#Until something reminds you it's there

[jthepearlord]

On a lukewarm take.

I'll tell you right now, most adult mainstream media is not more "subtle" in is subtext than children's mainstream media.

Why is that? Children's entertainment can't get away with a lot of literal imagery.

Like queer rep, ND rep, and or most political issues.

So it requires the use of symbolism and subtext to get through it to it's audience with enough deniability to not upset the status quo.

Symbolism I've found to be much more powerful in a lot of all ages media than in adult and YA entertainment.

That is to say, all media should be consumed with our own biases in mind.

Instead of saying, X was bad and irredimible, people should be asking themselves, "why does this character make me FEEL this way about them, how much of that is intentional and how much of it is my own interpretation, why Y character forgave them so easily, what reasons do they have".

I consume all sorts of media, and most adult media I enjoy is adult media produced by artists mostly known for children's entertainment, they more often understand nuance and earnestness that a lot of newer adult guested media does not.

Do you think kid shows are black and white? Boy, I have bad news about cop thrillers.

I jest tho it's easier to extrapolate character from simplicity and earnestness than from media that is constantly embarrassed of being "too weird and unserious".

Some people consume only adult media, (not cartoon adult media like, just in general mainstream media) and have the media literacy of a fish.

I do think is important to watch everything you find mildly interesting, wether or not it's withing your preferred générés, demographics, and styles.

But I find it iffy to imply that all ages media is mostly not nuanced, because "they have to appeal to children black and white mentality" when that's just a big misconception.

Any weird vibes check my tags

[creekfiend]

I saw this on FB today and I wanna try and express something about it. Like, you know the curbcutter effect? Where when curbcuts are put in it benefits everyone (bicyclists, people with baby strollers etc) and not just disabled people?

There is also whatever the opposite of the curbcutter effect is. And this is that.

This isn't just anti-adhd/autism propaganda... this is anti-child propaganda.

Kids have developmentally appropriate ways that they need to move their bodies and express themselves and sitting perfectly still staring straight ahead is not natural or good for ANY CHILD.

Don't get me wrong, I was punished unduly as a kid for being neurodivergent (and other types of kid will ALSO be punished unduly for it... Black kids come to mind) and thus UNABLE to perform this -- but even the kids who ARE able to perform this type of behavior are not SERVED WELL by it. They don't benefit from it.

This is bad for everyone.

The idea that bc some kids may be capable of complying with unfair expectations, those expectations don't hurt them... is a dangerous idea. Compliance isn't thriving. Expectation of compliance isn't fair treatment.

[obsessedwithstarwars]

Question for the DP fandom:

Do you think Danny’s hair turns white when it falls out? It’s technically dead cells anyway but when it naturally falls off his head, do you think it turns white? Because I think it would be hilarious if his hairbrush just has white hair, no black strands whatsoever, and his significant other thought the worst until they know his secret.

[gayofthefae]

You know how I know Mike is queer?

These are the same person. Mike is an inherently caring, loving, and protective person. It's what Will called out in 4x08 and reminded us of with Mike's desire and practice in attempt to be a "hero" and be able to help the ones he loves.

But when El tells him she feels unloved by him, he doesn't comfort her. At all. He defends himself. He doesn't even say "yes I do". He says "I say it". Even when he's arguing that he loves her, he is defending himself, not comforting her. If he was comforting her he would have reacted to her crying at all. He doesn't. He just becomes increasingly desperate and escalates the tactics that are making her cry more.

Because the accusation is that important to him. Not many things could be so important to him that he would deprioritize her or taking care and protecting and comforting those he loves. He even does quite well at it at the start of the scene. We have PROOF that he is pretty stable these days with any sort of accusation or invalidation with how well he takes "you don't understand" and simply asks questions without any sort of offense. So he CAN take it. He takes it IN THIS CONVERSATION.

But when she says he doesn't love him, he stops the "they just don't know you". He stops the "don't say that about yourself, you're lovable," which is what this is really about for her. If he had said that even if he couldn't say it himself, it might have still helped a little bit: frame it as his own fault if he can't. But he couldn't do that. Instead, he went with how it reflected on HIM that he couldn't say it and defended himself AGAINST her. FOUGHT her on it.

