, fartsnifer, and 763,825 others!

maxverstappen1: finally payed for her dinner in person 💪

view comments below!

user51: oh HE posted her?? yeah he’s in love

user52: he ruined his entire feed aesthetic to post a picture of her 🥹🥹🥹

fartsnifer: i don’t like that picture🧍delete please!

maxverstappen1: karma!

maxverstappen1: and you look cute 🙄

user53: OH!!!

user54: yeah they are definitely dating

landonorris: finally!! God you were getting to annoying with your “she’s so pretty.” “and she’s good at games.” “do you think if we started dating she’d let me win.”

maxverstappen1: delete this.

fartsnifer: too late!! i’ve seen it. no max just because we’re dating doesn’t mean i will let you win

maxverstappen1: 😕

user55: OMG SHE JUST CONFIRMED IT?? THEY ARE ACTUALLY DATING?? HOLY SHIT

user56: girl he literally flew her out to watch him race. ofc they were dating 😭😭

user33: I FUCKING KNEW IT!! FUCK YOU ALL WHO SAID I WAS DELUSIONAL!! WHAT NOW HUH??? YOU SEE THIS?? I WAS RIGHT!! AHAHAHAH

charles_leclerc: ❤️❤️

charles_leclerc: that was for y/n, not max.

maxverstappen1: geez thanks mate!

fartsnifer: love you charles ‼️‼️

user57: LMAOOO

user58: the way charles became a full on fartsnifer fan is so crazy

user59: he literally talks about her all the time too 😭😭 when he was asked what he’s been watching recently he answered “i’ve been watching a streamer named fartsnifer! she’s funny.” he’s so proud about it

georgerussell63: you are all traitors!! after what she did to us that fateful day? i can’t believe this!

fartsnifer: you literally invited me for drinks tomorrow?? 🧍

georgerussell63: SHHHH 🤫🤫

user60: max is dating someone who gos by the name fartsnifer….yeah i didn’t see this coming

. . .

notes: thank you for reading!! hope you enjoyed :))

[eowyn-igneelcheshire]

Reblog this, spread the word

For anyone who is unaware, MAP means "minor attracted person" though this is nothing but a false name Pedophiles use in attempt to weasel their way into the Queer community. If you see anyone using this flag, block them and report them if you can.

Edit: I've seen a lot of people mention this so I'd like to state it here as well so more people can see it. 1) DO NOT REFER TO PEDOPHILES AS "MAPS". The only reason I used it here was to make people aware of what it means in this context. Children are unfortunately extremely likely to run into pedophiles on the internet (I myself was contacted by several back when I was still a minor, some before I even knew what "map" flags were). Some- not all, but some- are very open about being pedophiles, and of the ones who are open about it, most hide themselves behind the title "Minor Attracted Person" and use the "pride" flags they and 4chan users create. I have also run into these kinds of pedophiles on the internet and I only knew that they weren't safe and I needed to block them because I knew about the "map" thing and I recognized some of their flags. Actually using it when talking about pedophiles does nothing but help them hide and it also hurts the animation community. Which brings me to point 2) the term "MAP" in animation is an acronym for "Multi Animator Project". If you see an animation video with MAP in the title it simply means that the video was made in a collaboration between several animators, it is in no way related to pedophiles or pedophilia. We need to stop calling pedophiles MAPs both to stop giving them an "innocent" sounding title and to stop hurting the animators who are simply trying to keep their titles short and simple.

(where I got this image: https://pin.it/6SgjdcX)

@sanityshorror @sobertober6969 thought you two would want to share this with your followers

[tacticalprincess]

thinking about pornstar!könig that’s really just some weird gooner that managed to land the job of his dreams. he started off recording himself fucking into his fleshlight and posting it to pornhub and twitter, desperate for any bit of attention and feedback he could get. wearing a makeshift mask out of shame and embarrassment as he abused the little toy, not knowing how much traction his videos would gain from horny little things like you with a kink for strong, faceless men who whimper and cry when they cum. he would take advantage of his newfound popularity, though, offering to fly the fans he found attractive out to his messy apartment and record himself fucking them, calling it “collaboration” <33

[captainfantasticalright]

In 1985, one of the only persons interested in an interview with a “new” writer called Terry Pratchett, after his publication of the Colour of Magic, was one Neil Gaiman. Neil Gaiman was writing for Space Voyager at the time. "The Colour of Pratchett" was the name given here:

It ran exactly one page inside the June/July issue of that year. The interview took place in a Chinese restaurant in London.

Here is Neil many years later holding that issue. You can see it here if you want. Warning: extremely emotional video.

Neil arrived wearing a grey homburg hat. “Sort of like the ones Humphrey Bogart wears in movies” he later wrote. (Before saying that in fact he did not look like him, but like someone wearing a grown-up’s hat). Terry Pratchett, photo courtesy of one @neil-gaiman, was in a Lenin-style leather cap and a harlequin-patterned pullover. At this point, Terry was already a hat person, although not that hat.

Terry offered Neil this : "An interview needn't last more than 15 minutes. A good quote for the beginning, a good quote for the end, and the rest you make up back at the office"*. (Terry Pratchett had worked many years in journalism by this point ).