There are few things that can make him fight a person. And they've all actually been pretty similar. They're all El:

"You're prioritizing El over Will"

"There is something off about your relationship with El"

"You're prioritizing El over [Will]"

"He's right that your and [El's] relationship wasn't a good one"

"Your and El's relationship wasn't a good one"

"You're prioritizing El over [Will]"

"You don't love [El]"

He is comforting. He is kind. He prioritizes others' comfort and safety consistently. He takes other accusations fairly lightly and focuses back onto the person making them and their emotions. And yet, what does he say in those instances and only those instances?

"SHUT. UP."

"You lying piece of shit. You're crazy!"

"It's not my fault you don't like girls!"

"He's just some crazy old man"

"You're conspiring against me!"

"We're friends! We're friends!"

"You're being ridiculous. What is this?"

People who say his character has gotten worse are stating it under the idea that he is always like this. The entire discovery so many people, including myself, had that he's queer was because we noticed that his outbursts were consistent. People think he's random and angry because they think the situations are random: Lucas, Hopper, Will, Max, El. But they're forgetting to note what each of those people questioned about him right before.

The biggest proof is that he doesn't ever talk like this outside of these situations. It's lighthearted debates and empathetic conversations.

Mike Wheeler is a kind person. If he said "You're being ridiculous. What is this?" it is not just because he's scared of vulnerability or commitment.

[currentlyonstandbi]

[darlingod]

It’s just… it is everything that Cardan thought Jude would notice his “SO OBVIOUS” exile riddle and thinks Jude to not hesitate to come back. Beside his certainty of her cleverness to piece the riddle together, he believed he was that clear about his feelings toward her; he had thought she absolutely ought to know how he feels for her.

Like oh buddy. BUDDY. Your wife had thought of the answer to your little riddle like you thought she would. But guess what? She has detrimental TRUST ISSUES. (Like… Ur super mean and hot, I can’t blame her.) Anyway.. it’s SUPER adorable of him to so wholeheartedly believe she wouldn’t question his trust. It reveals so much about his pov of thier relationship.

Jude thought Cardan’s (silly) trick was a (vile) trick, when it was simply a: “Im trying to impress/pay you back in kind with our romantic metaphorical sparring and eventually get you out of political drama for a bit,” trick.

I’m fucking laughing wow these delusional ass children I fucking love them.

[tricoufamily]

to be fair you have to have a very high iq to like strangerville (also young cahill and. some guy)

[canisalbus]

this image came to me a while back and wouldn't leave me alone until i brought it into the world, and after seeing your Barbenheimer art i thought i might send it to you. love all your work, and it's been great seeing the development of these two! <3

.

[crumbleclub]

michael: do i really have trauma, though?

jeremy: dude. your dad is literally a serial killer

michael: yeah, but he didn't serial kill me

[deeva-arud]

Deeva Årud - Club Wear Voice Lines

When Summoned: Lights dimmed, tension building up… Are you ready to feel our rhythm? Summon Line: Playing music with friends is fun, I’m glad to be here even though I’m starting to feel a bit nervous.

Groooovy!!: We’d be delighted to see you at our next show. Spotting a familiar face among the crowd is always nice. Home: “Let’s rock and roll”, as some would say. Home Idle 1: I joined the Pop Music Club on my second year. Perhaps it’s quite a drastic change from my previous club but… it’d be a lie to say I’m not enjoying my time here. Home Idle 2: Most of the time I’m the one suggesting we should practice, but somehow Lilia, Cater and Kalim always distract me with all these unknown snacks and gadgets. Sometimes I have the feeling they do it on purpose… Home Idle 3: I need to warm my hands, it’s hard playing an instrument when they’re cold. Home Idle – Login: *humming Piece of My World* Ah- sorry, I didn’t see you there. Can I help you with something? Home Idle – Groovy: I’ve been playing violin and other instruments since I was a kid. My family has always had a connection with music and I’ll gladly continue this legacy. Conveying your thoughts and feelings through sounds is quite satisfactory. Home Tap 1: My first concert with them? Since it was the first time I’d be playing in front of many people, I knew I’d have a hard time trying to look at the audience. Cater noticed and told me to look at him so I could feel less overwhelmed… Let’s say I didn’t expect him to be so literal. His clones substituted the audience because no one came to see us. Home Tap 2: Hm, my violin? Indeed, it’s not the same one I use at Mostro Lounge. An electric violin is more suitable for the club’s activities. I’m surprised you noticed it. That means someone’s been paying too much attention to the musician playing ambience music… That was a joke. Home Tap 3: Kalim and I joined the club in the same year so I got to see how much he’s improved his drumming technique. It’s impressive. Certainly, Lilia’s been an excellent teacher to him. Home Tap 4: I like the idea of having customized masks for our performances. Maybe I should mention it once we have enough funds. Home Tap 5: I recently accepted to do some vocals just for our club sessions. You can come see us, but please refrain from telling everyone else. At the moment, I only feel comfortable singing for a few people. Home Tap – Groovy: When it comes to a band like this many wouldn’t think of a violinist, but that actually gives songs an interesting feeling, don’t you think? Duo: [DEEVA]: Ready for a shocking performance, Cater? [CATER]: Ready as ever, Dee-chan!

[blue-eli]

Skuld in quantum design :)

[share-the-damn-bed]

🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️

✨ MANIFESTING ✨

🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[necrotic-nephilim]

in lieu of having posted any writing/headcanons/asks in the past few days because i have been *so* busy and unable to do anything fandom-related which is terrible and evil, i have a poll out of morbid curiosity and self-indulgence. i've been meaning to ramble here about how i feel about DC's lack fo Deaf representation and which Batfam members i would personally make Deaf, but i am mildly curious about the larger opinion and now i will subject you all to the question, i would love to hear thoughts/opinions/headcanons on any specific choices. (would love d/Deaf/HoH opinions esp but i'm mostly expecting this to reach the hearing crowd, so opinions from hearing ppl are ones i'm very curious about. if you've never given it thought before you are going to now or else /lh)

[deservedgrace]

i appreciate the curiosity and desire to understand when people ask me what growing up religious/in a cult was like, how religion and religious trauma impacts me, why i'm so against christianity, but i kind of dread those questions now because it's so... impossible to explain it properly. i don't know how to explain to people that don't have that experience that it's everything and it's a million little things.

[methoughtsphantom]

Wine Aunt Fright Knight Au

Have me a Fright Knight mistaking bby ghost Jason for the halfa child and kidnapping him, leaving him alone for a moment only to find the bby ghost freed himself in seconds and hid to grab him from behind and backflip him so fast he send him crashing to the window of which the kid stole the black curtain of to hide the makeshift of a mess his robin suit was.

hearing as he gets his bearings “sorry guy i already filled my quota in being kidnapped by tall black and broody shadow cryptids.” and watching the little dude disappear in a dramatic cape (curtain) sweep.

having the child pull up sometimes to the place he kidnapped him to to, in his words, eye some books he saw the first time. threaten to pull out the big guns (his sword) and make the kid live his worst nightmare only to get as a reply how unoriginal he is, like been there done that dude, rip off a new one, scarecrow did it better

literally having a bby ghost dodge every single attempt you make at slashing them with your sword without ever having to rely on his ghost powers, the kid is just like part acrobat and martial artist and escape artist and knows to pinpoint every fear tactic he uses and is just snark personified except when he throws at the older ghost references of books he doesn’t have in his lair to make him have them the next time he comes by

Jason the first time he knocks the bucket head of the Fright Knight: i thought you were the black knight not the headless horse, what the fuck really, did your mom just put all the legends in a blender and called it a day??

just a newborn ghost that apparently doesn’t even know how to ghost (nothing can convince Fright Knight that that isn’t why he doesn’t use his powers) and that he always tell to scurrie off nevermind he reminds him of someone, the kid just got quiet the one time he didn’t answer with a grunt and asked who.

just a lil teenager reminiscent of the fighting, a kid so obviously made out to be a weapon that it slowly tears at the Fright Knight how clear it always was.

just a big scary knight of terror ghost at first frustrating over this menace of a child he doesn’t want to acknowledge he’s getting fond of so he continues to attempt to slash him with his sword knowing the second the kid disappeared he would bring him back, and to who he glowers to when he sits next to him to read a book and talk about it. infinitely confused on why the kid seeks out his presence like there’s something familiar of it. begrudgingly coming to the realization he doesn’t want the kid to hurt. hesitantly making peace that’s it’s just jason projecting a safe figure of his past on him.