But the meeting went terribly well. The two of them realized they had "the same sort of brains". So well indeed, that in 1985, Neil had shown Terry a file containing 5282 words, exploring a scenario in which Richmal Crompton's William Brown had somehow become the Antichrist. Was a collaboration in the cards as of that moment? Not really. But Terry found in Neil someone to whom he could send disks of work in progress and to whom he could pick up the phone sometimes when he hit a brick in the road of his writing.

Terry loved it and the concept stayed in his mind. A couple of years later, he rang Neil to ask him if he had done any more work on it. Neil had been busy with The Sandman, he had not really given it another thought. Terry said, "Well I know what happens next, so either you sell me the idea or we can write it together". **

On collaborating together:

Here is a video of Sir Terry saying why he chose to collaborate with Neil, another video talking about the technical difficulties of writing a book when the two of them where miles apart ,and some pages from Interzone Magazine Issue 207 published December 2006:

An Interview with Sir Terry Pratchett and his works- and Neil Gaiman, where he shortly addresses the process of writing Good Omens.

Terry shortly mentions,

“Neil doesn't rule out another book with me and he was good to write with...yep, it could happen. With anyone else? I don't know, but probably not.?”

Neil says,

"Terry took that initial 5,000 words of mine and ran it through the computer (because I’d lost the files in a computer crash) and made it the first 10,000 words, and it was definitely Good Omens at that point. Neither one thing nor the other, but a third thing.”

"I think Terry could do a very good impersonation of me if he needed to, and I could do a very good impersonation of him; so we knew the area of the Venn diagram in which we were working. But mostly the book found its own voice very quickly. It helped that we were both scarred by the William books when we were kids...”

And as you know, unless you’ve been living in Alpha Centauri, the rest is history. That was the beginning of what would become William the Antichrist and later would get the name Good Omens:The Nice and Accurate Prophecies of Agnes Nutter, Witch. (Title provided by Neil Gaiman and subtitle by Terry Pratchett).

More about the writing process:

Terry took the first 5,000 words and typed them into his word processor, and by the time he had finished they were the first 10,000 words. Terry had borrowed all the things about me that he thought were amusing, like my tendency back then to wear sunglasses even when it wasn't sunny, and given them, along with a vintage Bentley, to Crawleigh, who had now become Crowley. The Satanic Nurses were Satanic Nuns.

The book was under way.

We wrote the first draft in about nine weeks. Nine weeks of gloriously long phone calls, in which we would read each other what we'd written, and try to make the other one laugh. We'd plot, delightedly, and then hurry off the phone, determined to get to the next good bit before the other one could. We'd rewrite each other, footnote each other's pages, sometimes even footnote each other's footnotes. We would throw characters in, hand them off when we got stuck. We finished the book and decided we would only tell people a little about the writing process - we would tell them that Agnes Nutter was Terry's, and the Four Horsemen (and the Other Four Motorcyclists) were mine.

From the introduction to William the Antichrist:

“In the summer of 1987 several odd ideas came together: (..)I found myself imagining a book called William the Antichrist, in which a hapless demon was going to be responsible for swapping the wrong baby over, and the son of the US Ambassador would be completely undemonic, while William Brown would grow up to be the Antichrist, and the demon would need to stop him ending the world. The unfortunate demon, whom I called Crawleigh, because Crawley was a nearby town with an unfortunate name, would have to sort it all out as best he could.

It felt like a story with legs.

Terry took the 5,000 words, and rewrote them, calling me to tell me what he was doing and what he was planning to do. The biggest thing he was going to do, he told me, was split the hapless demon into two characters – a would-be-cool demon in dark glasses (which was, I think, Terry’s way of making fun of me, a never-actually- cool journalist in dark glasses) who had renamed himself Crowley, and a rare-book dealer and angel called Aziraphale, who would embody all the English awkwardness that either of us could conceive.”

William the Antichrist being a direct inspiration of the 1976 film The Omen. If the baby swap had just been a little bit messier and the kid had gone off somewhere else he would have grown up as somebody else. “And then there was a beat and I thought, I should write it, it will be called William the Antichrist” says Neil. ***

“The first draft of Good Omens was a William-book. It was absolutely in every way it could be a William book. It had Violet Elizabeth Bott, it had William and the Outlaws, it had Mr. Brown”.

Over time they realized that they would have more creative freedom if they in their own words filed off the serial numbers. William and the Outlaws becoming Adam and the Them.

But the spirit of Just William was never far away.

The joy for Neil was to construct “perfectly William sentences”. The one when Anathema tells Adam that she has lost the Book, and he tells her that he has written a book about a pirate who became a famous detective and it is 8 pages long… that’s “a William sentence”.

If you want to read more details about William The Antichrist, here are some slides I made.

Good Omens was also inspired by a particularly antisemitic moment in The Jew of Malta and John le Carre's spy novels. (Neil’s ask)

 Then I was reading The Jew of Malta by Kit Marlowe, and it has a bit where the three (cartoonishly evil) Jews compare notes on all the well-poisoning and suchlike they’d done that day, and as a Jew who never quite gets his act together, it occurred to me that if I were the third Jew I’d just be apologizing for having failed to poison a well… And suddenly I had the opening of a book. It would be called William the Antichrist. And it would begin with three Demons in a graveyard… (x).

“When we finished the book we estimated that the words were 60% Terry’s and 40% mine, and the plot, such as it was, was entirely ours.” -Neil Gaiman

"Neil and I had known each other since early 1985. Doing it was our idea, not a publisher's deal." "I think this is an honest account of the process of writing Good Omens. It was fairly easy to keep track of because of the way we sent discs to one another, and because I was Keeper of the Official Master Copy I can say that I wrote a bit over two thirds of Good Omens. However, we were on the phone to each other every day, at least once. If you have an idea during a brainstorming session with another guy, whose idea is it? One guy goes and writes 2,000 words after thirty minutes on the phone, what exactly is the process that's happening? I did most of the physical writing because: 1) I had to. Neil had to keep Sandman going -- I could take time off from the DW; 2) One person has to be overall editor, and do all the stitching and filling and slicing and, as I've said before, it was me by agreement -- if it had been a graphic novel, it would have been Neil taking the chair for exactly the same reasons it was me for a novel; 3) I'm a selfish bastard and tried to write ahead to get to the good bits before Neil. Initially, I did most of Adam and the Them and Neil did most of the Four Horsemen, and everything else kind of got done by whoever -- by the end, large sections were being done by a composite creature called Terryandneil, whoever was actually hitting the keys. By agreement, I am allowed to say that Agnes Nutter, her life and death, was completely and utterly mine. And Neil proudly claims responsibility for the maggots. Neil's had a major influence on the opening scenes, me on the ending. In the end, it was this book done by two guys, who shared the money equally and did it for fun and wouldn't do it again for a big clock." "Yes, the maggot reversal was by me, with a gun to Neil's head (although he understood the reasons, it's just that he likes maggots). There couldn't be blood on Adam's hands, even blood spilled by third parties. No-one should die because he was alive." -("Terry Pratchett : His World”)

(Here are some slides of mine where I go into some other details concerning the origins of Good Omens).

Another wonderful insight with Rob Wilkins in "The Worlds of Terry Pratchett".

*Quote: from Terry Pratchett A Life With Footnotes by Rob Wilkins, but said by Terry of course.

** All the quotes, facts listed here : see above.

***all other quotes by Neil Gaiman from various interviews and asks I’ll link.

[jaydove-writes]

If you're looking for @princesssparkle42 or @jaydovesworld they're my old names for this blog

Doing one of those note things for motivation (or notivation because notes lol)

25 notes - I do the dishes and clean out the litter box (done, for now... But these are Sisyphean tasks)

50 notes - I clean up around the house (I did a little cleanup, might do more later)

100 notes - I do a little work on my book (it still needs editing before I can publish it and write the sequel, but I'll do some work on that when my PC stops crashing)

250 notes - I start working on book 2 (or work harder on editing book 1 if it still needs it)

500 notes - I participate in artfight (in the first July after it reaches this threshold. I doubt it'll get there by this month.)

1k notes - I start working on a video game in the Starbourne multiverse. A small one, like Undertale is to Deltarune. I'm calling it Saturn Robe which is an anagram for Starbourne, like Undertale is for Deltarune.

2.5k notes - I start working on my dream game, Starbourne. The one that's the reason I started writing in the first place. (If the small game isn't finished I work harder on that)

5k notes - I dedicate my time to taking care of myself/my partner/my family, and working on my dream game.

10k notes - I become a god in the Tumblrverse (this will not happen)

If you want to know more about Starbourne, check out my other blog @phiction-of-grandeur and my community for more details. My askbox is always open if you want to ask me something.

Here's the first book now:

[sreegs]

You're interviewing as a software engineer and you sit down to begin a coding exercise via remote video chat. Your interviewer joins a minute late. You exchange light pleasantries, then intros. They ask you a few questions relevant to your experience and you answer them satisfactorily.

The interviewer says, "Right, lets move on to the coding exercise," and directs you to a collaborative coding website. You select your language of choice and they begin to describe your problem.

"You have an array of souls recently liberated from their mortal shell, represented by this array of signed floats called "theDead". You must design a function that determines which souls go to heaven and which souls go to hell,"

"Heaven and hell are empty. The cumulative value of all the souls in heaven and hell must both be nonzero, and exactly equal to each other. You may leave any number of souls in purgatory,"

"Your function must return a bool indicating whether the balance of heaven and hell can be met given the array of souls. The count of souls will be 0 < n < 1,000,000. Do you have any questions before you begin?"

[dipnots]

Creating Stunning Youtube Videos- The Revolutionary Video Maker App

Creating Stunning Youtube Videos- The Revolutionary Video Maker App

Making YouTube videos has never been easier! With the right tools and a bit of creativity, anyone can create a professional-looking video that will capture the attention of viewers. Making YouTube videos can be a fun and rewarding experience, and with the right tools and a bit of creativity, anyone can do it. So why not give it a try and see what you can create? Pictory is a revolutionary new…